This single was released in 1983 after John Lennon was murdered. The song was written by John for Ringo Starr to sing on his “Stop and Smell the Roses” album. Ringo didn’t end up recording it because of the tragedy.
The song was off the “Milk and Honey” album with tracks from John and with Yoko. This was John’s last top ten song in both America where it peaked at #5 and the UK top ten where it peaked at #6. John wrote the song in 1976 and the working title was “Everybody’s Talkin.”
I liked the song the first time I heard it. It was a fun song and I was happy to hear something new from him. I really could hear Ringo doing this one. The two songs that hit from “Milk and Honey” were Stepping Out and this one.
“Nobody Told Me”
Everybody’s talking and no one says a word Everybody’s making love and no one really cares There’s Nazis in the bathroom just below the stairs Always something happening and nothing going on There’s always something cooking and nothing in the pot They’re starving back in China so finish what you gotNobody told me there’d be days like these Nobody told me there’d be days like these Nobody told me there’d be days like these Strange days indeed — strange days indeedEverybody’s runnin’ and no one makes a move Everyone’s a winner and nothing left to lose There’s a little yellow idol to the north of Katmandu Everybody’s flying and no one leaves the ground Everybody’s crying and no one makes a sound There’s a place for us in the movies you just gotta lay around
Nobody told me there’d be days like these Nobody told me there’d be days like these Nobody told me there’d be days like these Strange days indeed — most peculiar, mama
Everybody’s smoking and no one’s getting high Everybody’s flying and never touch the sky There’s a UFO over New York and I ain’t too surprised
Nobody told me there’d be days like these Nobody told me there’d be days like these Nobody told me there’d be days like these Strange days indeed — most peculiar, mama
This 1970 George Harrison song is off of the great album “All Things Must Pass.” It is often overlooked but its one of my favorite George Harrison songs. George wrote it in 1966 but it didn’t see daylight until 1970. He brought it up on the Let It Be sessions but he later said that John Lennon rejected it. That I don’t understand…I Me Mine was passed but not this one? I like “I Me Mine” but not like this one. Maybe George did more work on it afterward or it was the length of the song.
It resembles Hey Jude in its structure. It was the B side to My Sweet Lord which went to #1 on the charts. In Canada, this song was the preferred song and it went to #1 in Canada.
No one benefitted from the break up of the Beatles like George. He had so many songs that we had written and could not get enough of them on Beatles albums, understandably so with Lennon and McCartney. He released a 3 album set called “All Things Must Pass” in 1970.
George began recording this Isn’t It A Pity on June 2, 1970. Phil Spector produced it using his trademark Wall of Sound with heavy reverb. On the remastered version, the reverb is toned down a little.
This is from Timothy White’s interview with George Harrison that appeared in the Dec. 30, 2000, issue of Billboard:
Had you intended songs like “Isn’t It A Pity” to be things just for you?
No, I mean, this is the funny thing: imagine if the Beatles had gone on and on. Well, the songs on “All Things Must Pass,” maybe some of them I would probably only just got ’round to do now, you know, with my quota that I was allowed [laughs]. “Isn’t It A Pity” would just have been a Beatles song, wouldn’t it? And now that could be said for each one of us. “Imagine” would have been a Beatles song, but it was with John’s songs. It just happened that the Beatles finished.
What was the inspiration for “Isn’t It A Pity”?
It’s just an observation of how society and myself were or are. We take each other for granted — and forget to give back. That was really all it was about.
It’s like “love lost and love gained between 16- and 20-year-olds.” But I must explain: Once, at the time I was at Warner Bros. and I wrote that song “Blood From A Clone” [on the 1981 “Somewhere In England” album], that was when they were having all these surveys out on the street to find out what was a hit record. And apparently, as I was told, a hit record is something that is about “love gained or lost between 14- and 19-year-olds,” or something really dumb like that.
So that’s why I wrote “Isn’t Is A Pity” [laughs]; I thought, ‘Oh, I’ll get in on that!”
“Isn’t It A Pity”
Isn’t it a pity Now, isn’t it a shame How we break each other’s hearts And cause each other pain How we take each other’s love Without thinking anymore Forgetting to give back Isn’t it a pitySome things take so long But how do I explain When not too many people Can see we’re all the same And because of all their tears Their eyes can’t hope to see The beauty that surrounds them Isn’t it a pity
Isn’t it a pity Isn’t is a shame How we break each other’s hearts And cause each other pain How we take each other’s love Without thinking anymore Forgetting to give back Isn’t it a pity
Forgetting to give back Isn’t it a pity Forgetting to give back Now, isn’t it a pity
[6 times, fade the 6th:] What a pity What a pity, pity, pity What a pity What a pity, pity, pity
This is what Beatle fans had until the Anthology came out in 1995 and turned a new generation onto the Beatles. I wore out the recorded VHS copy my cousin gave me. It is a two hour documentary of the Beatles. It was narrated by actor Malcolm McDowell (Clockwork Orange) and was well done. I remember watching this and “The Kids Are Alright” in the 80s. It was nice seeing the footage that was not as available as today.
