Replacements – Waitress In The Sky

Songs like this are what made The Replacements the Replacements.

Waitress in the Sky” was written for one of Paul Westerberg’s sisters…Julie. She was a career flight attendant. In the song, Westerberg’s character came on like every stewardess’s nightmare passenger. “I was playing the character of the creep who demands to be treated like a king. I’d heard all the stories from my sister about how [passengers] would yell at the flight attendants and how then they’d ‘accidentally’ spill something on them.”

Later on, when they signed to Warner Bros and an executive told them to make a music video. That is something that they absolutely would not do. Westerberg was willing to compromise though.

He did joke with the executive with a quote worth remembering… ‘Tell you what… if you get The Replacements on Hee-Haw then I’ll lip-synch to ‘Waitress in the Sky.’

Warner Bros were not amused. The conversation did lead to a live TV gig though.  Westerberg didn’t think Warner Brothers would be able to swing a deal for a TV spot so he agreed. He would soon regret his decision. Yes, Warner Bros got them not only a TV gig but a live one. They were then scheduled on SNL and that led to being permanently banned from the show after Westerberg uttered a naughty word on national television.

They were stuck on the 18th floor waiting all day for SNL. To soothe the band’s nerves, soundman Monty Lee Wilkes smuggled some alcohol into the studio in a little road case. As they began to dip in, the show’s host, Harry Dean Stanton, said hello. Harry ended up joining in and becoming quite intoxicated. Word began to circulate that the host was getting drunk mere hours before the live show. Panic ensued until a production assistant dragged Stanton out of the band’s dressing room.

Sufficiently lubricated, their rehearsal set went off smoothly. Bob Stinson shocked everyone by donning a striped lady’s unitard. The only hitch occurred during “Bastards of Young” — Bob was late coming in on the solo. Westerberg would make sure he didn’t miss his cue during the live broadcast. Make sure he did… he cued Bob by saying to Bob, just off mic: “Come on, f****r.”

This was a low point for SNL…Michael Lorne had just returned and the show was rumored to be canceled…so he didn’t take this well. They were permanently banned from playing there again…although Westerberg played there later during his solo career.

The song was on the Tim album released in 1985. Tim was the fourth studio album by  The Replacements. It was released in October 1985 on Sire Records (a subsidiary of Warner Brothers). It was their first major-label release.

Looking back on their career…it gets maddening. They bucked at playing nice with industry figures, purposely tanked do-or-die shows, and antagonized producers until they quit. They wanted to make it on their own terms but ended up sabotaging themselves. They could have been up there with R.E.M. but they couldn’t get out of their own way.

Julie was indeed a lifelong flight attendant…or Waitress in the sky…she retired in 2019 from Delta Airlines

Paul Westerberg's sister Julie, 'Waitress in the Sky' inspiration, retires  after four decades as flight attendant

Their performance on SNL…sorry for the quality but this is the only one the SNL police will allow.

Waitress In The Sky

She don’t wear no pants and she don’t wear no tie
Always on the ball, she’s always on strike
Struttin’ up the aisle, big deal, you get to fly
You ain’t nothin’ but a waitress in the sky
You ain’t nothin’ but a waitress in the sky
Paid my fare, don’t want to complain
You get to me, you’re always outta champagne
Treat me like a bum, don’t wear no tie
‘Cause you ain’t nothin’ but a waitress in the sky
You ain’t nothin’ but a waitress in the sky, oh hoh
And the sign says, “Thank you very much for not smoking”
My own sign says, “I’m sorry, I’m smokin'”
Don’t treat me special or don’t kiss my ass
Treat me like the way they treat ’em up in first class

Sanitation expert and a maintenance engineer
Garbage man, a janitor and you my dear
A real union flight attendant, my oh my
You ain’t nothin’ but a waitress in the sky
You ain’t nothin’ but a waitress in the sky
You ain’t nothin’ but a waitress in the sky

Oh oh, ba ba, oh oh, ba ba, oh oh, ba, ba, oh oh

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Replacements – Kiss Me On The Bus

This song is off of the album Tim released in 1985.  This was their first album on Sire Records with Warner Brothers. They had left the indie Twin/Tone records after the album Let It Be. Another song title that I had to listen to and I’m glad I did.

