Creature Feature hosted by Sir Cecil Creape

No… this is not a goth punk band… but I will post a song from Han’s draft at 11 CST today.

This morning I wanted to share this memory of this fun local horror host. When I was a kid I thought Sir Cecil Creape was a little scary but a lot of fun. It was a gentle way for kids to be introduced to older horror movies.

If you didn’t grow up in Nashville in the 70s you will be thinking… who? I’m sure local stations in other areas had someone like this or maybe not. This was before cable, DVD’s, VHS, or personal computers.

Sir Cecil Creape was actually Russ McCown (film editor) playing the host that featured a  B horror movie from the 40s and 50s. The show was called Creature Feature and it was originally on between 1971-1973. They would rerun it through the seventies and that is when I caught him. It was on the NBC afflilate Channel 4 in Nashville. It would come on late at night. Creape would do different skits with a corny sense of humor and it worked. I thought the set was absolutely the coolest set I’d ever seen.

WSM (Channel 4) even created a Sir Cecil Creape Fan Club, which offered a poster and a cardboard mask perfect for terrorizing younger brothers and sisters, and the Boy Scouts of America Middle Tennessee Council issued a special “Sir Cecil’s Ghoul Patrol” patch.

They aimed the show at high schoolers and college students but soon children would want to stay up past their bedtime to watch it. I do remember t-shirts and buttons of Creape…and occasionally I still see a few around Nashville. Pat Sajak, long before hosting the Wheel of Fortune, assisted in the scripts.

In 1983 Russ McCown revisited Sir Cecil in the Phantom of the Opry on TNN for 13 episodes. I read where someone said he sounded like a Southern-fried Boris Karloff. That sounds right!

Dr. Gangrene's Mad Blog: Sir Cecil Creape T-shirt UpdatedDr. Gangrene's Mad Blog: Sir Cecil Creape - 1970s Nashville Horror Host

He was elected into the The official Horror Host Hall of Fame in 2015! Russ McCown passed away in 1998.

Paul McCartney – Nashville July 26, 2010

Paul McCartney came to Nashville in 1974 to record some and promised he would be back to actually play live…well he did although it was 36 years later. 2010 was his first Nashville concert ever. The closest the Beatles got to Nashville was in Memphis in 1966.

A year after he came to Nashville in 1974 I became a very young Beatles fan. Read everything, listened to everything that I could get my hands on, and saw what limited things I could. In the 80s I got to see some of the rooftop Let It Be concert on MTV. It was like the pictures I’d seen coming to life…it made it real…or as real as it got to me.

When the Paul McCartney concert was announced in spring of 2010… I bought tickets right away. I just knew something would happen. The concert would be postponed or something awful would happen…there was no way I was going to see him. My wife, my son Bailey, and I had tickets. Sure enough…on the night of the concert…just a couple of hours before it started… a tornado did damage in Nashville (no injuries) and a warning was out for downtown. While we were there and I just knew…so this is how it’s all going to end…me with a McCartney ticket in my hand.

Waiting at the venue…McCartney came on an hour late to wait for all the warnings to die down. When he came on I was pretty much in shock…all the years reading, watching, and listening to the guy…he wasn’t yet real until he broke into “Venus and Mars” an old Wings song. I was 43 and I felt like a 12 year old kid and I was full of emotion. When he started his first Beatles song of the night…All My Loving…it was even more emotion. This is the man who played with Lennon, Harrison, and Starr at the Cavern Club, Hamburg, and all over the world.

I always was jealous of my friends who liked modern bands…who could just go and see them in concert when we were younger and buy their new records. Most of the bands I grew up liking had broken up or changed years ago.

The concert was worth the wait.

This was Bailey’s first concert…his second was Ringo, third was Paul McCartney again, and fourth was The Who…I told him he was lucky…my first concert was REO Speedwagon…no offense to them but there is no comparison. Jennifer actually got to see Elvis for her first concert…when she was a small child in 1976 in West Virginia…

Paul played around three hours of solo, Wings, Fireman, and of course Beatles songs. With as many songs as Paul has…he could have played most of the night without repeating a song. I saw him again in 2014 and again he was great and added a few more songs… but nothing will beat that first time.

