Twilight Zone – Changing Of The Guard

★★★★★ June 1, 1962 Season 3 Episode 37

If you want to see where we are…HERE is a list of the episodes.

An excellent episode and a great way to close out the 3rd season. Donald Pleasence plays Professor Ellis Fowler and does an excellent job as he always does. He was only 43 years old when he played this part. Pleasance’s old age make-up is subtle and completely convincing.

Preparing to leave for Christmas vacation, Professor Fowler is informed by the Headmaster that, after fifty-one years of teaching, he is to be forcibly retired. Fowler is devastated by this news and begins to brood. He now believes his life was utterly without worth and thinks about suicide. The episode is poignant and makes you wonder how many lives we have touched without realizing it. This one made it into my earlier top 10 episodes of the Twilight Zone.

This is an episode that I think teachers will like.

Buck Houghton Producer: Pleasance was an idea of the casting directors, Id never heard of him,  Boy, damn the expense; we brought him from England. He was just wonderful in it. Hes a very nice man. I have a feeling it was his first time in this country professionally, and while he was a thorough going professional with a huge experience in stage and everything else, he was a little apprehensive of this whole experience because he arrived on a given day and five days later it was all going to be over. So he had a lot to absorb. But Bob Miller is very together and gave him confidence and we were off and running.

This show was written by Rod Serling

Rod Serling’s Opening Narration: 

Professor Ellis Fowler, a gentle, bookish guide to the young, who is about to discover that life still has certain surprises, and that the campus of the Rock Spring School for Boys lies on a direct path to another institution, commonly referred to as the Twilight Zone.


Professor Ellis Fowler has been teaching at the Rock Spring School for Boys for a great many years. In fact, he taught the grandfather of one of his current students. Just before Christmas however, he’s told by the headmaster that his contract will not be renewed for the new year. Despondent, he returns home convinced that his life has been wasted and decides to end it all. Before he can do so however, his is visited by some very special students from the past who give him cause to reconsider.

Rod Serling’s Closing Narration:

Professor Ellis Fowler, teacher, who discovered rather belatedly something of his own value. A very small scholastic lesson, from the campus of the Twilight Zone.


Rod Serling … Narrator / Self – Host (uncredited)
Donald Pleasence … Professor Ellis Fowler
Liam Sullivan … Headmaster
Philippa Bevans … Mrs. Landers
Tom Lowell … Artie Beechcroft
Russell Horton … Bartlett
Buddy Hart … Boy
Darryl Richard … Thompson

Badfinger – Sweet Tuesday Morning

This song came off the album Straight Up that was released in 1971. Sweet Tuesday Morning was guitarist Joey Molland’s ballad about his then new wife Kathie.

All the band members wrote songs and sang. Pete Ham was the most successful out of the four but that doesn’t mean the rest were mediocre. Joey and Tom were both good songwriters and all collaborated with each other at times.

Joey Molland joined the band when bass player Ron Griffiths quit right after they recorded Come and Get It because of friction caused by his marriage. Molland who was previously with Gary Walker & The Rain, The Masterminds, and The Fruit-Eating Bears joined as a guitar player. Tom Evans switched to bass and this was the most successful lineup.

Sweet Tuesday Morning is mostly an acoustic song with simple backing that fit the early 1970s. In the UK this was the B side of Day After Day, Badfinger’s biggest hit.  Joey Molland had quite a strong showing on Straight Up…with the songs “Sweet Tuesday Morning,” “Suitcase,” “I’d Die Babe” and the albums most rocking song “Sometimes.”

Most consider Straight Up the best album they made. If you ever decide to buy a Badfinger album and want something other than just a greatest hits…this is the one to buy. 

Sweet Tuesday Morning

Sweet Tuesday morning
You came and you smiled
And all of my fears,
They have left me

Sweet Tuesday morning
You came and you smiled
And love is the answer you gave me

I’ve been to places all around, astound me
I’ve seen the breaking of the souvenirs
I’m in a brightness I can feel surround me
And it’s the first time I’ve felt it for years

Sweet Tuesday morning,
You came and you smiled
And love is the answer you gave me….mm-mhm

I’ve been to places all around, astound me
I’ve seen the breaking of the souvenirs
I’m in a brightness I can feel surround me
And it’s the first time I’ve felt it for years

Buddy Holly – Think It Over

It’s been a while since I’ve posted a Buddy song…and any time is too long. He is one of the most important influences from the 50s or any era. Since I’m a Beatle fan I have to say…without Buddy the Beatles would have been different. He wrote his own songs that were part country, rock, rockabilly, and a touch of power pop with his crisp Stratacaster leading the way.

Of all the stars in the 50s I believe Buddy was the one who would have been heard from more in the sixties. His music fit what was going on and had a timeless quality about it.

This song peaked at #27 in the Billboard Hot 100, #9 in the R&B Charts, and #11 in the UK in 1958. Think It Over was written by Buddy Holly, Jerry Allison, and Norman Petty in 1958. Per Wiki… Norman Petty’s wife, played piano on this recording.

John Lennon: “He was a great and innovative musician. He was a ‘master’. His influence continues, I often wonder what his music would be like now, had he lived…”

“Buddy Holly was the first one that we were really aware of in England who could play and sing at the same time—not just strum, but actually play the licks.”

Keith Richards: “Holly passed it on via the Beatles and via The Rolling Stones … He’s in everybody”

Think It Over

Think it over, what you’ve just said
Think it over in your pretty, little head
Are you sure that I’m not the one?
Is your love real or only fun?

You think it over
Yes, think it over
A lonely heart grows cold and old

Think it over and let me know
Think it over, but don’t be slow
Just remember all birds and bees
Go by twos through life’s mysteries

You think it over
Yes, think it over
A lonely heart grows cold and old

Think it over and think of me
Think it over and you will see
A happy day when you and I
Think as one and kiss the blues goodbye

You think it over
Yes, think it over
A lonely heart grows cold and old

Think it over
Think it over

Beatles – Dig A Pony

No, this is not the strongest song in the Beatles catalog or even the strongest on the Let It Be album but…I love that guitar riff! That riff is one of the most unorthodox riffs I’ve heard. Only the mind of John Lennon could have come up with that part. The same man that brought us the riffs of Daytripper and And Your Bird Can Sing.

