This was the first Petty song that I learned on guitar. This song is not his best, but it hasn’t got the “Free Falling” treatment by being played every day. This song was on the album Long After Dark.
Long After Dark was Tom Petty and the Heartbreakers’ fifth studio album released in 1982. The band used MTV to push the band further into stardom, but Petty wasn’t exactly happy with the album. It was the third album produced by Jimmy Iovine, who made executive decisions pushing the album more into upbeat rock, but Petty wanted to include a couple more acoustic, ballad-type songs.
I could hear the band change a little with the song You Got Lucky… A Change of Heart peaked at #21 on the Billboard 100 and #36 in Canada…it was the second single released from the album.
The bass player Ron Blair quit after the last album Hard Promises was released. This is the first album that featured Howie Epstein on bass. In the last couple of years of his first stint with the band, Blair was considering leaving and was not always available, thus being occasionally replaced with other bassists, including Donald “Duck” Dunn, on his last two albums. In spite of his departure in 1982, he would continue to make occasional guest appearances on studio albums all the way up to Southern Accents.
Epstein was fired in 2002 and then died in 2003 of a drug overdose. Ron Blair came back to his old position in 2002 and remained with the band until Petty passed away in 2017.
Ron Blair about quitting: “Some days I’ll think, ‘Couldn’t I have put up with it? At the time, it was really a gut decision. That’s kind of what I regret, that it wasn’t a real thought-out decision. I physically and verbally tuned out on an emotional level, rather than really thinking it out. Purely and simply it just ceased to be fun.
Change Of Heart
Well I fought for you I fought too hard To do it all again babe, It’s gone too far
You never needed me You only wanted me around It gets me down
There’s been a change, Yeah there’s been a change of heart Said there’s been a change You push just a little too far You make it just a little to hard There’s been a change of heart
I’ll get over you It won’t take long I’ve stood in yer gallery Seen what’s hangin’ from the wall
You were the moon and sun, Yer just a loaded gun now It gets me down
There’s been a change, Yeah there’s been a change of heart Said there’s been a change You push just a little too far You make it just a little to hard There’s been a change of heart
Whoa yeah, oh boy Looks like we finally found the turning point Oh me, oh my Looks like it’s time for me to kiss it goodbye, yeah kiss it goodbye
There’s been a change, Yeah there’s been a change of heart Said there’s been a change You push just a little too far You make it just a little to hard There’s been a change of heart
I came across Otis’s youtube channel and I think some of you would be interested. He is a singer songwriter but on his channel he has conversations musicians who have played or worked with Bob Dylan, Neil Young, Tom Petty, Waylon Jennings, just to name a few, and his own stories about different musicians. For you music fans it’s worth your time. The guy doesn’t interview people…he lets people talk and tell their stories. He is also a good story teller. I’m hooked on his channel.
He has stories about Jerry Reed, The Replacements, Dan Baird, Merle Haggard, Ry Cooder, Towns Van Zant, Bill Monroe, George Jones, Johnny Paycheck, John Prine, Mike Campbell and more.
He lives in Indiana but interviews many Nashville connected musicians. Check this guy out…His music is VERY good as well. I’m just checking that out more as I go… his music is classified as alt-country.
I just picked a few random youtube videos from his page below.
This wraps up Full Moon Fever for the week. I hope you enjoyed it. I didn’t cover every song but we did get to quite a few. The other posts on this album are at the bottom.
This song I don’t hear much more…Love Is A Long Road is a song that I had forgotten about which got some airplay back in 1989.
This is one of the many songs that charted from Full Moon Fever. This song peaked at #7 in the Billboard Mainstream Rock Tracks in 1989. Tom Petty and Mike Campbell wrote this song. This was the 5th single released from the album. Dave from “Have A Sound Day” has a good post about this album.
How did Jeff Lynne meet Tom Petty about producing Full Moon Fever? Jeff said he was on Sunset Boulevard and saw Tom… Here is what Jeff said: “He beeped his horn and I kept thinking, ‘Who’s that?’” “And it was Tom. ‘Hi, Tom!’ He said, ‘Pull over – I wanna have a word with you.’ He’d just been listening to George [Harrison’s album, Cloud Nine, which I’d just worked on, co-produced it, and he really liked it. He said, ‘Do you fancy writing some songs together?’ I said, ‘I sure do.’”
