Led Zeppelin: The Biography …by Bob Spitz

This is the second Led Zeppelin book I’ve reviewed in a row…hope you are not getting too tired of it. I’m moving on to something else with my next book.

This is a good book about Led Zeppelin by Bob Spitz. This book surprised me when I read it. The reason is that Spitz wrote a biography of the Beatles that felt uninspired with no new info…I was thinking this one might be the same. Well, I was wrong…this book is the best book I’ve read on Led Zeppelin and that includes Hammer of the Gods and others.

The book uncovered things I didn’t know and gave a different point of view on instances that happened. There are constants about the band that run through every book about them. John Paul Jones was the constant professional and multi-instrumentalist of the band. John Bonham was an incredible drummer but could flash in a violent rage at any minute. Robert Plant the optimistic never say die singer who would change after his family’s bad car accident. Jimmy Page was the absolute leader of the band until he couldn’t function in that role because of the different chemicals he was taking.

Below is a Swan Song band Detective with a weary Jimmy Page asleep on the couch behind them.

Detective Band
Detective… A Swan Song band with Jimmy Page fast asleep at the photo session.

One thing that was known about the band is that they had an inferiority complex about The Rolling Stones. This is explored more in this book. They couldn’t understand why the press and celebrities hung out and liked the Stones and not them… although Zeppelin outsold them. The answer to that was pretty obvious…other bands such as The Who could shrug off bad reviews and go on…Led Zeppelin would call the critics out from the stage. The press was also threatened by manager Peter Grant and touring manager Richard Cole to give good reviews. Zeppelin also barred the press for years…so it wasn’t a big mystery here except to them.

On the 1977 tour the press was given some rules by the band:

  1. Never talk to anyone in the band unless they first talk to you.
  2. Do not make any sort of eye contact with John Bonham. This is for your own safety.
  3. Do not talk to Peter Grant or Richard Cole – for any reason.
  4. Keep your cassette player turned off at all times unless conducting an interview.
  5. Never ask questions about anything other than music.
  6. Most importantly, understand this – the band will read what is written about them. The band does not like the press nor do they trust them.

Hmmm….wonder why they weren’t as liked as much as the Rolling Stones by the press and public? They also became more separated from their audience in the later 70s.

The book also focuses on their vanity label Swan Song. Drugs had taken over by that time and no artists were really cared for except Bad Company who was hot right out of the gate. Any questions from a Swan Song artist would fall on deaf ears because no one was really running the label. By this time, Grant carried a bag of cocaine and dipped it out with a bowie knife. He stayed secluded at his mansion surrounded by his security cameras… like in a scene out of Scarface.

The band was the top band in the world but in 1975 it all changed with Robert Plant’s car accident that left him recouping for months while his wife was hurt more seriously. In 1977 a guard that worked for Bill Graham stopped a kid from getting a Led Zeppelin sign off their door…all hell broke loose. That was Peter Grant’s son. Grant rounded up his “security” people and beat the guard and they almost popped his eye out.  After that happened they played what was to be their last show in America. A few days later Robert Plant’s son Karac died of a respiratory virus.

All in all, it was a good book and I would recommend it to any rock fan. I am a fan of the band, especially the albums between Led Zeppelin III and Physical Graffiti. I wasn’t a big fan of the bombastic blues songs as much as the light-heavy moments. The book tells you how management built walls around them while being surrounded by violence, threats, and later on drugs.

Beatles – I’m Only Sleeping

I’ve always loved this song and I just read in the news that The Beatles released a new video to this song. This song was on what many consider their best album…Revolver.

If you lived in America at the time…you didn’t have this song if you bought Revolver. Capital Records left it off the American version. You would have to buy the album Yesterday and Today to get it

There were a lot of rumors about this song’s origin. Some rumors said it was John’s attack on straight society. It was much more simple than that.  Lennon wrote this as a tribute to staying in bed, which he liked to do even when he wasn’t sleeping. He would later write a song titled “I’m So Tired” which resided on the White Album.

Maureen Cleave, the journalist,  wrote of John Lennon: “He can sleep almost indefinitely, is probably the laziest person in England.” She went on to clarify that she meant physically lazy, not intellectually lazy.”

The Beatles were experimenting with this album with sound effects and backward guitar and other effects. The yawning effect is a guitar recorded backward. A few seconds before the yawn comes in, you can hear John Lennon say, “Yawn Paul.”

It was conceived by George Harrison in a late-night session, inspired when a studio engineer accidentally flipped a tape…Harrison was amazed at the effect and decided to do it for real. So he wrote down a solo and then played it twice, once forwards and once backward, with fuzz effects on one track.

George Harrison:  “We turned the tape over and put it on backwards, and then played some guitar notes to it, just playing little bits, guessing, hoping it fitted in…We were excited to hear what it sounded like, and it was magic.”

Revolver broke recording boundaries and developed processes that are still used today. The bass was one thing to be boosted as in the singles around this time. Paperback Writer and Rain the bass came through like never before.

They toured on this album and it would be their last tour. It was full of tension because of Lennon’s Jesus remarks and they were tired of not being heard. The touring equipment still wasn’t up to where people could hear over the screaming. Our band would play in 200-capacity clubs and we had more powerful equipment than the Beatles did playing in big arenas and sports facilities.

They were well into the beginnings of the studio experimental phase of their career. Therefore, I’m Only Sleeping, along with all of the other material from Revolver, was never performed live, nor could it have been because the technology just wasn’t there at that time to play these songs accurately.

Revolver peaked at #1 in the US, Canada, and the UK in 1966.

Ringo Starr: “I believe we taught George Martin how to keep the tape rolling,” he lost that old attitude that you only press the button when you are going to do the take. We began to have the tape rolling all of the time.”