The part that hooked me as a kid was the guitar riff as I’ve said and the I, I, I, I Iyeeeeeeeee that starts it out. The other strong part of the song is the chorus “All I Want Is You!” “Everything has got to be just like you want it to!” and right after that the riff comes in again. I also like John’s raw vocals in this one. Also…it’s hard not to like “I roll a stoney. “The orginal title was All I Want Is You.

John Lennon would often string words together to create nonsensical phrases for his lyrics. When asked about this song he said it refers to no specific person and the lyrics are “nonsense,” a lyrical technique he also attributes to Bob Dylan songs. John said he made it up as he went along.

The lyrics were brought up in the movie “Imagine” released in 1988.

This part below was in the Imagine movie.

In a clip after the Beatles broke up, a young man…obviousy on hard times ended up in John’s garden. The fellow’s name was Curt Claudio. He looked a bit lost and scarred. He latched onto John Lennon and his music, believing that he had some sort of connection to John and he traveled to England to find out if he really did. He was found sleeping on the grounds of Tittenhurst Park, John and Yoko’s home in Ascot. Claudio thought John was speaking to him through his songs. He mentions lyrics to Dig a Pony.

John took the time to go out and talk to Curt and very kindly told him that he was just a guy too, and that while Curt thought that John’s songs were written with Curt in mind, they were really just written from personal, everyday experiences. He then invited him in the house for something to eat.

Video below

Dig A Pony

I dig a pony
Well, you can celebrate anything you want
Yes, you can celebrate anything you want

I do a road hog
Well, you can penetrate any place you go
Yes, you can penetrate any place you go
I told you so

All I want is you
Everything has got to be just like you want it to

I pick a moon dog
Well, you can radiate everything you are
Yes, you can radiate everything you are
Oh now

I roll a stoney
Well, you can imitate everyone you know
Yes, you can imitate everyone you know
I told you so

All I want is you
Everything has got to be just like you want it to
Because (woo)

Oh now
I feel the wind blow
Well, you can indicate everything you see
Yes, you can indicate everything you see
Oh now

I load a lorry
Well, you can syndicate any boat you row
Yeah, you can syndicate any boat you row
I told you so

All I want is you
Everything has got to be just like you want it to

Twilight Zone – Cavender Is Coming 

★★ May 18, 1962 Season 3 Episode 36

If you want to see where we are…HERE is a list of the episodes.

This is not a good episode. Cavender Is Coming has one redeeming quality…and her name is Carol Burnett. The episode borrows from It’s A Wonderful Lie and season one Twilight Zone episode Mr. Beavis in particular.  This episode was meant to serve as a pilot, the same as Mr. Beavis did…and like Mr. Beavis it didn’t make it as a series. The episode is more like a sitcom than a Twilight Zone and it is the only TZ with a laugh track.

As the guardian angel, Jesse White does the best he can but the problem is with the writing. Carol Burnett could ony do some much also. It is one of the lowest rated episodes on IMDB and in various polls. It’s not my my lowest rated episode…that is coming in the 4th season. It does have it’s funny parts but it doesn’t feel like a Twilight Zone.

In writing Cavender Is Coming, Serling used material from Burnett’s own life for certain sequences. At the beginning of the episode, Agnes is employed as an usherette. This was actually taken from one of Burnetts personal experiences.

The first day she went to work as an usherette, the manager ran through a list of silent signals. Three fingers slapped on the wrist meant take a thirty-minute break. Opening your mouth like a fish and pointing to it meant you were thirsty. And when the manager poked his finger into the center of his palm, that meant he wanted a girl to stand in the center of the lobby to direct the patrons to the available seating.

One of the girls worked up her own signal in reply to the bosss gestures. She poured a bag of buttered popcorn on his head and told him, That means I quit.

One good thing is the original laugh track has been removed in syndication.

Buck Houghton (Producer of the Twilight Zone) on the laugh track:  That was CBS’s idea, because they were in a pilot mood and they wanted to get a Jesse White thing going. I refused to go to the dubbing session with the canned laughter man there. I thought it was a dreadful idea.

This show was written by Rod Serling

Rod Serling’s Opening Narration: 

Submitted for your approval, the case of one Miss Agnes Grep, put on Earth with two left feet, an overabundance of thumbs and a propensity for falling down manholes. In a moment she will be up to her jaw in miracles, wrought by apprentice angel Harmon Cavender, intent on winning his wings. And, though it’s a fact that both of them should have stayed in bed, they will tempt all the fates by moving into the cold, gray dawn of the Twilight Zone.


Inept guardian angel Harmon Cavender is given a chance to finally earn his wings by helping an unconventional big city woman, the young, awkward Agnes Grep, who has just been fired. Cavender doesn’t ask her wishes, instead he puts her in posh clothes, provides her with a fortune, and moves her uptown to a fancy Park Avenue address

Rod Serling’s Closing Narration:

A word to the wise now to any and all who might suddenly feel the presence of a cigar-smoking helpmate who takes bankbooks out of thin air. If you’re suddenly aware of any such celestial aids, it means that you’re under the beneficent care of one Harmon Cavender, guardian angel. And this message from the Twilight Zone: Lotsa luck!


Rod Serling … Narrator / Self – Host (uncredited)
Jesse White … Harmon Cavender
Carol Burnett … Agnes Grep
Howard Smith … Polk
Frank Behrens … Stout
Roy N. Sickner … Bus Driver
Sandra Gould … Woman
Donna Douglas … Woman #1
Adrienne Marden … Woman #2
Maurice Dallimore … Man

Beatles – Two Of Us

I’ve been watching Get Back on Disney Plus and this is one of the songs they have went over. I always thought Two Of Us should have been a single… It’s not slick or full of production…just John and Paul singing together like they did in the early years. It feels like they had come full circle.

Paul McCartney wrote this about enjoying his travels with his wife Linda. The song was on the album Let It Be recorded in January of 1969 but wasn’t released until 1970. It was the last studio album released of the Beatles career but not the last recorded.

After this album The Beatles embarked on recording the classic album Abbey Road in the summer of 1969. As the film Get Back shows…yes they would argue but it was not as bad as we have been led to believe or they would not have recorded Abbey Road. There was also talk of another possible album after Abbey Road but they decided to call it a day.

I always thought The Beatles ended at the right time. They never made a bad album like some other bands. I do think they had a couple of albums left in them but to end a career recording Abbey Road…its hard to top that.

It’s interesting to speculate if they would have got back together if John Lennon would not have been murdered. I don’t think they would have recorded again but I do think Lennon and McCartney would have written together again.

