Beatles Get Back Trailer

Just saw this a few minutes ago. Lately I’ve been living in a bubble because of work but this is the new Get Back trailer. This is not the sneak peak Peter Jackson released before. On November 25,26, and 27th… 6 hours of the Let It Be/Get Back music, comedy, and drama will all unfold on the Disney plus.

As a very young Beatle fan I read about these sessions and only saw still photographs. Later on I saw them do Get Back on MTV while on the rooftop and it was like photos coming to life…I read where they had 56 hours of video footage sitting in a vault from this album. Now we will see 6 hours out of that anyway…you what what? I would happily sit through 56 hours… Peter Jackson has done such a great job on the look of the film…it looks like it could have been filmed yesterday. Peter, need an assistant for free?

With the previews I’ve seen…it looks like it was a lot of fun and the bad drama was not prevalent through the filming. Ringo has said that people have focused on the negative but it was much more positive than that. What is great about Get Back is the good time they had and it wasn’t all doom and gloom. I can’t imagine the pressure they were under to deliver and be as good as their last album. In this case, when they filmed this, it was just a few months after they released The White Album…The Let It Be album didn’t get released until after their last studio album Abbey Road.

Enough of me talking…here is the preview.

Beatles – Get Back

John Lennon was primarily a rhythm guitar player but George Harrison briefly left the Beatles during the recording of Let It Be.  John took the lead guitar part on this song and made a memorable solo. John was a very aggressive guitar player and on this one he was on the mark.

McCartney got the idea for the title “Get Back” from the line “Get back to where you should be” from a song George Harrison wrote called “Sour Milk Sea,” which was eventually recorded by Jackie Lomax. McCartney changed the line to, “Get back to where you once belonged”.

Early versions include the line “I dig no Pakistanis.” The song began as a commentary about immigration, telling people to “get back” to their own countries. It was meant to mock Britain’s anti-immigrant proponents. Paul McCartney, who wrote the song and sang lead, thought better of it and made the lyrics more palatable.

At the end of this album version, we hear cheering, followed by McCartney saying, “Thanks Mo” in response to Ringo’s wife, Maureen, who was clapping. Lennon then says, “I’d like to say thank you on behalf of the group and ourselves, and I hope we’ve passed the audition.” This part came from the live rooftop performance.

This song went number 1  everywhere. #1 in the  Billboard 100, Canada, UK, New Zealand, The UK, Australia, Austria, Belgium, Ireland…and so on. The B side was Don’t Let Me Down…which personally I like more.

From Songfacts

“Get Back” was going to be the title of the album and the documentary film about making it. The Beatles stopped touring in 1966 and were worn thin by 1968, but they rekindled their passion for performance after shooting the “Hey Jude” promotional film in September that year before a live audience. Energized by the effort, they agreed to the documentary; the concept was The Beatles “getting back” to their roots and playing new songs for a live audience without any studio tricks.

The song “Get Back” came closest to capturing that spirit. Produced by George Martin, it was released as the follow-up single to “Hey Jude” in April 1969 (a month later in America) and was another blockbuster for the group, going to #1 in most territories.

The album became something completely different from the live set they planned. Glyn Johns, who engineered the sessions, was asked to put it together from what were really rehearsal tapes. After he assembled the album, it sat around while the Let It Be documentary was being edited from the film footage of The Beatles rehearsing in the studio and playing on the rooftop. During this time, The Beatles made the Abbey Road album, released it, and broke up.

Phil Spector, who had worked on John Lennon’s solo song “Instant Karma” (which George Harrison played on), was brought in to produce the Get Back album, which was re-titled Let It Be. Spector took the tapes and added orchestrations using his “Wall Of Sound” technique, and the album that was supposed to be the raw sound of The Beatles returning to their roots was released as a highly produced swan song on May 8, 1970, after they had broken up.

The Beatles famously performed this song from the rooftop of Apple Records on January 30, 1969, footage of which serves as the climax to their Let It Be documentary film. Knowing it would get shut down pretty quickly, the group kept mum about the performance, which was designed to promote the single and provide an ending for their film. They got in three takes of “Get Back” before police pulled the plug. The plan worked: Not only did they get their film ending, but the audio (including their banter) was used on various edits of “Get Back” to give it a live feel and add some character.

In their early days, The Beatles were musical warriors, playing in clubs for hours most nights. The “Get Back” single harkened to those days and was advertised as “The Beatles as nature intended.”

