I was never a huge Allman Brothers Band fan. I always respected them and I liked their radio songs and heard enough of Duane Allman to know he was a great slide guitar player. I also knew Gregg could make any song his song because of his vocals. I never really wanted to know more about them.
A friend of mine recommended Gregg Allman’s autobiography My Cross To Bear. I have a 72-mile round trip car ride to work every day so I downloaded the audio version. I took a chance on this one a couple of years ago and I really enjoyed it. I also downloaded the E-book after I finished it.
The Allman Brothers have always been known as the Godfathers of Southern Rock. I never considered them Southern Rock…like Gregg himself said… they were a blues band with some jazz thrown in and they were from the south.
The audiobook is narrated by Will Patton who does a great job of channeling Gregg.
It is like having Gregg over on your back porch telling you these great stories. He is very down to earth and does not try to make his mistakes sound like someone else’s fault. If you want to know about Duane Allman get this book. He is honest about his brother…warts and all. He doesn’t try to whitewash himself either.
He starts at the Rock and Roll Hall of Fame induction where he was sick, miserable, and bloated because of his drinking problem…from there he starts going back through his personal history and the many ups and downs of the Allman Brothers. He covers the bands that Duane and he formed…The Escorts, The Allman Joys (which I would have kept that name) and Hourglass.
Hourglass made a couple of albums of original material and covers but the record company made them “pop” everything up. They would not let them play with an edge. The Escorts and Allman Joys were cover bands… very good cover bands.
After reading the book I have started to listen to the Allman Brothers more. He gives you some funny stories and you see how close that band was in the early days before Duane and Berry Oakley died. He mentions his struggles with Dickey Betts, alcohol, drugs and wives. You also read about a “foot shooting” party…
He also talks about being on stage noticing Eric Clapton among the audience. That led to the Layla sessions. Eric was a big fan of Duane’s slide playing.
You learn some history about a cover band’s travels, trials, and tribulations in the mid-1960s…youtube has a few crude recordings of the Allman Joys live in the mid-60s. Below is The Allman Joys version of Help. I would have never thought it was Gregg Allman singing.
If you are a music fan you will probably enjoy this book.
I watched this in syndication in the mid-seventies. I never thought much of it at the time. When I started to watch it as an adult I was surprised at how good this show was. I couldn’t believe how realistic it was for that time. They covered subjects like child pornography, drug addiction, and everything else criminally related.
It was on 7 seasons from 1968 through 1975.
Sometimes as an adult and you watch shows or movies you did as a kid you think wow…how did I like this? Now I’m thinking why didn’t I like it more?
The show starred Martin Milner as Officer Pete Malloy and Kent McCord as Officer Jim Reed. The show was created by Jack Webb and Robert Cinader. The pair also created a spinoff from Adam-12…Emergency. Jack Webb also created Dragnet.
They wanted to capture a typical day in the life of a police officer. There was no Dirty Harry on this force. These officers went by the book even if it would have benefitted them at times not to.
Some of the guest stars were… Tony Dow, Willie Aimes, Ed Begley Jr, Karen Black, David Cassidy, Micky Dolenz, Tim Matheson, Ozzie Nelson and many others. It was odd seeing Robert Donner…who played Yancy Tucker on The Waltons a few years later…playing a heroin addict-informant.
The episodes were written around actual police cases to add some realism. The showed all that the censors would allow.
Reed is happily married and Malloy is the happy bachelor. The interplay seems natural and not forced. The one big thing I like about the show is the continuity from beginning to end. You see a raw rookie in Jim Reed and Malloy slowing training him up and eventually both becoming friends as seasons past by.
When someone brought a DVD of this for me to watch. I thought it was going to be boring. I ended up watching it twice in one sitting. It will draw you in.
A 50-year-old man named Dick Proenneke is in Twin Lakes Alaska in 1968 and films himself building a retirement cabin. He starts out by staying in a friends cabin. He starts gathering wood and making some of the tools he uses on the way.
This man…is a real man. if he needs a spoon…he starts carving himself out one. He builds this cabin and makes everything including wood hinges for the door. He gathers rocks from somewhere down the lake and brings them back…at then he starts building his chimney.
He is by himself and sets up the camera everywhere he goes. He goes out fishing when he is hungry and hunting for meat for the winter only taking what he needs.
He makes most every from scratch. He uses his tin canisters for different things. He buries one and covers for a refrigerator. The only help he receives is a pilot friend of his that lands every now and again to deliver supplies. He is a master craftsman, to say the least.
It doesn’t sound that special but I have watched it 2 more times since the night I watched it twice. He makes it look so easy.