Linda McCartney: As a kid I loved getting lost. I would say to my father – let’s get lost. But you could never seem to be able to get really lost. All signs would eventually lead back to New York or wherever we were staying! Then, when I moved to England to be with Paul, we would put Martha in the back of the car and drive out of London. As soon as we were on the open road I’d say, ‘Let’s get lost’ and we’d keep driving without looking at any signs. Hence the line in the song, ‘Two of us going nowhere’.

Paul wrote ‘Two Of Us’ on one of those days out. It’s about us. We just pulled off in a wood somewhere and parked the car. I went off walking while Paul sat in the car and started writing. He also mentions the postcards because we used to send a lot of postcards to each other.

From Songfacts

Lennon and McCartney sang together on this song, which is something they did a lot in the early years of The Beatles, but not so much later on, when they started writing separately and restricting the lead vocal to whoever wrote the song.

This song is mostly acoustic, with Lennon and McCartney each playing acoustic guitar. George Harrison’s electric guitar is there, but low in the mix. There is no bass on the track.

This appears twice in the Beatles documentary movie Let It Be, first as a duet by John and Paul and then with the whole band.

John Lennon did the whistling on the fade-out.

Two Of Us

Two of us riding nowhere
Spending someone’s hard-earned pay
You and me Sunday driving
Not arriving
On our way back home
We’re on our way home
We’re on our way home
We’re going home

Two of us sending postcards
Writing letters on my wall
You and me burning matches
Lifting latches
On our way back home
We’re on our way home
We’re on our way home
We’re going home

You and I have memories
That stretches out ahead

Two of us wearing raincoats
Standing solo
You and me chasing paper
Getting nowhere
On our way back home
We’re on our way home
We’re on our way home
We’re going home

You and I have memories
That stretches out ahead

Two of us wearing raincoats
You and me chasing paper
Getting nowhere
On our way back home
We’re on our way home
We’re on our way home
We’re going home

We’re going home
Better believe it

Twilight Zone – I Sing The Body Electric 

★★★★ May 18, 1962 Season 3 Episode 35

If you want to see where we are…HERE is a list of the episodes.

This is an emotional episode (100th)…I would even say heartwarming. It’s a sci-fi episode with a bit of drama and well done. You probably will recognize David White… best known as Darin’s boss Larry Tate on Bewitched. He plays George Rogers, a father of 3 who is left raising his children alone after his wife passes away. He takes his children to Facsimile Ltd. to build a robot grandmother to help raise the children.

One of the children, a young girl (Anne) after losing her mom is hesitant to accept her new robot grandmother. She blames her mom for dying and thinks anyone who loves her will leave. Josephine Hutchinson plays the Grandma with warmth and compassion. Veronica Cartwright who plays Anne Rogers does a good job conveying hurt and confusion over losing her mom.

I like this episode although it’s not as unsettling as some of the great episodes.

Ray Bradbury is a name that stands out as a writer on this episode. Initially, it was intended for Bradbury’s involvement with The Twilight Zone to be far greater than just one script. He wrote Serling and offered another story called “Here There Be Tygers” (not the Stephen King Story). It was turned down along with another story he wrote. It seems like Bradbury and the Twilight Zone would have went together well.

Rod, while talking in the 7os said this:  Ray Bradbury is a very difficult guy to dramatize, because that which reads so beautifully on the printed page doesn’t fit in the mouth it fits in the head. And you find characters saying the things that Bradbury’s saying and you say, Wait a minute, people don’t say that. Certainly, Bradbury’s dialogue does lean to the poetic and this might have been a consideration.

Ray Bradbury years later: I would prefer not to write or talk much about Twilight Zone or my stories. The series is over and done, my work for it stands on its own. For various reasons two scripts were never done. I dont recall the reasons now, so many years later.

This show was written by Rod Serling and Ray Bradbury

Rod Serling’s Opening Narration: 

They make a fairly convincing pitch here. It doesn’t seem possible, though, to find a woman who must be ten times better than mother in order to seem half as good, except, of course, in the Twilight Zone.


George is a widower with three children and he is being criticized for trying to raise his children on his own. His son Tom shows him an ad from a company with the motto ‘I Sing the Body Electric’ that advertises an electronic data processing system to meet anyone’s needs – essentially, a robot. They set off and everyone seems to like the idea of having a grandmotherly robot housekeeper except for Anne, who has yet to come to grips with her mother’s death. Her rejection of the new member of their family will have serious repercussions but also lead to closure.


Here is a short video clip of the episode.

Rod Serling’s Closing Narration:

A fable? Most assuredly. But who’s to say at some distant moment there might be an assembly line producing a gentle product in the form of a grandmother whose stock in trade is love. Fable, sure, but who’s to say?


Rod Serling … Narrator / Self – Host (uncredited)
Josephine Hutchinson … Grandma Robot
David White … George Rogers
Vaughn Taylor … Salesman
Doris Packer … Nedra
Charles Herbert … Tom Rogers
Veronica Cartwright … Anne Rogers
Dana Dillaway … Karen Rogers
Susan Crane … Older Ann
Paul Nesbitt … Older Tom
Judee Morton … Older Karen
David Armstrong … Van Driver (uncredited)

Van Morrison – Crazy Love

During Han’s song draft, fellow blogger Paul picked Caravan off of the album Moondance. I got the album out and  enjoyed it yet again. I first got the album in the mid-80s and I count it as one of my favorite albums ever…and it’s not even my favorite Van Morrison album.

The song is one of the most romantic songs ever. Van had recently married his girlfriend Janet Planet (gotta love that name) when he wrote this  song. It’s a very popular wedding song, it didn’t work too well though for Van though… Morrison and Janet divorced in 1973.

Her name before she married Morrison was Janet Rigsbee.

The song has been covered many times. Artists to cover this song include Brian McKnight, Ray Charles, Aaron Neville, Helen Reddy, Rod Stewart, Paul Carrack and John Anderson. Canadian vocalist Michael Bublé covered this for the title track of his 2009 album.

Van Morrison’s ex-wife, Janet Planet, now goes by Janet Morrison Minto after marrying her third husband, Chris Minto. She currently operates a beading business in Los Angeles via Etsy. Her shop, Lovebeads, sells uniquely designed necklaces and bracelets. So go and buy some necklaces or bracelets from Janet Planet!