I do remember some small frustrating parts of it. I think it was “Hey Jude” about to begin (David Frost Show) and whoever cut the film placed a George Martin voice over during some of the performance. Remember this was a time when you couldn’t just go on youtube and see performances. Overall it was very well made. I still have a copy of it somewhere. Paul McCartney bought out the negative rights to the film in the 1990s to clear the way for Anthology and below is that story from Wikipedia.
The Compleat Beatles was initially released as a PBS documentary in the United States, and then on VHS, Betamax, CED and Laserdisc that same year on the MGM/UA Home Video label. The 1982 Laserdisc was released in both Analogue and Stereo versions, as well as being released in Japan and England (in PAL format) in 1983.[3]
The film did very well, and in 1984 Delilah Films and Metro-Goldwyn-Mayer arranged for it to be released theatrically in the U.S. by a small distributor named Teleculture. This contributed to its continuing to be a best seller on VHS. Some years later, when Paul McCartney was preparing The Beatles Anthology, he bought the negative and all the rights to the film from Delilah to get it off of the market and clear the way for his production. That, according to the film’s director Patrick Montgomery, is why it is not available on DVD or any newer formats and “probably never will be.”
If you find a copy somewhere buy it…it is worth it. Even if you already have Anthology. The Beatles Anthology is far superior but it does make a good companion piece.
This is from Rolling Stone magazine. It went over the other documentaries of the band. They make a good case for The Compleat Beatles. The link to the page is:
Again nothing has compared to the Anthology but The Compleat Beatles was very well done.
But one Beatles doc you might not know – and its cause has not been helped by not having an authorized DVD release yet – is 1982’s The Compleat Beatles, written by David Silver, directed by Patrick Montgomery, and narrated by Malcolm McDowell, chief droog from Stanley Kubrick’s A Clockwork Orange. Clocking in at two hours – and titled in the spirit of The Compleat Angler, England’s definitive book on fishing, from 1653 – The Compleat Beatles tells the band’s entire story, from pre-fame days, with checkpoints at each album, right up through the breakup. It’s brimming with keen musical analysis, and a coterie of voices you normally don’t get with a Beatles documentary.
For a long time, in the VHS era, it was a staple of high-school music teachers, starting 35 years ago in the summer and fall of ’82. If you were lucky enough to have had the TV set wheeled in by a Beatles-mad instructor, you know this is a special film.
Here are 10 reasons to check out this overlooked masterwork of the Beatles’ cinematic canon.
1. Writer David Silver had a pitch-perfect understanding of the Beatles’ career arc – and importance in their time and beyond. “Poets of a generation, heroes of an era,” The Compleat Beatles begins, with Malcolm McDowell reciting Silver’s lines with Shakespearean gravity. This is to be a proper assessment of a band that was so much more than a rock & roll collective, something we’re made to feel immediately. “Like all poets and heroes, they reflected the spirt of their times.” The early sequences in the film present footage of a bygone Liverpool, which looks pretty grim, as if nothing mercurial could emerge from this seaport. When the opening chords of the Beatles’ cover of Chuck Berry’s “Rock and Roll Music” kick in, the film itself seems to pop with possibility, as if infused with Beatle-esque spirit. There was nothing the band couldn’t do, and now there will be nothing this movie can’t do.
2. Gerry Marsden was an ace witness to what the Beatles were doing. The leader of Gerry and the Pacemakers, perpetual Liverpudlian also-rans, Gerry Marsden was always broad-spirited when it came to talking about the band that so outpaced his own, but you don’t get to hear him very much on film. Here he explains how the Liverpool acts were able to transform skiffle into something far grittier from what he terms the “ackky dacky” sounds of Lonnie Donegan. First he whips out a guitar to show how Donegan would play “Jambalaya,” before remarking “we’d get the record and we’d rock it up a little bit,” entering forth into a cool little demonstration. It’s a great primer for how the Northern bands were able to develop their own sound from what was a reductive, chipper genre in skiffle.
3. Early manager Allan Williams was quite the character. Williams liked his tall tales, and the Beatles basically screwed the guy over after he hooked them up with Hamburg and they jumped ship for Brian Epstein, but Williams clearly loved reminiscing about his relationship with the band, which would continue on for a while still. (And resurface later when the legality of the Hamburg Star Club tapes was in dispute.) He describes a letter from Howie Casey of Derry and the Seniors begging him not to send “that bum group the Beatles” over to Hamburg, for fear that this would mess up everyone else’s good thing. Williams then goes on to (accurately) describe the style of then-drummer Pete Best as not very clever. Hardly a feeling-sparer, which is probably why the likes of John Lennon liked him – at least for a while.
4. George Harrison’s mom deserves serious props. The Compleat Beatles does an excellent job of synthesizing how the Beatles came together in their pre-fame years (complete with an image of John Lennon’s report card decrying his “insolence”), with a clear, concise chronology, and valuable insight directed towards the subject of George Harrison and his mother. Most Beatles studies focus, in terms of maternal subjects, on Lennon and his mother, Julia, and Paul McCartney and his late mother, Mary, but Mrs. Harrison knew a thing or two about rocking out. “To his classmates, George Harrison was the boy whose father drove the bus they all rode to school,” McDowell states. “His mother sat up with him night after night as he taught himself how to play Buddy Holly songs,” with his inclusion in the Quarrymen assured because “his mother could tolerate their noisy rehearsals.” Way to go, Mrs. H.
