Rolling Stones – Jigsaw Puzzle

This song is from my personal favorite Rolling Stones album, Beggars Banquet released in 1968. As great as Beggars Banquet is, it could have been considered  even better had they included the song they recorded during the early sessions….they released it as a single instead…the song was Jumping Jack Flash.

Jigsaw Puzzle is a great album cut on an album full of them.  The song seemed influenced by Bob Dylan. It has Nicky Hopkins on piano, Keith Richards on slide, and Brian Jones on Mellotron. This album was the first of 5 produced by Jimmy Miller.

Rolling Stone ranked it 69th in its countdown of the band’s top 100 songs, calling it “a country-rock blast of Highway 61 Revisited surrealism.”

Non guitar players may not see the significance in this but when Keith Richards found the 5-string open G tuning…some say from Ry Cooder… that changed the Stones future. Without that discovery I don’t think they have the songs or impact they ended up having.

Songs that were written around that tuning was Brown Sugar, Jumping Jack Flash, Start Me Up, Street Fighting Man, and the list goes on and on. If you are a Stones cover band…most songs after 1967 is in this open G tuning…you have no choice but to learn it.

Those songs would not have sounded the same without that tuning or maybe not written at all. Keith showed Mick that tuning and he wrote the music to Brown Sugar. For the guitar players out there….the tuning is G-D-G-B-D staring with the A string after you remove the low E.

Jigsaw Puzzle

There’s a tramp sittin’ on my doorstep
Tryin’ to waste his time
With his methylated sandwich
He’s a walking clothesline
And here comes the bishop’s daughter
On the other side
And she looks a trifle jealous
She’s been an outcast all her life

Me, I’m waiting so patiently
Lying on the floor
I’m just trying to do my jig-saw puzzle
Before it rains anymore

Oh the gangster looks so fright’ning
With his Luger in his hand
But when he gets home to his children
He’s a family man
But when it comes to the nitty-gritty
He can shove in his knife
Yes he really looks quite religious
He’s been an outlaw all his life

Me, I’m waiting so patiently
Lying on the floor
I’m just trying to do this jig-saw puzzle
Before it rains anymore

Yes, yes now
Oh, all right

Me, I’m waiting so patiently
Lying on the floor
I’m just trying to do this jig-saw puzzle
Before it rains anymore

Oh the singer, he looks angry
At being thrown to the lions
And the bass player, he looks nervous
About the girls outside
And the drummer, he’s so shattered
Trying to keep up time
And the guitar players look damaged
They’ve been outcasts all their lives

Me, I’m waiting so patiently
Lying on the floor
I’m just trying to do this jig-saw puzzle
Before it rains anymore

Oh, there’s twenty-thousand grandmas
Wave their hankies in the air
All burning up their pensions
And shouting, “It’s not fair!”
There’s a regiment of soldiers
Standing looking on
And the queen is bravely shouting,
“What the hell is going on?”

With a blood-curdling “tally-ho”
She charged into the ranks
And blessed all those grandmas who
With their dying breaths screamed, “Thanks!”

Me, I’m just waiting so patiently
With my woman on the floor
We’re just trying to do this jig-saw puzzle
Before it rains anymore

Rolling Stones – 2000 Light Years From Home

Their Satanic Majesties Request…the more I listen to this album the more I like it. It wasn’t up to their normal standards but it is nice to know the St0nes stretched themselves and tried something different. They would later dip into reggae and disco but this was an album worth of change that never happened again.

This psychedelic period was coming off of one of their best stretches which I think they produced some of their best music with songs like Ruby Tuesday.

Mick Jagger got the idea for this while in jail on drug charges from the famous Redland’s bust.

On this track, their lead guitarist, Brian Jones, played a Mellotron, an early synthesizer. Jones played a number of unusual instruments in his time with the band, which lasted from their founding in 1962 until 1969, when he was fired after a number of clashes with the rest of the Stones.

Brian Jones has been over rated and underrated but his subtle touch on songs was missed.

Just weeks after leaving the band…  Jones drowned in his swimming pool.

After Brian was gone it was noticeable in the Stones. He was a great utility guy who could play about any instrument. Mick Taylor replaced him and that lead to the Stones golden period. In my opinion, Taylor was the best guitar player the Stones ever had in the band. He was a huge part of their sound. When he left there was a hole in the sound that never came back.

From Songfacts

Space exploration was big at the time, and was probably an influence on this song. Pink Floyd was making music with a similar sound.

The psychedelic sound reflected the times. It was the summer of love (1967).

The Stones played this on their Steel Wheels tour in 1989. A show in Atlantic City was broadcast with this song shot in 3D, which viewers could see using those goofy glasses.

Various echo effects and drum sounds were added in overdubbing.

The ’90s psychedelic group The Brian Jonestown Massacre recorded a tribute to the Stones’ psychedelic period (and this song) called Their Satanic Majesties’ Second Request.

2000 Light Years From Home

Sun turnin’ ’round with graceful motion
We’re setting off with soft explosion
Bound for a star with fiery oceans
It’s so very lonely
You’re a hundred light years from home

Freezing red deserts turn to dark
Energy here in every part
It’s so very lonely
You’re six hundred light years from home

It’s so very lonely
You’re a thousand light years from home
It’s so very lonely
You’re a thousand light years from home

Bell flight fourteen you now can land
See you on Aldebaran
Safe on the green desert sand
It’s so very lonely
You’re 2000 light years from home
It’s so very lonely
You’re 2000 light years from home

Rolling Stones – Shattered

I remember this one very well. I bought the single and then the album a little while later. It’s a great rock song with some punk in it. It’s on the album Some Girls that was released in 1978.

This was the last song on Some Girls. While they were recording this album, Keith Richards had drug charges hanging over his head from a bust in Toronto. Facing a maximum sentence of life in prison, Keith let Mick take control of the album, which is shown on songs like this. Richards ended up getting off easy… he was sentenced to probation and ordered to play a concert for the blind.

Richards came up with the guitar riff on this and the line “Sha-doobie.” Jagger wrote the rest.

They performed this on Saturday Night Live and to this viewer they were not as tight as normal. Turns out they drank a lot of alcohol, did some seventies substances and rehearsed a lot before show time… after watching the rehearsals it seems like they made the mistake of peaking too early during the rehearsals. By showtime they didn’t sound as strong as usual…but it still was a good show.

The song peaked at #31 in the Billboard 100 and #32 in Canada in 1978.

