Badfinger (Max)

Tanya Tucker – Delta Dawn

I’ve always liked this song and Tanya’s scratchy voice. Helen Reddy did a fine version of this also but I’ll take this treatment. It is the version I grew up with…I’ve always been a fan of Tanya Tucker.

When I was a senior in high school I had a job at a place called Tuckahoe Farms. It was Tanya’s farm but she had sold it by the time I worked there. They raised thoroughbred racing horses and it was huge. I was always hoping she would come back to visit but she never did.

It was written by former rockabilly star Larry Collins and country and western songwriter Alex Harvey. It was first recorded by Harvey in 1972. Tracy Nelson and Bette Midler put the song in their live repertoire before it became a country hit for 13-year-old Tanya. The melody and chorus are virtually identical to the Amazing Grace

Harvey says the tune is really about his mother, a heavy drinker who died in an apparent suicide by crashing into a tree when the songwriter was a teen. Harvey had just returned from a TV gig with his band…he had asked his mother not to go, worried she would embarrass him by drinking too much and making a spectacle. The guilt over his mother’s death stuck with him for years. A decade later, he was hanging out at Larry Collins’ house with a group of country musicians. Everyone fell asleep except for Harvey, who stayed up strumming his guitar. That’s when he saw his mother.

Alex Harvey: “I looked up and I felt as if my mother was in the room. I saw her very clearly. She was in a rocking chair and she was laughing,” he recalled. “My mother had come from the Mississippi Delta and she always lived her life as if she had a suitcase in her hand but nowhere to put it down. She was a hairdresser in Brownsville. She was very free-spirited, and folks in a small town don’t always understand people like that. She never really grew up.”

“I really believe that my mother didn’t come into the room that night to scare me, but to tell me, ‘It’s okay,’ and that she had made her choices in life and it had nothing to do with me. I always felt like that song was a gift to my mother and an apology to her. It was also a way to say ‘thank you’ to my mother for all she did.”

The song peaked at #6 on the Country Charts, #3 in Canada, and #72 on the Billboard 100 in 1972.

Helen Reddy would take the song to #1 on the Billboard 100 in 1973.

Barbra Streisand passed on the song after the backing track had been recorded by her producer without her prior knowledge.

Delta Dawn

Delta Dawn, what’s that flower you have on?
Could it be a faded rose from days gone by?
And did I hear you say he was a-meeting you here today
To take you to his mansion in the sky?

She’s forty-one and her daddy still calls her “baby”
All the folks around Brownsville say she’s crazy
‘Cause she walks dowtown with a suitcase in her hand
Looking for a mysterious dark-haired man

In her younger days they called her Delta Dawn
Prettiest woman you ever laid eyes on
Then a man of low degree stood by her side
And promised her he’d take her for his bride

Delta Dawn, what’s that flower you have on?
Could it be a faded rose from days gone by?
And did I hear you say he was a-meeting you here today
To take you to his mansion in the sky?

Twilight Zone – The Jeopardy Room

★★★★1/2 April 17, 1964 Season 5 Episode 29

If you want to see where we are…HERE is a list of the episodes.

This is another episode in which I’m in the minority. I rated this one a 4 1/2 -star episode though not many have rated it that high. This one is great. It’s not exactly Twilight Zone-ish. You won’t see science fiction in this one. It could be a separate spy show or something out of a James Bond film. Martin Landau plays Major Ivan Kuchenko and he escaped from the Soviet Union to find freedom. He plays a cat and mouse battle between him and his KGB opponent John van Dreelen who plays Commissar Vassiloff.

You could call this one from a different era… a Cold War film but wait…the era may not be so far gone anymore. Thrilling and suspenseful and worth a watch. It’s one of the highlights of the 5 season. The battle of wills between Kuchenko and Vassiloff is very entertaining.

IMDB Trivia: One of a handful of TZ episodes that, notably, contains no science fiction or fantasy elements. Others include The Twilight Zone: Dust (1961), The Twilight Zone: The Shelter (1961), and The Twilight Zone: The Silence (1961).

Martin Landau (Major Ivan Kuchenko) later played William Cooper-Janes in The Twilight Zone: The Beacon/One Life, Furnished in Early Poverty (1985).

This show was written by Rod Serling

Rod Serling’s Opening Narration:

The cast of characters—a cat and a mouse, this is the latter. The intended victim who may or may not know that he is to die, be it by butchery or ballet. His name is Major Ivan Kuchenko. He has, if events go according to certain plans, perhaps three or four more hours of living. But an ignorance shared by both himself and his executioner, is of the fact that both of them have taken the first step into the Twilight Zone.

Summary

After spending twelve years in a Soviet prison, Major Ivan Kuchenko has fled his homeland and is now in transit in a third country hoping to soon leave and seek asylum in the USA. He is not alone however as Commissar Vassiloff, his torturer during his imprisonment, has caught up with him. Vassilof could easily kill him – he has an assassin with him, Boris – but he decides to give him a chance to walk away. He’s placed a bomb in Kuchenko’s room and he gives the Major 3 hours to find and disarm it. Kuchenko proves himself to be a worthy adversary.

Rod Serling’s Closing Narration:

Major Ivan Kuchenko, on his way West. On his way to freedom: a freedom bought and paid for by a most stunning ingenuity. And exit one Commissar Vassiloff, who forgot that there are two sides to an argument – and two parties on the line. This has been the Twilight Zone.

CAST

Rod Serling … Host / Narrator – Himself
Martin Landau … Major Ivan Kuchenko
John van Dreelen … Commissar Vassiloff
Robert Kelljan … Boris- Vassiloff’s assistant

The Troggs

Today I want to give a salute to The Troggs.