5. Reeperbahn mainstay Horst Fascher was one badass MF. The Compleat Beatlesmakes commendable use of the underrated Star Club material to soundtrack several scenes, and it’s a delight when self-professed Beatles protector Horst Fascher turns up on camera. He made sure that they didn’t get in too much distress on their first Reeperbahn forays, or, as he puts it in the film, “If you are in trouble with some girls who are prostitutes, and you don’t know the girls are prostitutes, and the pimps find out, you can get in a lot of trouble,” which made Horst the guy to seek out to cure your ills and keep your ass intact, given that he was a former boxer who had been booted from competition for killing a sailor in a street fight. Ah, Hamburg.
6. The Litherland Town Hall show from December 27th, 1960, was the watershed gig of the Beatles’ career.The film also features a number of segments with Bill Harry, a friend of the band who was instrumental in spreading the good word about them in Liverpool – even before they deserved it – with his Mersey Beatmagazine, which documented the comings and goings of life on the local beat scene. Harry gives the backstory for the gig that would change the Beatles’ career. “They came back from Hamburg still as an unknown band,” Harry remembers, but he promoted they hell out of them, “because they were close friends of mine.” This got a promoter to book them at Litherland Town Hall, shortly following Christmas in 1960. Allan Williams was there, too. “The moment the Beatles struck up and did their stomping, every kid froze, and then they ran to the stage and started screaming.” That would be the gist of a lot of what was to follow.
7. According to George Martin, “Yesterday” was the crucial pivot point for the band’s sonic development. Martin is eloquent throughout The Compleat Beatles: erudite, dapper, utterly sure of himself, being interviewed in a recording studio by his console, with no Beatles intruding with misremembered bits of info, something that dogged the Anthology. It’s just Martin, holding a master class in what it was like from his end to work with these guys. “They always wanted to have new ideas and sounds coming through. I found that they were almost more inquisitive than I was. In fact, in the end, it kind of exhausted me. Sometimes they knew what they wanted to do, but more often than not, they didn’t,” coming across like Yoda both frustrated and blown away by the gifts of Luke Skywalker. Regarding “Yesterday”: “It isn’t really a Beatles song,” Martin remembers saying to McCartney, then goes through how he made his pitch for the Beatles to forsake their standard drum-bass-guitar attack, which would become, through various methods, the mode of the future.
8. The doc features the coolest, trippiest, most cost-effective visual evocation of “Tomorrow Never Knows” ever filmed. McDowell’s narration intones that “Two of John’s songs ‘She Said She Said’ and ‘Tomorrow Never Knows’ were the results of his recent experiments with drugs” – fair enough – as a quick tour of Revolver begins, but what follows is brilliant: Using only the cover of the album, director Montgomery, through a series of sweeps, pans and fast dissolves, gives us something of a visual acid trip, as “Tomorrow Never Knows” blasts from the soundtrack. Once you see the effect, it’s hard to disgorge it from your mind each time going forward that you hear that mindblower of a track.
9. The band’s final world tour was pure terror, and no film better evokes it.With a collage of on-the-street interviews, footage from Beatles record burnings and people getting hurt at shows as frantic MCs plead for calm, The Compleat Beatlesprovides a strong sense of why touring had to stop for the band. As the footage unfurls, there’s a low droning figure in the soundtrack, sort of like the protracted hum of the final chord on the Sgt. Pepperalbum stretched out for several minutes. We also get a self-righteous cop in Minneapolis who goes on at some length about how much he hates the Beatles: “As far as Beatle music, I could care about it not one bit personally … one of their group, with the British accent, told us they would never come back to Minneapolis, and I told him that would be too soon for me.”
10. In Martin’s view, the Beatles were fated to become huge. George Martin has a lot of key lines regarding his four upstarts and their career. At one point he states, “Without Brian Epstein, the Beatles wouldn’t have existed,” by which he means that success would not have come to them and they would not be the galvanic entity we all know. But Martin is in downright Socratic mode, though, when he ventures towards a larger explanation for that success. “I think that the great thing about the Beatles was that they were of their time, their timing was right. They didn’t choose it – someone chose it for them. But the timing was right, and they left their mark in history because of it.”
I have all 39 episodes taken from VHS tape but you can view most on youtube. The cartoon reminds me of the style of Rocky and Bullwinkle. John and George were voiced by Paul Frees who did the voice for Boris Badenov on Rocky and Bullwinkle. They ran on ABC from 1965-1969 though only 65-67 were first run episodes.
The show was made on the cheap and the cartoon Beatles were put in usual cartoon situations like a jungle, haunted house, or on a boat. The main thing was to play a Beatle song in the background while our heroes got out or into a jam.
They were a rating success. I watch them now and think…why not get actors with real British accents to voice them? They are silly and fun but George especially had no accent at all. The Beatles had nothing to do with them and didn’t really like them at first when they were first on air. They started to appreciate them more as time went on.
With season 3 you start seeing more pop art being incorporating in the episodes. They have segments where flower power framed the newer songs. Some of the segments looked really good but then they would go back to their younger selves. Some of the episodes could be considered so bad they are good…but I like them.
