Mad and Cracked Magazine…a quick look

To those that it applies…Happy Independence Day! I’ll have a couple of songs coming up related to Independence Day.

I never got into comic books like Marvel or DC…I would save up my allowance for Cracked and Mad magazine…and records of course. Mad Magazine was by far the most popular out of all of the satire comic magazines. William Gaines was the publisher of Mad magazine and was brilliant.

William Gaines – sendingdeadletters

1952 – Present…now you an only get Mad from Comic Book Shops or order it. The new editions consist of mostly material from their archive.

Cracked was known as the poor man’s Mad but I still liked it and the magazines shared some writers and artists through the years. I bought my first Cracked Magazine when Mad was sold out but I never missed an issue after that.

1958-2007 Now the name is alive on a website but no longer a comic.

Alfred E Newman and Sylvester P. Smythe

Sylvester P. Smythe | The Belated NerdSylvester P. Smythe | Cracked Wiki | Fandom

Don Martin was my favorite artist. He was one of Mad’s most famous artists. He was there from 1956 to 1988. He was known as “Mads Maddest Artist” and then moved to Cracked and was jokingly known as “Cracked’s Crackedest Artist.”

Fellow Cracked artist Dan Clowes: “As far as I could tell, he was happy,  don’t think he ever seemed to notice that Mad was respected, whereas Cracked was loathed.”

Completely Mad Don Martin TPB (1974 Warner Books) A MAD Big Book ...

Cracked #235 May 1988 cover by Don Martin | Mad magazine, Vintage ...

 

Ken Osmond (Eddie Haskell) 1943-2020

Ken Osmond who portrayed Eddie Haskell on “Leave It To Beaver” has passed away at age 76. I grew up watching this show after school in syndication in the late 70s.

After watching it again as an adult…I see that it was a well-written show from a child’s point of view. Ken Osmond played Eddie Haskell…who was the pot-stirrer on the show and he was needed. He kept it from becoming too sweet…plus we all know an Eddie Haskell or two.

RIP Ken Osmond.

https://www.hollywoodreporter.com/news/ken-osmond-dead-mischievous-eddie-haskell-leave-it-beaver-was-76-1246683

 

 

 

20 Famous Duos

Many times you cannot think of one person without thinking of the other. That is true for many on this list. From Lennon – McCartney to Romeo and Juliet. It was a lot of fun coming up with these famous duos. Here are a few in no order…

 

1.  Lennon and McCartney – The most influential Rock/pop writing duo

The Beatles - It was twenty years ago today, Sgt. Pepper taught ...

2.  Andy Griffith and Don Knotts – Andy and Barney…Great comedic timing between the two…with Andy being the straight man.

20 wonderfully irrelevant Andy Griffith Show conversations

3.  Jack Klugman and Tony Randall – The Odd Couple

TV's 'Odd Couple' in the '70s: Jack Klugman & Tony Randall as ...

4. Abbott and Costello – Who’s on first? Great comedy team. I still like Abbot and Costello Meet Frankenstein

From the Archives: Lou Costello, Famed Comedian, Dies at 52 - Los ...

5. Belushi and Aykroyd – The Blues Brothers and part of the first cast of SNL

John Belushi and Dan Aykroyd | Oscars.org | Academy of Motion ...

6. Orville and Wilbur Wright – Credited as creating the first motorized plane.

Orville and Wilbur Wright: The Brothers Who Changed Aviation ...

7. Jagger and Richards – The Stones Glimmer Twins

Mick Jagger & Keith Richards, NYC, 1972 | Bob Gruen

8. Simon and Garfunkel – American folk-rock duo

You made me look like a fool': inside Simon and Garfunkel's Bridge ...

9. Laurel and Hardy – They made over 100 short and feature movies combined.

Laurel and Hardy – Three Shorts

10. Martin and Lewis – The hottest act in the 50s.

Jerry Lewis and Dean Martin's 20-Year Feud - Comedy Duo Jerry ...

11. Steve Jobs and Steve Wozniak – The Apple architects.

Are You A Steve Jobs Or A Steve Wozniak? » Leaderonomics.com

12. Ben Cohen and Jerry Greenfield -Ben and Jerry’s  I’ll take some Cherry Garcia, please.

Ben & Jerry's Unveils "Pecan Resist" Flavor Ahead of Midterm ...