In the late seventies, I borrowed a single from a friend…that was Wild Thing by the Troggs. I loved the raw sound. If there was ever a garage band that hit the big time…it was the Troggs. Wild Thing (1966) was a massive hit that sold over 1 million copies. Their other big hits were With A Girl Like You (1966) and Love Is All Around (1967). The B side to the single I had at the time was With A Girl Like You and I liked it better than Wild Thing.

The Troggs influenced a lot of Punk and Garage bands. Their songs could be played with a little practice. Almost every band starting out will play the 3 chord Wild Thing at least a few times.

Their songs have been covered by a countless number of unknown bands. Three more well-known artists have been Jimi Hendrix playing Wild Thing at Monterey and REM and Wet, Wet, Wet covered Love Is All Around.

The original members were Reg Presley, Ronnie Bond, Chris Britton, and Pete Staples. Reg Presley was the lead singer and wrote Love Is All Around which went to #7 and With A Girl Like You which went to #29.

The band is probably more known for a failed recording session which was leaked out more than they were for their hits. They are swearing and fighting with each other.

It is funny. If you are put off by swearing don’t listen but when you hear “Oh, we’ll put some fairy dust over it. I’ll piss over the tape”….it’s hard to resist. It was recorded in 1970 and leaked out in the early seventies on bootlegs called The Troggs Tapes...this became the inspiration for a few Spinal Tap scenes. I have some of it below in the videos.

After Love Is All Around in 1967 the band’s fame waned. They released some more singles but nothing approached their three big hits. REM made an album with the Troggs in 1992 called Athens Andover.

Reg Presley passed away in 2013. Chris Britton still plays some gigs with the Troggs today as the only original member left.

Wild Thing… like Louie, Louie was an important song in the history of Rock and Roll. It was much more important than the band that brought it to us…but you have to tip your hat to the Troggs. A garage band that is still being talked about in 2022.

This group was not one of the super British bands of the sixties, not even close. They will never be on anyone’s top ten, twenty, or higher best band list…but they left a few memorable songs, a large one, some influence, and a hilarious bitch session on tape for posterity…

Rolling Stones – Stray Cat Blues

Mick sounds sinister and ominous in this track and the guitar is absolutely filthy. I feel the need for a shower after I listen to it. It’s raunchy and sleazy…but a great album cut.

I once had a girlfriend and being around me she started to appreciate the Beatles. I thought that was cool because I never pushed them on her…then I played her some Stones. After around a week of listening to Beggars Banquet, she told me…Max, The Beatles seemed to progress so much as they went on…The Stones…they are low rent.

She was paying attention. She didn’t mean that in a bad way but yea…that is the essence of the Stones…showing the seedier side in their songs…and believe me…this song does. As humans…The Beatles could be as nasty but they didn’t usually reflect that in a lot of music…The Stones went out of their way to do so.

Stray Cat Blues is off of my favorite album by the Rolling Stones…Beggars Banquet. Would this song fly today? NO…oh pardon me… let me reword that…HELL NO… It’s hard to believe it flew back in 1968. I could be wrong but I doubt you would hear this on very many classic radio stations today.

Keith Richards is on top of his game in this one. Mick seemed to be testing or provoking audiences with this one.

This was the first album to start the stretch of 5 albums (Beggars Banquet, Let It Bleed, Sticky Fingers, Exile on Main Street, and Goats Head Soup) that helped make the Stones what they are today. In 1967 after failing to live up to Sgt Pepper with Their Satanic Majesties Request (although I do like that album) they came back retooled with a new producer Jimmy Miller

The Stones got back doing what they do best…playing country rock blues…although with a different sound than Little Red Rooster. A weary Brian Jones was still in the band at this time and contributed to all but two songs…but it’s mostly Keith on guitar. Brian, because of the state he was in, was used more as a touch-up artist…filling in some holes with sitar, tambura, guitar, blues harp, and mellotron. It would also be the last studio album Brian would work on.

I’ve always related Beggars Banquet to the White Album. They were both released in 1968 and both were raw and honest. No studio trickery with either…a big departure from the psychedelic era of 1967.

The album peaked at #5 in the Billboard Album Charts, #3 in the UK, and #3 in Canada in 1969.

The lyrics were bad enough with I can see that you’re fifteen years old/
No I don’t want your I.D…. when playing it live on the 69 tour it became I can see that you’re thirteen years old/ No I don’t want your I.D. Mick seemed to be jabbing and provoking seeing how much he could get by with.

When you listen to it I would suggest the studio version. Many of the nuances are lost in this live version. I always try to pick a live version around the time they made the song but this one is not the best I heard.

Cat Scratch Blues

I hear the click-clack of your feet on the stairs
I know you’re no scare-eyed honey
There’ll be a feast if you just come upstairs
But it’s no hanging matter
It’s no capital crime

I can see that you’re fifteen years old
No I don’t want your I.D.
And I’ve seen that you’re so far from home
But it’s no hanging matter
It’s no capital crime

Oh yeah, you’re a strange stray cat
Oh yeah, don’tcha scratch like that
Oh yeah, you’re a strange stray cat
Bet your mama don’t know you scream like that
I bet your mother don’t know you can spit like that.

You look so weird and you’re so far from home
But you don’t really miss your mother
Don’t look so scared I’m no mad-brained bear
But it’s no hanging matter
It’s no capital crime
Oh, yeah
Woo!

I bet your mama don’t know that you scratch like that
I bet she don’t know you can bite like that

You say you got a friend, that she’s wilder than you
Why don’t you bring her upstairs
If she’s so wild then she can join in too
It’s no hanging matter
It’s no capital crime

Oh yeah, you’re a strange stray cat
Oh yeah, don’tcha scratch like that
Oh yeah, you’re a strange stray cat
I bet you mama don’t know you can bite like that
I’ll bet she never saw you scratch my back

A Concert of The Mind…Fantasy Park

Imagine a concert in 1975 with The Beatles, Bob Dylan, the Allman Brothers, Linda Ronstadt, The Rolling Stones, The Who, and more. Well, it happened! Sorta. Rod Serling did all of the radio promos. It would be one of his last projects…he would pass away before it aired.

