Steppenwolf…they all look like badasses…all of them especially the ring leader John Kay. They had some danger in their rock and roll and Kay’s voice is just killer. I saw a version of Steppenwolf once in the 80s and John Kay demanded and commanded the stage swinging his mic stand like a weapon.
I met Mr. Kay one time very briefly…just shook his hand…a very nice guy so he wasn’t a badass that day. This song was written by Don Covay who wrote a lot of early rock songs about dancing. Don Covay was recording for Atlantic Records at this time. As they did with many of their artists, they sent Covay to Memphis to record at Stax Records, where the house band was top-notch. Covay wrote Sookie Sookie there with Stax guitarist Steve Cropper.
Steppenwolf had this song on their 1968 debut album Steppenwolf. It was released as the first single that year but didn’t do too well. The song did peak at #92 in Canada and that was it. The next single did a little better…it was a song called Born To Be Wild.
The third single was“Magic Carpet Ride,” ABC-Dunhill saw the wisdom of re-releasing the “Sookie Sookie”….however, this time it was a “B” side. Like the “Born to be Wild” and “Magic Carpet Ride,” “Sookie Sookie” not only featured the extraordinary guitar work of Michael Monarch and vocals by John Kay, it had that Steppenwolf signature organ sound
The song also ended up being used by some radio stations as background music for promos and commercials.
Sookie Sookie
Let it hang out baby, let it hang out now, now na-na now Let it hang out baby, everybody work out Sookie, Sookie, Sookie, Sookie, Sookie, Sookie, Sue
Let it hang out baby, do the Baltimore jig Let it hang out baby, boomerang with me Sookie, Sookie, Sookie, Sookie, Sookie, Sookie, Sue
Really got it bad child, drink a bottle of turpentine When you wake up in the morning, feelin’ kinda fine Let it hang out baby, let it hang out now, now na-na now
You better watch your step girl, don’t step on that banana peel If your foot should ever hit it, you’ll go up to the ceiling Hang it in baby, hang it in baby Sookie, Sookie, Sookie, Sookie, Sookie, Sookie, Sue
Let it hang out baby, let it hang out now, now na-na now Let it hang out baby, everybody work out Hang it in baby, hang it in baby, hang it in baby Sookie, Sookie, Sookie, Sookie, Sookie, Sookie, Sue
This song has been underappreciated throughout the band’s history. It’s a good song that sometimes comes off better live than the studio version they recorded. The song sounds like an anthem, and it deserves to be heard. The song was played a lot in 2008 because it was released on the DVD Shine A Light. Shine a Light was a 2008 concert film directed by Martin Scorsese documenting The Rolling Stones’ 2006 Beacon Theatre performances during their A Bigger Bang Tour.
I saw them on the Bigger Bang Tour at Churchill Downs in Kentucky. Although Churchill Downs is well known for its horse racing it was not built for concerts. Alice Cooper opened and he sounded great but they never could get the Stones sound right. On top of it all…it rained all through their performance. The next day I went home and actually downloaded a bootleg of the show so I have it for always which is cool. My dream tour of the Stones would be them just playing the Brian Jones era. They are the Stones…they could get by with it.
The song was released on their Out Of Our Heads album in the UK and later on December’s Children (And Everybody’s)album in America in 1965. They seemed to be listening to their competition because the line Hold me, love me, hold me, love me was in the Beatles Eight Days A Week. It’s a great B side to Get Off Of My Cloud. Rolling Stone Magazine rated it 78th best Rolling Stone song. The magazine had this to say about it: “A tambourine-spangled folk rocker with chime-y, Byrds-like guitar, this offhandedly libertarian tune wasn’t a big hit, but it’s one of the Sixties’ most pliant anthems.”
I think the song stands up with their hit songs at the time. They must think the same because it ended up on a lot of live albums. I’ve always liked B sides because sometimes you hit gold. Give me a choice between Get Off Of My Cloud and I’m Free…I’ll take I’m Free. The song was written by Mick Jagger and Keith Richards. You could see the growth in their songwriting after Lennon and McCartney gave them I Wanna Be Your Man.
John Lennon:We were taken down to meet them at the club where they were playing in Richmond by Brian Epstein and some other guy. They wanted a song and we went to see what kind of stuff they did. Mick and Keith heard we had an unfinished song – Paul just had this bit and we needed another verse or something. We sort of played it roughly to them and they said, “Yeah, OK, that’s our style.” But it was only really a lick, so Paul and I went off in the corner of the room and finished the song off while they were all still sitting there talking. We came back, and that’s how Mick and Keith got inspired to write… because, “Jesus, look at that. They just went in the corner and wrote it and came back!” You know, right in front of their eyes we did it. So we gave it to them.
I’m Free
I’m free to do what I want any old time I’m free to do what I want any old time So love me, hold me, love me, hold me Cause I’m free any old time to get what I want
I’m free to sing my song though it gets out of time I’m free to sing my song though it gets out of time So love me, hold me, love me, hold me Cause I’m free any old time to get what I want
Yeah
Love me, hold me, love me, hold me Cause I’m free any old time to get what I want
I’m free to choose whom I please any old time I’m free to please whom I choose any old time So hold me, love me, love me, hold me Cause I’m free any old time to get what I want, yes I am
Welcome to the Hanspostcard TV Draft. The remaining 7 rounds will be posted here. I hope you will enjoy it! Today’s post was written by Max from https://powerpop.blog
The Monkees
Does this show compare to All In The Family, Barney Miller, or other great sitcoms? No, it’s not even in the same zip code but it’s an off-beat quirky 1966 show that I have come to appreciate more and more. They influenced music more than other tv shows but its influence is still felt. How many young soon-to-be musicians have watched this show? I was one and it made me want to play music. I soon found other bands to follow …but I never left The Monkees completely. They were not great actors, musicians, or songwriters…although the late Mike Nesmith was a good songwriter. They made music fun…fun is something that I picked up on early on and I ended up playing in many bands.
