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TV Draft Round 5 – Pick 2 – Keith Selects – 30 Rock

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Welcome to the Hanspostcard TV Draft. I hope you will enjoy it! Today’s post was written by Keith at https://nostalgicitalian.com/

For this round of the TV Show Draft, I figured I would jump ahead a few years to prove that I watch shows that aired after 1980! There are very few shows that actually make me laugh out loud. For this round, I want to feature one of them – 30 Rock.

The show aired on NBC from 2006-2013 and was created by Tina Fey (who also starred on the show). It was based on many of her experiences while working as a writer on Saturday Night Live (SNL). The show was actually produced by SNL’s Lorne Michaels, and the character of Jack Donaghy is said to be loosely based on Michaels.

The show was nominated for Primetime Emmy Awards every year it was on the air. It won for Outstanding Comedy series in 2007, 2008, and 2009. In 2009, the show was nominated for a whopping 22 Primetime Emmy Awards – the most in a single year for a comedy series. The Associated Press once wrote, “NBC’s Thursday night comedy block – made up of My Name Is Earl, The Office, Scrubs, and 30 Rock – is consistently the best night of prime time viewing for any network!”

In the first episode of the series, Liz Lemon (Tina Fey) is the head writer for an NBC comedy series, The Girlie Show. It stars her best friend, Jenna Marone (Jane Krakowski). When Jack Donaghy (Alec Baldwin) enters as the new NBC Executive, he begins to revamp things at the network, including The Girlie Show. In the episode, he forces Liz to hire the very unpredictable (and sometimes crazy) Tracy Jordan (Tracy Morgan) as the new star of the show, which will now be called TGS with Tracy Jordan.

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A typical episode would feature the rigors of writing a comedy show, the jealousy of Jenna after being forced to share stardom with Tracy, Tracy’s immature behavior, arguments between Jack and Liz, and pokes fun at NBC’s parent company (at the time) General Electric.

As with many of the shows being featured throughout the draft, 30 Rock is one of those shows that features a wonderful ensemble cast – each with their own distinct and unique personality. The blending of these personalities is just one of the many reasons why this show is so funny. Wikipedia has a wonderful description of each cast member (here are a few):

Liz Lemon (Tina Fey) – a “sexually frightened know-it-all” and head writer of TGS
Tracy Jordan (Tracy Morgan) – the loose-cannon, crazy, and unpredictable star of TGS
Jenna Marone (Jane Krakowski) – original star of the Girlie Show, now co-star of TGS. She is Liz’s constantly attention-seeking, arrogant, and clueless best friend.
Kenneth Parcell (Jack McBrayer) – the cheerful, obedient, Southern-born NBC page who “lives for television.”
Jack Donaghy (Alec Baldwin) – the decisive, controlling, suave, and occasionally senseless network executive who constantly interferes with the on goings of TGS.

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In the 7 seasons that 30 Rock was on the air, there are thousands of laughs, ridiculous story lines, hundreds of catchphrases, and quirky characters. So what makes it such a funny show? Here are just a few reasons.

Rapid Fire Humor

Today, most comedy shows are designed for a laugh or two. Long build ups with poor payoffs which basically allows the viewer to watch without really having to pay attention. 30 Rock, however, was like watching a stand-up comic. The jokes (and insults) come at you one after another! Those lines are often delivered in a straight manor by the actor. It is reminiscent of the movie Airplane! where the actors are spouting off silly lines with a serious tone and deadpan. I feel like every time I watch an episode, I catch something I miss (just like when I watch Airplane!).

Lots and Lots of Guest Stars and Cameos

I’ve always loved to see actors appear on Saturday Night Live and do some off the wall character. Many of the guest stars on 30 Rock did just that. Some of the stars who appeared over 7 seasons include: Edie Falco, Jennifer Aniston, Selma Hayek, John Lithgow, Megan Mullally, Peter Dinklage, Steve Martin, Julianne Moore, Jon Bon Jovi, Matt Damon, James Franco, Susan Sarandon, Alan Alda, Ice-T, Richard Belzer, Michael Keaton, Paul Giamatti, and Buck Henry!

Other guest stars appeared as themselves – Buzz Aldrin, Oprah Winfrey, Jerry Seinfeld, Condoleezza Rice, and Al Gore, for example. Recurring characters included Chris Parnell as Dr. Leo Spaceman (pronounced “spa-che-man), Jason Sudeikis as one of Liz’s boyfriends, Dean Winters as Liz’s ex-boyfriend, Will Arnett as Devon Banks (a guy out for Jack’s job), Rip Torn as Jack’s boss and mentor, and the great Elaine Stritch as Jack’s mother.

The Running Gags and Catchprases

Tina Fey loves a good running joke and there were plenty on 30 Rock. Some of them even spilled over into use in pop culture. For example:

“Blergh” is a handy expression you can use when the network won’t let you swear on TV. It is not a coincidence that it is also the brand of furniture from Ikea that Liz Lemon buys! Google trends suggests that 30 Rock pushed the word into the mainstream after it appeared in Season 1’s 2007 episode “Cleveland.” As it often happens with slang, blergh has become so prevalent, people will probably forget where it came from.

“Deal Breaker” is not a new phrase. It has roots dating back to 1979, and it was a Harlen Coben Book title in the 90’s. However, it gained new popularity after 30 Rock used it to describe relationships. Fey’s character write a book the points out all the “deal breakers” in relationships (“He never takes off his socks? Dealbreaker!”)

“I want to go to there” is a phrase that is exclusive to 30 Rock. We even know where it came from: Tina Fey got the odd grammatical construction from her young daughter Alice, and it quickly became one of 30 Rock’s most repeated quotes.

The “EGOT.” In 2008, Tim Long wrote a piece for Vanity Fair about Philip Michael Thomas, who, Long said used to wear a gold medal that simply said “EGOT,” which stood for Emmy, Grammy, Oscar, and Tony,” awards Thomas planned to win in the next five years. The following year on 30 Rock, Tracy Jordan finds a diamond EGOT necklace and sets out to join the elite ranks of such all-around winners. Tracy reached his goal in Season 5, and, thanks to 30 Rock, the EGOT has become a term used in the entertainment biz today.

“Good God” is a phrase that is often used by Jack in various situations. The 30 Rock YouTube page has a video compilation of some of his best “Good God” moments. My favorite was spoken to an ill Liz Lemon after she get’s in Jack’s face and speaks. Jack simply says, “Good God, Lemon. Your breath! When did you find time to eat a diaper you found on the beach?”

So Quotable

30 Rock is one of those shows that you really just have to watch. I find it really hard to describe WHY you should watch it other than the reasons above. Baldwin was simply hilarious on the show, as was Tina Fey. The cast works so well together and the insane situations that are presented are so ridiculous, you can’t NOT watch. There are so many little “toss ins” and “cut aways” involved. A cast member will say something – the camera cuts to a brief scene – and back to where it cut away. Those “toss in” jokes never cease to make me double over in laughter.

At the same time, the writing and deliver of the dialogue is just brilliant. I thought I’d share a few of my favorite lines:

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Jack Donaghy

“I’m not a creative type like you, with your work sneakers and left-handedness.”

“What’s wrong, Lemon? When I see you chew your nails like that, it’s either you’re very anxious, or you handled some ham earlier.”

“I only pass gas once a year, for an hour, atop a mountain in Switzerland.”

“Never go with a hippie to a second location.”

“Ambition is the willingness to kill the things you love and eat them to survive. Haven’t you ever read my throw pillow?”

“We all have ways of coping. I use sex and awesomeness.”

“The world is made by those who control their own destiny. It isn’t made by those who don’t do, it’s made by those who do do. Which is what made me the man I am. I do do.”

Tina-Fey-1-1024x683 Liz Lemon

“We have a show tonight. I’ve never missed a show. Not even the time I had that virus they kept saying only raccoons get.”

“Now I’m heading home for a nooner, which is what I call having pancakes for lunch.”

“Why are my arms so weak? It’s like I did that pushup last year for nothing!”

“I also have a lot of imaginary arguments with couples on House Hunters: Why can’t people look past paint color?”

“You can’t solve all your problems by shooting someone or setting a stranger on fire.”

“Fine, I’ll be okay. I got other ideas, like a microbrewery that also serves frozen yogurt. I’mma call it… Microsoft.”