I’m Only Sleeping

When I wake up early in the morning
Lift my head, I’m still yawning
When I’m in the middle of a dream
Stay in bed, float up stream (float up stream)

Please, don’t wake me
No, don’t shake me
Leave me where I am
I’m only sleeping

Everybody seems to think I’m lazy
I don’t mind, I think they’re crazy
Runnin’ everywhere at such a speed
‘Til they find there’s no need (there’s no need)

Please, don’t spoil my day
I’m miles away
And after all
I’m only sleeping

Keepin’ an eye on the world going by my window
Takin’ my time

Lyin’ there and staring at the ceiling
Waiting for a sleepy feeling

Please, don’t spoil my day
I’m miles away
And after all
I’m only sleeping

Keepin’ an eye on the world going by my window
Takin’ my time

When I wake up early in the morning
Lift my head, I’m still yawning
When I’m in the middle of a dream
Stay in bed, float up stream (float up stream)

Please, don’t wake me
No, don’t shake me
Leave me where I am
I’m only sleeping

Smithereens – Behind The Wall Of Sleep …. Power Pop Friday

This song has a Rolling Stones connection in the lyrics. I love the first line “She had hair like Jeannie Shrimpton back in 1965.” Shrimpton dated Mick Jagger before he was with Marianne Faithful. The second reference is an odd one to Bill Wyman, the Stones’ bass player.

The song was on their debut album  Especially for You released in 1986. They had released a couple of EP’s before this album. Pat DiNizo wrote the song and was influenced by the title of the H.P. Lovecraft short story, “Beyond the Wall of Sleep.” The song was about Kim Ernst. She was the bass player of The Bristols.

Pat DiNizo: “We’d done a gig with The Bristols, four fabulous women who looked, sounded and dressed like Roger McGuinn’s The Byrds, Kim had black hair, really long: ‘She [had hair like] like Jeannie Shrimpton back in 1965, she had legs that never ended, I was halfway paralyzed. She was tall and cool and pretty, and she dressed as black as coal. If she asked me to I’d murder, I would gladly lose my soul.’ Our first two hits were ‘Blood And Roses,’ about suicide, and this one, ‘If you’d ask me to I’d murder’—very dark material [laughs].”

In 1985 they recorded the album at The Record Plant, the famous recording studio that hosted John Lennon and Bruce Springsteen among others. They had to save up gig money to record.

Drummer Dennis Diken: “Those sessions actually almost didn’t happen, we had recorded Beauty and Sadness in Studio B. That was the room where Springsteen recorded The River, and a lot of other big stuff was done there. Studio A was also famous for historic sessions; John Lennon worked there. But we were the low guys on the totem pole, so we got a call on the afternoon of Good Friday 1985—when we were supposed to go in that night—saying, ‘Sorry, but we have a more important session booked in B now. We’re going to have to kick you upstairs to C,’ which was a much smaller room.

“We got on the phone with each other and said, ‘Hey, this ain’t too cool. Maybe we should wait until larger rooms become available again,’ but in the end, reluctantly, we went for it.”

The album peaked at #51 in the Billboard Album Charts. The song peaked at #23 in the Mainstream Rock Play charts.

Behind The Wall Of Sleep

She had hair like Jeannie Shrimpton back in 1965
She had legs that never ended
I was halfway paralyzed
She was tall and cool and pretty and she dressed as black as coal
If she asked me to I’d murder, I would gladly lose my soul

Now I lie in bed and think of her
Sometimes I even weep
Then I dream of her behind the wall of sleep

Well she held a bass guitar and she was playing in a band
And she stood just like Bill Wyman
Now I am her biggest fan
Now I know I’m one of many who would like to be your friend
And I’ve got to find a way to let you know I’m not like them

Now I lie in bed and think of her
Sometimes I even weep
Then I dream of her behind the wall of sleep

Now I lie in bed and think of her
Sometimes I even weep
Then I dream of her behind the wall of sleep

Got your number from a friend of mine who lives in your hometown
Called you up to have a drink
Your roommate said you weren’t around
Now I know I’m one of many who would like to be your friend
And I’ve just got to find a way to let you know I’m not like them

Now I lie in bed and think of her
Sometimes I even weep
Then I dream of her behind the wall of sleep
Behind the wall of sleep
Behind the wall of sleep
Behind the wall of sleep

J Geils Band – One Last Kiss

What a rocking band they were in the 70s. They had one of the best frontmen in the era of Roger Daltrey, Robert Plant, Rod Stewart, and Mick Jagger. Peter Wolf could keep up with the best.

This song is different from their previous releases to this point in 1978. Their earlier music was more frantic and upbeat. I was listening to some of their seventies music and I had forgotten about this one. I love the guitar work in this song as subtle as it is. It doesn’t have a magical hook that gets you but it’s the feel of the song that I like. The song was written by Peter Wolf and Seth Justman.

The song peaked at #35 on the Billboard 100, 58 in Canada, and #74 in the UK in 1978. The song was off the album Sanctuary and it peaked at #49 in the Billboard 100 and #53 in Canada.

J Geils - One Last Kiss middle

The band came out of the Boston club scene in the late sixties. I always thought they should have been bigger than they were in the 1970s. They didn’t hit their commercial peak until the early 80s with Love Stinks, Come Back, and then the hugely popular Freeze-Frame album in 1983.

After the huge success of Freeze-Frame, Peter Wolf left. The band wanted to go in a techno/pop direction and Peter Wolf disagreed. They continued without their lead singer but weren’t too commercially successful.

One Last Kiss

Just one last kissBefore I walk out the doorI’m gonna hold you tighterThan I ever did before

And I, I never promised youThe things you promised meAnd I, I can’t justifyThe way it’s gotta be

And the good times are the best timesThe bad times fade awayThe good times are foreverBut now, baby, the last time is today

Just one more nightThere’s no time for anymoreI’m gonna tell you somethingThat you’ve never heard before

But I, I can’t find the wordsTo ease your lovers painAnd I, I know the feeling’s goneI can feel it in my veins

And the good times are the best timesThe bad times fade awayThe good times are foreverBut now, baby, the last time is today

One last kiss

And the good times are the best timesThe bad times fade awayThe good times are foreverBut now, baby, the last time is today

One last kiss

Cort – Plant Girl

The reason I came across this artist is that my son (Bailey) worked on this video of him. It’s a good pop/rock song and I thought I would pass it along. It’s a good song…give it a chance. Bailey worked as the DoP and Colorist.

