Twilight Zone – Dead Man’s Shoes

★★★★ January 19, 1962 Season 3 Episode 18

If you want to see where we are…HERE is a list of the episodes.

This reminds me of a supernatural 1940’s noir gangster movie and I like it because of that. Warren Stevens plays a bum…a real bum named Nate Bledsoe and he takes the shoes off of a murdered gangster named Dane. When he puts them on he magically becomes Dane. Warren Stevens does a nice job in this part. He is meek and mild when he is Nate Bledsoe but becomes assertive after he slips the shoes on and into the Dane character. He goes and sees Wilma, Dane’s girlfriend, and it tells you all you need to know about Dane.

Dane was killed by his partner Dagget so Bledsoe as Dane… goes and visits him to even the score. I like the hint that Bledsoe gave in the bar to tip Dagget off to who he was now.

Dagget looked like he saw a ghost and in a way…he did.  This episode is not one of the classic episodes. Still, it is very enjoyable.

This one was remade in the 1985 and the 2002 version of the Twilight Zone.


The one thing that was sad about this episode was the character Nate Bledsoe His only crime was taking the shoes but he dies because of Dane.

This show was written by Charles Beaumont, Rod Serling, and Oceo Ritch

Rod Serling’s Opening Narration: 

Nathan Edward Bledsoe, of the Bowery Bledsoes, a man once, a specter now. One of those myriad modern-day ghosts that haunt the reeking nights of the city in search of a flop, a handout, a glass of forgetfulness. Nate doesn’t know it but his search is about to end, because those shiny new shoes are going to carry him right into the capital of the Twilight Zone.


When a hobo finds a dead man lying in a city alley, he decides to take his shoes, a pair of rather spiffy-looking loafers. In putting them on however, he becomes the dead man. He returns to his apartment, to his girlfriend’s shock and more importantly, he knows who killed him. The dead man is also out for revenge and it seems nothing will be able to stop him

Sorry…again there was no preview I could find to show you.

Rod Serling’s Closing Narration:

There’s an old saying that goes, ‘If the shoe fits, wear it.’ But be careful. If you happen to find a pair of size nine black and gray loafers, made to order in the old country, be very careful. You might walk right into the Twilight Zone.


Rod Serling… Narrator / Self – Host (uncredited)
Warren Stevens…Nate Bledsoe
Richard Devon…Dagget
Joan Marshall…Wilma
Ben Wright…Chips
Harry Swoger…Sam
Ron Hagerthy…Ben
Florence Marly…Dagget’s girlfriend

Twilight Zone – One More Pallbearer

★★★★  January 12, 1962 Season 3 Episode 17

If you want to see where we are…HERE is a list of the episodes.

A school teacher, Reverend, and a Colonel get invited to a bomb shelter. No it’s not a joke…but it was an attempt at one by a man named Paul Radin played by Joseph Wiseman. Paul Radin was a very bitter narcissistic millionaire and he wanted to extract an apology for past deeds that he thought he was punished for unfairly by three different people.

Mr. Radin was not a good man and he was just as bad when he was young. He cheated on a test and then planted the crib notes on another student, he was court-martialed during World War II for failure to follow orders to attack the enemy, and because of his callous attitude he caused a young lady to commit suicide. Radin will stop at nothing  trying to extract that elusive apology from these people from his past…including ending the world.

I knew Joseph Wiseman was familiar…He played Dr. No in the first James Bond film.

This show was written by Rod Serling

Rod Serling’s Opening Narration: 

What you have just looked at takes place three hundred feet underground, beneath the basement of a New York City skyscraper. It’s owned and lived in by one Paul Radin. Mr. Radin is rich, eccentric and single-minded. How rich we can already perceive; how eccentric and single-minded we shall see in a moment, because all of you have just entered the Twilight Zone.


Successful businessman Paul Radin invites three people from his past to join him in the underground bunker he’s built under his commercial office building. All three have had major influence on him though not the kind that made him what he is today. His former military commander had him court-martialed; his former teacher ridiculed and humiliated him in class after she caught him cheating; and his church Minister who ruined his reputation after he drove a girl to suicide. All he wants from them is one thing: a brief apology. The impact of what they’ve done is far greater than it appears.

There were NO videos that didn’t give the end away to be found. 

Rod Serling’s Closing Narration:

Mr. Paul Radin, a dealer in fantasy, who sits in the rubble of his own making and imagines that he’s the last man on Earth, doomed to a perdition of unutterable loneliness because a practical joke has turned into a nightmare. Mr. Paul Radin, pallbearer at a funeral that he manufactured himself in the Twilight Zone.