There was a girl I knew She said she cared about me She tried to make my world The way she thought it should be Yeah we were desperate then To have each other to hold But love is a long, long road
There were so many times I would wake up at noon With my head spinning ’round I would wait for the moon And give her one more chance To try and save my soul But love is a long, long road
Yeah it was hard to give up Some things are hard to let go Some things are never enough I guess I only can hope For maybe one more chance To try and save my soul But love is a long, long road
My sister got lucky, married a yuppie Took him for all he was worth
As soon as I heard those two lines I knew I was going to like the song.
Tom Petty had gotten to know Lynne through George Harrison, who brought the Electric Light Orchestra leader to produce Harrison’s 1987 comeback LP Cloud Nine. That led to the three artists taking part in the Traveling Wilburys supergroup. One day, Petty played “Yer So Bad”; he had all the words down but was stuck on the music for the chorus.
“Jeff showed me this little part,” Petty recalled. “E minor to C, and said, ‘You could do this.’ And I said, ‘That’s great!’ And I was so elated, because I had been working on the song for days, and I couldn’t get from the verse to the chorus somehow. And he showed me this little bit, and I said, ‘Great! Will you produce this?'”
Petty wanted Howie Epstein (bass player for the Heartbreakers) to help on the harmonies but Howie said he didn’t like the song so Petty told him he didn’t need him then. That is when he knew it was going to be a solo album.
This was the last fifth single released from the album. Yer So Bad peaked at #5 in the Billboard Album Rock Tracks and #44 in Canada in 1990.
Yer So Bad
My sister got lucky, married a yuppie Took him for all he was worth Now she’s a swinger dating a singer I can’t decide which is worse[Chorus:] But not me baby, I’ve got you to save me Oh yer so bad, best thing I ever had In a world gone mad, yer so badMy sister’s ex-husband can’t get no lovin’ Walks around dog-faced and hurt Now he’s got nothin’, head in the oven I can’t decide which is worse
When I bought Full Moon Fever in 1989 I was happy with my first pass through the album. The album doesn’t have seven hits like Born In The USA but it doesn’t have a bad track on it.
Tom Petty started running down his dream of being a rocker in 1961 when he met Elvis Presley. Petty, 11 years old, came to the Ocala, Florida set where Elvis was working on the film Follow That Dream – a title Tom took to heart. In a brief encounter, Petty saw how Elvis captivated onlookers and made the girls go crazy. Petty became fascinated with Elvis and set out to follow his path.
This song peaked at #23 in the Billboard 100, #23 in Canada, and #55 in the UK in 1989.
Those noises were made by Shannon and Jeff Lynne; Petty used them as an interlude to mark the middle of the album because you don’t have to flip over a CD. This section was included only on CD versions of Full Moon Fever but survived the transition when the album was released digitally….I have this at the bottom
From Songfacts
In this song, Petty sings about driving into the great wide open, with nothing but glorious possibility in his path.
The animated video was inspired by a comic strip called Little Nemo In Slumberland by Winsor McKay. Each strip told the story of one of Nemo’s dreams, and at the end, he always woke up.
Full Moon Fever was listed as a Tom Petty solo album even though members of The Heartbreakers played on it. Roy Orbison, George Harrison and Jeff Lynne also played on it.
Heartbreakers’ guitarist Mike Campbell wrote this with Petty and Jeff Lynne. The three of them worked on the album at Campbell’s house. Petty and Campbell were very impressed with Lynne’s production techniques, and learned a lot from the experience. Campbell gave us an example of Lynne’s style: “We’d put the mics up on the drums, and he’d walk out and take the microphone over the drum and he’d turn it away from the drum facing the corner, and he’d go ‘OK, record it like that.’ Sure enough, 99% of the time he’d be right. We’d go, ‘Yes sir, Mr. Lynne.’ We learned so much from him about arrangements and countermelodies and all kinds of stuff.” (Check out our interview with Mike Campbell.)
The line, “Me and Del were singin,’ little ‘Runaway'” is a reference to the 1961 Del Shannon hit “Runaway.” Shannon is credited on the album for “barnyard noises,” which can be heard just after this song ends on the album. Under the animal noises, Petty says, “Hello CD listeners. We have come to the point in this album where those listening on cassettes or records will have to stand – up or sit down – and turn over the record or tape. In fairness to those listeners, we will now take a few seconds before we begin Side 2. Thank you, and here is Side 2.”
In 2007, the documentary Runnin’ Down A Dream was released. Directed by Peter Bogdanovich, the film chronicles the career of Tom Petty and the Heartbreakers. >>
Tom Petty and the Heartbreakers played this at the halftime show of the Super Bowl in 2008. Rather than the usual medley of hits, the band played four full songs, the others being “American Girl,” “I Won’t Back Down” and “Free Fallin’.”
