AC/DC – Thunderstruck

One of the best intros ever! We tried a little tenderness with Otis Redding this morning so now lets all insert some ear plugs and turn it up.

Brothers and  guitarists Angus and Malcolm Young wrote this song. This led off The Razors Edge album, but in America it wasn’t sold as a single, which helped propel the album sales. The more radio-friendly Moneytalks was the US chart hit from the album, peaking at #23 in the Billboard 100.

Thunderstuck peaked at #13 in the UK and #20 in Canada in 1990. The Razors Edge peaked at #2 in the Billboard Album Charts, #4 in the UK, and #1 in Canada.

A side note to this song. In 2012 a couple of Iranian uranium-enrichment plants were hacked and their computers shut down but not before blasting Thunderstruck at maximum volume like you are probably doing right now or will be soon.

The album was recorded with producer Bruce Fairbairn at his Little Mountain Sound Studios in Vancouver, where he also produced Bon Jovi’s Slippery When Wet and the Aerosmith albums Permanent Vacation and Pump. It was the group’s first time working with Fairbairn.

Angus Young: “It started off from a little trick that I had on guitar. I played it to Mal and he said, ‘Oh I’ve got a good rhythm idea that will sit well in the back.’ We built the song up from that. We fiddled about with it for a few months before everything fell into place.

Lyrically, it was really just a case of finding a good title, something along the lines of ‘Powerage’ or ‘Highway To Hell.’ We came up with this thunder thing and it seemed to have a good ring to it. AC/DC = Power. That’s the basic idea.”

From Songfacts

According to The Story of AC/DC: Let There Be Rock, Angus Young created the distinctive opening guitar part by playing with all the strings taped up, except the B. It was a studio trick he learned from his older brother George Young, who produced some of AC/DC’s albums and was in a band called The Easybeats.

This song marked a return to form for AC/DC, whose previous three albums didn’t generate any blockbusters. It was the song that set the tone for the album, a truly thunderous track that electrified the crowd as the opening number on The Razors Edge tour. The apostrophe-free album title gels with the song: Australians call the dark clouds of an approaching storm “the razor’s edge.”

AC/DC shook Iran all night long when a computer virus infected nuclear establishments there in July 2012. One of the effects of the worm was that the machines were forced to play this track at full volume during the small hours.

David Mallet, who directed the video for “You Shook Me All Night Long,” returned to work with the band on this clip. Mallet wanted to create the “ultimate performance video,” showcasing AC/DC’s live energy. It was shot at Brixton Academy in London with some innovative camera work. Mallet had Angus do his duckwalk over plexiglass to get footage from underneath, and small cameras were placed on the guitar and on one of the drumsticks.

The Croatian cello duo 2Cellos released an instrumental version of the song in February 2014. The pair are best known for their cover of “Smooth Criminal,” which was performed on the Michael Jackson-themed episode of Glee.

The song was featured in the film Varsity Blues during one of the games when the team is hungover from the night before. AC/DC charged a massive $500,000 for its use, the biggest deal that music supervisor Thomas Golubic (Breaking Bad, The Walking Dead) has ever brokered. “I remember being absolutely horrified when I heard that number,” Golubic recalled to Variety. “And we spent a lot of time coming up with what we thought were great alternates, but there was going to be no budget on that, and they had money so they paid for it.”

In 2004, an Australian movie called Thunderstruck was released. It’s a comedy about five guys who go to an AC/DC show in 1991 and agree to bury the first one who dies next to Bon Scott. 

In Australia, this was used in commercials for the Holden Commodore SS Ute. The commercials were about an Australian Built Ute making a storm in the outback. >


Thunder, thunder, thunder, thunder
I was caught
In the middle of a railroad track
I looked round
And I knew there was no turning back
My mind raced
And I thought what could I do
And I knew
There was no help, no help from you
Sound of the drums
Beating in my heart
The thunder of guns
Tore me apart
You’ve been

Rode down the highway
Broke the limit, we hit the town
Went through to Texas, yeah Texas, and we had some fun
We met some girls
Some dancers who gave a good time
Broke all the rules
Played all the fools
Yeah yeah they, they, they blew our minds
And I was shaking at the knees
Could I come again please
Yeah them ladies were too kind
You’ve been

I was shaking at the knees
Could I come again please

Thunderstruck, Thunderstruck, Thunderstruck, Thunderstruck
It’s alright, we’re doin’ fine
It’s alright, we’re doin’ fine, fine, fine
Thunderstruck, yeah, yeah, yeah
Thunderstruck, Thunderstruck
Thunderstruck, baby, baby
Thunderstruck, you’ve been Thunderstruck
Thunderstruck, Thunderstruck
You’ve been Thunderstruck

Sloan – The Good In Everyone

Jim told me about a Canadian theme coming up and I wanted to make sure I didn’t miss this one. Sloan is a great power-pop band that my two Canadian friends Deke and Dave told me about. The band never made a big impact on America and that was our loss. They formed in 1986 and still have the same band members. 

When I found this song…the song and video are great. The video is a takeoff…a very good takeoff on the movie Easy Rider…the part where they buy the drugs at the airport from the Phil Spector character.

