Jackson 5 – Santa Claus is Coming to Town

Merry Christmas to the entire wordpress world. This is a great community we have going on and I hope everyone has a wonderful day today.

I just heard the  Jackson 5 version again yesterday. Every year I usually post the Bruce version…that one is my favorite version but I wanted to changed it up this year.

I’ve never been a huge Michael Jackson fan except with the Jackson 5. He was immensely talented and had some great selling albums. Maybe it was just  being burned out hearing him.. The Jackson 5 though I really liked and still do. I thought they had some great pop/soul/bubblegum singles in the early to mid seventies.

This version was released in 1970 and it peaked at #46 in the Billboard 100 and it came off the album Jackson 5 Christmas Album. The album peaked at #53 in the Billboard Album Charts and #45 in Canada.

According to Wiki: The album spent four weeks at the number one position on Billboard magazine’s special Christmas Albums chart that the magazine published in December 1970, making it the best-selling Christmas album of that year and also of the year 1972 in the United States.

According to a Top 30 list released by the performance rights organization ASCAP in December 2014, this is the most-performed holiday song of all time. “The Christmas Song (Chestnuts Roasting on an Open Fire)” was ranked second and “White Christmas” third.

This was written in 1932 by Haven Gillespie and J. Fred Coots. They had trouble convincing anyone to produce it because it was seen as a kids’ song, which would have been very hard to sell. The big break came when Eddie Cantor sang it on his radio show in 1934, and the song became an instant hit. Coots was a writer for Cantor’s show and pushed for the host to perform it. Cantor was going to pass on the song but was convinced by his wife, Ida, to give it a try.

One of the most successful Christmas carols of all time, this was outsold only by “Rudolph The Red-Nosed Reindeer” and “White Christmas.”

Santa Clause Is Coming To Town

Santa Claus is comin’ to town
Santa Claus is comin’ to town

You better watch out
You better not cry
You better not pout
I’m telling you why

Santa Claus is comin’ to town
Santa Claus is comin’ to town
Santa Claus is comin’ to town

He is making a list
And checking it twice
Gonna find out who’s naughty and nice

Santa Claus is comin’ to town, oh yeah
Santa Claus is comin’ to town
Santa Claus is comin’ to town

He sees you when you’re sleeping
He knows when you’re awake
He knows if you’ve been bad or good
So be good for goodness sake

Oh, you d better watch out
You better not cry
Better not pout
I’m telling you why

Oh, Santa Claus is comin’ to town, oh yeah
Santa Claus is comin’ to town
Santa Claus is comin’ to town, woo hoo

Woo hoo
Woo hoo
Santa Claus is comin’ to town
Santa Claus is comin’ to town
Santa Claus is comin’ to town

Little tin horns
And little toy drums
Rooty-toot-toot
And rump-a-tum-tums
Curly-haired dolls
That tootle and coo
Elephants, boats and kiddie cars too

Oh, Santa Claus is comin’ to town, oh yeah
Santa Claus is comin’ to town
Santa Claus is comin’ to town

One more time now

Santa Claus is comin’ to town, oh yeah
Santa Claus is comin’ to town
Santa Claus is comin’ to town

Lynyrd Skynyrd – I Need You

This album track came off of their second album Second Helping released in 1974. It was less than a year after their fantastic debut album called Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd. 

In my opinion they had some good albums after this one but not until their final one Street Survivors  did they match their first two.

Second Helping contained their big hit Sweet Home Alabama.  The album peaked at #12 in the Billboard Album Chart and #9 in Canada in 1974.

They played schools, parties, and bars for years before they hit it big. The band was first discovered in a rock club called Funnochio’s, on Peachtree Street in Atlanta, Georgia, in 1972. They were found by the famous Al Kooper, who had just landed an executive position at MCA Records and was searching to find some new talent for MCA’s “Sounds of the South” label. At that time Kooper was on tour supporting Badfinger at the time.

This album was produced by Al Kooper who was a founding member of Blood, Sweat, and Tears and he also played organ on Bob Dylan’s classic Like A Rolling Stone.

The three guitar attack was important with this band but it was Ronnie Van Zant’s songwriting that made them what they were. This song is a little slower but has that Skynryd build up of guitars. The band had some great album cuts and this is one of them.

Al Kooper: “Ronnie Van Zant was Lynyrd Skynyrd. I don’t mean to demean the roles the others played in the group’s success, but it never would have happened without him. His lyrics were a big part of it – like Woody Guthrie and Merle Haggard before him, Ronnie knew how to cut to the chase. And Ronnie ran that band with an iron hand. I have never seen such internal discipline in a band. One example: These guys composed all of their guitar solos. Most bands improvised solos each time they performed or recorded. Not them. Ronnie’s dream was that they would sound exactly the same every time they took the stage.” 

I Need You

Ain’t no need to worry
There ain’t no use to cry
‘Cause I’ll be comin’ home soon
To keep you satisfied

You know I get so lonely
That I feel I can’t go on
And it feels so good inside babe
Just to call you on the telephone
An’ I said…

Ooh baby I love you
What more can I say
Ooh baby I need you
I miss you more everyday

I woke up early this mornin’
And sun came shining down
And it found me wishin’ and a’hoping
Mama you could be around

Well you know I need you
More than the air I breathe
And I guess I’m just tryin’ to tell you woman
Oh what you mean to me yeah, yeah

Ooh baby I love you
What more can I say
Ooh baby I need you
I miss you more everyday
What I say…

I’m tryin’ to tell you I love you
In each and every way
I’m tryin’ to tell you I need you
Much more than just a piece of leg

Ooh baby I love you
What more can I say
Ooh baby I need you
I miss you more everyday

Ooh baby I love, love, love, love you
What more can I say yeah
‘Cause ooh baby I need your sweet lovin’
I miss you more an’ more everyday

Ooh baby I love you
Baby, baby I need ya

….

Flamin’ Groovies – Whiskey Woman

This band was never huge but should have been. They were many things…a blues rock band and then blossomed into a great power-pop band. This song is during their blues/rock period.

