John Lennon – Rock and Roll Album

This album originated because of a lawsuit against John Lennon. On ‘Come Together’, John sings, “Here come old flattop”, a line that was originally in Chuck Berry’s 1956 hit, ‘You Can’t Catch Me’. When it was used, music publisher Morris Levy filed a lawsuit for copyright infringement against John.

To settle out of court John agreed to cover three songs that Morris Levy had publishing rights on. John started to work on this when he separated from Yoko in the early seventies. John picked songs that influenced him before the Beatles.

Phil Spector agreed to produce the album and the album started in October of 1973.  The sessions dragged on. Phil Spector, as he often does, acted erratically during the sessions which included shooting a gun through the studio ceiling… Phil then disappeared with the tapes. Lennon could not get the tapes back. After that Spector was involved in a car wreck in March of 74 and was in a coma.

This should have been an easy thing to do… record some covers right? No, John couldn’t get the tapes back so he started on an album of mostly original material called Walls and Bridges which would include the #1 hit “Whatever Gets You Thru the Night.” He would come back to the covers album afterward.

Now Lennon was getting sued by Levy because Levy already expected the Rock and Roll album to be out. Lennon explained what was going on and John did record one of the three songs on Walls and Bridges called Ya Ya with his son Julian.

John finally got the tapes back from Spector and started the album with the same musicians. He gave Levy some demos to show him the progress that was being made…Levy turns around and has the demos pressed and released them as a record called “Roots: John Lennon Sings the Great Rock & Roll Hits.” They were sold on TV for 3 days before EMI filed an injunction and stopped the record.

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Lennon then finished the real album in 5 days with John himself producing. It was released in February 1975. Only four songs are used on the album that was produced with Spector. I will say this about the record. This isn’t just some star singing old hits…you can tell John loved the songs and treated all of them with reverence.

The album made it to #6 in the Billboard 200, #6 in the UK, and #5 in Canada. Stand By Me made it to #20 in the Billboard 100. John Lennon did not make another album until Double Fantasy in 1980.

The cover features a young John Lennon while in Hamburg.

I’m taking nothing away from the Ben E King’s version of Stand By Me because I love it… but for me, this is my go-to version. Lennon’s voice cuts through the song like a knife.

Jimmie Nicol – The Fill-In Beatle

You would think this would be a dream come true…but having sudden fame thrown on you without acclimating could be a bad thing.

In June of 1964, Ringo Starr collapsed with tonsillitis with a tour coming up. Ringo had to go to the hospital. The Beatles wanted to cancel the tour rather than go out without their drummer. Brian Epstein and George Martin did not want the momentum they help create to stop and disappoint all of the fans.

George Harrison said it would not be the Beatles without Ringo. As Brian and George Martin tried to reason with them all, George Harrison said that they would have to find two replacements because he would not go without Ringo.

Epstein and Martin pleaded with them and told them about all the fans they would disappoint. It would only be until Ringo was well again.

Someone actually brought up Pete Best’s name. John Lennon said no because that would be bad for him because he would think he was back in the band. George Martin looked up drummers and finally found Jimmie Nicol. He was the drummer for an unknown group called The Shubdubs and also did some studio work. Martin thought he was a good fit so they rang him up.

Jimmie came over to Abbeyroad for the rehearsal. He had played Beatle songs before so he knew the arrangements. The Beatles were welcoming to Jimmie knowing he was in a tough spot. A little over 20 hours later he as playing his first concert with them in Copenhagen. Denmark. He was given the Beatle haircut and he even wore Ringo’s suit. He as reportedly paid 2500 a show…which was a huge amount in 1964.

Sudden fame can be a hard thing to handle. Jimmie said that before he played with the Beatles no girls were interested in him but while he was with them that girls were everywhere. Supposedly Jimmie and John spent a night in a brothel.

Jimmie played eight shows altogether with The Beatles and thirteen days altogether with them… before arriving in Melbourne. Austrailia where Ringo was well enough to play again. During his time with The Beatles, he did help inspire a song 3 years later. Every time John and Paul asked him how he was doing he would always answer “Getting Better.” Paul thought of this in 1967 while walking his dog and ended up with John writing “Getting Better” for Sgt Pepper.

After it was over he declared bankruptcy in 1965 but he eventually joined a band that had some success called The Spotnicks and they did two world tours. He eventually moved to Mexico and then got out of music. Here are a couple of his quotes.

“The day before I was a Beatle, not one girl would look me over. The day after … they were dying just to get a touch of me. Strange and scary all at once. It’s hard to describe the feeling but I can tell you it can go to your head. I see why so many famous people kill themselves.” 

The last quote is telling of his character.

“After the money ran low, I thought of cashing-in in some way or other. But the timing wasn’t right. And I didn’t want to step on The Beatles’ toes. They had been damn good for me and to me.”

The Beatles with Jimmie

 

Two sites where I got info

https://www.beatlesbible.com/people/jimmie-nicol/2/

https://www.adelaidenow.com.au/entertainment/meet-jimmy-nicol-the-forgotten-beatle-standin-drummer-for-ringo/news-story/0f79dd8eda8adc579d3c35c6bfb32f1f

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I had to add this quote…

 “I thought I could drink and lay women with the best of them until I caught up with these guys.”