The song peaked at #6 in Canada in 1996.

It was released as the lead single from the band’s third studio album, One Chord to Another.

The music video for “The Good In Everyone” was filmed at Toronto Pearson International Airport. Band members Andrew Scott playing Billy (Dennis Hopper), Chris Murphy playing Wyatt (Peter Fonda), Jay Ferguson playing Connection (Phil Spector) and Patrick Pentland playing the Bodyguard. The entire introductory scene before the music begins is longer than the song itself.


First off, here’s what you do to me
You get rough, attack my self-esteem
It’s not much, but it’s the best I’ve got
And I thought you saw the good in everyone

Ooh, the good in everyone
You see the good in everyone
You see the good in everyone

I close my eyes, I can’t give it up
I close my mind, I can’t get enough
I’m in no shape, I gotta turn it off
Just let it play The Good In Everyone

Ooh, the good in everyone
You see the good in everyone
You see the good in everyone
You see the good in everyone
Ooh, the good in everyone










Joe Walsh – Ordinary Average Guy

Joe Walsh’s career was slowing down when this came out.  It was Walsh’s first album of entirely new music since Got Any Gum?

In 1990, Walsh reunited with former Barnstorm drummer Joe Vitale to co-produce Ordinary Average Guy. This album also features vocal and writing contributions by former Survivor lead vocalist Jimi Jamison as well as backing vocals by Ringo Starr.

This wasn’t Walsh’s best release by a long shot but the song was enjoyable. The song was written by Joe Walsh and Joe Vitale.

Walsh wrote this about his mid-life crisis. It deals with escaping the fame and fortune associated with the life of a rock star. This is a parody of Walsh’s previous release, “Life’s been Good to Me,” which is about rock star excess.

The song was off of Ordinary Average Guy and it peaked at #112 in the Billboard Album Charts in 1991. The song peaked at #3 in the Billboard Mainstream Rock Tracks.

Ordinary Average Guy

I’m just an ordinary average guy
My friends all are boring
And so am I
We’re just ordinary average guys

We all lead ordinary average lives
With average kids
And average wives
We all go bowling at the bowling lanes
Drink a few beers
Bowl a few frames
We’re just ordinary average guys
Ordinary average guys

And every Saturday we work in the yard
Pick up the dog doo
Hope that it’s hard (woof woof)
Take out the garbage and clean out the garage
My friend’s got a Chrysler
I’ve got a Dodge
We’re just ordinary average guys
Ordinary average guys

Ordinary average guy(3x)
Ordinary average average guys

Ordinary average guy(3x)
Ordinary average average average guys

Ordinary average guy(3x)
Ordinary average….

Mavericks – What A Crying Shame

This is officially a country record but with pop leanings. Whatever it is…it still stands up and is really good. I heard this song when it came out and bought the album. The band touches different genres on this album. The song does remind me a little of Dwight Yoakam.

The Mavericks are a country band that combine Tex-Mex, neotraditional country music, Latin, and rockabilly influences. The Mavericks were founded in 1989 in Miami, Florida.

“What a Crying Shame” was also used as the title of their third studio album. It was released in 1994 with songs like “O What a Thrill,” “Here Goes My Heart,” “I Should Have Been True,” and “All That Heaven Will Allow” (a Springsteen cover).

The song peaked at #25 in the Country US Hot Country Songs and #6 in the Canadian Country Charts 1993.

What A Crying Shame

Wasn’t I good to you
Didn’t I show it
And if I ever hurt you
I didn’t know it

If you think I don’t care
Then you’re mistaken
My love was always there
But now my heart’s breakin’

(Oh) baby oh what a crying shame
To let it all slip away
And call it yesterday
Oh baby my life would be so blue
My heart would break in two
Oh what a crying shame

‘Cause I believed in you
From the beginning
I thought our love was true
But now it’s all ending

(Oh) baby oh what a crying shame
To let it all slip away
And call it yesterday
Oh baby my life would be so blue
My heart would break in two
Oh what a crying shame

(Oh) baby oh what a crying shame
To let it all slip away
And call it yesterday
Oh baby my life would be so blue
My heart would break in two
Oh what a crying shame
Oh what a crying shame
Oh what a crying shame
Oh what a crying shame
Oh what a crying shame

Home Improvement

Tim Taylor (Tim Allen), Jill Taylor (Patricia Richardson), Al Borland (Richard Karn), Wilson W. Wilson (Earl Hindman), Randy Taylor (Jonathan Taylor Thomas), Mark Taylor (Taran Noah Smith), Brad Taylor (Zachery Ty Bryan), and Heidi Keppert (Debbe Dunning), and Lisa (Pamela Anderson)

This show is not deep nor did it change television like All In The Family or Seinfeld…but it was fun. A lot of fun with Tim, Jill, Al, Wilson, and the kids. Before I started working in IT I had different jobs. When this show was on I was a supervisor in a woodworking shop. Needless to say this was very popular with everyone there. The show ran from 1991 – 1999 with 204 episodes. To my surprise Home Improvement beat Seinfeld in ratings for a few years.

The shows followed a formula…someone, usually Tim, would do something stupid or say the wrong thing. An argument would ensue and then they would go to their neighbor Wilson and he would give them a quote or a story that would go over Tim’s head. The problem would more or less be solved after that.