Crazy Love

I can hear her heart beat for a thousand miles
And the heaven’s open every time she smiles
And when I come to her that’s where I belong
Yet I’m running to her like a river’s song

She give me love, love, love, love, crazy love
She give me love, love, love, love, crazy love

She’s got a fine sense of humor when I’m feeling low down
Yeah when I come to her when the sun goes down
Take away my trouble, take away my grief
Take away my heartache, in the night like a thief

She give me love, love, love, love, crazy love
She give me love, love, love, love, crazy love

Yes I need her in the daytime (I need her)
Yes I need her in the night (I need her)
Yes I want to throw my arms around her (I need her)
Kiss and hug her, kiss and hug her tight

Yeah when I’m returning from so far away
She gives me some sweet lovin’ brighten up my day
Yes it makes me righteous, yes it makes me whole
Yes it makes me mellow down in to my soul

She give me love, love, love, love, crazy love
She give me love, love, love, love, crazy love
She give me love, love, love, love, crazy love
She give me love, love, love, love, crazy love

Band – The Last Waltz

Happy Thanksgiving!

The Band on Thanksgiving in 1976 at the Fillmore West. The film starts off with THIS FILM MUST BE PLAYED LOUD! A cut to Rick Danko playing pool and then it then to the Band playing “Don’t Do It”…the last song they performed that night after hours of playing. Through the music and some interviews, their musical journey and influences are retraced.

This film is considered by many the best concert film ever made. It was directed by Martin Scorsese. I love the setting with the chandeliers that were from the movie Gone With The Wind. The quality of the picture is great because it was shot with 35-millimeter which wasn’t normally done with concerts.

Before the Band and guests hit the stage, Bill Graham, the promoter, served a Thanksgiving dinner to 5000 people that made up the audience with long tables with white tablecloths.

The Band’s musical guests included

Ronnie Hawkins, Bob Dylan, Neil Young, Dr. John, Paul Butterfield, Van Morrison (my favorite performance of a guest), Joni Mitchell, Eric Clapton and Muddy Waters

The Staple Singers and Emmylou Harris also appear but their segments were taped later on a sound stage and not at the concert.

Robbie wanted off the road earlier and that is what the Last Waltz was all about…the last concert by The Band with a lot of musical friends. He was tired of touring and also the habits the band was picking up…the drugs and drinking. Richard Manuel, in particular, was in bad shape and needed time.

The rest of the Band supposedly agreed but a few years later all of them but Robbie started to tour as The Band again. Richard Manuel ended up hanging himself in 1986. Rick Danko passed away in 1999 at the end of a tour of a heart attack attributed to years of drug and alcohol abuse. Levon Helm died of cancer in 2012.

The Band sounded great that night and it might be the best version you will ever hear of The Night They Drove Old Dixie Down.

The Last Waltz is a grand farewell to a great band and a film that I revisit at least twice a year… once always around Thanksgiving.

The complete concert is at the bottom…without cuts.

Arlo Guthrie – Alice’s Restaurant

Happy Thanksgiving! This is a Thanksgiving tradition…tonight I start another! The Beatles Get Back on Disney Plus.

The movie that Arlo movie made called Alice’s Restaurant is a fun watch. My next tradition is coming up with my next post.

Every Thanksgiving I listen to Alice’s Restaurant and this is the fourth year in a row that I’ve posted it on the 4th Thursday of November. Sorry if you are tired of it but it’s not Thanksgiving until Alice’s Restaurant is played…and the Last Waltz is watched also but that is a different story.

It’s not Thanksgiving without listening to this 1967 song. This song did not chart but he did have another version that did chart…it was called Alice’s Rock and Roll Restaurant that peaked at #97 in the Billboard 100.

Many radio stations play this on Thanksgiving. This is usually the only time they play it, since the song is over 18-minutes long.

There have been mixed reviews about the movie that was made…I’ve always found it enjoyable. It’s not going to be confused with Gone With The Wind but it’s a fun period movie.

In 1991, Arlo bought the church where this took place and set up “The Guthrie Center,” where he runs programs for kids who have been abused.

From Songfacts

Running 18 minutes and 34 seconds, this song is based on a true story that happened on Thanksgiving Day, 1965. Arlo was 18, and along with his friend Rick Robbins, drove to Stockbridge, Massachusetts to have Thanksgiving dinner with Alice and Ray Brock. Alice and Ray lived in a church – the former Trinity Church on Division Street in Stockbridge – and were used to inviting people into their home. Arlo and Rick had been traveling together, Arlo working his way up in folk singing and Rick tagging along. A number of people, Arlo and Rick included, were considered members of the family, so they were not guests in the usual sense. 

When Ray woke up the next morning, he said to them, “Let’s clean up the church and get all this crap out of here, for God’s sake. This place is a mess,” and Rick said, “Sure.” Arlo and Rick swept up and loaded all the crap into a VW microbus and went out to the dump, which was closed. They started driving around until Arlo remembered a side road in Stockbridge up on Prospect Hill by the Indian Hill Music Camp which he attended one summer, so they drove up there and dumped the garbage.A little later, the phone rang, and it was Stockbridge police chief William J. Obanhein. “I found an envelope with the name Brock on it,” Chief Obanhein said. The truth came out, and soon the boys found themselves in Obanhein’s police car. They went up to Prospect Hill, and Obie took some pictures. On the back, he marked them, “PROSPECT HILL RUBBISH DUMPING FILE UNDER GUTHRIE AND ROBBINS 11/26/65.” He took the kids to jail.The kids went in, pleaded, “Guilty, Your Honor,” was fined $25 each and ordered to retrieve the rubbish. Then they all went back to the church and started to write “Alice’s Restaurant” together. “We were sitting around after dinner and wrote half the song,” Alice recalls, “and the other half, the draft part, Arlo wrote.”

Guthrie, the son of legendary folk singer Woody Guthrie, greatly exaggerated the part about getting arrested for comic effect. In the song, he is taken away in handcuffs and put in a cell with hardened criminals. 

In the song, Guthrie avoids the draft and did not have to serve in Vietnam because of his littering arrest. In reality, he was eligible but wasn’t drafted because his number didn’t come up.

Guthrie performed this song for the first time on July 16, 1967, at the Newport Folk Festival.

This reflected the attitude of many young people in America at the time. It was considered an antiwar song, but unlike most protest songs, it used humor to speak out against authority.

After a while, Guthrie stopped playing this at concerts, claiming he forgot the words. As the song approached its 30th anniversary, he started playing it again.

