1980s – Page 20 – PowerPop… An Eclectic Collection of Pop Culture

J Geils Band – Centerfold

If high school would have been more like the video to this song…Max would not have skipped school or been late.

Personally, I like their 70s blues/rock music more but I can’t say I don’t like the Freeze-Frame album. When it came out it was all over the place and I loved it…and still do. One of my memories of that time is pep rallies in high school and the cheerleaders (the reason we went) did a routine around ‘Freeze Frame’at the time…hmmm… too bad it wasn’t this song.

This song is commercial but still retains the essence of the band. Peter Wolf blows through this song and he makes you believe it. He was/is one of the best frontmen in rock and roll. I like the story the song presents. After having a crush on a sweet, innocent girl in his homeroom in high school…he sees her in a “girly” magazine later on but instead of being excited he is disappointed because his memory has been sold.

This was the third album for EMI and the record company made a great choice of picking this song as the lead single. It was #1 for six weeks and carried the album with it. The title cut peaked at #4. The video was directed by Paul Justman, brother of the song’s writer Seth. Paul also directed the band’s videos for “Land of 1,000 Dances” and “Freeze-Frame.”

The video…there was a rumor going around at the time that Martha Quinn, VJ for MTV, was in the video. It was not her of course but she had a hairstyle like Quinn plus it was a slight resemblance. You can see her around:56 in the video… Martha Quinn: “That’s not me. When I had my other haircut, I looked just like her. Except she’s enormous.”

The song peaked at #1 in the Billboard 100, #1 in Canada, #3 in the UK, and #5 in New Zealand in 1981. The album Freeze Frame peaked at #1 on the Billboard Album Charts, #1 in Canada, #12 in the UK, and #14 in New Zealand.

It was great to see this hard-working band finally get some massive success but it didn’t last long. Peter Wolf would leave the band in 1983 or the band left without him.

Peter Wolf: “I did not leave the band, but the majority of the band wanted to move in another direction. They wanted to continue in a pop-techno way, [and] it wasn’t my thing.”

Centerfold

Does she walk? Does she talk?
Does she come complete?
My homeroom homeroom angel
Always pulled me from my seat

She was pure like snowflakes
No one could ever stain
The memory of my angel
Could never cause me pain

Years go by I’m lookin’ through a girly magazine
And there’s my homeroom angel on the pages in-between

My blood runs cold
My memory has just been sold
My angel is the centerfold
Angel is the centerfold

My blood runs cold
My memory has just been sold
Angel is the centerfold

Slipped me notes under the desk
While I was thinkin’ about her dress
I was shy I turned away
Before she caught my eye

I was shakin’ in my shoes
Whenever she flashed those baby-blues
Something had a hold on me
When angel passed close by

Those soft and fuzzy sweaters
Too magical to touch
To see her in that negligee
Is really just too much

My blood runs cold
My memory has just been sold
My angel is the centerfold
Angel is the centerfold

My blood runs cold
My memory has just been sold
Angel is the centerfold

It’s okay I understand
This ain’t no never-never land
I hope that when this issue’s gone
I’ll see you when your clothes are on

Take you car, yes we will
We’ll take your car and drive it
We’ll take it to a motel room
And take ’em off in private

A part of me has just been ripped
The pages from my mind are stripped
Oh no, I can’t deny it
Oh yeah, I guess I gotta buy it

My blood runs cold
My memory has just been sold
My angel is the centerfold
Angel is the centerfold

My blood runs cold
My memory has just been sold
My Angel in the centerfold

My blood runs cold
My memory has just been sold
My angel is the centerfold
Angel is the centerfold

My blood runs cold
My memory has just been sold
Angel is the centerfold

Stems – She’s Fine ….Powerpop Friday

The Stems have a great overall sound and it’s too bad their popularity is mostly in Australia. They range from dirty garage rock to power pop tracks like this. The amazing part to me is they pumped out these songs in the 1980s when this music was not high on charts.

This song didn’t show up until the 2003 compilation album (Mushroom Soup: The Citadel Years)… a collection of all the band’s singles, songs from their debut EP, Love Will Grow – Rosebud Volume 1, and previously unreleased demos and alternative song versions. I can’t find out much about this song but it seems to be an outtake from the 80s.

The Stems were a garage punk band formed in Perth, Western Australia in late 1983. They were hugely popular in Australia. The band broke up in 1987 and reunited in 2003 and are still together. They still have three of the original members. Dom Mariani, Julian Matthews, and David Shaw.

The band broke up in 1987 but reunited in 2003 and when this album was released. They went on until 2009 and broke up and reformed in 2013 and are still together.

They are very popular to this day in Australia. Their debut single “She’s a Monster/Make you Mine” reached the top of the independent charts and also sold 500 copies in England. The single was to be the 2nd highest selling independent single for Australia in 1985, second only to the Hoodoo Gurus.

Leader Dom Mariani’s earliest influences included The Beatles, The Raspberries, Badfinger, and Big Star…and it shows.

She’s Fine

She’s good and she got soul
She’s in trouble
And she don’t show
Profile on her head
’cause she’s not blue and she’ll never be red
She’s fine
She’s so fine
She’s fine
She’s so fine
She’s fine
She’s so fine to me

She’s good and she got soul
She’s downtown in the traffic flow
And my girl don’t you slow
She’s got a heart and a head that’s so
She’s fine
She’s so fine
She’s fine
She’s so fine
She’s fine
She’s so fine to me

She’s fine
She’s so fine
She’s fine
She’s so fine
She’s fine
She’s so fine to me

Such a good thing
To do
To do

While governments gain
All money can buy
Trash means cash
In any country
But I just want
To be with you
Our flesh feels fresh
And that`s the beauty

It`s a good thing
Such a good thing
We do
We do

It`s a good thing
Such a good thing
We do

REM – So. Central Rain (I’m Sorry)

I’ll be back posting this coming Friday, September 2. Thanks for stopping by!

Love this song from Peter Bucks jangling intro to the song’s melody. The origin of this song came on June 11, 1983. REM was opening up for the Human League in Los Angelos and heard about bad rainstorms in south Georgia where they were from. They were trying to call their families but the phones were down because of the torrential rain.

The song was on their Reckoning album released in 1984. It peaked at #27 on the Billboard Album Charts, #23 in New Zealand, and #91 in the UK in 1984. REM. avoided the sophomore slump with Reckoning. It’s hard to beat this song as the first single off the album. I always thought So. Central Rain stands as one of the group’s most melodic songs.

The band chose to work with Murmur producers Don Dixon and Mitch Easter. They recorded the album in just a few weeks. Peter Buck told Rolling Stone magazine: “We were going through this streak where we were writing two good songs a week, We just wanted to do it; whenever we had a new batch of songs, it was time to record!”

The cover art to the album came from Stipe. The drawing of a two-headed snake which he gave to artist Howard Finster to fill in as a painting. A Georgian artist and Baptist minister, Finster claimed to be inspired by God to spread the gospel through the design of his swampy land into Paradise Garden, a folk and art sculpture garden in his native state which can also be seen in the video for Radio Free Europe.