Beatles at the Star-Club 1962

These are the punk Beatles. Raw and relentless playing fast and furious. The Beatles before the world was paying attention to them. This was recorded on an old reel to reel recorder on the slowest speed to conserve tape. It was not meant to be an album or anything commercial. A friend named Ted “King Sized” Taylor the leader of a band called the Dominoes, put a microphone near the stage to record them. The quality is poor, to say the least.

It was released in 1977 and the record company sunk 100,000 dollars just to make the audio listenable.

The Beatles were playing to an audience of sailors, prostitutes, drunks and gangsters. They would rip through songs at such a speed that only 2 songs on this double album are over 3 minutes long.

They are a great band here. You catch them with their guard down and acting completely natural.

The Beatles were in their last club dates at Hamburg. They had already recorded Love Me Do and it was on the charts. They did not want to be back in Hamburg but they honored a previous agreement and was there. They didn’t mail the performances in but they were loose and relaxed.

It contains mostly cover songs with very few originals. The track listing is at the bottom of the post. This is close to what Brian Epstein heard when he first saw them, this is why they took over Liverpool and this is why they got signed.

Casual fans will not want this album but serious Beatles fans will love it. This is more than a low fidelity album…it is history. John Lennon always said that the world didn’t hear the best of the Beatles live…I agree.

After they became THE Beatles…they could not hear themselves play because of the long constant jet taking off screaming. On this album you hear them as they were before the screams.

I was 11 when I bought this and I didn’t get the importance to a few years later.

This is out of the book Tune In… Without a doubt the best book out on the Beatles. It’s the first of three volumes.

Their playing is adept and hyper-energetic, and the microphone catches many important moments. The tape’s value has been downplayed on the basis that the Beatles are musically sloppy and perhaps even lazy, knowing they’ve one foot out of the door, but this is to ignore its virtues. The Beatles did hate being in Hamburg this last time … but the recording shows them still cutting the mustard on stage. They’re sloppy because, here, they can be, but they’re not lazy, and they’re not playing with extra care because they’re being recorded: this is an authentic eavesdrop on their club act, not something fizzed-up for the tape machine.
At least three sets were recorded, and because the Beatles rarely repeated themselves in Hamburg, there are only five duplicates among the thirty-seven songs. The repertoire is a real surprise. The only self-written pieces are “Ask Me Why” and “I Saw Her Standing There” (twice), so there’s no “Love Me Do,” “PS I Love You,” “Please Please Me,” “One After 909” or any of several other possibilities, and there are few of the songs from the spine of their all-conquering 1962 stage sets—no “Some Other Guy,” “Soldier of Love,” “Please Mr. Postman,” “Don’t Ever Change,” “A Shot of Rhythm and Blues,” “Devil in Her Heart,” “Baby It’s You,” “Will You Love Me Tomorrow,” “If You Gotta Make a Fool of Somebody,” “Hey! Baby, A Picture of You,” and so on. What’s here is an idiosyncratic selection of old rock numbers all played at breakneck speed—Prellies pace. The nights of half-hour “What’d I Say” marathons are past: everything is high velocity, only three numbers tipping into three minutes.

 

 

 

Side one
  1. Introduction/”I Saw Her Standing There” (John Lennon, Paul McCartney) – 0:34/2:22
  2. “Roll Over Beethoven” (Chuck Berry) – 2:15
  3. “Hippy Hippy Shake” (Chan Romero) – 1:42
  4. “Sweet Little Sixteen” (Berry) – 2:45
  5. “Lend Me Your Comb” (Kay Twomey, Fred Wise, Ben Weisman) – 1:44
  6. “Your Feet’s Too Big” (Ada Benson, Fred Fisher) – 2:18
Side two
  1. “Twist and Shout” (Phil Medley, Bert Russell) – 2:03
  2. “Mr. Moonlight” (Roy Lee Johnson) – 2:06
  3. “A Taste of Honey” (Bobby Scott, Ric Marlow) – 1:45
  4. “Bésame Mucho” (Consuelo Velázquez, Sunny Skylar) – 2:36
  5. “Reminiscing” (King Curtis) – 1:41
  6. “Kansas City/Hey, Hey, Hey, Hey” (Jerry Leiber, Mike Stoller, Richard Penniman) – 2:09
Side three
  1. “Nothin’ Shakin’ (But the Leaves on the Trees)” (Eddie Fontaine, Cirino Colacrai, Diane Lampert, John Gluck) – 1:15
  2. “To Know Her Is to Love Her” (Phil Spector) – 3:02
  3. “Little Queenie” (Berry) – 3:51
  4. “Falling in Love Again (Can’t Help It)” (Frederick Hollander, Sammy Lerner) – 1:57
  5. “Ask Me Why” (Lennon, McCartney) – 2:26
  6. “Be-Bop-A-Lula” (Gene Vincent, Bill Davis) – 2:29
    • Guest lead vocal by Fred Fascher, Star-Club waiter
  7. “Hallelujah I Love Her So” (Ray Charles) – 2:10
    • Guest lead vocal by Horst Fascher, Star-Club manager
Side four
  1. “Red Sails in the Sunset” (Jimmy Kennedy, Hugh Williams) – 2:00
  2. “Everybody’s Trying to Be My Baby” (Carl Perkins) – 2:25
  3. “Matchbox” (Carl Perkins) – 2:35
  4. “I’m Talking About You” (Berry) – 1:48
  5. “Shimmy Like Kate” (Armand Piron, Fred Smith, Cliff Goldsmith) – 2:17
    • Based on The Olympics’ arrangement of “I Wish I Could Shimmy Like My Sister Kate”;[32] sometimes misidentified as “Shimmy Shimmy” or “Shimmy Shake”
  6. “Long Tall Sally” (Enotris Johnson, Robert Blackwell, Penniman) – 1:45
  7. “I Remember You” (Johnny Mercer, Victor Schertzinger) – 1:54