Hello CD Listeners
Runnin’ Down A Dream
It was a beautiful day, the sun beat down I had the radio on, I was drivin’ Trees flew by, me and Del were singin’ little Runaway I was flyin’
Yeah runnin’ down a dream That never would come to me Workin’ on a mystery, goin’ wherever it leads Runnin’ down a dream
I felt so good like anything was possible I hit cruise control and rubbed my eyes The last three days the rain was unstoppable It was always cold, no sunshine
Yeah runnin’ down a dream That never would come to me Workin’ on a mystery, goin’ wherever it leads Runnin’ down a dream
I rolled on as the sky grew dark I put the pedal down to make some time There’s something good waitin’ down this road I’m pickin’ up whatever’s mine
Yeah runnin’ down a dream That never would come to me Workin’ on a mystery, goin’ wherever it leads Runnin’ down a dream
I’m including at least one song off of Tom’s album Full Moon Fever every day this week…So if you don’t know the album stay tuned, if like the album stay tuned,and if you don’t like the album…sorry. It was a great album released in 1989 that was arguably the peak of Tom’s career.
Full Moon Fever
Tom was not happy with the last Heartbreakers album (Let Me Up (I’ve Had Enough) released in 1987 and wanted a change. Mike Campbell (Heartbreakers guitar player): “Tom called me up and said, ‘We’re done. I think we’re done.” He called back later and said that at least temporarily he wasn’t going to work with the Heartbreakers.
He ended up using Belmont Tench and Howie Epstein from the Heartbreakers for a few songs but it was Tom Petty, Jeff Lynne, Mike Campbell and Phil Jones on drums who made the album. They did have some help from George Harrison, Roy Orbison, and Del Shannon among others.
Released in 1989, Full Moon Fever would become Petty’s greatest commercial success. During its creation Jeff Lynne helped inspire him to create some of his best and most popular songs. But along the way he also risked further alienating several members of the Heartbreakers.
Free Fallin’
Free Fallin’ may be the song he is most remembered. Tom Petty and Jeff Lynne wrote and recorded “Free Fallin'” in just two days, the first song completed for Full Moon Fever.“We had a multitude of acoustic guitars,” Petty told Rolling Stone of the song’s Byrds-y feel. “So it made this incredibly dreamy sound.”
The song peaked at #7 in the Billboard 100, #5 in Canada, #4 in New Zealand, and #59 in the UK in 1989.
Tom Petty: “There’s not a day that goes by that someone doesn’t hum ‘Free Fallin” to me or I don’t hear it somewhere,” “But it was really only 30 minutes of my life.”
From Songfacts
Mike Campbell is The Heartbreakers’ guitarist. He has also produced and written the music for many of their songs, as well as “The Boys of Summer” and “The Heart Of The Matter” for Don Henley. Mike told us about working with Jeff Lynne: “When we did that first record with Jeff Lynne, Full Moon Fever, that was an amazing time for me because it was mostly just the three of us – me and Tom and Jeff – working at my house. Jeff Lynne is an amazing record-maker. It was so exciting for a lot of reasons. First of all, our band energy in the studio had gotten into kind of a rut, we were having some issues with our drummer and just kind of at the end of our rope in terms of inspiration – having a lot of trouble cutting tracks in the studio.
This project came along and really we were just doing it for fun at the beginning, but Jeff would come in and every day he would blow my mind. It was so exciting to have him and Tom come over and go, ‘OK, here’s this song,’ and then Jeff would just go. I’d never seen this done before, he’d say, ‘OK, here’s what we’re going to do: Put a drum machine down. Now put up a mic, we’re going to do some acoustic guitars. Put up another mic, were going to do a keyboard. OK, here’s an idea for the bass. Mike, let’s try some guitar on this. I’ve got an idea for a background part here…’
Sure enough, within five or six hours, the record would be done, and we’d just sit back and go, ‘How the f-ck did you do that?’ We were used to being in the studio and like ‘OK, here’s how the song goes’ and everybody would set up to play and just laboriously run the song into the ground, and it usually got worse and worse from trying to get the groove and the spirit and trying to get a performance out of five guys at once. This guy walked in and he knew exactly how to put the pieces together, and he always had little tricks, like with the background vocals how he would slide them in and layer them, and little melodies here and there. Tom and I were soaking it up. Pretty amazing, a very exciting time, like going to musical college or something.” (Read more in our interview with Mike Campbell.)