Setlist for July 26, 2010

Venus and Mars
Rock Show
Jet
All My Loving
Letting Go
Got to Get You Into My Life
Highway (The Fireman Song)
Let Me Roll It
The Long and Winding Road
Nineteen Hundred and Eighty-Five
Let ‘Em In
My Love
I’m Looking Through You
Tequila (The Champs cover)
Two of Us
Blackbird
Here Today
Dance Tonight
Mrs. Vanderbilt
Eleanor Rigby
Ram On
Something
Sing the Changes (The Fireman song)
Band on the Run
Ob-La-Di, Ob-La-Da
Back in the U.S.S.R.
I’ve Got a Feeling
Paperback Writer
A Day in the Life / (With Give Peace A Chance Snippet)
Let It Be
Live and Let Die
Hey Jude

Encore:
Day Tripper
Lady Madonna
Get Back

Encore 2:
Yesterday
Helter Skelter
Sgt. Pepper’s Lonely Hearts Club Band (Reprise)
The End

Paul McCartney in Nashville 1974

Back in the early seventies, there was a line between rock and country. Now that line is blurred quite a bit but when Paul came to Nashville…it was a huge deal here. Some country artists wondered why a Beatle was coming here.

I’ve written some here but I don’t do it justice… His month stay involved an emergency room visit, a visit to Johnny Cash, Loveless Motel (great place to eat), and many other places. Please read this.. https://www.nashvillescene.com/news/article/13007056/when-we-was-fab

People here still talk about this visit to the city. I was only 7 and it was one year before I got into the Beatles. I faintly remember the newscasts. On June 6, 1974, Paul arrived and said he chose Nashville for his month’s stay as a rehearsal base for an upcoming tour. He also planned to enjoy himself while here, socializing with the community and horseback riding.

Paul said: “I rather fancy the place,”  “It’s a musical center. I’ve just heard so much about it that I wanted to see for myself.”

He recorded songs, went to the Grand Ole Opry, met Porter Waggner and Dolly Parton, ate some Kentucky Fried Chicken, and visited Printers Alley. Paul and Linda lived on a farm in Lebanon that  Curly Putman Jr rented…that is where the title Juniors Farm came from. Putman was a songwriter who wrote some huge songs like The Green Green Grass of Home, He Stopped Loving Her Today, D-I-V-O-R-C-E, and many more.

I have a cousin that lives down the road from the farm Paul and Linda stayed at…he got this shot but it’s a little dark. They added some columns since 1974.IMG_2102.PNG

Former Beatle Paul McCartney takes his wife, Linda, for a spin around the lawn of the home of songwriter Curly Putman July 17, 1974, where the McCartneys have been living during their visit to Nashville.

As his time in Tennessee came to a close, McCartney told a group of local reporters that he hoped to mount a U.S. tour the following year and that if it happened, Music City would definitely be on the itinerary.

McCartney didn’t come back until 36 years later in 2010 and I finally got to see him.

Paul McCartney's Nashville past

 

 

 

 

 

Neil Young – Heart Of Gold

A giant hit for Neil Young.

James Taylor and Linda Ronstadt sang backup on this song. They don’t come in until the end of the song. Like Young, Taylor and Ronstadt were in town to appear on The Johnny Cash Show (the song’s producer Elliot Mazer had produced Ronstadt’s 1970 Silk Purse album). Young convinced them to lend their voices to this track, and they came in the day after the rest of the song was completed.

This song was recorded in Nashville in just two takes. The musicians were not familiar with Young or the song. This spontaneity created just the right feel for the track…something that would have never come about through additional tweaking. This style of recording, where top-tier studio musicians are asked to give total focus to a take with little instruction, is something Bob Dylan often did.

By far, this was the biggest hit for Young as a solo artist, Peaking at #1 on the Billboard 100 in 1972…the Harvest album peaked at #1 a week earlier,

Linda Ronstadt: “We were sat on the couch in the control room, but I had to get up on my knees to be on the same level as James because he’s so tall. Then we sang all night, the highest notes I could sing. It was so hard, but nobody minded. It was dawn when we walked out of the studio.”

 

From Songfacts

With a straightforward metaphor and complete lack of pathos, this is not a typical Neil Young song. It finds him mining for a “heart of gold,” which depending on your perspective, is either a touching and heartfelt sentiment, or a mawkish platitude. Rolling Stone took the churlish view, complaining that the album evoked “superstardom’s weariest clichés.” The listening public and Young’s fans were far more accepting, and the song became his biggest hit.

Young wrote this in 1971 after he suffered a back injury that made it difficult for him to play the electric guitar, so on the Harvest tracks he played acoustic. Despite the injury, Young was in good spirits (possibly thanks to the painkillers), which is reflected in this song. The next few years were more challenging for Young, as he suffered a series of setbacks: His son Zeke was born with cerebral palsy, his friend Danny Whitten died, and he split with his girlfriend, Carrie Snodgress. His next three albums, which became known as “The Ditch Trilogy,” expressed these dark times in stark contrast to “Heart of Gold.”