30 Rock - Season 7 — 30 ROCK — “A Goon’s Deed in a Weary World” Episode 711 — Pictured: (l-r) Tina Fey as Liz Lemon, Tracy Morgan as Tracy Jordan, Jane Krakowski as Jenna Maroney — (Photo by: Ali Goldstein/NBC/NBCU Photo Bank)

Tracy Jordan and Jenna Marone

Tracy:

“Here’s some advice I wish I woulda got when I was your age: Live every week like it’s Shark Week.”

“I’m not going to rehearse. I’m going to get a sandwich and then eat it on the toilet.”

“I watched Boston Legal 9 times before I realized it wasn’t a new Star Trek.”

“I’m gonna say to you what I say to all my sharks right before they die: Let’s go outside.”

“Liz Lemon, I may hug people too hard and get lost at malls, but I’m not an idiot.”

Jenna:

“We’re actors. If we didn’t exist, how would people know who to vote for?”

“Listen up, fives, a ten is speaking.”

“Your new vibe is a double edged sword, much like the one Mickey Rourke tried to kill me with.”

“Okay I’ll do it, but only for the attention.”

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Kenneth Parcell

“But comedy is just as important as drama. People need to laugh, especially in these tough times. And after all, isn’t laughter the best medicine? Except for insulin, Spironolactone, and Bupropion, which I have for you whenever you’re ready, sir.”

“There are only two things I love in this world: everybody and television.”

In Closing

In a 2018 article for Business Insider, 30 Rock was listed as one of the Top 20 shows who have won the most Emmy Awards. It had 16 wins and was nominated 103 times. To me, I’ve never really paid attention to whether or not a show was a big “award winner.” What is important is how it makes me feel. 30 Rock was a show that ALWAYS made me laugh – even the bad episodes had good stuff in them. I could always count on being in a good mood after watching it.

This is a show I wish had lasted longer than 7 seasons …

Replacements – Achin’ To Be

A wonderful song from the band’s sixth album Don’t Tell A Soul. It was the first album with new guitarist Bob “Slim” Dunlap after Bob Stinson quit. They recorded their previous album Please To Meet Me as a trio with Paul Westerberg, Tommy Stinson, and Chris Mars.

Westerberg has claimed the song’s protagonist was a composite of several people, though one inspiration was his younger sister Mary. She was a Minneapolis budding rock radio deejay, Mary was experiencing the same uncertainties Paul had gone through prior to the Replacements. (In the video showed Mary as both Paul’s shadow and reflection.)

The sound of this album turned some of the older fans off. In order to get more radio play the record company brought in Chris Lord-Alge to mix the album. The album had a lot of those eighties effects used to enhance the music. The result was more of a polished Replacements album.

They would release one more album after this one called All Shook Down in 1990. Chris Mars left the band in 1989 and was replaced in 1990 by Steve Foley. The band toured with Elvis Costello in 1991 and would play their farewell gig in Chicago on July 4, 1991.

In 2012 they would regroup with a different drummer and tour until 2015. They sold out some arenas that held around 14,000 people in 10 minutes in some areas. After they broke up their legend grew and they were heard more than they were when they were together originally. For my money…they were the best pure rock band in the 80s for these ears.

Achin’ To Be

Well she’s kind of like an artist
Sittin’ on the floor
Never finishes, she abandons
Never shows a soul

And she’s kind of like a movie
Everyone rushes to see
And no one understands it
Sittin’ in their seats

She opens her mouth to speak and
What comes out’s a mystery
Thought about, not understood
She’s achin’ to be

Well she dances alone in nightclubs
Every other day of the week
People look right through her
Baby doll, check your cheek

And she’s kind of like a poet
Who finds it hard to speak
Poems come so slowly
Like the colors down a sheet

She opens her mouth to speak and
What comes out’s a mystery
Thought about, not understood
She’s achin’ to be

I’ve been achin’ for a while now, friend
I’ve been achin’ hard for years

Well she’s kind of like an artist
Who uses paints no more
You never show me what you’re doing
Never show a soul

Well, I saw one of your pictures
There was nothin’ that I could see
If no one’s on your canvas
Well, I’m achin’ to be

She closes her mouth to speak and
Closes her eyes to see
Thought about an’ only loved
She’s achin’ to be
Just like me

TV Draft Round 5 – Pick 1 – Vic Selects – Sisters

Sisters Pinterest Image One — Photo Credit: Pinterest

Welcome to the Hanspostcard TV Draft. I hope you will enjoy it! Today’s post was written by Vic at https://cosmic-observation.com/blog-posts/

I didn’t catch the first season of this show during its original run but, started watching during season two (it was a while before I got to see season one). I was immediately hooked by the quirky interaction between the sisters and their day to day lives in Winnetka, IL and, I was already a Patricia Kalember fan due to the short-lived Kay O’Brien TV show. ~Vic

Created by Ron Cowen and Daniel Lipman, the series begins one year after the death of the family’s father, Dr. Thomas Reed, a workaholic, played in flashbacks by three different actors but, mostly by Peter White. The matriarch of the family is Beatrice (Elizabeth Hoffman), a long-suffering, neglected wife, who turns to alcohol to deal with the doctor’s multiple affairs. She has four daughters:

☆ Alexandra…”Alex” (Swoosie Kurtz), the eldest. She married a plastic surgeon that had affairs on her and she divorced him, retaining some wealth. After battling breast cancer, she became a talk show host. She frequently butts heads her daughter, Reed Halsey (played by three different actresses, most notably Ashley Judd). She eventually remarries.

Sisters TMDb Image Two — New grouping with Charley, on the left.

Image Credit: TMDb

☆ Theodora…”Teddy” (Sela Ward), the second daughter. At the beginning of the series, she is returning from California and is shocked to discover that her ex-husband, Mitch, is engaged to her youngest sister, Frankie. She, drunk, temporarily, stops the wedding with a shotgun (she inherited Beatrice’s drinking habits). An artist in school, she becomes a fashion designer, helming three different companies. She goes on to marry twice more…to Det. James Falconer (George Clooney), the cop that investigated her daughter Cat’s rape (he was killed in an explosion) and Dr. Gabriel Sorenson (Stephen Collins), the doctor that saved her life when she was shot in the head.

☆ Georgiana…”Georgie” (Patricia Kalember), the third daughter. She is the stay-at-home mom with the most level head of all the sisters. A part-time real estate agent, she is the one the other sisters come to for guidance. She and her husband, John, have two sons, the youngest surviving leukemia. She carries and gives birth to Thomas George, Frankie & Mitch’s son. After trouble with her first son, she has an affair with her therapist, separates from John, has a second affair with a much younger classmate in college and, eventually returns to John.

☆ Francesca…”Frankie” (Julianne Phillips…Springsteen’s first wife), the fourth daughter. She is a highly paid executive, a workaholic like her father and discovered that she was infertile. Georgie becomes her surrogate for her baby. Her work habits break apart her marriage to Mitch. Afterwards, she quits her job and buys a local diner. She eventually moves to Japan for another job.

☆ Charlotte…”Charley” (a doctor, originally played by Jo Anderson, then Sheila Kelley) as the unknown, fifth, illegitimate daughter that shows up in the fourth season, looking for a bone marrow donation (a shift in the story-line as Julianne Phillips prepared to leave the show). The nicknames are a product of their father wanting boys and never getting one. The four older sisters tagged Charlotte with her own nickname.

Supporting Characters:
★ John Witsig (Garrett M. Brown), Georgie’s husband.
★ Mitch Margolis (Ed Marinaro), Teddy’s high school sweetheart, ex-husband & Frankie’s ex-husband.
★ Catherine “Cat” Margolis (Heather McAdam), Teddy & Mitch’s daughter that goes on to be a cop.

Much of the show is full of flashbacks, particularly the interactions of the sisters growing up.

Trivia Bits:
♦ Patricia Kalember’s husband in real life, Daniel Gerroll, had a recurring role in season five. He played psychiatrist Dr. David Caspian, who was counseling her character Georgie.
♦ Julianne Phillips and Patricia Kalember also co-starred in Fletch Lives.
♦ Elizabeth Hoffman was a minor, recurring character on Stargate SG-1 and played Eleanor Roosevelt in two mini-series: The Winds of War (1983) and War & Remembrance (1988-1989).

