Paul McCartney – Maybe I’m Amazed

I’ve always liked the original version of this song the best. The studio version of this song was never released as a single (no tracks on the album were), but it is one of the most remembered songs on McCartney’s first solo album McCartney. “Maybe I’m Amazed” was written in 1969 just after The Beatles broke up about Linda.

A live version was released as a single in 1977 to promote the Wings Over America live album it went to #10 in the Billboard 100 in 1977.

The Faces did this song live with Ronnie Lane singing the first few lines and Rod Stewart finishing it up.

From Songfacts

Paul McCartney wrote this song about his wife Linda, who died of breast cancer in 1998. McCartney never wavered in his love for Linda, and even made her part of his band so she could tour with him.

McCartney, an animal rights activist, appeared on The Simpsons episode 3F03, “Lisa The Vegetarian.” McCartney helps Lisa become a vegetarian and tells her that if you play this song backwards, you hear a recipe for lentil soup. Over the closing credits of that episode, if you listen carefully, you can hear the backwards message. As an extra feature on The Simpsons DVD, you can hear McCartney read the recipe and say, “There you have it Simpsons lovers, oh and by the way, I’m alive.”

The lentil soup recipe Paul speaks backwards is:
– one medium onion, chopped
– two tablespoons of vegetable oil
– one clove of garlic, crushed
– one cup of carrots, chopped
– two sticks of celery, chopped
– half a cup of lentils
– one bay leaf
– one tablespoon of freshly chopped parsley
– salt and freshly ground pepper to taste
– two and a quarter cups of vegetable stock or water

With the exception of John Lennon, each Beatle has been on at least one episode of The Simpsons. George Harrison was on the episode “The B- Sharps” and Ringo was on the “The Letter.”

This was the standout track from McCartney’s first solo album. Unlike George Harrison, who had 3-discs worth great songs (mostly rejected by The Beatles) for his first solo effort, Paul had little in the way of leftovers to work with. He worked up the album in his kitchen, and played all of the instruments himself. The only other performer on the album was his wife Linda, who lent backing vocals (she also took the cover photo).

Critics derided the album as an unfinished work, usually citing “Maybe I’m Amazed” as the exception. The review in Melody Maker called the other tracks “sheer banality.” McCartney was annoyed that he wrote a rebuttal to the paper defending the album.

Artists who covered this song include The Faces, Petula Clark, Elkie Brooks, Black Oak Arkansas, Jem, Joe Cocker, and Gov’t Mule. The cover by Jem was used in the season finale of the first season in the show The O.C. 

Actor Jamie Dornan, who plays Christian Grey in the Fifty Shades movies, recorded his take of the song for the soundtrack of Fifty Shades Freed. The film involves an impromptu piano and singing performance of “Maybe I’m Amazed” from Christian, which surprises his lover Anastasia, sister, Mia, and brother, Elliot.

Maybe I’m Amazed

Maybe I’m amazed at the way you love me all the time
Maybe I’m afraid of the way I love you
Maybe I’m amazed at the the way you pulled me out of time
And hung me on a line
Maybe I’m amazed at the way I really need you

Maybe I’m a man and maybe I’m a lonely man
Who’s in the middle of something
That he doesn’t really understand

Maybe I’m a man and maybe you’re the only woman
Who could ever help me
Baby won’t you help me understand

Maybe I’m a man and maybe I’m a lonely man
Who’s in the middle of something
That he doesn’t really understand

Maybe I’m a man and maybe you’re the only woman
Who could ever help me
Baby won’t you help me understand

Maybe I’m amazed at the way you’re with me all the time
Maybe I’m afraid of the way I leave you
Maybe I’m amazed at the way you help me sing my song
Right me when I’m wrong
Maybe I’m amazed at the way I really need you

The Paul McCartney Bruce Mcmouse Show…quick review

Last night my son and I went to see this film in Nashville at the Belcourt Theater at the screening. It opened up with Paul McCartney and Wings in very early seventies attire talking about how they met the Mcmouses. The one thing that surprised me…it was a smaller amount of animation that I anticipated. I thought it would be 60-40 animation but it was around 30-70 with Wings playing live on their 72 European tour and various film clips with the music. I’m not unhappy with the ratio because I wanted to hear Wings live more than seeing the animation.