The song peaked at #85 on the Billboard 100 and #43 on the Mainstream Rock Charts.

REM performed this song on The David Letterman Show in October of 1983 before it had a title. It was their first national TV appearance.

Michael Stipe: “They were all really nice to us, we were so green. The producers told us before the show that Dave would come over and talk to one band member after the song, and so Peter was chosen to represent us all. We made it through the song fine, but when Dave came over to talk I sat down on the floor monitor, and from that moment on, forever and ever, I was dubbed ‘enigmatic.’ What a crackup. Meh!”

They played two songs…this one is at the 7:10 mark.

So Central Rain (I’m Sorry)

Did you never call? I waited for your call
These rivers of suggestion are driving me away
The trees will bend, the cities wash away
The city on the river there is a girl without a dream
I’m sorry, I’m sorry, I’m sorry, I’m sorry

Eastern to Mountain, third party call, the lines are down
The wise man built his words upon the rocks
But I’m not bound to follow suit
The trees will bend, the conversation’s dimmed
Go build yourself another home, this choice isn’t mine
I’m sorry, I’m sorry

Did you never call? I waited for your call
These rivers of suggestion are driving me away
The ocean sang, the conversation’s dimmed
Go build yourself another dream, this choice isn’t mine
I’m sorry, I’m sorry, I’m sorry, I’m sorry

David and David – Boomtown

Out of the Blue… What are some great debuts that probably took you by surprise? I wrote this for Dave’s site a while back.

I thought about the question that Dave proposed. There were some great debuts that I loved in my lifetime. I wanted to take a debut album out of the 80s… that decade has always been a bit dodgy for me. I thought about The Georgia Satellites or The Black Crowes but I wanted something that wasn’t automatic for me…that really caught my attention and sounded a little different from the usual things I liked.

I came up with David and David. Their album was called Boomtown. I’ve always thought of this album as a lost classic of the 1980s. I bought the cassette the minute I heard Swallowed By The Cracks. I had heard and liked the Welcome to the Boomtown single a little earlier. This album has an eighties sound which I usually don’t like but the synth here creates an atmosphere not a dominate force and it fits. These are some really good songs that the slick production doesn’t bring down.

The two Davids were David Baerwald and David Ricketts. They were a good team that would prove successful outside of this album. Both of them helped write Sheryl Crow’s debut album (Tuesday Night Music Club)…Baerwalk ended up co-writing 7 songs and Ricketts co-wrote 4. David and David broke up after their only studio album which really disappointed me because I was really looking forward to their follow-up. Many years later…in 2016 it was reported that they were working on their second album but that seem to stall.

The reason I liked the album was their storytelling songwriting and Bearwald’s voice. It wasn’t the usual monotoned singing voice that was popular in the 80s. Bearwald doesn’t have the greatest voice in the world… but it has so much character that he is inside the people he is singing about.

The album was not a collection of pick-me-up songs. The songs reflect a grim reality of a cast of characters struggling to get by in mid-1980s America. The characters in Boomtown clearly aren’t in places where they thought they’d be. I was just 19 in 1986 and I was afraid I would be able to relate to these characters in a few short years to come. I worked with these people every day while taking a year off after high school graduation…waiting to go into college.

The album dwells on dreams and broken promises. Don’t think this album is in any way a downer to listen to though. These are the stories of real life and real people. You can feel the Springsteen vibe with all of the self-contained story songs but without sounding like Springsteen.

Let’s look at the first single from the album…Welcome To The Boomtown. It starts off with a killer line: Ms. Cristina drives a nine four four and goes on with a tale of decadence. That first line caught me and never let me go. You have the popular guy everyone knew in school…in this case, Kevin: Handsome Kevin got a little off track, Took a year off of college, And he never went back, Now he smokes too much, He’s got a permanent hack
Deals dope out of Denny’s, Keeps a table in the back.

“Deals dope out of Denny’s”… is pure Americana in a warped way…but Americana all the same. I knew a Kevin or two that fit this description. The song peaked at #37 in the Billboard 100 in 1986.

Now for my favorite song on the album and the one that hit home more than any other. The song Swallowed By The Cracks had me thinking…this could easily happen to me and my friends…and some of it did. It carries the theme that things don’t always turn out as you thought they would. I was an old soul at 19…I really thought I was old so these songs not only seemed possible…it seemed probable.

You get a little optimism going and then it falls back to the reality of what really happens.

Maybe it ain’t over I can see it’s up to me
You only out when you stay out you stay out when you don’t
Believe we could drive around in circles getting nowhere
All night long getting drunk with strangers telling lies
And singing along with the jukebox baby

Now for the last single, that was released…Ain’t So Easy.

The album was successful. It peaked at #39 on the Billboard Album Charts, #39 in Canada, and #33 in New Zealand from 1986-87. It wasn’t just a 3 single album…there is not a track that I don’t like. They cover a lot of ground with the reggae inflections of Being Alone Together, funky grooves of Swimming In The Ocean, and even a slightly country twang to the closer Heroes.

An album that deserved to do better and still stands up today in our times.

Georgia Satellites -Hippy Hippy Shake

I have to give Deke credit for this post. He did a review of “LIGHTNIN’ IN A BOTTLE” …a live Satellite show in 1988 that was released in 2002. This song was in a movie called Cocktail…I wasn’t a fan of the movie but it did have some good music. Deke mentioned Hippy Hippy Shake and I’ve always liked this song.

The Georgia Satellites came out of nowhere with a number 2 hit in 1986 called Keep Your Hands To Yourself. At the time of Madonna and synth-driven songs, it was great to hear this band out of Georgia that played raw roots rock and roll without the big production.

I remember being a senior in high school and watching one of my buddy’s band play in a talent show right before us. They played “Keep Your Hands To Yourself” and it sounded great. That song was made for a rock band…any rock band and I asked him if they wrote it. He said no they had an advance copy of the song or bootleg. I’ve liked this band ever since. They were a no-frills raw rock band in the middle of the sometimes overproduced 80s…a band I followed until they broke up.

I always thought their timing was a bit off. If they would have come out in the late eighties along with the Black Crowes and Guns and Roses… they could have had more staying power.

This song is a little different for them. Their lead singer Dan Baird didn’t sing it. The lead guitar player Rick Richards did the vocals on this one as well as their hit Battleship Chains.

Chan Romero was just 17 when he wrote this song. According to his entry in the Rockabilly Hall of Fame, he was inspired by the song “Come On, Let’s Go” by Ritchie Valens. The Swinging Blues Jeans cover was a hit in 1963 when the song peaked at #2 in the UK, #2 in Canada, and #24 on the Billboard 100. The Beatles covered it on their Live At The BBC album.

The Satellites version peaked at #45 in the Billboard 100 and #65 in Canada.