From Songfacts

The lyrics are a bleak picture of life in New York City. The Stones always had a love/hate relationship with the US, and Mick Jagger’s lyrics were often influenced by his thoughts on the country (see “Satisfaction”). New York in particular is a place where you could be wildly successful, but is also a city filled crime, drugs, and poverty. It should be noted that The Stones have taken shots at their home country of England as well, notably on “Hang Fire.”

Just after this was released, The Stones performed it on Saturday Night Live. It was memorable for Mick Jagger licking Ron Wood on the lips for about 5 seconds. This stuff just didn’t happen on TV back them.

When Jagger sings, “Shmatta, shmatta, shmatta, I can’t give it away on 7th Avenue, this town’s been wearing tatters,” he’s making reference to the fashion district of New York City, which is on 7th Avenue. The word “Shmatta” is slang for old, worn clothing. 


Uh huh shattered, uh huh shattered
Love and hope and sex and dreams
Are still surviving on the street
Look at me, I’m in tatters!
I’m a shattered

Friends are so alarming
My lover’s never charming
Life’s just a cocktail party on the street
Big Apple
People dressed in plastic bags
Directing traffic
Some kind of fashion

Laughter, joy, and loneliness and sex and sex and sex and sex
Look at me, I’m in tatters
I’m a shattered

All this chitter-chatter, chitter-chatter, chitter-chatter ’bout
Shmatta, shmatta, shmatta, I can’t give it away on 7th Avenue
This town’s been wearing tatters (shattered, sha ooobie shattered)

Work and work for love and sex
Ain’t you hungry for success, success, success, success
Does it matter? (shattered)
Does it matter?

Ah look at me
I’m shattered
I’m shattered 0
Look at me, I’m a shattered, yeah (shattered)

Pride and joy and greed and sex
That’s what makes our town the best
Pride and joy and dirty dreams and still surviving on the street
And look at me, I’m in tatters, yeah
I’ve been battered, what does it matter
Does it matter, uh-huh
Does it matter, uh-huh, I’m a shattered

Mmm, I’m shattered, unh
Sha oobie, shattered, unh
Sha oobie, shattered
Sha oobie, shattered, shattered

Don’t you know the crime rate is going up, up, up, up, up
To live in this town you must be tough, tough, tough, tough, tough!
You got rats on the West Side
Bed bugs uptown
What a mess this town’s in tatters, I’ve been shattered
My brain’s been battered, splattered all over Manhattan

Sha oobie, shattered, shattered, what say
Sha oobie, shattered
Sha oobie, shattered
Sha oobie, shattered

Uh-huh, this town’s full of money grabbers
Go ahead, bite the Big Apple, don’t mind the maggots, huh
Sha oobie, my brain’s been battered
My friends they come around they
Flatter, flatter, flatter, flatter, flatter, flatter, flatter
Pile it up, pile it up, pile high on the platter

Rolling Stones – Sad Sad Sad

Out of all of the tracks on Steel Wheels…this one sounded like the old Stones. The open G chord that Keith Richards made famous is in full display on the intro.  This is the first track from Steel Wheels, an album that brought The Stones back together.

With the album Dirty Work, the Stones did look like it could be over. Jagger and Richards were not getting along. They took shots at each other in the press. Jagger released two albums, She’s The Boss and Primitive Cool. Keith Richards also released a solo album…a very good album  Talk Is Cheap.

Keith and Mick finally took time out to talk to each other and get the band back together. Bill Wyman, Charlie Watts, and Ron Wood joined them and this would be Bill’s last album and tour. Bill has had musical projects since then and he has rejoined the Stones onstage a few times.

The song peaked at #14 in the Mainstream Rock Tracks in 1989. Mixed Emotions was the big hit off of the album.

Charlie Watts helped write this, but as was custom for The Stones, it was credited only to Jagger/Richards.

From Songfacts

The horns were played by the Brass ensemble The Kick Horns.

Ron Wood played bass. Bill Wyman, The Stones bassist, had to deal with the press after announcing his engagement to 18-year-old Mandy Smith, and was not available. Wyman and Smith divorced soon after their marriage.

Sad Sad Sad

Fling you out into orbit
No one’s gonna hear you shout
And fools ain’t gonna follow
You don’t need to sleaze about

Now you’re sad sad sad
Sad sad sad
Sad sad sad
But you’re gonna be fine

The elephant’s in the bedroom
Throwing all his weight about
And I’m locked in the bathroom
Your screams are gonna drown me out

Now you’re sad sad sad
Sad sad sad
Sad sad sad
But you’re gonna be fine

Oh, yeah

I got a cold chill
I get a cool thrill
Are you ready for the gilded cage?
Are you ready for the tears of rage?
Come on baby, don’t let them drown you out

Sad sad sad
Bad bad bad
Sad sad sad
But you’re gonna be fine

Sad sad sad
Sad sad sad
Sad sad sad
But you’re gonna be fine

You’re gonna be fine
You’re gonna be fine
You’re gonna be fine fine fine fine
You’re gonna be fine fine fine fine
Fine fine fine fine

Ooh, yeah
Ooh, yeah
Ooh, yeah
Gonna be fine fine fine fine
Fine fine fine fine
Fine fine fine fine

Rolling Stones – Dandelion

This song was recorded in 1966 but not released until the summer of 1967. The psychedelic sound fit in perfectly with the summer of love. The song was written by Mick Jagger and Keith Richards.

Later on Keith named his first daughter Dandelion but she decided later to use her middle name “Angela” instead…Her mom was the late Anita Pallenberg.

Keith Richards: fallece su exyerno arrollado por un tren - Foto 1

The Stones had some nice psychedelic pop songs in the mid-sixties that you don’t hear as much now. Personally I wished this period would have gone on a little longer. This song made #49 in Rolling Stone magazine rating the top 100 Rolling Stones songs.

Because of their drug bust at Keith’s home Redlands the Stones were not as involved in the summer of love as other bands. The song peaked at #9 in Canada and #14 in the Billboard 100 in 1967.

Keith Richards: “We didn’t have a chance to go through too much flower power because of the bust. We’re outlaws.” 