It is off of their album Teenage Head. Years later a band in Canada were influenced by the Flaming Groovies…a band named after this album… Teenage Head. This album and Sticky Fingers by the Stones were released within weeks of each other. Mick Jagger reportedly noticed the similarities between the Groovies Teenage Head album … and thought the Flamin’ Groovies did the better take on the theme of classic blues and rock ‘n roll revisited in a modern context.

It’s a mid-tempo song  but when the vocal hits we have a hint of Sun Records slap back and I love it. Lead singer Roy Loney left the band just three weeks after Teenage Head was released. Some critics hold it up to  Sticky Fingers.

By the end of the sixties they clashed over where to go. Loney was more Stones and Cyril Jordon leaned toward the Beatles. Loney left in 1971 and they got an 18 year old lead singer named Chris Wilson and the power pop era began.

Whiskey Woman

I’ve been hungry all day long
For that girl whose wastin’ time
She was here but now she’s gone
I’ve got a taste for wine

Whiskey woman, why can’t you
See the hell you put me through?
We are tears dressed in blue

As I sit and write this song
You’re the one thing on my mind
We’ve been lovers far too long
The good times were passin by

Whiskey woman, I feel good
Locked me in her womanhood
Like I always knew she would

Yeah

Whiskey woman, I want you
Whiskey woman, I want you
Whiskey woman, I want you

Come on, come on
I want you
I want you
I want you

Where is the woman
Where are you
Where, where are you?
I want you
I want you, yeah

I want you
I want you
Where are you?

Where are you
Where are you
Oh, where are you?

Badfinger – Without You

Ever since I wrote about Baby Blue by Badfinger for Hanspostcard’s draft…I have been listening to them again and I wrote up a few posts so I thought I would make a weekend of it…so lets start the weekend a little early!

Most everyone knows this song by Harry Nilsson and some by Mariah Carey. Harry to me has the definitive version but Pete Ham and Tom Evans of Badfinger wrote it as a simple blues song. They never dreamed it would be turned around into an epic song.

The song was originally on the No Dice album released in 1970. The album peaked at #28 in the Billboard 100. The album spawned the hit No Matter What that peaked at #8 in 1970.

Badfinger - No Dice | Releases, Reviews, Credits | Discogs

Without you was not released as a single and it wasn’t meant to be. Pete and Tom put together two songs they were writing… Pete’s in the verses and Tom’s chorus. They always thought of it as a little blues song that was an album cut.

Badfinger were in the studio one night and Nilsson called them over to listen to what he had recorded. They had no clue he was recording their song…when they heard Harry’s version it blew them away. Over 180 artists have recorded the song since then. The band didn’t start getting royalities from this song or much of anything else until `1985 when the court case was settled. Their former manager tried to get his hands on it then but wasn’t successful. The two families of Ham and Evans…received some of the money for the late songwriters.

You can’t really compare the versions. Badfinger never meant it to be commercial sounding and who could sing like Harry Nilsson?

In a way…this song sums up Badfinger perfectly. 

Without You

Well, I can’t forget this evening
And your face when you were leaving
But I guess that’s just the way the story goes
You always smile, but in your eyes your sorrow shows
Yes, it shows

Well, I can’t forget tomorrow
When I think of all my sorrow
I had you there, but then I let you go
And now it’s only fair that I should let you know
What you should know

I can’t live, if living is without you
I can’t live, I can’t give any more
I can’t live, if living is without you
I can’t live, I can’t give anymore

Well, I can’t forget this evening
And your face when you were leaving
But I guess that’s just the way the story goes
You always smile, but in your eyes your sorrow shows
Yes, it shows

Oh

I can’t live, if living is without you
I can’t live, I can’t give any more
I can’t live, if living is without you
I can’t live, I can’t give anymore

I can’t live, if living is without you
I can’t live, I can’t give any more
I can’t live, if living is without you
I can’t live, I can’t give anymore

I can’t live, if living is without you
I can’t live, I can’t give any more
I can’t live, if living is without you
I can’t live, I can’t give anymore

I can’t live, if living is without you

Beatles – Glass Onion

The Walrus was Paul! I never knew that John. This song was written by John and Paul but mostly a John song. The song was about people trying to analyze the lyrics to Beatle songs.

Lennon mentioned other Beatles songs in the lyrics: “Strawberry Fields,” “I am the Walrus,” “Lady Madonna,” “The Fool on the Hill,” and “Fixing a Hole.”  One phrase in the song is “cast iron shore,” which is actually a nickname for a coastal area of south Liverpool also known by the locals as “The Cazzy.”

John had started the song during their spring 1968 visit to Rishikesh, India to study Transcendental Meditation with the Maharishi. Most of the songs written in India ended up on the terrific White Album. The most eclectic album The Beatles ever did.

A new name was needed for a newly signed Apple band called The Iveys. John suggested Glass Onion…this was rejected, along with another Lennon suggestion “Prix.” The band  went with the working title for the Beatles song With A Little Help From My Friends… Bandfinger Boogie. They shortened it and became the great power pop band Badfinger.

John Lennon: “I was having a laugh because there had been so much gobbledegook about ‘Pepper,’ play it backwards and you stand on your head and all that.” 

Paul McCartney: “He and Yoko came round to Cavendish Avenue and John and I went out into the garden for half an hour, because there were a couple of things he needed me to finish up, but it was his song, his idea…It was a nice song of John’s.  We had a fun moment when we were working on the bit, ‘I’ve got news for you all, the walrus was Paul.’  Because, although we’d never planned it, people read into our songs and little legends grew up about every item of so-called significance, so on this occasion we decided to plant one.  What John meant was that in ‘Magical Mystery Tour,’ when we came to do the costumes on ‘I Am The Walrus,’ it happened to be me in the walrus costume.  It was not significant at all, but it was a nice little twist to the legend that we threw in.  But it was John’s song.  I’d guess I had minor input or something as we finished it up together…We still worked together, even on a song like ‘Glass Onion’ where many people think there wouldn’t be any collaboration.”

From Songfacts

John Lennon used meaningless lyrics to confuse people who were reading too much into his songs. He got a kick out of people trying to analyze his lyrics.

A glass onion is a coffin with a see-through lid. Because of this, it became a big part of the “Paul is Dead” hoax. Another clue for those who believed the hoax: Lennon sang, “The Walrus is Paul.” In many European countries, a walrus represents death. 