The comedy was part physical, part Marx Brothers, and pure irrelevance. Bob Rafelson and Bert Schneider wanted to build a television show that had elements of A Hard Days Night and cast four musicians/actors. Stephen Stills auditioned for a part and ended up recommending his friend Peter Tork. They ended up being a real band and toured.
The Monkees were four cast members who could all play an instrument and could sing. Michael Nesmith and Peter Tork were working musicians. Davy Jones could play some guitar and drums and Mickey played guitar in a band so they weren’t just actors.
Davy was the cute one, Mike the serious one, Mickey the funny one, and Peter the innocent one. There is no need to describe any episode plots because they are not important. You would have some kind of plot and within the story, a couple of music montages later known as music videos. The show could be surreal and they constantly broke the 4th wall. They had a lot of cutaway scenes that people associate now with Family Guy. The show was shot in color and the sets were vivid.
You could see the difference in the show between the first season and the latter part of the second season. The first was a little more of a slick production…the later part of the second season they had more influence and you could see there were 4 stoned Monkees running amuck. It was much looser and anything went basically.
The Monkees only made 58 episodes from September 1966 to March 1968. After the show came to an end they made a television special and then a very trippy movie called Head. I do not binge-watch the show but I will occasionally need a laugh or to enjoy the same thing I enjoyed at 7 years old.
The Monkees had a big impact on pop culture with not only music but with music videos. The show was their own MTV at the time. Long after the show was over I was 7 years old and watching the three channels we had at the time and I loved The Monkees.
I had no idea The Monkees stopped making the show 7 years before when I watched them. I thought the band was still together and filming shows. Turns out I was watching the show in syndication but I didn’t find out till later. A generation was influenced like I was in the 70s. In the 1980s MTV played a marathon of episodes and their popularity soared yet again. I saw them in 1986 when they reunited and had a new song in the top 40. They also made comeback in the early 90s.
They didn’t play instruments on their first two albums because they were not allowed. Micheal Nesmith was a songwriter and did manage to get a couple of songs on there. Most of the Byrds also didn’t play on their first album…that is the way it was done in the early 60s for some bands. After the success of the show, they were asked to tour. Mickey spent time learning the drums because they wanted Davy Jones upfront and Mickey became a competent drummer. The band became real during the tour.
The Monkees led a revolt and demanded to play on their own albums. It started with their third album Headquarters and went on from there. They still had some top 40 hits after taking over like Daydream Believer, Pleasant Valley Sunday, Valleri, and more.
Mickey Dolenz:“You know, the Monkees becoming a real band, I’ve often said, is like Leonard Nimoy really becoming a Vulcan!”
Mickey Dolenz:“The Monkees are to the Beatles what ‘Star Trek’ is to NASA. They are both totally valid in their contexts.”
The Monkees were such a big influence on me. I picked up a guitar in part because of their influence. The shows were funny…and still are. Once I found The Beatles I was lost forever but the Monkees were important to a lot of musicians through the years.
They made it look fun being in a rock band. No mention of the backbiting and jealousy that goes along with it. For a seven-year-old kid…this was the life I wanted! Living in a cool beach house, playing in a rock band, and driving around in the Monkeemobile!
They had some famous guest stars like Frank Zappa, Liberace, Mike Farrell, Burgess Meredith, Julie Newmar, and Sammy Davis Jr.
I have all of the episodes and once in a while I will play a few and realize again why they are still remembered. Will the show ever be considered among the greats? NO… but it came along at a perfect time and when I need to watch something funny and irrelevant I turn on the Monkees.
I never got famous playing my music but that wasn’t the point. I still get great satisfaction and fun in playing my guitar now…and I can thank the Monkees for that. BTW…where is my beach house and my Monkeemobile?
When I first heard this song in the 80s…the first thing I thought of was BIG…not because of the name. The song came out of the radio like an elephant. The drums and the sound were so huge. This is a song that I liked…and sometimes that was dicey in the 80s. Dave from A Sound Day talks about the bass player and the band here. I have to credit Dave for making me take a look at the 80s again and many times being surprised at what I did like during my teenage decade…or missed
Steve Lillywhite produced this track. This came at a time when he was emerging as one of the top producers in the business, known for his work with Peter Gabriel and U2. His impact on this song included delaying the chorus until after the second verse, adding the bagpipe guitar break, and having Adamson sing the bridge an octave higher. When he first heard the demo, he was reportedly moved to tears
This is a song that MTV helped quite a bit. I heard it on the local rock station at the time but MTV played it on rotation. The network ignored the group’s next US single, Fields of Fire, which tanked their efforts in America.
This song’s working title was “Stay Alive.” Big Country’s booking agent John Giddings suggested that the name be changed to In A Big Country. The song peaked at #3 in Canada, #17 in the Billboard 100, #17 in the UK, and #34 in New Zealand.
In 1999 they released their last album with lead singer Stuart Adamson called Driving to Damascus but without much success.
Adamson moved to Nashville in the mid-1990s, where he met country music singer/songwriter Marcus Hummon, and together they released an alternative country studio album as The Raphaels in 2001.
Big Country disbanded in 2000, Adamson became a country singer/songwriter, but got depressed after his second marriage collapsed. His wife declared him missing in November 2001 and the following month on December 16 he was found hanged in a hotel room in Honolulu, Hawaii.