I never got to see these until the 1980s.
Below is an episode in the 3rd season where at least they show updated pictures of the Beatles in the title sequence with a groovy background.
Below are the episodes descriptions from Wikipedia
Season 1 (1965–66)
1. A Hard Day’s Night / I Want to Hold Your Hand: The Beatles are in Transylvania rehearsing in a haunted house with “monstrous” visitors, including a vampire, a ghost, a werewolf, and a witch, with a parody of Boris Karloff; To hide from their fans, the Beatles run inside a diving bell which drops them into the ocean with a lovesick octopus. Sing Alongs: Not A Second Time / Devil In Her Heart
2. Do You Want To Know A Secret / If I Fell: The Beatles go to Dublin, Ireland for the weekend where they meet a leprechaun named Wilhelmina Morris; John is kidnapped by Dr. Dora Florahyde and Igor, both of whom want John’s brain for their monster. In the I Want To Hold Your Hand Sing Along, Ringo is shown inside a submarine. Sing Alongs: A Hard Day’s Night / I Want To Hold Your Hand
3. Please Mr. Postman / Devil In Her Heart: Ringo loses 15 rings he bought with all of the Beatles’ spendings and they are expecting a telegram from manager Brian Epstein for more money; Ringo wanders into the woods in Transylvania where he meets a witch who wants Ringo for a husband. Sing Alongs: If I Fell / Do You Want To Know A Secret
4. Not A Second Time / Slow Down: The Beatles abandon their flight and land in Africa while trying to get away from their fans, but three girls keep tracking them down. They later encounter a few crocodiles; The Beatles are on the way to the town Ringo Ravine (named after Ringo) until they encounter a donkey that smells gold named “Gold Nose”. Sing Alongs: Baby’s In Black / Misery
5. Baby’s In Black / Misery: Paul gets kidnapped by Professor Psycho who wants Paul to marry his creation Vampiress, half girl and half bat; The Beatles go to a wax museum where a vampire follows them. Sing Alongs: I’ll Get You / Chains
6. You’ve Really Got A Hold On Me / Chains: In Africa, Ringo asks a medicine maker named Jack to help fix the Beatles’ flat tire. He then turns a worm into a snake and it lusts for Ringo; After getting knocked out, Ringo dreams about himself as Captain William Bligh from the movie Mutiny on the Bounty (1962). Sing Alongs: Slow Down / Honey Don’t
7. I’ll Get You / Honey Don’t: The Beatles run into hunter Alan Watermain (a parody of Alan Quartermain) in Africa after escaping from their fans and go out hunting for a lion; Ringo is mistaken as a bull rider, and the cowboys send him to ride on a super-tough bull named Honey. Sing Alongs: You’ve Really Got A Hold On Me / Any Time At All
8. Any Time At All / Twist and Shout: The Beatles imagine themselves as the Three Musketeers (Plus One) while they are on a tour at a museum in France; The Beatles attend an art show where a girl tries to be like other artists. They inspire her with music. Sing Alongs: I’ll Be Back / Little Child
9. Little Child / I’ll Be Back: A Native American girl on a Texas Indian reservation wants to prove that girls are as good at trapping as boys are by trapping the Beatles; The mayor of a Texas town gives Ringo a golden guitar as a gift, only to be stolen by three men, prompting the Fab Four to hunt for the thieves and get the guitar back. (The song “Ticket to Ride” is heard at the beginning of this episode.) Sing Alongs: Long Tall Sally / Twist And Shout
10. Long Tall Sally / I’ll Cry Instead: The Beatles stay at a castle for the night during a fog. John and Ringo try on a couple of cursed armor suits and start to fight each other; After signing too many autographs in Japan, George’s hand gets swollen and suffers “autographitis”. His bandmates take him to a hand doctor but end up in a karate class by mistake. Sing Alongs: I’ll Follow The Sun / When I Get Home
11. I’ll Follow the Sun / When I Get Home: The Beatles’ car breaks down and they are captured by a highwayman who happens to be a car repair man; The Beatles explore the Notre Dame in France where they later meet its famous hunchback Quasimodo. Sing Alongs: I’ll Cry Instead / Everybody’s Trying To Be My Baby
12. Everybody’s Trying To Be My Baby / I Should Have Known Better: The Beatles, spending the night at a temple in Japan during a rainstorm, are mistaken for Japanese ancestors of four girls; The Beatles are in Rome trying to find a theater to rehearse. Their last resort is the Coliseum. Sing Alongs: I’m A Loser / I Wanna Be Your Man
13. I’m A Loser / I Wanna Be Your Man: In Hollywood, Ringo gets hired as a stuntman by Incredible Pictures Inc. and ends up in the hospital after getting pulverized in many scenes; In Rome, the Beatles buy a statue of the Goddess of Musica made from stolen gold coins melted down and sculptured. Sing Alongs: No Reply / I’m Happy Just To Dance With You
14. Don’t Bother Me / No Reply: In Rome, The Beatles are being followed by two spies who are after their songbook, “New Beatle Songs”, marked “Top Secret”. The Beatles movie Help! and Oddjob from the James Bond movie Goldfinger are spoofed; In Japan, The Beatles are warned by a Charlie Chanlookalike about a jewel thief named Anyface. Things become complicated when Anyface shows up disguised as Paul. Sing Alongs: It Won’t Be Long / I Should Have Known Better