This is from Spotify:

Raised in Minneapolis, 20 year old Cort Dingman combines elements of jazz, psychedelia, funk, alternative, blues, and more, into an indie rock sound. Filled with colorful licks, soulful chords, and an improvisational structure, Cort’s songs offer a unique sound that is likely to please your ears. 

His cherished relationship with music began when he was 10, when he first picked up the saxophone. He then took a year of piano lessons, and began teaching himself. Not long after, Cort picked up drums, bass, uke, and finally guitar at the age of 16. He began making his own music in the form of Lofi-Jazz around this time, but after branching out in genre, he felt the need to pick the pace of his music up a bit. 

One thing that makes Cort stand out is his connection of color to music. Since he began playing, he corresponded colors to each note, due to a condition known as color synesthesia.  Cort feels his distinctiveness and use of experimentation is most visible is his most recent work, in the form of upcoming album, “Tinted Vibrations”. This is his most authentic and meaningful project, inspired by vast changes made in his life during this time, struggles he’s come across in his relationships, and an eye-opening realization of what life means to him versus the contemplated triviality of life and the universe itself. 

Cort is now based in Nashville, TN, where he continues striving and working toward his dream of making music something he can make the most of in this life.

Video details: Director – Sean Wenning DoP and Colorist – Bailey Gower Editor – Jacob Brawley Assistant Editor – Molly Pemelton

Plant Girl

I saw her alone sitting next to me
The words all seem so pointless but we’ve got nowhere to be
Her eyes were shining bright but were
Afraid to see the light
She keeps me on my toes but I don’t
Know where this’ll go ‘cos
I can’t see through my own eyes
I’d like to think that this is right
And you are everything I’d need but
I’m scared of my own head, and what it makes me think
Your lips shift time, passing by
I don’t wonder why
The plants in her room speak to me as we
Hold each other close
She asks me what I’m thinking and I’ll say that
I don’t know, ‘cos
My mind’s moving way to fast
I try to tell you what I can
And you don’t see what I see
You’re perfect and I’ll always try to
Be just what you need

Bill Withers – Ain’t No Sunshine

This was originally one of those B-side songs that became popular after disc jockeys turned the single over. The initial A-side was a song called Harlem. Withers has stated that the track was inspired by the 1962 movie Days of Wine and Roses… more specifically the characters played by Lee Remick and Jack Lemmon. “They were both alcoholics who were alternately weak and strong. It’s like going back for seconds on rat poison. Sometimes you miss things that weren’t particularly good for you. It’s just something that crossed my mind from watching that movie, and probably something else that happened in my life that I’m not aware of.”

This song brings out the best of the early seventies. The band is Withers with the guitar and vocal, Booker T. Jones on keyboards, Stephen Stills on guitar, Jim Keltner on drums, and  Bobbye Hall on percussion…that’s a great lineup.

This was Withers’ first hit. After spending nine years in the US Navy, he had a job at a factory making parts for airplanes when he was introduced to Booker T. Jones from Booker T. & the MG’s. In 1970 he signed with the Hollywood independent Sussex Records and set about recording his first album.

Booker T was an elite session musician with Stax Records, where Otis Redding, Wilson Pickett, and many other soul legends recorded. He brought in some other top-notch musicians, including Stephen Stills on lead guitar, and produced this album for Withers, who was 32 when it was recorded. The “I know” parts were just filler until he wrote proper words but Booker T told him to leave that in there so Withers did. Booker T had seen Otis Redding doing the same thing with Dock Of The Bay by whistling. Redding didn’t have a chance to add any words because he would die in a plane crash on December 10, 1967.

Sax player Grover Washington became the first person to cover one of Withers’ songs when he did an instrumental version shortly after Withers released this. Later on, Washington and Withers teamed up to record Just The Two Of Us in 1981.

The song peaked at #3 on the Billboard 100 and #9 in Canada in 1971.

I ran across a metal band that covered this song. Black Label Society did this song in 2013 and made an unusual video for the song featuring anthropomorphic horses. Guitarist Zakk Wylde said that he got a kick out of reading the negative comments about the video from people who didn’t get the joke. Band members John DeServio and Zakk Wylde decided to cover it after seeing a 1974 episode of the TV show The Midnight Special, where Withers performed the song. They do a good version of it.

Bill Withers: It was an interesting thing because I’ve got all these guys that were already established, and I was working in the factory at the time. Graham Nash was sitting right in front of me, just offering his support. Stephen Stills was playing and there was Booker T. and Al Jackson and Donald Dunn – all of the MGs except Steve Cropper. They were all these people with all this experience and all these reputations, and I was this factory worker just sort of puttering around. So when their general feeling was, ‘Leave it like that,’ I left it like that.”

Graham Nash: “I was in the studio where we cut the first CSN record – it’s on the corner of Selma and Cahuenga Boulevard in Los Angeles, I was taking a break, probably smoking a joint outside, and I heard this music coming from one of the other studios. I was curious, and I walked in. And there was this African American with a guitar, sitting on a chair, with his foot on a box. That was the rhythm he was creating.

He finished the song, and I said, ‘Who are you, man? That’s a fantastic song! What’s going on in your life?’ And he says, ‘Well, I’m kind of giving up. I can’t seem to break through. Nobody seems interested. Maybe I’ll just give up.’ And I said, ‘Wait a second. I don’t know who the f–k you are, but you cannot give up. What you have is an incredible gift. You should recognize that and get on with it.’ And he loved that.”