Steve Lillywhite:“The music I felt wasn’t like the music I had grown up hearing, or rather, not like any one of them. It was all of them jumbled up and drawn into something I could understand as mine. I found I could play this music and connect the guitar directly to my heart. I found others who could make the same connection, who could see the music as well as play it.”
In A Big Country
I’ve never seen you look like this without a reason Another promise fallen through Another season passes by you I never took the smile away from anybody’s face And that’s a desperate way to look For someone who is still a child
In a big country dreams stay with you Like a lover’s voice fires the mountainside Stay alive, here we go
I thought that pain and truth were things that really mattered But you can’t stay here with every single hope you had shattered I’m not expecting to grow flowers in a desert But I can live and breathe And see the sun in wintertime
In a big country dreams stay with you Like a lover’s voice fires the mountainside Stay alive
In a big country dreams stay with you Like a lover’s voice fires the mountainside Stay alive
So take that look out of here it doesn’t fit you Because it’s happened doesn’t mean you’ve been discarded Pull up your head off the floor, come up screaming Cry out for everything you ever might have wanted I thought that pain and truth were things that really mattered But you can’t stay here with every single hope you had shattered, see ya I’m not expecting to grow flowers in a desert But I can live and breathe And see the sun in wintertime
In a big country dreams stay with you Like a lover’s voice fires the mountainside Stay alive Ha, ha
In a big country dreams stay with you Like a lover’s voice fires the mountainside Stay alive
In a big country dreams stay with you Like a lover’s voice fires the mountainside Stay alive
Welcome to the Hanspostcard TV Draft. The remaining 7 rounds will be posted here. I hope you will enjoy it! Today’s post was written byPaula from http://paulalight.com
Six Feet Under
Six Feet Under is probably my favorite television series of all time. But do you know what? I never want to rewatch it. I’ve rewatched Sopranos, Breaking Bad, Game of Thrones, etc., but I prefer that 6FU remain pure in my mind without getting tarnished by new thoughts. Because I always have new thoughts about old faves! (Info source for this post is from Wikipedia.)
Anyway, 6FU was created by Alan Ball and premiered on HBO June 3, 2001 (my mom’s birthday). It ran for five seasons with 63 episodes. Each show begins with an unusual death of some kind and continues from there. The pilot kicks off with the death of Nathaniel Fisher, Sr. (played by Richard Jenkins), patriarch of the Fisher family, as he tries to light a cigarette while driving. Fisher is the owner of a Los Angeles mortuary and leaves behind a wife, 2 sons, and a daughter. The eldest son, Nate (played by Peter Krause) is estranged from the family but still returns for the funeral ~ on the flight he meets Brenda (Rachel Griffiths) and has sex with her. This isn’t a one-time fling, as she is a recurring character with interesting storylines of her own, including some with her psycho brother Billy (Jeremy Sisto).
Probably the most interesting character is the second son David (Michael C. Hall), who seems to be a straight-laced, rule-following conservative, but he is actually leading a double life as a gay man with a sexy boyfriend, police officer Keith (Mathew St. Patrick). David wants to keep the funeral home going, but Nate wants to sell it and skedaddle… he has second thoughts when his father’s ghost appears (perhaps his subconscious, as the show generally does not dive into the supernatural). David fights to keep his sexual orientation a secret, which upsets Keith to the point that he breaks off the relationship. David then goes on a series of dates, which I found personally amusing, as they mirrored my own horrifying dating experiences.
The mom Ruth (Frances Conroy) has a secret boyfriend and decides she doesn’t want anything further to do with the mortuary, though as a psychologist, she has opinions about everything. I found her character to be annoying and my least favorite, while others I’ve talked to about the show have the opposite opinion! Claire (Lauren Ambrose) is still in high school and consumed with the typical drugs and boyfriend gossipy drama as one might predict. She becomes more interesting as the episodes roll on and develops an attraction to Billy, which is scary. I don’t want to give away too much, but the Brenda/Billy situation is bizarre and fascinating. Federico, the corpse artist (played by Freddy Rodriguez) is interesting as well and has some funny lines.
While this show is obviously about dealing with death and the practicalities surrounding funeral arrangements, it’s also about family and relationships, and how complex and interrelated life events can be. I highly recommend it ~ and oh my gosh the finale is to die for! I’m sorry but no one can touch this ending, which is the best episode in TV history. Six Feet Under rightfully received high praise for both writing and acting and drew high ratings for HBO. It won many awards ~ 9 Emmys, 3 Screen Actors Guild Awards, 3 Golden Globes, and a Peabody. Fabulous show!
~*~
Paula Light is a poet, novelist, flash fiction fan, cupcake connoisseur, mom, grandma, cat mommy, etc. Her blog can be found at http://paulalight.com.
When I was 6 or 7 I thought this was a hard rock song. That distorted guitar sounded so good to those young ears. This is Bread letting their soft rock guard down and opening up a good electric riff. It took me a long time to admit that I liked this band but I do now. They did soft rock well but they also covered other genres. Most of the hits though were David Gates’s melody-driven soft rock songs.
This was one of Bread’s more upbeat songs and was usually played just before the encore that their concerts. The band was known for soft rock hits like Baby I’m-A Want You, If, and Everything I Own.
On this Gates written track, David Gates played the two rhythm guitars on the track, and James Griffin played the guitar solo. Gates sang lead, while Griffin sang backup.
David Gates had already been playing live in various bands for four years by the time he moved to Los Angeles in the early sixties. There, he began writing hits “Popsicles and Icicles” by the Murmaids and “Saturday’s Child” for the Monkees, and producing Glenn Yarbrough’s “Baby, The Rain Must Fall”.
In 1967, Robb Royer suggested to Gates that they form their own group, along with mutual friend Jimmy Griffin, and after being inspired by a bread truck passing by, the group Bread was born. Their debut album was released in 1969 and contained the song It Don’t Matter To Me.