Lennon wanted to name one of the bands they signed to Apple Records “Glass Onion.” They chose “Badfinger” instead.

One theory is that “Glass Onion” refers to Lennon’s opinion of the yogic concept of the lotus with its layered petals (layers of consciousness to be stripped away, much like an onion, through meditation) as a bunch of transparent bull used by the Maharishi to manipulate and seduce. He’s also saying the Maharishi’s whole shtick stinks and is a crying shame. 

When Lennon sings about the “Cast Iron Shore,” he’s referring to what was an area of beach at Liverpool, that is now partly built over. This area of Liverpool is called Otterspool. 

According to Mojo magazine, the Beatles recorded 34 takes of the song’s basic rhythm track on Wednesday September 11, 1968, then returned the next day to overdub Lennon’s vocal and again on Friday and the following Monday for further overdubs. On October 10th George Martin, after returning from holiday, added the string section.

Lennon explained to Rolling Stone in a 1971 interview why he said “The Walrus is Paul.” Said Lennon: “‘I Am The Walrus’ was originally the B side of ‘Hello Goodbye.’ I was still in my love cloud with Yoko and I thought, well, I’ll just say something nice to Paul: ‘It’s all right, you did a good job over these few years, holding us together.’ He was trying to organize the group, and organize the music, and be an individual and all that, so I wanted to thank him. I said ‘the Walrus is Paul’ for that reason. I felt, ‘Well, he can have it. I’ve got Yoko, and thank you, you can have the credit.'”

Glass Onion

I told you about strawberry fields
You know the place where nothing is real
Well here’s another place you can go
Where everything flows.

Looking through the bent-backed tulips
To see how the other half live
Looking through a glass onion.

I told you about the walrus and me, man
You know we’re as close as can be, man
Well here’s another clue for you all
The walrus was Paul.

Standing on the cast iron shore, yeah
Lady Madonna trying to make ends meet, yeah
Looking through the glass onion

Oh yeah, oh yeah, oh yeah
Looking through the glass onion.

I told you about the fool on the hill
I tell you man he’s living there still
Well here’s another place you can be
Listen to me.

Fixing a hole in the ocean
Trying to make a dove-tail joint, yeah
Looking through a glass onion.

Who – Tommy Can You Hear Me

A short song off of their 1968 album Tommy.

The rock opera Tommy tells the story of a “deaf, dumb, and blind” kid who becomes a Pinball Wizard and then a spiritual leader. The double album was The Who’s break though album. They performed the album in concert halls and opera theaters.

On their second album A Quick One, they were short of material, Kit Lambert (manager) encouraged Pete to create a mini-opera called A Quick One, While He’s Away by combining a suite of song snippets. By 1968 he was developing a full-album concept called Deaf, Dumb And Blind Boy, inspired by Indian spiritual mentor Meher Baba.

When the album was released to the world it was a huge hit… It was their first album to get into the top ten or the top forty for that matter in America. It wasn’t for the lack of trying. They released some great albums that only the UK enjoyed..they also had singles that rivaled the Kinks, Beatles, and Stones but were not heard here until the compilation album Meaty Beaty Big and Bouncy was released in 1971.

I like the Tommy album although it’s not my favorite Who album…that would be Who’s Next. I always thought the album sounded thin compared to the live version they played in 1969 and 70.

Unlike other bands such as the Stones…Townshend encouraged the others to write because he carried most of the burden. Entwistle was the most prolific writer next to Townshend. Daltrey and Moon only wrote occasionally.

All of them contributed vocals to this one.

From Songfacts

“Tommy Can You Hear Me?” is the sixth track on the first side of the second album (third side overall) and acts as a transition between two narratively important songs, “Go To The Mirror!” and “Smash the Mirror.”

In “Go to the Mirror!” a doctor (played by Jack Nicholson in the film version) tells Tommy’s parents that their son’s lifelong handicap is entirely psychosomatic, basically meaning it’s all in his head. That song leads into “Tommy Can You Hear Me?” In this track, the lyrics are meant to be the words of Tommy’s mother, who is extra frustrated by Tommy’s inability to hear her now that she knows it’s all in his head.

“Tommy Can You Hear Me” leads into “Smash the Mirror,” in which Tommy can indeed see his own reflection, but still doesn’t register seeing his mother, which enrages her so much, she shoves Tommy through a mirror. This scene leads to Tommy’s eventual awakening as a spiritual figure..

Bob Dylan references this song in “Murder Most Foul” with the lyric, “Tommy, can you hear me? I’m the Acid Queen.” That line also mentions “The Acid Queen,” which is another track on Tommy.

Tommy Can You Hear Me

Tommy can you hear me?
Can you feel me near you?
Tommy can you see me?
Can I help to cheer you?
Ooooh Tommy
Tommy
Tommy
Tommy

Tommy can you hear me?
Can you feel me near you?
Tommy can you see me?
Can I help to cheer you?
Ooooh Tommy
Tommy
Tommy
Tommy

Tommy can you hear me?
Can you feel me near you?
Tommy can you see me?
Can I help to cheer you?
Ooooh Tommy

Tommy
Tommy
Tommy
Tommy
Tommy
Tommy

Tommy
Tommy
Tommy
Tommy
Tommy

Kinks – Dandy

If you heard this song on the radio in the sixties it probably wasn’t the Kinks version unless you lived in Germany where it peaked at #1, The Netherlands where it peaked at #3 and #2 in Belgium.

The mighty Herman Hermits covered the song and it peaked at #5 in the Billboard 100, #1 in Canada, #3 in New Zealand…sometimes life just isn’t fair.

It is said to have been written about Dave Davies, mostly about his rock star lifestyle… Dave confirmed in the documentary about Dave Davies.

The song was on the Face to Face album.. one of the first rock and roll concept albums.  In the album’s original inception, Davies attempted to bridge the songs together with sound effects, but was forced to revert to the more standard album because of the record company.

Ray Davies: “I think it was about someone, probably me, who needed to make up his mind about relationships. Also about my brother, who was flitting from one girl to another. It’s a more serious song than it seems. It’s about a man who’s trapped by his own indecision with relationships and lack of commitment. That’s the way I’d write it now, but when I was twenty-two or twenty-three I wrote it about a jovial person who’s a womanizer.”