13. Phil and Don Everly – Two voices blended as one

Video: Phil Everly of the Everly Brothers dies at 74 (updated ...

14. Gerry Goffin and Carole King – Two of the top songwriters in the 60s.

Gerry Goffin | The Times

15. Cindy Williams and Penny Marshall – Laverne and Shirley

The most famous women duos in pop culture - Insider

16. Clyde Champion Barrow and Bonnie Parker – Infamous Bonnie and Clyde

Police kill famous outlaws Bonnie and Clyde - HISTORY

17. David Duchovny and  Gillian Anderson – Mulder and Scully from the X-Files

Agents Dana Scully and Fox Mulder Will Pick Up Their Badges Again

18. Jason Mewes and Kevin Smith – Jay and Silent Bob

Kevin Smith Teases 'Jay and Silent Bob' Reboot With Miramax

19. Batman and Robin – I couldn’t leave these guys out

Adam West and Burt Ward to return as Batman and Robin in new ...

20. Romeo and Juliet the two star crossed lovers from Romeo and Juliet….a tragedy written by William ShakespeareThe Balcony Scene in 'Romeo and Juliet' Is a Lie - The Atlantic

BONUS…How could I forget Bert and Ernie!!!

Frank Oz weighs in on 'Sesame Street' writer saying Bert and Ernie ...

 

 

 

 

 

 

Little Richard (1932-2020) – Rip It Up

Little Richard passed away yesterday at 87 years old…he was one of the last fifties pioneers left. His influence passed through generations from Bob Dylan, The Beatles, Jimi Hendrix, James Brown, to Lemmy from Motorhead.

I’ve read interviews from so many artists saying how he influenced them. Bob Dylan started on Little Richard in Minnesota as a teenager and I’ve read where Lemmy was a giant fan. Richard touched many generations.

My dad told me about Little Richard before I ever heard him. He said he had the biggest voice he ever heard. He talked about a song called Long Tall Sally. I first heard it…it blew me away. Such a raw emotional power in that voice. He would take us to the edge of the cliff and then at the last minute pull us back.

His voice was one of a kind…and I mean one of a kind. He could sing anything.

Bob Dylan: I just heard the news about Little Richard and I’m so grieved. He was my shining star and guiding light back when I was only a little boy. His was the original spirit that moved me to do everything I would do.

Keith Richards: So sad to hear that my old friend Little Richard has passed. There will never be another!!! He was the true spirit of Rock’n Roll!

Rip It Up

A songwriter named Johnny Marascalco wrote this song, which was released as Little Richard’s third single. Marascalco while he was sitting in a cotton field waiting for a friend to get out of church so they could hunt rabbits. A later weekend, he heard Little Richard’s “Long Tall Sally” and decided that he could write similar songs.

Little Richard’s producer Bumps Blackwell (who has a co-writing credit on this one as well) bought both “Rip It Up” and another Marascalco song, “Ready Teddy,” which was released as the B-side of the single. The two songs were recorded at J&M Studios in New Orleans on May 9, 1956.

The song peaked at #1 in the R&B Charts, #27 in the Billboard Charts, #30 in the UK, and #30 in Canada in 1956.

 

Rip It Up

‘Cause it’s Saturday night and I just got paid
Fool about my money don’t try to save
My heart says go, go
Have a time ’cause it’s Saturday night
And I’m feelin’ fine

I’m gonna rock it up
I’m gonna rip it up
I’m gonna shake it up
I’m gonna ball it up
I’m gonna ride it out
And ball tonight

I got a date and I won’t be late
Pick her up in my ’88’
Shag it on down to the union hall
When the music starts jumpin’
I’ll have a ball

I’m gonna rock it up
I’m gonna rip it up
I’m gonna shake it up
I’m gonna ball it up
I’m gonna ride it out
And ball tonight

Along about 10 I’ll be flying high
Rocking on out into the sky
I don’t care if I spend my gold
‘Cause tonight I’m gonna be one happy soul

I’m gonna rock it up
I’m gonna rip it up
I’m gonna shake it up
I’m gonna ball it up
I’m gonna ride it out
And ball tonight, aw

Well it’s Saturday night and I just got paid
Fool about my money don’t try to save
My heart says go, go
Have a time ’cause it’s Saturday night
And I’m feelin’ fine

I’m gonna rock it up
I’m gonna rip it up
I’m gonna shake it up
I’m gonna ball it up
I’m gonna ride it out
And ball tonight

Along about 10 I’ll be flying high
Rocking on out into the sky
I don’t care if I spend my gold
‘Cause tonight I’m gonna be one happy soul

I’m gonna rock it up
I’m gonna rip it up
I’m gonna shake it up
I’m gonna ball it up
I’m gonna ride it out
And ball tonight

 

Ricky Nelson – Travelin’ Man

Ricky Nelson was a two-way star in the 50s. He gets overlooked at times compared to his peers.