Scene & Opening Theme

Stanley Brothers – Mountain Dew

Ok…we are veering WAY OFF the power-pop/rock path today! I was reading a biography of Pittsburgh Steelers coach Chuck Noll, and it mentioned he would sing this song occasionally. So reading a bio of an American football coach led to this post…you just never know! To paraphrase Bugs Bunny…we are taking that proverbial left turn at Albuquerque.

I got really curious and looked the song up. It’s great…I’ve always liked these old folk songs and bluegrass music because I respect them so much. I’ve played bluegrass with a professional before, and it is some of the hardest music I’ve tried to play. The time signatures are all over the place, and if you haven’t played the music a lot… it can be tricky. It made me a better musician.

I like the music because it’s so rootsy and earthy. I don’t listen to it a lot, but sometimes I will enjoy an hour or so of it. It reminds me of when my dad would go to work in the morning, and sometimes he would have this music on.

Good Ole’Mountain Dew!

This song is an Appalachian folk song that Bascom Lamar Lunsford first wrote in 1928. Lunsford was an attorney; however, he is very fond of folk songs. He once represented a man in court because he was illegally making whiskey called Moonshine. This experience led him to write the song. He ended up selling the song to Scotty Wiseman, and Wiseman changed a few lyrics but remembered Lunsford…he kept the songwriting credit Wiseman-Lunsford.

These songs are special. They were not trying to write hits…they just wanted to tell stories through songs. Instead of newspapers in the backwoods of the Appalachians, you had these songs.

Many artists have covered the song through the years, like Willie Nelson, Glen Campbell, Mother Maybelle Carter, Grandpa Jones, and more.

Willie Nelson released a version in 1981 that peaked at #23 in the Billboard Country Charts and #39 in Canada.

The lyrics never stay completely the same through the versions, but it still works. We will return to our normal programming in the next post!

Mountain Dew

Down the road here from me there’s an old holler tree
Where you lay down a dollar or two
Go on round the bend come back again
There’s a jug full of that good ole mountain dew

Oh they call it that good ole mountain dew
And them that refuse it are few
I’ll hush up my mug if you’ll fill up my jug
With that good ole mountain dew

Now Mr. Roosevelt told ’em just how he felt
When he heard that the dry law ‘d gone through
If your liquors too red it’ll swell up your head
You better stick to that good ole mountain dew

Oh they call it that good ole mountain dew
And them that refuse it are few
I’ll hush up my mug if you’ll fill up my jug
With that good ole mountain dew

The preacher rode by with his head hasted high
Said his wife had been down with the flu
He thought that I o’rt to sell him a quart
Of my good ole mountain dew

Oh they call it that good ole mountain dew
And them that refuse it are few
I’ll hush up my mug if you’ll fill up my jug
With that good ole mountain dew

Well my uncle Snort he’s sawed off and short
He measures four feet two
But feels like a giant when you give him a pint
Of that good old mountain dew

Oh they call it that good ole mountain dew
And them that refuse it are few
I’ll hush up my mug if you’ll fill up my jug
With that good ole mountain dew

Beatles – Across The Universe

When I became a Beatles fan way back when I was 8 years old…and up to my teenage years I hardly ever heard this one mentioned by people. I’ve seen its popularity grow through the years. My biggest problem with it is they should have spent more time on it. Lennon accused McCartney of subconsciously trying to destroy it. You could see Paul let out a big yawn while rehearsing in the Let It Be film but that probably had more to do with him being tired after hours of playing in a studio…but maybe Lennon had a point.

One of the reasons John got upset with Paul was because instead of getting professional backup singers or a choir…Paul went out the Abbey Road door and grabbed two “Apple Scruffs” to sing backup on the song. That version did not go on the Let It Be album, however. That version was on a charity album.

This first appeared on No One’s Gonna Change Our World, a 1969 charity album for the World Wildlife Fund. Bird noises were dubbed into this version to create a nature theme. It didn’t sound too bad.

When I bought the Let It Be album it took a few listens but soon this one intrigued me. The lyrics alone are enthralling because of the imagery. Since I first heard it, the song has taken on huge popularity.

It even had a movie that was made around its title and worked around Beatle lyrics in 2007. That alone boosted its popularity.

I always wondered about the Jai guru deva om phrase. “Jai guru deva, om” translates to “hail to the Heavenly Teacher” or “I give thanks to Guru Dev.” That was a mantra was invented by the Indian guru, Maharishi Mahesh Yogi – the late protégé of Guru Dev.

On February 4, 2008 “Across The Universe” became the first track to be beamed directly into space. It was transmitted through NASA’s antenna in the DSN’s Madrid Deep Space Communication Complex, towards the North Star, Polaris, 431 light-years from Earth. The broadcasting of the Beatles song was done to mark both NASA’s 50th birthday and the 40th anniversary of Across The Universe. Paul McCartney described the transmission as an “amazing feat” adding, “Well done, NASA. Send my love to the aliens!”

David Bowie also did a good version of this song. Liam Gallagher has cited this song as a huge influence on him starting to write songs.

John Lennon: “I was lying next to me first wife in bed, and I was irritated. She must have been going on and on about something and she’d gone to sleep and I kept hearing these words over and over, flowing like an endless stream. I went downstairs and it turned into sort of a cosmic song rather than an irritated song… it drove me out of bed. I didn’t want to write it, but I was slightly irritable and I went downstairs and I couldn’t get to sleep until I’d put it on paper.”

John Lennon: “It’s one of the best lyrics I’ve written. In fact, it could be the best.” He added: “It’s good poetry, or whatever you call it, without chewin’ it. See, the ones I like are the ones that stand as words, without melody. They don’t have to have any melody, like a poem, you can read them.”

John Lennon: “The Beatles didn’t make a good record of it. I think subconsciously sometimes we – I say ‘we’ although I think Paul did it more than the rest of us – Paul would, sort of subconsciously, try and destroy a great song… meaning we’d play experimental games with my great pieces, like ‘Strawberry Fields,’ which I always thought was badly recorded.”

The World Wildlife Fund

Across The Universe

Words are flowing out
Like endless rain into a paper cup
They slither wildly as they slip away across the universe
Pools of sorrow waves of joy
Are drifting through my opened mind
Possessing and caressing me

Jai Guru Deva, Om
Nothing’s gonna change my world
Nothing’s gonna change my world
Nothing’s gonna change my world
Nothing’s gonna change my world

Images of broken light
Which dance before me like a million eyes
They call me on and on across the universe
Thoughts meander like a
Restless wind inside a letter box
They tumble blindly as they make their way across the universe

Jai Guru Deva, Om
Nothing’s gonna change my world
Nothing’s gonna change my world
Nothing’s gonna change my world
Nothing’s gonna change my world

Sounds of laughter, shades of life
Are ringing through my opened ears
Inciting and inviting me
Limitless undying love
Which shines around me like a million suns
It calls me on and on across the universe

Jai Guru Deva, Om
Nothing’s gonna change my world
Nothing’s gonna change my world
Nothing’s gonna change my world
Nothing’s gonna change my world

Jai Guru Deva
Jai Guru Deva
Jai Guru Deva
Jai Guru Deva
Jai Guru Deva

Beach Boys – Wouldn’t It Be Nice

When I graduated in 1985, The Beach Boys were on my tape deck in my car. Although the music was 20 years old I could identify with them more than the music I was hearing on top 40 radio.

This was the leadoff track to The Beach Boys’ legendary Pet Sounds album. While the “Wouldn’t It Be Nice” and “God Only Knows” singles sold very well, the album had very disappointing sales when it was first released in America. The UK appreciated it much more along with Paul McCartney and John Lennon. America wanted more surf songs but Brian Wilson had moved into a different place.

I was very surprised to read that as of 2021, “Wouldn’t It Be Nice” is the Beach Boys’ most streamed song on Spotify. I would have thought Good Vibrations or one of their early surf songs.

Brian Wilson wrote the song with contributions from vocalist Mike Love and lyricist Tony Asher. Asher wrote all of the lyrics except for the “Good night, my baby, sleep tight, my baby” lines at the end of the song, which was Love’s contribution.

Pet Sounds peaked at #10 in the Billboard Album Charts, #2 in the UK. Wouldn’t It Be Nice peaked at #8 in the Billboard 100, #4 in Canada, #12 in New Zealand, and #58 in the UK in 1966.

Mike Love has said that Brian Wilson made him do his part over 30 times. He started to call Wilson “Dog Ears” because he could hear something that no one else could.