15. I’m Happy Just To Dance With You / Mr. Moonlight: The Beatles are in a Roman Street Festival where Paul wins a dancing bear named Bonnie; The Beatles meet Professor Ludwig Von Brilliant who is on a mission to view an eclipse. After being adrift at sea, they escape from an island on a submarine. Sing Alongs: Don’t Bother Me / Can’t Buy Me Love
16. Can’t Buy Me Love / It Won’t Be Long: John is given a friendship ring from a Polynesian tribal chief, which means he must marry the chief’s New York-accented daughter who dislikes pineapples; While picnicking in Japan, John goes for a swim in a pond with shrinking potion in it and gets shrunk. The other Beatles think John is a Beatle doll and chase after him. Sing Alongs: Anna (Go to Him) / Mr. Moonlight
17. Anna / I Don’t Want To Spoil The Party: In Japan, Paul gets lured into a ghost ship called “Ah-Nah”. The other Beatles dash off to the rescue before they might lose Paul for good; Paul, George and Ringo sneak away from John and go to Greenwich Village for some fun time at a Beatnik party rather than going to a museum. Sing Alongs: Matchbox / Thank You Girl
18. Matchbox / Thank You Girl: In Hawaii, John buys a trailer for the group to stay in rather than staying at a hotel so many times. They later encounter a group of Hawaiians who are evacuating from a volcano; The Beatles sneak away from their manager to get something to eat at a French restaurant by enrolling in a cooking course. Sing Alongs: I Don’t Want To Spoil The Party / Help!
19. From Me To You / Boys*: In Hawaii, a surfer named Surf Wolf challenges George to a surfing duel; The Beatles participate in a Mr. Hollywood Contest in California. Sing Alongs: Please Mr. Postman / I Saw Her Standing There Note: The opening title erroneously shows “With Love From Me To You”
20. Dizzy Miss Lizzy / I Saw Her Standing There: John and Paul secretly sign George up to an ice boat race, and he partners up with a girl named Lizzy; In Madrid, John and Paul visit a restaurant where John develops a hot foot with ashes in his boot. Rosita falls for John, and her boyfriend Jose challenges John to a duel. Sing Alongs: Ticket To Ride / From Me To You
21. What You’re Doing / Money*: The Beatles are on a fishing trip, and Ringo runs into gypsies. One of them falls for Ringo and wants to marry him. George comes in as a woman claiming he’s engaged to Ringo to get him back; John puts Ringo in charge to keep their money safe in his jacket pocket. Later Ringo is being followed by a mystery man at a carnival who is after the money. (The song “Help!” is heard at the beginning of this episode.) Sing Alongs: Dizzy Miss Lizzy / All My Loving
22. Komm Gib Mir Deine Hand* / She Loves You: The Beatles visit the Bavarian alps mission is to climb up a mountain with the dog Gunthar to put up their own flag on top; The Beatles are about to rescue a girl who they think is held as a prisoner on a ship. As a result, her boyfriend, a knife thrower, comes to her defense…with knives. Sing Alongs: Bad Boy / Tell Me Why
23. Bad Boy / Tell Me Why: The Beatles visit the Bavarian Alps. They encounter a runaway named Hans who wants to be a Beatle, prompting The Fab Four to run after him with their music (in which Paul plays the bass right-handed) and take him back home. (The song “Slow Down” is heard in the background); In Spain, Ringo is the jockey of a donkey that can run like a horse whenever she hears loud music. Sing Alongs: Please Please Me / Hold Me Tight
24. I Feel Fine / Hold Me Tight: Paul thinks Hollywood’s a phony. Actor Dick Dashing wants to prove Paul he is wrong by putting him in some different movie scenes; In New York, George and Ringo visit the Statue Of Liberty until they have spotted a man with a package which they think is a bomb. Sing Alongs: What You’re Doing / There’s A Place
25. Please Please Me / There’s A Place: In Madrid, a bull named El Taco gets knocked out, and the Beatles decide to help out with the bullfight with Ringo as the matador, and John and Paul as the bull; John’s sympathy helps a trained ape named Mr. Marvelous escape from the television studio and go out to explore the outside world. Sing Alongs: Roll Over Beethoven / Rock And Roll Music
26. Roll Over Beethoven / Rock and Roll Music: The Beatles are on their way home after visiting New York City until Paul gets grabbed by an elephant named Beethoven; The Beatles are invited to play at the Duke’s Palace, but they are mistaken for a string quartet. Sing Alongs: I Feel Fine / She Loves You
Season 2 (1966)
27. Eight Days A Week / I’m Looking Through You: A great movie lover named Lips Lovelace loses his ability to kiss. Paul decides to take his place in the studio with a leading lady who falls for him; The Beatles are in Egypt. They are wandering around in a pyramid until Ringo encounters a ghost who wants a body, and he chooses Ringo’s. Sing Alongs: Run For Your Life / Girl**
28. Help! / We Can Work It Out: Paul and Ringo go to a fashion show in Paris, but the designs are stolen by a thief named Jacques Le Zipper. Paul chases Jacques to the Eiffel Tower, and has trouble with heights; George becomes superstitious. The Beatles encounter the Lucky Wizard who is really a thief trying to give them bad luck and rob their money. Sing Alongs: The Night Before** / Day Tripper