They did use some soundstage shots mixed in with live shots also.

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My biggest complaint was the voices of the mice were a little too animated…no pun intended but you could not understand what they were saying without straining. Wings were great though. This is the earliest video I’ve seen of Paul playing outside of the Beatles. The sound was great. The songs I can remember were Big Red Barn, Wild Life, Long Tall Sally, Seaside Woman, My Love, Hi Hi Hi, Mary Had a Little Lamb, C Moon, Blue Moon Over Kentucky, Maybe I’m Amazed, and there are a few more I’m forgetting.

The film is only 55 minutes long but a good representation of Wings in 1972. The band looked like they were having a lot of fun. I will get the film when it is released.

It’s a nice film that was made right before Live and Let Die and Band on the Run. The Bruce Mcmouse Show is not the best thing Paul has done…but a fun film all the same. It’s also a nice time capsule of the early seventies… Also, it was cool that at least 80 percent of the audience were college students…that gives me hope…and it was packed.

Now Paul…release the 1976 tour to the Theaters, please.

 

 

 

Paul McCartney – Coming Up

Merry Christmas to everyone…

I was 12 when this came out in 1979 and loved it…especially the video that went with it. The live version is the one that hit really big and the single had the live and studio version. The song (Live Version) peaked at #1 in the Billboard 100, #2 in the UK and #1 in Canada in 1980.

McCartney played all the instruments and shared vocal harmonies with wife Linda McCartney on the studio version.

Paul McCartney on recording Coming Up

I originally cut it on my farm in Scotland. I went into the studio each day and just started with a drum track. Then I built it up bit by bit without any idea of how the song was going to turn out. After laying down the drum track, I added guitars and bass, building up the backing track. I did a little version with just me as the nutty professor, doing everything and getting into my own world like a laboratory. The absent-minded professor is what I go like when I’m doing those; you get so into yourself it’s weird, crazy. But I liked it.

Then I thought, ‘Well, OK, what am I going to do for the voice?’ I was working with a vari-speed machine with which you can speed up your voice, or take it down a little bit. That’s how the voice sound came about. It’s been speeded up slightly and put through an echo machine I was playing around with. I got into all sorts of tricks, and I can’t remember how I did half of them, because I was just throwing them all in and anything that sounded good, I kept. And anything I didn’t like I just wiped.

On John Lennon

I heard a story from a guy who recorded with John in New York, and he said that John would sometimes get lazy. But then he’d hear a song of mine where he thought, ‘Oh, shit, Paul’s putting it in, Paul’s working!’ Apparently ‘Coming Up’ was the one song that got John recording again. I think John just thought, ‘Uh oh, I had better get working, too.’ I thought that was a nice story.

Coming Up

You want a love to last forever 
One that will never fade away 
I want to help you with your problem 
Stick around, I say 

Coming up, coming up, yeah 
Coming up like a flower 
Coming up, I say 

You want a friend you- can rely on 
One who will never fade away 
And if you’re searching for an answer 
Stick around. I say 

It’s coming up, it’s coming up 
It’s coming up like a flower 
It’s coming up. yeah 

You want some peace and understanding 
So everybody can be free 
I know that we can get together 
We can make it, stick with me 

It’s coming up, it’s coming up 
It’s coming up like a flower 
It’s coming up for you and me 

Coming up, coming up 
It’s coming up, it’s coming up, I say 
It’s coming up like a flower 
It’s coming up 
I feel it in my bones 

You want a better kind of future 
One that everyone can share 
You’re not alone, we all could use it 
Stick around we’re nearly there 

It’s coming up, it’s coming up everywhere 
It’s coming up like a flower 
It’s coming up for all to share 
It’s coming up, yeah 
It’s coming up, anyway 
It’s coming up like a flower 
Coming up

Beatlemania Show In 1983

My cousin Mark won tickets in 1983 on the radio to a show called Beatlemania. He called me up because he knew I was a huge Beatles fan and wanted to know if I wanted to go with him…well yes.