Rod Serling… Narrator / Self – Host (uncredited)
Joseph Wiseman…Paul Radin
Katherine Squire…Mrs. Langsford
Trevor Bardette…Col. Hawthorne
Gage Clarke…Rev. Hughes

Watermelon Men – Seven Years

For everyone that follows me on the weekend…I’m working on a home project and I will only post one Twilight Zone each day with no music posts this weekend. Have a great weekend. 

This song was released in 1985 on the Watermelon’s album Past, Present and Future.

The Watermelon Men were a Swedish five piece band that were around from the mid Eighties up till 1994. They had quite a following in Sweden, Germany, England, among other places.

The band is still popular over ten years after they ceased. They are praised in power pop circles in Europe. They were mostly known for garage rock and brought good melodies with jangly guitars in a lot of their music.

When they were together they released three albums, an Ep, and three singles. One album remains unreleased…it’s up in the air on if it will come out.

The guitar player Imre von Polgar died in the tsunami disaster in Khao Lak in 2004. Shortly after, the band reformed for a one time show in his memory.

Seven Years

If the man can’t choose which way to go
If the girl don’t know where she belongs
Then you’re apt to say all the love can’t kill the pain
Till they meet, he’ll be a traveling man
When his hope was buried in the ground
In tears she left her man behind
The you’re apt to think seven years has passed today
Till they meet, she’ll dream her life away

You won’t feel, you’ll meet her someday
And in his arms, she’ll always stay
But it’s the story
No one ever fades

In surprise they think
When they both run from themselves
Till they meet, the story has no end

You won’t see, you’ll meet her someday
And in his arms, she’ll always stay
But it’s the story
No one ever fades

Kinks – Dandy

If you heard this song on the radio in the sixties it probably wasn’t the Kinks version unless you lived in Germany where it peaked at #1, The Netherlands where it peaked at #3 and #2 in Belgium.

The mighty Herman Hermits covered the song and it peaked at #5 in the Billboard 100, #1 in Canada, #3 in New Zealand…sometimes life just isn’t fair.

It is said to have been written about Dave Davies, mostly about his rock star lifestyle… Dave confirmed in the documentary about Dave Davies.

The song was on the Face to Face album.. one of the first rock and roll concept albums.  In the album’s original inception, Davies attempted to bridge the songs together with sound effects, but was forced to revert to the more standard album because of the record company.

Ray Davies: “I think it was about someone, probably me, who needed to make up his mind about relationships. Also about my brother, who was flitting from one girl to another. It’s a more serious song than it seems. It’s about a man who’s trapped by his own indecision with relationships and lack of commitment. That’s the way I’d write it now, but when I was twenty-two or twenty-three I wrote it about a jovial person who’s a womanizer.”

From Songfacts

Running to just 2 minutes 22 seconds, “Dandy” was written by Ray Davies, and is the third track on the band’s 1966 Face To Face album. 

The song ends with the line “…Dandy, you’re all right”.

Sadly, this sentiment was not reciprocated; in the aforementioned documentary, Dave Davies said that he loved his brother, even though he was an arsehole! 

“Dandy” was released as a single in Europe on the Pye label backed by “Party Line.” The single was produced by Shel Talmy, who worked on most of the early Kinks material. 

I’m so sorry but I feel I’m obliged to post the Colossal Hermit’s version also. 


Dandy, Dandy
Where you gonna go now?
Who you gonna run to?
All you life
You’re chasing all the girls,
They can’t resist your smile.
Oh, they long for Dandy, Dandy.

Checkin’ out the ladies,
Tickling their fancy,
Pouring out your charm
To meet all your own demands,
And turn it off at will.
Oh, they long for Dandy, Dandy.

Knockin’ on the back door,
Climbing through the window,
Hubby’s gone away,
And while the cat’s away,
The mice are gonna play.
Oh, you low down Dandy, Dandy.

Dandy you know you’re moving much too fast,
And Dandy, you know you can’t escape the past.
Look around you and see the people settle down,
And when you’re old and grey you will remember what they said,
That two girls are too many, three’s a crowd and four you’re dead.

Oh Dandy, Dandy,
When you gonna give up?
Are you feeling old now?
You always will be free,
You need no sympathy,
A bachelor you will stay,
And Dandy, you’re all right.
You’re all right.
You’re all right.
You’re all right.
You’re all right.
You’re all right.

Beatles Get Back Trailer

Just saw this a few minutes ago. Lately I’ve been living in a bubble because of work but this is the new Get Back trailer. This is not the sneak peak Peter Jackson released before. On November 25,26, and 27th… 6 hours of the Let It Be/Get Back music, comedy, and drama will all unfold on the Disney plus.