Some of the movies this has appeared in include Uncle Buck, Austin Powers International Man of Mystery, and Cocktail.

Hippy Hippy Shake

For goodness sakes
I got the hippy hippy shakes
yeah I got the shakes
I got the hippy hippy shakes
I can’t sit still
with the hippy hippy shakes
yeah I get my fill now
with the hippy hippy shake
yeah it’s in the bag
the hippy hippy shake

well I’ve been shakin’ to the left
shakin’ to the right
you do the hippy shake shake
with all of your might
oh baby yeah come on shake
oh it’s in the bag
the hippy hippy shake

well I’ve been shakin’ to the left
shakin’ to the right
you do the hippy shake shake
with all of your might
of baby yeah come on shake
oh it’s in the bag
the hippy hippy shake
the hippy hippy shake
the hippy hippy shake

TV Draft Round 10 – Pick 6 – Paula Selects – Frasier

Welcome to the Hanspostcard TV Draft. I hope you will enjoy it! Today’s post was written by Paula at http://paulalight.com

FRASIER

Frasier is a spin-off from Cheers, starring Kelsey Grammer as Dr. Frasier Crane, a psychiatrist who leaves Boston (where Cheers was set) to return to his hometown of Seattle as a radio show host. Costarring is David Hyde Pierce as Frasier’s brother Niles, also a psychiatrist, and it’s amazing how much the two actors resemble one another. They’re both drolly hilarious as well and play off each other superbly ~ though the writers didn’t originally intend for Niles to have such a large part, they reconsidered after discovering how much Niles added to the show. John Mahoney (RIP) plays their father, Martin, a retired cop, who frequently argues with his sons, and there are two funny women on the show in recurring roles ~ Peri Gilpin as Roz (Frasier’s producer) and Jane Leeves as Daphne (Martin’s caretaker/physical therapist). The show won 37 Primetime Emmy Awards, which was a record at the time. It also won the Emmy for Outstanding Comedy Series for five consecutive years. Supposedly there is a “revival” coming at some point, starring the brothers. The original ran for 11 seasons, beginning in 1993 and ending in 2004.

If you recall, during Cheers Frasier was married to fellow psychiatrist Lilith (wonderfully played by Bebe Neuwirth), and they are divorced when Frasier begins, with Lilith having primary custody of their son Frederick. Immediately thwarting Frasier’s plans for a wild single life is his father, injured on duty, and requiring 24/7 assistance. Frasier brings Martin and his annoying dog Eddie to live with him, and they hire Daphne, a British caregiver. Niles makes frequent appearances, and one recurring motif is that his wife Maris is an impossible person, whom he constantly complains about, yet we never see her face (same as Norm’s wife on Cheers). Niles falls in love with Daphne, and eventually he leaves Maris and marries Daphne. Frasier and Niles are snobby intellectuals (though endearing in their inability to solve their own problems while helping others), and Martin is more of a “regular guy,” so that dichotomy generates clashes. Lilith makes several appearances on Frasier under various premises, from calling in to his radio show to sleeping with Niles due to despair that her next husband left her for a man.

One amusing piece of trivia is that Frasier had announced on Cheers that his father died. That had to be retconned into the Frasier universe by revealing that Frasier had lied about his father dying. The fab theme song “Tossed Salads and Scrambled Eggs” was composed by Bruce Miller and sung by Grammer. Though the show is very Seattle-centric, only one episode was actually filmed there; the rest were shot at Paramount Studios and around Los Angeles. (All info from Wikipedia.)

~*~

Paula Light is a poet, novelist, flash fiction fan, cupcake connoisseur, mom, grandma, cat mommy, etc. Her blog can be found at http://paulalight.com.

TV Draft Round 10 – Pick 1 – Max Selects – Are You Being Served?

A fun British sitcom that aired from 1972-to 1985. This comedy is not subtle…it’s obvious and in the open. The three UK sitcoms I’ve watched the most are Fawlty Towers, The Good Life, and Are You Being Served. My favorite by a mile is Fawlty Towers but this one is a lot of fun.

The show is about a department store called Grace Bros. owned by the elderly Grace brothers. It is operated with the old British class system. The show highlighted the Menswear and Womenswear departments and also the Floor Walker the pretentious Captain Peacock. It also featured the incompetent floor manager…Mr. Rumbold. As far as the class system…it’s hard to believe that once upon a time this was in effect.

The Women’s department was run by Miss Slocombe. A lady that is known for her hair color changing every day and the love of her pussy cat…they get a lot of mileage out of that. She tries to elevate herself over the working class but that is just what she is. Her assistant is the young very pretty Miss Brahms who talks with a cockney accent and is proud of being thought of as working class.

The head of the Men’s department is Mr. Granger who is older and near retirement and seems to be in a sour mood most of the time. Two more men work in the department… The junior in the department is Mr. Lucas who is always late and flirting with Miss Brahms, never has money, and always has to wait his turn before he can serve anyone and make money because the other two men have seniority, the other man is Mr. Humphries…probably the most popular character of the show. He hints at being gay every episode but never comes out and says it…this is really played up…remember it is the 70s. The writers go for the obvious jokes many times but it’s still funny.

The Grace brothers owned the store and “Young” Mr. Grace was in fact not young at all. He is quite stingy and he always had a very young attractive girl by his side. Overall though a nice older man.

The maintenance men Mr. Mash and Mr. Harmon were great. They would make the devices to advertise the merchandise. Sometimes the machine they made would blow up or show some naughty things to the customers. They were union and they thumbed their nose at higher-up staff.

Mix these personalities and you got a funny show. The purpose of the sitcom basically was to expose the class system and parody it.

The customers that shopped at Grace Bros department store usually left disappointed. The phrases I remember the most are “Are you free?” and while having a customer try on pants that obviously don’t fit…You would hear an employee say don’t worry” They’ll ride up with wear.”

Some of the cast left and past away during the run of the show. They were replaced with different characters and the show went on. When the show ended in 1985 a spin-off was made called Grace and Favour.

The core cast was strong, and the show was very good until the start of the 80s like most shows, they were reaching more for stories and repeating themselves. In 1979 when Trevor Bannister who played Mr. Lucas left it started to go down.

I wouldn’t compare this to Fawlty Towers because Fawlty Towers was better written… but this is a fun sitcom nonetheless. I remember watching it when I was young being broadcast on PBS. It is worth a watch if you like British humor.

The sitcom had 69 episodes and a movie in 1977… well, you can say 70 episodes because in 2016 a new episode was made with different actors playing the same characters but it fell flat.

The original show is still popular in syndication after all of these years.