From Songfacts

Running to just 2 minutes 22 seconds, “Dandy” was written by Ray Davies, and is the third track on the band’s 1966 Face To Face album. 

The song ends with the line “…Dandy, you’re all right”.

Sadly, this sentiment was not reciprocated; in the aforementioned documentary, Dave Davies said that he loved his brother, even though he was an arsehole! 

“Dandy” was released as a single in Europe on the Pye label backed by “Party Line.” The single was produced by Shel Talmy, who worked on most of the early Kinks material. 

I’m so sorry but I feel I’m obliged to post the Colossal Hermit’s version also. 

Dandy

Dandy, Dandy
Where you gonna go now?
Who you gonna run to?
All you life
You’re chasing all the girls,
They can’t resist your smile.
Oh, they long for Dandy, Dandy.

Checkin’ out the ladies,
Tickling their fancy,
Pouring out your charm
To meet all your own demands,
And turn it off at will.
Oh, they long for Dandy, Dandy.

Knockin’ on the back door,
Climbing through the window,
Hubby’s gone away,
And while the cat’s away,
The mice are gonna play.
Oh, you low down Dandy, Dandy.
Dandy

Dandy you know you’re moving much too fast,
And Dandy, you know you can’t escape the past.
Look around you and see the people settle down,
And when you’re old and grey you will remember what they said,
That two girls are too many, three’s a crowd and four you’re dead.

Oh Dandy, Dandy,
When you gonna give up?
Are you feeling old now?
You always will be free,
You need no sympathy,
A bachelor you will stay,
And Dandy, you’re all right.
You’re all right.
You’re all right.
You’re all right.
You’re all right.
You’re all right.

Runaways – American Nights

I’ve always liked the Runaways. They were punk, rock, and some pop thrown in together. Their best known song is Cherry Bomb and it has gained popularity in the last decade because of the 2010 movie about them and the song  included on the Guardians of the Galaxy soundtrack. 

This song was written by Mark Anthony and Kim Fowley. It was on their self-titled debut album released in 1976.

The Runaways were formed in 1975 by producer Kim Fowley after guitarist Joan Jett and drummer Sandy West introduced themselves to him in hopes of starting a group. They eventually went on to recruit Lita Ford, Jackie Fox, and Cherie Currie. Lead singer, Currie, went into her audition with a rendition of Peggy Lee’s “Fever.” 

Robert Plant played a joke on them and told them it was fun to collect (steal) hotel keys in England. The keys were big and ornate, and somewhat valuable, so when the band tried to enter France, they were detained by Customs. They had to cancel their show.

Joan Jett on her one arrest: “It was in England, on the first Runaways tour, about to catch the ferry to France. I blame Robert Plant, because we once asked him what souvenirs we should get on the road; he said he took hotel room keys. In England, the keys were big, ornate, metal things. I had four. At customs, the guy said, ‘Hmm, sticky fingers, you’re under arrest’, and put me in a jail cell.”

Robert Plant of Led Zeppelin backstage with The Runaways at their show in  Los Angeles, CA, 1975 photo by Barry Schultz: ledzeppelin

American NIghts

Clean rock n roll
Makes the midnight flow tonight now
It’s hot tonight
Come on let’s have a good time
In the dark of the night
We hunt for fun
Chasing after the moonlight
Hiding from the sun

American nights
You kids are so strange
American nights
You’re never gonna change

Our magic is young
Cause we just begun
We light up the sky
Always on the run
We live in the streets
In the alleys of screams
Cause we’re the queens of noise
The answer to your dreams

American nights
You kids are so strange
American nights
You’re never gonna change

Hey boy you’re my good time
Dance close ya feel so fine
Hold tight we’re on fire
All night you’re my desire

Everybody
Wanna party
Everybody
Wanna party

American nights
You kids are so strange
American nights
You’re never gonna change

Blind Faith – Sea Of Joy

Blind Faith…a supergroup with Eric Clapton, Steve Winwood, Ric Grech, and Ginger Baker.

I was listening to Blind Faith’s self titled debut album last week while deep in work and this song was one caught my attention. I’ve heard this song before but this time it really hit me. I repeated it a few times for good measure. What a talented band they were and we are lucky to get that album.

Their one and only album, the self titled Blind Faith album, peaked at #1 in the Billboard Album Charts, Canada, and the UK in 1969. They toured one time for the album and then soon broke up.

After Cream broke up in late 1968…Blind Faith evolved out of informal jamming at Eric Clapton’s home with Steve Winwood. Winwood suggested adding Ginger Baker to the lineup. Rick Grech joined on bass. The band spent February to June 1969 in the studio jamming and recording.

Clapton didn’t want Baker in the band…he wanted to leave Cream behind but Winwood didn’t know the history until later on.

Steve Winwood: “I had begun to realize what a problem Ginger was, and I saw why Eric had been against having him in the group.” “Ginger did a drum solo and they thought it was Cream, so we chucked in an old Cream song,” Winwood said. “Then I put in a Traffic song, and the identity of the band was killed stone dead. If you have 20,000 people out there, and you know you only have to play one song for them to be on their feet, you do it. We were only human.”

Eric Clapton: Steve and I were at the cottage smoking joints and jamming when we were surprised by a knock at the door,” “It was Ginger. Somehow he had gotten wind of what we were doing and had tracked us down. Ginger’s appearance frightened me because I felt that all of a sudden we were a band, and with that would come the whole [manager Robert] Stigwood machine and the hype that had surrounded Cream.”

Steve Winwood wrote this song and took the lead.

Sea Of Joy

Following the shadows of the skies
Or are they only figments of my eyes?
And I’m feeling close to when the race is run
Waiting in our boats to set sail
Sea of joy

Once the door swings open into space
And I’m already waiting in disguise
Is it just a thorn between my eyes?
Waiting in our boats to set sail
Sea of joy

Having trouble coming through
Through this concrete blocks my view
And it’s all because of you

Oh, is it just a thorn between my eyes?
Waiting in our boats to set sail
Sea of joy

Sea of joy
Sea of joy
Sailing free
Sea of joy

The Cure with James McCartney – Hello, Goodbye

I was surfing youtube and found this odd combination of The Cure and Paul’s son James McCartney doing Hello, Goodbye. This song was on the album The Art of McCartney released in 2014. A tribute to Paul… I included the tracklist at the bottom and a couple of other songs. There were some interesting combinations. 