This song was written by Jerry Fuller, a singer who had minor hits in 1959 with “Betty My Angel” and a cover of “Tennessee Waltz.” Fuller wrote “Travelin’ Man” one day at De Longpre Park in Hollywood while he was waiting to pick up his wife. He didn’t play an instrument, so he beat out the melody on his car’s dashboard.

Fuller recorded a demo of this song with Glen Campbell on guitar. He was hoping Sam Cooke would record it, so he brought it to Cooke’s manager, J.W. Alexander. Joe Osborn, who was Ricky’s bass player, heard it through the wall, He said, ‘J.W., do you have that ‘Travelin” song you just played?’ He said, ‘Yeah, you can have it,’ and he reached in the trash and he pulled out the demo.”

Osborn brought the song to Nelson, who loved it and recorded it. The song became his second (and last) #1 hit, and gave him a huge career boost.

Travelin’ Man peaked at #1 in 1961.

From Songfacts

For the lyrics, Fuller came up with a “girl in every port” idea – a guy who travels all over the world and finds a different girl waiting for him wherever he goes. He used an atlas to get ideas for places and looked up what the word for “girl” was in those places, so in German it’s “Fraulien,” in Mexico it’s “Senorita,” and in Alaska it’s a “cute little Eskimo.” He couldn’t figure out what the term was in Hawaii, so he went with “pretty Polynesian baby.”

Nelson used Elvis Presley’s backing singers The Jordanaires on this song, as he did on most of his recordings. He loved the background vocals on the demo though, which were done by Fuller, Glen Campbell and Dave Burgess. Nelson brought them in to record on subsequent records.

Depending on the criteria, “Travelin’ Man” could be the song with the very first music video. Ozzie Nelson realized that whenever he had Ricky sing on their show The Adventures Of Ozzie And Harriet, Ricky’s record sales shot up the next day, so Ozzie tried to work it into the plot whenever Ricky had a new record out. As Ricky became popular and the demand for his songs was overwhelming, Ozzie realized that working his singing into the plot was going to be impossible, so Ozzie filmed Ricky singing “Travelin’ Man,” superimposed some travelogue scenes over the film and tacked it onto a show episode at the end. Viola! The music video was born.

That is, if you don’t count performance videos and extracted movie scenes like “Jailhouse Rock.” And if you’re OK with it being black and white.

The episode, “A Question of Suits and Ties,” aired on April 5, 1961 (the song hit #1 on May 29). The clip is far from groundbreaking, but it was footage synched to a performance. Around this time, standalone concept videos were starting to show up for use throughout Europe in Scopitone video jukeboxes, which were typically placed in bars. A few American artists made videos for these machines in the mid’-60s when they started to appear Stateside. Neil Sedaka made one for “Calendar Girl” and Nancy Sinatra did one (for a company called Color-Sonics) for “These Boots Are Made For Walkin’.” 

Rick Nelson was born Eric Hilliard Nelson in 1940. He died in a small plane crash in Texas in 1985 while flying to a New Year’s Eve concert. Mechanical problems and a cabin fire were suspected as the cause of the crash. Speculation that the fire was caused by someone on board freebasing cocaine was never proven, though aerosol cans were found at the crash site. The Nelson family said that the cans were part of the makeup box and that no drugs were involved. The matter was never completely resolved. 

This is a crowd favorite on the “Ricky Nelson Remembered” show, staged by his twin sons Matthew and Gunnar. In our interview with Matthew Nelson, he said, “When I’m singing ‘Travelin’ Man,’ it’s 1977 at the Sahara in Las Vegas, when I hung out for a week while Pop did a residency there. And I think about the guys who were in the band.”