Mike Love: “Brian must have been part canine because he was reaching for something intangible, imperceptible to most, and all but impossible to execute,”

Nick Kent journalist: “This time [he] was out to eclipse these previous sonic soap operas, to transform the subject’s sappy sentiments with a God-like grace so that the song would become a veritable pocket symphony.”

Tony Asher (Lyricist) “It was a great joy making music with him but that any other relationship with Brian was a great chore. I found Brian’s lifestyle so damn repugnant. I mean, for say, every four hours we’d spend writing songs, there’d be about 48 hours of these dopey conversations about some dumb book he’d just read. Or else he’d just go on and on about girls… his feelings about this girl or that girl… it was just embarrassing.”

Wouldn’t It Be Nice

Wouldn’t it be nice if we were older
Then we wouldn’t have to wait so long?
And wouldn’t it be nice to live together
In the kind of world where we belong?

You know it’s gonna make it that much better
When we can say goodnight and stay together

Wouldn’t it be nice if we could wake up
In the morning when the day is new?
And after having spent the day together
Hold each other close the whole night through?

Happy times together we’ve been spending
I wish that every kiss was never ending
Oh, wouldn’t it be nice?

Maybe if we think and wish and hope and pray
It might come true (run run ooo)
Baby, then there wouldn’t be a single thing we couldn’t do
We could be married (we could be married)
And then we’d be happy (and then we’d be happy)
Oh, wouldn’t it be nice?

You know it seems the more we talk about it
It only makes it worse to live without it
But let’s talk about it
Oh, wouldn’t it be nice?

Good night, oh baby
Sleep tight, oh baby
Good night, oh baby
Sleep tight, oh baby

…

Hollywood (1980)

If you have the slightest bit of interest in documentaries or in silent movies, this is the series to watch. Not only is it a great wealth of info on the silent era…it’s one of the best documentaries I’ve ever watched. It is made up of 13 different one-hour sections. It’s quite a series at 676 minutes.

All of these are on youtube. I have them listed at the bottom… just click on the links I gave. If a link doesn’t work…just copy the title of the episode on youtube and it will show up. If you want to watch a couple give it a try…I would suggest Episode 8: Comedy – A Serious Business and Episode 12: Star Treatment (The Great Stars Of The Silent Films).

There is one misconception about silent films that most have. When you think of a silent film what do you think of? Some people think of the hard-to-see Keystone cops running about like they snorted Peru… that is NOT what most silent films looked like. They played at normal speed and the cinematography was breathtaking in many of them. They are as clear as any movie you will watch if the print has been taken care of or restored.

There was a problem with some prints after the silent era. The holes in the film were at a different gauge for the then-modern film projectors and they played them fast and transferred them fast…that meant everything was sped up.

This documentary is to the Silent Era what Ken Burns Civil War doc is to the Civil War. It starts with the pioneers of the movies to the very end when sound took over and changed and some people say ruined an art form. When movies were silent…they were international…no need for translations…just different text. The sound changed all of that and silent movies were at their height.

You get to know the great directors, actors, actresses, cameramen, stuntmen, and movie moguls.

They interviewed these ladies and gentlemen in the late seventies and it was many of their last appearances on film before they passed away. I’m thankful that Kevin Brownlow got this finished and we now have first-hand knowledge of films’ most exciting eras.

I do wish sound pictures would have been held off a few years. The studios weren’t ready for talking pictures. The first “talky” pictures were clumsy and still. The mics had to be placed in flower vases and other stationary places. The silent artists perfected the art of pantomime. Most had great quality (especially in the 20s) that looked better than movies 40 years later. One problem was with the early transfers from the films…now with Criterion and others cleaning up the transfers…we can watch these beautiful movies the way they were intended.

Just like today, you had your formula movies and your great movies. In my opinion, I think the best genre of silent movies is comedies. Not Keystone Cops…they are more like cartoons than films. For me, it would be Charlie Chaplin and Buster Keaton. They both had some of the most subtle and genius gags. Many of their gags have been copied to this day. There were others like Harry Langdon and Harold Lloyd that were popular.

I know it’s a big task BUT…if you like documentaries or silent movies…this series is worth it! Every episode is out there on youtube.

Here are the different episodes.

Episode 1: Pioneers (Groundbreakers Of Film)

Episode 2: In The Beginning (Birth Of Cinema)

Episode 3: Single Beds And Double Standards (Censorhip)

Episode 4: Hollywood Goes To War (World War I)

Episode 5: Hazard Of The Game (Stunts And Stuntmen)

Episode 6: Swanson & Valentino (The 2 Great Hearthrobs Of The Silent Films)

Episode 7: Autocrats (The Great Directors)

Episode 8: Comedy – A Serious Business

Episode 9: Out West (Westerns)

Episode 10: The Man With The Megaphone (The Evolution Of Directors)

Episode 11: Trick Of The Light (The Cameraman)

Episode 12: Star Treatment (The Great Stars Of The Silent Films)

Episode 13: End Of An Era (The Birth Of Talking Pictures)

This is the 12th episode and it is about two people…John Gilbert and Clara Bow. Clara Bow is my favorite actress of all time…and yes that includes today.

The cast listing is below the video.

Actors

Mary Astor
Eleanor Boardman
Louise Brooks
Olive Carey
Iron Eyes Cody
Jackie Coogan
Dolores Costello
Viola Dana
Douglas Fairbanks Jr.
Janet Gaynor
Leatrice Joy
Lillian Gish
Bessie Love
Ben Lyon
Marion Mack
Tim McCoy
Colleen Moore
Charles ‘Buddy’ Rogers
Gloria Swanson
Blanche Sweet
John Wayne
Eva von Berne
Lois Wilson

Directors

Dorothy Arzner
Clarence Brown
Karl Brown
Frank Capra
George Cukor
Allan Dwan
Byron Haskin
Henry Hathaway
Henry King
Lewis Milestone
Hal Roach
Albert S. Rogell
King Vidor
William Wyler.

Choreographer: Agnes de Mille,

Writer: Anita Loos,

Writer: Adela Rogers St. Johns,

Press Agent/writer: Cedric Belfrage,

Organist: Gaylord Carter,

Cinematographers: George J. Folsey, Lee Garmes and Paul Ivano,

Writer: Jesse L. Lasky, Jr.,

Special Effects Artist A. Arnold Gillespie, Lord Mountbatten

Agent Paul Kohner

Producer/writer Samuel Marx

Editors William Hornbeck and Grant Whytock

Property Pan: Lefty Hough

Stuntmen Bob Rose, Yakima Canutt: Paul Malvern, and Harvey Parry, Rudolph Valentino’s brother Alberto Valentino

English set Designer Laurence Irving

…

Steppenwolf – Sookie Sookie

Steppenwolf…they all look like badasses…all of them especially the ring leader John Kay. They had some danger in their rock and roll and Kay’s voice is just killer. I saw a version of Steppenwolf once in the 80s and John Kay demanded and commanded the stage swinging his mic stand like a weapon.

I met Mr. Kay one time very briefly…just shook his hand…a very nice guy so he wasn’t a badass that day. This song was written by Don Covay who wrote a lot of early rock songs about dancing. Don Covay was recording for Atlantic Records at this time. As they did with many of their artists, they sent Covay to Memphis to record at Stax Records, where the house band was top-notch. Covay wrote Sookie Sookie there with Stax guitarist Steve Cropper.

Steppenwolf had this song on their 1968 debut album Steppenwolf. It was released as the first single that year but didn’t do too well. The song did peak at #92 in Canada and that was it. The next single did a little better…it was a song called Born To Be Wild.

The third single was“Magic Carpet Ride,” ABC-Dunhill saw the wisdom of re-releasing the “Sookie Sookie”….however, this time it was a “B” side. Like the “Born to be Wild” and “Magic Carpet Ride,” “Sookie Sookie” not only featured the extraordinary guitar work of Michael Monarch and vocals by John Kay, it had that Steppenwolf signature organ sound

The song also ended up being used by some radio stations as background music for promos and commercials.