This song was recorded at the first sessions for the Harvest album, which took place on Saturday, February 6, 1971 and were set up the night before.

Neil Young was in Nashville to record a performance for The Johnny Cash Show along with Tony Joe White, James Taylor and Linda Ronstadt. Elliot Mazer, a producer who owned nearby Quadrafonic Studios, set up a dinner party on February 5, inviting the show’s guests and about 50 other people. Mazer was friends with Young’s manager Elliot Roberts, who introduced the two at the gathering. Young and Mazer quickly hit it off when Neil learned that Elliot has produced a band called Area Code 615. Young asked if he could set up a session the next day, and Mazer complied.

Nashville has an abundance of studio musicians, but getting them to work on a Saturday could be a challenge. Mazur was able to get one member of Area Code 615: Drummer Kenny Buttrey. The other musicians he found were guitarist Teddy Irwin, bass player Tim Drummond, and pedal steel player Ben Keith. All were seasoned pros.

Keith, who had never heard of Neil Young, recalls showing up late and sitting down to play right away. He says they recorded five songs before they stopped for introductions.

A very influential musician, he was never too concerned about making hit records. His next-highest Hot 100 entry was his next single, “Old Man,” which reached #31.

At the time, Taylor and Young were huge stars, but Ronstadt had yet to land a big hit. Her talent was obvious to those around her, but poor song selection and promotion kept her from the top ranks. Young exposed her to arena crowds when he brought her along as the opening act on his Time Fades Away tour in early 1973, but it was another two years before she landed that elusive hit, going to #1 with “You’re No Good.”

In the liner notes to his Decade collection, Young said: “This song put me in the middle of the road. Traveling there soon became a bore so I headed for the ditch.”

This statement reflected Young’s aversion to fame, and was not meant to demean the song. In a later interview with NME, he clarified: “I think Harvest is probably the finest record I’ve made.”

Before separating them into two songs, Young wrote this together with “A Man Needs A Maid” as a piano piece – he described it as “like a medley.”

This was the song that tweaked Bob Dylan; Young had made no secret that he idolized Dylan, but when Dylan heard “Heart of Gold” he thought this was going too far. As quoted in Neil Young: Long May You Run: The Illustrated History, Dylan complained, “I used to hate it when it came on the radio. I always liked Neil Young, but it bothered me every time I listened to “Heart of Gold.” I’d say, that’s me. If it sounds like me, it should as well be me.”

“Heart Of Gold” is the name of the spaceship stolen by Zaphod Beeblebrox in Douglas Adams’ book, The Hitchhiker’s Guide to the Galaxy. 

Young became the first Canadian to have a #1 album in the US when Harvest topped the Billboard 200 for two weeks in April 1972.

This song appears in the 1984 film Iceman, and on the soundtrack of the 2010 movie Eat Pray Love.

Lady Gaga references this in her song “You and I.” The line goes, “On my birthday you sung me ‘Heart of Gold,’ with a guitar humming and no clothes.”

In 2005, the CBC Radio One series 50 Tracks: The Canadian Version declared “Heart of Gold” to be the third best Canadian song of all time.

Stryper frontman Michael Sweet covered this for his 2014 I’m Not Your Suicide album. He also recorded a second duet version with country artist Electra Mustaine, who is the daughter of Megadeth frontman Dave Mustaine.

Young revived the guitar riff for this song on CSN&Y’s “Slowpoke” in 1999.

Young has made it clear that the musicians who played on his tracks had a lot to do with their success. In an interview with the Musicians Hall of Fame, he said that “Heart of Gold” would not have been a hit without drummer Kenny Buttrey.

Tori Amos covered this on her 2001 album Strange Little Girls. She was trying to demonstrate how men and women hear different meaning in the same songs.

Heart of Gold

I want to live
I want to give
I’ve been a miner for a heart of gold.
It’s these expressions I never give
that keep me searching for a heart of gold
and I’m getting old.

I’ve been to Hollywood
I’ve been to Redwood
I crossed the ocean for a heart of gold
I’ve been in my mind, it’s such a fine line,
that keeps me searching for a heart of gold
and I’m getting old.

Tornadoes in Nashville

I was driving to work this morning oblivious to the world around me listening to an audiobook. I got a call from the Mother In Law asking if I was ok. I was confused but she then told me about tornadoes on the ground in Nashville last night.

I live around 20 miles outside of Nashville in a small county. We had bad weather last night but nothing like that. I started to run into traffic and I saw huge tree branches on the interstate.