The formula was an open secret and the writers would often poke fun at it and themselves.

Tim is what some people would call a modern Neanderthal but he had a heart and learned…but not always too well. More power, more power and Tim would blow something up. He was the host of “Tool Time” a fictional cable show about home improvement and tools. Tim would then get into trouble by adding power to the simplest thing (lawn mower which ran at 60 mph, dish washer with a motor that cranked, a vacuum cleaner that sucked up the drapes) and ended up electrocuting himself, gluing himself to a board, falling through a port a potty, and etc.

Home Improvement': Behind-the-Scenes Facts Not Even Superfans Know ...

If Tool Time would have been a real show…I would have watched just to see what trouble Tim would get into next.

Jill was the typical “straight man” character to her goofy husband. She often gave advice to her boys about girls that exemplified how gentlemen should act. She had a sophistication that was totally opposite of her husband. The more she pushed theater and ballet the more Tim would push a Monster truck rally. She was my favorite 90s sitcom mom hands down. She grounded the show and to me was the most important member. She kept it real and believable.

Home Improvement — See the Cast Then and Now

Tim’s ever suffering Tool Time partner was Al Borland who actually had knowledge and knew what he was doing. A bonafide unhip square but a lovable one, who only wanted the best for everyone. He had a much softer side than Tim and talked about his feelings which horrified Tim. He always wore flannel and Tim always made jokes about that and Al’s very large mother. Al was extremely popular with the fictional viewers of Tool Time.

Home Improvement - Albert E. "Al" Borland is a master plumber and ...

Wilson was a peculiar neighbor with very odd habits but was a wise one. The poor guy couldn’t go outside without solving the Taylor’s problems…even the kids came to him for advice. The show played on the gimmick of only showing Wilson from his nose up…or they covered his face entirely if he wasn’t in front of the fence.

The Savage Brothers: 5 Deceivingly Wholesome Sitcom Characters

There were two tool time girls… Heidi and Lisa

Heidi, the lovely assistant from Tool Time on Home Improvement ...Lisa | Home Improvement Wiki | Fandom

All in all I still enjoy watching the show. It still makes me laugh and the show highlighted the problems most couples have…it was Disney so you will not see them face too many serious topics …just everyday problems that we all have…minus some guy blowing things up.

Pretenders – I’ll Stand By You

Chrissie Hynde wrote this with Tom Kelly and Billy Steinberg. “I’ll Stand by You” was released as the second single from the  1994 album Last of the Independents. It’s a beautiful song that has been covered a few times.

The song peaked at #16 in the Billboard 100, #12 Canada, and #10 in the UK.

For Hynde, working with outside songwriters was different, as she was used to writing on her own. It ended up a very positive experience that led to more collaborations.

Chrissie had said she was uncomfortable about having such a hit but felt better after Noel Gallagher say “he wished he’d written it.”

Chrissie Hynde: “When I did that song, I thought, Urgh this is s–t. But then I played it for a couple of girls who weren’t in the business and by the end of it they were both in tears. I said, OK, put it out.”

From Songfacts

“Tom and I never had a publisher, we both published ourselves. Jason Dauman was somebody who, for a commission, was willing to provide some of the service that a publisher would. He once said to me, ‘Who would you like to collaborate with?’ and it was sort of an annoyance to me. I didn’t take him all that seriously, but almost facetiously I said, ‘Prince, Bruce Springsteen and Chrissie Hynde.

I said those names because they were three of my favorite songwriters and he sort of took it seriously. He went off and I just thought, ‘Well I got rid of him, didn’t I.’ Then a little while later he called me up and he said, ‘Chrissie Hynde wants to write with you and Tom,’ and I thought, ‘Right.’ So anyway, I get a phone call and this woman said, ‘Billy, this is Chrissie Hynde,’ and I thought somebody was playing with me or something. I couldn’t imagine it, but then in a minute it was quite clear that Chrissie was on the other end of the telephone.

Chrissie is a very complicated person, a very no-nonsense person especially when she doesn’t know you. She was a little intimidating on the phone. The butterflies in my stomach were fluttering so much I could barely speak because I love The Pretenders. She said she’d like to get together and write some songs with Tom and me, and I went, ‘Woo Hoo!’ She came to Los Angeles and she was so determined. She said, ‘I want to write a hit.’ Over a period of about two weeks Tom and I wrote a handful of songs with her. The first one we wrote together was called ‘Love Colors Everything.’ Then we wrote ‘Night In My Veins’ which was also a hit single, and we wrote ‘977,’ ‘Hollywood Perfume’ and ‘I’ll Stand By You.'”

Ben E. King’s song “Stand By Me” was a big influence on this.

Steinberg: “‘I’ll Stand By You,’ like the other hits that Tom and I wrote, started out as a lyric that I had in a notebook. I had the title and the chorus lyric. Chrissie is a very, very strong songwriter in her own right. She’s very ruthless, she would get out her pen or her pencil and I remember I was fascinated the way she would write in the notebook because she wouldn’t write on the lines. I use a Mont Blanc fountain pen and I tend to write kind of neatly. She would just scribble across pages. Very few lines would fit on a page and they wouldn’t stay on the line. I remember she would just take a pen and she would cross out any lines I had written that she didn’t like, and usually the lines that she didn’t like would be ones that were too tender or too poetic. She would toughen up stuff I’d written. On ‘I’ll Stand By You’ she added lines and changed lines.”