Sookie Sookie

Let it hang out baby, let it hang out now, now na-na now
Let it hang out baby, everybody work out
Sookie, Sookie, Sookie, Sookie, Sookie, Sookie, Sue

Let it hang out baby, do the Baltimore jig
Let it hang out baby, boomerang with me
Sookie, Sookie, Sookie, Sookie, Sookie, Sookie, Sue

Really got it bad child, drink a bottle of turpentine
When you wake up in the morning, feelin’ kinda fine
Let it hang out baby, let it hang out now, now na-na now

You better watch your step girl, don’t step on that banana peel
If your foot should ever hit it, you’ll go up to the ceiling
Hang it in baby, hang it in baby
Sookie, Sookie, Sookie, Sookie, Sookie, Sookie, Sue

Let it hang out baby, let it hang out now, now na-na now
Let it hang out baby, everybody work out
Hang it in baby, hang it in baby, hang it in baby
Sookie, Sookie, Sookie, Sookie, Sookie, Sookie, Sue

Twilight Zone Precursor – The Time Element

★★★★ November 24, 1958 Season 0 Episode 0

If you want to see where we are…HERE is a list of the episodes.

I should have posted this before I started the series so when I reached the end of 5th season I thought it was time to feature this one. CBS purchased a teleplay in 1958 that writer Rod Serling hoped to produce as the pilot of a weekly anthology series. “The Time Element” marked Serling’s first entry in the field of science fiction.

It’s a Time Travel episode and a good one. William Bendix as Peter Jenson goes back in time right before Pearl Harbor takes place.

This show premiered on November 24, 1958. Rod Serling wrote this episode and it appeared on the Westinghouse Desilu Playhouse. This one could have been a Twilight Zone.

Although this isn’t the pilot episode of The Twilight Zone, it was this Rod Serling production that eventually led to The Twilight Zone. It proved to be very popular with viewers, which led CBS to pursue a new series with Serling. Because TV viewers at the time were not used to the kind of surprise, twist endings for which Twilight Zone became noted (as in this episode), Desi Arnaz appeared on-screen at the end of the episode to offer his explanation of “what really happened.”

IMDB Trivia:

Martin Balsam (Dr. Arnold Gillespie) later played Admiral Husband Kimmel in Tora! Tora! Tora! (1970), which likewise concerned the attack on Pearl Harbor.

This episode takes place on October 4, 1958 and from December 6 to December 7, 1941.

Uses music that was later used in George A. Romero’s Night of the Living Dead (1968).

The man at the bar is Joe DeRita from The Three Stooges.

This show was written by Rod Serling

Summary

A man is sent back in time to December 6, 1941, to Pearl Harbor on December 5, 1941, two days before it is bombed. The episode relates his frantic efforts to warn military officials of the approaching catastrophe.

The complete episode

CAST

William Bendix…Peter Jenson
Martin Balsam…Dr. Arnold Gillespie
Darryl Hickman…Ensign Janoski
Jesse White…Bartender
Carolyn Kearney…Edna Janoski
Jesslyn Fax…Maid
Alan Baxter…Army Doctor
Bartlett Robinson…Mr. Gibbons
Don Keefer…Hannify
Joe DeRita…Man at Bar (as Joe De Rita)
Paul Bryar…Paul Bryar…… Bartender at Andy’s
Desi Arnaz…Host
Gene Coogan…Bar Patron (uncredited)

TV Draft Round 4 – Pick 8 – John Selects – JAG

Welcome to the Hanspostcard TV Draft. The remaining 7 rounds will be posted here. We will have 64 different TV Shows by 8 different writers. I hope you will enjoy it! Today’s post was written by John from https://thesoundofonehandtyping.com

SHOW: JAG
NETWORK: NBC (Season 1), CBS (Seasons 2-10)
YEARS: 1995-2005

From a high-concept perspective, JAG was Perry Mason meets Top Gun. It centered around Harmon Rabb Jr., played by David James Elliott, whose father was a Navy fighter pilot during the Vietnam War. Rabb Sr. was shot down over Vietnam and taken prisoner by the Viet Cong. Rabb Jr. decides to follow his father into the Navy as a fighter pilot. On one mission, he crashed his plane on the flight deck of a carrier. This led to a diagnosis of night blindness and made him unfit for flight duty. He transfers to the Judge Advocate General (JAG) Corps, which is responsible for “administrative law, government contracting, civilian and military personnel law, the law of war and international relations, environmental law, etc. They also serve as prosecutors for the military when conducting courts-martial.”

The show was cosiderably different in its first season than the rest of its run. LT (later LCDR) Rabb was assisted in his investigations by LTJG Meg Austin, played by Tracey Needham (last seen on NBC’s Life Goes On), and did more investigations than arguing cases in court. His partner for the two-part pilot episode was LT (Kate) Pike, played by Andrea Parker. Evidently NBC wasn’t impressed with the chemistry between Harm and Kate, though later Parker was hired to play Miss Parker on the network’s Pretender. The chemistry between Harm and Meg was practically nonexistent, so then a third female JAG officer, Commander Allison Krennick (played by Andrea Thompson) was added as a supervisory officer. Cmdr. Krennick quite clearly had the hots for Rabb, but the relationship stayed professional, even prickly, during working hours.

The first season ended with Harm thrown in the brig for murdering a former girlfriend, LTJG. Dianne Schonke, who was played by Catherine Bell. (This will play a role later in the show.) Producer Donald Bellisario clearly intended for this to be the season finale cliffhanger, but NBC cancelled the show for low ratings.

JAG was picked up by CBS and was a midseason replacement in January 1997. In the first episode, Harm meets the new JAG, RADM A. J. Chegwidden (played by John M. Jackson, who had a minor role as the JAG in A Few Good Men), and the rest of his team, including LTJG Bud Roberts (played by Patrick Labyorteaux, who reprised his role from the pilot) and Marine MAJ Sarah “Mac” McKenzie, played by the aforementioned Catherine Bell. (Strangely, Bellisario didn’t clear up the cliffhanger from the first season until the middle of the third season.) When Harm sees Mac, he’s haunted by his former girlfriend, and that remains throughout the rest of the series.

Harm has two primary objectives when the show starts: to find out what happened to his father and to go back to flying F-14’s. He accomplishes the first objective in the third season, when a notebook found during an investigation contains information that could lead to Harm finding his father at last. Of course, the notebook disappears, taken by a Soviet agent who later agrees to give it to him. In the season 3 finale, he and Mac (who speaks Russian) take off for Russia, then in the season 4 season premiere Harm learns that his father died not long before he arrived. Also in Season 4, we learn that Mac is a recovering alcoholic, has been married before, and had an affair with a previous commanding officer, and is reprimanded by the Admiral for it. Also arriving on the scene in season 4 is LCDR Mic Brumby of the Royal Australian Navy (played by Trevor Goddard), mostly to woo Mac and make Harm jealous. By the end of Season 4, Harm has been approved to go back to flight duty and leaves JAG.

Season 5 starts with Harm as a fighter pilot again, but for some reason he keeps getting hauled into prosecuting or defending courts martial. Finally his commanding officer recommends that he go back to being a lawyer, which he does. When he gets back to JAG, he discovers that Mac has been promoted to Lieutenant Colonel and that she and Mic are becoming an item. He now has new objectives: get Mac back and be promoted to Commander.

And the wheels kind of come off at that point. Over the next five years, Bud, kept in the show more for comic relief than anything, marries LT Harriett Sims and the two have several children. Mic goes back to Australia, then comes back, getting engaged to Mac, who secretly has been in love with Harm the whole time, something that comes out during her engagement party (how embarassing). LCDR Sturgis Turner (played by Scott Lawrence), a friend of Harm’s from the Naval Academy, joins the cast more for diversity than anything. Turner helps Bud get back into shape, whereupon Bud volunteers for duty in Iraq, only to have his legs blown off. Chegwidden falls in love and is ready to get married, only to find his bride-to-be in bed with another man. They break up and he retires to spend the rest of his life traveling around the country with his daughter and going to baseball games. His replacement is Marine Major General “Biff” Creswell, who had prosecuted Mac’s lover, so she’s worried he’ll hold it against her, but he tells her that he figured she was young and stupid and she’d get a clue and straghten up. David James Elliott’s real-life wife Nanci Chambers joins the cast as LT Loren Singer, who has designs on the Admiral’s job, but is eventually murdered, providing the basis for introducing the cast and premise of NCIS.

The show ends with Harm and Mac being sent to opposite corners of the world, deciding they can’t live without each other, and that one will resign their commission and follow the other, they’ll get married and live happily ever after. They decide to let Bud toss a coin to decide who stays and who goes, and the show concludes with the coin in the air.