Prince or pauper, beggar man or thing
Play the game with ev’ry flower you bring
Dandelion don’t tell no lies
Dandelion will make you wise
Tell me if she laughs or cries
Blow away dandelion

One o’clock, two o’clock, three o’clock, four o’clock chimes
Dandelions don’t care about the time
Dandelion don’t tell no lies
Dandelion will make you wise
Tell me if she laughs or cries
Blow away dandelion, blow away dandelion

Tho’ you’re older now its just the same
You can play this dandelion game
When you’re finished with your childlike prayers
Well, you know you should wear it

Tinker, tailor, soldier, sailors lives
Rich man, poor man, beautiful, daughters wives
Dandelion don’t tell no lies
Dandelion will make you wise
Tell me if she laughs or cries
Blow away dandelion, blow away dandelion

Little girls, and boys come out to play
Bring your dandelions to blow away
Dandelion don’t tell no lies
Dandelion will make you wise
Tell me if she laughs or cries
Blow away dandelion, blow away dandelion

Rolling Stones – Memory Motel

You’re just a memory of a love
That used to mean so much to me

When someone will ask me what my favorite Rolling Stone song is…this is the one I usually say. It rarely if ever changes. It probably wasn’t their best song but I’ve always liked it. Happy Friday to everyone.

The Memory Motel is in Montauk on Long Island. It’s near The Church Estate, which Andy Warhol bought in 1972. Arthur Schneider, who owns the Memory Motel, said that The Stones stayed at Warhol’s estate when they were on tour in 1975-’76.

Since the Memory Motel was the only place in the area with a pool table and a piano, The Stones would occasionally come by and hang out at the bar. The owners at the time were not impressed…they hated The Stones.

With Mick Taylor gone, The Stones were auditioning lead guitarists while recording Black And Blue. Harvey Mandel from Canned Heat played lead on this while session man Wayne Perkins played acoustic, but Ron Wood eventually got the job.

The album peaked at #1 in the Billboard Album Charts, #2 in Canada, #2 in the UK, and #4 in New Zealand in 1976.

Image result for rolling stones black and blue

It has a haunting melody and lyrics that stick with you. Some say the Hannah in the song is referring to Carly Simon and some say it’s Annie Leibovitz. Whoever the muse was, they inspired a beautiful song.

From Songfacts

It’s widely speculated that “Hannah Honey” with the curled nose is none other than Carly Simon. Jagger had been romantically linked to Carly around this time, and her physical traits are eerily similar to the song’s descriptions. One theory is that Simon wrote “You’re So Vain” after a one-night-stand with Jagger at The Memory Motel. Simon has never said who that song is about. 

Mick Jagger and Keith Richards duet on vocals. Richards did not play guitar on the track – a rarity.

Jagger played the acoustic piano, Richards the electric piano, and Billy Preston the synthesizer.

On their live album No Security, Dave Matthews duets with Jagger in place of Richards. Matthews joined The Stones onstage from time to time and also sang this with Jagger on a televised St. Louis concert in 1997

Memory Motel

Hannah honey was a peachy kind of girl
Her eyes were hazel
And her nose were slightly curved
We spent a lonely night at the Memory Motel
It’s on the ocean, I guess you know it well
It took a starry to steal my breath away
Down on the water front
Her hair all drenched in spray
Hannah baby was a honey of a girl
Her eyes were hazel
And her teeth were slightly curved
She took my guitar and she began to play
She sang a song to me
Stuck right in my brain
You’re just a memory of a love
That used to be
You’re just a memory of a love
That used to mean so much to me
She got a mind of her own
And she use it well
Well she’s one of a kind
She’s got a mind
She got a mind of her own
And she use it mighty fine
She drove a pick-up truck
Painted green and blue
The tires were wearing thin
She turned a mile or two
When I asked her where she headed for
“Back up to Boston I’m singing in a bar”
I got to fly today on down to Baton Rouge
My nerves are shot already
The road ain’t all that smooth
Across in Texas is the rose of San Antone
I keep on a feeling that’s gnawing in my bones
You’re just a memory of a love
That used to mean so much to me
You’re just a memory girl
You’re just a sweet memory
And it used to mean so much to me
Sha la la la la
She got a mind of her own
And she use it well
Mighty fine, she’s one of a kind
On the seventh day my eyes were all a glaze
We’ve been ten thousand miles
Been in fifteen states
Every woman seemed to fade out of my mind
I hit the bottle and hit the sack and cried
What’s all this laughter on the 22nd floor
It’s just some friends of mine
And they’re busting down the door
Been a lonely night at the Memory Motel

Rolling Stones – Emotional Rescue

Good morning everyone… hope you have a great Monday.

I bought the Emotional Rescue single when it was released.  I also bought the album and it was a let down to me after the great Some Girls album. The title track is heavily leaning toward disco and I do like it. What attracted me to the song is the superb bass line in the intro.

Ronnie Wood played bass on the song and Bill Wyman played synthesizer. Ronnie is a great bass player. He played bass on Rod Stewart’s Maggie May. The song peaked at #3 in the Billboard 100, #9 in the UK, and #1 in Canada.

The Stones played this for the very first time in concert on May 3, 2013, 33 years after they recorded the song. Keith Richards was not a fan of the  song and it never made a Stones setlist until the first show of their 50 and Counting tour at the Staples Center in Los Angeles.

Mick Jagger: ‘We were just doing dance music, you know. It was just a dance music lick I was just playing on the keyboard. Charlie has a really nice groove for that.” 

From Songfacts

This alienated many Stones fans who thought it was a sell out to disco, but it was still a Top 10 hit in the US and UK.

Mick Jagger sang much of this in a falsetto, which was the thing to do with disco songs. The Bee Gees did the same thing, but unlike The Stones, were never able to get back the fans they lost to disco.

Bobby Keys’ sax solo and Mick Jagger’s vocals were added almost a year after the rhythm track was recorded.

Jagger wrote this on an electric piano.

The video for this used the same thermal imagery effect as the album cover. It was cutting-edge visual stuff in 1980.

Emotional Rescue

Is there nothing I can say, nothing I can do to change your mind?
I’m so in love with you, you’re too deep in, you can’t get out
You’re just a poor girl in a rich man’s house
Ooh ooh ooh ooh ooh ooh ooh ooh
Ooh ooh ooh ooh ooh ooh ooh ooh
Yeah, baby, I’m crying over you

Don’t you know promises were never meant to keep?
Just like the night, they dissolve off in sleep
I’ll be your savior, steadfast and true
I’ll come to your emotional rescue
I’ll come to your emotional rescue
Ooh ooh ooh ooh ooh ooh ooh ooh
Ooh ooh ooh ooh ooh ooh ooh ooh
Yeah, the other night, cryin’, cryin’ baby yeah I’m cryin
Yeah I’m cryin, I’m your child baby, child,
Yeah I’m a child, I’m a child, I’m a child

You think you’re one of a special breed
You think that you’re his pet Pekinese
I’ll be your savior, steadfast and true
I’ll come to your emotional rescue
I’ll come to your emotional rescue
Ooh ah ah ah ah ah ah ah
Ah ah ah ah ah ah ah ah
Yeah, I was dreamin’ last night baby
Last night I was dreamin’ that you’d be mine
But I was cryin’ like a child
Yeah I was cryin’, cryin’ like a child
Could be mine, mine, mine, mine, mine all mine
You could be mine, could be mine, could be mine all mine

I come to you, so silent in the night
So stealthy, so animal quiet
I’ll be your savior, steadfast and true
I’ll come to your emotional rescue
I’ll come to your emotional rescue
Ah ah ah ah ah ah ah ah
Yeah, you should be mine, mine, ooh!