This was written based on the piano. Tom Kelly played the piano on the record.

Steinberg: “I remember when we wrote it I felt two things: I felt one, we had written a hit song and I felt two, a little sheepish that we had written something a little soft, a little generic for The Pretenders. Whereas ‘Night In My Veins’ really felt like a great Pretenders rocker, ‘I’ll Stand By You’ felt a little generic. I know that Chrissie felt that way too to some extent. I don’t think she really entirely embraced it to begin with, but she certainly does now because when she plays it live, it’s one of the songs that gets the strongest response. It’s done really well for her and for us.” (Check out our Billy Steinberg interview.)

This song has returned to both the UK and US charts with different cover versions. In 2004 Girls Aloud achieved their second UK #1 with their version recorded for the annual BBC Children In Need charity telethon. Girl Aloud Sarah Harding explained in 1000 UK #1 Hits by Jon Kutner & Spencer Leigh that the fivesome “were drawn to the lyrics straight away, we’ve all been in situations where we have needed someone or been there for someone.”

In 2007, Carrie Underwood achieved the highest chart entry by an Idol contestant for a song never performed on the show in competition when her version debuted in the Hot 100 at #6. Her record was later taken by David Archuleta, whose single “Crush” flew straight into the US singles chart at #2.

She added that this song was “really a cold-blooded attempt to write something to get on the radio.”

Other artists to cover this song include Rod Stewart (on his 2006 album Still the Same… Great Rock Classics of Our Time), and Shakira, who released it as a charity single for Hope for Haiti in 2010 to help with earthquake relief. In 2009, the Cast of Glee took the song back to the charts, reaching #73.

Hynde, a resident of England, didn’t know about the Rod Stewart or Carrie Underwood covers until we told her about them.

This was used in a 2013 commercial for Progressive Insurance where their spokesperson, Flo, sings the ballad. As with all songs written by Chrissie Hynde, PETA had to approve the use and royalties from it were sent to the organization.

I’ll Stand By You

Oh, why you look so sad?
Tears are in your eyes
Come on and come to me now
Don’t be ashamed to cry
Let me see you through

‘Cause I’ve seen the dark side too
When the night falls on you
You don’t know what to do
Nothing you confess
Could make me love you less

I’ll stand by you
I’ll stand by you
Won’t let nobody hurt you
I’ll stand by you

So if you’re mad, get mad
Don’t hold it all inside
Come on and talk to me now
Hey, what you got to hide?
I get angry too

Well I’m a lot like you
When you’re standing at the crossroads
And don’t know which path to choose
Let me come along
‘Cause even if you’re wrong

I’ll stand by you
I’ll stand by you
Won’t let nobody hurt you
I’ll stand by you
Take me in, into your darkest hour
And I’ll never desert you
I’ll stand by you

And when
When the night falls on you, baby
You’re feeling all alone
You won’t be on your own

I’ll stand by you
I’ll stand by you
Won’t let nobody hurt you

I’ll stand by you
Take me in, into your darkest hour
And I’ll never desert you
I’ll stand by you
I’ll stand by you
Won’t let nobody hurt you
I’ll stand by you
Won’t let nobody hurt you
I’ll stand by you, won’t let nobody hurt you
Take me in, into your darkest hour
And I’ll never desert you
I’ll stand by you

John Mellencamp – Again Tonight

Go ego trip’n again tonight
Tell the same lies they work all right

Back in 1991, I was going out a lot and I really related to this song. I had the cassette of Whenever We Wanted by Mellencamp and it contained a few hits. This one was a minor hit but the one that I wore out. 

It peaked at #36 in the Billboard 100 but was a bigger hit in Canada where it peaked at #8 in 1991. It did make it to #1 on the Mainstream Rock charts.

This album contained Get A Leg Up, Now More Than Ever, Last Chance, and Love and Happiness.

Whenever We Wanted peaked at #17 in the Billboard Album Charts, #8 in Canada, #39 in the UK, and #40 in New Zealand.

Again Tonight

Run in circles again tonight
Hump the moon again tonight
Gonna wear my dancin’ shoes out tonight
Gonna have myself a big time again tonight

Again tonight
Again tonight
Again tonight

Girl’s got lightning
Underneath her skirt
Boys try to touch it
For whatever it’s worth
In the morning
She’s just gonna be hurt
She wonders is it worth it again tonight


Gonna catch that cloud tonight
Nine, cloud nine
Gonna try and catch that cloud tonight
Nine, cloud nine
Again tonight

Can you hold me baby again, again tonight
Can you sing
Can you dance baby
Can you sing
Can you hold me again tonight
Baby can you sing

Go ego trip’n again tonight
Tell the same lies they work all right
Gonna wear my dancin’ shoes out tonight
Probably make a fool of myself again tonight


Sloan – The Lines You Amend —-Powerpop Friday

This song is by the Candian band Sloan who I’m liking more with every song I listen to. Sloan has been together since 1986 and has been successful in Canada but never broke through in America…which is America’s loss.