I was excited but I had no clue about what to expect. In the back of my mind, I thought they would cover 1964 and maybe the early part of 1965…nothing but the early period. I only had read about this show a little in the past where the Beatles took Beatlemania to court… Never read on how good or bad it was…

We got there and went to the lobby before the show. The actual band was in the lobby talking to some people. We went over to get something to drink and I heard a couple of people talking “hey they are going to try Lady Madonna tonight for the first time”, that surprised me. That is the second I started to get really excited about the show…I thought hmmm they might play more than just the early songs. The Beatles stopped touring after 1966 and so many of the songs from and after Revolver were never played live.

They came out in the suits and started off with Twist and Shout and sounded really good. Those early songs work well live.

After playing several songs an intermission was announced. They came back out dressed in Sgt Pepper outfits and started to play Sgt Pepper and Magical Mystery Tour songs. I kept thinking that these songs could not have been pulled off in the era they were released in live. I didn’t think I would ever hear these songs live…if I closed my eyes a little…it was as close to the real thing as I could get.

Another intermission and out they came dressed like the Abbey Road period and covered songs from the White Album, Let It Be, and Abbey Road.

To hear these songs live was incredible. They were very good musicians and did a good job emulating the Beatles. I’ve since seen other Beatle cover bands in Disneyworld and Opryland and they have been decent…but never as good as this show.

It’s odd giving a review of a show that happened 35 years ago but it was really enjoyable. In 2010 I saw Paul McCartney do many of the songs live that I had not heard since that night in 1983…but this time I didn’t have to pretend as much. The giant sound McCartney had was better than I ever could expect.

But as a 16-year-old Beatle fan on September 13, 1983, these pretend Beatles were a great experience.

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Jimmie Nicol – The Fill-In Beatle

You would think this would be a dream come true…but having sudden fame thrown on you without acclimating could be a bad thing.

In June of 1964, Ringo Starr collapsed with tonsillitis with a tour coming up. Ringo had to go to the hospital. The Beatles wanted to cancel the tour rather than go out without their drummer. Brian Epstein and George Martin did not want the momentum they help create to stop and disappoint all of the fans.

George Harrison said it would not be the Beatles without Ringo. As Brian and George Martin tried to reason with them all, George Harrison said that they would have to find two replacements because he would not go without Ringo.

Epstein and Martin pleaded with them and told them about all the fans they would disappoint. It would only be until Ringo was well again.

Someone actually brought up Pete Best’s name. John Lennon said no because that would be bad for him because he would think he was back in the band. George Martin looked up drummers and finally found Jimmie Nicol. He was the drummer for an unknown group called The Shubdubs and also did some studio work. Martin thought he was a good fit so they rang him up.

Jimmie came over to Abbeyroad for the rehearsal. He had played Beatle songs before so he knew the arrangements. The Beatles were welcoming to Jimmie knowing he was in a tough spot. A little over 20 hours later he as playing his first concert with them in Copenhagen. Denmark. He was given the Beatle haircut and he even wore Ringo’s suit. He as reportedly paid 2500 a show…which was a huge amount in 1964.

Sudden fame can be a hard thing to handle. Jimmie said that before he played with the Beatles no girls were interested in him but while he was with them that girls were everywhere. Supposedly Jimmie and John spent a night in a brothel.

Jimmie played eight shows altogether with The Beatles and thirteen days altogether with them… before arriving in Melbourne. Austrailia where Ringo was well enough to play again. During his time with The Beatles, he did help inspire a song 3 years later. Every time John and Paul asked him how he was doing he would always answer “Getting Better.” Paul thought of this in 1967 while walking his dog and ended up with John writing “Getting Better” for Sgt Pepper.

After it was over he declared bankruptcy in 1965 but he eventually joined a band that had some success called The Spotnicks and they did two world tours. He eventually moved to Mexico and then got out of music. Here are a couple of his quotes.

“The day before I was a Beatle, not one girl would look me over. The day after … they were dying just to get a touch of me. Strange and scary all at once. It’s hard to describe the feeling but I can tell you it can go to your head. I see why so many famous people kill themselves.” 

The last quote is telling of his character.

“After the money ran low, I thought of cashing-in in some way or other. But the timing wasn’t right. And I didn’t want to step on The Beatles’ toes. They had been damn good for me and to me.”