Travelin’ Man

I’m a travelin’ man and I’ve made a lot of stops
All over the world
And in every part I own the heart
Of at least one lovely girl

I’ve a pretty Señorita waiting for me
Down in old Mexico
If you’re ever in Alaska stop and see
My cute little Eskimo

Oh, my sweet Fraulein down in Berlin town
Makes my heart start to yearn
And my China doll down in old Hong Kong
Waits for my return

Pretty Polynesian baby over the sea
I remember the night
When we walked in the sands of the Waikiki
And I held you, oh so tight

Oh, my sweet Fraulien down in Berlin town
Makes my heart start to yearn
And my China doll down in old Hong Kong
Waits for my return

Pretty Polynesian baby over the sea
I remember the night
When we walked in the sands of the Waikiki
And I held you, oh so tight

Oh, I’m a travelin’ man
Yes, I’m a travelin’ man
Yes, I’m a travelin’ man
Whoa, I’m a travelin’ man

Elvis Presley – I’m Left, You’re Right, She’s Gone

These Sun records by Elvis are untouchable. Many artists have tried to get the same sound that Sam Phillips achieved with his small studio in Memphis Tennessee. This title makes you want to listen to the song.

This was written by Bill Taylor and Stan Kesler, who were part of a group called the Snearly Ranch Boys, which recorded for Elvis’ label, Sun Records. The melody for the song was lifted by a jingle for Campbell’s soup.

The head of Sun, Sam Phillips, arranged for Elvis to record the tune, and brought in a drummer named Jimmie Lott to play on it, augmenting Elvis’ regulars: guitarist Scotty Moore and bassist Bill Black.

In February of 1955, Elvis Presley records this as the “B” side to “Baby, Let’s Play House” to be released on Sun Records. This is the record that convinced RCA-Victor to drop $35,000 to buy Elvis from Sam Phillips…plus 5,000 Phillips owed Elvis.

I’m Left, You’re Right, She’s Gone

Well, you’re right, I’m left, she’s gone
You’re right, and I’m left all alone
Well, you tried to tell me so
But how was I to know
That she was not the one for me?

You told me all along
You’re right, our love was so wrong
But now I changed my mind
Because she broke the ties that bind
And I know that she never cared for me

Well, I thought I knew just what she’d do
I guess I’m not so smart
Oh, you tried to tell me all along she’d only break my heart
I’m left, you’re right, she’s gone
You’re right, and I’m left all alone

Well, she’s gone I know not where
But now I just don’t care
For now I’m falling for you

If you’ll forgive me now
I’ll make it up somehow
So happy we will be
In a home just for three
And I’ll soon forget her now I know

Well, I thought I knew just what she’d do
I guess I’m not so smart
You tried to tell me all along
She’d only break my heart

Well, you’re right, I’m left, she’s gone
You’re right, and I’m left all alone
Well, she’s gone, I know not where
But now I just don’t care
For now I’ve fallen for you

The Creature from the Black Lagoon

I love old monster films and Universal Studios had some great monsters. Dracula, Frankenstein, The Mummy, The Invisible Man, The Wolf Man and the monster of this post…The Creature from the Black Lagoon. This movie was released in 3-D and I’m going to get that version.

It’s been years since I watched this movie so I watched it Wednesday night. The movie was made in 1954 with some great water shots and the star of the film…The Gill-Man. He looks so odd that it still works today. The underwater shots are clear and exciting. The creature looks natural underwater.

The costume…Universal invested 15,000 dollars on the costume…in 1950s money…that would be equal to $143,294.05 today. Two different stuntmen were used to portray the creature, and therefore, two different suits were used in the movie. Ricou Browning played the creature when it was in the water and wore a lighter suit, Ben Chapman played the creature when it was out of the water with a darker suit.

Now let’s get to the object of the Creatures obsession… Julia Adams as Kay  Lawernce. I don’t blame the Creature.

3….2….1

Creature From the Black Lagoon's Julie Adams Dies At Age 92 | CBR

Now the plot…A scientific expedition searching for fossils along the Amazon River discovers a prehistoric Gill-Man in the legendary Black Lagoon. The explorers capture the mysterious creature, but it breaks free. The Gill-Man returns to kidnap the lovely Kay, fiancée of one in the expedition, with whom it has fallen in love.