James McCartney Celebrates His Dad…With The Cure

Hello, Goodbye

You say yes, I say no
You say stop and I say go go go, oh no
You say goodbye and I say hello
Hello hello
I don’t know why you say goodbye, I say hello
Hello hello
I don’t know why you say goodbye, I say hello

I say high, you say low
You say why and I say I don’t know, oh no
You say goodbye and I say hello
(Hello goodbye hello goodbye) Hello hello
(Hello goodbye) I don’t know why you say goodbye, I say hello
(Hello goodbye hello goodbye) Hello hello
(Hello goodbye) I don’t know why you say goodbye
(Hello goodbye) I say hello/goodbye

Why why why why why why do you say goodbye goodbye, oh no?

You say goodbye and I say hello
Hello hello
I don’t know why you say goodbye, I say hello
Hello hello
I don’t know why you say goodbye, I say hello

You say yes (I say yes) I say no (But I may mean no)
You say stop (I can stay) and I say go go go (Till it’s time to go), oh
Oh no
You say goodbye and I say hello
Hello hello
I don’t know why you say goodbye, I say hello
Hello hello
I don’t know why you say goodbye, I say hello
Hello hello
I don’t know why you say goodbye, I say hello hello

Hela heba helloa
Hela heba helloa, cha cha cha
Hela heba helloa, wooo
Hela heba helloa, hela
Hela heba helloa, cha cha cha
Hela heba helloa, wooo
Hela heba helloa, cha cah cah [fade out]

 

The Tracklist

01 Billy Joel – “Maybe I’m Amazed”
02 Bob Dylan – “Things We Said Today”
03 Heart – “Band On The Run”
04 Steve Miller – “Junior’s Farm”
05 Yusuf Islam (Cat Stevens) – “The Long and Winding Road”
06 Harry Connick, Jr. – “My Love”
07 Brian Wilson – “Wanderlust”
08 Corrine Bailey Rae – “Bluebird”
09 Willie Nelson – “Yesterday”
10 Jeff Lynne – “Junk”
11 Barry Gibb – “When I’m 64″
12 Jamie Cullum – “Every Night”
13 KISS – “Venus And Mars / Rock Show”
14 Paul Rodgers – “Let Me Roll It”
15 Roger Daltrey – “Helter Skelter”
16 Def Leppard – “Helen Wheels”
17 The Cure – “Hello Goodbye” (Feat. James McCartney)
18 Billy Joel – “Live And Let Die”
19 Chrissie Hynde – “Let It Be”
20 Robin Zander & Rick Nielsen of Cheap Trick – “Jet”
21 Joe Elliott – “Hi Hi Hi”
22 Heart – “Letting Go”
23 Steve Miller – “Hey Jude”
24 Owl City – “Listen To What The Man Said”
25 Perry Farrell – “Got To Get You Into My Life”
26 Dion – “Drive My Car”
27 Allen Toussaint – “Lady Madonna”
28 Dr. John – “Let ‘Em In”
29 Smokey Robinson – “So Bad”
30 Airborne Toxic Event – “No More Lonely Nights”
31 Alice Cooper – “Eleanor Rigby”
32 Toots Hibbert with Sly & Robbie – “Come And Get It”
33 B.B. King – “On The Way”
34 Sammy Hagar – “Birthday”

Beatles Hey Jude Greatest Hits…Desert Island Albums

We wrapped up Hanspostcard’s album draft…100 albums in 100 days. We are going into extra innings and extending three more picks from these categories… favorite Soundtracks, Greatest Hits, and a music related movie. This is my pick for greatest hits…Hey Jude Greatest Hits by the Beatles.

2020 ALBUM DRAFT- ROUND 12 -PICK 10- COMPILATION- BADFINGER20 SELECTS- THE BEATLES -HEY JUDE

It wasn’t my intention to go to the Beatles three times but…there is a reason for this one as I will explain…I didn’t know this album was a greatest hits package when I purchased it. I’m picking this album because of the personal connection to it…and it might be the album that influenced me the most in my life.

Is this the best Beatles greatest hits album? No, not by a long shot but it was the first Beatle album (or any album) I bought and was not handed down by my sister or relatives. I had some money given to me by a relative and mom helped me with the rest. The first Beatle album I listened to was my cousin’s copy of Meet The Beatles…he let me borrow it for while. The Hey Jude album sent me down the road of getting into music that was at least a generation before me…and I’m still in that generation…and I don’t regret a thing…because I’m still discovering new old music and new music that has it’s influences.

My cousin kept telling me of this great song called “Paperback Writer” and he didn’t have a copy. He built the song up so much that I had to listen to it. I found this album at a record store that I begged my mom to take me to. I went through the Beatle albums and this one had Paperback Writer. I couldn’t believe these bearded guys were the same band as on Meet The Beatles. So when I was 8 years old I got two albums… one was a birthday present… the soundtrack to Chitty Chitty, Bang Bang (that I requested) and then I bought this one. My mom asked…are you sure? A nod of my head and I bought a ticket to enter the Beatles world which I still reside.

It has an slight mixture of older, middle, and at that time, newer songs. This was a collection of non-album singles and B sides from the Beatles on the American Capitol label.

The album was conceived by Allen Klein (boooo) and Apple Records and released in 1970. The original name was going to be “The Beatles Again” but they wanted to capitalize on the hit Hey Jude. It was a nice album that should have included more of their earlier hits but it gave us a couple in Can’t Buy Me Love and I Should Have Known Better.

My favorite at that time was of course Paperback Writer…that guitar and those backing vocals…were/are great! Remember… all I’d heard to that point was their first album with Capitol… Meet The Beatles…so I couldn’t believe that “Rain” and the rest came from the same band that played I Want To Hold Your Hand. I didn’t know the history…my 8 year old mind thought…”What the hell happened?…” Where I am musically now…all started with this album purchase.

Rain…the B side to Paperback Writer…I grew to like Rain more than Paperback Writer through the years…in fact it is in my top 10 of Beatle songs.