As a very young Beatle fan I read about these sessions and only saw still photographs. Later on I saw them do Get Back on MTV while on the rooftop and it was like photos coming to life…I read where they had 56 hours of video footage sitting in a vault from this album. Now we will see 6 hours out of that anyway…you what what? I would happily sit through 56 hours… Peter Jackson has done such a great job on the look of the film…it looks like it could have been filmed yesterday. Peter, need an assistant for free?

With the previews I’ve seen…it looks like it was a lot of fun and the bad drama was not prevalent through the filming. Ringo has said that people have focused on the negative but it was much more positive than that. What is great about Get Back is the good time they had and it wasn’t all doom and gloom. I can’t imagine the pressure they were under to deliver and be as good as their last album. In this case, when they filmed this, it was just a few months after they released The White Album…The Let It Be album didn’t get released until after their last studio album Abbey Road.

Enough of me talking…here is the preview.

Twilight Zone -Nothing In The Dark

★★★★★  January 5, 1962 Season 3 Episode 16

If you want to see where we are…HERE is a list of the episodes.

A song, a person, flower, or a drawing is beautiful…I don’t think a TV episode would fit into that category but this one does. Future mega star Robert Redford is in this great episode about an elderly lady who would not let anyone inside her soon to be torn down home. She fears “Mr Death” who will come take her. Gladys Cooper plays Wanda Dunn the elderly woman. She was appearing in silent movies in the early part of the century. She would appear in three Twilight Zone episodes…a wonderful actress.

R. G. Armstrong, a great character actor, is also in this classic episode. Everything about this episode works. The acting down to the set is perfect.

This show was written by George Clayton Johnson and Rod Serling

Rod Serling’s Opening Narration: 

An old woman living in a nightmare, an old woman who has fought a thousand battles with death and always won. Now she’s faced with a grim decision—whether or not to open a door. And in some strange and frightening way she knows that this seemingly ordinary door leads to the Twilight Zone.


The old Ms. Wanda Dunn is afraid of Mr. Death, and does not open the door of her room for anyone who knocks the door. When the police officer Harold Beldon is shot at her front door, the reluctant woman opens it and lets him in.

Rod Serling’s Closing Narration:

There was an old woman who lived in a room. And, like all of us, was frightened of the dark. But who discovered in a minute last fragment of her life that there was nothing in the dark that wasn’t there when the lights were on. Object lesson for the more frightened amongst us in, or out of, the Twilight Zone.


Rod Serling… Narrator / Self – Host (uncredited)
Gladys Cooper…Wanda Dunn
Robert Redford…Harold Beldon
R. G. Armstrong…Contractor

Beatles – Revolution 1

We all know Revolution by the Beatles but this is the acoustic version of the song. They fell into a nice groove doing this. It took a while for this to grow on me but now I like it just as well as the single fast hard rocking version.

The fast version was released as the B-side of “Hey Jude” in August 1968, three months before the slow version appeared on The White Album. John Lennon wanted it to be the first A-side released on Apple Records, the label The Beatles started, but Paul McCartney’s Hey Jude got the honor.

Brian Epstein, the Beatles manager was always careful with them  by asking them to not talk about controversial subjects like the war, politics, and anything that could cause controversy…I don’t think John Lennon got that memo many times. After Brian died they started to be more open and they talked a little more freely.

John Lennon said : “I wanted to put out what I felt about revolution,”  “I thought it was about time we spoke about it, the same as I thought it was about time we stopped not answering about the Vietnamese war when we were on tour with Brian Epstein and had to tell him, ‘We’re going to talk about the war this time and we’re not going to just waffle’…That’s why I did it: I wanted to talk, I wanted to say my piece about revolutions. I wanted to tell you, or whoever listens, to communicate, to say, ‘What do you say?’ ‘This is what I say.’”

“I think our society is run by insane people for insame objectives. If anybody can put on paper what our government, and the American government, and the Russian, Chinese…what they are actually trying to do, and what they think they’re doing, I’d be very pleased to know.” John wanted to see a plan as the song goes. John said he believed that revolution comes from inner change rather than social violence.

On the  two versions. On one John said “count me in” and the other he said “count me out” as he explains below.

John Lennon: “There were two versions of that song, but the underground left only picked up on the one that said ‘count me out.’ The original version, which ends up on the LP, said ‘count me in’ too; I put in both because I wasn’t sure. I didn’t want to get killed. I didn’t really know much about the Maoists, but I just knew that they seemed to be so few and yet they painted themselves green and stood in front of the police waiting to get picked off. I just thought it was unsubtle. I thought the original Communist revolutionaries coordinated themselves a bit better and didn’t go around shouting about it.”