Ain’t No Sunshine

Ain’t no sunshine when she’s gone
It’s not warm when she’s away
Ain’t no sunshine when she’s gone
And she’s always gone too long
Anytime she goes away

Wonder this time where she’s gone
Wonder if she’s gone to stay
Ain’t no sunshine when she’s gone
And this house just ain’t no home
Anytime she goes away

And I know, I know, I know, I know,
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know, I know, I know, I know
I know, I know,
Hey, I oughtta leave young thing alone
But ain’t no sunshine when she’s gone

Ain’t no sunshine when she’s gone
Only darkness every day
Ain’t no sunshine when she’s gone
And this house just ain’t no home
Anytime she goes away
Anytime she goes away
Anytime she goes away
Anytime she goes away

Alice Cooper – Teenage Frankenstein

Happy Halloween everyone! This song was released in 1986 but the song would have fit well with his seventies output. I heard the song a lot in my area at the time.

The song was on the album Constrictor released in 1986. The song peaked at #80 in the UK. The song was written by Alice Cooper and Kane Roberts.

Alice Cooper’s real name is Vincent Furnier. Alice Cooper was the name of the band, but the name became so associated with the lead singer that he took it.

The band did a good job spreading the rumor that “Alice Cooper” was the name of a girl who was accused of being a witch in the 1600s, saying she contacted them through an Ouija board. Furnier later explained that he made it up when he was thinking of a sweet, innocent-sounding name that would contrast against their shocking stage show.

Cooper ran for President in 2016 with the slogan “A Troubled Man For Troubled Times” which I loved.

Alice Cooper for President

His “platform” were these talking points

  1. Getting Brian Johnson back in AC/DC
  2. A snake in every pot
  3. No more pencils, no more books
  4. Adding Lemmy to Mt Rushmore
  5. Rename Big Ben “Big Lemmy”
  6. Groucho Marx on the $50 bill
  7. Peter Sellers on the £20 note
  8. Cupholders required for every airplane seat
  9. Ban on talking during movies in movie theatres
  10. Ban on taking selfies, except on a designated National Selfie Day

Cooper is a big family man which contradicts his reputation. Cooper is a born-again Christian and believes in the devil enough to have genuine supernatural fear. He’s never taken a satanist stance and warns other bands against it. When he was a kid, his family was poor and there were very few presents. Now, Cooper goes crazy on Christmas, buying lots of gifts for his family.

Alice Cooper:  “When I moved to L.A. with this little wimpy garage band, the first people we met were the Doors. Then we met Jimi Hendrix, Janis Joplin. All of the people who died of excess were our big brothers and sisters. So I said to myself: How do you become a legend and enjoy it? The answer is to create a character as legendary as those guys and leave that character on the stage.”

Teenaged Frankenstein

I’m the kid on the blockWith my head made of rockAnd I ain’t got nobodyI’m the state of the artGot a brain a la carteI make the babies cry

I ain’t one of the crowdI ain’t one of the guysThey just avoid meThey run and they hideAre my colors too brightAre my eyes set too wide?I spent my whole lifeBurning, turning

I’m a teenage FrankensteinThe local freak with the twisted mindI’m a teenage FrankensteinThese ain’t my handsAnd these legs ain’t mine

Got a synthetic faceGot some scars and a braceMy hands are rough and bloodyI walk into the nightWomen faint at the sightI ain’t no cutie-pie

I can’t walk in the dayI must walk in the nightStay in the shadowsStay out of the lightAre my shoulders too wideIs my head screwed on tight?I spent my whole life burningBurning, turning

I’m a teenage FrankensteinThe local freak with the twisted mindI’m a teenage FrankensteinThese ain’t my handsAnd these legs ain’t mine

Raspberries – Go All The Way

I wrote this for Dave’s Turntable Talk at A Sound Day. Be on the lookout for that series at A Sound Day. He has some interesting topics. This one was on One Hit Wonders.

This song has a mixture of The Who, Beach Boys, and The Beatles… a pretty good mixture! I’m cheating a bit…The Raspberries had 4 top 40 hits but this was the only top ten hit and the song they are most known for. The song starts off with a strong Who-like loud riff then continues on with hooks galore.

When people think of The Raspberries this is the song most think of. Personally, I always thought Overnight Sensation was their best song but this one is great and the masses agreed.

The song peaked at #5 on the Billboard 100 and #5 in Canada in 1972. This song was on their self-titled debut album released in 1972. The American and Australian versions of this LP carried a scratch-and-sniff sticker with a strong raspberry scent.

They were one of the 3 great power pop bands of the early 70s. Badfinger, Big Star, and The Raspberries. Out of those three, Badfinger was the most successful but all were good. Many alternative bands that followed would list all three or at least one of them as an influence. The Raspberries released 4 albums in total between 1972 and 1975. They broke up after their last album Starting Over (#143) and the great single Overnight Sensation only charted at #18. After you listen to Go All The Way…check out Overnight Sensation…it’s an epic song.

I moved to a different town when I was 8 and in a new school (we would move back later that year) we went on a field trip to some college. Thinking back, it was a small college and the students there put on a small show for us kids. After the show, they showed us the grounds and I remember Go All The Way booming out of a room. It’s funny how music can send you back to a place and I can remember the smell also.

Eric Carmen said he was inspired by The Rolling Stone’s performance of “Let’s Spend The Night Together” on the Ed Sullivan Show when Mick Jagger had to sing it as “Let’s spend some time together.”

This was before Eric Carmen went solo and started doing ballads and songs on soundtracks such as Dirty Dancing. Carmen hit it big solo but personally, I think his music with the Raspberries was the best he did.

This song appears in the 2000 film Almost Famous but was not included on the soundtrack. It did make the soundtrack to the 2014 film Guardians Of The Galaxy, which went to #1 in America and revived many ’70s hits. My son got the soundtrack mostly for this song.

Fans of the band included John Lennon and Bruce Springsteen. They did reunite in November of 2004 and toured shortly until 2006.

Eric Carmen: “I knew then that I wanted to write a song with an explicitly sexual lyric that the kids would instantly get but the powers that be couldn’t pin me down for.”