Bob Stinson’s imprint was heavy on Kiss Me on the Bus, which he turned into a showcase for his breakneck riffing. When Bob was right…he could give you the quickest most perfect riffs…but when he was off…he was off. It could be from song to song some nights.

This would be Bob’s last album with the band. He would leave a little while after this. Slim Dunlap would take his place in 1988.

Being on a big label meant they got a slot on SNL. They sounded ragged but great on the show. They played two songs… Bastards of Young and Kiss Me On The Bus. Paul Westerberg muttered the F word during Bastards of Young and Lorne Michaels berated the band before they played this song as their last song.

It would be the last time because they were barred from future SNL performances.

After their performance, they went to a party and then back to the hotel. Bob Stinson who had some emotional along with chemical problems caused a lot of damage in his room at the hotel.

Later when Michaels got the $1,100 bill for the hotel damages, he hit the roof again. He was threatening to ban not just the Replacements but any Warner Bros. act from appearing on SNL. In one night, the Replacements had managed to destroy a decade of cozy relations between the show and the label.

Paul Westerberg: “Rock-and-roll doesn’t always make for great television, but we were trying to do whatever possible to make sure that was a memorable evening.”

I could not find the SNL video, but the below clip is a European television appearance. Bob’s guitar playing is the highlight of this video.

Kiss Me On The Bus

On the bus, that’s where we’re riding
On the bus, okay, don’t say “hi” then
Your tongue, your transfer
Your hand, your answer

On the bus, everyone’s looking forward
On the bus, I am looking forward
And it really ain’t okay
I might die before Monday
They’re all watching us

Kiss me on the bus
Kiss me on the bus
Oooo, if you knew how I felt now
You wouldn’t act so adult now
Hurry hurry, here comes my stop

On the bus, watch our reflection
On the bus, I can’t stand no rejection
C’mon let’s make a scene
Oh baby don’t be so mean
They’re all watching us

Kiss me on the bus
Kiss me on the bus
Oooo, if you knew how I felt now
You wouldn’t act so adult now
Hurry hurry, here comes my stop

Oooo, if you knew how I felt now
You wouldn’t act so adult now
They’re all watching us
Kiss me on the bus
Kiss me on the bus
Kiss me on the bus
Kiss me on the bus

Replacements – Swingin’ Party

Bring your own lampshade
Somewhere there’s a party

This song has just a slight early sixties vibe and shows their expanding repertoire.

Paul Westerberg has said Swingin Party drew on Sinatra’s version of Rodgers and Hart’s standard “Where or When” and The Springfield’s “Flying on the Ground Is Wrong.” It had a trace of Frank and Nancy Sinatra’s “Somethin’ Stupid” and Brian Hyland’s “The Joker Went Wild.” He said if you steal from everything nobody can put a finger on you.

The song’s oscillating rhythms and guitars provided a perfect backdrop for the lyrics.

This song was on their 4th studio album Tim. Yes, they named the album Tim which is pretty funny. It would be the last album founding member and lead guitarist Bob Stinson worked on.

Paul Westerberg: “We named it Tim for no reason at all”.This was the first time we named an album after it was done.We sat around a bar,we were gonna call it Whistler’s Mammy,Van Gogh’s Ear,or England Schmingland.”I think I said Tim and we sat and laughed for a few minutes and then we said,”Why not?”

Paul Westerberg: “One of the reasons we used to drink so much is that it was scary going up onstage. That’s one of the things ‘Swingin Party’ is all about” “The funny thing is, people think you must have all this confidence to get up onstage.”

New Zealand singer Lorde covered Swingin Party”= as the B-side to her second single, “Tennis Court.” The song peaked at #10 in the New Zealand singles chart in 2013.