He filmed enough to have a few more short documentaries which were released but nothing matches that first one. This man made me feel like a mouse. He is so talented and tough.
He ended up staying there until 1999 and then left to live with his brother at age 82. Dick passed away at 86 in 2003. The cabin is still there and is in the National Register of Historic Places.
In the late seventies, I borrowed a single from a friend and that was Wild Thing by the Troggs. I loved the raw sound. If there was ever a garage band that hit the big time…it was the Troggs. Wild Thing (1966) was a massive hit that sold over 1 million copies. Their other big hits were With A Girl Like You (1966) and Love Is All Around (1967).
The Troggs influenced a lot of Punk and Garage bands. Their songs could be played with a little practice. Almost every band starting out will play the 3 chord Wild Thing at least a few times.
Their songs have been covered by a countless number of unknown bands. Three more known artists have been Jimi Hendrix playing Wild Thing at Monterey and REM and Wet, Wet, Wet covered Love Is All Around.
The original members were Reg Presley, Ronnie Bond, Chris Britton and Pete Staples. Reg Presley was the lead singer and wrote Love Is All Around which went to #7 and With A Girl Like You that went to #29.
The band is probably more known for a failed recording session which was leaked out more than they were for their hits. They are swearing and fighting with each other. It is funny…if you are put off by swearing don’t listen but when you hear “Oh, we’ll put some fairy dust over it. I’ll piss over the tape”….it’s hard to resist. It was recorded in 1970 and leaked out in the early seventies on bootlegs called The Troggs Tapes…this became the inspiration for a few Spinal Tap scenes.
After Love Is All Around in 1967 the band’s fame waned. They released some more singles but nothing approached their three big hits. REM made an album with the Troggs in 1992 called Athens Andover.
Reg Presley passed away in 2013. Chris Britton still plays some gigs with the Troggs today as the only original member left.
Wild Thing like Louie, Louie was an important song in the history of Rock and Roll. It was much more important than the band that brought it to us…
This group was not one of the super British bands of the sixties, not even close. They will never be on anyone’s top ten, twenty, or higher best band list…but they left a few small memorable songs, a large one and some influence …and a hilarious bitch session on tape for posterity…
I have always liked odd mixtures. Anything out of the norm and I pay attention. That is why I blog about the past more than today. I liked the 60’s and 70’s era because houses, cars, and music were for the most part unique. I couldn’t tell a Ford from a Chevy today. A lot of new houses look just alike in cloned neighborhoods.
I would have loved to have been at one of these concerts.
Jimi Hendrix / Monkees 1967 – This is number one on my list. Can you imagine the young Monkee fans hearing the sonic volume of Jimi Hendrix? Jimi had to play while a bunch of 12-year-old girls screamed “We want the Monkees” and “We want Davy. ” It was the sixties and Peter Tork said: “It didn’t cross anybody’s mind that it wasn’t gonna fly.”
The Who / Herman Hermits 1967 – Smash your guitars and drums and Hope I die before I get Old and then Mrs Brown You’ve Got A Lovely Daughter?… You can imagine Peter Noone tripping over shards of guitars every night.
Lynyrd Skynyrd / Queen 1974 – This one is a head-scratcher. The theatrical Queen and the southern boys from Florida just don’t seem a great match. Roger Taylor of Queen had some ugly things to say about Lynyrd Skynyrd later on.
Bruce Springsteen / Anne Murray 1974 – This one is baffling. Anne Murray’s managers demanded that Bruce open the show for Anne in NYC! They argued she was more successful and she was…but this was New York and Bruce Springsteen…what a fatal mistake…halfway through Bruce’s set Anne’s managers regretted their decision. Many of the audience had left by the time Anne took the stage.
The Ramones/Toto1979 – This one doesn’t make sense at all…what promoter thought this through? The laid-back ToTo fans sat through the Ramones but Toto singer Bobby Kimball, came out and apologized to the crowd for the “horrible band” they had to sit through.
Cher/Gregg Allman 1977 – Yes they were married but what an odd concert to go to. You have Gregg who was one of the best blues singers at that time and Cher…who was Cher…Gregg Allman mentions in his book “My Cross to Bear” that the audience was mixed…some with tuxedos and some with denim jackets and backpacks and there were fights at each show on the tour between the two sets of fans.
“It was right after that—the tuxedos against the backpacks, because I think the Allman Brothers outnumbered the Sonny and Chers—that Cher came to me, and the poor thing was just crying. I asked her what was wrong, and she told me, “We’ve got to cancel the rest of the tour, because I can’t stand the fighting.” So we ended it right then, which was about halfway through it. We went home the next day, and that was the last time I ever played with her.”