The single version runs 3:11 and contains a false ending at 2:34, after which McCartney comes back with a spoken verse:

“Get back Loretta, your mummy’s waiting for you, wearing her high-heeled shoes and her low-neck sweater, get back home, Loretta.”

The album version is a little shorter (3:09) and omits this section. It begins with a behind-the-scenes bit from the band tuning up during a session for the song on January 27, 1969. We hear John Lennon poke fun at the first line (“Jojo was a man who thought he was a loner, but he knew it couldn’t last”) by saying:

“Sweet Loretta fat she thought she was a cleaner, but she was a frying pan.”

Preston was a salve and a spark for the group. On January 10, 1969, George Harrison quit and almost left for good. He came back to work on January 21, but the tension lingered. Preston showed up the next day and galvanized the group; he played on “Get Back” and “Don’t Let Me Down,” and participated in sessions for several other tracks.

The Beatles met Preston in 1962 when they were both playing in Germany, but they hadn’t seen each other since. It was Harrison’s idea to bring him in; after George left the Let It Be sessions, he saw Preston in concert with Ray Charles and arranged for him to join The Beatles. Having him in the studio eased the tension and made it easier for the group to put personal conflicts aside and record the album.

The press release to promote the single contains this quote from McCartney: “We were sitting in the studio and we made it up out of thin air… we started to write words there and then… when we finished it, we recorded it at Apple Studios and made it into a song to roller coast by.”

Lennon claimed this was basically a rewrite of their 1968 song “Lady Madonna.”

Beatles fans found lots of hidden meaning in their lyrics, and sometimes the band did too. In his 1980 Playboy interview, John Lennon claimed that Paul looked at Yoko in the studio when he sang the line “get back to where you once belong.” John was sure he was disrespecting her.

There was speculation that the character “JoJo” was based on Joseph Melville See Jr., Linda McCartney’s first husband, who was from Tucson, Arizona. McCartney denied this, explaining in his 1988 autobiography Many Years From Now that he and Linda were on good terms with See, who used the first name Melville, and that “JoJo” was “an imaginary character, half-man and half-woman.”

Linda attended the University of Arizona in Tucson, and in 1979 she and Paul bought a ranch there. As for Joseph Melville See, he never remarried, and in 2000 he killed himself in Tucson.

Billy Preston’s piano solo was spontaneous. he told New Jersey’s Asbury Park Press in 2000: “I was playing a Fender Rhodes on ‘Get Back.’ They just told me, ‘Take a solo!’ I wasn’t expecting to do a solo. When we were rehearsing, I wasn’t playing a solo.”

The last version of the song The Beatles played on the Apple rooftop can be heard in the widely bootlegged “rooftop sessions,” which finds McCartney mocking the police as they shut them down. You can hear him ad-lib the lines “You been out too long, Loretta! You’ve been playing on the roofs again! That’s no good! You know your mommy doesn’t like that! Oh, she’s getting angry… she’ll have you arrested! Get back!”

An edited version of the rooftop performances was released on the Anthology 3 collection in 1996.

Some of the artists to cover this song include: The Bee Gees, The Crusaders, Dizzy Gillespie, Al Green, Elton John, The London Symphony Orchestra, The Main Ingredient, Nitty Gritty Dirt Band, Billy Preston, Kenny Rogers, The Royal Philharmonic Orchestra, The Shadows, Status Quo, Rod Stewart, Ike and Tina Turner, and Sarah Vaughan.

In 2003, Paul McCartney and Ringo Starr gave permission to Apple Records to rework the album and remove Phil Spector’s production. The result is the stripped-down version called Let It Be… Naked, which McCartney claims is what the group intended.

McCartney played this at halftime of the 2005 Super Bowl. This was the year after Janet Jackson’s breast was exposed during the halftime show, so the NFL insisted on an act that wouldn’t incite controversy or push the envelope. McCartney fit the bill.

Get Back

Jojo was a man who thought he was a loner
But he knew it wouldn’t last
Jojo left his home in Tucson, Arizona
For some California grass

Get back, get back
Get back to where you once belonged
Get back, get back
Get back to where you once belonged
Get back Jojo, go home

Get back, get back
Back to where you once belonged
Get back, get back
Back to where you once belonged
Get back Jo

Sweet Loretta Martin thought she was a woman
But she was another man
All the girls around her say she’s got it coming
But she gets it while she can

Get back, get back
Get back to where you once belonged
Get back, get back
Get back to where you once belonged
Get back Loretta, go home

Get back, get back
Get back to where you once belonged
Get back, get back
Get back to where you once belonged

Get back, get back
Get back to where you once belonged
Get back, get back, get back