My favorite eras in the 20th century have always been the 1960’s, 1970’s and the 1920’s. I was looking through some books in the early 90s inside some a long forgotten book store and a picture of an actress caught my eye. There was something about Clara Bow that grabbed my attention. I had read about her in a terrible slanderous book called Hollywood Babylon by Kenneth Anger and I was compelled to get the book just by her stare from the cover. The book was written by David Stenn called Clara Bow”Runnin’ Wild… I finished it in one night. The book impressed me so much that a few years later I tracked down David’s phone number (again pre internet) called Mr. Stenn just to tell him how much I loved the book. After I explained to him that he made me a lifetime fan of Clara he graciously sent me an autographed copy of the book to replace my worn out (loaned out again and again) to my friends.
David Stenn actually had facts about Clara unlike Anger’s book of sensational garbage. Reading that book introduced me to the world of Buster Keaton, Charlie Chaplin, Mary Pickford and Douglas Fairbanks. From there my interest in silent movies grew. I always thought all silent movies were grainy unwatchable films where all the actors were on speed. I soon was educated that most of those movies where played on the wrong projector at different speeds and that is the reason for the sped up action. The quality of many of those movies from the 20’s are better quality than movies made in the 60s-80s when mastered right. Stunts where not faked and CGI didn’t exist….everything is real.
Clara had a terrible childhood where her mother was mentally ill and tried to kill her. Her father may have sexually abused her on top of everything else. In her movies she sold the tickets. Paramount built movies off of her name and didn’t always give the best scripts but she was electric on film. Your eyes will automatically go to her. She could convey more in one look than actresses today can say in 10 minutes. She was never appreciated like she should have been and that is sad. She was never accepted by her peers and never invited to Hollywood parties because she was straight up and said what was on her mind. She was great with fans but stardom took it’s toll on her. She ended up marrying a western actor named Rex Bell and went into seclusion.
She did some “talkies” and they are enjoyable but nothing beats her silent movies like IT (no Pennywise) and Wings. Call Her Savage was her best talkie film. Check her out when you can… She is worth it.
Charlie and Buster were two of the best screen comedians ever to walk the earth. They both had similar upbringings. Buster and his family in American vaudeville. Charlie worked in British music halls. Charlie rose to stardom in silent movies in the 1910’s beginning with Keystone, Mutual (where he made his best short comedies) Essanay and then he confounded United Artist with Douglas Fairbanks, Mary Pickford and W. D. Griffith. After that Charlie went into full feature films.
Buster started silent shorts in 1917 with Roscoe Arbuckle. After Roscoe broke out on his own so did Buster….he did some more short films which were brilliant. He then went into full features. Buster was just so different than anyone else. He was so still while the world moved in chaos around him. He was a brilliant actor-director and also writer which he often didn’t take credit for doing. If Buster would have just made “The General” his place in film history would be cemented. The same can be said of Charlie Chaplin and his masterpiece “The Gold Rush.”
There was no competition between the two in popularity. Charlie won hands down over Buster and probably everyone else in comedy and drama. His character “The Tramp” was internationally loved. All in all Keaton was a better film maker. They were two different comedians. Chaplin would reach for pathos…sometimes a little too much. Keaton seemed much more real. Keaton’s site gags were incredible and sometimes dangerous to his health…like have a front of a building that weighed a ton (so it wouldn’t twist in the wind) fall on him with the upstairs opening clearing him around 2 inches on each side. He never smiled because it would have ruined his character. Both are worth watching and with Keaton’s films like Sherlock Jr…you wonder how he did some of the things he did with the primitive camera’s they used.
Both were funny men. The other big comedian was Harold Lloyd but he was more of an actor playing a comedian….he was really successful though… second to Chaplin in making money.
Charlie and Buster older both appear in Charlie’s Limelight.
Seems like these bands were either too pop for rock radio or to rock for pop radio…The bands that come to mind are…
Badfinger – The most tragic story of any band in Rock History….although out of this list they did have the most hits… No Matter What, Day After Day Come and Get It and Baby Blue …one of my personal favorites out of many Midnight Caller…and Name of the Game…also I would have loved to see what Pete Ham could have done later on if he would have lived…. This is the one that many people didn’t know that they wrote. Without You
Big Star – Great songs with great melodies that never caught on that influenced many bands to come after. September Gurls , Thirteen , Ballad of El Goodo In The Street these are just a few. This band should have been massive.
The Raspberries– Great hooks and they had a masterpiece that went unnoticed… Overnight Sensation…One of my favorite songs of all time. Their biggest hit was Go All The Way. All their songs have great hooks with Carmen’s voice.
The Knack – Good Girls Don’t and of course My Sharona.
The Jayhawks – I’m Gonna Make You Love Me , Blue