Okay, so JAG was a soap opera. There were many more characters and many more things that happened than I was able to squeeze in here. Nevertheless, it was an entertaining show with well-crafted characters, interesting stores and plenty of humor.

Rolling Stones – I’m Free

This song has been underappreciated throughout the band’s history. It’s a good song that sometimes comes off better live than the studio version they recorded. The song sounds like an anthem, and it deserves to be heard. The song was played a lot in 2008 because it was released on the DVD Shine A Light. Shine a Light was a 2008 concert film directed by Martin Scorsese documenting The Rolling Stones’ 2006 Beacon Theatre performances during their A Bigger Bang Tour.

I saw them on the Bigger Bang Tour at Churchill Downs in Kentucky. Although Churchill Downs is well known for its horse racing it was not built for concerts. Alice Cooper opened and he sounded great but they never could get the Stones sound right. On top of it all…it rained all through their performance. The next day I went home and actually downloaded a bootleg of the show so I have it for always which is cool. My dream tour of the Stones would be them just playing the Brian Jones era. They are the Stones…they could get by with it.

The song was released on their Out Of Our Heads album in the UK and later on December’s Children (And Everybody’s) album in America in 1965. They seemed to be listening to their competition because the line Hold me, love me, hold me, love me was in the Beatles Eight Days A Week. It’s a great B side to Get Off Of My Cloud. Rolling Stone Magazine rated it 78th best Rolling Stone song. The magazine had this to say about it: “A tambourine-spangled folk rocker with chime-y, Byrds-like guitar, this offhandedly libertarian tune wasn’t a big hit, but it’s one of the Sixties’ most pliant anthems.”

I think the song stands up with their hit songs at the time. They must think the same because it ended up on a lot of live albums. I’ve always liked B sides because sometimes you hit gold. Give me a choice between Get Off Of My Cloud and I’m Free…I’ll take I’m Free. The song was written by Mick Jagger and Keith Richards. You could see the growth in their songwriting after Lennon and McCartney gave them I Wanna Be Your Man.

John Lennon: We were taken down to meet them at the club where they were playing in Richmond by Brian Epstein and some other guy. They wanted a song and we went to see what kind of stuff they did. Mick and Keith heard we had an unfinished song – Paul just had this bit and we needed another verse or something. We sort of played it roughly to them and they said, “Yeah, OK, that’s our style.” But it was only really a lick, so Paul and I went off in the corner of the room and finished the song off while they were all still sitting there talking. We came back, and that’s how Mick and Keith got inspired to write … because, “Jesus, look at that. They just went in the corner and wrote it and came back!” You know, right in front of their eyes we did it. So we gave it to them.

I’m Free

I’m free to do what I want any old time
I’m free to do what I want any old time
So love me, hold me, love me, hold me
Cause I’m free any old time to get what I want

I’m free to sing my song though it gets out of time
I’m free to sing my song though it gets out of time
So love me, hold me, love me, hold me
Cause I’m free any old time to get what I want

Yeah

Love me, hold me, love me, hold me
Cause I’m free any old time to get what I want

I’m free to choose whom I please any old time
I’m free to please whom I choose any old time
So hold me, love me, love me, hold me
Cause I’m free any old time to get what I want, yes I am

TV Draft Round 4 – Pick 7 – Max selects – The Monkees

Welcome to the Hanspostcard TV Draft. The remaining 7 rounds will be posted here. I hope you will enjoy it! Today’s post was written by Max from https://powerpop.blog

The Monkees

Does this show compare to All In The Family, Barney Miller, or other great sitcoms? No, it’s not even in the same zip code but it’s an off-beat quirky 1966 show that I have come to appreciate more and more. They influenced music more than other tv shows but its influence is still felt. How many young soon-to-be musicians have watched this show? I was one and it made me want to play music. I soon found other bands to follow …but I never left The Monkees completely. They were not great actors, musicians, or songwriters…although the late Mike Nesmith was a good songwriter. They made music fun…fun is something that I picked up on early on and I ended up playing in many bands.

The comedy was part physical, part Marx Brothers, and pure irrelevance. Bob Rafelson and Bert Schneider wanted to build a television show that had elements of A Hard Days Night and cast four musicians/actors. Stephen Stills auditioned for a part and ended up recommending his friend Peter Tork. They ended up being a real band and toured.

The Monkees were four cast members who could all play an instrument and could sing. Michael Nesmith and Peter Tork were working musicians. Davy Jones could play some guitar and drums and Mickey played guitar in a band so they weren’t just actors.

Davy was the cute one, Mike the serious one, Mickey the funny one, and Peter the innocent one. There is no need to describe any episode plots because they are not important. You would have some kind of plot and within the story, a couple of music montages later known as music videos. The show could be surreal and they constantly broke the 4th wall. They had a lot of cutaway scenes that people associate now with Family Guy. The show was shot in color and the sets were vivid.

You could see the difference in the show between the first season and the latter part of the second season. The first was a little more of a slick production…the later part of the second season they had more influence and you could see there were 4 stoned Monkees running amuck. It was much looser and anything went basically.

The Monkees only made 58 episodes from September 1966 to March 1968. After the show came to an end they made a television special and then a very trippy movie called Head. I do not binge-watch the show but I will occasionally need a laugh or to enjoy the same thing I enjoyed at 7 years old.

The Monkees had a big impact on pop culture with not only music but with music videos. The show was their own MTV at the time. Long after the show was over I was 7 years old and watching the three channels we had at the time and I loved The Monkees.

I had no idea The Monkees stopped making the show 7 years before when I watched them. I thought the band was still together and filming shows. Turns out I was watching the show in syndication but I didn’t find out till later. A generation was influenced like I was in the 70s. In the 1980s MTV played a marathon of episodes and their popularity soared yet again. I saw them in 1986 when they reunited and had a new song in the top 40. They also made comeback in the early 90s.

They didn’t play instruments on their first two albums because they were not allowed. Micheal Nesmith was a songwriter and did manage to get a couple of songs on there. Most of the Byrds also didn’t play on their first album…that is the way it was done in the early 60s for some bands. After the success of the show, they were asked to tour. Mickey spent time learning the drums because they wanted Davy Jones upfront and Mickey became a competent drummer. The band became real during the tour.

The Monkees led a revolt and demanded to play on their own albums. It started with their third album Headquarters and went on from there. They still had some top 40 hits after taking over like Daydream Believer, Pleasant Valley Sunday, Valleri, and more.

Mickey Dolenz: “You know, the Monkees becoming a real band, I’ve often said, is like Leonard Nimoy really becoming a Vulcan!”

Mickey Dolenz: “The Monkees are to the Beatles what ‘Star Trek’ is to NASA. They are both totally valid in their contexts.”

The Monkees were such a big influence on me. I picked up a guitar in part because of their influence. The shows were funny…and still are. Once I found The Beatles I was lost forever but the Monkees were important to a lot of musicians through the years.

They made it look fun being in a rock band. No mention of the backbiting and jealousy that goes along with it. For a seven-year-old kid…this was the life I wanted! Living in a cool beach house, playing in a rock band, and driving around in the Monkeemobile!

They had some famous guest stars like Frank Zappa, Liberace, Mike Farrell, Burgess Meredith, Julie Newmar, and Sammy Davis Jr.

I have all of the episodes and once in a while I will play a few and realize again why they are still remembered. Will the show ever be considered among the greats? NO… but it came along at a perfect time and when I need to watch something funny and irrelevant I turn on the Monkees.

I never got famous playing my music but that wasn’t the point. I still get great satisfaction and fun in playing my guitar now…and I can thank the Monkees for that. BTW…where is my beach house and my Monkeemobile?

….

Big Country – In A Big Country

When I first heard this song in the 80s…the first thing I thought of was BIG…not because of the name. The song came out of the radio like an elephant. The drums and the sound were so huge. This is a song that I liked…and sometimes that was dicey in the 80s. Dave from A Sound Day talks about the bass player and the band here. I have to credit Dave for making me take a look at the 80s again and many times being surprised at what I did like during my teenage decade…or missed

Steve Lillywhite produced this track. This came at a time when he was emerging as one of the top producers in the business, known for his work with Peter Gabriel and U2. His impact on this song included delaying the chorus until after the second verse, adding the bagpipe guitar break, and having Adamson sing the bridge an octave higher. When he first heard the demo, he was reportedly moved to tears

This is a song that MTV helped quite a bit. I heard it on the local rock station at the time but MTV played it on rotation. The network ignored the group’s next US single, Fields of Fire, which tanked their efforts in America.