Guthrie made a movie of the same name in 1969 which was based on the song.

Over the years, Guthrie added different words to the song. He recorded a new, longer version in 1995 at The Guthrie Center

Alice’s Restuarant

This song is called Alice’s Restaurant, and it’s about Alice, and the
Restaurant, but Alice’s Restaurant is not the name of the restaurant,
That’s just the name of the song, and that’s why I called the song Alice’s

You can get anything you want at Alice’s Restaurant
You can get anything you want at Alice’s Restaurant
Walk right in it’s around the back
Just a half a mile from the railroad track
You can get anything you want at Alice’s Restaurant

Now it all started two Thanksgivings ago, was on – two years ago on
Thanksgiving, when my friend and I went up to visit Alice at the
Restaurant, but Alice doesn’t live in the restaurant, she lives in the
Church nearby the restaurant, in the bell-tower, with her husband Ray and
Fasha the dog. And livin’ in the bell tower like that, they got a lot of
Room downstairs where the pews used to be in. Havin’ all that room,
Seein’ as how they took out all the pews, they decided that they didn’t
Have to take out their garbage for a long time.

We got up there, we found all the garbage in there, and we decided it’d be
A friendly gesture for us to take the garbage down to the city dump. So
We took the half a ton of garbage, put it in the back of a red vw
Microbus, took shovels and rakes and implements of destruction and headed
On toward the city dump.

Well we got there and there was a big sign and a chain across across the
Dump saying, “Closed on Thanksgiving.” And we had never heard of a dump
Closed on Thanksgiving before, and with tears in our eyes we drove off
Into the sunset looking for another place to put the garbage.

We didn’t find one. Until we came to a side road, and off the side of the
Side road there was another fifteen foot cliff and at the bottom of the
Cliff there was another pile of garbage. And we decided that one big pile
Is better than two little piles, and rather than bring that one up we
Decided to throw our’s down.

That’s what we did, and drove back to the church, had a thanksgiving
Dinner that couldn’t be beat, went to sleep and didn’t get up until the
Next morning, when we got a phone call from officer Obie. He said, “Kid,
We found your name on an envelope at the bottom of a half a ton of
Garbage, and just wanted to know if you had any information about it. ” And
I said, “Yes, sir, Officer Obie, I cannot tell a lie, I put that envelope
Under that garbage. ”

After speaking to Obie for about forty-five minutes on the telephone we
Finally arrived at the truth of the matter and said that we had to go down
And pick up the garbage, and also had to go down and speak to him at the
Police officer’s station. So we got in the red vw microbus with the
Shovels and rakes and implements of destruction and headed on toward the
Police officer’s station.

Now friends, there was only one or two things that Obie coulda done at
The police station, and the first was he could have given us a medal for
Being so brave and honest on the telephone, which wasn’t very likely, and
We didn’t expect it, and the other thing was he could have bawled us out
And told us never to be seen driving garbage around the vicinity again,
Which is what we expected, but when we got to the police officer’s station
There was a third possibility that we hadn’t even counted upon, and we was
Both immediately arrested. Handcuffed. And I said “Obie, I don’t think I
Can pick up the garbage with these handcuffs on. ” He said, “Shut up, kid.
Get in the back of the patrol car. ”

And that’s what we did, sat in the back of the patrol car and drove to the
Quote Scene of the Crime unquote. I want tell you about the town of
Stockbridge, Massachusets, where this happened here, they got three stop
Signs, two police officers, and one police car, but when we got to the
Scene of the Crime there was five police officers and three police cars,
Being the biggest crime of the last fifty years, and everybody wanted to
Get in the newspaper story about it. And they was using up all kinds of
Cop equipment that they had hanging around the police officer’s station.
They was taking plaster tire tracks, foot prints, dog smelling prints, and
They took twenty seven eight-by-ten colour glossy photographs with circles
And arrows and a paragraph on the back of each one explaining what each
One was to be used as evidence against us. Took pictures of the approach,
The getaway, the northwest corner the southwest corner and that’s not to
Mention the aerial photography.

After the ordeal, we went back to the jail. Obie said he was going to put
Us in the cell. Said, “Kid, I’m going to put you in the cell, I want your
Wallet and your belt. ” And I said, “Obie, I can understand you wanting my
Wallet so I don’t have any money to spend in the cell, but what do you
Want my belt for? ” And he said, “Kid, we don’t want any hangings. ” I
Said, “Obie, did you think I was going to hang myself for littering?”
Obie said he was making sure, and friends Obie was, cause he took out the
Toilet seat so I couldn’t hit myself over the head and drown, and he took
Out the toilet paper so I couldn’t bend the bars roll out the – roll the
Toilet paper out the window, slide down the roll and have an escape. Obie
Was making sure, and it was about four or five hours later that Alice
(remember Alice? It’s a song about Alice), Alice came by and with a few
Nasty words to Obie on the side, bailed us out of jail, and we went back
To the church, had a another thanksgiving dinner that couldn’t be beat,
And didn’t get up until the next morning, when we all had to go to court.

We walked in, sat down, Obie came in with the twenty seven eight-by-ten
Colour glossy pictures with circles and arrows and a paragraph on the back
Of each one, sat down. Man came in said, “All rise.” We all stood up,
And Obie stood up with the twenty seven eight-by-ten colour glossy
Pictures, and the judge walked in sat down with a seeing eye dog, and he
Sat down, we sat down. Obie looked at the seeing eye dog, and then at the
Twenty seven eight-by-ten colour glossy pictures with circles and arrows
And a paragraph on the back of each one, and looked at the seeing eye dog.
And then at twenty seven eight-by-ten colour glossy pictures with circles
And arrows and a paragraph on the back of each one and began to cry,
’cause Obie came to the realization that it was a typical case of American
Blind justice, and there wasn’t nothing he could do about it, and the
Judge wasn’t going to look at the twenty seven eight-by-ten colour glossy
Pictures with the circles and arrows and a paragraph on the back of each
One explaining what each one was to be used as evidence against us. And
We was fined $50 and had to pick up the garbage in the snow, but that’s not
What I came to tell you about.

Came to talk about the draft.