Eric Carmen:  “I remember ‘Go All The Way’ vividly. The year was 1971. I was 21. I had been studying for years. I had spent my youth with my head between two stereo speakers listening to The Byrds and The Beatles and later on The Beach Boys – just trying to figure out what combinations of things – whether it was the fourths harmonies that The Byrds were singing on ‘Mr. Tambourine Man’ – I must have worn out 10 copies of that first Byrds album listening to it over and over, and turning off the left side and turning on the right side trying to figure out why these certain combinations of instruments and echo and harmonies made that hair on your arms stand up. I did the same thing with Beatles records, and I tried to learn construction.

Go All The Way

I never knew how complete love could be
‘Til she kissed me and said

Baby, please, go all the way
It feels so right (feels so right)
Being with you here tonight
Please, go all the way
Just hold me close (hold me close)
Don’t ever let me go

I couldn’t say what I wanted to say
‘Til she whispered, I love you

So please, go all the way
It feels so right (feels so right)
Being with you here tonight
Please, go all the way
Just hold me close (hold me close)
Don’t ever let me go

Before her love
I was cruel and mean
I had a hole in the place
Where my heart should have been

But now I’ve changed
And it feels so strange
I come alive when she does
All those things to me

And she says
(Come on) Come on
(Come on) Come on
(Come on) Come on
(Come on)
I need ya (come on)
I love ya (come on)
I need ya (come on)
Oh, oh, baby

Please, go all the way
It feels so right (feels so right)
Being with you here tonight
Please, go all the way
Just hold me close (hold me close)
Don’t ever let me go no

Animals – Inside Looking Out

The Animals were so raw sounding and that had a lot to do with Eric Burdon singing. his voice conveyed emotion with the best of them. They excelled in grit and this song is no different. I like the interplay between the guitar and organ a minute or so into the studio version.

The song wasn’t a giant hit but it did have a great sound. It showed that the Stones and The Who had nothing on the Animals as far as a dark gritty sound. After 1966 the band would break up except for Eric Burdon. He would recruit more musicians and continue on as the Animals (sometimes Eric Burdon and The Animals) with a harder edge until 1968. He would then go and join WAR who would go on to produce Spill The Wine together.

In 1966 The Animals changed labels to Decca and started writing their own material. This song was one of their most adventurous, with every bar in the same minor chord. The song peaked at #34 on the Billboard 100, #21 in Canada, and #12 in the UK in 1966. The songwriting is credited to John Lomax, Alan Lomax, Eric Burdon, and bass player Chas Chandler.

The song itself is loosely based on a song called Rosie which was an American Prison Work Song. In the 1920s and 30s prison camps had inmates who used to work for 12-15 hours a day chopping trees, cutting cane, and shoveling gravel.  To help them pass the time and get through the day, they would make up songs.

Eric Burdon: “It’s the first number we’ve recorded without a tune. It originates from a Mississippi prison song, the kind of blues we’ve always wanted to do.”

Inside-Looking Out

Sittin’ here lonely like a broken man
Sell my time and do the best I can
I wasn’t boss this around in me
But I don’t want your sympathy, yeah
Oh baby, oh baby, I just need your tender lovin’
To keep me sane in this burnin’ oven
When my time is up, be my reaper
Like Adam’s work on God’s green earth
My reaper, my reaper baby, yeah me is my reaper, yeah

Yeah, yeah, yeah, yeah, baby baby baby c’mon c’mon c’mon, yeah

Ice cold waters runnin’ in my brain
And they drag me back to work again
Pains and blisters on my minds and my hands
From living daily with those canvas bags
Thoughts of freedom their drivin’ me wild
And I’ll by happy like a new born child
We’ll be together, girl, you wait and see
No more walls to keep your love from me

Yeah, can’t you feel my love
Baby, baby, need you, squeeze you,
Nobody but, nobody but, you girl, I love you, need you
All right

I said everything’s gonna be all right
And if you don’t believe what I say
Just listen baby and I’ll tell you
Can’t you feel my love
Can’t you see my skill
Can’t you yell my love
It’s getting louder
It’s getting louder
A little closer, yeah

I said baby, I need you, c’mon, squeeze, please
Lord, I love you, I need you, yeah
Yeah, right by my side
I need you here by my side
But I can’t help it baby
But I’ll be home soon
I’ll be home soon, yeah
All right
Whoa!!!

My top 10 Favorite Stones Albums

This is an almost impossible task. It is of course subjective. How do you compare Between the Buttons to Some Girls… Steel Wheels to Goats Head Soup? There was such a difference in eras…and in the Stones case decades apart.

When making these lists the question always comes to mind…do I make the list of my favorite albums or what I think artistically their best albums are in history. I’ve just gone with my personal favorite.

Beggars Banquet

1: Beggars Banquet 1968 – This was the second Stones album I ever owned and with songs like Prodigal Son, Jigsaw Puzzle, and the filthy Stray Cat Blues it’s hard to resist. Their rock/blues peak started with this album into a stretch of 5 great albums in a row. The common dominator was producer Jimmy Miller in all 5. This album was the last one to feature Brian Jones.

Favorite song – Stray Cat Blues

Sticky Fingers

2: Sticky Fingers 1971 – Is this the best Stones album artistically?  I would have to say yes. There is not a weak track on this album. After reviewing it and comparing it to Exile on Main Street…I have to give it to Sticky Fingers as artistically the best Stones album…but it’s my second. They had a lot of competition that year with The Who Who’s Next and Led Zeppelin IV.

Favorite song – Dead Flowers

Let It Bleed larger

3: Let It Bleed 1969 – The first album with Mick Taylor. This was the second album into their gold stretch of 5 great albums. The Mick Taylor years are said by some to be their best albums. I do miss Brian Jones’s coloring of the musical pictures though. They were more flexible with Jones than anyone else but it’s hard to beat Mick Taylor’s fat guitar sound.

Favorite song – Monkey Man

Exile On Mainstreet

4: Exile On Mainstreet 1972 – This was my favorite Stones album at one time. It was mostly recorded in the  Nellcôte in France in a damp basement. It’s one of the greatest double albums ever. Not much I can say about this album that hasn’t already been said.