The song has a great keyboard hook to open the song… and the music is very melodic. There is even a Ringo Starr mention in the lyrics about Ringo’s song Photograph.

Although set to power pop music the lyrics are about remembering someone after a suicide.

The song was released in 1996 and it was on their One Chord to Another album. The song peaked at #39 in the Canada RPM Top Singles chart and #12 in the Canada Alternative 30 Charts.


The Lines You Amend

Said you’d found a way to end it peacefully
I remember finding shoes near the lake under a tree
And I’m sittin’ on the shore
I thought I saw your charm float by
It doesn’t matter now
‘Cause all you wanted to do was die

If only you’d stuck around
I never would have made a sound
But now you’re on the ocean floor
And I’ve opened a brand new door
Brand new door

Swimming out to sea
Trying to find something else
While I’m skipping stones
And I’m listening to the shells
And I won’t forget you
If someone else comes along

I found the words you wrote
But I would not dare to quote
My friends, the lines you amend
Like “What’s so bad about dying anyway”

Swimming out to sea
Trying to find something else
While I’m skipping stones
And I’m listening to the shells
And I won’t forget you
If someone else comes along
You’ll always come to mind
Whenever I hear that song

The one about photographs
Sung by Ringo Starr
Especially in the chorus part
You always said, “Now don’t you start”

Don’t you start, yeah yeah
Don’t you start
Don’t you start

Black Crowes – Jealous Again

Keith Richards once said about the Black Crowes…” they have me down pretty well.” The riff in this song was played in open G tuning. Many musicians have played in that tuning but Keith Richards made a career out of it. Songs like Start Me Up, Can You Hear Me Knocking, etc… were wrote in that tuning and has a certain sound that you can only get with that.

Rich Robinson the guitar player and brother Chris the singer wrote this song and it does have a Stones feel to it.

The Black Crowes album Shake Your Money Maker was released in 1990. This album shocked me when I heard it. After longing for something with that 70’s tone…here it was with this new band. I always thought they sounded like The Stones/Faces   musically with a Rod Stewart type lead singer.

Jealous Again was the first single off of the album. It only peaked at #75 in the Billboard 100 in 1990. After this single they released “Hard To Handle” and it recieved much more airplay.

Jealous Again

Cheat the odds that made you
Brave to try to gamble at times
Well I feel like dirty laundry
Sending sickness on down the line
Tell you why

‘Cause I’m jealous, jealous again
Thought it time I let you in
Yeah, I’m jealous, jealous again
Got no time, baby

Always drunk on Sunday
Try’n to feel like I’m at home
Smell the gasoline burning
Boys out feeling nervous and cold

[Repeat 1st Chorus]

Stop, understand me
I ain’t afraid of losing face
Stop, understand me
I ain’t afraid of ever losing faith in you

Never felt like smiling
Sugar wanna’ kill me yet
Find me loose lipped and laughing
Singing songs ain’t got no regrets

[Repeat 1st and 2nd Chorus]

Don’t you think I want to
Don’t you think I would
Don’t you think I’d tell you baby
If I only could
Am I acting crazy
Am I just too proud
Am I just plain lazy
Am I, Am I, Am I, ever

[Repeat 1st Chorus]

Iggy Pop – Lust For Life

This song is a pure joy to listen to although the song is about Iggy Pop’s life as a heroin addict. He was trying to get clean around this time and was somewhat sober.

David Bowie co-wrote this song with Pop, with Bowie composing the music on a ukulele. It was inspired by the opening to the American Forces Network News, which they listened to in Berlin.

The song was released in 1977 but didn’t chart. The song was re-released as a single in 1996, featured on the soundtrack for the British film Trainspotting.

While the song didn’t chart when it was first released, this reissue peaked at #26 in the UK in 1996.

Iggy Pop: “Once a week the Armed Forces Network would play Starsky & Hutch and that was our little ritual. AFN would broadcast an ID when they came on the air, a representation of a radio tower, and it made a signal sound, ‘beep-beep-beep, beep-beep-ba-beep.’ And we went, ‘Aha we’ll take that!’. David grabbed his ukulele, worked out the chords, and away we went.”

Lust For Life

Here comes johnny yen again
With the liquor and drugs
And the flesh machine
He’s gonna do another strip tease.
Hey man, where’d ya get that lotion?

I’ve been hurting since I’ve bought the gimmick
About something called love
Yeah, something called love.
Well, that’s like hypnotizing chickens.

Well, I’m just a modern guy
Of course, I’ve had it in the ear before.
I have a lust for life
‘Cause of a lust for life.

I’m worth a million in prizes
With my torture film
Drive a g.t.o
Wear a uniform

All on a government loan.
I’m worth a million in prizes
Yeah, I’m through with sleeping on the sidewalk
No more beating my brains

No more beating my brains
With liquor and drugs
With liquor and drugs.