 

https://en.wikipedia.org/wiki/Live!_at_the_Star-Club_in_Hamburg,_Germany;_1962

 

The Beatles at Shea Stadium 1965

On August 15, 1965 The Beatles played to the largest audience to that point of any rock band. 55,600 fans were in Shea Stadium ready to be entertained by the Beatles.

Looking at the equipment they had…it had to be hard to hear anything. They used 100 Watt Vox amps. They are great amps but they used the house PA in a baseball stadium. I’ve played much smaller outside events with more powerful equipment and most importantly a better PA…but it didn’t matter at the time though as Ringo said:

“We always used to use the house PA,” added Starr. “That was good enough for us, even at Shea Stadium. I never felt people came to hear our show — I felt they came to see us. From the count-in on the first number, the volume of screams drowned everything else out.”

The fans turned Beatle concerts…and especially this one into an event more than a concert. The Beatles were very aware of the magnitude of this concert. ABC filmed the concert and it became a documentary. The looks on the Beatles faces were “Can you believe this?” and they seem to really enjoy this concert. The screams come through when you watch the documentary. They drown out everything. Luckily they plugged the recording equipment into the soundboard so at least you can hear them.

During the closing song, “I’m Down” John was playing the organ and you can tell he was having a great time. He was playing this his arms and cracking up George as well. John once told Sid Berstein who promoted the concert “You know, Sid, that concert in 1965 at Shea Stadium … I saw the top of the mountain on that unforgettable night.'”

The Shea Stadium total was an attendance record that lasted until Led Zeppelin played to 56,800 in Tampa in 1973. That record was soon broken by The Who. The difference being by then the rock crowd had grown up and so had the equipment.

The 12 song Beatles setlist that lasted a whole 30 minutes.

  1. Twist and Shout
  2. She’s a Woman
  3. I Feel Fine
  4. Dizzy Miss Lizzy
  5. Ticket to Ride
  6. Everybody’s Tryin’ to Be My Baby
  7. Can’t Buy Me Love
  8. Baby’s in Black
  9. Act Naturally
  10. A Hard Day’s Night
  11. Help!
  12. I’m Down

Like so many of The Beatles achievements…They were pioneers.

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John Lennon – Nobody Told Me

This single was released in 1983 after John Lennon was murdered. The song was written by John for Ringo Starr to sing on his “Stop and Smell the Roses” album. Ringo didn’t end up recording it because of the tragedy.

The song was off the “Milk and Honey” album with tracks from John and with Yoko. This was John’s last top ten song in both America where it peaked at #5 and the UK top ten where it peaked at #6. John wrote the song in 1976 and the working title was “Everybody’s Talkin.”

I liked the song the first time I heard it. It was a fun song and I was happy to hear something new from him. I really could hear Ringo doing this one. The two songs that hit from “Milk and Honey” were Stepping Out and this one.

“Nobody Told Me”

Everybody’s talking and no one says a word
Everybody’s making love and no one really cares
There’s Nazis in the bathroom just below the stairs
Always something happening and nothing going on
There’s always something cooking and nothing in the pot
They’re starving back in China so finish what you gotNobody told me there’d be days like these
Nobody told me there’d be days like these
Nobody told me there’d be days like these
Strange days indeed — strange days indeedEverybody’s runnin’ and no one makes a move
Everyone’s a winner and nothing left to lose
There’s a little yellow idol to the north of Katmandu
Everybody’s flying and no one leaves the ground
Everybody’s crying and no one makes a sound
There’s a place for us in the movies you just gotta lay around

Nobody told me there’d be days like these
Nobody told me there’d be days like these
Nobody told me there’d be days like these
Strange days indeed — most peculiar, mama

Everybody’s smoking and no one’s getting high
Everybody’s flying and never touch the sky
There’s a UFO over New York and I ain’t too surprised

Nobody told me there’d be days like these
Nobody told me there’d be days like these
Nobody told me there’d be days like these
Strange days indeed — most peculiar, mama

 

The “Compleat” Beatles 1982

This is what Beatle fans had until the Anthology came out in 1995 and turned a new generation onto the Beatles. I wore out the recorded VHS copy my cousin gave me. It is a two hour documentary of the Beatles. It was narrated by actor Malcolm McDowell (Clockwork Orange) and was well done. I remember watching this and “The Kids Are Alright” in the 80s. It was nice seeing the footage that was not as available as today.