The Ramones / Ted Nugent, Aerosmith 1979 – Bottles and debris were thrown at The Ramones from the crowd as Johnny Ramone was shooting birds at the audience.
Johnny Ramone about this concert…
“About five or six songs into the set, the whole crowd stood up, and I thought it had started to rain. Dee Dee thought the same thing, but they were throwing stuff at us – sandwiches, bottles, everything. Then, all of a sudden, I broke two strings on my guitar in one strum. I thought it was a sign from God to get off the stage, because I’d rarely break a string, maybe once a year. So I just walked to the front of the stage, stopped playing, and gave the audience the finger – with both hands. I stood there like that, flipping them off, with both hands out, and walked off. The rest of the band kept playing for another ten or fifteen seconds until they’d realized I was walking off, and then they did too. I wasn’t gonna stand there and be booed and have stuff thrown at us without retaliating in some way. We had to come off looking good somehow, and there was no good way to get out of that.”
Since the first time I heard this band, I loved their sound. I liked their hits but a few years ago I bought their album Odessey and Oracle and was blown away. The Beatles were big fans of them in the sixties.
They formed in 1961 by Rod Argent and Colin Blunstone. The hit big in 1964 with singles She’s Not There that went to #2 in American and the follow up Tell Her No that went to #6 on the charts. After that, they released some more singles but nothing hit.
They went into Abbey Road studio right after The Beatles recorded the Sgt Pepper album. When recording the album they even used The Beatle’s Mellotron they left there. They recorded it in Abbey Road and some in Olympic Studio in London.
By the time the album came out they had already broken up. In 1968 CBS records were not going to release it in America at all but a young A&R man at the time named Al Kooper who worked for CBS told Clive Davis (President of CBS Records) that there were hit singles on the album. The album was released and the single “Time of Season” went to number 1 on the Cash Box Top 100 and number 3 in US Billboard Hot 100…
The album contains much more than that though. Personally, I think “Care of Cell 44” is one of the best pop songs I’ve heard. It’s as if mid-60s Paul McCartney and Brian Wilson had a baby…and Care Of Cell 44 is it.
A Rose for Emily is another good pop song. “This Will Be Our Year” is another one. This album is one of my favorite pop albums of all time. The songs have well-crafted melodies and the sound is wonderful. Time of Season is a classic and has a mood, unlike any other song.
Colin Blunstone has a unique voice all his own. He did have a few solo hits in the UK charts during the 1970s.
Rod Argent went on to form the band Argent… they had a hit with “Hold Your Head Up” and “God Gave Rock and Roll to You” later covered by Petra and KISS with modified lyrics.
The Zombies regrouped in the 90s and are still touring. Get a good pair of headphones and listen to Care of Cell 44.
From the Al Kooper book, Backstage Passes… Talking about Odessey and Oracle
I made an appointment with Clive Davis and put the album on his desk. “I really think we should purchase the master rights to this album for the U.S.,” I aggressively suggested. He took one look at the cover and replied, “We already own this album. I was just about to sign off on our option to release it domestically.” Now, it got good to me— “I think that would be a huge mistake Clive. Why there’s at least two hit singles here.” He told me he would sleep on it and thanked me for bringing it to his attention. Two weeks later I got an interoffice memo saying they were gonna put it out, with instructions to rewrite the liner notes and pick a single. Cautiously, Clive released it on a little subsidiary label CBS had called Date Records, in case I turned out to be wrong. But my lucky streak was goin’ strong and that is how the single “Time of the Season” by The Zombies came to be number one. The album Oddesey [sic] and Oracle had been out quite awhile in England. (In fact, the band had already broken up and metamorphosed into a new band called Argent that CBS had signed before “Time” was released.) A buncha Zombies crossed the ocean to take photos and get gold records. No one at CBS thanked me for this; I received no gold record or cash recompense. But The Zombies, who knew what really happened, made sure to come to my office and thank me profusely. That was worth it all to me at that time.
Any band that calls themselves The Band…better be great…this band most certainly was… Four Canadians with one American who wrote and sang Americana music better than anyone.
They started out backing up Ronnie Hawkins in the early sixties… From there they backed up Bob Dylan on his famous conversion to “electric” music. They toured all over the world with Dylan getting booed because of the folk purists hate of Bob’s new electric direction. Levon left at the beginning of that tour but came back when they started to work on their own music.