Favorite Song – tied… Happy and All Down The Line

Some Girls

5: Some Girls 1978 – What a filthy-sounding title track and I mean that in the best way. This album was great…personally, I think it’s their last great album…but the next one on the list is close.

Favorite Song – Before They Make Me Run

Tattoo You

6: Tattoo You 1981 – Over the hill… Geritol-drinking old geezers…those are some of the comments I heard about the Stones while they were 39 and 40! This album was a hodgepodge of outtakes and older songs put together for an album. For me…this was their last brush with greatness. Not that some of the later albums weren’t good…they were but not at this level of good.

Favorite Song – Worried About You

Between The Buttons

7: Between The Buttons (American Version) 1967 – This was the first Stones album I owned. I had to add a Brian Jones-era album. This period gets overlooked too much. They were adventurous during this period and tried new things…I wish that would have carried over more later on instead of the blues/rock on and on….but they did touch a little funk and reggae later on.

Favorite song – Ruby Tuesday

Goat's Head Soup

8: Goats Head Soup 1973 – The new deluxe mix has moved this one up. It was a drop-off from Sticky Fingers and Exile on Mainstreet but they were hard to compete with.

Favorite song – 100 Years Ago

black and blue

9: Black and Blue 1976- This was not known as a great album and it’s not. You would need a scorecard to see what guitar player they were auditioning on each track.  It contains my all-time favorite Rolling Stones song…Memory Motel. They do mix it up with different styles with this one.

Favorite song – Memory Motel

It's Only Rock and Roll.jpg

10: It’s Only Rock and Roll 1974 – This was a drop from the previous 5 albums and the last album featuring Mick Taylor. It does contain some good songs like the title track, Ain’t Too Proud To Beg, If You Can’t Rock Me, and others.

Favorite Song – If You Can’t Rock Me

Honorable Mention

Get Your Ya Yas Out

Get Your Ya Ya’s Out 1970 – I didn’t include any live albums but if I did this one would be in there. I also liked Still Life but this one to me is their best by far.

Favorite Song – Jumping Jack Flash

Their Satanic Majesties Request

Their Satanic Majesties Request 1967 – I know Stones fans who either hate this album or love it. I like it because they showed some more range in this one. They tried something different after Sgt Pepper was released and some of it works.

Favorite Song – She’s A Rainbow

The Rolling Stones Steel Wheels | Classic Rock Review

Steel Wheels 1989 – My favorite album after Tattoo You would be Steel Wheels by far. It contained the songs Mixed Emotions and Rock in a Hard Place. I missed this tour and the last one with Bill Wyman playing bass.

Favorite Song – Sad, Sad, Sad

Below is Happy from the 1972 tour…for my money, they never sounded better. One big reason was Mick Taylor and his Les Paul. Also, I like hearing Keith sing lead and backup…no it’s not perfect but it’s the Stones…no professional backup singers, please.

Kinks – Days

The Kinks are a band that belongs up with The Beatles, Who, and Stones but sometimes gets overlooked. I’ve always been a fan of them since I had a greatest hits album at a young age that covered the early years. In 1981 I bought Give The People What They Want when it was released and I’ve been hooked ever since. I saw them in 1983 and it is still one of the best concerts I’ve ever attended. I saw them at the Grand Ole Opry House in Nashville in an intimate setting.

I’ve always liked this song. The lyrics are a touching goodbye to someone or a situation. It’s up in my top 10 of the Kinks songs. I’ve read a critic who said The Kinks were “the most adamantly British of the Brit Invasion bands.” I think that is a fair statement.

Days was originally going to be an album track on the 1968 concept album Kinks Are The Village Green Preservation Society. The reason for the change is because Their previous single “Wonderboy” failed in the charts and the record company rushed this song out as a single. It did the trick because it peaked at #12 in the UK and #11 in New Zealand.

At the time The Kinks were making these great albums but they couldn’t tour in the US because of a touring ban. It didn’t chart in America or Canada. They would not chart a song in America or Canada until 2 more years later with Lola.

After the failure of Wonderboy, Ray Davies wrote this song to say goodbye to his career. Davies: “I didn’t care anymore. So I thought, ‘Say goodbye nicely,’ and wrote ‘Days.'”

That wasn’t the only thing that was on his mind with this song though. His sister Rosie had just immigrated to Australia. Ray Davies: “She left and said, ‘Say goodbye, my loving brother,’ and I said, ‘Thank you for being my sister, so the song’s for her, really, and her generation.”

The song peaked at #12 in the UK but failed to chart in the US.

Ray Davies: “I started writing it in a hotel on tour. Strangely enough, it was the rhythm I wanted to get first, the sustained chords. The actual tune came later. And then I wrote some of it in a phone box while I was phoning somebody I shouldn’t be phoning. The song wasn’t about the person on the other end of the line. Well, not really. But I suppose it’s the ultimate kiss-off, isn’t it? ‘Thank you for the days.'”

“The song has grown in intensity over the years,” he said. “I didn’t think much about the song when I wrote it. Sometimes songs occur like that. You don’t think about it, but it’s built up quite a lot of mystique over the years. It certainly left me. It belongs to the world now.”

Kirsty MacColl did a version that peaked at #12 in the UK in 1989

For those of you in the UK you might remember it in a 2011 Volkswagen Golf Cabriolet Comercial.

Days

Thank you for the days
Those endless days, those sacred days you gave me
I’m thinking of the days
I won’t forget a single day, believe me

I bless the light
I bless the light that lights on you believe me
And though you’re gone
You’re with me every single day, believe me

Days I’ll remember all my life
Days when you can’t see wrong from right
You took my life
But then I knew that very soon you’d leave me
But it’s all right
Now I’m not frightened of this world, believe me

I wish today could be tomorrow
The night is dark
It just brings sorrow, let it wait

Thank you for the days
Those endless days, those sacred days you gave me
I’m thinking of the days
I won’t forget a single day, believe me

Days I’ll remember all my life
Days when you can’t see wrong from right
You took my life
But then I knew that very soon you’d leave me
But it’s all right
Now I’m not frightened of this world, believe me
Days

Thank you for the days
Those endless days, those sacred days you gave me
I’m thinking of the days
I won’t forget a single day, believe me

I bless the light
I bless the light that shines on you believe me
And though you’re gone
You’re with me every single day, believe me
Days

Jerry Lee Lewis 1935-2022

Jerry Lee Lewis passed away today. He is one of… if not the last of the great 1950s artists that was still around. He was not an angel in life (who is?) but what a performer! The man was pure rock and roll and was hated by parents everywhere…and that is a rock and roll seal of approval. When I see those fifties clips of him live they are incredible. His blonde hair would unravel by the middle of the song and would be pounding the piano till the end.