I do remember some small frustrating parts of it. I think it was  “Hey Jude” about to begin (David Frost Show) and whoever cut the film placed a George Martin voice over during some of the performance. Remember this was a time when you couldn’t just go on youtube and see performances. Overall it was very well made. I still have a copy of it somewhere. Paul McCartney bought out the negative rights to the film in the 1990s to clear the way for Anthology and below is that story from Wikipedia.

The Compleat Beatles was initially released as a PBS documentary in the United States, and then on VHS, Betamax, CED and Laserdisc that same year on the MGM/UA Home Video label. The 1982 Laserdisc was released in both Analogue and Stereo versions, as well as being released in Japan and England (in PAL format) in 1983.[3]

The film did very well, and in 1984 Delilah Films and Metro-Goldwyn-Mayer arranged for it to be released theatrically in the U.S. by a small distributor named Teleculture. This contributed to its continuing to be a best seller on VHS. Some years later, when Paul McCartney was preparing The Beatles Anthology, he bought the negative and all the rights to the film from Delilah to get it off of the market and clear the way for his production. That, according to the film’s director Patrick Montgomery, is why it is not available on DVD or any newer formats and “probably never will be.”

If you find a copy somewhere buy it…it is worth it. Even if you already have Anthology. The Beatles Anthology is far superior but it does make a good companion piece.

This is from Rolling Stone magazine. It went over the other documentaries of the band. They make a good case for The Compleat Beatles. The link to the page is:

Again nothing has compared to the Anthology but The Compleat Beatles was very well done.

https://www.rollingstone.com/music/music-features/the-compleat-beatles-10-takeaways-from-great-overlooked-fab-four-doc-121193/

But one Beatles doc you might not know – and its cause has not been helped by not having an authorized DVD release yet – is 1982’s The Compleat Beatles, written by David Silver, directed by Patrick Montgomery, and narrated by Malcolm McDowell, chief droog from Stanley Kubrick’s A Clockwork Orange. Clocking in at two hours – and titled in the spirit of The Compleat Angler, England’s definitive book on fishing, from 1653 – The Compleat Beatles tells the band’s entire story, from pre-fame days, with checkpoints at each album, right up through the breakup. It’s brimming with keen musical analysis, and a coterie of voices you normally don’t get with a Beatles documentary.

For a long time, in the VHS era, it was a staple of high-school music teachers, starting 35 years ago in the summer and fall of ’82. If you were lucky enough to have had the TV set wheeled in by a Beatles-mad instructor, you know this is a special film.

Here are 10 reasons to check out this overlooked masterwork of the Beatles’ cinematic canon.

1. Writer David Silver had a pitch-perfect understanding of the Beatles’ career arc – and importance in their time and beyond.
“Poets of a generation, heroes of an era,” The Compleat Beatles begins, with Malcolm McDowell reciting Silver’s lines with Shakespearean gravity. This is to be a proper assessment of a band that was so much more than a rock & roll collective, something we’re made to feel immediately. “Like all poets and heroes, they reflected the spirt of their times.” The early sequences in the film present footage of a bygone Liverpool, which looks pretty grim, as if nothing mercurial could emerge from this seaport. When the opening chords of the Beatles’ cover of Chuck Berry’s “Rock and Roll Music” kick in, the film itself seems to pop with possibility, as if infused with Beatle-esque spirit. There was nothing the band couldn’t do, and now there will be nothing this movie can’t do.

2. Gerry Marsden was an ace witness to what the Beatles were doing.
The leader of Gerry and the Pacemakers, perpetual Liverpudlian also-rans, Gerry Marsden was always broad-spirited when it came to talking about the band that so outpaced his own, but you don’t get to hear him very much on film. Here he explains how the Liverpool acts were able to transform skiffle into something far grittier from what he terms the “ackky dacky” sounds of Lonnie Donegan. First he whips out a guitar to show how Donegan would play “Jambalaya,” before remarking “we’d get the record and we’d rock it up a little bit,” entering forth into a cool little demonstration. It’s a great primer for how the Northern bands were able to develop their own sound from what was a reductive, chipper genre in skiffle.

3. Early manager Allan Williams was quite the character.
Williams liked his tall tales, and the Beatles basically screwed the guy over after he hooked them up with Hamburg and they jumped ship for Brian Epstein, but Williams clearly loved reminiscing about his relationship with the band, which would continue on for a while still. (And resurface later when the legality of the Hamburg Star Club tapes was in dispute.) He describes a letter from Howie Casey of Derry and the Seniors begging him not to send “that bum group the Beatles” over to Hamburg, for fear that this would mess up everyone else’s good thing. Williams then goes on to (accurately) describe the style of then-drummer Pete Best as not very clever. Hardly a feeling-sparer, which is probably why the likes of John Lennon liked him – at least for a while.

4. George Harrison’s mom deserves serious props. The Compleat Beatles does an excellent job of synthesizing how the Beatles came together in their pre-fame years (complete with an image of John Lennon’s report card decrying his “insolence”), with a clear, concise chronology, and valuable insight directed towards the subject of George Harrison and his mother. Most Beatles studies focus, in terms of maternal subjects, on Lennon and his mother, Julia, and Paul McCartney and his late mother, Mary, but Mrs. Harrison knew a thing or two about rocking out. “To his classmates, George Harrison was the boy whose father drove the bus they all rode to school,” McDowell states. “His mother sat up with him night after night as he taught himself how to play Buddy Holly songs,” with his inclusion in the Quarrymen assured because “his mother could tolerate their noisy rehearsals.” Way to go, Mrs. H.