Mmm yes, you could be mine, tonight and every night
I will be your knight in shining armor
Coming to your emotional rescue
You will be mine, you will be mine, all mine
You will be mine, you will be mine, all mine

I will be your knight in shining armor
Riding across the desert on a fine Arab charger

Rolling Stones – No Expectations…Sunday Album Cuts

This song will chill you out on this Sunday. No Expectations was on the 1968 album Beggars Banquet.  The song is a favorite of mine on the album. This one and Prodigal Son is a throwback to some of their older blues influences. The feeling and the emotion of this song is fantastic.

Brian Jones was on the album and made one of his last contributions with slide on this song. The following year Brian would die in a swimming pool at his home.

This is one of the great Stones album tracks.

Mick Jagger: “That’s Brian playing steel guitar. We were sitting around in a circle on the floor, singing and playing, recording with open mikes. That was the last time I remember Brian really being totally involved in something that was really worth doing. He was there with everyone else. It’s funny how you remember – but that was the last moment I remember him doing that, because he had just lost interest in everything.” 

From Songfacts

When Rolling Stones founder Brian Jones died in 1969, this song took on new meaning, as lyrics like “Our love is like our music, it’s here and then it’s gone” made it a fitting elegy. Jones’ slide guitar on the song was one of his last meaningful contributions to the group; after years of drug addiction and squabbles with the band, he was fired from the group in June 1969 and died less than a month later.

The Stones performed this on Rock and Roll Circus, a British TV special The Stones taped in 1968, but never aired. Brian Jones played this with a passion he was clearly losing as drugs took over his life. Rock and Roll Circus was released on video in 1995.

Nicky Hopkins, who also played with The Who and The Beatles, played piano on this.

Lenny Kravitz opened several shows for The Rolling Stones in 1994, and was invited onstage to jam with them at a Cleveland show. Kravitz helped out Mick Jagger in 2001, co-writing, performing on, and producing his song “God Gave Me Everything.” 

This song was featured in the 1978 ant-war film Coming Home, with Jane Fonda and John Voight

No Expectations

Take me to the station
And put me on a train
I’ve got no expectations
To pass through here again

Once I was a rich man and
Now I am so poor
But never in my sweet short life
Have I felt like this before

You heart is like a diamond
You throw your pearls at swine
And as I watch you leaving me
You pack my peace of mind

Our love was like the water
That splashes on a stone
Our love is like our music
It’s here, and then it’s gone

So take me to the airport
And put me on a plane
I’ve got no expectations
To pass through here again

Rolling Stones – Stupid Girl

This song is for Song Lyric Sunday for Jim Adams’s blog. This week’s prompt…Smart/Stupid. Hope everyone had a good safe Halloween.

Not a feel good song by the Rolling Stones. The song was on their album Afterman released in 1966. This was the B side to the great song Paint It Black. The Stones are known for a good amount of misogyny in their songs…this one and Under My Thumb are no exceptions.

Aftermath peaked at #2 in the Billboard Album Charts and #1 in the UK in 1966.

Stupid Girl was recorded at Los Angeles’ RCA Studios on 6–9 March 1966.

The Rolling Stones in 1967. #TheRollingStones #KeithRichards #MickJagger #StonesIsm #CrosseyedHeart

Mick Jagger: “It’s much nastier than Under My Thumb. Obviously, I was having a bit of trouble. I wasn’t in a good relationship. Or I was in too many bad relationships. I had so many girlfriends at that point. None of them seemed to care they weren’t pleasing me very much. I was obviously in with the wrong group”

Keith Richards: “Songs like “Under My Thumb” and “Stupid Girl” were all a spin-off from our environment – hotels, and too many dumb chicks. Not all dumb, not by any means, but that’s how one got.”

Stupid Girls

I’m not talking about the kind of clothes she wears
Look at that stupid girl
I’m not talking about the way she combs her hair
Look at that stupid girl

The way she powders her nose
Her vanity shows and it shows
She’s the worst thing in this world
Well, look at that stupid girl

I’m not talking about the way she digs for gold
Look at that stupid girl
Well, I’m talking about the way she grabs and holds
Look at that stupid girl

The way she talks about someone else
That she don’t even know herself
She’s the sickest thing in this world
Well, look at that stupid girl

Well, I’m sick and tired
And I really have my doubts
I’ve tried and tried
But it never really works out

Like a lady in waiting to a virgin queen
Look at that stupid girl
She bitches ’bout things that she’s never seen
Look at that stupid girl

It doesn’t matter if she dyes her hair
Or the color of the shoes she wears
She’s the worst thing in this world
Well, look at that stupid girl

Shut up, shut up, shut up, shut up, shut up
Shut up, shut up, shut up, shut up, shut up
Shut up, shut up, shut up

Like a lady in waiting to a virgin queen
Look at that stupid girl
She bitches ’bout things that she’s never seen
Look at that stupid girl

She purrs like a pussycat
Then she turns ’round and hisses back
She’s the sickest thing in this world
Look at that stupid girl

Rolling Stones – 100 Years Ago

Don’t you think it’s sometimes wise not to grow up?

100 Years Ago has a good melody and it changes it’s focus in the last three-quarters of the way through…a good song with an interesting outro. It’s an album cut and you never hear much on the radio. It’s worth a listen. If you see them in concert and want to hear this song…don’t hold your breath.

It was only played on the first two performances of European Tour of 1973, and has not been performed live since. Come on guys! Play it again…it’s not like the world can’t do without another version of Satisfaction.

I took an instant liking to this song. It starts with a little country influence and then ends with a funky free for all. I have the new version of Goats Head Soup and this one cleaned up really well.

The album peaked at #1 in the Billboard 100, The UK, and Canada in 1973.

The Stones recorded this at Kingston’s Dynamic Sound Studios in November and December, 1972.  Jagger performs lead vocals and is accompanied by Mick Taylor on backing. Taylor performs the song’s guitars while Keith Richards and Charlie Watts perform bass and drums, respectively. Nicky Hopkins provides piano while Billy Preston performs clavinet.