I always thought that Jerry Lee and Little Richard were the two raunchiest 50s performers live…and I mean that in the best way. He went through controversies like we go through socks. He was successful in Rock and Roll and later in Country Music.

He was never short on confidence…he talks about moving to Memphis: “I was reading a lot of magazines about Sam Phillips and Sun Records … so I told my dad, this is the man we need to go see. And we did. We drove down from Ferriday into Memphis and pulled up in front of Sun Records. I came in and auditioned for Jack Clement, who said I could never make it playing the piano. He said rock ’n’ roll was out, cause Elvis had it all tied up. He said I could forget that. Well, I said, ‘I don’t think so.’ I said, ‘I’m a hit.’ He said, ‘They all say that, son.’ I said, ‘I’m not all. I’m different.’”

It’s a sad day for rock and roll.

XTC – Senses Working Overtime ….Power Pop Friday

What a great-sounding band XTC has been for years. I was exposed to many bands in the 80s like The Replacements, REM (before they hit), and Big Star but not XTC. I didn’t find out about them until their 2002 release I’m The Man Who Murdered Love. When I heard that song I knew I had to find out about this band. Way back when I published that post I also looked up this song that a fellow blogger (run-sew-read) suggested. It’s only taken me 4 years but I’ve finally posted it!

This song was released in 1982 on the album  English Settlement. The album peaked at #48 on the Billboard Album Chart, #15 in Canada, #12 in New Zealand, and #5 in the UK. The song peaked at #10 in the UK, #31 in Canada, #37 in New Zealand, and #38 on the Billboard Mainstream Rock charts.

When they went on tour for this album… it would be their last. That didn’t exactly help them cross over to a mass audience. Andy Partridge had a fear of flying and severe stage fright that could have been heightened by withdrawing from valium that he had taken since childhood. On April 3, 1982, they performed their last show in San Diego. After that first night of the American tour, the rest of the tour was canceled. My friend Dave from A Sound Day has more info on this band and album.

I do think XTC would have broken through to a mass audience if they could have toured. At the time some people in America had thought that Partridge died and some bands held tribute shows.

Allmusic Stephen Thomas Erlewine: XTC was one of the smartest – and catchiest – British pop bands to emerge from the punk and new wave explosion of the late ’70s. … While popular success has eluded them in both Britain and America, the group has developed a devoted cult following in both countries that remains loyal over two decades after their first records. … XTC’s lack of commercial success isn’t because their music isn’t accessible – their bright, occasionally melancholy, melodies flow with more grace than most bands – it has more to do with the group constantly being out of step with the times. However, the band has left behind a remarkably rich and varied series of albums that make a convincing argument that XTC is the great lost pop band.

Drummer Terry Chambers on their last concert: “The audience was electric, everyone was on their feet and cheering throughout. It was the first date of our first major U.S. headlining tour, playing decent-sized venues, and the future looked good. I had no idea that Andy [Partridge, singer] was in such bad shape. Even after the gig, when we were traveling to LA, we had no clue that anything was wrong.”

Andy Partridge: “We were bullied back onto the road and that really started to wind me up, I’d be there onstage thinking: ‘I hate doing this.’ The anger towards being made to tour and the mental stress it was causing me began to manifest itself in stage fright, which I’d never had in my life. It didn’t help that my mental state was being exacerbated by the impact of Valium withdrawal, which I’d been on since my early teens.”

“And I had no concept of withdrawal, and I had no concept of what would happen to you if you stopped taking this stuff, which… your brain becomes dependent on it,” Partridge said in 2006. “And after 13 years of quite high doses, you’re really dependent on it. … I was losing my memory, I was getting bouts of amnesia, I was getting physical problems like pains in my stomach, I was getting weird events like I couldn’t move my legs. And my brain came unwound. I started having panic attacks.”

Senses Working Overtime

Hey, hey, the clouds are whey
There’s straw for the donkeys
And the innocents can all sleep safely
All sleep safely

My, my, sun is pie
There’s fodder for the cannons
And the guilty ones can all sleep safely
All sleep safely

And all the world is football-shaped
It’s just for me to kick in space
And I can see, hear, smell, touch, taste
And I’ve got one, two, three, four, five
Senses working overtime
Trying to take this all in
I’ve got one, two, three, four, five
Senses working overtime
Trying to taste the difference ‘tween a lemon and a lime
Pain and pleasure, and the church bells softly chime

Hey, hey, night fights day
There’s food for the thinkers
And the innocents can all live slowly
All live slowly

My, my, the sky will cry
Jewels for the thirsty
And the guilty ones can all die slowly
All die slowly

And all the world is biscuit-shaped
It’s just for me to feed my face
And I can see, hear, smell, touch, taste
And I’ve got one, two, three, four, five
Senses working overtime
Trying to take this all in
I’ve got one, two, three, four, five
Senses working overtime
Trying to taste the difference ‘tween a lemon and a lime
Pain and pleasure, and the church bells softly chime

And birds might fall from black skies (Whoo-whoo)
And bullies might give you black eyes (Whoo-whoo)
And buses might skid on black ice (Whoo-whoo)
But to me they’re very, very beautiful (England’s glory)
Beautiful (A striking beauty)

And all the world is football-shaped
It’s just for me to kick in space
And I can see, hear, smell, touch, taste
And I’ve got one, two, three, four, five
Senses working overtime
Trying to take this all in
I’ve got one, two, three, four, five
Senses working overtime
Trying to tell the difference ‘tween the goods and crimes
Dirt and treasure
And there’s one, two, three, four, five
Senses working overtime
Trying to take this all in
I’ve got one, two, three, four, five
Senses working overtime
Trying to taste the difference ‘tween a lemon and a lime
Pain and pleasure, and the church bells softly chime

Beatles – Think For Yourself

A very good George Harrison song. While I was searching for the song on youtube…I came across a 19-minute studio outtake with the Beatles when they were working on this song. George had a time reeling in John and Paul but…I will say this…Lennon could be hilarious. Actually, all of them could be. When you have 19 minutes to kill…listen to that outtake I will post above the song. It gives an insight into them. One comment was, “they sound like drunk teenagers, ” which is correct. They were young and their sense of humor was flowing.