Lady Madonna… Terrific driving piano riff that is relentless.

I will close out with an earlier Beatles song. I Should’ve Known Better is an instantly catchy song with a harmonica that they would stop using as much in the future. When looking back on their career…the early ones get forgotten sometimes and they shouldn’t be. Those early songs built the foundation.

My island is getting very Beatle-ly…and I don’t mind. I went with the album that influenced me the most at an early age…it just so happened to be a Beatles greatest hits package. This album brings back memories of playing it on a green portable turn table I had at the time with removable speakers.

Like this but green…

Vintage 1970s Magnavox Portable Stereo Record Player - Restored - AWESOME.  $275.00, via Etsy. | Vintage record player, Record player, Antique record

Can’t Buy Me Love
I Should Have Known Better
Paperback Writer
Rain
Lady Madonna
Revolution
Hey Jude
Old Brown Shoe
Don’t Let Me Down
Ballad Of John And Yoko

AC/DC – Hells Bells…Happy Halloween!!!

HAPPY HALLOWEEN!!! Have a safe one.

This is song by the one and only AC/DC called Hells Bells.

AC/DC recorded this a few months after lead singer Bon Scott died of acute alcohol poisoning after a night of heavy drinking. The album is a tribute to him, with new singer, Brian Johnson, on vocals.

This is the first track on Back In Black, AC/DC’s biggest album. In tribute to Bon Scott, it starts off with the bell tolling four times before the guitar riff comes in. The bell rings another nine times, gradually fading out. When played live, Brian Johnson would strike the bell.

Back In Black peaked at #4 in the Billboard 100, #1 in Canada and The UK in 1980.

Brian Johnson on writing the song: “I don’t believe in God or Heaven or Hell. But something happened. We had these little rooms like cells with a bed and a toilet, no TVs. I had this big sheet of paper and I had to write some words. I was going, ‘oh f–k.’ and I’ll never forget, I just went (scribbles frantically as if his hand is possessed). I started writing and never stopped. And that was it, hells Bells. I had a bottle of whisky and I went (generous gulps). I kept the light on all night, man.”

From Songfacts

You don’t honor Bon Scott’s memory with a bell from a sound effects reel, so the band needed a real bell, and a big one. The first attempt to record the bell took place in Leicestershire, England at the Carillon and War Memorial Museum. This proved insufficient, so the band commissioned a one-ton bronze bell from a local foundry that they would also use on stage.

The bell wasn’t ready in time for recording, however, so the manufacturer (John Taylor Bellfounders) arranged for them to record a similar bell at a nearby church. According to engineer Tony Platt, that didn’t go well, as there were birds living in the bell, so when they rang it they also got the fluttering of wings (the birds would retreat back inside the bell after the toll).

They decided to use the bell that was in production, so they borrowed a mobile recording unit owned by Ronnie Laine and wheeled it into the foundry. The bell was hung on a block and tackle and struck by the man who built it.

Because of the harmonics, bells are not easy to record, so Platt placed about 15 microphones with various dynamics in different locations around the foundry to record the sounds. Once it was on tape, Platt brought the recordings to Electric Lady Studios in New York, where he and producer Mutt Lange chose the right combination of bell sounds, put a mix together, and slowed it down to half speed so the one-ton bell would sound like a more ominous two-ton bell. This was integrated into the mix, and the song was completed. Listeners with very sharp ears will notice that the bell when chimed live is an octave higher than than it is on the recording.

This was one of the first songs regularly played as entrance music for a Major League Baseball relief pitcher. In the ’90s, the bells signaled the entrance of San Diego Padres relief pitcher Trevor Hoffman. This bit of home team intimidation was copied throughout the league, most famously by the New York Yankees, who appropriated Metallica’s “Enter Sandman” as Mariano Rivera’s entrance music.

The concept of relief pitcher entrance music was introduced in the 1989 movie Major League, where Charlie Sheen’s character comes in to “Wild Thing” by The Troggs. A few years later, The Philadelphia Phillies played that song when their pitcher Mitch Williams would come in from the bullpen.

There is an all-female AC/DC tribute band in Seattle called Hell’s Belles.

The term “Hell’s Bells” is an exclamation of surprise, although in the context of this song, it is used to conjure up images of the underworld and the feeling of raising hell – something Bon Scott was known for.

The album was produced by John “Mutt” Lange, who also helmed the previous AC/DC album, Highway to Hell. Lange went on quite a run after Back In Black, producing the Foreigner album 4 (1981) and the Def Leppard albums High ‘N’ Dry (1981) and Pyromania (1983).

At University of North Carolina football games, this song is played at the start of the fourth quarter. 

Johnson told Q magazine how this song played a part in rescuing imprisoned Black Hawk Down pilot Michael Durant following the Battle of Mogadishu in Somalia in 1993. He recalled: “That was the best one. He was shoved in prison, his back was broken. They were kicking him, shooting bullets into him and he was terrified. His pals knew that AC/DC was his favorite band so they hooked up a speaker to the skid of one of the Black Hawks and they were playing ‘Hells Bells’ over the rooftops. He took his shirt off and- cos his legs were broken- he crawled up to the windows and waved his shirt. That’s how they got him out. Ain’t that amazing!”

Since this song specifically is a tribute to the late Bon Scott, it’s probably a good idea to mention that a statue of him was unveiled in 2008 in Fremantle, Western Australia. Here’s a little video tour of the statue.

At the same time, as soon as the first lyric is heard, it is unmistakable that the band could not have found a better replacement than Brian Johnson. Johnson puts a manic rage into every syllable and an unearthly howl on the chorus, making a song with scarily sacrilegious lyrics even scarier. By the way, that hat he wears onstage was his brother’s idea, to help Brian Johnson keep the sweat out of his eyes. His brother loaned it to him and never got it back.

Four years after this song, Metallica released “For Whom The Bell Tolls,” which also opens with a bell. Theirs came from a sound effects library.