They were a band in the best sense of the word. the members were Robbie Robertson who played guitar and was the main songwriter. Levon Helm who was the drummer and one of the three singers. Richard Manual played piano and was probably the best singer of the Band. Rick Danko the bass player and also singer and great at harmonies. Garth Hudson the keyboard player extraordinaire. They all could play other instruments…
They would switch up instruments and record at times just to get a different texture to their music.
They rented a house in West Saugerties New York…a big pink house and started to set up in the basement. Bob Dylan would come over and they would record demos.
Bob Dylan was a big influence on The Band. The Band also influenced Bob Dylan in the basement. He had never recorded outside of a studio before and it freed him up a bit. Those recordings were meant to be demos for other performers to sing but were heavily bootlegged so they were officially released in 1975 as “The Basement Tapes” with songs by Dylan and The Band. The songs had pure raw energy and showed a sense of humor also.
They influenced everyone from Eric Clapton..who hid a secret desire to join them…to George Harrison and many more. Their first two albums (Music From Big Pink and The Band) were groundbreaking. They changed the musical landscape…the move from psychedelic to an older sounding looser type of music.
In 1974 Bob Dylan and the Band toured together again. The Band backed Dylan again but also played their own set. They released a live album of that tour called Before The Flood.
Some bands have great voices and tight harmonies. The Beatles, Beach Boys, Eagles to name a few but The Band’s harmonies were loose but at the same time just as tight in their own way. Their music sounded spontaneous but it was well crafted. They always left enough raw edge to keep it interesting.
Robbie Robertson’s words and melodies were Americana flowing through a Canadian who had part Jewish and Native-Canadian roots. He would read one movie screenplay after another. It helped him with his songwriting to express the images he had in his head. Robbie also took stories Levon told him of the south and shaped them into songs.
The Band was no frills…you were not going to see lasers or a Mick Jagger clone running about… they just played their music and did it well. They did not follow trends but they were not afraid to experiment especially Garth Hudson the keyboard player who was always playing with different sounds.
Songs like The Weight, Cripple Creek, The Shape I’m In, The Night They Drove Old Dixie Down, Rag Mama Rag, This Wheels On Fire, Stage Fright and the list goes on. The songs still sound fresh and fit perfectly on their respective albums.
You can’t go wrong with a Band album but the ones I would recommend would be Music From Big Pink (1968) and The Band (1969).
The Greatest Hits album has the radio songs you know but you miss some great songs by not getting the original albums. The ultimate would be the 2005 release of the box set called A Musical History. It has everything the original band recorded.
They broke up in 1976 and played their last concert with all of the original members in a film called The Last Waltz…
Their music was always uniquely their own. This band earned their name…
This is one of my favorite comedies. Peter Cook and Dudley Moore were always a great team and this movie they work very well together. It’s the old story of selling your soul to the Devil for wishes…but as always the wishes are not exactly what the wisher has in mind.
Dudley Moore plays Stanley Moon who is a shy and pathetic figure who pines for a waitress (Eleanor Bron) who works at Wimpy’s Burger where is employed as a cook. Peter Cook is the devil… He is perfect for this part. He is a hilarious devil and at times likable but does the most annoying things like tearing the last page out of mysteries, scratching LPs and just petty things to aggravate people.
The movie is very British and very funny.
The chemistry is great between Moore and Cook and by this time they had been together for a while. There was a version of this movie released in 2000 but it is not as subtle as this the original version. This is an offbeat quirky film.
This film also features Raquel Welch appropriately as Lust. She is only in it for a few minutes but she plays Lust to the hilt. The film had no name at first and in an interview, Peter Cook said he wanted to name the movie “Raquel Welch”…when asked why he wanted to name it after the actress when it wasn’t about her he said because the Marquee would read “Peter Cook and Dudley Moore in Raquel Welch”… The producers didn’t like that.
Eleanor Bron plays Margaret the waitress and the object of Stanley’s desire was also in HELP! with The Beatles.
Check this film out if you can. Personally, I think it beats the remake.
I grew up watching the hour-long color episodes (seasons 12-20) of Gunsmoke in reruns and I liked the show. Now I’m watching the first 6 seasons…they are black and white and very different. There is no Festus or Newly…we have Chester (Dennis Weaver) and he is a refreshing character. They just never played these episodes on television when I was younger. There still is Doc Adams (Milburn Stone)and a very young good looking Kitty Russell (Amanda Blake).
These episodes dealt with murder, rape, human trafficking, and plenty of Matt Dillon (James Arness) decking bad guys with his fist or the butt of his gun. They are 30 minutes long which is great. They got to the point quickly. Some of the stories were grim but it matched the look of the series.