Mother Freedom was on the Baby I’m-a Want You album released in 1971. The song peaked at #37 on the Billboard 100 in 1972. The album did well and peaked at #3 in the Billboard Album Charts, #9 in Canada, and #9 in the UK.
So dust off your door beads, fire up your Chevy van, check your mood ring, and crank up some Bread…
Mother Freedom
Freedom, keep walkin’
Keep on your toesand don’t stop talkin’ ’bout
Freedom, get goin’
Lots to be learned and lots to be knowin’ ’bout
People, gotta reach ’em
Sit ’em right down and then you gotta teach ’em ’bout
Freedom, gotta win it
Gotta put yourself smack dab in it
Hey tomorrow
Now don’t you go away
Cause freedom
Just might come your way
Freedom, keep tryin’
People stay alive and people keep dyin’ for
Freedom, so don’t lose it
Ya gotta understand ya just can’t abuse it
Freedom, get movin’
Never gonna stop till everybody’s groovin’ on
Love for, one another
Callin’ some friend and callin’ some brother
Hey tomorrow
You’re not so far away
Mother freedom
We’ll know you well someday
Welcome to the Hanspostcard TV Draft. The remaining 7 rounds will be posted here. I hope you will enjoy it! Today’s post was written byVic from https://cosmic-observation.com/blog-posts/
I’ve stated, before, that I was born and raised in law enforcement. I’ve also worked in law enforcement (non-sworn) at two different agencies, one state and one county (think of me as the blond chick on Criminal Minds, sitting in front of a computer screen…though I am not blond). It can be an interesting job if you’re lucky enough to be employed with an agency that doesn’t take its political self too seriously (virtually impossible these days). I’ve met and worked with a couple of FBI agents. They were nice, everyday guys, back in the late 90s and early 2000s. I’ve seen and heard a lot of things.
The Sci-Fi geek that I am, I’m not presenting this show in that light. This show is, first and foremost, law enforcement. These are the folks, alongside first responders, to arrive at the scene of the accident, the scene of the disaster or the crime scene. In the case of these FBI agents, they investigate the weird shit. That being said, I do have a very full binder of X-Files non-sport cards and chase (special) cards, plus, all of the original series-run DVDs. ~Vic
Image Credit: IMDb & Amazon
Created and written by Chris Carter, there were many other writers, including David Duchovny (Agent Fox Mulder), Gillian Anderson (Agent Dana Scully) and Stephen King but, this was Carter’s baby. It starred Duchovny and Anderson as the dynamic duo, investigating all manner of odd, macabre, out-of-this-world or just plain gross happenings. In later years, Duchovny reduced his presence on the show and eventually left. In 2000, Robert Patrick (Agent John Doggett) was brought in as a new partner for Gillian Anderson. In 2001 Annabeth Gish (Agent Monica Reyes) showed up and, with the upcoming departure of Anderson, became Patrick’s partner. There was some chatter that the show would live on with Patrick and Gish but, it never materialized. Gish returned in the series revival but, Patrick did not. Neither of them were in the X-Files feature films.
Addendum: Honestly, I was hoping the show would continue on with Agents Doggett & Reyes. They had a lot of really good on-screen chemistry and I liked both actors. After nine years, I had grown weary of Duchovny’s primadonna attitude. When the series was revived, the magic was gone and I wasn’t impressed. Naturally, they turned Agent Reyes into a bad character and killed her off.
Addendum #2: I also have to mention that the theme song changed, just slightly, at some point. The first theme has a solid, continuous echo sound. The second theme is a double-repeating echo sound. Why it changed, I don’t know (it drove me crazy). It is never mentioned but, it did happen. Listen, below.
This song caught my attention in 2012 when it was released. It has an older feel to it. It did not chart in America but it did peak at #28 in the UK charts. I like the echo in his voice and the chorus will stick with you.
In December of 2018 my son and I saw him at 3rd and Lindsley in Nashville with Kelsey Waters opening up. There was an even mixture of young and old to see the 23-year-old play. He has listed influences as diverse as Jimi Hendrix, Donovan, to Nick Drake.
Jake Edwin Kennedy is his real name…but he records under the name of Jake Bugg. He grew up in the Clifton area of Nottingham and started playing guitar at the age of 12. He was later signed by Mercury Records after he appeared at the 2011 Glastonbury Festival. The song we hear is the demo he made. He wanted to go back and re-record it in a proper studio but the label loved it and released it as it was.
Jake Bugg’s debut album debuted at #1 on the UK charts. He was only 19 years old, he became the youngest British male ever to have an album enter the charts at the top position.
The song was about his home life growing up. He said it wasn’t exactly like the video but not far off.
I knew the two fingers meant something insulting so I looked it up… The “two-fingered salute” in which the index and middle fingers are put up at or to another person with the palm outward, is an obscene gesture of scorn or defiance. Its use as an insulting sign is largely restricted to the UK, Ireland, Australia, and New Zealand.
And….
British, informal
: to make an obscene gesture by holding up the index finger and the middle finger of one hand in the shape of a V while keeping the palm turned inward
Jake Bugg:“It’s a very personal song for me, I wanted to express how I felt, it’s a song about growing up and escaping and just life in general. I wanted to put it in the best words possible but also detailed and keeping everyone happy.”