It was a 48-hour-long rock concert (Fantasy Park) that was aired by nearly 200 radio stations over Labor Day weekend in 1975. The program, produced by KNUS in Dallas, featured performances by dozens of rock stars of the day and even reunited The Beatles. It was also completely imaginary, a theatre-of-the-mind for the 70s.

The “concert” consisted of live and studio recordings by the artists with live effects added to make it sound legit.

The show had college students hitchhiking all over America hoping to get to Fantasy Park. In New Orleans when the concert aired, the IRS came knocking on the doors of WNOE trying to attach the gate receipts to make sure the Feds got their cut! Callers were asking where they could get tickets to this amazing show.

The show was so popular in Minnesota that they played it again in its entirety the next year…now that people knew it wasn’t real and weren’t looking for tickets. The greatest concert that never was. Fantasy Park had their own emcee and special reporters covering the weekend event giving you the play-by-play details along with some behind-the-scenes updates.

The concert would always be halted due to rain on a Sunday morning to allow the locals to get in their regular (usually religious) programming. The whole event ended promptly at 6 pm on Sunday.

Now people look for the full 48-hour tapes of the show. They are a hot collector’s item. Rod Serling passed away on June 28, 1975.

Bands at Fantasy Park

Chicago
Elton John
Led Zeppelin
Joe Walsh
Cream
Shawn Phillips
Pink Floyd
Carly Simon
James Taylor (& Carol King)
Poco
Alvin Lee
Eagles
Linda Rondstadt
Dave Mason
Steve Miller
John Denver
Beach Boys
War
Grand Funk
Yes
Deep Purple
Rolling Stones
Cat Stevens
The Who
Rolling Stones
Moody Blues
Marshall Tucker Band
Allman Brothers Band
Seals & Crofts
America
Joni Mitchell
Doobie Brothers
Loggins and Messina
Crosby/Stills/Nash/Young
Bob Dylan
Beatles

Here is 10 minutes of it here.

…

Twilight Zone – Caesar and Me

★★★1/2 April 10, 1964 Season 5 Episode 28

If you want to see where we are…HERE is a list of the episodes.

This is the second Twilight Zone with a ventriloquist’s dummy that is smarter than his ventriloquist. The episode though doesn’t build the same mystery about the dummy as The Dummy does. Jackie Cooper plays Jonathan West a down-on-his-luck ventriloquist who has no friend but Caesar…the dummy. You do feel some sympathy with this character, but he is far too naive. The trouble starts when Caesar manipulates Jonathan into performing several robberies instead of finding honest work while they are waiting for their big break.

The vicious character in this story is the little girl named Susan played by Suzanne Cupito. She would later play Katherine Wentworth in Dallas. She started out as an insufferable little know it all but ended up as evil as the Caesar. This is the only episode of the series written by a woman. Adele T. Strassfield was the secretary of William Froug, the producer of the second half of the final season of The Twilight Zone.

It was a good episode and an improvement over the previous episode Sounds and Silences.

IMDB Trivia: The ventriloquist’s dummy is a reuse of the one created for The Twilight Zone: The Dummy (1962). It was modeled on George Murdock, one of that episode’s guest stars.

Jackie Cooper’s name previously appeared on a poster for the film O’Shaughnessy’s Boy (1935), in which he starred, in The Twilight Zone: The Incredible World of Horace Ford (1963).

This show was written by Rod Serling and Adele T. Strassfield

Rod Serling’s Opening Narration:

Jonathan West, ventriloquist, a master of voice manipulation. A man, late of Ireland, with a talent for putting words into other peoples’ mouths. In this case, the other person is a dummy, aptly named Caesar, a small splinter with large ideas, a wooden tyrant with a mind and a voice of his own, who is about to talk Jonathan West – into the Twilight Zone.

Summary

Ventriloquist Jonathan West isn’t having much luck finding a job. He’s gone to several auditions but no one has taken him on. He’s falling behind in his rent and is now getting to the point where he’s running out of things to pawn. He has to put up with the taunts of young Susan, the landlady’s niece. He’s also talking to his dummy, Caesar, who has advice for him on how to get ahead. It’s not very good advice however.

Rod Serling’s Closing Narration:

A little girl and a wooden doll. A lethal dummy in the shape of a man. But everybody knows dummies can’t talk – unless, of course, they learn their vocabulary in the Twilight Zone.

CAST

Rod Serling … Host / Narrator – Himself
Jackie Cooper … Jonathan West / voice of Caesar
Suzanne Cupito (Morgan Brittany) … Susan
Sarah Selby … Mrs. Cudahy
Stafford Repp … Pawnbroker
Don Gazzaniga … Detective
Kenneth Konopka … Mr. Miller
Sidney Marion … Watchman
Robert McCord … Man Watching Audition
Olan Soule … Mr. Smiles

Dave Clark Five – Glad All Over

I first found out about the Dave Clark Five in the early eighties. One of my friend’s dads grew up during the sixties and I found this band and Buffalo Springfield in his record collection.

The drums in this song are sharp and loud. Those two beats after “Glad All Over” hooks me every time. They had such a huge sound.

They were the first British Invasion band that had a hit in America after The Beatles. The song has a huge loud sound to it. The single charted at #6 in the Billboard 100, #2 in Canada, and #1 in the UK in 1964. Dave Clark and Mike Smith wrote this song. Smith came across a song called “Glad All Over” by Carl Perkins and wrote a new song with the same title.