I was surprised at how rough, violent and authentic they were and that is not knocking the later episodes but there is a difference. The violence was toned down as the series continued.
The later color episodes centered more around the guest stars and the old black and white ones centered more on the local cast of Dodge City.
Have Gun Will Travel was also on CBS along with Gunsmoke. You will see some of the same character actors and sets. Some Have Gun Will Travel scenes were filmed in a redecorated Long Branch… Too bad there wasn’t a crossover at least once.
Chester…I’ve always liked Dennis Weaver as an actor…in McCloud, Duel and anything he was in… He brings his character Chester alive as a real person. Chester had a limp on the show and Dennis Weaver said he would take yoga classes so he could do things like putting on a boot look believable with a bad leg…he also put a pebble in his boot on his right foot so he would not forget which leg was lame.
Chester could be lazy but he was invaluable and loyal to a fault to Matt Dillon. Dennis Weaver left the show after the 9th season with no explanation on what happened to Chester as was the way back then with TV shows.
If you are a fan and have seen only the later episodes…check these out.
A Fistful of Dollars, For a Few Dollars More and The Good, the Bad and the Ugly. Three great movies that happen to be westerns…maybe the best three or at least in the very top tier. At least once a year I make time to binge watch these movies back to back to back.
All were directed by Sergio Leone and were brilliant. If you watch a regular Hollywood western from this time period or a little later…they seem a little too polished…this one feels raw and realistic.
These movies started the Spaghetti Westerns…They made Clint Eastwood a movie star. He was famous for Rawhide on television but this put him over the top.
The three films are not really an ongoing story but Eastwood plays pretty much the same character in every one with different name.
The best part of all three is the atmosphere. The editing and cinematography of these movies are great…The showdown scene in The Good, Bad and the Ugly is worth watching just by itself. Personally, I like The Good, the Bad and the Ugly the best because of that scene.
You don’t have to be a big western fan to enjoy these movies… they transcend regular westerns.
Badfinger was a very talented band that had a gift and curse of sounding like The Beatles. Their songs are remembered today but not the band which is a shame. They made some very good albums. This band’s story is a cautionary tale that other bands need to look at. This is what signing with a bad manager can do to you.
The members were Pete Ham, Tom Evans, Mike Gibbins, and Joey Molland (who replaced Ron Griffiths).
They started out as the Iveys and signed with the Beatles new label…Apple. After that, they changed their name to Badfinger. Paul McCartney wrote their first big hit single”Come and Get It” and after that, they were writing themselves. The hits kept coming… No Matter What, Baby Blue and Day after Day. They also wrote Without You…a small blues song that Harry Nilson covered…it became a monster worldwide hit. Mariah Carey also covered it later on and was again a giant hit.
They signed with a manager named Stan Polley and got a massive contract with Warner Brothers after leaving Apple. Things were looking really good. They had hits but they never made it over the hump in being a big-time group. Warner Brothers could have pushed them over the hump…Polley setup an escrow account for the band with the advance money and the money disappeared.
He told the band that he was planning for their future etc..He put them on a small salary and embezzled the rest. He really swindled them and their royalties for their songs were tied up for years.
The band was basically broke. With all of their self-written hits, they should have been set financially for years.
Pete Ham didn’t have the money to pay his mortgage and with a baby on the way drunk and depressed at the fatal age (for rock stars) of 27 he hanged himself in his garage in 1975. In 1983 after scrambling for gigs, Tom Evans broke and not able to get to any of the royalties due him from co-writing Without You with Pete…hanged himself also.
Pete was a trusting soul and never would believe Polley was cheating them until the very end. His suicide note read…
“I will not be allowed to love and trust everybody. This is better P.S. Stan Polley is a soulless bastard. I will take him with me.”
They all wrote to some degree but Pete Ham was a great songwriter. He had so much potential. He also was a great guitar player and singer.
Stan Polley died in 2009… escaping other scandals without punishment.
Their albums were
Magic Christian Music – This was the soundtrack to the movie The Magic Christian. Come and Get It is on this album and a minor hit called Maybe Tomorrow which is a good pop song.
No Dice – No Dice is where Badfinger starts to be themselves. No Matter What and Without You came off of this album. It also has some other great songs… I Can’t Take It, Blodwyn, We’re for the Dark, Better Days, and my favorite of the album and possibly of Badfinger…Midnight Caller.
Straight Up – This is my favorite album by them. It has Baby Blue and Day after Day but a host of other good songs. Take It All, Money, Name of the Game, Suitcase, Sweet Tuesday Morning, and I’d Die Babe. Joey Molland’s songwriting and singing were very good on this album.