Two Fingers
I drink to remember, I smoke to forget Some things to be proud of Some stuff to regret Run down some dark alleys in my own head Something is changing, changing, changing
I go back to Clifton to see my old friends The best people I could ever have met Skin up a fat one, hide from the Feds Something is changing, changing, changing
So I kiss goodbye to every little ounce of pain Light a cigarette and wish the world away I got out, I got out, I’m alive but I’m here to stay So I hold two fingers up to yesterday Light a cigarette and smoke it all away I got out, I got out, I’m alive but I’m here to stay He’s down in the kitchen drinking White Lightning He’s with my momma, they’re yelling and fighting It’s not the first time praying for silence Something is changing, changing, changing
So I kiss goodbye to every little ounce of pain Light a cigarette and wish the world away I got out, I got out, I’m alive but I’m here to stay So I hold two fingers up to yesterday Light a cigarette and smoke it all away I got out, I got out, I’m alive but I’m here to stay
There’s a story for every corner of this place Running so hard you got out but your knees got grazed I’m an old dog but I learned some new tricks yeah
So I kiss goodbye to every little ounce of pain Light a cigarette and wish the world away I got out I got out I’m alive but I’m here to stay So I hold two fingers up to yesterday Light a cigarette and smoke it all away I got out I got out I’m alive but I’m here to stay
Hey, hey it’s fine Hey, hey it’s fine Hey, hey it’s fine I left it behind
This is a film I so wish they would clean up and release. I watched a bootleg version of it in the 80s VHS.
This was a film that covered Bob Dylan on his 1966 European tour backed up by the Hawks that eventually became The Band minus, Levon Helm. The film was to be shown on ABC television but ABC rejected and saying it was “incomprehensible” because Dylan himself was one of the editors and wanted the film to have more of an artistic feel.
It was filmed by D.A. Pennebaker who filmed Dylan’s 65 European tour when he played acoustically called Don’t Look Back. Don’t Look Back is terrific. This film is very disjointed. That is not saying I don’t like it. This is the Dylan period that probably is my favorite. The Hawks are raw and powerful and Dylan was
There are some highlights to this odd film. A spontaneous piano duet with Dylan and Johnny Cash, John Lennon and Bob Dylan very high riding around in a cab, and the famous concert where an audience member yells out “Judas” because of Dylan’s conversion to electric music. After the Judas remark, he proceeds to tell Robbie Robertson to play it loud and they kick off in a vicious “Like a Rolling Stone.” My favorite live version of that song. Those folk music fans were harsh.
The film is disjointed and frustrating to watch because some of the songs you want to see and hear are there…but only partly. You will be seeing Dylan performing something and then flash away to something else. Some of the concert footage and film from this ended up in the Martin Scorsese movie No Direction Home…I would recommend No Direction Home to everyone.
Bob was pale and nervous and there is no secret he was doing drugs heavily throughout this movie. After the tour, Dylan had a motorcycle wreck heard around the world and after he recovered he didn’t tour for years.
The cab ride with John Lennon is historical now. Both of them in sunglasses and Lennon trying to inject humor into the situation and Dylan is ok at first and then starts getting sick as the filming stops.
If you are a Dylan fan it’s worth a watch. I’m glad we have “No Direction Home” to see some clear film segments on that tour. Eat The Document has not been officially released but you can get a bootleg of it or watch most of it on youtube.
This is one B side that I have listened to more than the A-side.
I was playing in a band at a Summer Festival in the 90s. This song was on the setlist combined with Bruce’s Cadillac Ranch went over well. The subject matter is dark but truthful.
The song is credited to Chuck Berry and Bruce because Bruce rewrote the Berry song Bye Bye Johnny to fit his story. Chuck’s song follows the same character heard in Berry’s “Johnny B. Goode.” Johnny is now a grown man who boards a bus to start his life.
Bruce’s version is about Elvis Presley who died a little earlier. Bruce was a big fan of Elvis but saw what fame and isolation did to him. After the glory had left…the lifestyle caught up with Elvis with tragic results. The song was released as a B side to “I’m On Fire” in 1985. I’m On Fire was the 4th single released from Born In The USA. Johnny Bye Bye It was recorded in April 1982 during the “Electric Nebraska” sessions. That was when the band tried to recreate the Nebraska acoustic demos but they could not capture what Bruce wanted.
Springsteen performed this several times live during the River and Born in the USA tours. It is a haunting song to listen to. The keywords are the last lines of the song…”You didn’t have to die, You didn’t have to die.”
Bruce Springsteen: “The type of fame Elvis had . . . the pressure of it, the isolation that it seems to require, has gotta be really painful”
Chuck Berry’s original
“Johnny Bye-Bye”
Well she drew out all her money from the Southern Trust And put her little boy on the Greyhound Bus Leaving Memphis with a guitar in his hand With a one-way ticket to the promised land Hey little girl with the red dress on There’s a party tonight down in Memphis town I’ll be going down there if you need a ride The man on the radio says Elvis Presley’s died We drove to Memphis, the sky was hard and black Up over the ridge came a white Cadillac They’d drawn out all his money and they laid him in the back A woman cried from the roadside “Ah he’s gone, he’s gone” They found him slumped up against the drain With a whole lot of trouble running through his veins Bye-bye Johnny Johnny bye-bye You didn’t have to die You didn’t have to die
This is a recap of rounds 1-3 that was held earlier. Hope you will join us on Friday, April 22, 2022, as we kick off Round 4. If you want a full recap as we go… go here https://powerpop.blog/tv-draft/ or go to “TV Draft” in the menu on the site.
I just saw a post about the album cover for News Of The World at The Press Music Reviews. It made me think of the first time I saw the cover of this album and when I heard this song.
In 3rd or maybe 4th-grade recess we were all going outside playing kickball. A friend of mine named Paul brought this album to school. We all looked at it and couldn’t stop talking about that cool robot cover. That was before I listened to it.