5. Reeperbahn mainstay Horst Fascher was one badass MF.
The Compleat Beatlesmakes commendable use of the underrated Star Club material to soundtrack several scenes, and it’s a delight when self-professed Beatles protector Horst Fascher turns up on camera. He made sure that they didn’t get in too much distress on their first Reeperbahn forays, or, as he puts it in the film, “If you are in trouble with some girls who are prostitutes, and you don’t know the girls are prostitutes, and the pimps find out, you can get in a lot of trouble,” which made Horst the guy to seek out to cure your ills and keep your ass intact, given that he was a former boxer who had been booted from competition for killing a sailor in a street fight. Ah, Hamburg.

6. The Litherland Town Hall show from December 27th, 1960, was the watershed gig of the Beatles’ career.The film also features a number of segments with Bill Harry, a friend of the band who was instrumental in spreading the good word about them in Liverpool – even before they deserved it – with his Mersey Beatmagazine, which documented the comings and goings of life on the local beat scene. Harry gives the backstory for the gig that would change the Beatles’ career. “They came back from Hamburg still as an unknown band,” Harry remembers, but he promoted they hell out of them, “because they were close friends of mine.” This got a promoter to book them at Litherland Town Hall, shortly following Christmas in 1960. Allan Williams was there, too. “The moment the Beatles struck up and did their stomping, every kid froze, and then they ran to the stage and started screaming.” That would be the gist of a lot of what was to follow.

7. According to George Martin, “Yesterday” was the crucial pivot point for the band’s sonic development.
Martin is eloquent throughout The Compleat Beatles: erudite, dapper, utterly sure of himself, being interviewed in a recording studio by his console, with no Beatles intruding with misremembered bits of info, something that dogged the Anthology. It’s just Martin, holding a master class in what it was like from his end to work with these guys. “They always wanted to have new ideas and sounds coming through. I found that they were almost more inquisitive than I was. In fact, in the end, it kind of exhausted me. Sometimes they knew what they wanted to do, but more often than not, they didn’t,” coming across like Yoda both frustrated and blown away by the gifts of Luke Skywalker. Regarding “Yesterday”: “It isn’t really a Beatles song,” Martin remembers saying to McCartney, then goes through how he made his pitch for the Beatles to forsake their standard drum-bass-guitar attack, which would become, through various methods, the mode of the future.

8. The doc features the coolest, trippiest, most cost-effective visual evocation of “Tomorrow Never Knows” ever filmed.
McDowell’s narration intones that “Two of John’s songs ‘She Said She Said’ and ‘Tomorrow Never Knows’ were the results of his recent experiments with drugs” – fair enough – as a quick tour of Revolver begins, but what follows is brilliant: Using only the cover of the album, director Montgomery, through a series of sweeps, pans and fast dissolves, gives us something of a visual acid trip, as “Tomorrow Never Knows” blasts from the soundtrack. Once you see the effect, it’s hard to disgorge it from your mind each time going forward that you hear that mindblower of a track.

9. The band’s final world tour was pure terror, and no film better evokes it.With a collage of on-the-street interviews, footage from Beatles record burnings and people getting hurt at shows as frantic MCs plead for calm, The Compleat Beatlesprovides a strong sense of why touring had to stop for the band. As the footage unfurls, there’s a low droning figure in the soundtrack, sort of like the protracted hum of the final chord on the Sgt. Pepperalbum stretched out for several minutes. We also get a self-righteous cop in Minneapolis who goes on at some length about how much he hates the Beatles: “As far as Beatle music, I could care about it not one bit personally … one of their group, with the British accent, told us they would never come back to Minneapolis, and I told him that would be too soon for me.”

 10. In Martin’s view, the Beatles were fated to become huge. George Martin has a lot of key lines regarding his four upstarts and their career. At one point he states, “Without Brian Epstein, the Beatles wouldn’t have existed,” by which he means that success would not have come to them and they would not be the galvanic entity we all know. But Martin is in downright Socratic mode, though, when he ventures towards a larger explanation for that success. “I think that the great thing about the Beatles was that they were of their time, their timing was right. They didn’t choose it – someone chose it for them. But the timing was right, and they left their mark in history because of it.”

The Beatle Cartoon Series

I have all 39 episodes taken from VHS tape but you can view most on youtube. The cartoon reminds me of the style of Rocky and Bullwinkle.  John and George were voiced by Paul Frees who did the voice for Boris Badenov on Rocky and Bullwinkle. They ran on ABC from 1965-1969 though only 65-67 were first run episodes.

The show was made on the cheap and the cartoon Beatles were put in usual cartoon situations like a jungle, haunted house, or on a boat. The main thing was to play a Beatle song in the background while our heroes got out or into a jam.

They were a rating success. I watch them now and think…why not get actors with real British accents to voice them? They are silly and fun but George especially had no accent at all. The Beatles had nothing to do with them and didn’t really like them at first when they were first on air. They started to appreciate them more as time went on.

With season 3 you start seeing more pop art being incorporating in the episodes. They have segments where flower power framed the newer songs. Some of the segments looked really good but then they would go back to their younger selves. Some of the episodes could be considered so bad they are good…but I like them.