The song also knocked I Want To Hold Your Hand out of the number one position in the UK charts.

After the Beatles were on Ed Sullivan… Ed wanted the Dave Clark Five. Sullivan thought a lot of the band and had them back on the show 11 more times. Getting them on the show the first time proved a challenge. The show wasn’t broadcast in England, so Clark had never heard of it and turned down the offer. When Sullivan’s producer called back offering a substantial payment, he convinced his bandmates to make the trip.

Bruce Springsteen has mentioned that the Dave Clark Five was a big influence. The group was huge…they ended up with 24 songs in the top 100, 7 songs in the top 10, and one #1 record with “Over and Over.”

After the group broke up in 1970 Dave Clark became a media mogul and also wrote, produced, and directed.

Lead vocalist Mike Smith wrote this song. He was looking through the Carl Perkins catalog and found a song named Glad All Over…he took the title.

Mike Smith: “We had lost out on ‘Do You Love Me’ to Brian Poole and so Dave (Clark) thought we should do an original. He asked me to come up with something and I looked through my record collection for a suitable title.”

Dave Clark: “I knew that we needed a song with the thumps in. we had been playing dance halls and we were getting a great audience response to the stomping things we were doing.”

“I went to Alexander Palace once, and saw a big band called The Eric Delaney Band. On the front of the stage, he had these timpanis. He came off the drums at the back and played these timpanis, and it was quite amazing. It was showmanship. That’s always stuck in my mind. It wasn’t very clever l, what he was doing, but it was dynamite, the crowd loved it. That was a big influence.”

Glad All Over

You say that you love me (say you love me)
All of the time (all of the time)
You say that you need me (say you need me)
You’ll always be mine (always be mine)

I’m feelin’ glad all over
Yes I’m-a glad all over
Baby I’m glad all over
So glad you’re mine

I’ll make you happy (make you happy)
You’ll never be blue (never be blue)
You’ll have no sorrow (have no sorrow)
Cause I’ll always be true (always be true)

And I’m feelin’ glad all over
Yes I’m-a glad all over
Baby I’m-a glad all over
So glad you’re mine

Other girls may try to take me away (take me away)
But you know, it’s by your side I will stay
I’ll stay

Our love will last now (our love will last)
Till the end of time (end of time)
Because this love now (because this love)
Is gonna be yours and mine (yours and mine)

And I’m feelin’ glad all over
Yes I’m-a glad all over
Baby I’m glad all over
So glad you’re mine

Other girls may try to take me away (take me away)
But you know, it’s by your side I will stay
I’ll stay

All of our lives now (all of our lives)
Till the end of time (end of time)
Because this love now (because this love)
Is only yours and mine (yours and mine)

And I’m feelin’ glad all over
Yes I’m-a glad all over
Baby I’m-a glad all over
So glad you’re mine

I’m so glad you’re mine now
I’m so, I’m so glad you’re mine
I’m-a so glad you’re mine now
Whoa-whoa-whoa-whoa-whoa-whoa

Paul McCartney – Sally G

I’ve always liked B-Sides… Let’s listen to some Liverpudlian Country Music.

I cannot hear this song without thinking of my grandmother. Her name was Sally and yes her last name started with G. She lived to the ripe old age of 96. I have posted about the A-side of this single Juniors Farm but never about this B-side that I like. I heard this song when I was 7 because my sister had this single and it’s been in my head ever since.

When I saw him in 2010 and 2014 I thought both times…hmmm he is in Nashville so Sally G surely will be played. Nope… Paul didn’t utter Sally’s name.

The song actually got played on the country stations in Nashville which looking back I can’t believe happened at that time. Nashville wasn’t exactly in love with rock performers.

Sally G was written and recorded in Nashville. In 1974 Paul McCartney came to Nashville. They rented a 133-acre farm just outside of Lebanon TN from songwriter Curly Putman (“Green, Green Grass of Home”) for $2,000 a week. They had requested a farm within 50 miles of Nashville that had horses and swimming facilities.

The band stayed at the farm for 6 weeks while the Putman family vacationed in Hawaii. When Putman and his wife returned to their farm, McCartney saw them walking up the driveway. McCartney and the band greeted them by playing “Green, Green Grass of Home.”

I have a cousin that lives in Lebanon around 5 miles from where he stayed…not a great picture but here it is today.

Lloyd Green, Bob Willis, and Johnny Gimble Willis contributed steel guitar, dobro, and fiddle respectively while adding legitimacy to McCartney’s country venture.

Paul playing guitar on “Junior’s Farm” in 1974

Sally G. and it peaked at #17 in the Billboard 100, #51 on the country charts, #11 in the Canadian Country charts, and #61 in Canada. Paul composed the song after visiting the nightlife in Printer’s Alley.

As his time in Tennessee came to a close, McCartney told a group of local reporters that he hoped to mount a U.S. tour the following year and that if it happened, Music City would definitely be on the itinerary.

McCartney didn’t come back until 36 years later in 2010 and I finally got to see him. Paul…you lied but all was forgiven when he took the stage.

I hardly ever point out a bridge in a song but in this one…it’s kept me listening for decades. It’s not the lyrics but the melody, backups, and harmonizing on the final “move along.”

Me and Sally took up,
things began to look up,
Me and her were going strong.

Then she started lyin’,
I could see our love was dyin’.
I heard a voice say,
“Move along, move along”.

Paul McCartney: “Buddy Killen [studio owner and music publisher] took us out to Printer’s Alley, a little club district,” “I didn’t see anyone named ‘Sally G’ in Printer’s Alley, nor did I see anyone who ran her eyes over me when she was singing ‘A Troubled Mind.’ That was my imagination, adding to the reality of it.”

Musician gets to stay on the farm for 3 weeks.