I got to work this morning and found out they touched down around 2-3 miles from where I work. I’ve seen a few buildings destroyed and it is heartbreaking to witness this. Over 40,000 are out of power and right now the death toll is 22 on the last report that I heard. In 1998 a tornado went through downtown Nashville.

This is the worst damage Nashville has had since the 2010 flood.

 

 

Buddy Holly – Blue Days Black Nights

This is a Holly song that you don’t hear much and has been a favorite of mine. The sessions didn’t go the way that Buddy would have liked. His songs had more of a country feel than Holly would have liked.

I really like the rockabilly guitar played by Sonny Curtis.  It was recorded at Bradley’s Barn in Nashville Tn in January 26, 1956.

This was Buddy Holly’s first single in April 1956, “Blue Days, Black Nights” was not a Buddy Holly composition; it was written by Ben Hall. The song was the B side to Love Me.

Due to a misspelling on Holly’s recording contract, his name was changed from Holley to Holly. This release is the first to use this spelling, He would go with that spelling the rest of his career.

 

Blue Days Black Nights

Blue days, black nights
Blue tears keep on fallin’, for you dear
Now you’re gone
Blue days, black nights
My heart keeps on calling for you dear
And you alone

Memories of you make me sorry
I gave you reason to doubt me
But now you’re gone and I am left here all alone
With blue memories, I think of you

 

Blue days, black nights
I didn’t realize I would miss you
The way I do
And now somehow I know I will pay
For the times I have made you blue

Buddy Holly – Rock Around With Ollie Vee

This song was first recorded at the Bradley Film and Recording Studios, 804 16th Ave. South,  Nashville, Tennessee. It was written by Sonny Curtis who later joined the Crickets after Buddy died. It was the first song of his ever recorded.

The song was the B side to That’ll Be The Day. It was credited to Buddy Holly and the Three Tunes…that was the group that recorded with Buddy Holly in Nashville on July 22, 1956, for Decca Records. The group name used was Buddy and the Two Tones (Buddy Holly with Sonny Curtis, guitar and Don Guess, bass). The recordings were supported by session musicians.

Buddy would record it later on with the Crickets.

 

Rock Around With Ollie Vee

We-ell, we’re gonna rock
To the rhythm and the blues tonight
Rock ’cause ev’rything’s gonna be all right
‘Cause tonight, we’re gonna
Rock to the rhythm and the blues

Well I got a little gal I call, Ollie Vee
Ollie Vee comes from Memphis, Memphis Tennessee
And tonight, we’re gonna
Rock-a-rock around with Ollie Vee, Olli-olli Vee

Ollie Vee says she’s gonna treat me right tonight
I’m gonna wear my blue suede shoes tonight
And tonight, we’re gonna
Rock-a-rock around with Ollie Vee, Olli-olli Vee

We-ell, we’re gonna rock
To the rhythm and the blues tonight
Rock ’cause ev’rything’s gonna be all right
‘Cause tonight, we’re gonna
Rock to the rhythm and the blues, go!

We-ell, we’re gonna rock
To the rhythm and the blues tonight
Rock ’cause ev’rything’s gonna be all right
‘Cause tonight, we’re gonna
Rock to the rhythm and the blues

I’m gonna shout and a holla and a giggle tonight
I’m gonna shake it just a little in the middle of the night
‘Cause tonight, we’re gonna
Rock-a-rock around with Ollie Vee, Olli-olli-Vee

Well I think Mr. Cop’s on the beat tonight
He’s tryin’ to put a stop to me tonight
‘Cause tonight, we’re gonna
Rock-a-rock around with Ollie Vee, Oll-olli-olli

We-ell, we’re gonna rock
To the rhythm and the blues tonight
Rock ’cause ev’rything’s gonna be all right
‘Cause tonight, we’re gonna
Rock to the rhythm and the blues

We-ell, we’re gonna rock
To the rhythm and the blues tonight
Rock ’cause ev’rything’s gonna be all right
‘Cause tonight, well, we’re gonna
Rock to the rhythm and the blues

Jason & the Scorchers – Golden Ball and Chain

Jason & The Scorchers had a cult following in Nashville and around parts of the world in the 80s and got some airplay on MTV at the time…they were led by frontman Jason Ringenberg and they released a couple of EPs before releasing their debut album Lost & Found in 1985. They were classified at one time as alt-country but I would add rock/punk/rockabilly in there also.

One of the things that made the band different is Jason wanted to sound country but guitar player Warner Hodges wanted to sound like AC/DC…that interplay made them unique. This song was off of their 1986 album Still Standing. The album peaked at #91 on the Billboard album chart in 1987.