I never got to see these until the 1980s.

Below is an episode in the 3rd season where at least they show updated pictures of the Beatles in the title sequence with a groovy background.

Below are the episodes descriptions from Wikipedia

Season 1 (1965–66)

1. A Hard Day’s Night / I Want to Hold Your Hand: The Beatles are in Transylvania rehearsing in a haunted house with “monstrous” visitors, including a vampire, a ghost, a werewolf, and a witch, with a parody of Boris Karloff; To hide from their fans, the Beatles run inside a diving bell which drops them into the ocean with a lovesick octopus. Sing Alongs: Not A Second Time / Devil In Her Heart

2. Do You Want To Know A Secret / If I Fell: The Beatles go to Dublin, Ireland for the weekend where they meet a leprechaun named Wilhelmina Morris; John is kidnapped by Dr. Dora Florahyde and Igor, both of whom want John’s brain for their monster. In the I Want To Hold Your Hand Sing Along, Ringo is shown inside a submarine. Sing Alongs: A Hard Day’s Night / I Want To Hold Your Hand

3. Please Mr. Postman / Devil In Her Heart: Ringo loses 15 rings he bought with all of the Beatles’ spendings and they are expecting a telegram from manager Brian Epstein for more money; Ringo wanders into the woods in Transylvania where he meets a witch who wants Ringo for a husband. Sing Alongs: If I Fell / Do You Want To Know A Secret

4. Not A Second Time / Slow Down: The Beatles abandon their flight and land in Africa while trying to get away from their fans, but three girls keep tracking them down. They later encounter a few crocodiles; The Beatles are on the way to the town Ringo Ravine (named after Ringo) until they encounter a donkey that smells gold named “Gold Nose”. Sing Alongs: Baby’s In Black / Misery

5. Baby’s In Black / Misery: Paul gets kidnapped by Professor Psycho who wants Paul to marry his creation Vampiress, half girl and half bat; The Beatles go to a wax museum where a vampire follows them. Sing Alongs: I’ll Get You / Chains

6. You’ve Really Got A Hold On Me / Chains: In Africa, Ringo asks a medicine maker named Jack to help fix the Beatles’ flat tire. He then turns a worm into a snake and it lusts for Ringo; After getting knocked out, Ringo dreams about himself as Captain William Bligh from the movie Mutiny on the Bounty (1962). Sing Alongs: Slow Down / Honey Don’t

7. I’ll Get You / Honey Don’t: The Beatles run into hunter Alan Watermain (a parody of Alan Quartermain) in Africa after escaping from their fans and go out hunting for a lion; Ringo is mistaken as a bull rider, and the cowboys send him to ride on a super-tough bull named Honey. Sing Alongs: You’ve Really Got A Hold On Me / Any Time At All

8. Any Time At All / Twist and Shout: The Beatles imagine themselves as the Three Musketeers (Plus One) while they are on a tour at a museum in France; The Beatles attend an art show where a girl tries to be like other artists. They inspire her with music. Sing Alongs: I’ll Be Back / Little Child

9. Little Child / I’ll Be Back: A Native American girl on a Texas Indian reservation wants to prove that girls are as good at trapping as boys are by trapping the Beatles; The mayor of a Texas town gives Ringo a golden guitar as a gift, only to be stolen by three men, prompting the Fab Four to hunt for the thieves and get the guitar back. (The song “Ticket to Ride” is heard at the beginning of this episode.) Sing Alongs: Long Tall Sally / Twist And Shout

10. Long Tall Sally / I’ll Cry Instead: The Beatles stay at a castle for the night during a fog. John and Ringo try on a couple of cursed armor suits and start to fight each other; After signing too many autographs in Japan, George’s hand gets swollen and suffers “autographitis”. His bandmates take him to a hand doctor but end up in a karate class by mistake. Sing Alongs: I’ll Follow The Sun / When I Get Home

11. I’ll Follow the Sun / When I Get Home: The Beatles’ car breaks down and they are captured by a highwayman who happens to be a car repair man; The Beatles explore the Notre Dame in France where they later meet its famous hunchback Quasimodo. Sing Alongs: I’ll Cry Instead / Everybody’s Trying To Be My Baby

12. Everybody’s Trying To Be My Baby / I Should Have Known Better: The Beatles, spending the night at a temple in Japan during a rainstorm, are mistaken for Japanese ancestors of four girls; The Beatles are in Rome trying to find a theater to rehearse. Their last resort is the Coliseum. Sing Alongs: I’m A Loser / I Wanna Be Your Man

13. I’m A Loser / I Wanna Be Your Man: In Hollywood, Ringo gets hired as a stuntman by Incredible Pictures Inc. and ends up in the hospital after getting pulverized in many scenes; In Rome, the Beatles buy a statue of the Goddess of Musica made from stolen gold coins melted down and sculptured. Sing Alongs: No Reply / I’m Happy Just To Dance With You

14. Don’t Bother Me / No Reply: In Rome, The Beatles are being followed by two spies who are after their songbook, “New Beatle Songs”, marked “Top Secret”. The Beatles movie Help! and Oddjob from the James Bond movie Goldfinger are spoofed; In Japan, The Beatles are warned by a Charlie Chanlookalike about a jewel thief named Anyface. Things become complicated when Anyface shows up disguised as Paul. Sing Alongs: It Won’t Be Long / I Should Have Known Better