The plot is fine but you watch to see the Creature. They did have two sequels and in the Revenge of the Creature made in 1955 you see a very young Clint Eastwood.

creature-in-the-black-lagoon | Trailers From Hell

My Top 10 favorite Stand Up Comedians

I had a lot of comedy albums growing up and these were my favorites.

10: Steve Martin – His Wild and Crazy album, Let’s Get Small, and Comedy is Not Pretty stayed on my turntable forever.

Steve Martin 1977/Norman Seeff

9: Sam Kinison – His routine of Are You Lonesome Tonight is worthy enough to have him on this list.

RIP Sam Kinison (@samkinisonrip) | Twitter

8: Chris Rock – I followed him from SNL on.

Hire Chris Rock - Speaker Fee - Celebrity Speakers Bureau

7: Eddie Murphy – His eighties standup videos are still staples of the era.

Eddie Murphy : Red Leather Suit | Julietchin's Blog

6: Bob Newhart – If you like dry humor…this is your man.

Bob Newhart on The Dean Martin Show - Sir Walter Raleigh - YouTube

5: George Carlin – Carlin was just so cool. His routines are well known now. He was topical and many of the things he expressed are true today. He was also on the first SNL episode.

George Carlin was right: other drivers are 'idiots' and 'maniacs'

4: Woody Allen – He had a wit as quick as you could get. His stand up from the sixties is outstanding. I had a friend with a lot of his standup routines that we listened to in the 80s.

Woody Allen - Stand up comic: Second Marriage - YouTube

3: Robin Williams/Jonathan Winters – Williams and Winters were very similar because Winters was a huge influence on Robin Williams. They could pick any subject and make it funny.

Lunch with Jonathan Winters

2: Bill Hicks – NOT family-friendly. Bill was as dark as they come but he made you think whether you agreed with him or not. He will offend EVERYONE… I like Denis Leary but Leary got a lot of his material from Hicks and cleaned it up. It can get uncomfortable listening to Bill…maybe that is the reason I liked him.

Bill Hicks: 25 years on from the cult comedian's big break • The ...

1: Richard Pryor – Richard was a game-changer…I had his albums growing up and he changed stand up comedy. He can make me laugh at any time.

Scarred Richard Pryor returns to film stand-up comedy show: Part ...

 

Honorable Mention: Albert Brooks, Lily Tomlin, Rodney Dangerfield, Robert Klein, Joan Rivers, and Denis Leary.

***One comedian, I never understood…maybe it’s because I didn’t grow up in his time. He had an interesting story but I just never got Lenny Bruce. I find his material once in a while funny but many lists have him as number 1 or 2. Yes, he did make a huge impact on his profession like few others but I just don’t get him like some do.

 

Little Richard – Lucille

Little Richard isn’t just a singer he is a force of nature. I think he would have been successful now or any decade. He is one of the best singers I’ve heard in rock and roll. His voice is brash, intense, rough, soulful, and magical. He takes you to the edge of the cliff and when you think he will go over he pulls it back.

The song peaked at #1 on the Billboard R&B chart, #21 on the US pop chart, and #10 on the UK charts.

Little Richard wrote this song. This was released at a time when Richard was hot…he sold millions of records in 1956 and 1957. His songs were also very successful for other artists, who sometimes outsold him with his own songs.

“Lucille” was covered by The Everly Brothers, who matched Richard’s #21 peak position on the charts with their version in 1960. Waylon Jennings had a #1 Country hit when he recorded this on his 1983 album It’s Only Rock and Roll, and other artists to cover the song include Van Halen, Deep Purple, Johnny Winter, Bill Haley & His Comets, Otis Redding, AC/DC and The Hollies.

Little Richard: “I don’t know what inspired me to write it, it may have been the rhythm.” Certainly, the lyrics serve the rhythm, with the nonsensical first line “Lucille, won’t you do your sister’s will” scanning to the beat.

From Songfacts

This song began as a ballad Richard wrote called “Directly From My Heart to You,” which he recorded as a member of The Johnny Otis band in 1955. “Directly From My Heart to You” was released by Peacock Records as a B-side, and when Little Richard recorded for Specialty Records in September 1955, he tried recording the song for his first album. It didn’t make the cut, but Richard’s career took off, and when he needed another single in 1957, he revived the song, but gave it the sound that made him a star, speeding up the tempo considerably.