The Cast

Mollie Sugden – Miss Slocombe

Frank Thornton – Mr. Peacock

John Inman – Mr. Humphries

Wendy Richard – Miss Brahms

Nicholas Smith – Mr. Rumbold

Trevor Bannister – Mr. Lucas

Arthur Brough – Mr. Grainger

Harold Bennett – Young Mr. Grace

Larry Martyn – Mr. Mash

Arthur English – Mr. Harmon

James Hayter – Mr. Tebbs

Alfie Bass – Mr. Goldberg

Mike Berry – Mr. Spooner

Kenneth Waller – Old Mr. Grace

Nazareth – Holiday

*** This week is the last round of the TV draft. I won’t be posting a music post after today until July 4th. Hope you all have a great week! Enjoy the TV Draft!***

I liked this song when it was released… MTV played the video in a heavy rotation for a while. I saw them in 1982 opening up for a popular Billy Squier at the time. Squier was good but I was looking forward to Nazareth a bit more because of a childhood full of Hair of the Dog.

Dan McCafferty has such a recognizable voice. When I saw them the volume on his voice was at 11. On top of being very loud he would scream as he talked… it looked like it was just natural for him but when the songs started…he sounded great. There was no way the instruments were drowning him out.

Holiday was co-written by all five members of Nazareth for their Malice in Wonderland album in 1980. They toned down their heavy sound for this album and made it more radio-friendly. That paid off with this minor hit in the US. I always liked the cover of this album.

They will forever be remembered for the album Hair of the Dog released in 1975 with the hit single Love Hurts. Holiday peaked at #87 on the Billboard 100 and #21 in Canada in 1980. The album Malice in Wonderland peaked at #41 on the Billboard Album Charts and #19 in Canada.

In 1968 this Scottish band was named The Shadettes…they changed their name to Nazareth. This was not inspired by the Biblical birthplace of Jesus of Nazareth. It was inspired by a line in a song called The Weight by The Band. The lyrics were “I pulled into Nazareth, was feelin’ about half past dead…”

In this case, Nazareth referred to Nazareth, Pennsylvania. Robbie Robertson chose to place the lyrics in Nazareth because it was the home of Martin Guitars. Robertson wrote the song on a 1951 Martin D-28 guitar.

The band is still touring. In 2013, lead singer Dan McCafferty retired from touring with Nazareth. In 2018 Nazareth released their 24th studio album, Tattooed on My Brain. The current lineup has Carl Sentence on lead vocals, Pete Agnew on bass guitar, Jimmy Murrison on lead guitar, and Lee Agnew on drums.

Some trivia about the video. The video game the teen is playing is Super Road Champions, made by Model Racing in 1978.

Holiday

Drinkin’ my wine, makes me feel fine,
Gonna have me a holiday
Poorman’s party, rich man’s daughter,
Gettin’ hotter and hotter.

She’s pushin’ way too hard
I don’t want any part of her way
Drinkin’ my wine, makes me feel fine,
Gonna have me a holiday.

It’s a holiday, it’s a holiday

Mama, mama, please no more jaguars
I don’t want to be a pop star
Mama, mama, please no more deckhands
I don’t want to be a sailor man
Mama, mama, please no more facelifts
I just don’t know which one you is
Mama, mama, please no more husbands

Drinkin’ my wine, wastin’ my time
Hidin’ out in my rented dream
Lookin’ for attention
A cover story mention in
Life magazine
Ask the chauffeur who he knows
Numbers he’s got, lots of those.

Drinkin’ my wine, spendin’ my time
Tryin’ to run from this halloween.

It’s a holiday, it’s a holiday

Mama, mama, please no more jaguars
I don’t want to be a pop star
Mama, mama, please no more deckhands
I don’t wanna be a sailor man
Mama, mama, please no more facelifts
I just don’t know which one you is
Mama, mama, please no more husbands
I don’t know who my daddy is.

It’s a holiday, it’s a holiday

TV Draft UPDATE

Tomorrow morning we will kick off our last TV draft round! We have 8 more TV Shows coming…we all want to thank you… the readers who have made this possible and a fun experience. I also want to thank the bloggers who have reviewed all of these shows and we have covered every decade from the 1950s until now. Below are the picks that began in January and will end on July 3. Thank you… Paula, Lisa, Dave, John, Keith, Mike, Liam, Vic, Hanspostcard (who started it), and Kirk for all of the reviews below.

Round 1	TV Show	Who Posted	Home Site
1.	Doctor Who	Vic	https://cosmic-observation.com/blog-posts/
2.	The Sopranos	Mike	https://musiccitymike.net
3.	Bozo’s Circus	John	https://thesoundofonehandtyping.com
4.	Barney Miller	Max	https://powerpop.blog
5.	The Wire	Kirk	https://slicethelife.com/
6.	Police Squad	Keith	https://nostalgicitalian.com/
7.	Only Murders in the Building (OMITB)	Paula	http://paulalight.com

Round 2
1.	The Odd Couple	Mike	https://musiccitymike.net
2.	Cartoon Town	John	https://thesoundofonehandtyping.com
3.	Fawlty Towers	Max	https://powerpop.blog
4.	Rockford Files	Kirk	https://slicethelife.com/
5.	Mission Impossible	Keith	https://nostalgicitalian.com/
6.	Firefly	Vic	https://cosmic-observation.com/blog-posts/

Round 3	TV Show	Who Posted	Home Site
1	Hogan’s Heroes	John	https://thesoundofonehandtyping.com
2	Seinfeld	Mike	https://musiccitymike.net
3	Starsky & Hutch	Vic	https://cosmic-observation.com/blog-posts/
4	Perry Mason	Keith	https://nostalgicitalian.com/
5	Upload	Paula	http://paulalight.com
6	Lovecraft Country	Lisa	https://tao-talk.com/
7	King Of The Hill	Dave	https://soundday.wordpress.com/
8	Adam 12	Max	https://powerpop.blog

Round 4	TV Show	Who Posted	Home Site
1	Breaking Bad	Mike	https://musiccitymike.net
2	The X-Files	Vic	https://cosmic-observation.com/blog-posts/
3	Columbo	Keith	https://nostalgicitalian.com/
4	Six Feet Under	Paula	http://paulalight.com
5	Shameless	Lisa	https://tao-talk.com/
6	Friends	Dave	https://soundday.wordpress.com/
7	Monkees	Max	https://powerpop.blog
8	JAG	John	https://thesoundofonehandtyping.com

Round 5	TV Show	Who Posted	Home Site
1	Sisters	Vic	https://cosmic-observation.com/blog-posts/
2	30 Rock	Keith	https://nostalgicitalian.com/
3	One Day At A Time	Paula	http://paulalight.com
4	Ray Donovan	Lisa	https://tao-talk.com/
5	Emergency	Dave	https://soundday.wordpress.com/
6	The Andy Griffith Show	Max	https://powerpop.blog
7	CSI: Miami	John	https://thesoundofonehandtyping.com
8	Mad Men	Mike	https://musiccitymike.net

Round 6	TV Show	Who Posted	Home Site
1	The Twilight Zone	Max	https://powerpop.blog
2	Tell Me Your Secrets	Paula	http://paulalight.com
3	My Name Is Earl	Lisa	https://tao-talk.com/
4	Ed	Dave	https://soundday.wordpress.com/
5	Get Smart	Keith	https://nostalgicitalian.com/
6	The Unicorn	John	https://thesoundofonehandtyping.com
7	The West Wing	Mike	https://musiccitymike.net
8	The Gong Show	Max	https://powerpop.blog