Engineer Alan Brown: “I was in the control room of studio three and there on the other side of the glass was a figure in semi-darkness going over and over some lines of a song. I knew the voice and sure enough I knew the face. John Lennon was about 30 feet away! He was working on ‘Revolution,’ the slow one, and I remember him going through the song again and again in rehearsal, changing a word or two every time. Each time it would alter very slightly, it would develop and evolve. ‘When you talk about destruction…you can count me out.’ ‘When you talk about destruction…you can count me in.’” John either hadn’t decided which way he felt or which way would be more palatable to his audience.

John eventually decided to opt for both, singing “count me out…in” on this vocal performance, which was sung in a “light voice” in imitation of Martha Reeves and Diana Ross, as his handwritten lyric sheet reminded him.

White Album Version

Revolution 1

Ah, take 2

You say you want a revolution
Well you know
We all want to change the world
You tell me that it’s evolution
Well you know
We all want to change the world

But when you talk about destruction
Don’t you know that you can count me out in

Don’t you know it’s gonna be alright
Don’t you know it’s gonna be alright
Don’t you know it’s gonna be alright

You say you got a real solution
Well you know
We’d all love to see the plan
You ask me for a contribution
Well you know
We’re doing what we can

But if you want money for people with minds that hate
All I can tell you is brother you have to wait

Don’t you know it’s gonna be alright
Don’t you know it’s gonna be alright
Don’t you know it’s gonna be alright

You say you’ll change the constitution
Well you know
We’d all love to change your head
You tell me it’s the institution
Well you know
You better free your mind instead

But if you go carrying pictures of Chairman Mao
You ain’t going to make it with anyone anyhow

Don’t you know it’s gonna be alright
Don’t you know it’s gonna be alright
Don’t you know it’s gonna be alright

Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
Alright, alright, alright, alright, alright
Alright, alright, alright, alright, alright
Oh, oh, oh, oh, oh, oh
Alright, alright, alright

Violent Femmes – American Music…. 80’s Underground Mondays

The Milwaukee, Wisconsin band Violent Femmes are best known for their song Blister in the Sun released in 1983. A girl that I knew drove me crazy playing that song but after a while I started to like it…more than the girl. The song started to be played on alternative and college radio.

James Honeyman Scott (Pretenders guitar player) was booked to play a gig and he was so impressed by the Violent Femmes that he let them open for him. They were were then offered a record deal by Slash Records and soon after that they released their 1982 debut album, “Violent Femmes.” The album slowly hit and later went platinum.

This song was on their Why Do Birds Sing? album in 1991 and it was their fifth studio album. The album peaked at #141 in the Billboard Album Chart but the song peaked at #2 on Billboards Modern Rock chart.

Through breakups and reunions the band minus the original drummer Victor DeLorenzo  are still together. Gordon Gano is the singer- songwriter and Brian Ritchie is the bass player with new drummer John Sparrow.

They released an album in 2019 called Hotel Last Resort and it peaked at #29 in the Billboard Indie Charts.

American Music

Can I, can I put in something like…
“This is “American Music”… take one.” 1-2-3-4!
Do you like American music?
I like American music.
Don’t you like American music, baby?

I want you to hold me, I want your arms around me.
I want you to hold me, baby…
Did you do too many drugs? I did too many drugs.
Did you do too many drugs, too, baby?

You were born too late, I was born too soon,
But every time I look at that ugly moon, it reminds me of you.
It reminds me of you… ooh-ooh-ooh.

I need a date to the prom, would you like to come along?
But nobody would go to the prom with me, baby…
They didn’t like American music, they never heard American music.
They didn’t know the music was in my soul, baby…

You were born too soon, I was born too late,
But every time I look at that ugly lake, it reminds me of me.
It reminds me of me…

Do you like American music? We like American music.
I like American music… Baby.
Do you like American music? We like all kinds of music.
But I like American music best… baby.

You were born too late, and I was born too late,
But every time I look at that ugly lake,
It reminds me of me…
It reminds me of me
It reminds me of me
Do you like american music
It reminds me of me
Do you like american music
It reminds me of me
Do you like american music
It reminds me of me
I like american music
It reminds me of me
She like american music
It reminds me of me
I like american music
It reminds me of me
She like american music
It reminds me of me
I like american music
It reminds me of me
She like american music
It reminds me of me
I like american music
It reminds me of me
She like american music
It reminds me of me
I like american music
It reminds me of me
She like american music
It reminds me of me

Twilight Zone – A Quality Of Mercy

★★★★  December 29, 1961 Season 3 Episode 15

If you want to see where we are…HERE is a list of the episodes.