Hells Bells

I’m a rolling thunder, a pouring rain
I’m comin’ on like a hurricane
My lightning’s flashing across the sky
You’re only young but you’re gonna die

I won’t take no prisoners, won’t spare no lives
Nobody’s putting up a fight
I got my bell, I’m gonna take you to hell
I’m gonna get you, Satan get you

Hell’s bells
Yeah, hell’s bells
You got me ringing hell’s bells
My temperature’s high, hell’s bells

I’ll give you black sensations up and down your spine
If you’re into evil you’re a friend of mine
See my white light flashing as I split the night
Cause if good’s on the left,
Then I’m stickin’ to the right

I won’t take no prisoners, won’t spare no lives
Nobody’s puttin’ up a fight
I got my bell, I’m gonna take you to hell
I’m gonna get you, Satan get you

Hell’s bells
Yeah, hell’s bells
You got me ringing hell’s bells
My temperature’s high, hell’s bells

Yeow

Hell’s bells, Satan’s comin’ to you
Hell’s bells, he’s ringing them now
Hell’s bells, the temperature’s high
Hell’s bells, across the sky
Hell’s bells, they’re takin’ you down
Hell’s bells, they’re draggin’ you around
Hell’s bells, gonna split the night
Hell’s bells, there’s no way to fight, yeah

Ow, ow, ow, ow

Hell’s bells

Beatles – Help! Soundtrack Album

We wrapped up Hanspostcard’s album draft…100 albums in 100 days. We are going into extra innings and extending three more picks from these categories… favorite Soundtracks, Greatest Hits, and a music related movie. This is my pick for sountrack…Help! by the Beatles.

2020 ALBUM DRAFT- ROUND 11 PICK 4- SOUNDTRACKS- BADFINGER20 SELECTS- THE BEATLES- HELP!

To avoid confusion I’m reviewing the UK version of Help! because that is the one that I own.

The movie Help! was an enjoyable movie. It was not nearly as good as A Hard Days Night but it had it’s moments. I love black and white movies but the color made Help! stand out. The Beatles knew it wasn’t as good as their first…John had a quote about it: “it was like being a frog in a movie about clams.” Nevertheless it was a fun movie and a pleasure to watch today.

Amazon.com: Blujway The Beatles Help Lobby Card Movie Poster Replica 11 X  14 Photo Print: Posters & Prints

They shot the movie in five different locations…London, Wiltshire, Berkshire, Austria, and the Bahamas.

It was the first Beatle movie I ever saw…I rented it from a video store in the mid-eighties. The Help! movie was the only Beatle movie they had at the time. With no internet, it was my only window to see the Beatles other than the documentary The Compleat Beatles.

Behind-the-Scenes Footage From the Beatles' 'Help!' Surfaces

The soundtrack is a great album on it’s own.

I picked this album/soundtrack because I always thought this was the transitional album between Beatlemania and The Beatles middle period. After this album would come Rubber Soul and the swinging sixties would officially be kicked off. Help! shows them making strides into the future. You can hear a some of their earlier work and get a hint of what was coming.

Here are a few songs…I’ll leave the big hits off of the preview.

You’ve Got to Hide Your Love Away is a good song with a noticeable Dylan influence.

One of my favorite songs on the album is The Night Before…I first heard it on the Beatles Rock and Roll Music compilation album. It’s another song that would have been a single for another band.

As soon as I heard I’ve Just Seen A Face…I learned it on guitar and have been playing it ever since. This is a song that you can see the change starting to take place…from the bouncy numbers to this folk influenced one. This song would be on the American version of Rubber Soul.

You’re Going to Lose That Girl has a catchy call and response chorus. The backup vocals are superb.

The title track is brilliant with John calling out for Help after being battered by Beatlemania. They also dipped into their club roots with a cover of the Larry Williams song Dizzy Miss Lizzy. The album had the hits of course…Help!, Yesterday, and Ticket To Ride…all #1 in the Billboard 100.

I’m ready to watch Help! now…can I smuggle a Blu-ray player on the island?

Help!
The Night Before
You’ve Got to Hide Your Love Away
I Need You
Another Girl
You’re Going to Lose That Girl
Ticket to Ride
Act Naturally
It’s Only Love
You Like Me Too Much
Tell Me What You See
I’ve Just Seen a Face
Yesterday
Dizzy Miss Lizzy

Van Morrison – Saint Dominic’s Preview…Desert Island Albums

This is my tenth-round choice from Hanspostcard’s album draft…100 albums in 100 days. This wraps up the Desert Island Album portion of our show…now on to other albums and music movies. 

2020 ALBUM DRAFT- ROUND 10- PICK 3- BADFINGER20 SELECTS- VAN MORRISON- SAINT DOMINIC’S PREVIEW

When I was 18 in 1985 I heard Brown Eyed Girl for the first time. Somehow I missed that song growing up…which seems impossible but the song took me down a great path. I started to order imports of Van’s early Them records and then started on his 70’s solo albums.

I bought them out of order but I ended up with his late sixties and seventies albums like Astral Weeks, Moondance,  His Band and Street Choir, Veedon Fleece, Wavelength, Tupelo Honey, Hard Nose The Highway and this one (I then worked on the 80’s albums). I traveled a lot in my car in those days…seeing a girlfriend or just cruising about. Saint Dominic’s Preview was  an album I kept going back for Van’s voice, phrasing and songwriting.

The album peaked at #15 in the Billboard Album Charts and #14 in Canada in 1972.

When I got the album I had a summer job in the middle of nowhere in this back water town. I had to drive over an hour to get there and Van kept me company singing about Safeway’s Supermarket and Redwood Trees. One listen to this album and I’m young, carefree, and having a really good time living life. Music brings back memories and this one makes me feel exactly like I felt then.

The title track Saint Dominic’s Preview is a great piece of work. This song and Tupelo Honey are probably my favorite Van Morrison songs. This one takes you on a lyrical journey…And for every cross cuttin’ country corner, country corner
For every Hank Williams railroad train that cried, And all the chains, badges, flags and emblems, And every strain on brain and every eye

Jackie Wilson Said (I’m in Heaven When You Smile) is all about happiness. Whenever I feel down…I play this and it’s impossible to feel down. The song is an obvious tribute to the great Jackie Wilson. I’m in heaven, when you smile

Almost Independence Day is an epic song. It has a nice flow to it and it was largely improvised. Van Morrison and guitar player Ron Elliot are trading guitar licks and then Lee Charlton joins with some great jazz-influenced drums. The over all sound of this is fantastic.