Swingin’ Party

Bring your own lampshade
Somewhere there’s a party
Here it’s never ending
Can’t remember when it started
Pass around the lampshade
There’ll be plenty enough room in jail

If being alone’s a crime I’m serving forever
Being strong’s your kind
I need help here with this feather
If being afraid is a crime
We hang side by side
At the swingin’ party down the line

On the prairie pavement
Losing proposition
Quitting school and going to work
And never going fishing
Water all around
Never learn how to swim now

If being alone’s a crime I’m serving forever
Being strong’s your kind
Then I need help here with this feather
If being afraid is a crime
We hang side by side
At the swingin’ party down the line
At the swingin’ party down the line

Bring your own lampshade
Somewhere there’s a party
Here it’s never ending
Can’t remember when it started
Pass around the lampshade
There’ll be plenty of room in jail

If being alone’s a crime I’m serving forever
Being strong is what you want
Then I need help here with this feather
If being afraid is a crime
We hang side by side
At the swingin’ party down the line
At the swingin’ party down the line
Catchin’ time
At the swingin’ party down the line

Replacements – Bastards Of Young

The ones, love us best are the ones we’ll lay to rest
And visit their graves on holidays at best
The ones, love us least are the ones we’ll die to please
If it’s any consolation, I don’t begin to understand them

This song starts with a raw cool riff and a scream…how much more rock and roll can you get? The lyrics above is what got me into this song in the 80s.

The song was on the album Tim released in 1985. The album was produced by Tommy Ramone. Alex Chilton also helped out with the album.

Why was the album called Tim? There was no reference to the name on the album. The bands manager said that he asked Paul Westerberg what the name of the album would be. Paul told him “Tim” and the manager asked why? Paul said “because it’s such a nice name. “

Tim (The Replacements album) - Wikipedia

 It was placed 136th on Rolling Stone’s 2003 list of the 500 greatest albums of all time, and 137 in a 2012 revised list. The album peaked at #186 in the Billboard Album Chart in 1986. 

“Bastards of Young” was used in the 2020 film The New Mutants during the “party” scene where they are relaxing even though they are still confined.

Paul Westerberg working on the album: “”Writing songs like ‘Androgynous’ and ‘Answering Machine’ wasn’t difficult – presenting them to the group was. I’d been tinkering with stuff like that early on… It was hard getting across the idea we should just put the best songs on the record, even if there wasn’t always a place for Bob to have a hot lead. Bob was the hard one to get to acquiesce. So [Tim] ended up putting the chink in the armor of the idea of us as a four-piece rock band.”


From Songfacts

Fitting with the rebellious nature of The Replacements, this song is about a lost generation. The references to “Elvis” and the “Baby Boom” imply their parents, who see them as nothing more than tax deductions. “Bastard” is a derogatory term for a child born out of wedlock.

Some have speculated that the chorus is actually, “We are the sons of Norway” (somewhat fitting, given the Minnesota birthplace of all members) but, (famously) as no lyric sheet was ever provided by the band, it remains speculation.

The video is a black-and-white, single shot of a stereo system playing the song. He see a guy enter the frame, lie on the couch and smoke a cigarette, but we never see his face. At the end of the clip, he kicks over a speaker and leaves.

Bastards of Young

God, what a mess, on the ladder of success
Where you take one step and miss the whole first rung
Dreams unfulfilled, graduate unskilled
It beats pickin’ cotton and waitin’ to be forgotten

We are the sons of no one, bastards of young
We are the sons of no one, bastards of young
The daughters and the sons

Clean your baby womb, trash that baby boom
Elvis in the ground, there’ll ain’t no beer tonight
Income tax deduction, what a hell of a function
It beats pickin’ cotton or waitin’ to be forgotten

We are the sons of no one, bastards of young
We are the sons of no one, bastards of young
Now the daughters and the sons

Unwillingness to claim us, ya got no war to name us

The ones, love us best are the ones we’ll lay to rest
And visit their graves on holidays at best
The ones, love us least are the ones we’ll die to please
If it’s any consolation, I don’t begin to understand them

We are the sons of no one, bastards of young
We are the sons of no one, bastards of young
Daughters and the sons

Young, young, young, young

Take it, it’s yours
Take it, it’s yours
Take it, it’s yours
Take it, it’s yours
Take it, it’s yours
Take it, it’s yours
Take it, it’s yours
Take it, it’s yours
Take it, it’s yours

https://en.wikipedia.org/wiki/Tim_(The_Replacements_album)#:~:text=Tim%20is%20the%20fourth%20studio,towards%20the%20end%20of%201986.