When I first heard We Will Rock You… the guitar solo is what stood out to me. It’s so simple yet catchy like many of Brian May’s solos…it was more like a hook. It turned into an anthem with We Are The Champions. I made a vow that if I learned how to play guitar one day I would learn that solo. I forgot about that vow until a few years ago and I finally kept that promise to myself.
We Will Rock You was released as a double A-side single with We Are The Champions. Since the songs were released, the band has almost always used “Rock You” and “Champions” as a back-to-back encore number. The album peaked at #3 in the Billboard Album charts, #2 in Canada, #15 in New Zealand, and #4 in the UK in 1977.
On Queen’s next album, they had another set of songs disc jockeys played together. “Bicycle Race” and “Fat Bottomed Girls” were segued together on their album Jazz. Those songs were also released as a double A-side single.
While in the studio they had a visit from no other than Sid Vicious. He berated Freddie Mercury and asked him if he had brought ballet to the masses yet…referring to an earlier Mercury interview. Freddie said “I called him, I dunno, Simon Ferocious or something, and just pushed him out. I think… yeah, I think we passed that test.” Roger Taylor later called Vicious a moron and idiot.
Brian May: There were two occasions that inspired it. One I’ve spoken about a lot, which was at Bingley Hall [near Birmingham, England] where the audience sang every song and then we went off stage and they carried on singing and then they sang [the de facto Liverpool F.C. football anthem] “You’ll Never Walk Alone.” It was a transitional time in rock. You went to see Led Zeppelin and The Who, you’d bang your head but you didn’t sing along, that wasn’t cool. This was an invitation to sing along.
A light went off and I thought, “We shouldn’t fight this, we should embrace it!” People didn’t do that at the time at rock concerts. I thought, “How interesting — if I wrote something, the audience could participate it to the point that they could lead the band?” I went to sleep and woke up with “We Will Rock You” in my head. When you’re at a show you can hardly move, but you can stomp your feet and chant and clap and lead us.
Roger Taylor:“It only has one instrument apart from the voice: There’s no bass, no real drums — just feet and handclaps and only that guitar at the very end. It’s quite an odd song. It was designed as a sort of song for the audience, a joining-in song. But we never really envisioned that it would be taken up by sports. It’s one of delights of… I’ve spent my life being in a band, so it sidelined all sports. I reckoned I could meet more girls being in a band than playing soccer.”
The single was accompanied by a promo video that saw Queen perform the song in Roger Taylor’s back garden and We Will Rock You quickly became the opening number on the band’s winter tour.
We Will Rock You
Buddy, you’re a boy, make a big noise Playing in the street, gonna be a big man someday You got mud on your face, you big disgrace Kicking your can all over the place, singin’
We will, we will rock you We will, we will rock you
Buddy, you’re a young man, hard man Shouting in the street, gonna take on the world someday You got blood on your face, you big disgrace Waving your banner all over the place
We will, we will rock you, sing it We will, we will rock you
Buddy, you’re an old man, poor man Pleading with your eyes, gonna make you some peace someday You got mud on your face, big disgrace Somebody better put you back into your place
We will, we will rock you, sing it We will, we will rock you, everybody We will, we will rock you We will, we will rock you Alright
I first got Tea for the Tillerman back in the early eighties and got hooked on Cat Stevens although I do remember his songs growing up. He has one of those voices that when you first hear it…you know who it is without any doubt. This song I didn’t know about until I heard it in a movie.
This is the ultimate optimistic song about following your own path. Like the best of Cat Stevens songs, it will stay with you after a listen. It’s optimistic without going overboard.
I first heard this song in the dark comedy 1971 “Harold and Maude” where it was featured. Stevens wrote and performed all of the songs for the movie after being recommended by Elton John.
This song did not chart which really surprised me when I first heard it. The reason it didn’t chart was that was it never released as a single or on an album. The song was finally released in 1984 on a Cat Stevens Greatest Hits album called “Footsteps in the Dark: Greatest Hits, Vol. 2.”That was 14 years after the movie. The soundtrack for Harold and Maude wasn’t released until 2007.
I would recommend this movie to anyone who likes dark or offbeat comedies. The movie was directed by Hal Ashby. The music was a perfect fit for this movie. Both Bud Cort and Ruth Gordon were nominated for Best Actor/Actress in a Motion Picture -Comedy at the Golden Globes.
“If You Want To Sing Out, Sing Out”
Well, if you want to sing out, sing out And if you want to be free, be free ‘Cause there’s a million things to be You know that there are
And if you want to live high, live high And if you want to live low, live low ‘Cause there’s a million ways to go You know that there are
[Chorus:] You can do what you want The opportunity’s on And if you can find a new way You can do it today You can make it all true And you can make it undo you see ah ah ah its easy ah ah ah You only need to know
Well if you want to say yes, say yes And if you want to say no, say no ‘Cause there’s a million ways to go You know that there are
And if you want to be me, be me And if you want to be you, be you ‘Cause there’s a million things to do You know that there are
[Chorus]
Well, if you want to sing out, sing out And if you want to be free, be free ‘Cause there’s a million things to be You know that there are You know that there are You know that there are You know that there are You know that there are
I first heard this through the Beatles, but nobody beats Little Richard (Richard Penniman) for this kind of raving song. The Beatles played on the same bill with Richard in Hamburg and Liverpool before they were nationally known. They got to know Billy Preston because he was Richard’s keyboard player.
My dad told me about Little Richard before I ever heard him. He said he had the largest voice he ever heard. He talked about a song called Long Tall Sally. I first heard it…it blew me away. Such a raw emotional power in that voice. He would take us to the edge of the cliff and then at the last-minute pull us back.
So was there a real Long Tall Sally? Yes, there was but she was not a cross-dresser as sometimes reported. Little Richard has said that Sally was a friend of the family who was always drinking whiskey…she would claim to have a cold and would drink hot toddies all day.