Redwood Tree evokes nostalgia and memories of growing up, in a similar way as his song And It Stoned Me. Oh redwood tree, Please let us under
When we were young we used to go, Under the redwood tree

So we are set on our respective islands with our top ten albums now. The only regret I have is that we didn’t have more favorite album picks…but it has to be some limit. The Beatles, The Who, Big Star, The Zombies, The Rolling Stones, The Allman Brothers, The Kinks, Bob Dylan, Bruce Springsteen, and Van Morrison. Not a bad 10.

Saint Dominic's Preview, In Cleveland Of All Places | by Patrick Hosken |  Medium

Now let’s move on to the last three.

1. Jackie Wilson Said (I’m in Heaven When You Smile)
2. Gypsy
3. I Will Be There
4. Listen to the Lion
5. Saint Dominic’s Preview
6. Redwood Tree
7. Almost Independence

Saint Dominic's Preview (Remastered) | HIGHRESAUDIO

 

Bruce Springsteen – Greetings From Ashbury Park…Desert Island Albums

This is my ninth-round choice from Hanspostcard’s album draft…100 albums in 100 days.

2020 ALBUM DRAFT- ROUND 9 PICK 3- BADFINGER20 SELECTS- BRUCE SPRINGSTEEN- GREETINGS FROM ASBURY PARK, NJ

The imagery flows like water with Greetings From Ashbury Park, Bruce’s debut album in 1973… It’s not very polished but that adds to it.  The songs have a stream of consciousness feel to them. It was critically praised but did not have huge sales. The album only peaked at #60 in the Billboard Album Charts.

I was around 19 (1986) or so when I found this album, or when the album found me, and I was going through an angry young man phase. I had just bought a 1976 Fender Musicmaster guitar (I still have it) and a black leather jacket. This album fit my mood at the time perfect. I wasn’t really angry but just realized I was considered a man now in the world but wasn’t sure what that meant and where I fit in. I listened to the album and it just seemed right.

Bruce Springsteen, 1973. : OldSchoolCool

I had this album picked and almost presented it with the 3rd or 4th pick but something told me to go with Big Star and the Zombies and wait. I originally bought this album in fall so it seems right that this pick will be my first pick in fall…if only I still had that leather jacket.

Now on to the album…Bruce’s manager Mike Appel (who is another story) and John Hammond (who signed Bruce, Dylan and many others) wanted a more singer songwriter album, while Springsteen and Jimmy Cretecos (co-producer)  preferred a band dominated album. A compromise was reached but when Clive Davis listened to the album he said there wasn’t a commercial single…Bruce wrote a couple of songs to include on the album. Blinded By The Light and Spirit in the Night. They were no doubt band oriented songs…so the album swung that way…but it still is very sparse with instruments. No big screaming guitars or anything like that. The melodies and lyrics are the focus.

Bruce Springsteen and band played for their Christmas money in 1973

Springsteen picked out the musicians who would help him out on this album. David Sancious, Gary Tallent, Vini Lopez and Steve Van Zandt were a few. However, Van Zandt barely participated because of a prior commitment to tour as a member of The Dovells backing group. Other musicians who would help out were Clarence Clemons, Richard Davis, and others.

1973 » Bruce Springsteen

I hear Dylan and a very strong Van Morrison influence on this album. It is rough and raw and unpredictable. When we first started this draft I knew this album would be in it either by me or someone else. I feel luck y that it fell this far down.

The most famous song on the album is “Blinded By The Light” which was covered later by Manfred Mann Earth’s Band that peaked at #1 in 1977. I just want to say…Bruce’s lyrics were “cut loose like a deuce, another runner in the night” a “deuce” is a hot rod car…that is all I’ll say… Well I jumped up, turned around, spit in the air, fell on the ground, Asked him which was the way back home, He said take a right at the light, keep goin’ straight until night, and then boy, you’re on your own

“It’s Hard to be a Saint in the City” is another great track and one of the most powerful songs he ever wrote. The devil appeared like Jesus through the steam in the street, Showin’ me a hand I knew even the cops couldn’t beat
I felt his hot breath on my neck as I dove into the heat

“Does This Bus Stop At 82nd Street?” is a journey through an enjoyable play of words. This song is about as wordy and catchy as you can get. It was written about a bus journey to a girlfriend’s house. I listened to it so many times that I know every word to this day. I was surprised to see that he still plays this in concert every now and then…but you can’t beat the studio version. Wizard imps and sweat sock pimps, interstellar mongrel nymphs Oh, Rex said that lady left him limp, love’s like that (It sure is)

My personal favorite is “Spirit of the Night.” This song hints at some of the characters and places that start populating Bruce’s musical world. Well, Billy slammed on his coaster brakes, And said, “Anybody wanna go on up to Greasy Lake? It’s about a mile down on the dark side of Route 88
I got a bottle of rosé so let’s try it

This is a crazy good debut album. His first two albums were building up to everything that was crystallized in his third…Born to Run. That doesn’t make the first two any less. Greetings doesn’t “sound” as well as Born To Run but Bruce delivers.

After his second album The Wild, the Innocent & the E Street Shuffle, Bruce made his career making album Born To Run. He never has returned to the free form lyrics of his first two albums. I do wish he would try a song or two like these again…but maybe you have to be a certain age to write these types of songs and free of life distractions…After Blonde on Blonde, Dylan also left this style of song behind and he was 25 years old. Bruce was 24 in 1973 when he released Greetings from Ashbury Park and The Wild, the Innocent & the E Street Shuffle.

I really love the albums on the island and with this one I’ll enjoy the characters of Crazy Janey, Mary Lou, Broadway Mary, Wild Billy, Hazy Davy, and Killer Joe. All these characters grew up through his albums and we knew our own versions of these people… they matured in front of our eyes and ears…much like Bruce did and we all grew together…and this album was the beginning of the story that we are still following.

Blinded By The Light
Growin’ Up
Mary Queen Of Arkansas
Does This Bus Stop At 82nd Street?
Lost In The Flood
The Angel
For You
Spirit In The Night
It’s Hard To Be A Saint In The City