Golden Ball and Chain (written by Ringenberg) peaked at #16 in the Billboard Rock Mainstream songs.

Here is some information on Jason and the Scorchers http://www.cnn.com/2002/SHOWBIZ/Music/01/30/jason.scorchers/

 

Golden Ball and Chain

“Oh hello there” you coughed and smiled
Your hair messed up enough, a little wild
You said, “I’m sorry but it’s all a waste
Not a whole meal just a little taste”

Now you’ve nothing left to fight and gain
Another line another carved link of your name
On the golden ball and chain

L.A. it calls and London grooms the star
Get on the phone to find out who you are
But happiness was a dying trend
You say you saw that train around the bend

That was carrying its weight in pain
The engine straining on the full weight of your name
And the golden ball and chain

You saw it then, you saw the sign
A drowning sailor in a jug of wine
First it was her, but now it’s you
No psychoanalyst is there to tell you what to do

So now you whimper like a helpless child
You broke when they quit saying you were wild
But your tears they are like grass in sand
They speak to no one, they give no command

No there’s nothing left to cleanse the stain
Another line another carved link of your name
On the golden ball and chain

Dixie Chicks – Wide Open Spaces

I’m not a big fan of newer country music…but this song sounded fresh when it was released. The song crossed over and peaked at #41 in the Billboard 100, #1 in the US Country Songs, and #1 Canda Country Tracks in 1998. The song was on the album Wide Open Spaces and it peaked at #4 on the Billboard Album Charts, #1 on the Country Album Charts, and #1 in the Canadian Country Album Charts in 1999.

Susan Gibson wrote the song years earlier. Gibson was the lead singer of the alt-country band The Groobees. They decided to include “Wide Open Spaces” on their album and their producer was Lloyd Maines… the father of Dixie Chicks lead singer, Natalie Maines. He thought the song would be perfect for the Dixie Chicks and they agreed. After testing it on a couple of audiences, they made it the title track for their major-label debut.

This album was the first album which Natalie Maines was the lead singer.

Their career was going great until all hell broke loose in 2003 after lead singer Natalie Maines criticized George Bush and the invasion of Iraq during a London concert. Country radio led the backlash against the Dixie Chicks. Stations banned their music and even told listeners to trash their CDs.

This defiant, nude cover on ‘Entertainment Weekly’ added fuel to the fire.

Image result for Natalie Maines nude

If this would have been a rock act that did the same thing…would this have happened? I would say no…

On June 26, 2019, The Dixie Chicks has confirmed that they are returning to music with a new studio album after a 13-year hiatus. They are expecting to record their first new studio album since 2006’s Taking the Long Way.

 

From Songfacts

This song was written by Susan Gibson, who was lead singer of a Texas-based band called The Groobees. She wrote the tune back in 1993 in a spirit of rebellion during her first return home from the University of Montana for Christmas break. “My mom probably said something like, ‘What time did you get home last night, honey?’ Whatever it was rubbed me the wrong way,” Gibson told The Montanan. “I sat down at the kitchen table and wrote furiously for twelve minutes, and then I went and did something else. I forgot all about it.” 

The lyrics were so specific to Gibson’s own experience, including lines about her dad warning her to check the oil in her car, she was hesitant about giving away such a personal song. Then she heard the Dixie Chicks’ version: “It made me bawl my eyes out. It was so beautiful—it had this stunning musicianship and very professional production. I could still see my handwriting on the page, and here was this gorgeous recording of it.”

Lloyd Maines, father of Dixie Chicks lead singer Natalie Maines, worked with The Groobees, and brought the song to the Chicks. The Groobees recorded their version in 1999. 

Thom Oliphant helmed the music video, which intercuts touring footage with the girls singing in open fields of wildflowers as well as performing at Winter Park, Colorado’s annual West Fest. In a Songfacts interview, Oliphant recalled: “That song probably moved them from big clubs to arenas over the course of that year, so we were just out documenting.

A lot of that stuff was shot without a clock ticking. You’re on a bus and we would shoot some stuff, and then it all was woven together with a couple of big days of shooting out around Denver. It made it look like it was all about the same time, but it wasn’t.”

The video was named the Country Music Association’s Video of the Year in 1999.

The Groobees broke up a couple of years after this became a hit, partly because they couldn’t agree on how to handle the success. Susan Gibson, who collected the bulk of the royalties as the tune’s sole writer, explained in Lone Star Music Magazine: “We were once a unified band with nothing to lose and all struggling in the same direction. Some band members thought that the success of that song meant that we could afford to take those crappy-paying, but good-exposure gigs. Others thought it meant we didn’t have to. That discrepancy resulted in each of us taking our own piece of the pie and going forward in our different directions.”