He described her as tall and not attractive, with just two teeth and cockeyed. She was having an affair with John, who was married to Mary, who they called “Short Fat Fanny.” John and Mary would get in fights on the weekends, and when he saw her coming, he would duck back into a little alley to avoid her. His voice was one of a kind…and I mean one of a kind. He could sing anything. Richard wrote this while working as a dishwasher at a Greyhound bus station in Macon, Georgia. He also wrote Tutti Frutti and Good Golly Miss Molly while working there. He had help with the song…Enotris Johnson and Robert Blackwell are also listed as the writers.
Long Tall Sally peaked at #6 in the Hot 100 and #1 in the R&B Charts in 1956.
Richard’s producer, Bumps Blackwell, had him record the vocal exceptionally fast in an effort to thwart Pat Boone. Boone’s version of “Tutti Frutti” sold better than Little Richard’s, so Blackwell tried to make it very difficult for Boone to copy. He had Richard work on the line “duck back down the alley” over and over until he could sing it very fast. He figured Boone could never match Richard’s vocal dexterity.
As much as I don’t like Pat Boone’s covers of Little Richards songs…they did help Richard get royalties as the writer.
Long Tall Sally
Gonna tell Aunt Mary ’bout Uncle John He claim he has the misery but he’s havin’ a lot of fun Oh baby, yeah baby, woo Havin’ me some fun tonight, yeah
Well long, tall Sally She’s built for speed, she got Everything that Uncle John need, oh baby Yeah baby, woo baby Havin’ me some fun tonight, yeah
Well, I saw Uncle John with long tall Sally He saw Aunt Mary comin’ and he ducked back in the alley oh baby Yeah baby, woo baby Havin’ me some fun tonight, yeah, ow
Well, long, tall Sally She’s built for speed, she got Everything that Uncle John need, oh baby Yeah baby, woo baby Havin’ me some fun tonight, yeah
Well, I saw Uncle John with bald-head Sally He saw Aunt Mary comin’ and he ducked back in the alley, oh, baby Yeah baby, woo, baby Havin’ me some fun tonight, yeah
We gonna have some fun tonight We gonna have some fun tonight, woo Have some fun tonight, everything’s all right Have some fun, have me some fun tonight
Welcome to the Hanspostcard TV Draft. The remaining 8 rounds will be posted here. We will have 64 different TV Shows by 8 different writers. I hope you will enjoy it! Today’s post was written by Keith from https://nostalgicitalian.com/
Perry Mason
My choice for the third round draft pick is Hollywood’s first weekly one-hour series that was filmed for television – Perry Mason. The show ran for 9 seasons (September 1957 – May 1966) and starred Raymond Burr in the title role.
Raymond Burr
The character of Perry Mason was well known before he was ever on TV. The attorney was the star of novels and stories written by a lawyer-turned-author Erle Stanley Gardner. There were some movies made by Warner Brothers and also a radio series based starring the character, by Gardner hated them! As a matter of fact, he refused to license the character of Perry mason for any more adaptations. (Interestingly, the radio series continues and evolved into the famous soap opera The Edge of Night.)
Gardner’s agent married actress Gail Patrick and she was the one who talked him into adapting the novels into a TV series. He made it clear that he wanted a lot of control over the show and how it was presented. He also had a hand in helping pick the cast. Many of the stories he wrote were turned into episodes for the series.
The Cast
It is hard to imagine anyone other than Raymond Burr as Perry Mason. However, among the actors in the running were Mike Conners, Richard Egan, William Holden, Efrem Zimbalist Jr., William Hopper, and Fred MacMurray. Raymond Burr actually auditioned for the role of Hamilton Burger, the DA. Gail Patrick remembered his performance from the 1951 film “A Place in the Sun” and told him he was perfect for the role.
At the time, Burr was about 60 pounds overweight, so he went on a crash diet and tested for the role again with about 50 other actors. Erle Stanley Gardner saw him and reportedly said, “THAT is Perry Mason!” Burr continued to lose weight as the series continued. He stated, “I just don’t have time to eat.”
Syndicated columnist Erskine Johnson wrote, “Every six days Burr stars in what almost amounts to a full-length feature movie. He’s in 98% of all the scenes.” Burr stated, “I had no life outside of Perry Mason. And that went on 24 hours a day, sox days a week. I never went home at night. I lived on the lot. I got up at 3 o’clock every single morning to learn my lines for that day, and sometimes I hadn’t finished until 9 o’clock. I had a kitchen, bedroom, office space, sitting room – al of that – on every lot I ever worked on.”
Burr won three Primetime Emmy Awards for his portrayal of Perry Mason (1959, 1960, and 1961).
Raymond Burr IS Perry Mason
Other major players in the cast included Barbara Hale as Perry’s secretary, Della Street. Hale had done some feature films, but wanted to avoid going away for long periods of time to shoot them because she had a rather young family. According to Gail Patrick, it was Hale who called her to inquire about the role of Della.
Perry and Della (Barbara Hale)
William Hopper, as I mentioned before, auditioned for the role of Perry Mason (I believe you can find some of the audition tapes on YouTube). After not getting the role of Mason and auditioning for Private Detective Paul Drake, he walked in the room and said, “You hate my mother!” His mother was Hedda Hopper, the famous gossip columnist. Patrick said he was the perfect Paul Drake, so he got the role.
William Hopper as Paul Drake with Burr’s Mason
For the role of District Attorney Hamilton Burger, Patrick knew exactly who she wanted. She had seen William Tallman in The Hitch-Hiker and knew he was perfect for the role. She said, “He never disappointed.” In an interview he was asked how he felt about his character losing to Perry Mason every week. His response is perfect. He stated, “Burger doesn’t lose. How can a district attorney lose when he fails to convict an innocent person?” When Burr was asked by a fan why he won every case, he told her, “But madam, you only see the cases I try on Saturday!”