Well, I’m just a modern guy
Of course, I’ve had it in my ear before
Well, I’ve a lust for life (lust for life)
‘Cause of a lust for life (lust for life, oooo)

I got a lust for life (oooo)
Got a lust for life (oooo)
Oh, a lust for life (oooo)
Oh, a lust for life (oooo)

A lust for life (oooo)
I got a lust for life (oooo)
Got a lust for life.

Well, I’m just a modern guy
Of course, I’ve had it in my ear before
Well, I’ve a lust for life
’cause I’ve a lust for life.

Here comes johnny yen again
With the liquor and drugs
And the flesh machine
He’s gonna do another strip tease.

Hey man, where’d ya get that lotion?
Your skin starts itching once you buy the gimmick
About something called love
Love, love, love
Well, that’s like hypnotizing chickens.

Well, I’m just a modern guy
Of course, I’ve had it in the ear before
And I’ve a lust for life (lust for life)
‘Cause I’ve a lust for life (lust for life)

Got a lust for life
Yeah, a lust for life
I got a lust for life
A lust for life
Got a lust for life
Yeah a lust for life
I got a lust for life

Lust for life
Lust for life
Lust for life
Lust for life
Lust for life


Mad and Cracked Magazine…a quick look

To those that it applies…Happy Independence Day! I’ll have a couple of songs coming up related to Independence Day.

I never got into comic books like Marvel or DC…I would save up my allowance for Cracked and Mad magazine…and records of course. Mad Magazine was by far the most popular out of all of the satire comic magazines. William Gaines was the publisher of Mad magazine and was brilliant.

William Gaines – sendingdeadletters

1952 – Present…now you an only get Mad from Comic Book Shops or order it. The new editions consist of mostly material from their archive.

Cracked was known as the poor man’s Mad but I still liked it and the magazines shared some writers and artists through the years. I bought my first Cracked Magazine when Mad was sold out but I never missed an issue after that.

1958-2007 Now the name is alive on a website but no longer a comic.

Alfred E Newman and Sylvester P. Smythe

Sylvester P. Smythe | The Belated NerdSylvester P. Smythe | Cracked Wiki | Fandom

Don Martin was my favorite artist. He was one of Mad’s most famous artists. He was there from 1956 to 1988. He was known as “Mads Maddest Artist” and then moved to Cracked and was jokingly known as “Cracked’s Crackedest Artist.”

Fellow Cracked artist Dan Clowes: “As far as I could tell, he was happy,  don’t think he ever seemed to notice that Mad was respected, whereas Cracked was loathed.”

Completely Mad Don Martin TPB (1974 Warner Books) A MAD Big Book ...

Cracked #235 May 1988 cover by Don Martin | Mad magazine, Vintage ...


AC/DC – Moneytalks—- Songs That Reference Money

This is the band’s highest-charting single to date in the United States. During their subsequent world tour, thousands of “Angus Bucks” were dropped on the audience during the song.

If you have one of those dollar bills…don’t’ quit your day job…they are worth around 3 bucks….of real money.

AC/DC Films Moneytalks Promo On This Day 6 November 1990 | AC/DC ...

This was somewhat of a comeback for AC/DC when they recorded The Razors Edge album, it outsold their previous three by a wide margin. On this album, Angus and Malcolm Young wrote not only the music but also the lyrics, a task that fell to lead singer Brian Johnson in the past. Johnson didn’t have a problem with it…he said he was out of ideas at the time.

Thunderstruck was popular but they never did release that as a single.

Moneytalks peaked at #23 in 1991 in the Billboard 100,

The Razor’s Edge peaked at #2 in the Billboard Album Charts, #4 in the UK, and #1 in Canada.



From Songfacts

Money talks, bulls–t walks. But AC/DC has little regard for what Angus Young called “the rich and the faceless,” the guys in suits smoking cigars and enjoying their luxury lifestyles. The big chorus on its own sounds like a salute to money, but a listen to the verses reveals the opposite: it’s a takedown of those who flaunt their wealth, and commentary on how money divides us. AC/DC got very rich, but they stayed grounded.

“Thunderstruck” was the lead track on The Razors Edge and the most enduring song from the album, but it wasn’t sold as a single in America. “Moneytalks” was, reaching a very respectable #23 in the States.

Also, Malcolm Young got sober after a bout with alcoholism, and drummer Chris Slade joined the band, replacing Simon Wright. They also used a new producer, Bruce Fairbairn, a Canadian who helmed hit albums for Aerosmith, Bryan Adams and Bon Jovi.

AC/DC printed their own dollar bills to promote this song, putting Angus Young on the front in place of George Washington. On the Razors Edge tour, these “Angus Bucks” would blow onto the crowd; the music video opens with one set on fire.

AC/DC took some liberties with the title, turning the phrase “money talks” into one word. They also played fast and loose with the grammar on the album title, leaving out the apostrophe in The Razors Edge.

Around the same time, there was a song with a similar title on the charts: “Dirty Cash (Money Talks)” by The Adventures Of Stevie V. That one has a similar sentiment but is an R&B tune.