29. I’m Down* / Run For Your Life: The Beatles are on a tour at a wine factory in France where Ringo accidentally knocks down a vat of wine. If it does not get fixed in two hours, the factory will go out of business; The Beatles are on a tour at the Palace of Versailles. Ringo gets knocked out by a statue, and dreams about the days of Marie Antoinette. Sing Alongs: Eight Days A Week / Paperback Writer
30. Drive My Car* / Tell Me What You See*: The Beatles help a young man and his girlfriend get their old jalopy running in a car race, the Popsville Hot Rod Race; While visiting “the man of a thousand faces”, The Beatles fool around with his makeup machine and change into different characters. (John briefly imitates Jimmy Durante and Swee’Pea from “Popeye” makes a cameo.) Sing Alongs: Yesterday** / We Can Work It Out
31. I Call Your Name* / The Word*: Ringo is convinced to release his pet frog Bartholomew in the swamp. Later a movie producer offers a filming deal to Ringo and the frog, and the Fabs have dashed off to find Bartholomew; The Beatles are being punished after gazing at the girls’ unveiled faces. The only way to get out of the situation is to say the password: “love”. Sing Alongs: She’s a Woman** (original broadcast, replaced with a repeat of I Feel Fine) / Wait
32. All My Loving / Day Tripper: The Beatles are in India where they learn how to charm an animal at an “Indian Charm Skool”. When the animal is revealed to be a tiger, they use music to tame it when it is about to claw John and Ringo (The song “Love You To” is heard in the beginning of this episode.); After watching the movie The Way Out Creatures From Planet Glom, the Beatles take a trip out into space with a beautiful woman who is actually an alien taking them on a one-way trip 23 billion miles from Earth. Sing Alongs: I’m Looking Through You / Nowhere Man
33. Nowhere Man / Paperback Writer: The Beatles walk into a cave for some exploring which is a home of a hermit who wants to be alone. He tries to get rid of them, but no luck; Each of the Beatles write fictional stories of how they met with Ringo as a theatre actor, Paul as a scientist, George as a secret agent, and John as a war pilot. Sing Alongs: And I Love Her** / Michelle**
Season 3 (1967)
34. Penny Lane / Strawberry Fields: In a spoof of James Bond, the Beatles are jealous of a detective named James Blonde who gets more attention from many women, so the Fab Four head to their hometown of Liverpool to stop a robbery on Penny Lane so they can be heroes; Traveling with their driver James, the Beatles use music to add color and happiness to the lives of the children at an orphanage, a reference to Strawberry Field in Woolton, a suburb of Liverpool. John sums up the experience with “It’s all in the mind, you know.” Sing Alongs: Good Day Sunshine / Rain**
35. And Your Bird Can Sing / Got To Get You Into My Life: The Beatles and a couple of hunters hunt for a rare bird called a green double-breasted tropical woosted that can sing anything, including “Hound Dog” and “She Loves You”; The Beatles are in India, learning how to escape from their bodies from Swami Rivers. It works, but the problem is that the souls’ bodies are moving by themselves, and they must get them before it’s too late. (“Love You To” is heard in the background) Sing Alongs: Penny Lane / Eleanor Rigby
36. Good Day Sunshine / Ticket To Ride: Ringo thinks he’s a jinx. When the Beatles arrive at Carney Island, it starts to rain. Their music turns the rainy day back into a sunny day which makes Ringo happy. (The song “Little Child” is heard at the end of this episode.); The Beatles each have their own hobby. Paul paints, George builds a three-eyed robot, John writes and Ringo collects “birds” which is an English slang term for girls. Paul releases the only one Ringo caught and he runs after her. Sing Alongs: Strawberry Fields Forever / And Your Bird Can Sing
37. Taxman* / Eleanor Rigby: The Beatles get knocked out while carrying tons of money to the bank, and dream about the days of Robin Hood. Paul exclaims: “It never happened”; A group of children claim that an elderly woman named Eleanor Rigby is a witch. The Fabs tell them the true story about Eleanor Rigby in a song. (The song “I Feel Fine” is heard at the end of this episode.) Sing Alongs: Got To Get You Into My Life / Here, There and Everywhere**
38. Tomorrow Never Knows*/I’ve Just Seen a Face*: The Beatles fall into a well and end up in the inner world with foreign natives. The chief wants the Fabs to marry his daughters, and they began to run away. (The song “Love You To” is heard during this episode.); Ringo loses his singing voice. For treatment, his three mates send Ringo to a haunted house to scare his voice back. Sing Alongs: She Said She Said** / Long Tall Sally (repeat)
39. Wait / I’m Only Sleeping*: The Prince of Krapotkin’s girlfriend is in grave danger. The Beatles help him to save her from the Prime Minister who wants to marry her; John falls asleep while telling a story to a couple of children. In his dream he volunteers to help King Arthur and Merlin slay a vicious dragon. However, John and his mates opt instead to play music to put the dragon to sleep. Sing Alongs: Penny Lane (repeat) / Eleanor Rigby (repeat)
All of the Beatle movies have been remastered, cleaned up, and released except this one. Let iT Be was released on Laserdisc, Betamax, and VHS in the 1980s but that is it. It’s frustrating that all we have are old grainy copies of it.