“100 Years Ago”

Went out walkin’ through the wood the other day
And the world was a carpet laid before me
The buds were bursting and the air smelled sweet and strange
And it seemed about a hundred years ago
Mary and I, we would sit upon a gate
Just gazin’ at some dragon in the sky
What tender days, we had no secrets hid away
Well, it seemed about a hundred years ago
Now all my friends are wearing worried smiles
Living out a dream of what they was
Don’t you think it’s sometimes wise not to grow up?
Wend out walkin’ through the wood the other day
Can’t you see the furrows in my forehead?
What tender days, we had no secrets hid away
Now it seems about a hundred years ago
Now if you see me drinkin’ bad red wine
Don’t worry ’bout this man that you love
Don’t you think it’s sometimes wise not to grow up?
You’re gonna kiss and say good-bye, yeah, I warn you
You’re gonna kiss and say good-bye, yeah, I warn you
You’re gonna kiss and say good-bye, oh Lord, I warn you
And please excuse me while I hide away
Call me lazy bones
Ain’t got no time to waste away
Lazy bones ain’t got no time to waste away
Don’t you think it’s just about time to hide away? Yeah, yeah!

Rolling Stones – Rip This Joint…Sunday Album Cut

This was recorded during an all-night session at Keith Richards’ rented villa in the South of France. The band rented houses in the area and used Keith’s basement as a studio.

This song was on Exile On Main Street and it’s an incredibly driven song. It comes right at you and never slows down.

Understanding lyrics in Rolling Stones songs has always been a challenge but Mick’s voice is lower than usual in this one. The song contains some obscenities and sexual references, but they are very hard to understand.

But no worries… just sit back and enjoy the ride and this song takes you on one. It also contains references to President Nixon and his wife Pat, but they are almost impossible to understand.

Exile on Main street peaked at #1 in the Billboard 100, Canada, and the UK in 1972.

It’s Sunday…just turn this up to full blast and enjoy it.


From Songfacts

The “Butter Queen” is a reference to a famous groupie known as “Barbara the Butter Queen.” Her real name was Barbara Cope, and she would do her thing when bands came through Dallas. She was very proficient, and had a killer gimmick: she would use a stick of butter when servicing the rock stars and crew. The butter supposedly made her activity smell like movie theater popcorn.

This song was particularly inspirational to Aerosmith’s Steven Tyler. He told Rolling Stone magazine: “When I went to my first rehab, at a place called Hazelden, I brought Exile on Main St. on cassette. I remember waking up the first morning there and realizing I hadn’t been sober once for the past 12 or 15 years, from LSD to heroin and cocaine and acid. The only way I could get a buzz at that point was to listen to ‘Rip This Joint.'”

Rip This Joint

Mama says yes, Papa says no
Make up your mind ’cause I gotta go
We’re gonna raise hell at the Union Hall
Drive myself right over the wall

Rip this joint, gonna save your soul
Round and round and round we go
Roll this joint, gonna get down low
Start my starter, gonna stop the show (Yeah)

Whoa, yeah!
Mister President, Mister Immigration Man
Let me in, sweetie to your fair land
I’m Tampa bound and Memphis too
Short Fat Fanny is on the loose
Dig that sound on the radio
Then slip it right across into Buffalo
Dick and Pat in ole DC
Well they’re gonna hold some shit for me

Ying yang, you’re my thing
Oh, now, baby, won’t you hear me sing
Flip Flop, fit to drop
Come on baby, won’t you let it rock?

Oh yeah! Oh yeah!
From San Jose down to Santa Fe
Kiss me quick, baby, won’tcha make my day
New Orleans with the Dixie Dean
To Dallas, Texas with the Butter Queen

Rip this joint, gonna rip yours too
Some brand new steps and some weight to lose
Gonna roll this joint, gonna get down low
Round and round and round we’ll go
Wham, Bham, Birmingham, Alabam’ don’t give a damn
Little Rock and I’m fit to top
Ah, let it rock

Rolling Stones – Monkey Man

This song is a great album cut. It was used well in Goodfellas, the 1990 movie in a scene where the gangsters are trafficking cocaine. One of my favorite Stone songs.

This song was on Let It Bleed and it was recorded after Brian Jones was fired and before Mick Taylor replaced him. On Monkey Man, Keith Richards played electric and slide electric guitar, Bill Wyman played bass, and producer Jimmy Miller assisted drummer Charlie Watts on tambourine.

Mick Jagger and Keith Richards wrote “Monkey Man” as a tribute to Italian pop artist Mario Schifano, whom they met on the set of his movie Umano Non Umano! (Human, Not Human!).

From Songfacts

The lyrics don’t seem to make much sense, but they are probably about heroin or a bad acid trip. You can certainly draw this conclusion from the opening lines:

I’m a fleabit peanut monkey
And all my friends are junkies

Nicky Hopkins was featured on piano. He and Ian Stewart made significant contributions to The Stones on keyboards, but were never credited with being official members of the group. Hopkins and Stewart both toured with the band as well.

Most of the album was recorded after the death of Brian Jones but before his replacement, Mick Taylor, joined the band.  >>

The Stones performed this on their 1994-1995 Voodoo Lounge tour.

This song was used in the 1990 movie Goodfellas in a scene where the gangsters are trafficking cocaine. The film was directed by Martin Scorsese, who directed the 2008 Rolling Stones documentary Shine a Light.


Monkey Man

I’m a fleabit peanut monkey
And all my friends are junkies
That’s not really true

I’m a cold Italian pizza
I could use a lemon squeezer
What you do?

But I’ve been bit and I’ve been tossed around
By every she-rat in this town
Have you babe?

But I am just a monkey man
I’m glad you are a monkey woman too

I was bitten by a boar
I was gouged and I was gored
But I pulled on through

Yeah, I’m a sack of broken eggs
I always have an unmade bed
Don’t you?

Well I hope we’re not too messianic
Or a trifle too satanic
But we love to play the blues

But well I am just a monkey man
I’m glad you are a monkey woman too
Monkey woman too babe

I’m a monkey man
I’m a monkey man
I’m a monkey man
I’m a monkey man
I’m a monkey
I’m a monkey
I’m a monkey
I’m a monkey
Monkey, monkey

I’m a monkey

Rolling Stones – Let It Bleed

This song is why I first bought this album. I heard it and it’s country/blues/rock style stayed with me. The song sounds low down, dirty, and sleazy…that only the Stones can deliver.