This song’s working title was “Stay Alive.” Big Country’s booking agent John Giddings suggested that the name be changed to In A Big Country. The song peaked at #3 in Canada, #17 in the Billboard 100, #17 in the UK, and #34 in New Zealand.

In 1999 they released their last album with lead singer Stuart Adamson called Driving to Damascus but without much success.

Adamson moved to Nashville in the mid-1990s, where he met country music singer/songwriter Marcus Hummon, and together they released an alternative country studio album as The Raphaels in 2001.

Big Country disbanded in 2000, Adamson became a country singer/songwriter, but got depressed after his second marriage collapsed. His wife declared him missing in November 2001 and the following month on December 16 he was found hanged in a hotel room in Honolulu, Hawaii.

Steve Lillywhite: “The music I felt wasn’t like the music I had grown up hearing, or rather, not like any one of them. It was all of them jumbled up and drawn into something I could understand as mine. I found I could play this music and connect the guitar directly to my heart. I found others who could make the same connection, who could see the music as well as play it.”

In A Big Country

I’ve never seen you look like this without a reason
Another promise fallen through
Another season passes by you
I never took the smile away from anybody’s face
And that’s a desperate way to look
For someone who is still a child

In a big country dreams stay with you
Like a lover’s voice fires the mountainside
Stay alive, here we go

I thought that pain and truth were things that really mattered
But you can’t stay here with every single hope you had shattered
I’m not expecting to grow flowers in a desert
But I can live and breathe
And see the sun in wintertime

In a big country dreams stay with you
Like a lover’s voice fires the mountainside
Stay alive

So take that look out of here it doesn’t fit you
Because it’s happened doesn’t mean you’ve been discarded
Pull up your head off the floor, come up screaming
Cry out for everything you ever might have wanted
I thought that pain and truth were things that really mattered
But you can’t stay here with every single hope you had shattered, see ya
I’m not expecting to grow flowers in a desert
But I can live and breathe
And see the sun in wintertime

In a big country dreams stay with you
Like a lover’s voice fires the mountainside
Stay alive
Ha, ha

In a big country dreams stay with you
Like a lover’s voice fires the mountainside
Stay alive

TV Draft Round 4 – Pick 6 – Dave Selects – Friends

Welcome to the Hanspostcard TV Draft. The remaining 7 rounds will be posted here. I hope you will enjoy it! Today’s post was written by Dave from https://soundday.wordpress.com/

Some of our other participants have picked highly excellent, but “boutique” shows. Ones which are brilliant, and critically-praised, but not hugely viewed, often due to appearing on pay cable stations or obscure streaming services. This is actually great because it’s giving some of us insight into shows we’ve heard about but not seen. But for my second pick, I’ll stick with the 1990s and stick with a show of mass appeal…more mass appeal now than back then, one might guess: Friends. It was a show I sometimes watched, and quite liked back in the day but have watched a good deal more and come to enjoy more in the years since it ended. (In that it was somewhat like one of its companion shows on NBC, Seinfeld, looked at by Music City Mike already.)

NBC’s Thursday night lineup in the ’90s was a TV equivalent to baseball’s ’61 Yankees… a seemingly unstoppable powerhouse that kept throwing superstar after superstar at you. By 1993, it was already a juggernaut in the ratings and with critics with the combo of Seinfeld and Frasier. But they needed something to keep the momentum throughout the night and had had some difficulty finding another prime-time comedy to keep viewers on the Peacock network. Enter Marta Kauffman and David Crane,a couple of, well, friends who were writers. Struggling ones at that.

“We wanted to write something we would watch,” Kauffman said. They were in their early-30s and Crane says “not long before, we’d been living in New York, not doing TV. We’d been living it.” So they set upon the idea of a group of people like themselves who were out on their own but single, starting to find their way in the world with little but their close friends to help them through.

They came up with the basic idea and a few test scripts and pitched it to Fox, who said “it’s funny, but it’s not Fox funny. Can you make it more adult?” Instead, they landed at NBC, who saw some potential with it. Which was prescient of them, since like so many shows, the pilot was…well, not great. It was OK, but only hinted at the depth of the characters and the laughs that it would soon create. It might have been unwatchable if Rachel had stayed the spoiled princess, Ross the always sadsack downer or Joey the macho stud. Happily the characters and dialog evolved and quickly found their stride only a few weeks in.

As most know, the show revolved around a main cast of six “friends”…an unusually large ensemble for a sitcom that didn’t have one main star, ala say Bill Cosby on his eponymous show. There were the guys – Joey, the proudly Italian ladies-man and struggling actor; Chandler, the sarcastic and oft-frustrated office “suit” and Ross, the nerdy and awkward professor – and the girls. They were Monica, Ross’ sister, a compulsive neat freak and talented cook; Phoebe, the artsy-fartsy ’60s throwback hippie singer, and Rachel, the rich fashionista cut off from her family money and learning life lessons. With a “heart of gold” would be a modifier applied to all six. Through ten seasons, 1994- 2004, and 236 episodes they struggled with ordinary problems like so many of their fans – finding romantic partners, or at least dates, getting a good job, trying to keep afloat financially, and the like. All the while talking a lot and hanging out at the Central Perk, a local coffee shop. (Jennfier Aniston, “Rachel” once commented that it would be impossible to set it in the present day because it would now just be six people sitting staring at their phones.) At times they’d fight, but in the end, like the famous Rembrandts theme song (“I’ll Be There For You”) suggests, they were always there for each other.

Time magazine noted “the well-hidden secret of the show was that it was called ‘Friends’ and was really about family.” Or to put it another way, that when you get to be an adult, your friends can be your family, the rock you can rely on. In that it rather duplicated Seinfeld, or Frasier’s predecessor, Cheers. And like those shows, a good deal of the appeal was how perfect the actors chosen were for the roles. Unlike those two, by a few episodes in you were always rooting for those characters. It seemed like lightning struck in the casting. The creators had written the Ross part specifically with David Schwimmer in mind… they actually figured he would be the break-out star of the series. The others all came about by chance. They envisioned Courteney Cox to be Rachel, not Monica, but she liked the other role better. They liked Jennifer Aniston, but she was under contract to another, thankfully short-lived show at the time so they figured she wouldn’t be available. She was. Nancy McKeon was their first choice for Monica, but that fell through, and so on and so on. Now it seems impossible to think of Monica being anyone but Courteney, or anyone but Matt Leblanc being Joey, etc. And Jennifer Aniston? So intertwined with her character was she that her haircut swept the nation and was called “the Rachel.”

All six of the characters were flawed, and often not good at their jobs. The only thing as bad as Phoebe’s singing might be Joey’s on-stage acting chops or Ross’ attempt to win over students by speaking in a fake British accent. But their flaws made them seem like people we all knew and loved…or maybe, like ourselves. As years went by, they became our friends. We wanted Joey to keep that role on Days of Our Lives, we wanted Chandler to find a way not to be transferred to Tulsa, and of course, we wanted Ross and Rachel to figure out that they were in love with each other and just get together! I mean, come on – Ross said Rachel’s name instead of the girl he was supposed to be marrying (Emily) during his wedding vows!

Interestingly, just before Season 8 was about to begin, the world was shaken by 9/11. This posed a dilemma for the series, set in Manhattan. They didn’t know how to approach it. Finally, NBC decided “9/11 did happen in the World of Friends, but it would be acknowledged only by visual clues”… Joey sometimes wore an “NYFD” t-shirt, newspapers appeared on tables, the etch-a-sketch on Joey and Chandler’s door had more patriotic images on it but “no one would want to see ‘the one with the terrorist attack.’” It hit the actors hard, like everybody else, and they had to reconcile their job with the reality of the world. Lisa Kudrow, “Phoebe,” said “we’re not curing cancer. It’s not a big deal. But you know what? When you can offer people a break from some such a devastating reality, that is a big deal.” Aniston echoed, “this was the one place in the world it was still OK to laugh.” It was a big deal. The show, already a top 10 ratings hit, became the most-watched on television that season (the last sitcom to earn that distinction) and won the Emmy for Outstanding Comedy. The series finale, in which yes, Rachel didn’t get on the plane (and leave for France, rather, coming back to be with Ross) was the most-viewed regular TV episode of this century so far.