Home movies of Wings in the studio in Nashville 1974

Sally G

Somewhere to the south of New York City
Lies the friendly state of Tennessee,
Down in Nashville town I met a pretty
Who made a pretty big fool out of me.

And they call her Sally,
Sally G, why d’you wanna do the things you do to me?
You’re my Sally, Sally G
took the part that was the heart of me, Sally G.

The night life took me down to Printers Alley,
where Sally sang a song behind a bar.
I ran my eyes across her as she sang a tangled mime,
I used to love to hear her sweet guitar.

And they call her Sally,
Sally G, why d’you wanna do the things you do to me?
You’re my Sally, Sally G
took the part that was the heart of me, Sally G.

Me and Sally took up,
things began to look up,
Me and her were going strong.

Then she started lyin’,
I could see our love was dyin’.
I heard a voice say,
“Move along, move along”.

Well now. I’m on my own again,
I wonder if she ever really understood.
I never thought to ask her what the letter “G” stood for,
But I know for sure it wasn’t good.

And they call her Sally,
Sally G, why d’you wanna do the things you do to me?
You’re my Sally, Sally G
took the part that was the heart of me, Sally G.

Sally G.

Small Faces – Lazy Sunday

The Small Faces were indeed small… all of them were between 5’4″ and 5’6.” They would later grow when the taller Rod Stewart and Ronnie Wood joined and they became the Faces.

Lazy Sunday came off the classic album Ogdens’ Nut Gone Flake. The Small Faces didn’t intend to release this song. Steve Marriott was against his manager Andrew Loog Oldham’s decision to release this as a single and that was one reason why he left the group shortly afterward to be replaced by Stewart. The band didn’t take the song seriously and made it into a joke. Steve sang some of the voices with a cockney accent.

They were touring Germany and they picked up a music paper and saw it was not only released but a hit. Steve wanted a tougher image for the band, and this was more of a novelty pop song.

This song is not a good example, but Steve Marriott may have had the best voice of all his peers. Robert Plant and Paul Rodgers have cited Marriott as an influence. Personally, I would take him over those two and that is saying a lot.

The Small Faces also recorded this critically acclaimed concept psychedelic album in 1968 with their new record company Immediate Records. They never followed it up and only performed it once live in its entirety on a television show called Colour Me Pop. It spent 6 weeks at number one on the UK Album Charts.

Lazy Sunday peaked at #2 in the UK, #42 in Canada, and #114 in the Billboard 100.

This song was written by Steve Marriott. Marriott and Ronnie Lane did most of the writing. Their songs were clever and catchy. This band should have been bigger than they were… With the right record label, manager and push, they might have broken through.

Kenney Jones: “Steve had been a child actor, he was the first Artful Dodger in Lionel Bart’s Oliver in the West End. He brought back that theatricality to this.”

Ian McLagan: “When Steve came in with this it was slower. We started taking the piss out of it while he was out of the room. The ‘Root-ti-doo-ti-di-day’ thing stop and he laughed when he came back in and heard us. So we cut it like that. It was a piss take!”

Lazy Sunday

A-wouldn’t it be nice to get on with me neighbours?
But they make it very clear, yhey’ve got no room for ravers
They stop me from groovin’, they bang on me wall
They doing me crust in, it’s no good at all, ah
Lazy Sunday afternoon
I’ve got no mind to worry
I close my eyes and drift away-a
Here we all are sittin’ in a rainbow
Gor blimey, hello Mrs. Jones, how’s old Bert’s lumbago? (he mustn’t grumble)
(Tweedle-dee) I’ll sing you a song with no words and no tune (twiddly-dee)
To sing in the khazi while you suss out the moon, oh yeah
Lazy Sunday afternoon, I’ve got no mind to worry
Close my eyes and drift away-a

Root-de-doo-de-doo, a-root-de-doot-de-doy-di
A-root-de-doot-de-dum, a-ree-de-dee-de-doo-dee (doo-doo, doo-doo)
There’s no one to hear me, there’s nothing to say
And no one can stop me from feeling this way, yeah
Lazy Sunday afternoon
I’ve got no mind to worry
Close my eyes and drift away
Lazy Sunday afternoon
I’ve got no mind to worry
Close my eyes and drift a-
Close my mind and drift away, close my eyes and drift away

Twilight Zone – Sounds and Silences

★★ April 3, 1964 Season 5 Episode 27

If you want to see where we are…HERE is a list of the episodes.

EXACTLY on April 3, 1964…58 years ago today, this episode was aired for the first time. I wish it would have been a better episode that lined up with the current date. This is a light episode, not one of the great ones. The main character (Roswell G. Flemington) is not likable but played well by John McGiver. He is a very loud man because his mom made him be quiet all of his childhood.

You feel for his long-suffering wife played by Penny Singleton. All that said, the film has some funny moments at the expense of Roswell, particularly his employees talking among themselves about him when he isn’t around. He expects the world to put up with his very loud ways. The episode is harmless enough, but it doesn’t get off the ground. It can be taxing to get through.

On May 1961, a script was submitted to Serling entitled The Sound of Silence, concerning a man who could not hear the sounds around him. Serling rejected it, then forgot all about it. Two years later, he wrote Sounds and Silences. As soon as it aired, the writer of the original script filed suit. Because of the similarities in title and plot, the writer was paid $3500 and the matter was settled. Unfortunately, because the suit was in litigation when Twilight Zone was put into syndication, Sounds and Silences was not included. The episode was aired only once and then put away in the CBS vaults.
.

IMDB Trivia: Shortly after the airing, a writer came up with a lawsuit claiming his script and title was used. It was settled with him receiving $3500 but litigation prevented it from being included in syndication for a time.