Keith Richards’ fingers began to bleed as he played acoustic guitar for hours while Mick Jagger worked with an engineer on the drum track. The title came from Keith’s desire to record his track. At least that’s the story the Mick and Keith tells. The phrase “Let It Bleed” is an intravenous drug user slang for successfully finding a vein. The syringe plunger is pulled back and if blood appears, it is called letting it bleed.

This was recorded around the same time as The Beatles Let It Be, but the similar titles were just a supposed coincidence.

The Stones recorded this after the death of Brian Jones but before Mick Taylor joined the band as his replacement. As a result, Keith Richards played both acoustic and slide electric guitar, and Bill Wyman played bass and autoharp.

The song wasn’t a single but the album (also named Let It Bleed) peaked at #3 in the Billboard Album Chart in 1969.

From Songfacts

This was the first Stones song to also be the album title.

Ian Stewart, often considered “The sixth Stone,” played the piano. This was his only appearance on Let It Bleed.

There are many references to sex and drugs in the lyrics to this track – an example of the Stones writing about what they knew.

 Autoharp is a string instrument with a series of chord bars attached to dampers which, when pressed, mute all but the desired chord. An autoharp is not really a harp – it’s a zither. 

The English TV cook and author Delia Smith baked the cake on the album sleeve before she became famous. She got the gig through being a friend of the photographer, Don McAllester. In 1971, two years after the release of Let It Bleed, Delia Smith’s first cookery book, How To Cheat at Cooking, was launched and by the end of the decade she’d become the UK’s best known TV cook.

Let It Bleed

Well, we all need someone we can lean on
And if you want it, you can lean on me
Yeah, we all need someone we can lean on
And if you want it, you can lean on me

She said, my breasts, they will always be open
Baby, you can rest your weary head right on me
And there will always be a space in my parking lot
When you need a little coke and sympathy

Yeah we all need someone we can dream on
And if you want it baby, you can dream on me
Yeah, we all need someone we can cream on
Yeah and if you want to, you can cream on me

I was dreaming of a steel guitar engagement
When you drunk my health in scented jasmine tea
But you knifed me in my dirty filthy basement
With that jaded, faded, junky nurse oh what pleasant company, ha

Though, we all need someone we can feel on
Yeah and if you want it, you can feel on me, hey
Take my arm, take my leg
Oh baby don’t you take my head

Yeah, we all need someone we can bleed on
Yeah but if you want it, well you can bleed on me
Yeah, we all need someone we can bleed on
Yeah yeah and if you want it baby why don’t ya
You can bleed on me
All over, hoo

Ah, get it on rider, hoo
Get it on rider
Get it on rider
You can bleed all over me, yeah
Get it on rider, hoo
Get it on rider, yeah
You can cream all over, you can come all over me, ah
Get it on rider ey
Let it out rider
Let it out rider
You can come all over me

Get it on rider
You can come all over me, yeah

Get it on rider

Rolling Stones – Sympathy For The Devil

Since Halloween is coming upon us I thought I would feature a few songs referencing the normal culprits throughout the week.

When I was a teenager the song spooked me a bit…and still does. It’s powerful and dynamic with its samba beat. Mick Jagger has said this is about the dark side of man, not a celebration of Satanism. It does, in fact, show the dark side…the lines that stand out to me are: I shouted out, Who killed the Kennedys When after all It was you and me.

Mick Jagger: The satanic-imagery stuff was very overplayed [by journalists]. We didn’t want to really go down that road. And I felt that song was enough. You didn’t want to make a career out of it. But bands did that – Jimmy Page, for instance. I knew lots of people that were into Aleister Crowley. What I’m saying is, it wasn’t what I meant by the song “Sympathy for the Devil.” If you read it, it’s not about black magic, per se.

This song is infectious, it’s a great piece of writing by Mick. The lyrics were inspired by The Master and Margarita, a book by Mikhail Bulgakov. British singer Marianne Faithfull was Mick Jagger’s girlfriend at the time and she gave him the book. Faithfull came from an upper-class background and exposed Jagger to a lot of new ideas. In the book, the devil is a sophisticated socialite, a “man of wealth and taste.”

I usually keep my posts short and quick but songfacts for this song have a book of info on this one so read it if you want. A lot of interesting info.

From Songfacts

This perpetuated the image of the Stones as frightening bad boys, as opposed to the clean-cut Beatles. It was great marketing for the band, who got some press by implying an interest in the occult.

A documentary by French filmmaker Jean-Luc Godard called One Plus One captured the recording of this song, which took place over five days: June 5, 6, 8 – 10, 1968. At one point, a lamp for the documentary started a fire in the studio. The tapes were saved, but a lot of the Stones’ equipment was destroyed. 

The original title was “The Devil Is My Name.” Said Jagger: “Songs can metamorphasize, and ‘Sympathy For The Devil’ is one of those songs that started off like one thing, I wrote it one way and then we started the change the rhythm. And then it became completely different. And then it got very exciting. It started off as a folk song and then became a samba. A good song can become anything. It’s got lots of historical references and lots of poetry.”

Keith Richards (2002): “‘Sympathy’ is quite an uplifting song. It’s just a matter of looking the Devil in the face. He’s there all the time. I’ve had very close contact with Lucifer – I’ve met him several times. Evil – people tend to bury it and hope it sorts itself out and doesn’t rear its ugly head. ‘Sympathy For The Devil’ is just as appropriate now, with 9/11. There it is again, big time. When that song was written, it was a time of turmoil. It was the first sort of international chaos since World War II. And confusion is not the ally of peace and love. You want to think the world is perfect. Everybody gets sucked into that. And as America has found out to its dismay, you can’t hide. You might as well accept the fact that evil is there and deal with it any way you can. Sympathy for the Devil is a song that says, Don’t forget him. If you confront him, then he’s out of a job.” 

The song took on a darker meaning when The Stones played it at their Altamont Speedway concert on December 6, 1969, before a fan was fatally stabbed by Hells Angels gang members hired for security. As they played it, the crowd got more unruly; a few songs later, during “Under My Thumb,” the stabbing occurred. [This is all documented in the film Gimme Shelter]. The Stones kept “Sympathy” in the their setlists, playing it throughout 1970.

Some of the historical events mentioned in this song are the crucifixion of Christ, the Russian Revolution, World War II, and the Kennedy assassinations. Robert Kennedy was killed on June 5, 1968, after Mick Jagger started writing the song. His original lyric was “who killed Kennedy?” referring to the 1963 John F. Kennedy assassination, but he changed it to “who killed the Kennedys?”