They got a building down New York City, it’s called Whitehall Street,
Where you walk in, you get injected, inspected, detected, infected,
Neglected and selected. I went down to get my physical examination one
Day, and I walked in, I sat down, got good and drunk the night before, so
I looked and felt my best when I went in that morning. ‘Cause I wanted to
Look like the all-American kid from New York City, man I wanted, I wanted
To feel like the all-, I wanted to be the all American kid from New York,
And I walked in, sat down, I was hung down, brung down, hung up, and all
Kinds o’ mean nasty ugly things. And I waked in and sat down and they gave
Me a piece of paper, said, “Kid, see the phsychiatrist, room 604.”

And I went up there, I said, “Shrink, I want to kill. I mean, I wanna, I
Wanna kill. Kill. I wanna, I wanna see, I wanna see blood and gore and
Guts and veins in my teeth. Eat dead burnt bodies. I mean kill, Kill,
Kill, kill. ” And I started jumping up and down yelling, “kill, kill, ” and
He started jumping up and down with me and we was both jumping up and down
Yelling, “KILL, KILL.” And the Sargent came over, pinned a medal on me,
Sent me down the hall, said, “You’re our boy.”

Didn’t feel too good about it.

Proceeded on down the hall gettin more injections, inspections,
Detections, neglections and all kinds of stuff that they was doin’ to me
At the thing there, and I was there for two hours, three hours, four
Hours, I was there for a long time going through all kinds of mean nasty
Ugly things and I was just having a tough time there, and they was
Inspecting, injecting every single part of me, and they was leaving no
Part untouched. Proceeded through, and when I finally came to the see the
Last man, I walked in, walked in sat down after a whole big thing there,
And I walked up and said, “What do you want?” He said, “Kid, we only got
One question. Have you ever been arrested? ”

And I proceeded to tell him the story of the Alice’s Restaurant Massacre,
With full orchestration and five part harmony and stuff like that and all
The phenome… – and he stopped me right there and said, “Kid, did you ever
Go to court? ”

And I proceeded to tell him the story of the twenty seven eight-by-ten
Colour glossy pictures with the circles and arrows and the paragraph on
The back of each one, and he stopped me right there and said, “Kid, I want
You to go and sit down on that bench that says Group W…. Now kid!! ”

And I, I walked over to the, to the bench there, and there is, Group W’s
Where they put you if you may not be moral enough to join the army after
Committing your special crime, and there was all kinds of mean nasty ugly
Looking people on the bench there. Mother rapers. Father stabbers. Father
Rapers! Father rapers sitting right there on the bench next to me! And
They was mean and nasty and ugly and horrible crime-type guys sitting on the
Bench next to me. And the meanest, ugliest, nastiest one, the meanest
Father raper of them all, was coming over to me and he was mean ‘n’ ugly
‘n’ nasty ‘n’ horrible and all kind of things and he sat down next to me
And said, “Kid, whad’ya get?” I said, “I didn’t get nothing, I had to pay
$50 and pick up the garbage. ” He said, “What were you arrested for, kid? ”
And I said, “Littering.” And they all moved away from me on the bench
There, and the hairy eyeball and all kinds of mean nasty things, till I
Said, “And creating a nuisance.” And they all came back, shook my hand,
And we had a great time on the bench, talkin about crime, mother stabbing,
Father raping, all kinds of groovy things that we was talking about on the
Bench. And everything was fine, we was smoking cigarettes and all kinds of
Things, until the Sargeant came over, had some paper in his hand, held it
Up and said.

“Kids, this-piece-of-paper’s-got-47-words-37-sentences-58-words-we-wanna-
Officer’s-name-and-any-other-kind-of-thing-you-gotta-say”, and talked for
Forty-five minutes and nobody understood a word that he said, but we had
Fun filling out the forms and playing with the pencils on the bench there,
And I filled out the massacre with the four part harmony and wrote it
Down there, just like it was, and everything was fine and I put down the
Pencil and I turned over the piece of paper, and there, there on the
Other side, in the middle of the other side, away from everything else on
The other side, in parentheses, capital letters, quotated, read the
Following words:


I went over to the Sargent, said, “Sargeant, you got a lot a damn gall to
Ask me if I’ve rehabilitated myself, I mean, I mean, I mean that just, I’m
Sittin’ here on the bench, I mean I’m sitting here on the Group W bench
’cause you want to know if I’m moral enough join the army, burn women,
Kids, houses and villages after bein’ a litterbug. ” He looked at me and
Said, “Kid, we don’t like your kind, and we’re gonna send you fingerprints
Off to Washington. ”

And friends, somewhere in Washington enshrined in some little folder, is a
study in black and white of my fingerprints. And the only reason I’m
singing you this song now is cause you may know somebody in a similar
situation, or you may be in a similar situation, and if your in a
situation like that there’s only one thing you can do and that’s walk into
The shrink wherever you are, just walk in say “Shrink, You can get
Anything you want, at Alice’s restaurant. “. And walk out. You know, if
One person, just one person does it they may think he’s really sick and
They won’t take him. And if two people, two people do it, in harmony,
They may think they’re both faggots and they won’t take either of them.
And three people do it, three, can you imagine, three people walking in
Singin a bar of Alice’s Restaurant and walking out. They may think it’s an
Organization. And can you, can you imagine fifty people a day, I said
Fifty people a day walking in singing a bar of Alice’s Restaurant and
Walking out. And friends they may think it’s a movement.

And that’s what it is, the Alice’s Restaurant Anti-Massacre Movement, and
All you got to do to join is sing it the next time it comes around on the

With feeling. So we’ll wait for it to come around on the guitar, here and
Sing it when it does. Here it comes.

You can get anything you want, at Alice’s Restaurant
You can get anything you want, at Alice’s Restaurant
Walk right in it’s around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice’s Restaurant

That was horrible. If you want to end war and stuff you got to sing loud.
I’ve been singing this song now for twenty-five minutes. I could sing it
For another twenty-five minutes. I’m not proud… Or tired.

So we’ll wait till it comes around again, and this time with four part
Harmony and feeling.

We’re just waitin’ for it to come around is what we’re doing.

All right now.

You can get anything you want, at Alice’s Restaurant
Excepting Alice
You can get anything you want, at Alice’s Restaurant
Walk right in it’s around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice’s Restaurant

Da da da da da da da dum
At Alice’s Restaurant

A Charlie Brown Thanksgiving

Happy Thanksgiving to everyone. This first premiered on November 20, 1973, on CBS and won an Emmy Award. Great Thanksgiving special as always with the earlier Peanuts.

The Halloween, Thanksgiving, and Christmas Peanuts specials I always looked forward to. The way their world was only for kids where grownups were heard but only as noise in the background.