A very powerful episode that places the shoe on the other foot. A young Dean Stockwell plays Lt. Katell who is young and blood thirsty for war. He quickly is warned and then learns about humanity on the battlefield. This episode is full of good actors. Leonard Nimoy plays radio operator Hansen but the real treat for me was Albert Salmi who plays the tough but worn out Sgt. Causarano. Salmi usually plays bad guys but in this one his common sense and honesty is refreshing.

A Quality of Mercy was filmed on an already-standing jungle set on a soundstage at the Hal Roach Studios. The episode covers some of the territory already covered by The Purple Testament…which coincidentally, Dean Stockwell was originally cast as the lead but was unable to appear.

We are brought face to face with the grimness of war, the fatigue and the futility. Serling, after serving in WWII, was close to this issue. It seems that Serling expressed his opinions through Sgt. Causarano played by Albert Salmi.

From IMDB: The title refers to a quote from William Shakespeare’s play ‘The Merchant of Venice’: “The quality of mercy is not strain’d, It droppeth as the gentle rain from heaven.”

Albert Salmi (Sgt. Causarano) previously appeared in The Twilight Zone: Execution (1960) and would later appear in The Twilight Zone: Of Late I Think of Cliffordville (1963), all of which involve time travel. “A Quality of Mercy” is the only one in which his character is not portrayed as despicable.

This show was written by Rod Serling and Sam Rolfe

Rod Serling’s Opening Narration: 

It’s August, 1945, the last grimy pages of a dirty, torn book of war. The place is the Philippine Islands. The men are what’s left of a platoon of American Infantry, whose dulled and tired eyes set deep in dulled and tired faces can now look toward a miracle, that moment when the nightmare appears to be coming to an end. But they’ve got one more battle to fight, and in a moment we’ll observe that battle. August, 1945, Philippine Islands. But in reality, it’s high noon in the Twilight Zone.


On August 6, 1945 – the last day of World War II – a forward platoon acting as artillery spotters get an eager and aggressive Lieutenant Katell. The artillery has been unable to dislodge a Japanese unit from a cave and Katell decides that the unit is going to attack. He suddenly finds himself in 1942 leading a Japanese unit that is about to attack Americans who are holed up in a cave.

The Complete Episode on Dailymotion

Rod Serling’s Closing Narration:

‘The quality of mercy is not strained, it droppeth as the gentle rain from heaven upon the place beneath. It blesseth him that gives and him that takes.’ Shakespeare, The Merchant of Venice, but applicable to any moment in time, to any group of soldiery, to any nation on the face of the Earth—or, as in this case, to the Twilight Zone.


Rod Serling… Narrator / Self – Host (uncredited)
Dean Stockwell… Lt. Katell / Lt. Yamuri
Albert Salmi… Sgt. Causarano
Rayford Barnes… Andrew Watkins
Ralph Votrian… Hanachek
Leonard Nimoy… Hansen
Dale Ishimoto… Sgt. Yamazaki
Jerry Fujikawa… Japanese Captain (as J.H. Fujikawa)
Michael Pataki… Jeep Driver (uncredited)

Rolling Stones – Worried About You

When Tattoo You came out I bought the single Start Me Up and couldn’t get enough of it…yea I have had about enough of it now. I bought the album played it non stop. 10 years later a friend and  I took a trip to Pensacola after playing a gig and this album was on all of the way. This song stood out at the time because I skipped the hits. Mick sings it in a falsetto voice that works well.

The Stones dug down deep in their vaults for this album because they wanted to tour in 1980. They had released Some Girls in 78, Emotional Rescue in 80, and Tattoo You in 1981 and needed some songs. This song’s origins go back to 1976’s Black and Blue.

This song features a guitar solo by Wayne Perkins, who had once auditioned as a potential replacement for Mick Taylor, and Billy Preston on keyboards.

Tattoo You peaked at #1 in the Billboard Album Charts, #1 in Canada, and #2 in the UK in 1981.

Worried About You

Sometime I wonder why you do these things to me
Sometime I worry girl that you ain’t in love with me

Sometime I stay out late, yeah I’m having fun
Yes, I guess you know by now that you ain’t the only one

Yeah-hey, oh baby
Ooh, sweet things that you promised me babe, yeah
Seemed to go up in smoke
Yeah, vanish like a dream
Baby I wonder why you do these things to me

Cause I’m worried
I just can’t seem to find my way, baby

Ooh, the nights I spent just waiting on the sun, yeah
Just like your burned out cigarette
You threw away my love
Why did you do that baby

I wonder why, why you do these things to me well, oh

I’m worried
Lord, I’ll find out anyway
Sure gonna find myself a girl someday
‘Til then I’m worried
Yeah, I just can’t seem to find my way

Yeah, I’m a hard working man
When did I ever do you wrong?
Yeah, I get all my money baby, yeah
I bring it, I bring it all home
Yeah, I’m telling the truth, yeah