The lyrics were completely rewritten, and Richard went to a common theme for his hits: a girl’s name. If Lucille was based on a real woman who broke Richard’s heart, he isn’t saying.
If there was a real Lucille, it would probably be either Richard’s (female) lover Lee Angel, or his mentor Steve Reeder Jr., who performed under the name Esquerita. Little Richard hasn’t kept a lot of secrets, so it’s more likely that he did make up Lucille. His next single was also named after a girl: “Jenny, Jenny.”

In a 1999 interview with Mojo magazine, Richard explained: “The effects and rhythms you hear on my songs, I got ’em from the trains that passed by my house. Like ‘Lucille’ came from a train – Dadas-dada-dada-dada, I got that from the train.”

Other popular Lucille’s in music: B.B. King’s guitar is named Lucille, and Kenny Rogers had a hit with different song with the same title in 1977 – his is the one that goes, “You picked a fine time to leave me Lucille…”

The Everly Brothers 1960 version broke new ground but using several guitarists on the track all at once. Recorded in Nashville and arranged by Don Everly, that sound later appeared on Roy Orbison’s hit “(Oh) Pretty Woman.”

In 1993, Little Richard sang this on Sesame Street as “Rosita,” in tribute to the blue monster of the same name.

Lucille

Lucille, won’t you do your sister’s will?
Oh, Lucille, won’t you do your sister’s will?
Well, you ran away and left, I love you still.

Lucille, please, come back where you belong.
Oh, Lucille, please, come back where you belong.
I been good to you, baby, please, don’t leave me alone.

Lucille, baby, satisfy my heart.
Oh, Lucille, baby, satisfy my heart.
I slaved for you, baby, and gave you such a wonderful start.

I woke up this morning, Lucille was not in sight.
I asked her friends about her but all their lips were tight.
Lucille, please, come back where you belong.
I been good to you, baby, please, don’t leave me alone.

Johnny Cash – I Walk The Line

A signature song for Cash.

“I Walk the Line” was recorded at Sun Studios for Sun Records in Memphis, Tennessee. A 24-year-old Cash is said to have written the lyrics in just 20 minutes as the words about his then-wife, Vivian Liberto, flowed out of him.

Recorded in April 1956, Cash’s first #1 was sped up at the urging of Sun Studios owners Sam Phillips. Jack Clements, who worked with Cash, recalled: “I wasn’t impressed with Cash at first, because I like recordings with class… And Cash seemed rough, but ‘I Walk The line’ was a class recording.”

While performing the song on his TV show, Cash admitted that his eerie hum at the beginning of each verse was to get his pitch. The song required Cash to change keys several times while singing it.

Cash wanted to record the song at a much slower tempo, making it a ballad. Sam Phillips, encouraged him to speed up the track, it became the song that we remember.

Bob Dylan on the song: “It was different than anything else you had ever heard,” “A voice from the middle of the Earth.”

From Songfacts

One of his most famous songs, this song details Johnny Cash’s values and lifestyle. It is a promise to remain faithful to his first wife, Vivian, while he is on the road.

“Walk The Line” was the title of the 2005 Cash biopic, starring Joaquin Phoenix as Cash and Reese Witherspoon as June Carter. 

Carl Perkins suggested the title “I Walk The Line” while on tour with Cash. 

A version by Megan Wyler and Adem Ilhan was used in popular Levi’s commercials that aired in 2006. 

On March 31, 1971, Cash closed out the finale of his television series The Johnny Cash Show with this song. The show had run since June 7, 1969, and drew a substantial audience, but was eliminated as part of the “rural purge” that cancelled many popular shows because they didn’t appeal to the younger generation of television viewers who were primarily concerned with things like the Vietnam War, rock and roll, and the Hippie counterculture.

The Voice contestant Craig Wayne Boyd reached #84 on the Hot 100 following a November 24, 2014 performance of the song on the show where he reinterpreted it as a slow, soulful ballad. It was the tune’s first appearance on the chart since Jaye P. Morgan’s cover reached #66 in 1960.