Round 7	TV Show	Who Posted	Home Site
1	All In The Family	Paula	http://paulalight.com
2	Trailer Park Boys	Lisa	https://tao-talk.com/
3	Downton Abbey	Dave	https://soundday.wordpress.com/
4	Life On Mars	Max	https://powerpop.blog
5	Burn Notice	John	https://thesoundofonehandtyping.com
6	Friday Night Lights	Mike	https://musiccitymike.net
7	The Rocky and Bullwinkle Show	Liam	https://othemts.wordpress.com/
8	The Honeymooners	Keith	https://nostalgicitalian.com/

Round 8	TV Show	Who Posted	Home Site
1	New Tricks	Lisa	https://tao-talk.com/
2	SCTV	Dave	https://soundday.wordpress.com/
3	WKRP In Cincinnati	Max	https://powerpop.blog
4	The Two Ronnies	John	https://thesoundofonehandtyping.com
5	Star Trek: Voyager	Mike	https://musiccitymike.net
6	Siskel & Ebert	Liam	https://othemts.wordpress.com/
7	Sherlock	Keith	https://nostalgicitalian.com/
8	Curb Your Enthusiasm	Paula	http://paulalight.com

Round 9	TV Show	Who Posted	Home Site
1	Jeopardy	Dave	https://soundday.wordpress.com/
2	Saturday Night Live	Max	https://powerpop.blog
3	Riverboat	John	https://thesoundofonehandtyping.com
4	Suits	Mike	https://musiccitymike.net
5	The Kids In The Hall	Liam	https://othemts.wordpress.com/
6	Arrested Development	Keith	https://nostalgicitalian.com/
7	L.A. Law	Paula	http://paulalight.com
8	Resident Alien	Lisa	https://tao-talk.com/

Round 10	TV Show	Who Posted	Home Site
1		Max	https://powerpop.blog
2		John	https://thesoundofonehandtyping.com
3		Mike	https://musiccitymike.net
4		Liam	https://othemts.wordpress.com/
5		Keith	https://nostalgicitalian.com/
6		Paula	http://paulalight.com
7		Lisa	https://tao-talk.com/
8		Dave	https://soundday.wordpress.com/

Bob Dylan – Let’s Stick Together

This post is a 4-in-1 deal…Let’s Stick Together was on Bob Dylan’s album Down In The Groove…considered his worst album by some critics. I never thought that…I bought it when it came out and it’s not that bad. The worse Bob Dylan album is much better than a lot of others.

This song has been covered by a lot of artists. The confusing part is the song not only goes by Let’s Stick Together but also Let’s Work Together.

Our band covered this one and we did it with the arrangement that Dylan laid down. I like this song no matter who covers it. I like Bryan Ferry, Canned Heat, and Wilbert Harrison’s version.

Wilbert Harrison originally wrote and recorded this blues-style R&B number as “Let’s Stick Together,” a plea for fidelity in a fractured marriage. That version, released in 1962, didn’t make the charts (until Bryan Ferry covered it in 1976) but never left Harrison’s mind. Seven years later, he resurrected the song, keeping the melody but changing the lyrics. “I thought I’d put some words to it that meant a bit more.”

Changing the title to “Let’s Work Together,” Harrison’s new message of unity was aimed at a nation rife with conflict over the Civil Rights Movement and the Vietnam War.

Canned Heat didn’t want to overshadow Harrison with their version. In fact, if they’d known the singer was going to have success with it, they never would have recorded it in the first place. They first heard the tune when it was still making the rounds at underground radio stations. Their new guitarist Harvey Mandel played it for the rest of the guys and suggested they cover it, but their co-vocalist, Bob “The Bear” Hite, wanted to wait a few months to see if Harrison would chart first. According to drummer Adolfo de la Parra, Hite didn’t like taking songs away from living black musicians unless they weren’t hits.

Bryan Ferry had success with the song…peaking at #4 in the UK in 1976 and #1 in Australia. In 1988 Ferry did an updated version of the song, re-mixed by Bruce Lampcov & Rhett Davies. This re-recording reached #12 in the UK chart. Ferry had the most success with the song.

Let’s Stick Together

Well, a marriage vow, you know, it’s very sacred
The man put us together, now, you wanna make it
Stick together
Come on, come on, stick together

You know, you made a vow, not to leave one another, never
Well, ya never miss your water ’til your well runs dry
Now, come on, baby, give our love a try, let’s stick together
Come on, come on, stick together

We made a vow, not to leave one another, never
Well, ya never miss your water ’til your well runs dry
Come one, baby, give our love a try, let’s stick together
Come on, come on and stick together
You know, we made a vow, not to leave one another, never

It might be tough for a while, but consider the child
Cannot be happy without his mom and his papi

Let’s stick together
Come on, come on, stick together
You know, we made a vow, not to leave one another, never

Marshall Crenshaw – Whenever You’re On My Mind ….Power Pop Friday

Marshall Crenshaw wrote this song during the making of his debut album but was saved for his second album release. I had his first two albums in the 80s and I thought the guy would be huge. He could come up with some sophisticated, unexpected chord changes in a song yet maintain the feel of the song.

This song has a wonderful guitar intro that sets up the song. As the old phrase goes…it’s got more hooks than a tackle box.

He got his first break playing John Lennon in the off-Broadway touring company of the musical Beatlemania between 1978-1980. Crenshaw said: “In the beginning, I was bothered by it, as an egotistical young person, maybe because I had just gotten out of Beatlemania, and I was sick of any kind of heavy association with some other figure.”

He later played Buddy Holly in La Bamba in 1987. “I’ve been a Buddy Holly fan all my life. The joy still comes across in his music. It’s really got its own je ne sais quoi. It really stands apart from a lot of ’50s rock, because it conveys a sense of intimacy. I think it’s because it was made in this little building on the side of a highway late at night with this isolated group of people.”

“I always say the guys from the ’50s who invented ’60s rock were Chuck Berry and Buddy Holly. When you watch documentaries about Holly, you see people like Keith Richards, and he still gets broken up talking about him. The English guys, they just loved Buddy Holly.”

He released his self-titled debut album in 1982 and it was nearly perfect. This song was on Field Day his second album that was released in 1983. The album peaked at #52 in the Billboard 100 in 1983. This song peaked at #103 in the Billboard 100 and #23 in the Main Rock tracks in 1983.

He also performed as a guest vocalist for the Smithereens since the 2017 death of their lead singer Pat DiNizio.

Ronnie Spector recorded a cover of this song in 2003.