The Beatles with Jimmie

 

Two sites where I got info

https://www.beatlesbible.com/people/jimmie-nicol/2/

https://www.adelaidenow.com.au/entertainment/meet-jimmy-nicol-the-forgotten-beatle-standin-drummer-for-ringo/news-story/0f79dd8eda8adc579d3c35c6bfb32f1f

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I had to add this quote…

 “I thought I could drink and lay women with the best of them until I caught up with these guys.”

Beatles at the Star-Club 1962

These are the punk Beatles. Raw and relentless playing fast and furious. The Beatles before the world was paying attention to them. This was recorded on an old reel to reel recorder on the slowest speed to conserve tape. It was not meant to be an album or anything commercial. A friend named Ted “King Sized” Taylor the leader of a band called the Dominoes, put a microphone near the stage to record them. The quality is poor, to say the least.

It was released in 1977 and the record company sunk 100,000 dollars just to make the audio listenable.

The Beatles were playing to an audience of sailors, prostitutes, drunks and gangsters. They would rip through songs at such a speed that only 2 songs on this double album are over 3 minutes long.

They are a great band here. You catch them with their guard down and acting completely natural.

The Beatles were in their last club dates at Hamburg. They had already recorded Love Me Do and it was on the charts. They did not want to be back in Hamburg but they honored a previous agreement and was there. They didn’t mail the performances in but they were loose and relaxed.

It contains mostly cover songs with very few originals. The track listing is at the bottom of the post. This is close to what Brian Epstein heard when he first saw them, this is why they took over Liverpool and this is why they got signed.

Casual fans will not want this album but serious Beatles fans will love it. This is more than a low fidelity album…it is history. John Lennon always said that the world didn’t hear the best of the Beatles live…I agree.

After they became THE Beatles…they could not hear themselves play because of the long constant jet taking off screaming. On this album you hear them as they were before the screams.

I was 11 when I bought this and I didn’t get the importance to a few years later.

This is out of the book Tune In… Without a doubt the best book out on the Beatles. It’s the first of three volumes.

Their playing is adept and hyper-energetic, and the microphone catches many important moments. The tape’s value has been downplayed on the basis that the Beatles are musically sloppy and perhaps even lazy, knowing they’ve one foot out of the door, but this is to ignore its virtues. The Beatles did hate being in Hamburg this last time … but the recording shows them still cutting the mustard on stage. They’re sloppy because, here, they can be, but they’re not lazy, and they’re not playing with extra care because they’re being recorded: this is an authentic eavesdrop on their club act, not something fizzed-up for the tape machine.
At least three sets were recorded, and because the Beatles rarely repeated themselves in Hamburg, there are only five duplicates among the thirty-seven songs. The repertoire is a real surprise. The only self-written pieces are “Ask Me Why” and “I Saw Her Standing There” (twice), so there’s no “Love Me Do,” “PS I Love You,” “Please Please Me,” “One After 909” or any of several other possibilities, and there are few of the songs from the spine of their all-conquering 1962 stage sets—no “Some Other Guy,” “Soldier of Love,” “Please Mr. Postman,” “Don’t Ever Change,” “A Shot of Rhythm and Blues,” “Devil in Her Heart,” “Baby It’s You,” “Will You Love Me Tomorrow,” “If You Gotta Make a Fool of Somebody,” “Hey! Baby, A Picture of You,” and so on. What’s here is an idiosyncratic selection of old rock numbers all played at breakneck speed—Prellies pace. The nights of half-hour “What’d I Say” marathons are past: everything is high velocity, only three numbers tipping into three minutes.

 

 

 