It starts off with Lucy tempting Charlie Brown with that football. Just one time I wanted to see Charlie kick the football…or Lucy.

It’s Thanksgiving and Peppermint Patty invites herself and Marcie over to Charlie Brown’s house but Charlie and Sally are ready to go to their grandmothers. Charlie talks to Linus and he suggests having two Thanksgiving dinners.

The only thing Charlie can come up with is feeding his friends toast and cold cereal which does not make Peppermint Patty happy whatsoever. She lets Charlie have it really bad until Marcie reminds her that she invited herself over.

Not going to give it away for those who have not seen this wonderful holiday cartoon. The music by Vince Guaraldi is excellent and makes every Peanuts cartoon special.

Twilight Zone – Young Man’s Fancy

★★★★May 11, 1962 Season 3 Episode 34

If you want to see where we are…HERE is a list of the episodes.

Phyllis Thaxter who plays Virginia Walker is brilliant as justifiable paranoid new wife who has waited for years to marry Alex. Virginia has a strong dislike for Alex’s late mother. She blames his mom for holding Alex too close. They are at Alex’s childhood house to make arrangements to sell the place and then go on their honeymoon. I like how the episode builds and Alex has a hard time getting rid of his childhood home as promised.

As Alex keeps bringing up his childhood the house starts changing back to the way it was when he was a kid. Little things start changing at first and then the hopelessness in Virginia starts showing. You start wondering if Virginia is blaming the wrong person.

A little trivial… Phyllis Thaxter also appeared as Ma Kent in the 1978 version of Superman.

This show was written by Richard Matheson and Rod Serling

Rod Serling’s Opening Narration: 

You’re looking at the house of the late Mrs. Henrietta Walker. This is Mrs. Walker herself, as she appeared twenty-five years ago. And this, except for isolated objects, is the living room of Mrs. Walker’s house, as it appeared in that same year. The other rooms upstairs and down are pretty much the same. The time, however, is not twenty-five years ago but now. The house of the late Mrs. Henrietta Walker is, you see, a house which belongs almost entirely to the past, a house which, like Mrs. Walker’s clock here, has ceased to recognize the passage of time. Only one element is missing now, one remaining item in the estate of the late Mrs. Walker: her son, Alex, thirty-four years of age and, up till twenty minutes ago, the so-called perennial bachelor. With him is his bride, the former Miss Virginia Lane. They’re returning from the city hall in order to get Mr. Walker’s clothes packed, make final arrangements for the sale of the house, lock it up and depart on their honeymoon. Not a complicated set of tasks, it would appear, and yet the newlywed Mrs. Walker is about to discover that the old adage ‘You can’t go home again’ has little meaning in the Twilight Zone.


Immediately after their wedding, Virginia and Alex Walker return to his mother’s house to make arrangements for it to be sold. Virginia has waited a long time to marry Alex as his domineering mother Henrietta doted – and smothered – him. Going back home has a strange effect on him as he reconnects with his his environment such as his room and his toys. He slowly begins to change and Virginia realizes that her mother-in-law’s influence hasn’t subsided.

There was no decent preview of the episode. 

Rod Serling’s Closing Narration:

Exit Miss Virginia Lane, formerly and most briefly Mrs. Alex Walker. She has just given up a battle and in a strange way retreated, but this has been a retreat back to reality. Her opponent, Alex Walker, will now and forever hold a line that exists in the past. He has put a claim on a moment in time and is not about to relinquish it. Such things do happen in the Twilight Zone.


Rod Serling … Narrator / Self – Host (uncredited)
Phyllis Thaxter … Virginia Lane Walker
Alex Nicol … Alex Walker
Wallace Rooney … Mr. Wilkinson
Helen Brown … Mrs. Henrietta Walker
Rickey Kelman … Young Alex

Janis Joplin – Try (Just a Little Bit Harder)

The song was written by Jerry Ragovoy and  Chip Taylor. Chip Taylor is famous for writing Wild Thing.

Try (Just A Little Bit Harder)” is the opening track on I Got Dem Ol’ Kozmic Blues Again Mama!

That was Janis’s debut solo studio album and it was released on September 11, 1969. It was the first album which Joplin recorded after leaving her former band, Big Brother and the Holding Company. This would be the only solo album released in her lifetime. Pearl came out in January 1971 three months after her death on October 4, 1970.

This song charted in Canada at #89 in 1969. The album peaked at #5 in the Billboard Album Charts and #4 in Canada in 1969.

She got good reviews for the album partly because she wasn’t trying to out shout the loud Big Brother and The Holding Company…although I did like Big Brother…without them she might not have made it.

Try (Just A Little Bit Harder)

Try, try, try just a little bit harder
So I can love, love, love him, I tell myself
‘Cause I’m gonna try, oh yeah, just a little bit harder
So I won’t lose, lose, lose him to nobody else, yeah
Hey, I don’t care how long it’s gonna take ya
But if it’s a dream I don’t want No I don’t really want it
Yeah if it’s a dream I don’t want nobody to wake me

Yeah I’m gonna try, oh yeah, just a little bit harder
So I can give, give, give, give him every bit of my soul
I’m gonna try, oh yeah, just a little bit harder
So I can show, show, show him love with no control, yeah
Hey! I don’t care how long it’s gonna take ya
But if it’s a dream I don’t want
No I don’t really want it
Yeah if it’s a dream I don’t want nobody to wake me
Hey, dig it! Yeah! Yeah yeah yeah!
Yeah, yeah, yeah, all right

Try oh yeah, hey, try oh yeah, Lord, Lord, Lord
Try oh yeah, try oh yeah, Lord, Lord, Lord
Try oh yeah yeah, try, whoa, try oh yeah, Lord, Lord, Lord,
Push, work, push, work, oh yeah, try, oh yeah hey!
Try oh yeah, hey try oh yeah
Try Lord, try, try, you ain’t trying man
You’re not trying out man, come up with it
Come on, that’s a wanker that listens to words, man
Hey you gotta work all night
Hey little girl, gotta push on
You gotta need
Work a little more, hey, try a little more
Need a little more
Yeah, work on, push on, move on, move on
You gotta work for it, you gotta work on it
Push on, need on, move on
Move on, hey hey hey

Work it daddy
Work it daddy
Come on, work it daddy, oh
Yeah, yeah, you better try, try, try, try a little more
You ain’t never gonna get any man if that’s the sort of thing you can do
Shit, there’s lot more talent around than that man
Try, try, try, try try try
You’ve gotta try, try, try, try
Try, try, try, try, try, try…
You gotta try, try, try, try…
Lord, try, try, try, try
Lord, try, try, try, try
Hey, try, try, try, try

Hey, try oh yeah, try oh yeah, Lord, Lord, Lord
Try oh yeah, hey, try whoa, try oh yeah
Try oh yeah, Lord, Lord, Lord, try oh yeah
Try oh yeah, hey, hey, hey
Try oh yeah, try oh yeah
Lord, Lord, Lord, oh Lord

Eddy Dixon – Relentless

My thanks to Cincinnati Babyhead (CB to be short) turned me on to this song. The guitar hooked me right away. The song has turned into a cult favorite.