Ass – Their last album for Apple records and the start of the downward spiral. The songs I would recommend are Apple of My Eye and Icicles.
Badfinger – They just signed a new record deal with Warner Brothers and this was the first album. They recorded this album as soon as they finished their previous album Ass for Apple which was too soon. They should have waited a while before recording this album. This album didn’t do well and one of the reasons is because it was competing with their previous album. They were released within months of each other and it. The songs I like are I Miss You and Shine On.
Wish You Were Here – The album was released in late 1974 and was pulled in early 1975 before it had time to do anything because of litigation between their manager and the Warner Brothers. It was released and pulled in a matter of weeks. Warner Brothers saw the money was missing and yanked the album off of the shelves. The songs I like are Dennis and Just a Chance.
Head First – They recorded this album after Wish You Were Here with Bob Jackson after Joey Molland had quit. The album was stuck in limbo for 26 years never released. It wasn’t released until 2000. I went out and bought this the day it was out at Tower Records when I read they were releasing it. On some songs, you can tell they are having problems with their management. The songs that stand out to me Lay Me Down, Hey Mr. Manager, Rock N’ Roll Contract, and Keep Believing. A good album and I wish it would have had a chance at the time.
They did make a couple of albums after Pete died called Airwaves and Say No More. The song Lost Inside Your Love is the only song that approaches the Badfinger early quality.
Without Pete, the biggest talent was gone. That is not a knock on the others but he was just that good. Tom Evans was a good singer, songwriter, musician who worked with Pete well and had a great voice. Joey Molland was a good guitar player, singer, and songwriter. The band didn’t lack talent.
In 1997 a CD was released of Pete Hams demos called 7 Park Avenue. It was various demos from his entire career. A follow up was released in 1999 called Golders Green. The melodies he had rivaled McCartneys. He was an amazing songwriter.
Go out and google Badfinger and more importantly listen to them. This band needs to be remembered.
Baby Blue… Maybe the most perfect power pop song ever.
This is the pilot that started the television show Night Gallery. Rod Serling started this a few years after Twilight Zone. He didn’t have the control he did with Twilight Zone and it wasn’t as consistent but still had many good episodes. Personally, I think the pilot is the best. It’s three very well acted and written stories.
I was in Tampa Florida visiting some relatives. I was left alone in the living room and watched this. I had one eye covered with my hand…sometimes both. I was 6 at the time so I do have an excuse.
My favorite story is The Cemetery. Roddy McDowall and Ossie Davis starred in this story that is the opener. Roddy plays a playboy who kills his uncle to inherit his fortune. Ossie plays the loyal butler who is still trying to do his job and stay loyal to his old boss. A painting of the family cemetery keeps changing and shows the uncle moving out of his plot slowly to the door. The story has a cool twist ending.
The second story is called “Eyes” which stars Joan Crawford. It was directed by a young Steven Spielberg. A blind terrible rich woman who would pay for someone’s eyes to see just for eleven minutes. After an illegal operation to transplant someone’s eyes in her the bandage is taken off and then a surprise.
The third story is called “Escape Route” about an ex-Nazi looking for peace in a painting at a museum. Very well acted and justice prevails.
For more details below is the Wiki description of each story
Jeremy Evans is a despicable selfish young man who murders his rich uncle to inherit his estate, both much to the detriment of his uncle’s butler, Osmond Portifoy. Later, Evans notices that a painting of the family graveyard has changed – a fresh, empty grave appears in it and soon after a coffin standing upright appears in the grave. Little by little, the painting depicts the return of his uncle from his burial site, moving closer and closer, or so it seems, to Evans.
Claudia Menlo is a heartless, wealthy blind woman who desperately wants to be able to see. Sidney Resnick, a hapless gambler who owes money to loan sharks, agrees to donate his eyes to her for the grand sum of $9,000. Her doctor, whom she blackmails into performing the illegal surgery, warns her that her vision will only last for about eleven hours. After the surgery, she removes the bandages from her eyes, and by a quirk of fate, there is a blackout seconds later. She awakens the next day to see the sunrise, but she panics when her sight quickly begins to fade.
“The Escape Route”
A Nazi fugitive named Joseph Strobe is constantly on the run from the authorities and his nightmares about the past. One day, while fleeing from imaginary pursuers, he finds himself in a museum where he meets Bleum, a survivor of the same concentration camp where Strobe made the decisions about who would live or die. Bleum does not initially recognize him, but points out a painting that depicts a man being crucified in a concentration camp. Strobe turns away; he is drawn to a painting of a fisherman, and imagines himself in the painting. When Strobe returns to the art gallery the next day, Bleum recognizes him as a Nazi, and later, outside a bar, Strobe kills him to ensure his own anonymity. Once again, Strobe must hide from authorities. In a state of desperation he returns to the museum and prays to become the fisherman in the painting, but dire consequences loom.