Lennon and McCartney’s songwriting was improving by leaps and bounds at this time. They had started to write years before and George had only been writing a couple of years. He did have one thing they didn’t have…he witnessed firsthand Lennon and McCartney’s writing and was influenced by them. This was only George’s fifth published song, the lyrical depth, and structure of  Think For Yourself proved that George Harrison was going to improve and catch his bandmates in quality if not quantity.

The music to this one is really cool. Paul plays his bass through a fuzz box to give the song a different sound. The song was on the 1965 album  Rubber Soul. This album was a game changer that started with Help! and would lead up to Sgt Pepper in 1967.

Rubber Soul showed the Beatles growing artistically and venturing out to different styles of music. Since With The Beatles they were trying new things with every album. By this time they were breaking out of the Beatlemania image and started touching on every genre to a more mature sound.  The Beatles were breaking/making the rules as they were going along. Not only in writing superb songs but pushing the limits of the studio as well as doing things that pop stars just didn’t do before them…

Producer George Martin was also developing artistically, experimenting with an eye toward making the album sound good in either stereo or mono.

Rubber Soul peaked at #1 in America, Canada, and The UK in 1965.

George Harrison: “When Phil Spector was making ‘Zip-A-Dee Doo-Dah’ (by Bob B. Soxx And The Blue Jeans), the engineer who’d set up the track overloaded the microphone on the guitar player and it became very distorted. Phil Spector said, ‘Leave it like that, it’s great.’ Some years later everyone started to try to copy that sound and so they invented the fuzz box. We had one and tried the bass through it and it sounded really good.”

Think For Yourself

I’ve got a word or two
To say about the things that you do
You’re telling all those lies
About the good things that we can have
If we close our eyes

Do what you want to do
And go where you’re going to
Think for yourself
‘Cause I won’t be there with you

I left you far behind
The ruins of the life that you had in mind
And though you still can’t see
I know your mind’s made up
You’re gonna cause more misery

Do what you want to do
And go where you’re going to
Think for yourself
‘Cause I won’t be there with you

Although your mind’s opaque
Try thinking more if just for your own sake
The future still looks good
And you’ve got time to rectify
All the things that you should

Do what you want to do
And go where you’re going to
Think for yourself
‘Cause I won’t be there with you

Do what you want to do
And go where you’re going to
Think for yourself
‘Cause I won’t be there with you
Think for yourself
‘Cause I won’t be there with you

Blue Ash – Pleasant Dreams

Blue Ash is one of those bands that should have made it to the masses. That has always interested me why great bands like Blue Ash, Big Star, and so many others couldn’t find their way to mass popularity. I’ve been listening to their debut album and it stacks up against their peers at the time and definitely now!

This song reminds me of a great FM album track. Blue Ash toured and opened for such acts as The Stooges, Bob Seger, Aerosmith, Ted Nugent, and more but for lack of sales they were dropped by Mercury Records in May 1974. You would think with those bands they would have picked up a lot of fans.

Blue Ash was formed in the summer of 1969 in Ohio by bassist Frank Secich & vocalist Jim Kendzor. Guitarist Bill “Cupid” Bartolin and drummer David Evans were recruited later that summer. They got their name from a road sign outside of Cincinnati, Ohio, pointing towards a small town called Blue Ash. During a three-year stretch of 1970-1973 the band recorded numerous songs along with hitting the road playing western New York, Pennsylvania, and West Virginia along with Ohio, performing over 250 shows a year. Think about that for a second… 250 – 300 shows a year!

Their first album No More, No Less was released in May 1973 and received rave reviews in the rock press. This album is usually always in people’s top twenty power pop albums. It is considered a power pop classic and is regarded as highly collectible among fans of that genre.

This one transports me to the seventies.  The intro is around a minute but I love the sustained guitar that kicks in after the intro ends.

Pleasant Dreams

When day is done and night has begun
A smile comes on my face
I know that I’ll be taking me
To a very pleasant place
It’s half-way across my mind
It’s not so hard to find

I’ve been there many times before
And everytime ti’s seems
I know that I’ll be back for more
I’m hooked on pleasant dreams
Without reality there’s
Nothing i can’t see

Can’t wait to go to sleep
It’s gonna be alright, It’s going to be alright
Can’t wait to climb in bed
Lay me down so I will have
Pleasant dreams tonight
Pleasant dreams tonight
I know that tonight
It’s gonna be alright

A copper king, a movie star
I’m anything I please
I slip into my private world
Which sets my mind at ease
I do the things I feel you know
I feel the the things I do

Can’t wait to go to sleep
It’s gonna be alright, It’s going to be alright
Can’t wait to climb in bed
To lay me down so I will have
Pleasant dreams tonight
Pleasant dreams tonight
I know that tonight
It’s gonna be alright

I wake up in the morning and
It seems I’ve come undone
I make believe I’m not asleep and
I’m pretending that it’s fun
I’m half the man I am
I’m twice the man I’m not

Can’t wait to go to sleep
It’s gonna be alright, It’s going to be alright
Can’t wait to close my eyes to
Lay me down so I will have
Pleasant dreams tonight
Pleasant dreams tonight
I know that tonight
It’s gonna be alright