When Ever You’re On My Mind

I think about you and forget what I’ve tried to be
Everything is foggy and hard to see
It seems to be, but can it be, a fantasy?
Whenever I think about you, strangers eyes in the crowd flash past
I go on and think of the fate you’ve cast
It seems to be a reverie, you’re here with me

’cause whenever you’re on my mind
Whenever you’re on my mind
I leave the world behind
Whenever you’re on my mind

I think about you and I’m weak though I’m in my prime
Set my watch and still lose the track of time
It seems to be, but can it be, a fantasy?
Whenever I think about you, strangers eyes in the crowd flash past
I go on and think of the fate you’ve cast
It seems to be a reverie, you’re here with me

Whenever you’re on my mind
Whenever you’re on my mind
I leave the world behind
Whenever you’re on my mind

I never thought I’d be in this situation
It seems wherever I go I’m with you
And though I never seem to find my place
At every turn I see your face
Whenever I think about you
It seems to be a reverie, you’re here with me
’cause whenever you’re on my mind
Whenever you’re on my mind
I leave the world behind
Whenever you’re on my mind

TV Draft Round 9 – Pick 5 – Liam Selects – The Kids In The Hall

Welcome to the Hanspostcard TV Draft. I hope you will enjoy it! Today’s post was written by Liam at https://othemts.wordpress.com/

The Kids in the Hall

CBC Television (1988-1995)

HBO (1988-1992)

CBS (1993-1995)

Amazon Prime Video (2022)

The Kids in the Hall are a sketch comedy troupe based out of Toronto, Canada. You could say they are the Canadian Monty Python. Or perhaps, the Canadian Saturday Night Live? Like Monty Python, they are an all-male group of 5 writer/performers (the Pythons had six) who create edgy sketch comedy often bordering on the absurdist, and frequently don wigs and dresses to portray female characters. Like Saturday Night Live, their show was produced by Lorne Michaels and performed in front of a live audience (albeit, it was not broadcast live). But at the heart of things, The Kids in the Hall are their own thing, creators of something outside the mainstream of comedy of the 1980s and 1990s and capturing the ethos of Generation X, paralleling the rise of alternative rock at the same time. A recently released documentary about the Kids calls them Comedy Punks.

Let’s meet the Kids!

Dave Foley (b. 1963) is the member of the troupe who feels most mainstream in his comedy approach, but that is on a relative scale. His boyish good looks were often contrasted with antisocial behavior, such as a surgeon who kills all his patients or an axe murderer, both of whom get away with it because of their charm. He was also considered the “hottest” of the Kids when dressed as woman. Not surprisingly, later in his career he starred in the American sitcom NewsRadio, and provided voices for the Pixar movies A Bug’s Life and Monsters University.

Bruce McCulloch (b. 1961) is probably the weirdest of the Kids in his comedy approach. Inspired by art movies, his surreal monologues and filmed pieces evoked a mood of absurdity rather than just telling jokes. Outside of the Kids in the Hall he has recorded music and directed several movies and tv shows.

Kevin McDonald (b. 1961) is probably a lovely person in real life, but has a talent for playing really annoying characters. A lot of his self-deprecating humor contains a dark undercurrent of the volatility of his childhood growing up with an alcoholic father. McDonald has provided his voice for the Disney movie Lilo & Stitch and its spinoffs and had a recurring role on That 70s Show.

Mark McKinney (b. 1959) specialized in creating characters and is probably the Kid most similar in comedy style to Saturday Night Live (and he did in fact join the cast of SNL from 1995 to 1997). His most notable characters include Mr. Tyzik the Headcrusher and the Chicken Lady. Outside of his work with the Kids he’s appeared in numerous movies and tv shows, the strangest of which is Guy Maddin’s The Saddest Music in the World.

Scott Thompson (b. 1959) performs comedy informed by his gay identity with a definite emphasis on using comedy to advance LGBTQ equality, which was very bold in the 1980s and 1990s. Most notably, he reclaimed the effeminate gay man stereotype through his character Buddy Cole who delivered hilarious monologues. He also frequently portrayed Queen Elizabeth II, one of the rare celebrity impersonations on The Kids in the Hall. His other work includes appearances in many movies and tv shows, including a regular role on The Larry Sanders Show.

Foley and McDonald met in the early 1980s in the Toronto comedy scene and became a writing and performing team. Their partnership is the strongest among all the Kids and has remained so throughout the troupe’s history. Meanwhile, McCulloch and McKinney met in Calgary where they performed with a group called The Audience. Moving to Toronto to expand their opportunities, McCulloch and McKinney met Foley and McDonald and in 1984 they formed The Kids in the Hall. The name came from an old Sid Caesar gag blaming bad jokes on the young writers who hung around the studio. Their shows in Toronto’s comedy clubs became a big attraction. Thompson saw them perform and pretty much willed himself into a spot in the group. Early sketches like “Reg” showcased their humor style at its most sick and twisted.

Saturday Night Live producer Lorne Michaels saw the Kids perform in 1985 and hired McKinney and McCulloch to come to New York to be writers. Eventually, Michaels determined that it would be better to keep the Kids together as a group and worked to get them their own show. The pilot for The Kids in the Hall broadcast on CBC Television in Canada and on HBO in the United States in 1988, followed by a full series of 20 episodes in 1989-1990. Enhancing the Gen X zeitgeist, the Toronto alternative rock band Shadowy Men on a Shadowy Planet provided the theme song, “Having an Average Weekend,” as well as the music to interstitials between sketches and performing live for the studio audience. The band’s music is described as instrumental surf rock, however since the Shadowy Men recorded a track called “We’re Not a F*****g Surf Band,” so we’ll have discover a new genre for them.

The Kids and the Hall had several recurring characters, but carefully avoided the SNL habit of overexposing them to please the fans. Characters appeared when they had a very good and very funny reason to be there. A number of sketches revolved around the company A.T. & Love with characters ranging from an incompetent boss (Foley), hard-pressed businessman Danny Husk (Thompson), and the secretaries Kathie (McCulloch) and Cathy (Thompson). These characters had the versatility to appear in sketches together, on their own, or with a completely different group of characters. Another series of sketches focused on rebellious Gen X teen Bobby Terrance (McCulloh), his more conservative parents (McKinney and Foley), and his best friend, the stoner Bauer (Thompson).

While Thompson was the only gay member of the troupe, sketches with LGBTQ characters were common, including scenes of men kissing men when that was taboo on American TV (one of the many things that got edited between CBC and CBS transmissions). The recurring sketch “Steps” featured three gay men discussing the issues of the day where the audience was laughing with them not at them. Despite the Kids being all men, they never saw dressing up in wigs and dresses as funny in of itself, unlike say Milton Berle. Instead they did their best to portray women as fully-formed characters and offer an honest female perspective. Dave Foley even has a good attitude toward menstruation.