15. I’m Happy Just To Dance With You / Mr. Moonlight: The Beatles are in a Roman Street Festival where Paul wins a dancing bear named Bonnie; The Beatles meet Professor Ludwig Von Brilliant who is on a mission to view an eclipse. After being adrift at sea, they escape from an island on a submarine. Sing Alongs: Don’t Bother Me / Can’t Buy Me Love

16. Can’t Buy Me Love / It Won’t Be Long: John is given a friendship ring from a Polynesian tribal chief, which means he must marry the chief’s New York-accented daughter who dislikes pineapples; While picnicking in Japan, John goes for a swim in a pond with shrinking potion in it and gets shrunk. The other Beatles think John is a Beatle doll and chase after him. Sing Alongs: Anna (Go to Him) / Mr. Moonlight

17. Anna / I Don’t Want To Spoil The Party: In Japan, Paul gets lured into a ghost ship called “Ah-Nah”. The other Beatles dash off to the rescue before they might lose Paul for good; Paul, George and Ringo sneak away from John and go to Greenwich Village for some fun time at a Beatnik party rather than going to a museum. Sing Alongs: Matchbox / Thank You Girl

18. Matchbox / Thank You Girl: In Hawaii, John buys a trailer for the group to stay in rather than staying at a hotel so many times. They later encounter a group of Hawaiians who are evacuating from a volcano; The Beatles sneak away from their manager to get something to eat at a French restaurant by enrolling in a cooking course. Sing Alongs: I Don’t Want To Spoil The Party / Help!

19. From Me To You / Boys*: In Hawaii, a surfer named Surf Wolf challenges George to a surfing duel; The Beatles participate in a Mr. Hollywood Contest in California. Sing Alongs: Please Mr. Postman / I Saw Her Standing There
Note: The opening title erroneously shows “With Love From Me To You”

20. Dizzy Miss Lizzy / I Saw Her Standing There: John and Paul secretly sign George up to an ice boat race, and he partners up with a girl named Lizzy; In Madrid, John and Paul visit a restaurant where John develops a hot foot with ashes in his boot. Rosita falls for John, and her boyfriend Jose challenges John to a duel. Sing Alongs: Ticket To Ride / From Me To You

21. What You’re Doing / Money*: The Beatles are on a fishing trip, and Ringo runs into gypsies. One of them falls for Ringo and wants to marry him. George comes in as a woman claiming he’s engaged to Ringo to get him back; John puts Ringo in charge to keep their money safe in his jacket pocket. Later Ringo is being followed by a mystery man at a carnival who is after the money. (The song “Help!” is heard at the beginning of this episode.) Sing Alongs: Dizzy Miss Lizzy / All My Loving

22. Komm Gib Mir Deine Hand* / She Loves You: The Beatles visit the Bavarian alps mission is to climb up a mountain with the dog Gunthar to put up their own flag on top; The Beatles are about to rescue a girl who they think is held as a prisoner on a ship. As a result, her boyfriend, a knife thrower, comes to her defense…with knives. Sing Alongs: Bad Boy / Tell Me Why

23. Bad Boy / Tell Me Why: The Beatles visit the Bavarian Alps. They encounter a runaway named Hans who wants to be a Beatle, prompting The Fab Four to run after him with their music (in which Paul plays the bass right-handed) and take him back home. (The song “Slow Down” is heard in the background); In Spain, Ringo is the jockey of a donkey that can run like a horse whenever she hears loud music. Sing Alongs: Please Please Me / Hold Me Tight

24. I Feel Fine / Hold Me Tight: Paul thinks Hollywood’s a phony. Actor Dick Dashing wants to prove Paul he is wrong by putting him in some different movie scenes; In New York, George and Ringo visit the Statue Of Liberty until they have spotted a man with a package which they think is a bomb. Sing Alongs: What You’re Doing / There’s A Place

25. Please Please Me / There’s A Place: In Madrid, a bull named El Taco gets knocked out, and the Beatles decide to help out with the bullfight with Ringo as the matador, and John and Paul as the bull; John’s sympathy helps a trained ape named Mr. Marvelous escape from the television studio and go out to explore the outside world. Sing Alongs: Roll Over Beethoven / Rock And Roll Music

26. Roll Over Beethoven / Rock and Roll Music: The Beatles are on their way home after visiting New York City until Paul gets grabbed by an elephant named Beethoven; The Beatles are invited to play at the Duke’s Palace, but they are mistaken for a string quartet. Sing Alongs: I Feel Fine / She Loves You

Season 2 (1966)

27. Eight Days A Week / I’m Looking Through You: A great movie lover named Lips Lovelace loses his ability to kiss. Paul decides to take his place in the studio with a leading lady who falls for him; The Beatles are in Egypt. They are wandering around in a pyramid until Ringo encounters a ghost who wants a body, and he chooses Ringo’s. Sing Alongs: Run For Your Life / Girl**