Other historical events alluded to in the song include the Hundred Years’ War (“fought for ten decades”) and the Nazi Blitzkrieg (“the blitzkrieg raged, and the bodies stank”).

The “whoo-whoo” backing vocals were added when Richard’s girlfriend, Anita Pallenberg, did it during a take and the Stones liked how it sounded. Pallenberg sang it on the record along with Keith Richards, Brian Jones, Bill Wyman, Marianne Faithfull and Jimmy Miller. 

Stones producer Jimmy Miller: “Anita (Pallenberg) was the epitome of what was happening at the time. She was very Chelsea. She’d arrive with the elite film crowd. During ‘Sympathy For The Devil’ when I started going whoo, whoo in the control room, so did they I had the engineer set up a mike so they could go out in the studio and whoo, whoo.” 

On their 1989 Steel Wheels tour, The Stones performed this with Jagger standing high above the stage next to a fire. Mick wore a safety belt in case he fell.

The Stones performed this on Rock and Roll Circus, a British TV special The Stones taped in 1968 but never aired. It was released on video in 1995. During the performance, Jagger removes his shirt to reveal devil tattoos on his chest and arms.

Guns ‘N’ Roses covered this in 1994 for the move Interview With The Vampire (the song appears at the end of the movie, which stars Tom Cruise, Brad Pitt and a young Kirsten Dunst). Their version hit #9 in England, and marked the first appearance of their new guitarist Paul Huge (rhymes with “boogie” – he later went by “Tobias”), who replaced Gilby Clarke. Axl Rose brought in Huge, and it caused considerable conflict in the band, which broke apart over the next few years. At one point, Matt Sorum called Huge “the Yoko Ono of GNR.”

In our 2013 interview with Gilby Clarke, he recalls this recording as a signal that the band was over. “I knew that that was the ending because nobody told me about it,” he said. “Officially I was in the band at that time, and they did that song without me. That was one of the last straws for me, because nobody had said anything to me and they recorded a song by one of my favorite bands. It was pretty clear I’m a big Stones fan, and they recorded the song without me. So I knew that was it.”

The song ended up being the last one Axl Rose, Slash and Duff McKagan recorded together. “If you’ve ever wondered what the sound of a band breaking up sounds like, listen to Guns N’ Roses’ cover of ‘Sympathy for the Devil,'” Slash wrote in his memoir.

The beat is based on a Samba rhythm. Keith Richards said it “started as sort of a folk song with acoustics, and ended up as a kind of mad samba, with me playing bass and overdubbing the guitar later. That’s why I don’t like to go into the studio with all the songs worked out and planned beforehand.”

The opening lines of this song, “Please allow me to introduce myself I’m a man of wealth and taste,” were quoted by the Devil character (played by actor Rick Collins) in the 1989 film The Toxic Avenger Part III: The Last Temptation of Toxie. 

Carlos Santana thought The Stones were playing with fire on this song. “I don’t have no sympathy for the devil,” he said in an NME interview. “I like the beat of the song but I never identify with the lyric. Jagger and Richards don’t really know the full extent of what they’re talking about. If they knew what they were getting into when they sing that song they would not be doing it. The devil is not Santa Claus. He’s for real.”

Santana was one of the performers at the ill-fated Altamont concert, and Carlos claimed he could feel a “demonic presence” during their set – a striking contrast to Woodstock, where the group conjured up peace and love. Santana didn’t allow any of their footage into the Gimme Shelter film.

In 2003, The Stones released this as a “maxi-single,” with four versions of the song. The original was on there, as well as remixes by The Neptunes, Fatboy Slim, and Full Phatt.

The line, “And I laid traps for troubadours who get killed before they reach Bombay” possibly refers to the notorious Thuggee cult, who worshiped Kali, the Hindu goddess of death. They would waylay travelers on the roads of India, then kill the entire group in order to make off with their valuables. This seems to be the closest well known historical incident to fit the lyrics. Also, the Thuggee would have been well known in England, since the British Army put a stop to the cult during the colonial period.

Another interpretation is that the line refers to the hippies who traveled the “Hippie trail,” a passage through Turkey, Afghanistan, India and a few other countries that was popular in the counterculture community. Many of these travelers were killed and ripped off by drug peddlers in Afghanistan and Pakistan. Those shady deals could be the “traps.” 

Some other worthy covers: Sandra Bernhard, Blood, Sweat & Tears, Bryan Ferry, Jane’s Addiction, The London Symphony Orchestra, Natalie Merchant, U2. 

One verse of lyrics was recited by Intel vice president Steve McGeady during his testimony in Microsoft’s antitrust trial in November 1998. McGeady had written a memo about Microsoft with the subject “Sympathy For The Devil,” and when asked whether he was calling Microsoft the Devil, McGeady recited the passage about using your well-learned politesse. 

In his book Mystery Train, Greil Marcus states that this was influenced by Robert Johnson’s song “Me and the Devil Blues.” Keith Richards describes Johnson’s influence as “Like a comet or a meteor” in the liner notes to Robert Johnson – The Complete Recordings

Fitting for a song about Satan, the song is heavy on the low end, with the bass, percussion and piano prominent throughout the track. The guitar doesn’t come in until 2:50, when the solo comes in. It doesn’t return until nearly two minutes later, when it returns for some licks. The Stones typically change the arrangement when they perform it live, bringing the guitar in for the first “pleased to meet you line,” sometimes punctuated with pyro or other visual elements.

Jagger (1995): “It has a very hypnotic groove, a samba, which has a tremendous hypnotic power, rather like good dance music. It doesn’t speed up or down. It keeps this constant groove. Plus, the actual samba rhythm is a great one to sing on, but it’s also got some other suggestions in it, an undercurrent of being primitive – because it is a primitive African, South American, Afro-whatever-you-call-that rhythm. So to white people, it has a very sinister thing about it. But forgetting the cultural colors, it is a very good vehicle for producing a powerful piece. It becomes less pretentious because it’s a very unpretentious groove. If it had been done as a ballad, it wouldn’t have been as good.”

Jagger (1995): “I knew it was a good song. You just have this feeling. It had its poetic beginning, and then it had historic references and then philosophical jottings and so on. It’s all very well to write that in verse, but to make it into a pop song is something different. Especially in England – you’re skewered on the altar of pop culture if you become pretentious.” 

In 2006, this was included in The National Review magazine’s list of the 50 most conservative rock lyrics. They claimed that this is an anti-Communist, conservative song and that the devil being referred to is Communist Russia.

The opening line was used in Volume 2 of 10 of the graphic novel V For Vendetta. >>

This song was used for a title of a episode of the anime series Cowboy Bebop. “Honky Tonk Women” is also the title of an episode. 