After five seasons and 101 episodes, the Kids were ready to pack it in, physically exhausted and drained of ideas. The final episode broadcast on April 15, 1995 showed them being buried alive in a shared grave. The next step naturally appeared to be making movies, and in April 1996 they released Kids in the Hall: Brain Candy. The making of the film was a miserable experience for everyone involved and tensions ran high, especially toward Foley who everyone resented for signing a contract to star in NewsRadio while they were working on the film. The movie bombed although some fans consider it a cult classic (I am not one of them). The Kids went their own ways for a few years but with reruns of the show in constant rotation on Comedy Central, the troupe’s fan base grew bigger than ever.

By 2000, tensions had eased enough to bring the Kids back together, this time returning to the stage for a North American Tour. Performing in front of live audiences again energized the Kids creatively, and they were able to resume their close personal relationships as well. The Kids went on the road for more tours, introducing new sketches. In 2010, they returned to TV, stepping beyond sketch comedy for the first time in the darkly comic 8-part miniseries Death Comes to Town which aired on CBC. I hadn’t heard of this series until recently so I haven’t watched it yet but I hear it’s good. Just this May, seemingly out of nowhere, the Kids in the Hall TV series returned for season 6, with 8-episodes streaming on Amazon Prime. While the Kids have physically aged, they haven’t lost a step and the new episodes are as funny as ever. The final episode ends with the Kids getting buried again, but I think we’ll see the Kids in the Hall again soon! Until then, here’s one of my favorite sketches, “The Night of the Cow”

TV Draft Round 9 – Pick 2 – Max Selects – Saturday Night Live

I wanted to do a more modern show other than Life On Mars…and this would qualify as it…kinda. It has been on the air since 1975… a whopping 47 years. It’s been on life support at times but has always pulled through. It’s an institution at this point. There is not enough room on a post to go over every cast. Everyone has their favorites some were extremely funny and some were extremely bad (1980 – 1981 cast) and they all make up the history of this show.

I’m going to concentrate on the original cast and how the show became SNL. Most of you have favorite different casts…usually, the one you grew up with.

Even if you don’t like this show or what it’s become…it was a cultural landmark and no one can deny that. It changed television forever. The show started because Johnny Carson wanted more time off. NBC had been airing reruns of Johnny Carson’s Tonight Show on the weekends to fill space in their lineup. This allowed them to double-dip on profits from Carson’s outrageously popular show without spending another dime on production costs. He told NBC he would only be making four shows a week, which meant that best-of Carson shows that had been airing on Saturday nights would now need to be moved to a weeknight.

NBC executive Herbert Schlosser sought to create a new show with an old format…a variety show to fill the slot on Saturday Night. He picked Lorne Michaels, a Canadian writer who only had a handful of credits to be the producer. Michaels started a show that was far different than Schlosser imagined but to his credit… Schlosser was behind it and pushed for it to be on the air. The first two shows were experiments but by the third show, they found the format they would keep to this day. The funny thing is…Johnny Carson never liked the show.

Lorne Michaels made the show to appeal to baby boomers with a touch of Avant-Garde and “guerrilla-style comedy.” It was a game-changer much like All In The Family was to sitcoms. Late-night was never again a wasteland. This show helped open the doors for David Letterman and other shows to follow it.

It started out as “Saturday Night.” The Saturday Night Live title belonged to ABC for a show hosted by Howard Cosell who was out of his league. After Cosell’s show was cancelled, ABC let Saturday Night have the “Live” part.

Who was the best cast through the years? This is a question that is debated over and over again. People argue and usually pick the cast they grew up with. I grew up in the Eddie Murphy and Joe Piscopo era. Personally, I always thought the original cast was the best era of the show. Yes, I thought the Murphy and Piscopo casts were very funny along with later casts that had Dana Carvey, Michael Myers, Chris Farley, Chris Rock, and many others that followed. The first five seasons had something extra that others would not and could not have. It had an underground feel that vanished after it became a pure comedy show. They had a massive amount of talent in that first class.

John Belushi, Dan Ackroyd, Chevy Chase (though I liked his replacement better…Bill Murray), Gilda Radner, Jane Curtin, Garrett Morris, and my favorite overlooked cast member Laraine Newman. They were the perfect cast for that time.

Why do I like the original cast the most? They tried new things and went out on a limb. Some of the skits succeeded some fell flat but they were different from anything on TV at that time…and also at this time. That cast pushed the envelope and made the network executives worry. The host each week was usually under the radar actors, writers, comedians musicians, and sometimes athletes. The musical guests were mostly rarely seen performers that weren’t on tv…prime time or otherwise. Frank Zappa, Leon Redbone, The Kinks, Patti Smith, Ry Cooder, Kinky Friedman, and others. You would have more popular musicians like Paul Simon but the show gave you a great variety.

No way would Michaels ever dream of that now…he usually gets whoever is the most popular to draw in ratings. He can no longer do what he did in the 70s because of that. He also used the complete ensemble. It was not Eddie Murphy, Joe Piscopo, and everyone else of the early eighties. It was about building an unknown cast and all of them having a shot…not a star-driven show that gave all the best bits to the big names. He made sure the entire cast had a lead in skits and parody commercials. Dick Ebersol who followed Lorne Micheals, was famous for getting stars in the cast and the show revolving around them.

A lot of the skits are now famous… Ackroyd’s Bassomatic, the Samurai, the uncomfortable but funny Word Association with Richard Pryor, The Killer Bees, The Mr. Bill Show, Weekend Update, Roseanne Rosannadanna, Land Shark, Bag of Glass, The Wild and Crazy Guys, the Coneheads, The Lounge Singer, Mr. Mike, The Blues Brothers and many more.

The writers for the show were not in the variety show comedy vein..they were not in the current SNL vein either. The style was more aggressive, especially with Michael O’Donoghue. He was a comedy trailblazer with National Lampoon and added black humor to SNL. Other writers were Franken and Davis, Rosie Shuster, Alan Zweibel, Marilyn Miller, Anne Beatts, Herb Sargent, Tom Schiller, and also Ackroyd and Chase.

The original group also did some serious skits along with comedy and trips into the bizarre (See the ultra-dark “Mr. Mike”). …It separated the original from any other cast.

I like the feel of the underground the first five years had but you can only be that for so long…popularity takes over. Those first 5 years (the first four were great…the fifth very good) set the foundation that holds to this day…just without the daring and danger.

Ann Beatts was one of the original writers who saw the popularity of the show rise beyond anything she ever imagined. She knew the risk-taking traits in the show would have to end because of it. “You can only be avant-garde for so long until you become garde.”

By the 5th season (1979-1980), it was a circus grown out of proportion. The cast by that time were usually bigger stars than the guest hosts. Everyone left after that season along with Lorne Michaels. The show went on without him until 1985 when he rejoined. It was never the same again. Sometimes it was funny and sometimes not but it was never the same experimental show it was at the start.

What other show would introduce “Acapulco Gold” and “Orange Sunshine” to a national television audience?

The Bassomatic…something you cannot explain with words.

The best Star Trek parody…

Replacements – Waitress In The Sky

Songs like this are what made The Replacements the Replacements.