One of the most surreal shows to ever be on television.
I was too young to catch this show when it was on originally. I never thought too much of it but I started to watch it later on in life. At first look, it looked like a rural show with country humor….wrong wrong wrong. Yes, it was wacky but it broke through the 4th wall… You can see it’s influenced in the Simpsons and more shows. Poor Oliver was surrounded by crazy people and the craziness infected him at times. The show takes place in the fictional town of Hooterville…they never reveal the state but it doesn’t matter. The characters of this show were classic.
It’s really hard to describe this show. It was intertwined with 2 other shows…The Beverly Hillbillies and Petticoat Junction…BUT it’s nothing like those other two. Not in the same zip code or planet. Basically…a New York Lawyer with his rather ditsy socialite wife moves to the country. He bought…or got conned into buying a broken down farmhouse (The Haney Place?) with his dreams of being a farmer. I will say the first few episodes kinda follows a normal sitcom template but then it gets really surreal. This is one show that would work today with no problem.
Mr. Haney – Probably the biggest con-man in television history. He will stop at nothing to make a buck and he finds a sucker in Oliver many times.
Eb – The somewhat slow farmhand that calls Oliver and Lisa mom and dad much to Oliver’s annoyance. He asks for everything but gets out of work as much as he can…plus he tells Oliver what a bad farmer he is….
Mr. Drucker – out of all the residents of Hooterville he is at times the most normal of the crazy lot…but that is not saying much. He operates the general store, post office, the newspaper and is the the notary public. I’m sure I’m missing something else.
Fred and Doris Ziffel – Fred and his long suffering wife Doris. They have no children so they raise a pig named Arnold as a child. He goes to school and does every kids do.
Arnold – The pig which is probably the character best remembered to the public.
Hank Kimball – My favorite character hands down…you talk about short term memory…this guy has it. He is the county agent and helps…or something like that Oliver with his farm.
Ralph and Alf Monroe – Two inept carpenters that are brother and sister and the sister’s name is Ralph. They work on Lisa’s and Oliver’s bedroom the entire show’s run and never gets it done.
Oliver and Lisa Douglas – It’s a wonder that the show didn’t end up with Oliver in an insane asylum after dealing with everyone in Hooterville. Lisa, as the show goes along starts think and act like the Hooterville residents. Lisa is a terrible cook to say the least that specializes in hot cakes…that are used to seal cracks and as a head gasket and she cooks a great hot water soup.
Eleanor – Oliver’s and Lisa’s cow. About the only good deal they ever got from Mr. Haney.
I awoke from a dream. I dreamed I was at an opening of some club and I was in the parking lot and here comes Keith Moon. He was laughing madly and asked me if I was enjoying myself…I was amazed and happy…. Someone in the background of this dream asked the above long question that is the title. I didn’t answer but if I did it would have been a resounding YES…who else? If I could have met any rock star…I would have picked Keith Moon. He was the ultimate definition of a rock star. Some people would pick Jimmy Page or Robert Plant…but to me Led Zeppelin always had a dark cloud around them. They were not the most inviting band. The Who on the other hand seemed open and at least trying to connect with the audience. The concert footage I have of them with Moon they would act silly between songs and be human and light…until they played…when they played in their prime…no one could touch them live. Plus musically I just liked them much better…I brought Zeppelin up because they covered some of the same ground at the same time as the Who. I don’t care if I hear Stairway anymore in my life…but when Won’t Get Fooled Again comes on….I still turn it up. But this is about Keith Moon and me dragging him to the current age. He would not have survived now because he had fun and lots of it. Excess yes and too much. He was arguably the best drummer in rock ever….he usually comes in 1st or 2nd in polls to John Bonham. He had an ability and a rare ability….it doesn’t seem he could be embarrassed. I use to really want that trait…but it was his undoing also. With all of his mad escapades it has been said by many that he never wanted to hurt anyone. He once got a hotel clerk fired by stealing chicken from the kitchen…the next day he got the mans job back. The only person he ended up hurting was himself. He wrecked plenty of hotel rooms but he did it with style…one time nailing the furniture to the ceiling at the same location it had been on the floor.