Well, sweet things, sweet things that you promised me

Well I’m worried and I just can’t seem to find my way, baby

I’m worried about you, yeah
I’m worried about you, yeah
Tell you something now
I’m worried ’bout you (oh, yeah)
I’m worried ’bout you, child (oh, yeah)
I’m worried ’bout you, woman (oh, yeah)
That’s come on, tell you something now
I’m worried ’bout you (oh, yeah)
I’m worried about you (aw yeah), yeah

Yeah, I’m worried
Lord, I’ll find out anyway
Sure as Hell I’m gonna find that girl someday
Lord, I’m worried
Lord, I just can’t seem to find my way


Twilight Zone – Five Characters In Search Of An Exit

★★★★★  December 22, 1961 Season 3 Episode 14

If you want to see where we are…HERE is a list of the episodes.

A fantastic episode of the Twilight Zone. The twist at the end is one of the best twists the Twilight Zone ever had. For most of the show, the five actors are all that can be seen, with the exception of the blank, curving wall of the cylinder. Rarely can the plot of an episode be summed up so completely in its title.

I feel like a broken record but again the acting is superb. The characters displaying their hopelessness in this episode is comes through well. The Major played by William Windom frequently throws emotional tantrums and is the latest to be added to this crew of a clown, Ballerina, tramp, and bagpiper looking for a way of this cylinder which they are trapped. The Major has a hard time with the defeatist attitude of the others

This show was written by Rod Serling and Marvin Petal

Rod Serling’s Opening Narration: 

Clown, hobo, ballet dancer, bagpiper, and an army major—a collection of question marks. Five improbable entities stuck together into a pit of darkness. No logic, no reason, no explanation; just a prolonged nightmare in which fear, loneliness, and the unexplainable walk hand in hand through the shadows. In a moment, we’ll start collecting clues as to the whys, the whats, and the wheres. We will not end the nightmare, we’ll only explain it—because this is the Twilight Zone.


It all starts when an Army major wakes up in a small cylindrical room with no way out. The walls are too high to climb and they’re too hard to puncture. Trapped inside with him is a clown, a bagpiper, a ballerina, and a hobo. They have all woken up inside there and have no idea where they are, what they’re doing there, how long they’ve been there or even who they are or how long they’ll be there. They apparently are unable to feel anything, and every now and then a loud clanging sound makes them all fall down. All of them have tried various ways of finding an exit, unsuccessfully. The Army major especially is determined to escape. He tries all sorts of ways to find an exit, but he cannot find one. Even when he hits the walls with his sword, it shatters. The major suggests that they are in Hell, so there IS no way out. Eventually the five characters decide that the only way out is to make a human tower.

Rod Serling’s Closing Narration:

Just a barrel, a dark depository where are kept the counterfeit, make-believe pieces of plaster and cloth, wrought in a distorted image of human life. But this added hopeful note: perhaps they are unloved only for the moment. In the arms of children, there can be nothing but love. A clown, a tramp, a bagpipe player, a ballet dancer, and a Major. Tonight’s cast of players on the odd stage—known as—The Twilight Zone.


Rod Serling… Narrator / Self – Host (uncredited)
Susan Harrison… The Ballerina
William Windom… The Major (as Bill Windom)
Murray Matheson… The Clown
Kelton Garwood Kelton Garwood … The Tramp
Clark Allen… The Bagpiper
Carol Hill… Woman
Mona Houghton… Little Girl

Replacements – Sixteen Blue

Sixteen Blue was inspired by bassist Tommy Stinson. Tommy played his first gig with the Replacements in June of 1980 when he was just 13. The other members were 5-6 years older than Tommy.

Westerberg had witnessed how Stinson had been forced to grow up way faster than most kids, yet still faced the typical teenage issues and doubts. Westerberg also said it was about his lonely teenage years.

The song is on their Let It Be album released in 1984. Let It Be was the first of a three album stretch (Let It Be, Tim, Please To Meet Me) that they are probably best remembered for today.

Peter Jesperson (manager): “Hearing it the first time they did it, at a sound check in Boston, I thought, Jesus, he’s written a song about Tommy.”“Tommy was kind of the mascot of the band, and Paul had written about him in songs before. But this wasn’t just some goofy thing. This was serious and tender.”

Paul Westerberg on why they named the album Let It Be

“We were riding around . . . kicking around silly [album] names and we thought, ‘The next song that comes on the radio, we’ll name it after that.”

“We peed our pants [laughing], and Peter (manager and Beatles fan) is at the wheel, silent as hell, thinking, ‘They’re not going to do this, ““We did it pretty much to piss him off and pretty much to show the world, in a Ramones kind of way, how dumb-smart we were. . . . Just to figure how many feathers we can ruffle.”