The first “sound effect” record played by John McGiver is actually a 78RPM disc on the Deltone label called “You Won’t Believe Your Eyes” sung by Ina Massine. Ina Massine isn’t a real singer; it was Kathryn Grayson’s character name in the 1951 film “Grounds for Marriage.” This Rodgers and Hart song (real title, “Wait Till You See Him”) was recorded for the movie but not used. This record must have been a leftover prop.

Mrs. Flemington is portrayed by Penny Singleton, who is perhaps best known for portraying Blondie Bumstead from the “Blondie!'” movies of the 1930s and 1940s, that were based on the comic strip created by Chic Young. Penny also provided the voice of Jane Jetson on “The Jetsons” (1962).

This show was written by Rod Serling

Rod Serling’s Opening Narration:

This is Roswell G. Flemington, two hundred and twenty pounds of gristle, lung tissue and sound decibels. He is, as you have perceived, a noisy man, one of a breed who substitutes volume for substance, sound for significance, and shouting to cover up the readily apparent phenomenon that he is nothing more than an overweight and aging perennial Sea Scout whose noise-making is in inverse ratio to his competence and to his character. But soon our would-be admiral of the fleet will embark on another voyage. This one is an unchartered and twisting stream that heads for a distant port called the Twilight Zone.

Summary

Rosswell G. Flemington owns a model ship company and loves everything nautical. That’s not his problem, however: he likes everything to be loud. He speaks at the top of his lungs, bellowing commands to his staff. He plays his phonograph records – his favorites include the sound of jets flying off the deck of the USS Hornet – as loud as possible, something that leads his wife to leave him. He’s not prepared for what happens to him in the Twilight Zone however

Rod Serling’s Closing Narration:

When last heard from, Mr. Roswell G. Flemington was in a sanitarium pleading with the medical staff to make some noise. They, of course, believe the case to be a rather tragic aberration – a man’s mind becoming unhinged. And for this they’ll give him pills, therapy, and rest. Little do they realize that all Mr. Flemington is suffering from is a case of poetic justice. Tonight’s tale of sounds and silences from the Twilight Zone.

CAST

Rod Serling … Host / Narrator – Himself
John McGiver … Roswell G. Flemington
Penny Singleton … Mrs. Lydia Flemington
Billy Benedict … Conklin
Francis De Sales … Doctor
Michael Fox … Psychiatrist

Beatles – I’ve Got A Feeling

I’m glad the Let It Be album is getting a new life because of the Get back film. It’s not Revolver by any means but it was never meant to be. Let It Be started off as an album that would feature minimum overdubs and get back to playing as a band. I’ve Got A Feeling is a mix of two unfinished songs, Paul McCartney’s “I’ve Got a Feeling” and John Lennon’s “Everybody Had a Hard Year.”

John Lennon did have a hard year. He got divorced, battled heroin addiction, police drug raid, Yoko had suffered a miscarriage and he was convicted of drug possession.

John had worked on this song earlier. After meeting with Paul at his St. John’s Wood home in London sometime in December of 1968 to merge both of their songs into one, John met with the others at Twickenham Studios on January 2nd, 1969, with an arrangement that was already formulated, right down to the synchronized vocals of both composers in the final verse. All that was left was to finalize the arrangement with George and Ringo and to rehearse it repeatedly before it was ready to record.

The Beatles recorded this live on the Apple rooftop, which was used in their movie, Let It Be. John Lennon’s guitar sounds downright nasty and George’s compliments that sound with clean licks off of his Fender.

The Let It Be album peaked at #1 in the Billboard Album Charts, Canada, and The UK in 1970.

The version of I’ve Got a Feeling which was released on Let It Be was recorded during the rooftop concert. The studio take was released on the 1996 Anthology 3. Let It Be… Naked, which was a remix album that came out in 2003, patched two different rooftop concert takes.

I would have loved to hear Elvis do a cover of this song…but I can’t imagine him singing the “wet dream” part but it would have been interesting.

Pearl Jam also did a version of this song.

I’ve Got A Feeling

I’ve got a feeling, a feeling deep inside
Oh yeah, oh yeah.
I’ve got a feeling, a feeling I can’t hide
Oh no, oh no, oh no.
Yeah, I’ve got a feeling.

Oh please believe me, I’d hate to miss the train
Oh yeah, oh yeah.
And if you leave me I won’t be late again
Oh no, oh no, oh no.
Yeah, I’ve got a feeling, yeah.

All these years I’ve been wandering around,
Wondering how come nobody told me
All that I was looking for was somebody
Who looked like you.

I’ve got a feeling, that keeps me on my toes
Oh yeah, oh yeah.

I’ve got a feeling, I think that everybody knows
Oh yeah, oh yeah, oh yeah.
Yeah, yeah, I’ve got a feeling, yeah.
Yeah

Ev’rybody had a hard year
Ev’rybody had a good time
Ev’rybody had a wet dream,
Ev’rybody saw the sunshine
Oh yeah, oh yeah.

Ev’rybody had a good year,
Ev’rybody let their hair down,
Ev’rybody pulled their socks up,
Ev’rybody put their foot down.
Oh yeah, oh yeah.

Yeah I’ve got a feeling
A feeling deep inside
Oh yeah, oh yeah.

I’ve got a feeling, a feeling I can’t hide
Oh no
Oh no no no

Yeah yeah yeah yeah
I’ve got a feeling
I’ve got a feeling

…

Twilight Zone – I Am the Night – Color Me Black

★★★★★ March 27, 1964 Season 5 Episode 26

If you want to see where we are…HERE is a list of the episodes.

IMDB has this one rated with 7.4 out of 10. I think it should have been rated much higher. It is an excellent and powerful episode so I’m giving it 5 stars. A thought-provoking episode that is very original. Rod Serling wrote this and he lashed out at hatred in this episode. It was made only 4 months after JFK was assassinated. I rate this a 5 not because of the action or sci-fi…but it makes you think. The best Twilight Zones do that. Some might not like it because it is very dark.