Tailored suits, chauffeured cars
Fine hotels and big cigars
Up for grabs, up for a price
Where the red hot girls keep on dancing through the night
The claim is on you
The sights are on me
So what do you do
That’s guaranteed
Hey little girl, you want it all
The furs, the diamonds, the painting on the wall

Come on, come on, love me for the money
Come on, come on, listen to the moneytalk
Come on, come on, love me for the money
Come on, come on, listen to the moneytalk

A French maid, foreign chef
A big house with king size bed
You’ve had enough, you ship them out
The dollar’s up, down, you’d better buy the pound
The claim is on you
The sights are on me
So what do you do
That’s guaranteed
Hey little girl, you broke the laws
You hustle, you deal, you steal from us all

Come on, come on, love me for the money
Come on, come on, listen to the moneytalk
Come on, come on, love me for the money
Come on, come on, listen to the moneytalk

Moneytalks, yeah, yeah

Money talks, B.S. walks
Money talks, come on, come on

Come on, come on, love me for the money
Come on, come on, listen to the moneytalk
Come on, come on, love me for the money
Come on, come on, listen to the moneytalk

Come on, come on, love me for the money (moneytalks)
Come on, come on, listen to the moneytalk (moneytalks)
Come on, come on, love me for the money (I hear it talk)
Come on, come on, listen to the moneytalk (yeah, yeah)

My 10 Favorite Powerpop Songs

As you may have guessed by now I’m an extreme fan of power pop. This list was hard to write…I kept changing most of it… but I knew the top choice and worked from there.

I just gave my self ten choices or I would have gone on and on. A lot of artists and their songs were left off…such as Todd Rundgren, The Cars, Sloan, The Lemon Twigs, The Flamin’ Groovies, The Shivvers, The Jayhawks,  and too many more to mention.

10. The Ride – Twisterella– 1992 – I found this a few months back and have been listening to it ever since.

9. The Records – Starry Eyes– 1979 – Great song. Starry Eyes would end up being The Record’s best-known song. Robert John “Mutt” Lange produced their debut album for The Records.

8. The La’s – There She Goes– 1990 – A very good power pop song that has no verses…It just repeats the chorus four different ways four different times…but that doesn’t matter.

7. Cheap Trick – Voices– 1980 – One of my top Cheap Trick songs. Robin Zanders voice sounds great in this Beatlesque song.

6. The Who –Pictures of Lily– 1967 –  When this song came out Pete Townshend coined the name “power pop” and this song is about the childhood…lusts…of a boy.

5. Raspberries – Overnight Sensation (Hit Record)– 1974 – An epic song by the Raspberries. Not their most popular…that would be “Go All The Way” but this encapsulates everything power pop is about. Bruce Springsteen on Overnight Sensation: It’s one of the best little pop symphonies you’ll ever hear.

4. Big Star – The Ballad of El Goodo – 1972 – The tone of the guitars, harmonies and the perfect constructed chorus keeps me coming back listen after listen.

3. Badfinger –No Matter What– 1971 – The only band to make this list twice. Why? because this song defines the crunchy power pop of bands like Cheap Trick to come.

 2. Tom Petty – American Girl– 1977 – The Rickenbacker, the hook, and a Byrds sounding track.



  1. Badfinger – Baby Blue – 1972 – The number one song was the easiest decision of the list. The rest were changed a few times…this one for me is a no-brainer. This song is the perfect power pop song…strong vocals, Crunchy Brit  guitar, great hook,  and great melody

Gin Blossoms – Follow You Down —-Powerpop Friday

The Gin Blossoms made some good power pop in the 90s.

This song was released in 1996 and was part of a double A-side with Til I Hear It From You. The song peaked at #7 in the Billboard 100, #1 in Canada, and #30 in the UK in 1996. Billboard lists the song as Follow You Down/Til I Hear It From You. It did hit #1 in the Billboard Alternative Charts.

The song was on the album Congratulations… I’m Sorry and it peaked at #10 in the Billboard Album Charts in 1996.

The song was written by D. Scott Johnson, Jesse M. Valenzuela, Phillip Rhodes, Phillip N. Rhodes, Robin Wilson,  and William Leen.

The Gin Blossoms broke up in early 1997 but reunited in 2002. They still perform to this day but with some personnel changes.

Follow You Down

Did you see the sky?
I think it means that we’ve been lost
Maybe one last time is all we need
I can’t really help it
If my tongue’s all tied in knots
Jumping off a bridge is just the farthest
That I’ve ever been

Anywhere you go, I’ll follow you down
Anyplace but those I know by heart
Anywhere you go, I’ll follow you down
I’ll follow you down, but not that far

I know we’re headed somewhere
I can see how far we’ve come
But still I can’t remember anything
Let’s not do the wrong thing
And I’ll swear it might be fun
It’s a long way down
When all the knots we’ve tied have come undone

Anywhere you go, I’ll follow you down
Anyplace but those I know by heart
Anywhere you go, I’ll follow you down
I’ll follow you down, but not that far

How you gonna ever find your place
Running in an artificial pace
Are they gonna find us lying face down in the sand
So what the hell now we’ve already been forever damned

Anywhere you go, I’ll follow you down
Anyplace but those I know by heart
Anywhere you go, I’ll follow you down
I’ll follow you down, but not that far

Counting Crows – Round Here

I thought the Counting Crows were refreshing when I heard Mr. Jones. I liked Adam Duritz’s voice a lot. The music press went over the top on hype though for The Counting Crows. Round Here was on their debut album August And Everything After which peaked at #4 in 1994 in the Billboard Album Charts.