William Tallman – Hamilton Burger
Another one of Perry’s foils was Police Lt. Arthur Tragg. Ray Collins’ voice was known to so many listeners of the Mercury Theater on radio. He had also been in movies and other TV shows. Patrick joked saying, “We overlooked the fact that on an actual police force, he would probably be long retired.” He was 68 years old when the show debuted on CBS. The playful interaction between Tragg and Mason are priceless.
The great Ray Collins as Lt. Tragg
The Plot
The basic formula for each episode was the same. The first part of the show introduced the viewer to a client who is hiring Perry Mason for some legal work or is introduced to him in some way. We then see the murder victim and other “suspects” introduced. The victim is murdered and Perry’s client is wrongfully accused of the crime. The remainder of the episode focuses on Burger and Tragg gathering evidence to convict the said “murderer”, Perry, Drake and Della take up their own investigation to prove their client is innocent.
The second half of the show would shift to the courtroom where Perry and Hamilton would duke it out in the preliminary hearing. In the novels, Perry likes to clear the client before they are bound over for trial, so this was worked into the show. They happen, but jury trials are rarely seen on the show.
The show would often culminate with Mason recalling a witness and questioning them until they cracked and admitted committing the murder OR causing someone else in the courtroom to admit that THEY committed the murder. The show would then wrap with a scene in Perry’s office or the courtroom where details would be presented on what led Perry to discover the real killer.
The formula worked for 9 seasons and eventually 30 TV made for TV movies.
Episodes of Interest
Throughout the run of the series, there were some very unique episodes. In the entire run of the series, Perry tackles an astounding 271 cases, and wins almost all of them! He actually lost thre cases (that we know of). In The Case of the Witless Witness, he loses a non-murder case. In The Case of the Terrified Typist, his client is found guilty of murder, but he is eventually able to clear her name. Finally, in The Case of the Deadly Verdict his client is found guilty of murder and is actually sentenced to death in the gas chamber! Perry, of course, is able to save the day before the execution is scheduled to take place.
A fun episode to watch is The Case of the Dead Ringer. Raymond Burr plays a dual role in this episode playing a man named “Grimes.” It’s fun to watch Burr question Burr as two different characters!
In season 6, Burr had some episodes where is appeared briefly, but guest actors filled in for Perry. Among those actors were Bette Davis, Michael Rennie, Hugh O’Brian, and Walter Pidgeon. Two years later, Burr was hospitalized for jaw surgery and Mike Conners and Barry Sullivan filled in for him.
How about the three that never set foot in a courtroom? Those were The Case of the Baited Hook, The Case of the Velvet Claws, and The Case of the Careless Kitten.
One of the most interesting shows was the one – and only – show that was shot in color. In the 9th season, CBS was hoping that the show would shoot a 10th season. Many shows were being shot in color by this time and they wanted to see what the show would look like. The Case of the Twice-Told Twist aired – in color – on February 27, 1966.
A must see episode is the series finale, The Case of the Final Fade-Out. First of all, it features cameos by all of the Perry Mason Crew in various roles. Second, it features the creator of the character, Erle Stanley Gardner, as the judge, and the murderer is … spoiler alert … a young Dick Clark!
Before They Were Famous
Many soon-to-be stars appeared on Perry Mason. I guess that is another reason why I love watching it. You never know who will pop up. Some examples: Barbara Eden, Cloris Leachman, Lee Meriwether, Pat Priest, Yvonne Craig, James Coburn, Angie Dickenson, George Kennedy, Diane Ladd, Frankie Laine, Ryan O’Neal, Robert Redford, Burt Reynolds, Claude Akins, Richard Anderson, Barbara Bain, James Best, Whit Bissell, Frank Cady, Bert Convey, Richard Deacon, Norman Fell, Alan Hale Jr., Harvey Korman, Gavin MacLeod, Allan Melvin, Leonard Nimoy, Denver Pyle, Marion Ross, Adam West, and MORE!
The Theme Song
Let’s be honest, the Perry Mason Theme Song is one of the most recognizable in all of television. The task of writing the theme went to composer Fred Steiner. He set out to write a song that would convey two of Perry’s prime characteristics – sophistication and toughness. The piece he wrote was called “Park Avenue Beat.”
Here is Fred discussing how he came up with the theme:
Here is the theme from the first season:
As much as I love the original version, I have to admit that when Perry Mason returned to TV in the two hour movies, I loved the version used for these films better. They just sound more full and better produced to me. So here it is:
I may as well touch briefly on the TV movies. In December of 1985, Perry Mason Returns aired on NBC.
Perry is now a judge and steps down to defend Della Street, who is accused of murder.
William Hopper died in 1970, so William Katt (Barbara Hale’s son) was called in to play Paul Drake Jr. The movies followed the same formula as the TV show. Burr and Hale had aged, but their on screen chemistry hadn’t changed at all. Burr was fantastic in this of course, he proves that Della is innocent! The successful reception and ratings of the reunion show led to 29 more Perry Mason Movies (Burr starred in 26 of them before passing away in 1993).
I never tire of watching Perry Mason. Despite being a bit dated, I think it still holds up today. HBO has created a “pre” Perry Mason show supposedly showing how he became the famous lawyer. I have no desire to watch it. To me, there is one and only Perry Mason!
FUN FACT: Raymond Burr started playing the character in 1957 and played him until his death in 1993. He played Perry Mason for a whopping 36 years!
So if you ever find yourself accused of murder … there is only one lawyer to call….
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