Serling describes darkness covering various areas of the world simultaneously in reference to the evil happenings of the era. It’s a powerful message about a human sickness that all of us can learn and grow from. It was such a great concept to have the sunlight go away and to have total darkness brought on by hate. Maybe it is an act of God that’s being spurred on by men.

George Lindsey (Goober off of the Andy Griffith Show) plays a backwoods redneck policeman in this one. Michael Constantine plays the sheriff who feels guilty about what is going on and realizes the mistakes that he and everyone else has made. Ivan Dixon plays the Reverend Anderson and he and Constantine are the stars of this episode. The acting, writing, and lessons are great in this one.

IMDB Trivia: This episode takes place on May 25, 1964.

Ivan Dixon (Reverend) previously starred in The Twilight Zone: The Big Tall Wish (1960).

This show was written by Rod Serling

Rod Serling’s Opening Narration:

Sheriff Charlie Koch on the morning of an execution. As a matter of fact, it’s seven-thirty in the morning. Logic and natural laws dictate that at this hour there should be daylight. It is a simple rule of physical science that the sun should rise at a certain moment and supersede the darkness. But at this given moment, Sheriff Charlie Koch, a deputy named Pierce, a condemned man named Jagger, and a small, inconsequential village will shortly find out that there are causes and effects that have no precedent. Such is usually the case—in the Twilight Zone.

Summary

In a small town, a man by the name of Jagger is about to be executed after being found guilty of murder. The local newspaperman, Colbey, is convinced that Jagger is innocent. He accuses Deputy Pierce of having perjured himself to get a conviction and accuses Sheriff Charlie Koch of just plain laziness in investigating the case. As the morning of his execution arrives, the townsfolk realize that the sun hasn’t risen that day. They soon begin to understand the cause of the darkness that surrounds them.

SPOILER WARNING WITH VIDEO

Rod Serling’s Closing Narration:

A sickness known as hate. Not a virus, not a microbe, not a germ—but a sickness nonetheless, highly contagious, deadly in its effects. Don’t look for it in the Twilight Zone—look for it in a mirror. Look for it before the light goes out altogether.

CAST

Rod Serling … Host / Narrator – Himself
Michael Constantine … Sheriff Charlie Koch
Paul Fix … Colbey
George Lindsey … Deputy Pierce
Ivan Dixon … the Reverend Anderson
Terry Becker … Jagger
Eve McVeagh … Ella
Douglas Bank … Man
Russell Custer … Townsman
Elizabeth Harrower … Woman
Michael Jeffers … Deputy
Robert McCord … Townsman
Ward Wood … Man

John Lennon – Nobody Told Me

Double Fantasy was released in 1980 and I did like the album…but it was a little too pop-leaning in some songs. That album also takes me back to that awful time right after John was murdered. Three years later another album came out and this single was released. I’ve always liked this song. It sounded so much like the old John Lennon. It was quirky and had cool wordplay. It wasn’t John’s best song by any means and no it wasn’t close to Watching The Wheels or Starting Over but it had an edge to it that the other album didn’t.

This single was released in 1983. The song was originally written by John for Ringo Starr to sing on his “Stop and Smell the Roses” album. He even gave Ringo the demo. Ringo didn’t end up recording it because of the tragedy.

There is a lyric “There’s a UFO over New York and I ain’t too surprised” and it was taken from an actual incident. In 1974, John and May Pang (his girlfriend while separated from Yoko) were living in an apartment overlooking New York’s East River, when John saw what he thought was a UFO. May Pang said he yelled out the window “come back – take me!”

The song was off the “Milk and Honey” album with tracks from John and with Yoko. It peaked at #5 in the Billboard 100, #4 in Canada, and #6 in the UK. John wrote the song in 1976 and the working title was “Everybody’s Talkin.”

I liked the song the first time I heard it. It was a fun song and I was happy to hear something new from him. I really could hear Ringo doing this one. The two songs that hit from “Milk and Honey” were Stepping Out and this one.

“Nobody Told Me”

Everybody’s talking and no one says a word
Everybody’s making love and no one really cares
There’s Nazis in the bathroom just below the stairs
Always something happening and nothing going on
There’s always something cooking and nothing in the pot
They’re starving back in China so finish what you got Nobody told me there’d be days like these
Nobody told me there’d be days like these
Nobody told me there’d be days like these
Strange days indeed — strange days indeed Everybody’s runnin’ and no one makes a move
Everyone’s a winner and nothing left to lose
There’s a little yellow idol to the north of Katmandu
Everybody’s flying and no one leaves the ground
Everybody’s crying and no one makes a sound
There’s a place for us in the movies you just gotta lay around

Nobody told me there’d be days like these
Nobody told me there’d be days like these
Nobody told me there’d be days like these
Strange days indeed — most peculiar, mama

Everybody’s smoking and no one’s getting high
Everybody’s flying and never touch the sky
There’s a UFO over New York and I ain’t too surprised

Nobody told me there’d be days like these
Nobody told me there’d be days like these
Nobody told me there’d be days like these
Strange days indeed — most peculiar, mama

Janis Joplin – Ball and Chain

I always thought Janis had the voice of a songbird. A cigarette smoking and Southern Comfort drinking songbird…but a songbird all the same. Janis and Aretha Franklin are my two favorite female artists of all time. They put every ounce of themselves into their songs. They cheated no one.

I first heard this song on Janis Joplin’s Greatest Hits. I bought the album for the song Me and Bobby McGee and I found out I liked every song on the album. Unlike other singers I listened to at that time…Janis left everything on the field so to speak. That is the same quality I liked about Bruce Springsteen later.