I wrote briefly about this movie earlier but now that Yellow Submarine is being released in theaters…it’s past time for Let It Be to at least be cleaned up and released on Blue-Ray. I’ve read where there are thousands of feet of the film that has never been seen. This is historical now. From what I’ve read the Harrison and Lennon estate have held it up because of the acrimony between the members at that time. They act as if this is some secret not known to the public.
The acrimony in the movie is apparent between Paul and George during one scene, especially where Paul is directing George on how to play something. John is pretty laid back throughout the film with the presence of Yoko by his side. Ringo is…Ringo. All in all the film leaves out most of the bad feelings. Behind the scenes, George quit and John Lennon supposedly said they should call Eric Clapton to take Georges place or fill in because ““He’s just as good and not such a headache.” Of course, if this is true we don’t know for sure.
George did come back and participate and brought Billy Preston. That was a brilliant move on George’s part. You always act a little better when guests come over. Everyone was probably on their best behavior. Billy also added some great organ parts to their songs.
I have mixed emotions watching this as a Beatle fan. Yes, the end is coming but they would get together again in a few months and make one of the Hallmark albums of their career and one of the best albums ever with Abbey Road.
The film is not all doom and gloom. The first of the film was shot at Twickenham Studios starting each day early in the morning and you can tell the mood wasn’t good. After a little over 20 minutes into the film, they moved out of Twickenham to Apple and things picked up quite a bit.
The music. The soundtrack is not the Beatles best album but it is still a good album. When you have Let It Be, Get Back, The Long and Winding Road, Don’t Let Me Down and Across the Universe on an album how bad can it be? It would make another bands career to have 2 of those songs on their album. That is the quality of the Beatles.
You will hear the Beatles very raw. That was the whole idea of the movie in the first place.
The payoff of the film comes via the rooftop of Apple at the end. They all got together and played a mini-concert on the roof. We do not see everything they actually played on the roof. This would be the Beatles last public performance. It was a good performance considering it was cold in January in London at the time. They all seem to be having a good time. The performance was at lunchtime and stopped traffic and drew the police up to the roof to stop the music. If they sounded this good on the roof in January I can’t imagine what a tour what have sounded like…
Just release the movie guys. It’s past time to do it.
Paul McCartney interview for Rolling Stone magazine in 2016
You mentioned the Let It Be film. Is there any chance it will ever be rereleased?
I keep thinking we’ve done it. We’ve talked about it for so long.
What’s the holdup?
I’ve no bloody idea. I keep bringing it up, and everyone goes, “Yeah, we should do that.” The objection should be me. I don’t come off well.
Ringo Starr interview for Rolling Stone magazine in 2012
Are you thinking about releasing the Let It Be movie on DVD?
I think that’s also a possibility. One day that will come out. But we’re not talking about it right now. As you know, there’s very little that hasn’t come out. I’d forgotten that one though. You just mentioned the one thing that hasn’t come out. I’m too busy living now.
Roadies have always been an important part of a band. Occasionally some will be rise above and become well known and some will end up as an executive in the band’s organization. Some will burn out like their bosses and below are a few famous roadies.
Neil Aspinall – Beatles
The first roadie the Beatles employed. He started to help the Beatles out by driving their van from gig to gig. He was soon their road manager and personal assistant. He ended up being the Chief Executive of The Beatles company Apple Corps until 2007. He passed away in 2008.
He was a trained accountant and knew George and Paul when they were kids. He was well trusted by all members. He stayed neutral in all of the arguments while he continued to run a prosperous Apple Corps to the end.
Mal Evans – Beatles
He was hired to help out Neil Aspinall as a roadie. Mal became their personal assistant after they stopped touring. After the Beatles broke up he did some producing…he produced the Badfinger’s single “No Matter What”. He also produced Keith Moon’s first album “Two Sides of the Moon” but was replaced midway through.
In the seventies, he still did work for some of the Beatles accompanying them on trips and odds and ends. He then separated from his wife Lil and after that, he started to have bad depression. While depressed and reportedly using downers, he was shot by LAPD while holding an air rifle and refusing to put it down. He was thought highly of by all the Beatles…See George’s quote below.
George Harrison on Mal Evans
, “Mal loved his job, he was brilliant, and I often regret that he got killed. Right to this day, I keep thinking, ‘Mal, where are you?’ If only he was out there now. He was such good fun, but he was also very helpful: he could do everything…He was one of those people who loved what he was doing and didn’t have any problem about service. Everybody serves somebody in one way or another, but some people don’t like the idea. Mal had no problem with it. He was very humble, but not without dignity; it was not belittling for him to do what we wanted, so he was perfect for us because that was what we needed.”
Red Dog – Allman Brothers
Duane Allman befriended Joe Campbell (Red Dog) a Vietnam vet and Red Dog stayed with the Allman Brothers for three decades. He gave the band his disability checks to help them stay afloat at the beginning. He soon became a trusted member of the team. His picture with all the roadies is on the back cover of the At Fillmore East album.