Side one
  1. Introduction/”I Saw Her Standing There” (John Lennon, Paul McCartney) – 0:34/2:22
  2. “Roll Over Beethoven” (Chuck Berry) – 2:15
  3. “Hippy Hippy Shake” (Chan Romero) – 1:42
  4. “Sweet Little Sixteen” (Berry) – 2:45
  5. “Lend Me Your Comb” (Kay Twomey, Fred Wise, Ben Weisman) – 1:44
  6. “Your Feet’s Too Big” (Ada Benson, Fred Fisher) – 2:18
Side two
  1. “Twist and Shout” (Phil Medley, Bert Russell) – 2:03
  2. “Mr. Moonlight” (Roy Lee Johnson) – 2:06
  3. “A Taste of Honey” (Bobby Scott, Ric Marlow) – 1:45
  4. “Bésame Mucho” (Consuelo Velázquez, Sunny Skylar) – 2:36
  5. “Reminiscing” (King Curtis) – 1:41
  6. “Kansas City/Hey, Hey, Hey, Hey” (Jerry Leiber, Mike Stoller, Richard Penniman) – 2:09
Side three
  1. “Nothin’ Shakin’ (But the Leaves on the Trees)” (Eddie Fontaine, Cirino Colacrai, Diane Lampert, John Gluck) – 1:15
  2. “To Know Her Is to Love Her” (Phil Spector) – 3:02
  3. “Little Queenie” (Berry) – 3:51
  4. “Falling in Love Again (Can’t Help It)” (Frederick Hollander, Sammy Lerner) – 1:57
  5. “Ask Me Why” (Lennon, McCartney) – 2:26
  6. “Be-Bop-A-Lula” (Gene Vincent, Bill Davis) – 2:29
    • Guest lead vocal by Fred Fascher, Star-Club waiter
  7. “Hallelujah I Love Her So” (Ray Charles) – 2:10
    • Guest lead vocal by Horst Fascher, Star-Club manager
Side four
  1. “Red Sails in the Sunset” (Jimmy Kennedy, Hugh Williams) – 2:00
  2. “Everybody’s Trying to Be My Baby” (Carl Perkins) – 2:25
  3. “Matchbox” (Carl Perkins) – 2:35
  4. “I’m Talking About You” (Berry) – 1:48
  5. “Shimmy Like Kate” (Armand Piron, Fred Smith, Cliff Goldsmith) – 2:17
    • Based on The Olympics’ arrangement of “I Wish I Could Shimmy Like My Sister Kate”;[32] sometimes misidentified as “Shimmy Shimmy” or “Shimmy Shake”
  6. “Long Tall Sally” (Enotris Johnson, Robert Blackwell, Penniman) – 1:45
  7. “I Remember You” (Johnny Mercer, Victor Schertzinger) – 1:54

 

https://en.wikipedia.org/wiki/Live!_at_the_Star-Club_in_Hamburg,_Germany;_1962

 

The Beatles at Shea Stadium 1965

On August 15, 1965 The Beatles played to the largest audience to that point of any rock band. 55,600 fans were in Shea Stadium ready to be entertained by the Beatles.

Looking at the equipment they had…it had to be hard to hear anything. They used 100 Watt Vox amps. They are great amps but they used the house PA in a baseball stadium. I’ve played much smaller outside events with more powerful equipment and most importantly a better PA…but it didn’t matter at the time though as Ringo said:

“We always used to use the house PA,” added Starr. “That was good enough for us, even at Shea Stadium. I never felt people came to hear our show — I felt they came to see us. From the count-in on the first number, the volume of screams drowned everything else out.”

The fans turned Beatle concerts…and especially this one into an event more than a concert. The Beatles were very aware of the magnitude of this concert. ABC filmed the concert and it became a documentary. The looks on the Beatles faces were “Can you believe this?” and they seem to really enjoy this concert. The screams come through when you watch the documentary. They drown out everything. Luckily they plugged the recording equipment into the soundboard so at least you can hear them.

During the closing song, “I’m Down” John was playing the organ and you can tell he was having a great time. He was playing this his arms and cracking up George as well. John once told Sid Berstein who promoted the concert “You know, Sid, that concert in 1965 at Shea Stadium … I saw the top of the mountain on that unforgettable night.'”

The Shea Stadium total was an attendance record that lasted until Led Zeppelin played to 56,800 in Tampa in 1973. That record was soon broken by The Who. The difference being by then the rock crowd had grown up and so had the equipment.

The 12 song Beatles setlist that lasted a whole 30 minutes.

  1. Twist and Shout
  2. She’s a Woman
  3. I Feel Fine
  4. Dizzy Miss Lizzy
  5. Ticket to Ride
  6. Everybody’s Tryin’ to Be My Baby
  7. Can’t Buy Me Love
  8. Baby’s in Black
  9. Act Naturally
  10. A Hard Day’s Night
  11. Help!
  12. I’m Down

Like so many of The Beatles achievements…They were pioneers.

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