Ball and Chain was written and originally recorded by a blues singer named Willie Mae “Big Mama” Thornton, who recorded the original version of “Hound Dog.” Thornton was introduced to church music at an early age. A skilled singer, songwriter, dancer, self-taught drummer, and harmonica player.

Janis’s big break came at the Monterey Pop Festival singing this song. She would go on to sing it at Woodstock also. It was on the album by Big Brother and the Holding Company called Cheap Thrills released in 1968. With the help of their appearance at Monterey, the album peaked at #1 in the Billboard Album charts for 8 consecutive weeks.

This was their breakthrough album. The album was supposed to be called Sex, Dope and Cheap Thrills; Columbia nixed it. The album ended up being the band’s last album with Joplin, who left by the end of the year to launch a solo career.

The cover was designed by legendary artist Robert Crumb. He didn’t care for Big Brother too much but liked Janis.

Robert Crumb: “She was a swell gal and a very talented singer. Ever heard any of this pre-Big Brother stuff she recorded? She was great. Then she got together with those idiots. The main problem with Big Brother was they were amateur musicians trying to play psychedelic rock and be heavy and you listen to it now and it’s bad… just embarrassing.”

“She wasn’t nationally known yet. I remember going to see her at the Avalon Ballroom and you could tell right away that she had an exceptional voice and she would go far. She started out singing old time blues like Bessie Smith. She was kind of a folknik originally.“

“Janis had played with earlier bands just playing country blues and it was much better. Way, way better. She’s singing well, not screaming, not playing to the audience that wanted to watch her sweat blood. In the beginning she was just an authentic, genuine Texas country-girl shouter.”

Ball and Chain

Sitting down by my window
Honey, looking out at the rain
Sitting down by my window, looking out at the rain
All around that I felt it
All I can see was the rain
Something grabbed a hold of me
Feel to me, oh, like a ball and chain
Hey, you know what I mean that’s exactly what it felt like
But that’s way too heavy for you, you can’t hold them all

And I say, oh, whoa, whoa, oh, that cannot be
Just because I got oh, your love, please
Why does every
Oh, this can’t be just because I got to need you, daddy
Please don’t you knock it down now, please
Here you’ve gone today
What I wanted to love you and I wanted to hold you, yeah, till the day I die
Yes, I did, yes, I did, yeah, hey, hey, alright

Say, whoa, whoa, whoa, honey
This can’t be anything I’ve ever wanted from your daddy tell me now
Oh, tell me, baby
Oh, say, whoa, whoa, whoa, whoa, honey
This can’t be, no, no, no, no, no
Yeah, yeah
I hope there’s someone out there who could tell me
Tell me why just because I got to want your love
Honey, just because I got to need, need, need, need your love
I said I understand
Honey, what I’m wanna trying to say hi
Trying, try, try, try, try, try, try
Honey, everybody in the world, also same, baby
When everybody in the world what needs, seem lonely
What I wanted work for your love, daddy
What I wanted trust your love, daddy
I din’t understand how come you’re gone
I don’t understand why half the world is still crying, man
And the other half of the world is still crying too, man
I can’t get it together
I mean if you go to ? Oneday, man
I mean, so baby, you want ? Three and sixty five days, right
You ain’t gonna within sixty five days, you gonna for one day, man
I tell you, that one day, man, better be your life, man
Because you know, you can stay oh man, you can cry about the other three and sixty four, man I said whoa, whoa, whoa
But you gonna lose that one day, man
That’s all you got, you got to call it love, man
That’s what it is, man
If you got today, you don’t worry about tomorrow, man
Because you don’t need it
Because the matter of the fact, as we discovered tat’s rain, tomorrow never happens, man
It’s all the same fucking day, man

So you gotta when you want to hold someone
You gotta hold them like it’s the last minutes of your life
You gotta hold, hold, hold and I say, oh, whoa, whoa, now babe, tell me why
Hold, baby, ’cause some come on your shoulder, baby
It’s gonna feel too heavy, it’s gonna weigh on you why does every thing, every thing
It’s gonna feel just like a ball
Oh, daddy and a chain

The Spirit of 76… Movie

This movie is a B movie all of the way…and it plays up that fact… It was released in 1990 and if you are wanting to watch something that spoofs the 1970s… This movie is for you. You will also learn the word tetrahydrozoline.

This movie stars David Cassidy, Lief Garrett, Carl and Rob Reiner, and Olivia d’Abo… Citizen Kane, it is NOT. It’s a fun film about the future where all is gray and they lost every record because of a magnetic storm including the US Constitution.

Adam-11 (David Cassidy) has built a time machine because he wants to go to a beach…beaches don’t exist anymore in the future. The government wants him to use the time machine to go into the past to 1776 and get a copy of the US Constitution so they can rebuild their society with it. To make it work he needs a chemical that’s rare in the future… tetrahydrozoline (the main ingredient to a very popular item in the ’70s… Visine).

The government agrees to give him some tetrahydrozoline but sends two more travelers Chanel-6 (d’Abo ), Heinz 57 (Geoff Hoyle) with Adam-11 to retrieve the document…but instead of going back to 1776 the time machine malfunctions and goes to 1976.

Devo makes an appearance as the “Ministry of Knowledge”…

It’s a corny movie but they have the 70s down in many parts of the movie. After meeting up with two teenage stoners (The group Redd Kross) they look for the constitution but lose the tetrahydrozoline. If you are looking for a second Gone with the Wind…don’t watch this but it’s funny and silly enough to entertain you.

You have to know a little about the 70s to get some of the jokes…Like David Cassidy’s character looking around a garage in 1976 asking “am I going to be stuck here forever?” while looking at a Partridge Family lunch box.

If you are bored, try this one. The trailer is below the complete movie is below that.

The complete movie

The trailer