I feel guilty sometimes enjoying reading about Keith…yes he had drinking problems and some mental problems that went undetected in the seventies. You will see these old jaded rock stars start smiling when talking about him now. A smile that says that they don’t have the time or the memory to tell you all the stories. He had energy to burn and finally did just that…burn out. He wore people out that tried to hang with him.
Keith’s stories have entertained generations after his lifetime….he paid the price. He was trying to clean up before he died and died on an overdose of a drug to wean him off of alcohol.
Check youtube out for Keith Moon and you will find some great videos….If you want a quick read find a copy of Full Moon I had a copy when I was 13 and I wish I would have kept it when I saw the price…you can get the audio version pretty cheap. If you really want to know about Keith get this one. Better price and it covers his entire career. Yes I would bring him back just to see the reaction of today’s PC world. Their heads would explode. He would give this boring corporate world a hot foot….which it needs desperately. If only I could Keith….you would be here but I would rather go back to your world when the rules were broken and you could have a bit more fun. To this day I’ve never seen nor heard a drummer that could match him.
The choice is an old one. I like both groups they are two of the greatest rock groups of all time. Keith Richards said without the Beatles there would be no Stones because the Beatles kicked the door in…in America for the Stones to follow. The soul of the two groups were John Lennon and Keith Richards. They were the honest ones…the ones that would tell you how it really was but sometimes offended…but who cares? Keith is “The Human Riff” and has more than earned that name. John also came up with some classic riffs… Day Tripper, I Feel Fine, I Dig a Pony, And Your Bird Can Sing… Paul McCartney and Mick Jagger were the PR of both bands.
George Harrison and Brian Jones were in similar positions… both were in bands with with two great songwriters. George finally broke through with some great songs but Brian’s tenure ended sadly.
The first statement from a Stones fan is…but The Beatles were a pop band and The Stones were a rock band through and through. Not really…. The Stones wrote alot of pop songs like Ruby Tuesday, Waiting on a Friend, Dandelion and We Love You. The Beatles wrote some rock songs Day Tripper, Come Together, Revolution and probably the hardest and raunchiest song of the two groups…Helter Skelter.
The Stones were not above copying the Beatles at times. The most blatant was after Sgt Peppers came out the Stones release Her Majesty’s Request. Take a look at the Beggars Banquet Cover and The White Album covers. Yes the Stones delay in release of that album was over a cover the record company rejected but it was released after the White Album… Let it Be and Let it Bleed…a little too much of a coincidence. Glyn Johns was involved with both albums and it’s been said that the Stones heard Let It Be before it was released. John and Paul even wrote the Stones first hit I Wanna to Be Your Man. It wasn’t a bad thing…most groups followed in the Beatles wake.
Arguably the Stones were much better after the Beatles broke up. They formed their own identity. Unless you like the Brian Jones era more than the Mick Taylor era. Personally I think the Mick Taylor era was superb. I did like the texture that Brian would add to the Stones but with Mick Taylor they were a great rock band. When Taylor quit they lost a lot. Ron Wood looks more like a Stone than Taylor but the group with Wood is not comparable to the Taylor version of the Stones. It’s not just the songwriting…the guitar playing Taylor did with them between 69-74 was great. The Beatles were much more flexible than the Stones…just listen to the White Album. They could bend to any genre better than any band. Popularity is not even comparable between the bands. Mick Jagger has admitted that the Stones were outshone by the Beatles.
It depends on taste but there is not a reason why you can’t like both…but the arguments are fun though. Personally The Beatles are my favorite of the two because they covered much more ground.
My thought on the dynamic of the groups is the Beatles truly loved each other like brothers and when they broke up…it was much more personal and more feelings were involved. The Stones were not as close. Keith and Mick were close for a little while until the drugs set in with Keith. I think that helped them stay together longer. I also thought they treated Bill Wyman terrible like not giving him credit on coming up with the riff on Jumping Jack Flash and he only got one of his songs on an album. John and Paul would write songs for Ringo and early on for even George. I can’t imagine Mick and Keith writing one for Brian…Brian didn’t do himself any favors because of the antics he pulled…but he did start the group and contributed a lot until around 67.
The argument will go on and on between fans of both groups. The images of both are really skewed. Supposedly to Stones fans the Beatles were soft and the Stones were hard men.. The Beatles were from Liverpool, a tough blue collar town and not soft at all. They were not to be messed with at all…After going to Hamburg and carousing with gangs, hit men and mobsters they were far from innocent but the Stones manager Andrew Loog Oldham wanted the Stones to be the anti Beatles and it worked great but was far from the truth. The two bands were actually friends and would time their singles to come out at different times as to not compete with each other.
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