Waitress in the Sky” was written for one of Paul Westerberg’s sisters…Julie. She was a career flight attendant. In the song, Westerberg’s character came on like every stewardess’s nightmare passenger. “I was playing the character of the creep who demands to be treated like a king. I’d heard all the stories from my sister about how [passengers] would yell at the flight attendants and how then they’d ‘accidentally’ spill something on them.”

Later on, when they signed to Warner Bros and an executive told them to make a music video. That is something that they absolutely would not do. Westerberg was willing to compromise though.

He did joke with the executive with a quote worth remembering… ‘Tell you what… if you get The Replacements on Hee-Haw then I’ll lip-synch to ‘Waitress in the Sky.’

Warner Bros were not amused. The conversation did lead to a live TV gig though. Westerberg didn’t think Warner Brothers would be able to swing a deal for a TV spot so he agreed. He would soon regret his decision. Yes, Warner Bros got them not only a TV gig but a live one. They were then scheduled on SNL and that led to being permanently banned from the show after Westerberg uttered a naughty word on national television.

They were stuck on the 18th floor waiting all day for SNL. To soothe the band’s nerves, soundman Monty Lee Wilkes smuggled some alcohol into the studio in a little road case. As they began to dip in, the show’s host, Harry Dean Stanton, said hello. Harry ended up joining in and becoming quite intoxicated. Word began to circulate that the host was getting drunk mere hours before the live show. Panic ensued until a production assistant dragged Stanton out of the band’s dressing room.

Sufficiently lubricated, their rehearsal set went off smoothly. Bob Stinson shocked everyone by donning a striped lady’s unitard. The only hitch occurred during “Bastards of Young” — Bob was late coming in on the solo. Westerberg would make sure he didn’t miss his cue during the live broadcast. Make sure he did… he cued Bob by saying to Bob, just off mic: “Come on, f****r.”

This was a low point for SNL…Michael Lorne had just returned and the show was rumored to be canceled…so he didn’t take this well. They were permanently banned from playing there again…although Westerberg played there later during his solo career.

The song was on the Tim album released in 1985. Tim was the fourth studio album by The Replacements. It was released in October 1985 on Sire Records (a subsidiary of Warner Brothers). It was their first major-label release.

Looking back on their career…it gets maddening. They bucked at playing nice with industry figures, purposely tanked do-or-die shows, and antagonized producers until they quit. They wanted to make it on their own terms but ended up sabotaging themselves. They could have been up there with R.E.M. but they couldn’t get out of their own way.

Julie was indeed a lifelong flight attendant…or Waitress in the sky…she retired in 2019 from Delta Airlines

Their performance on SNL…sorry for the quality but this is the only one the SNL police will allow.

Waitress In The Sky

She don’t wear no pants and she don’t wear no tie
Always on the ball, she’s always on strike
Struttin’ up the aisle, big deal, you get to fly
You ain’t nothin’ but a waitress in the sky
You ain’t nothin’ but a waitress in the sky
Paid my fare, don’t want to complain
You get to me, you’re always outta champagne
Treat me like a bum, don’t wear no tie
‘Cause you ain’t nothin’ but a waitress in the sky
You ain’t nothin’ but a waitress in the sky, oh hoh
And the sign says, “Thank you very much for not smoking”
My own sign says, “I’m sorry, I’m smokin'”
Don’t treat me special or don’t kiss my ass
Treat me like the way they treat ’em up in first class

Sanitation expert and a maintenance engineer
Garbage man, a janitor and you my dear
A real union flight attendant, my oh my
You ain’t nothin’ but a waitress in the sky
You ain’t nothin’ but a waitress in the sky
You ain’t nothin’ but a waitress in the sky

Oh oh, ba ba, oh oh, ba ba, oh oh, ba, ba, oh oh

Triumph – Magic Power

I always liked trios and the Canadian band Triumph was a great one. I’ve come to appreciate Rik Emmett’s guitar playing more and more through the years. Whenever I post a Canadian band…I can’t help but think of my Canadian friends Dave and Deke. Deke has this review of the 40th anniversary of Allied Forces, the album this song was on. Deke also hosts a video show Scotch on the Rocks with some great authors, musicians, producers, and everyone else in between. Check it out if you can.

You know this song has some age to it when a person in the song is waiting for their favorite DJ to play their favorite song. Those days have been gone for a long time with streaming music, unfortunately…but the spirit remains. This song makes me feel 16 again listening to it.

This song was written by the band… drummer Gil Moore, bassist/keyboard Mike Levine, and guitar/singer Rik Emmett. Along with Rush and Saga, Triumph was one of the big Canadian rock bands with progressive leanings. Triumph was popular in America and Canada in the 70s and 80s. In some parts more popular than Rush.

This song was on their fifth studio album Allied Forces. The song peaked at #14 in Canada, #51 in the Billboard 100, and #8 in the Mainstream Rock Charts. The album peaked at #13 in Canada, #23 in the Billboard Album Charts, and #64 in the UK. This was the highest-charting song in the US and Canada.

Rik Emmett left the band in 1988 and it took 20 years for the trio to play again, which took place in shows in Sweden and Oklahoma in 2008. They did reunite for an invitation-only three-song reunion show in 2020, which will be featured in the documentary Triumph: Rock and Roll Machine… it was released on May 13th…I have a trailer below.

Rik Emmett: “I wrote it about myself as a 9-year-old with a transistor radio, and then I changed the pronouns to ‘she’ and ‘her.’ If there hadn’t been a John Sebastian ‘Do You Believe in Magic?’ and a Pete Townshend ‘Won’t Get Fooled Again’/Who’s Next, ‘Magic Power’ might not have ever been born.

Magic Power

Something’s at the edge of your mind, you don’t know what it is
Somethin’ you were hopin’ to find but your not sure what it is
Then you hear the music and it all comes crystal clear
The music does the talkin’ says the things you want to hear

I’m young, I’m wild and I’m free
Got the magic power of the music in me
I’m young, I’m wild and I’m free
Got the magic power of the music in me

She climbs into bed, she pulls the covers overhead and she turns her little radio on
She’s had a rotten day so she hopes the DJ’s gonna play her favorite song
It makes her feel much better, brings her closer to her dreams
A little magic power makes it better that it seems

She’s young now, she’s wild now, she wants to be free
She gets the magic power of the music from me
She’s young now, she’s wild now, she wants to be free
She gets the magic power of the music from me

If you’re thinkin’ it over but you just can’t sort it out
Do you want someone to tell you what they think it’s all about
Are you the one and only who’s sad and lonely, reachin’ for the top
Well the music keeps you goin’ and it’s never gonna stop
Never gonna stop
Never gonna, never gonna, never gonna stop

The world is full of compromise, and infinite red tape
But the music’s got the magic, it’s your one chance for escape
So turn me on turn me up it’s your turn to dream
A little magic power makes it better than it seems

I’m young now, I’m wild now I want to be free
I got the magic power of the music in me
I’m young now, I’m wild and I’m free
Got the magic power of the music in me