Gibson has since carved a career for herself as a solo artist, but still delights in hearing fans talk about the song: “Because the Dixie Chicks made that song so huge, I have enjoyed the look on people’s faces when they hear that I wrote that song. About 80 percent of the time, somebody has a cool story attached to it about leaving home, getting married, getting divorced, and breaking down in Moab, Utah. 19 percent of the time it’s like, ‘Oh! My mom loooooves that song!’ And there’s 1 percent out there that are like, ‘I don’t really listen to music.’ That’s OK. It’s the stories that I hear back from people that put a face to the huge numbers associated with that song.”

This spent four weeks at #1 on the country chart.

Wide Open Spaces

Who doesn’t know what I’m talking about
Who’s never left home, who’s never struck out
To find a dream and a life of their own
A place in the clouds, a foundation of stone

Many precede and many will follow
A young girl’s dreams no longer hollow
It takes the shape of a place out west
But what it holds for her, she hasn’t yet guessed

She needs wide open spaces
Room to make her big mistakes
She needs new faces
She knows the high stakes

She traveled this road as a child
Wide eyed and grinning, she never tired
But now she won’t be coming back with the rest
If these are life’s lessons, she’ll take this test

She needs wide open spaces
Room to make her big mistakes
She needs new faces
She knows the high stakes

She knows the high stakes

As her folks drive away, her dad yells, “Check the oil!”
Mom stares out the window and says, “I’m leaving my girl”
She said, “It didn’t seem like that long ago”
When she stood there and let her own folks know

She needed wide open spaces
Room to make her big mistakes
She needs new faces
She knows the high stakes

She knows the high stakes
She knows the highest stakes
She knows the highest stakes
She knows the highest stakes

Marcia Trimble

Most Nashvillians know her name even if they were not alive when Marcia Trimble was murdered in 1975…Nashville was never the same again.

I saw it all happen on the news when I was 8 years old. That is when I learned that the world wasn’t a nice safe place. I’ve seen it written many times…1975 is when Nashville lost its innocence. It was never crime free…no city ever is but this changed people forever here. It became high profile and went national.

Marcia Trimble was a 9-year-old Girl Scout selling cookies on February 25, 1975, and disappeared where she lived in Green Hills…a very affluent part of Nashville then as well as now.

My Uncle Fulton was a Sergeant in the Vice Squad at that time. We were at my grandmother’s for Easter and I saw his car pulling up the drive and his three girls looked shocked. I saw him walking over to my mom so I walked over also. I remember he looked at my mom and then me and said…we found her and it’s beyond bad. He didn’t have to say who or what…we knew what he was talking about.

Marcia was found murdered and sexually assaulted under a tarp in a garage near her Green Hills home 33 days after she was declared missing.

The prime suspect was Jeffrey Womack…a then 15-year-old neighbor who had told the cops that Marcia had been by his house but he had no money and didn’t buy anything. The police later thought he kill Marcia…and he was suddenly the prime suspect… until 2008.

There has been plenty of crime here before and after this murder but none had the impact of this horrible event. I live north of Nashville but it affected everyone around middle Tennessee.  At the time parents were obviously more on guard and kids would stick together while out.

From the Nashville Scene…about the neighborhood it happened in.

Former homicide Lt. Tommy Jacobs, who investigated the murder, says that for whatever reason, many of the children in the neighborhood stagnated in the years after the killing. “We interviewed the kids when they were 9 and 10 years old and went back and interviewed them 20-some-odd years later,” he says. “You won’t believe how many of the kids wound up in a mental institution or working at a gas station. Several of the kids were still living at home.”

60-year-old Jerome Sydney Barrett was convicted after DNA was examined in 2008 and he was sentenced to 44 years in prison in 2009…Barrett had killed more people in Nashville in 1975 and was finally connected to Marcia.

Jeffrey Womack, the kid that was falsely accused, was finally free of suspicion after 33 years.

For more of the details…  https://www.insidehook.com/article/action/city-shadows-1974-murder-marcia-trimble-changed-nashville-forever

 

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The Paul McCartney Bruce Mcmouse Show…quick review

Last night my son and I went to see this film in Nashville at the Belcourt Theater at the screening. It opened up with Paul McCartney and Wings in very early seventies attire talking about how they met the Mcmouses. The one thing that surprised me…it was a smaller amount of animation that I anticipated. I thought it would be 60-40 animation but it was around 30-70 with Wings playing live on their 72 European tour and various film clips with the music. I’m not unhappy with the ratio because I wanted to hear Wings live more than seeing the animation.