28. Help! / We Can Work It Out: Paul and Ringo go to a fashion show in Paris, but the designs are stolen by a thief named Jacques Le Zipper. Paul chases Jacques to the Eiffel Tower, and has trouble with heights; George becomes superstitious. The Beatles encounter the Lucky Wizard who is really a thief trying to give them bad luck and rob their money. Sing Alongs: The Night Before** / Day Tripper

29. I’m Down* / Run For Your Life: The Beatles are on a tour at a wine factory in France where Ringo accidentally knocks down a vat of wine. If it does not get fixed in two hours, the factory will go out of business; The Beatles are on a tour at the Palace of Versailles. Ringo gets knocked out by a statue, and dreams about the days of Marie Antoinette. Sing Alongs: Eight Days A Week / Paperback Writer

30. Drive My Car* / Tell Me What You See*: The Beatles help a young man and his girlfriend get their old jalopy running in a car race, the Popsville Hot Rod Race; While visiting “the man of a thousand faces”, The Beatles fool around with his makeup machine and change into different characters. (John briefly imitates Jimmy Durante and Swee’Pea from “Popeye” makes a cameo.) Sing Alongs: Yesterday** / We Can Work It Out

31. I Call Your Name* / The Word*: Ringo is convinced to release his pet frog Bartholomew in the swamp. Later a movie producer offers a filming deal to Ringo and the frog, and the Fabs have dashed off to find Bartholomew; The Beatles are being punished after gazing at the girls’ unveiled faces. The only way to get out of the situation is to say the password: “love”. Sing Alongs: She’s a Woman** (original broadcast, replaced with a repeat of I Feel Fine) / Wait

32. All My Loving / Day Tripper: The Beatles are in India where they learn how to charm an animal at an “Indian Charm Skool”. When the animal is revealed to be a tiger, they use music to tame it when it is about to claw John and Ringo (The song “Love You To” is heard in the beginning of this episode.); After watching the movie The Way Out Creatures From Planet Glom, the Beatles take a trip out into space with a beautiful woman who is actually an alien taking them on a one-way trip 23 billion miles from Earth. Sing Alongs: I’m Looking Through You / Nowhere Man

33. Nowhere Man / Paperback Writer: The Beatles walk into a cave for some exploring which is a home of a hermit who wants to be alone. He tries to get rid of them, but no luck; Each of the Beatles write fictional stories of how they met with Ringo as a theatre actor, Paul as a scientist, George as a secret agent, and John as a war pilot. Sing Alongs: And I Love Her** / Michelle**

Season 3 (1967)

34. Penny Lane / Strawberry Fields: In a spoof of James Bond, the Beatles are jealous of a detective named James Blonde who gets more attention from many women, so the Fab Four head to their hometown of Liverpool to stop a robbery on Penny Lane so they can be heroes; Traveling with their driver James, the Beatles use music to add color and happiness to the lives of the children at an orphanage, a reference to Strawberry Field in Woolton, a suburb of Liverpool. John sums up the experience with “It’s all in the mind, you know.” Sing Alongs: Good Day Sunshine / Rain**

35. And Your Bird Can Sing / Got To Get You Into My Life: The Beatles and a couple of hunters hunt for a rare bird called a green double-breasted tropical woosted that can sing anything, including “Hound Dog” and “She Loves You”; The Beatles are in India, learning how to escape from their bodies from Swami Rivers. It works, but the problem is that the souls’ bodies are moving by themselves, and they must get them before it’s too late. (“Love You To” is heard in the background) Sing Alongs: Penny Lane / Eleanor Rigby

36. Good Day Sunshine / Ticket To Ride: Ringo thinks he’s a jinx. When the Beatles arrive at Carney Island, it starts to rain. Their music turns the rainy day back into a sunny day which makes Ringo happy. (The song “Little Child” is heard at the end of this episode.); The Beatles each have their own hobby. Paul paints, George builds a three-eyed robot, John writes and Ringo collects “birds” which is an English slang term for girls. Paul releases the only one Ringo caught and he runs after her. Sing Alongs: Strawberry Fields Forever / And Your Bird Can Sing

37. Taxman* / Eleanor Rigby: The Beatles get knocked out while carrying tons of money to the bank, and dream about the days of Robin Hood. Paul exclaims: “It never happened”; A group of children claim that an elderly woman named Eleanor Rigby is a witch. The Fabs tell them the true story about Eleanor Rigby in a song. (The song “I Feel Fine” is heard at the end of this episode.) Sing Alongs: Got To Get You Into My Life / Here, There and Everywhere**

38. Tomorrow Never Knows*/I’ve Just Seen a Face*: The Beatles fall into a well and end up in the inner world with foreign natives. The chief wants the Fabs to marry his daughters, and they began to run away. (The song “Love You To” is heard during this episode.); Ringo loses his singing voice. For treatment, his three mates send Ringo to a haunted house to scare his voice back. Sing Alongs: She Said She Said** / Long Tall Sally (repeat)

39. Wait / I’m Only Sleeping*: The Prince of Krapotkin’s girlfriend is in grave danger. The Beatles help him to save her from the Prime Minister who wants to marry her; John falls asleep while telling a story to a couple of children. In his dream he volunteers to help King Arthur and Merlin slay a vicious dragon. However, John and his mates opt instead to play music to put the dragon to sleep. Sing Alongs: Penny Lane (repeat) / Eleanor Rigby (repeat)