Like I said, I watched it at times then but appreciate it more now. Actually, thinking back, I was often too busy living my own version of Friends when it was on to tune in. Hanging out with buddies, looking for a lasting love, working late in the store, you name it. When I was fortunate enough to find my lasting love, it turned out Friends was one of her all-time favorite shows. She used to tell people back then not to call on Thursday until after 7:30 (it aired at 7PM in Central time, 8 in the East where I was watching) because she was tied up…with “friends”. We love watching reruns together, and when it left Netflix, I got her the set of DVDS. Or got us the set. I laugh at Ross’s consternation at his boss eating his Moist-maker sandwich or barista Gunther’s longing for Rachel (I guess I could relate to Gunther on that one!) as much as my sweetie does. If grilled cheese sandwiches might be a “comfort food”, Friends is “comfort watching” to us.

A couple of parting thoughts about Friends. First, to me it seems rather like most sitcoms these days have a tendency to copy it, but not as successfully. Groups of funny, inseparable friends. How I Met Your Mother… group of late-20-something friends who hang out together in a neighborhood bar and have little to do with their biological families. The at times cloying Big Bang Theory? Don’t get me started. Friends who are family to themselves, the nerdy professorial type destined to be with the super-sexy but sweet blonde (who like Rachel struggles as a waitress but finally finds success in a professional career), guys with no musical talent but abundant arrogance playing in the comic book store (much like both Ross and his keyboards and Phoebe’s bad songwriting)… they even stole the story of the male character who tried to get a spray on tan to impress a woman and ended up bright orange by accident.

And secondly, the show got back together in the right way. That is to say, by not regrouping. As much as they were being pressured to do a reunion, like so many other comedies from Will and Grace to Gilmore Girls had done, Friends decided to leave things as they were. There was the much-hyped reunion show last year,of course, but it was dealt with smartly… the six actors got back together and reminisced, showed a few classic clips and talked about what it was like back then. Brilliant restraint, because the magic of Friends was the characters remain forever young, and then left on high notes …they were happy, moving away from their New York apartment building to start new lives, full of love and optimism. Just as NBC realized we didn’t need “the one with the terrorist attack”, the cast understood we didn’t want “the one where Ross needs viagra now” or “the one with Gunther’s funeral.” They knew not to overstay their welcome, and leave us laughing.

Twilight Zone Season 5 Review

We have now gone over every episode of the Twilight Zone. For those who have not seen every episode and you get curious or want an episode guide…please go here https://powerpop.blog/twilight-zone-episodes

If only one person watched an episode because of this series…I did my job. THANK YOU once again to all the readers who have followed me through this journey. Even if you just checked a few out. Thank you for agreeing and disagreeing…that is what this was all about. I started this on April 11, 2021, and now over a year later, we are finishing this up.

When I started this I thought I would end up not liking the show as much but the opposite has happened…I like it even more. I found some episodes that at one time I thought were only so-so…much better than I remembered. My appreciation grew for them after watching them again. Out of 156 shows…I only rated four shows under a 3…and my rating of 3 was an average good show. That ratio is a great run for any show.

The 5th season’s episodes are at the bottom of this post…. are there any that you disagree with the rating? Lisa brought up the interaction of the blog and that is what made me want to finish it. Some people found different meanings from episodes than I did and some episodes take on a new meaning for me now.

Now for the 5th season review. By the 5th season, Rod Serling was burned out and not as involved as before. The season was uneven but it still had some classic episodes such as Nightmare At 20,000 Feet, In Praise of Pip, Living Doll, Ring-a-Ding Girl, Number Twelve Looks Just Like You, The Masks, Stopover in a Quiet Town, and I Am the Night – Color Me Black. It also had the creepy Come Wander With Me, Night Call, and Caesar and Me.

For one reason or another, Jim Aubrey [then president of CBS] decided he was sick of the show. He claimed that it was too far over budget and that the ratings weren’t good enough. In truth, Twilight Zone was still rated well, although not in the top ten but doing well, and the show was on budget.

To sum Jim Aubrey up…he had contempt for smart shows. Two of his successes were Gilligans Island and The Beverly Hillbillies… a quote from Mr. Aubrey: “The American public is something I fly over”

Executives have said his formula was “broads, bosoms, and fun” so The Twilight Zone didn’t have a chance. This is another quote by the magnificent Aubrey: Feed the public little more than rural comedies, fast-moving detective dramas, and later, sexy dolls. No old people; the emphasis was on youth. No domestic servants, the mass audience wouldn’t identify with maids. No serious problems to cope with. Every script had to be full of action. No physical infirmities.

ABC wanted the Twilight Zone but they would have had to change the name because CBS owned it. Serling said no. Daily Variety reported that Serling considered the odds of a sixth season unlikely…and then. Rod Serling: I decided to cancel the network.

The Twilight Zone is still watched and admired by new generations. Many science fiction works are judged against it. SNL, The Simpsons, Family Guy, and songs have referenced the show. It’s now in our pop culture and will never leave.

After the Twilight Zone, Rod Serling did another TV program called The Loner. The Loner was a terrific 1965 western program that hit on social issues set in the old west. In 1969 He did The Night Gallery but he didn’t have control over that like he did with the Twilight Zone. He later said he regretted not keeping more control. He also co-wrote the screenplay for Planet of the Apes.

Right before he passed away he did the promos for Fantasy Park in 1975.

From Wiki

In May 1975, Serling was admitted to a hospital after experiencing a mild heart attack. One month later, he was re-admitted for a coronary bypass operation. Complications arose after ten hours of open-heart surgery, and he died on June 28, 1975, in Rochester, New York. In all, he had lived fifty years, six months, and three days.

***Just a note…on Saturday I will be posting the precursor to the Twilight Zone and…I picked the show for the current ongoing TV Draft that will appear in a few weeks***

Season 5
Total	Episode	Date	Episode	Stars
121	1	Sept 27, 1963	In Praise of Pip	5
122	2	Oct 4, 1963	Steel	4.5
123	3	Oct 11, 1963	Nightmare at 20,000 Feet	5
124	4	Oct 18, 1963	A Kind of a Stopwatch	4
125	5	Oct 25, 1963	The Last Night of a Jockey	3.5
126	6	Nov 1, 1963	Living Doll	5
127	7	Nov 8, 1963	The Old Man in the Cave	4.5
128	8	Nov 15, 1963	Uncle Simon	3.5
129	9	Nov 29, 1963	Probe 7 – Over and Out	4
130	10	Dec 6, 1963	The 7th is Made Up of Phantoms	4
131	11	Dec 13, 1963	A Short Drink from a Certain Fountain	3.5
132	12	Dec 20, 1963	Ninety Years Without Slumbering	4
133	13	Dec 27, 1963	Ring-a-Ding Girl	5
134	14	Jan 3, 1964	You Drive	4
135	15	Jan 10, 1964	The Long Morrow	4
136	16	Jan 17, 1964	The Self-Improvement of Salvadore Ross	4
137	17	Jan 24, 1964	Number Twelve Looks Just Like You	5
138	18	Jan 31, 1964	Black Leather Jackets	2.5
139	19	Feb 7, 1964	Night Call	4.5
140	20	Feb 14, 1964	From Agnes – With Love	3
141	21	Feb 21, 1964	Spur of the Moment	4
142	22	Feb 28, 1964	An Occurrence at Owl Creek Bridge	5
143	23	Mar 6, 1964	Queen of the Nile	3.5
144	24	Mar 13, 1964	What’s in the Box	3.5
145	25	Mar 20, 1964	The Masks	5
146	26	Mar 27, 1964	I Am the Night – Color Me Black	5
147	27	Apr 3, 1964	Sounds and Silences	2
148	28	Apr 10, 1964	Caesar and Me	3.5
149	29	Apr 17, 1964	The Jeopardy Room	4.5
150	30	Apr 24, 1964	Stopover in a Quiet Town	5
151	31	May 1, 1964	The Encounter	4.5
152	32	May 8, 1964	Mr. Garrity and the Graves	5
153	33	May 15, 1964	The Brain Center at Whipple’s	4
154	34	May 22, 1964	Come Wander with Me	4.5
155	35	May 29, 1964	The Fear	4.5
156	36	Jun 19, 1964	The Bewitchin’ Pool
	Season 5	Review	Twilight Zone Season 5 Review