They did use some soundstage shots mixed in with live shots also.

BruceMcmouse_6.png

My biggest complaint was the voices of the mice were a little too animated…no pun intended but you could not understand what they were saying without straining. Wings were great though. This is the earliest video I’ve seen of Paul playing outside of the Beatles. The sound was great. The songs I can remember were Big Red Barn, Wild Life, Long Tall Sally, Seaside Woman, My Love, Hi Hi Hi, Mary Had a Little Lamb, C Moon, Blue Moon Over Kentucky, Maybe I’m Amazed, and there are a few more I’m forgetting.

The film is only 55 minutes long but a good representation of Wings in 1972. The band looked like they were having a lot of fun. I will get the film when it is released.

It’s a nice film that was made right before Live and Let Die and Band on the Run. The Bruce Mcmouse Show is not the best thing Paul has done…but a fun film all the same. It’s also a nice time capsule of the early seventies… Also, it was cool that at least 80 percent of the audience were college students…that gives me hope…and it was packed.

Now Paul…release the 1976 tour to the Theaters, please.

 

 

 

Drive-In Movie Theaters

I remember Drive-In Theaters from way back. My sister is 8 years older than I am. When she was 16 I was 8 and mom made her take me with her on dates and that included the Drive-In. Most Drive-Ins charged by the person so guess where I was located? A mile up from the Drive-In I would know the routine…I would climb in the trunk. I remember smelling the old dirty tire and whatever else…I would hear us roll over the gravel and then the car would stop…my sister would let me out.

I would climb in the back seat and start watching. Although I make fun of her for this I actually enjoyed it. It was fun to do as a kid. I was a laid-back kid anyway. I remember the only movie showing one time was an R rated movie. It was called “Revenge of the Cheerleaders” from 1976…I got quite an education on the female anatomy. She would tell me don’t look now… then she and her date would go out and talk to friends parked around. I was of course looking and I never told mom…I knew I would not get to come back if I told her.

There are a few around here and once in a while, we will go see them. No Cheerleaders though.

In 1933, eager motorists park their automobiles on the grounds of Park-In Theaters, the first-ever drive-in movie theater, located on Crescent Boulevard in Camden, New Jersey. Richard Hollingshead opened it up. He thought of it because his mother was to large for theater seats. He charged just 25 cents per car.

The Drive-In didn’t really take off until the in-car speakers were invented by the late 40s. By 1958, the number of drive-ins peaked at 4,063.

Indoor theaters were more practical because they could show a movie 5-6 times a day and not have to worry about the weather or being light so the Drive-In’s started to get B movies (Revenge of the Cheerleaders!) and the fad started to slow down. Also, land value pushed the Drive-In’s out.

Now there are roughly 400 Drive-Ins left in America.

In Nashville, they are building an indoor Drive-In Theater. When it is finished I will check it out. You will not drive in with your car…you will walk in and sit in one of the classic cars they will have ready for you…I’m ready…but no trunks

A rendering of the August Moon Drive-In theater planned

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My Memories of 1977

In 1977 I turned 10 years old. It was the first year I wanted to know what was going on in the world. I started to watch Walter Cronkite reporting the world news. Keywords I remember were Sadat, Middle East, Son of Sam, Concorde, and Inflation. Local news would be Chris Clark on channel 5 an affiliate of CBS…keywords locally… Snow, Ray Blanton (the name would be more popular the next year…in a bad way), and Larry Schmittou…who would bring Nashville minor league baseball the following year with the “Sounds” a Reds farm team.

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I missed around 3 weeks of school because of it being either closed or the bus would not run down our rural road because of snow…sledding and exploring time! In Middle Tn… 1 inch of snow will shut down a city.

I remember Star Wars hit the theaters with lines around the corners. I didn’t see it the month it was released but soon afterward. It was everywhere and the talk of the school. We had never seen anything like it before.

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I remember Queen releasing News of the World. A friend of mine brought the album to school and we studied every inch of the cover (by Frank Kelly Freas), a giant robot picking up the bodies of the band. We Will Rock You and We Are the Champions played non-stop on the radio. This is when I started to explore other bands that weren’t named The Beatles.

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The TV mini-series Roots was huge and historic.

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I was watching Gilligans Island and it was interrupted by sad news. Elvis Presley was dead at 42 years old. My mom and other grown-ups around were really upset. I knew his songs and it was sad but I didn’t understand everyone’s reactions for someone they didn’t know. Three years later when I was 13 I understood perfectly clear when John Lennon was murdered. Three days after Elvis died Groucho Marx passed away…In October Bing Crosby passed away.