Sixteen Blue

Drive yourself right up the wall
No one hears and no one calls
It’s a boring state
It’s a useless wait, I know

Brag about things you don’t understand
A girl and a woman, a boy and a man
Everything is sexually vague
Now you’re wondering to yourself
If you might be gay

Your age is the hardest age
Everything drags and drags
One day, baby, maybe help you through
Sixteen blue
Sixteen blue

Drive your ma to the bank
Tell your pa you got a date
You’re lying, now you’re lying on your back

Try to figure out, they wonder what next you’ll pull
You don’t understand anything sexual
I don’t understand
Tell my friends I’m doing fine

Your age is the hardest age
Everything drags and drags
You’re looking funny
You ain’t laughing, are you?
Sixteen blue
Sixteen blue

Flamin’ Groovies – Slow Death

The Flamin’ Groovies are a treasure find of a band. They have songs that are power pop, grungy blues rock, and some great rock and roll. On this song we are concentrating on the rock/blues phase of the Groovies.

I first heard this band with Shake Some Action. Their music style at first was hard to pin down. They admitted they were all over the map. They are most known for the power pop song Shake Some Action but I read where a commenter said…Slow Death was the best Stones song the Stones never did.

Released the same year as the Rolling Stones’ album Sticky Fingers, Mick Jagger reportedly noticed the similarities between the Groovies Teenage Head album … and thought the Flamin’ Groovies did the better take on the theme of classic blues and rock ‘n roll revisited in a modern context.

The band started in 1965 by  Roy Loney and Cyril Jordan. By the end of the sixties they clashed over where to go. Loney was more Stones and Jordon leaned toward the Beatles. Loney left in 1971 and they got an 18 year old lead singer named Chris Wilson.

The moved to London and started to work with Dave Edmunds. With Chris they did more power pop and that is when Shake Some Action came about with Wilson and Jordon writing it.

They would go on to be a great power pop band and also be know as an early proto punk band…they pretty much covered the gamut. This anti-drug song was written by Jordon and Loney before he left…Chris Wilson is singing it.

Wilson left in the early eighties but the band continued until around 1994. They regrouped in 2012 including Chris Wilson. The Flamin Groovies have released 9 studio albums and one as late as 2017.

Bass Player George Alexander:

We were the fastest band on the planet, like Ramones-fast. Once Chris got in, we decided to move on to what we considered the next level. We needed a lead singer that could carry that off, a young, good-looking guy who could Jagger-out.

With Chris we were moving into ‘Shake Some Action.’ Our last record from the punk phrase was ‘Teenage Head’ and [the first single with Wilson] ‘Slow Death,’ which was more Stones-y. We kept ‘Slow Death’ in the set but it was now time for ‘Shake Some Action’ and the power pop.

On this video…looks like they are at the Marquee Club where the Who started.

Slow Death

I called the doctor
In the morning
I had a fever
It was a warning
She said “There’s nothing I can prescribe
To keep your raunchy bag of bones alive”
I got some money left for one more shot
She said “God bless you” I said “Thanks a lot”

It’s a slow, slow death

I called the preacher
Holy, holy
I begged forgiveness
That’s when he told me
He said “There’s nothing I can prescribe
To keep your raunchy bag of bones alive”
I got some money left for one more shot
He said “God bless you” I said “Thanks a lot”

Slow Death

I’m set to mainline
A hit of morphine
It’s set to mainline
It’s like a bad dream
Slow death–eat my mind away
Slow death–turn my guts to clay
It’s a slow, slow, slow death

Holly and the Italians – Tell That Girl to Shut Up

Holly Beth Vincent was born in Chicago but grew up in Los Angeles. It was there she formed Holly and The Italians with drummer Steve Young in 1978. After movie to London they were discovered. While in London Holly began a romantic relationship with Mark Knopfler of Dire Straits. The relationship didn’t end well except that Knopfler wrote Romeo and Juliet are about their failed romance.

They added guitarist Colin White, and in November released this song as their debut single which landed them a deal with Virgin Records in 1980. The song didn’t chart but a few years later Transvision Vamp’s 1988 version of this song did get in the UK’s charts. Their album The Right to Be Italian recorded at Electric Ladyland was released in 1981. It didn’t chart but did get some MTV play. The album was panned at the time…but recently the album as been acclaimed as a pop punk masterpiece by critics.

The album was reissued in 2002 in the US by Wounded Bird Records with bonus tracks. The album peaked at #177 on the Billboard Album Charts.

By the end of 1981 the band broke up but Holly recorded a solo album called Holly and the Italians was released and it didn’t chart.