I Walk The LIne

I find it very, very easy to be true
I find myself alone when each day is through
Yes, I’ll admit that I’m a fool for you
Because you’re mine, I walk the line

As sure as night is dark and day is light
I keep you on my mind both day and night
And happiness I’ve known proves that it’s right
Because you’re mine, I walk the line

You’ve got a way to keep me on your side
You give me cause for love that I can’t hide
For you I know I’d even try to turn the tide
Because you’re mine, I walk the line

I keep a close watch on this heart of mine
I keep my eyes wide open all the time
I keep the ends out for the tie that binds
Because you’re mine, I walk the line

Because you’re mine, I walk the line
Because you’re mine, I walk the line

My Top Ten Favorite Guitar Solos

These are my favorite guitar solos. Some of these solos are intricate but some are pretty simple. I picked ones out that I have always liked. Some of them are not considered great but I always thought they were memorable. They caught my ear for one reason or another.

 

1. Cream – Crossroads – A live solo by Eric Clapton. He pulls notes out of the air and turns this cover of the Robert Johnson song into a great rock track.

2. Beatles – While My Guitar Gently Weeps – One of the few times someone else played on a Beatles track. This was Eric Clapton playing this solo. Eric played his guitar through a Leslie cabinet to make it more “Beatlely”

3. Jimi Hendrix – All Along The Watchtower – Jimi made this Bob Dylan song into his own.

4. Dire Straits – Sultans of Swing – I can hum this one all the way through. I know it better than the lyrics.

5. Elvis Presley – That’s Alright Mama – Scotty Moore nails this solo. It’s very simple but it’s perfect.

6. The Rolling Stones – Sympathy For The Devil – Keith’s solo compliments the song perfectly.

7. Led Zeppelin – Heartbreaker – My favorite solo by Jimmy Page

8. Tom Petty – Breakdown – Mike Campbell’s solo is just as part of the song as the lyrics are…

9. Queen – We Will Rock You – Not a difficult solo but catchy. This solo was one of the first ones that I ever noticed. Brian May plays solos you can hum.

10. Badfinger – Baby Blue – A very simple solo but it fits this great power-pop song.

 

 

 

 

 

Abbott and Costello… Who’s On First?

Abbott and Costello’s most famous routine. Whether you are a baseball fan or not…it is enjoyable. I wanted to know who wrote the routine or what inspired it.

Some have said “Who’s on First” was based on the names of actual minor leaguers and cup-of-coffee big leaguers such as Honus J. Hoehe (Who), Allie Watt (What) and Isaiah Donough (I Dunno)… but that sounds a little too good to be true.

Most historians believe that it was derived from various early skits performed in burlesque houses including one called “The Baker Scene” (which played on multiple meanings of the word “loaf,” from bread to laziness) and another routine named “Who Dyed” (about a man named “Who”). Various comics and comedy teams over the years expanded on the bit and varied it from show to show. Eventually, somehow, the subject of baseball got involved.

Over the years, usually in obituaries, various comedy writers (including Michael Musto, John Grant, and Irving Gordon) have been credited with the final form of “Who’s On First?” but determining full ownership has proven to be impossible.
Ultimately, one thing is for sure… Abbott and Costello made it their own.

 

One Froggy Evening

Steven Spielberg called this cartoon short “the Citizen Kane of animated shorts.” It was written by Michael Maltese and directed by Chuck Jones.

This is my favorite cartoon short. The short story is told without dialog…just singing in parts.

If you want to teach someone about Greed… watch this short. Instead of appreciating what he had…he wasn’t happy unless he could make money off of the frog.

The story is great. A 1955 construction worker is on a demolition site and pries open a box from 1892 found in the cornerstone of the building. Out of the box comes an old frog that climbs to the lid. The frog looks up at the construction worker and suddenly pulls up a top hat and coattails and starts singing “Hello my Honey, Hello my Baby…” and continues with the song.

The worker then starts dreaming of a theater marque with the picture of the frog…”He Sings”, “Talks”, and “Dances” with a picture of the frog.

He rents a theater and presents his frog to the audience. Right before the crowd settles in with the curtain down…the Frog starts singing and dancing away but stops the instant the curtain rises. The audience boos and throws vegetables.

That is his dilemma.  The frog will only sing for this one guy. Not for paying crowds, not talent agents, ONLY HIM. Slowly he is driven mad, not so much by the frog but by his own failed plans with the frog. Failing to recognize the special gift he has, he sees the building going up and sticks the frog back into the cornerstone. Years pass, and when the laser demolition-man is vaporizing the building with his 21st-century technology, what does he find? Our friend the singing frog. The space suited construction worker from 2056 starts dreaming of the money he can make from the frog… And so the cycle continues.