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I paid attention to the inauguration of Jimmy Carter as President in January. I would hear about peanuts, teeth and his brother Billy for the rest of the year…and about one of those keywords again…inflation.

I remember the Son of Sam killings. In August of that year, David Berkowitz was finally apprehended. He killed six people and wounded seven others. I also remember the blackouts in New York in July…

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The Concorde was all over the news that year. To a 10-year-old in 1977, it looked like something out of a sci-fi movie.

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In March of 1977, I started to follow baseball. I’m not from California but my Dad always rooted for the Dodgers and it was passed down to me. I read from a young age about Babe Ruth, Christy Matheson, and the older players… but this was the first year I followed modern baseball from start to finish. Cey, Lopes, Garvey, Russell, Yeager, Dusty Baker, Reggie Smith, Don Sutton, Tommy John…I loved that team. I still can imitate the batting stance of all of the starters. Ron Cey was my hero and I played 3rd base in Little League because of him.

Our insurance salesman would come to our house every now and then and he knew I was a Dodger fan. He said he went to games in LA and would bring back something for me… I believed him totally. My mom told me not to get my hopes up as he was busy and might forget… A few weeks later…there he was with a Dodger 1977 pennant in his hand to give me…I still have it. I couldn’t believe the pennant in my hand came from the mythical Dodger Stadium where my heroes played.

They had four players with 30 or more home runs that year…Cey, Garvey, Smith, and Baker. They made it to the World Series but broke my heart. They played the Yankees and Reggie Jackson (it still hurts to type his name) hit three home runs in the sixth and deciding game to beat my Dodgers. It took a while to get over that…well I’m still writing about it 41 years later…but it’s always next year.

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I’ll close it out on Matchbox and Hot Wheels…I had a huge collection that I carried to friends houses to trade and race.

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If only life was that simple again…

 

Jake Bugg – Two Fingers

This song caught my attention in 2012 when it was released. It has an older feel to it. It did not chart in America but it did peak at #28 in the UK charts.

In December my son and I saw him at 3rd and Lindsley in Nashville with Kelsey Waters opening up. There was an even mixture of young and old to see the 23-year-old play. He has listed influences as diverse as  Jimi Hendrix, Donovan, to Nick Drake.

He is an artist I think should have a good career. His music is refreshing compared to most of the mainstream music of today.

 

Two Fingers

I drink to remember, I smoke to forget
Some things to be proud of
Some stuff to regret
Run down some dark alleys in my own head
Something is changing, changing, changing

I go back to Clifton to see my old friends
The best people I could ever have met
Skin up a fat one, hide from the Feds
Something is changing, changing, changing

So I kiss goodbye to every little ounce of pain
Light a cigarette and wish the world away
I got out, I got out, I’m alive but I’m here to stay
So I hold two fingers up to yesterday
Light a cigarette and smoke it all away
I got out, I got out, I’m alive but I’m here to stay
He’s down in the kitchen drinking White Lightning
He’s with my momma, they’re yelling and fighting
It’s not the first time praying for silence
Something is changing, changing, changing

So I kiss goodbye to every little ounce of pain
Light a cigarette and wish the world away
I got out, I got out, I’m alive but I’m here to stay
So I hold two fingers up to yesterday
Light a cigarette and smoke it all away
I got out, I got out, I’m alive but I’m here to stay

There’s a story for every corner of this place
Running so hard you got out but your knees got grazed
I’m an old dog but I learned some new tricks yeah

So I kiss goodbye to every little ounce of pain
Light a cigarette and wish the world away
I got out I got out I’m alive but I’m here to stay
So I hold two fingers up to yesterday
Light a cigarette and smoke it all away
I got out I got out I’m alive but I’m here to stay

Hey, hey it’s fine
Hey, hey it’s fine
Hey, hey it’s fine
I left it behind

Steve Earle – I Ain’t Ever Satisfied

I first found out about Steve Earle through this song. It has remained one of my favorite songs. Steve has released a lot of great songs since but it’s the honesty of this song that I like so much.

After I heard it I immediately bought the album “Exit 0” and enjoyed the complete album. The lyrics ring true of the human spirit…we are never satisfied. The 80s were not my favorite musical decade but Steve Earle was one of the highlights for me.

Steve is a very underrated American songwriter.

The song made it to #26 on the Billboard charts in 1987. The album Exit 0 made it to #15 on the charts.

I Ain’t Ever Satisfied