Holly started to write music for movies in the 80s and in 2003 returned to releasing solo albums.

Tell That Girl To Shut Up

Well you got that girl and she lives with you
And she does just want you want her to
And when I call you on the phone, she says you’re not there
But I know you’re home

You better tell that girl to shut up
Tell that girl I’m gonna beat her up
You better tell that girl, tell that girl, tell that girl

Well we used to be the best of friends
Now all that’s gonna have to end
But there’s just one thing that I can’t see
That’s she’s got got you hanging up on me yeah

You better tell that girl to shut up
Tell that girl I’m gonna beat her up
You better tell that girl, tell that girl, tell that girl

Well I’m better tonight and I’m awfully kind
It takes a lot for me to loose my mind
Don’t you know that I don’t care?
Maybe if I hit her, maybe if I pulled her hair
Oh oh yeah yeah yeah

Well, she likes to seem intellectual
And to be a musician she goes to school
And the way she acts is so uncool
I just can’t stand her

You better tell that girl to shut up
Tell that girl I’m gonna beat her up
You better tell that girl tell that girl, tell that girl

Ooh you better tell (you better tell that girl to shut up)
(Yeah you better) tell that girl I’m gonna beat her up
You better tell that girl tell that girl, tell that girl

Girl, girl, girl, girl, girl, girl
You better tell that girl
You better tell that girl to shut up
Tell that girl I’m gonna beat her up
You better tell that girl tell that girl, tell that girl

Twilight Zone – Once Upon A Time

★★★1/2  December 15, 1961 Season 3 Episode 13

If you want to see where we are…HERE is a list of the episodes.

This episode stars my favorite silent movie film maker and comedian Buster Keaton. It doesn’t rank as one of the best episodes but it has its moments. It’s a comedy time travel episode and when they are in 1892 it is a silent movie with subtitles…when they travel to 1962 it goes back to normal dialog. This episode will not be for everyone but a 66 year old Buster Keaton is worth it to me. The man was in great shape to do the things he did in this one. 

Buster Keaton’s popularity had been rising again since James Agee did an article in Life magazine in 1948 about the silent movie comedians Charles Chaplin, Buster Keaton, Harold Lloyd and Harry Langdon.

For me this one is a 5 star episode because of Buster Keaton alone. Him and Chaplin made the best silent comedy films of the twenties. 

It’s really interesting how Serling portrays the past and future. When someone from the past comes into the future…the noise is always noted…how noisy we are today comparted to the past. He did this in an earlier episode called Execution. 

According to Rod Serling’s promo in the previous episode, Richard Matheson wrote this script especially for Buster Keaton.

The old-fashioned clothes wringer that Buster Keaton is using to wash his pants in the beginning is the same kind of wringer that crushed his right forefinger when he was 3 years old. A curious little boy, he got his finger caught in the rollers and a doctor had to amputate it at the first knuckle. In this short, he gets the same finger caught in the wringer for laughs.

This marks the 78th episode overall…that means with this post/episode we are half the way through to 156…again I appreciate everyone who has been along for the ride. 

This show was written by Rod Serling and Richard Matheson

Rod Serling’s Opening Narration: 

Mr. Mulligan, a rather dour critic of his times, is shortly to discover the import of that old phrase, ‘Out of the frying pan, into the fire’—said fire burning brightly at all times—in The Twilight Zone.


In 1890, janitor Woodrow Mulligan uses his employers’ invention to transport himself to the future. He imagines an Eden but finds a polluted, busy world that he doesn’t find at all attractive. He meets Rollo who is also disgusted with the world he lives imagining life in the 1890s as idyllic. When Woodrow goes back to his own time Rollo goes with him but he is soon bored without any of the conveniences of modern life.

Rod Serling’s Closing Narration:

‘To each his own’—so goes another old phrase to which Mr. Woodrow Mulligan would heartily subscribe, for he has learned—definitely the hard way—that there’s much wisdom in a third old phrase, which goes as follows: ‘Stay in your own backyard.’ To which it might be added, ‘and, if possible, assist others to stay in theirs’—via, of course, The Twilight Zone.


Rod Serling… Narrator / Self – Host (uncredited)
Buster Keaton… Woodrow Mulligan
Stanley Adams… Rollo
James Flavin… 1962 Policeman
Gil Lamb… Officer Flannagan
Jesse White… Repair Man
Harry Fleer… 1962 Policeman #2 (uncredited)
Norman Papson… Trumpeter (uncredited)
Warren Parker… Clothes Store Manager (uncredited)
Milton Parsons… Prof. Gilbert (uncredited)
George E. Stone… Fenwick (uncredited)
Arthur Tovey… Sidewalk Onlooker (uncredited)