 

Let’s All Go To The Lobby!

“Let’s All Go To The Lobby” is an animated short from the 1950’s that was played before movies and during drive-in intermissions.

This advertisement is beyond catchy. It’s hard to get it out of your head. Plus, who doesn’t want to see singing popcorn, candy, and a drink? I KNOW I DO!

I see this occasionally at the theater when they are showing an older movie.

In 1957 Chicago-based Filmack Studios released the trailer animated by the producer of Popeye, Dave Fleischer, as part of a series of similar Technicolor shorts to promote the newly installed concession stands in theaters across the country.

Filmack has continued selling copies in the decades since its production. The company estimates that 80% of independent theaters have screened the film at various points.

In 2000, “Let’s All Go to the Lobby” was selected for preservation in the National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant.

So everyone… Let’s Go Out To The Lobby!!!!

Let’s All Go To The Lobby

Let’s all go to the lobby
Let’s all go to the lobby
Let’s all go to the lobby
And get ourselves a treat

Delicious things to eat
The popcorn can’t be beat
The sparkling drinks are just dandy
The chocolate bars and nut candy
So let’s all go to the lobby
And get ourselves a treat
Let’s all go to the lobby
And get ourselves a treat

Little Richard – Good Golly, Miss Molly

No one has a voice like Little Richard. His voice would have worked in any generation. He has one of the most primal aggressive voices I’ve ever heard. He sings these rockers great but he also can sing ballads.

Little Richard recorded this song in 1956 and it was released in 1958. The song peaked at #10 in the charts and #4 in the R&B Charts in 1958… as well as #8 in the UK.

The song is ranked #94 on the Rolling Stone magazine’s list of the 500 Greatest Songs of All Time. Good Golly, Miss Molly was written by John Marascalco and Robert “Bumps” Blackwell.

From Songfacts

The title was taken from the pet phrase of one of Little Richard’s favorite DJ’s, Jimmy Pennick. Musically, the song was inspired by the sax player Jackie Brenston, famous for singing lead and playing with Ike Turner on the song “Rocket 88.”

Like most of Little Richard’s songs, this contains a lot of innuendo (“sure like to ball”) but most people were too busy listening to the music to notice, or didn’t get the reference. At the time, the most common meaning for “balling” was dancing; only later did it became a popular euphemism for oral sex. The term later took on a new meaning when it came describe a lavish and extravagant lifestyle, with these guys flashing their cash known as “ballers.”

This song was a huge influence on many musicians in the early years of rock and roll. Speaking with Songfacts, Roger Reale, who was in the group Rue Morgue with Mick Ronson, said: “It’s revolutionary, rebellious and celebratory all in one, starting with that rolling piano intro, before moving into a totally unique vocal performance. I had never heard such a direct, crazed, almost otherworldly vocal before in my life.”

Little Richard’s publisher sued Creedence Clearwater Revival over their song “Travelin’ Band,” which they claimed lifted from “Molly.” A settlement was reached with Creedence giving up some of their royalties.

Good Golly, Miss Molly

Good golly Miss Molly, sure like to ball.
Good golly, Miss Molly, sure like to ball.
When you’re rockin’ and a rollin’, can’t hear your momma call.

From the early, early mornin’ till the early, early night
When I caught Miss Molly rockin’ at the house of blue light.
Good golly, Miss Molly, sure like to ball.
When you’re rockin’ and a rollin’ can’t hear your momma call.

Momma, poppa told me: “Son, you better watch your step.”
If I knew poppa’s momma’s, have to watch my poppa myself.
Good golly, Miss Molly, sure like to ball.
When you’re rockin’ and a rollin’, can’t hear your momma call.

Good golly Miss Molly, sure like to ball.
Good golly, Miss Molly, sure like to ball.
When you’re rockin’ and a rollin’, can’t hear your momma call.

I am going to the corner, gonna buy a diamond ring.
Would you pardon me kiss me ting-a-ling-a-ling.
Good golly, Miss Molly, sure like to ball.
When you’re rockin’ and a rollin’ can’t hear your momma call.