In the TV series Will and Grace, The character Karen states that she always wanted to walk down the aisle when she got married for the fourth time to “Sympathy For The Devil.” When her husband-to-be refuses, she fights with him. 

The industrial band Laibach released an entire album containing different covers of this song. The character and tone of the Laibach covers are largely very different from the Stones original. In the opening track the lead singer sings/shouts in a very deep bass voice with a thick Slavic accent. One of their covers contains references to the violence at the Altamont raceway.

Sympathy For The Devil

Please allow me to introduce myself
I’m a man of wealth and taste
I’ve been around for a long, long year
Stole many a man’s soul to waste

And I was ’round when Jesus Christ
Had his moment of doubt and pain
Made damn sure that Pilate
Washed his hands and sealed his fate

Pleased to meet you
Hope you guess my name
But what’s puzzling you
Is the nature of my game

I stuck around St. Petersburg
When I saw it was a time for a change
Killed the czar and his ministers
Anastasia screamed in vain

I rode a tank
Held a general’s rank
When the blitzkrieg raged
And the bodies stank

Pleased to meet you
Hope you guess my name, oh yeah
Ah, what’s puzzling you
Is the nature of my game, oh yeah

I watched with glee
While your kings and queens
Fought for ten decades
For the gods they made

I shouted out
Who killed the Kennedys?
When after all
It was you and me

Let me please introduce myself
I’m a man of wealth and taste
And I laid traps for troubadours
Who get killed before they reached Bombay

Pleased to meet you
Hope you guessed my name, oh yeah
But what’s puzzling you
Is the nature of my game, oh yeah, get down, baby

Pleased to meet you
Hope you guessed my name, oh yeah
But what’s confusing you
Is just the nature of my game, mm yeah

Just as every cop is a criminal
And all the sinners saints
As heads is tails
Just call me Lucifer
‘Cause I’m in need of some restraint

So if you meet me
Have some courtesy
Have some sympathy, and some taste
Use all your well-learned politesse
Or I’ll lay your soul to waste, mm yeah

Pleased to meet you
Hope you guessed my name, mm yeah

But what’s puzzling you
Is the nature of my game, mm mean it, get down

Oh yeah, get on down
Oh yeah

Oh yeah

Tell me baby, what’s my name
Tell me honey, can ya guess my name
Tell me baby, what’s my name
I tell you one time, you’re to blame

Oh, right

What’s my name
Tell me, baby, what’s my name
Tell me, sweetie, what’s my name

Rolling Stones – Bitch

Yeah when you call my name, I salivate like a Pavlov dog…One of the raunchiest riffs around. Combine that with the lyrics and you have a great little rock song. This is the Stones at the top of their game.

This song was the B side to Brown Sugar. Not a bad deal for your money. It’s another great song off of the Sticky Fingers LP. Here is a review of Sticky Fingers at Aphoristic’s site.

Below Andy Johns talks about the importance of Keith Richards…no matter if he was tardy a few times.

Andy Johns engineer: When we were doing “Bitch,” Keith was very late. Jagger and Mick Taylor had been playing the song without him and it didn’t sound very good. I walked out of the kitchen and he was sitting on the floor with no shoes, eating a bowl of cereal. Suddenly he said, Oi, Andy! Give me that guitar. I handed him his clear Dan Armstrong Plexiglass guitar, he put it on, kicked the song up in tempo, and just put the vibe right on it. Instantly, it went from being this laconic mess into a real groove. And I thought, Wow. THAT’S what he does

Bitch was written by Mick Jagger and Keith Richards, “Bitch” was recorded during October 1970 at London’s Olympic Studios, and at Stargroves utilizing the Rolling Stones Mobile studio.

From Songfacts

Love is the “bitch,” not any specific woman. Mick Jagger had many relationships he could base this on, including his breakup with Marianne Faithfull. He broke up with her after she tried to commit suicide while they were in Australia in late 1969 (Mick was filming Ned Kelly). As soon as Marianne recovered, Mick dumped her.

The Stones recorded this song, and many others on the album, at the Stargroves estate in Hampshire, England, using their mobile recording unit manned by engineer Andy Johns.

Despite (or maybe because of) the rather provocative title, this became one of the more popular Rolling Stones songs, often appearing in their setlists. It wasn’t released as a single but got plenty of play on rock radio.

In 1974, Elton John broke the “bitch” barrier on pop radio with “The Bitch Is Back,” which went to #4 in the US.

Along with “Under My Thumb,” this didn’t help the Stones’ image with women’s groups.

The album cover was designed by Andy Warhol. It was a close-up photo of a man in a pair of jeans complete with an actual zipper. The zipper caused problems in shipment because it scratched the record. They figured out that if they opened the zipper before shipment, it did minimal damage.

Speaking with Rolling Stone, Keith Richards said: “It comes off pretty smooth, but it’s quite tricky. There’s an interesting bridge you have to watch out for. Otherwise, it’s a straightforward rock and soul that we love. It’s Charlie Watts’ meat and potatoes.”

This features Bobby Keys on sax and Jim Price on trumpet. They provided horns on albums and tours for The Stones in the early ’70s.

The Goo Goo Dolls covered this in 1997 on the compilation album No Alternative.

The album title Sticky Fingers refers to the aptitude of a person who is likely to steal. It went well with the lawless image The Stones put forward.


Feeling so tired, can’t understand it
Just had a fortnight’s sleep
I’m feeling so tired, I’m so distracted
Ain’t touched a thing all week

I’m feeling drunk, juiced up and sloppy
Ain’t touched a drink all night
I’m feeling hungry, can’t see the reason
Just ate a horse meat pie

Yeah when you call my name
I salivate like a Pavlov dog
Yeah when you lay me out
My heart is beating louder than a big bass drum, alright

Yeah, you got to mix it child
You got to fix it must be love
It’s a bitch, yeah
You got to mix it child
You got to fix it but love
It’s a bitch, alright

Sometimes I’m sexy, move like a stud
Like kicking the stall all night
Sometimes I’m so shy, got to be worked on
Don’t have no bark or bite, alright

Yeah when you call my name
I salivate like a Pavlov dog
Yeah when you lay me out
My heart is bumpin’ louder than a big bass drum, alright

I said hey, yeah I feel alright now
Got to be a
Hey, I feel alright now
Hey hey hey
Hey hey yeah
Hey hey hey
Hey hey yeah
Hey hey hey
Hey hey yeah
Hey hey hey
Hey hey yeah
Hey hey hey