Here is a quote from Cameron Crowe on Red Dog when he published his book.
“I’ll admit it right now. I am a big fan of Red Dog, and have been even before he allowed me to interview him back in 1973 for a story in Rolling Stone. Hell, he was already legendary back then. But now I just have to say that I am extremely jealous of the Great Dog, because I’ve just finished reading A Book of Tails. True rock, the kind that lasts forever, is about honesty and humor and love and chasing the elusive buzz of greatness.
Ramrod – Grateful Dead
Lawrence Shurtliff (Ramrod) joined on the Grateful Dead in 1967 and in the seventies became the President of the Grateful Dead board of directors until Garcia’s death in 1995.
Bob Weir on Ramrod
“When he did join up, it was like he had always been there. I won’t say he was the missing piece, because I don’t think he was missing. He just wasn’t there. But then he was there. And he always will be. He was a huge part of what the Grateful Dead was about.”
Juinor’s Farm/Sally G. single by Paul McCartney and Wings.
I had this single as a kid. Juinor’s Farm and Sally G were both partially recorded in Nashville during Paul’s six-week stay there in 1974. Juinor’s Farm is one of my favorite songs by Paul McCartney. The song rocks and the solo was performed by a 21-year-old Jimmy McCulloch. The song reached #3 in America. The band stayed at a farm in Lebanon TN around 30 miles from Nashville. I remember at the time it being big news that Paul McCartney was going on record in Nashville. I was seven years old and remember seeing Paul on the local news.
Jimmy McCulloch was a guitar prodigy… He was playing in a band when he was 11. He was in a band supporting The Who when he was 14 and in the band Thunderclap Newman in 1969 when he was 16. He went on to play with John Mayall (That guy knew how to pick guitar players) and Stone the Crows… He then went to play with Paul McCartney and Wings in 1974. He gave Paul’s songs an edge and I wish he would have stayed in Wings longer.
He left Paul to play with the reformed Small Faces in 1977. In 1979 died of heart failure due to morphine and alcohol poisoning. You have to wonder how much better this guy could have been…
The B side was Sally G. and it hit #17 on the Billboard charts and even #51 on the country charts. This song has stayed with me through the years. When I listen to it…I think, now this is more of a what a country song should sound like. I really hate modern country music. No pickup trucks or tractors in this song. Modern country music could learn a lot by listening to country songs in this period and earlier. Paul composed the song after visiting a club in Printer’s Alley in Nashville.
This was McCartney’s last release on Apple Records
This is from the Tennessean about Paul’s 1974 visit to Nashville. It was written by Dave Paulson
1974 Paul McCartney touched down at Metropolitan airport with his family on the evening of June 6, 1974, emerging from the plane wearing a green battle jacket and flashing a peace sign. The Tennessean reported that Paul answered questions “briefly but willingly” and even humored a group of kids who were amused by his British accent (he said the word “elevator” at their request). The music superstar told a crowd of about 50 fans and members of the press that he’d come to Nashville for his three Rs — rehearsing, relating and riding. Music producer and executive Buddy Killen, who would act as the McCartneys’ Music City guide during their six-week stay here that summer, greeted the family upon their arrival. The McCartneys rented a 133-acre farm just outside of Lebanon from songwriter Curly Putman (“Green, Green Grass of Home”) for $2,000 a week. They had requested a farm within 50 miles of Nashville that had horses and swimming facilities. “I’ve got a farm in Scotland,” McCartney told reporters during an informal press conference on the farm. “You’re not the only people who have farms, you know. Back in Scotland, we’re country people in our own way.” During their stay, the family visited the homes of Johnny Cash and Chet Atkins and even took in a few movies at their local drive-in. McCartney and his family caused quite a stir when they joined the audience at Opryland for the third annual Grand Masters Fiddling Contest on June 16, 1974. During the intermission, Porter Wagoner and Dolly Parton performed their final show together before Parton embarked on her solo career. Linda McCartney got out of her seat several times to take photos of the duo. The McCartneys went backstage to meet with Wagoner and Parton, and then escaped into a waiting automobile. McCartney told Nashville reporters that he was raised on country music, and he tried his hand at a bit of country songwriting while he was in town: He wrote the song “Sally G.” after a trip to Printer’s Alley. McCartney drove around on a newly purchased motorcycle during the family’s Nashville visit. When a group of reporters waited at the Putman farm gate for a “highly informal” press conference, Paul and Linda rode past, smiling and waving. Linda told The Tennessean she was “not much into materialism anymore,” though she had made a recent trip to Rivergate to purchase gifts for her family. Another big machine Paul loved — the Mellotron synthesizer — was not readily available in Tennessee at the time, to his chagrin. As his time in Tennessee came to a close, McCartney told a group of local reporters that he hoped to mount a U.S. tour the following year, and that if it happened, Music City would definitely be on the itinerary. “We just couldn’t skip Nashville,” he said. “We have too many friends here.” McCartney continued to skip Nashville for the next 36 years.
When Paul did come I was there in 2010… he also came back in 2013 and I was there again. Three hours of one favorite after another…