The song peaked at #7 in the Billboard US Alternative Songs Charts, #70 in the UK, and #6 in Canada in 1994

This song won Best Rock Performance By A Duo Or Group With Vocal and one for Best New Artist

Adam Duritz: “This is a song about me,” “The song begins with a guy walking out the front door of his house and leaving behind this woman. But the more he begins to leave people behind in his life, the more he feels like he’s leaving himself behind as well, and the less substantial he feels about himself. That’s sort of what the song’s about: even as he disappears from the lives of people, he’s disappearing more and more from his own life.”


From Songfacts

This song dates back to Adam Duritz’ days in a band called the Himalayans, which he joined when he was a student at the University of California. That band – guitarist Dan Jewett, bass player Dave Janusko and drummer Chris Roldan – wrote the music for the song, to which Duritz added lyrics. The song became their most popular at concerts, and when Duritz formed Counting Crows, he brought the song with him. With his new bandmates Steve Bowman, David Bryson, Charlie Gillingham and Matt Malley, he worked up a new version of the song that was included on their first album, August And Everything After. Duritz made sure to credit everyone in both bands with writing the song, so “Round Here” has eight different writers listed on the composer credits.

The theme of childhood promises not panning out is one that shows up a lot in Duritz’ lyrics. In the chorus of this song, he lists some sayings that our parents often say: “Around here we always stand up straight,” “Around here we’re carving out our names.”

Said Duritz: “You’re told as a kid that if you do these things, it will add up to something: you’ll have a job, you life. And for me, and for the character in the song, they don’t add up to anything, it’s all a bunch of crap. Your life comes to you or doesn’t come to you, but those things didn’t really mean anything.

By the end of the song, he’s so dismayed that he’s screaming out that he gets to stay up as late as he wants and nobody makes him wait; the things that are important to a kid – you don’t have to go to bed, you don’t have to do anything. But they’re the sort of things that don’t make any difference at all when you’re an adult. They’re nothing.”

At the time, Counting Crows didn’t release singles in America, and it wasn’t until 1998 that Billboard allowed songs to chart on their Hot 100 that weren’t released as singles. As a result, the song is a chart anomaly: a very popular song that never showed up. It did make #31 on the Airplay chart, which was later integrated in the Hot 100. The group didn’t release singles so listeners would be compelled to buy the albums – a far more lucrative purchase, and arguably a more complete listening experience.

The band often plays extended versions of this song at concerts, which can be heard on the 10 minute performance on the song on their 2013 live album Echoes of the Outlaw Roadshow. “I think one of the nice things about playing music is a sense that whatever I want to do is okay,” Adam Duritz said in our 2013 interview. “As long as I’m really expressing something, then any way I want to express the song, it’s fine.”

Counting Crows made a video for this song, which was directed by Mark Neale, who would later direct The Verve Pipe’s video for “The Freshman” and the documentary Faster. It was the second video the band made (following “Mr. Jones”), and the last one they made for the album, since Adam Duritz wanted the band to scale back promotion when they became wildly popular. “I saw people around me putting out records that got a little too big, and that was the end of them,” Duritz told us. “I didn’t want that for us, so I stopped it.”

Round Here

Step out the front door like a ghost
Into the fog where no one notices
The contrast of white on white.

And in between the moon and you
The angels get a better view
Of the crumbling difference between wrong and right.

I walk in the air between the rain,
Through myself and back again.
Where? I don’t know
Maria says she’s dying.
Through the door, I hear her crying
Why? I don’t know

‘Round here we always stand up straight
‘Round here something radiates

Maria came from Nashville with a suitcase in her hand
She said she’d like to meet a boy who looks like Elvis
And she walks along the edge of where the ocean meets the land
Just like she’s walking on a wire in the circus
She parks her car outside of my house, takes her clothes off,
Says she’s close to understanding Jesus
She knows she’s more that just a little misunderstood
She has trouble acting normal when she’s nervous

‘Round here we’re carving out our names
‘Round here we all look the same
‘Round here we talk just like lions
But we sacrifice like lambs
‘Round here she’s slipping through my hands

Sleeping children got to run like the wind
Out of the lightning dream
Mama’s little baby better get herself in
Out of the lightning

She says, “It’s only in my head.”
She says, “Shh, I know it’s only in my head.”

But the girl on the car in the parking lot
Says: “Man, you should try to take a shot
Can’t you see my walls are crumbling.”

Then she looks up at the building
And says she’s thinking of jumping.
She says she’s tired of life;
She must be tired of something.

‘Round here she’s always on my mind
‘Round here (hey man) I got lots of time
‘Round here we’re never sent to bed early
And nobody makes us wait
‘Round here we stay up very very very very late

I can’t see nothing, nothing
Around here
You catch me if I’m falling
You catch me if I’m falling
Will you catch me because I’m falling down on here
I said ” I’m under the gun”
‘Round here.
Oh man I said “I’m under the gun”
‘Round here.
And I can’t see nothin’, nothin’.
‘Round here.