Relentless came from the 1981 cult movie soundtrack Loveless staring Willem Dafoe. Eddy is not an easy guy to pin down to say the least. He has been an actor playing “Rock a Billy Guy” in the 1988 David Lynch TV Mini Series The French As Seen By… and the 1990 film Wild At Heart playing Rex. Dixon has also has been a musician playing rockabilly in New York clubs. He has been called a pioneer of the 1970s rockabilly movement in New York City.

Eddy has also performed out as Eddy Dixon and the the Dixonettes.

In the sixties Eddy was an art student who worked on some John Waters films. Later on he was friends with Willem Dafoe and he introduced Eddy to David Lynch. Eddy really ran the gamut working with Waters and Lynch.

I’ll let Eddy take over from here.

Eddy Dixon on music: 1957. I was 7 years old and my best friend’s parents bought him a Fender Stratocaster. I would hang out at his house and started playing it and it just progressed from there. I went through the Dylan era and the folk era and the British Invasion era. I was playing in bands through the 60s with crazy names like The In Sex, then I got way heavy into country music towards the end of the 60s. Then in the 70s I moved to New York and started my own rockabilly band. I left Baltimore with 50 bucks, a trashbag full of clothes and a $20 guitar. I started doing all the showcases down on Bleeker Street and started hooking up with the real players, turned professional and started playing Max’s Kansas City and CBGBs.

Eddy Dixon on acting: I started off with John Waters back when I was a teenager in the late 60s. I did 5 John Waters films. He’s great – he’s very professional and knows what he wants. When I started, he was starting out and we were all art students in Baltimore living in a block in Bolton Hill. It was the most exclusive neighborhood in Baltimore at the turn of the century, but by this point everything was all run down. There were huge townhouses, gorgeous – 20-foot ceilings, marble fireplaces, mirrors from the floors to the ceilings – and they just sectioned them off and were renting them to the students. Some law firm bought up the whole block and kicked us all out. So we moved down to the docks, where we rented this 27-room double house with a courtyard – the whole deal for about $100 a month. One day my brother brought John Waters down – I think he met him at a party. So every Sunday we would pile into the Volkswagen, go out into the woods and film and that’s how it all started. My brother to this day still does all his sets. I did a Superfly sequel – I don’t know if it ever came out or not. The working title was ‘Don’t Call Me Boy’ and when they finished it they called it ‘The Hitter’. I did Run DMC’s movie – I played a cop in that.

Gene Vincent – Be Bop a Lula

“That beginning – ‘we-e-e-e-e-l-l-l-l-l!’ – always made my hair stand on end.”
John Lennon

Can this rock and roll possibly be improved on? I don’t think so.  When Gene Vincent starts this song with “well” along with that echo all around…it’s magical. Since Friday, I’ve covered songs that helped shape the young Beatles. It wasn’t just the Beatles  but all of the bands that came out in the sixties had music like this as their backbone.

The Beatles played at least 14 of Gene Vincent’s songs in their sets before they made it. A song like Somewhere Over The Rainbow that the Beatles would never think of covering until Gene Vincent covered it and gave the song his ok.

They also got to know Vincent in Germany while playing in Hamburg.

This song was recorded by Gene Vincent and the Blue Caps in 1956. The song was successful on three American singles charts as it peaked at #7 on the US Billboard pop music chart, #8 on the R&B chart, and also made the top ten on the C&W Charts, and #16 in the UK in 1956. In April 1957, the record company announced that over 2 million copies had been sold to date.

As far as the origin of the song…I reblogged a fellow blogger (Freefallin’) a couple of years ago with this song. Here is the story:  Donald Graves—a buddy Gene Vincent made in a Portsmouth, Virginia, Veteran’s Hospital. Vincent—born Vincent Eugene Craddock in 1935—had just reenlisted in the U.S. Navy in the spring of 1955 when he suffered a devastating leg injury in a motorcycle accident. That injury would land him in hospital for more than a year, where a fellow patient remembers Vincent and Graves tooling around the facility working out the song that would eventually become a classic. By the time Gene Vincent’s demo tape reached Capitol Records the following spring, however, Graves had been bought out of his share in “Be-Bop-A-Lula” by Sheriff Tex (Vincent’s business manager), reportedly for just $25.

John Lennon covered it on his 1975 Rock and Roll album. As much as I’m a fan of Lennon…nothing touches the original but he does a great job.

Be Bop A Lula

Well be-bop-a-Lula she’s my baby
Be-bop-a-Lula I don’t mean maybe
Be-bop-a-Lula she’s my baby
Be-bop-a-Lula I don’t mean maybe
Be-bop-a-Lula she’s my baby doll
My baby doll, my baby doll

Well she’s the girl in the red blue jeans
She’s the queen of all the teens
She’s the one that I know
She’s the woman that loves me so

Say be-bop-a-Lula she’s my baby
Be-bop-a-Lula I don’t mean maybe
Be-bop-a-Lula she’s my baby doll
My baby doll, my baby doll
Let’s rock!

Well now she’s the one that’s got that beat
She’s the woman with the flyin’ feet
She’s the one that walks around the store
She’s the one that gets more more more

Be-bop-a-Lula she’s my baby
Be-bop-a-Lula I don’t mean maybe
Be-bop-a-Lula she’s my baby doll
My baby doll, my baby doll
Let’s rock again, now!

Well be-bop-a-Lula she’s my baby
Be-bop-a-Lula I don’t mean maybe
Be-bop-a-Lula she’s my baby
Be-bop-a-Lula I don’t mean maybe
Be-bop-a-Lula she’s my baby doll
My baby doll, my baby doll