In a 2006 interview with Esquire magazine, Petty said: “‘Free Fallin” is a very good song. Maybe it would be one of my favorites if it hadn’t become this huge anthem. But I’m grateful that people like it.”
The lyrics deal with Los Angeles culture, mentioning actual places in the area: Reseda, Mulholland and Ventura Boulevard. It implies that the people of LA will casually use others for personal gain, as the singer has just dumped a girl and doesn’t even miss her. Petty was born and raised in Gainesville, Florida and moved to LA with The Heartbreakers in 1974. His outsider perspective came in handy in this song.
Directed by Julien Temple, the music video was ahead of its time in that it featured skateboarding before the X Games existed and action sports went mainstream. Legendary skater Mark “Gator” Rogowski appears in the video.
Petty considers this song a ballad; it’s one of his few hits without a guitar solo. There are plenty of ballads on his albums, but his record companies rarely released them as singles.
Petty and the Heartbreakers played this to close out their set at the halftime show of the Super Bowl in 2008. The song turned out to be appropriate for the New England Patriots, who were undefeated going into the game and led at halftime, only to lose at the end to the New York Giants. In 2002, when the Patriots won their first Super Bowl, the featured song at halftime was “Beautiful Day” by U2.
A live version by John Mayer returned this song to the US Hot 100 in July 2008, going to #51.
Petty performed this song, along with “Runnin’ Down A Dream,” with The Heartbreakers on Saturday Night Live when they were the musical guests on May 20, 1989. Their record company, MCA, wanted them to play “I Won’t Back Down,” which was out as a single and climbing the charts, but Petty defied them.
Petty often tells a story about performing this song at a pivotal night in his career. His label, MCA, rejected the Full Moon Fever album when he submitted it in 1988, claiming they didn’t hear a hit. Crestfallen, he went to a dinner party with George Harrison and Jeff Lynne at the home of Mo Ostin, head of Warner Bros. Records. Harrison had them break out the guitars and play “Free Fallin’,” which everyone thought was great. When Petty explained that it wasn’t good enough for his label, Ostin offered to sign him and put it out. They did the deal, but kept it secret until Petty fulfilled his commitment to MCA. Ostin didn’t have to put it out though: In 1989, management changed at MCA; the new regime liked Full Moon Fever and released it.
While MCA kept him in limbo, Petty teamed up with Lynne, Harrison, Roy Orbison and Bob Dylan to form the Traveling Wilburys, a fruitful and highly acclaimed collaboration that sold over 3 million copies of their first album.
The song achieved its highest position on the UK singles chart in May 2012 after being covered by contestant Max Milner on the music talent show The Voice. It previously peaked at #64 in 1989.
Here’s what Tom Petty said about this song on his VH1 Storytellers appearance:
“‘I used to ride down Mulholland Drive and make up songs. Some of the songs were good, and some of the songs just wouldn’t swing. I had this one: [sings] ‘Mulholland Drive’ and I never could get anywhere with that song. So, I sat down one day with my friend Jeff Lynne and we were playing around on the keyboard. I hit this lick and he said, ‘That’s a good lick you got there,’ and I played it again. So, just to make him laugh I started to make up words:
She’s a good girl, loves her mama
Loves Jesus and America too
She’s a good girl, crazy about Elvis…
And he goes, ‘Good.’
I said, ‘What? What was good?’
‘It’s all good, just sing that.'”
The girl in the music video is Devon Kidd (born Devon Renee Jenkin). She also had roles in Enemy Of The State, Slammer Girls and Slumber Party Massacre III.
She was a gymnast and model when she got the call to audition for “Free Fallin’.”
“I don’t know if you want to do it,” her agent said. “It’s a small job.”
She knew Tom Petty and “Free Fallin'” and jumped at the opportunity. Today, it’s probably the role she’s best known for.
Free Fallin’
She’s a good girl, loves her mama Loves Jesus and America too She’s a good girl, crazy ’bout Elvis Loves horses and her boyfriend too
It’s a long day living in Reseda There’s a freeway runnin’ through the yard And I’m a bad boy ’cause I don’t even miss her I’m a bad boy for breakin’ her heart
And I’m free, free fallin’ Yeah I’m free, free fallin’
All the vampires walkin’ through the valley Move west down Ventura boulevard And all the bad boys are standing in the shadows All the good girls are home with broken hearts
And I’m free, free fallin’ Yeah I’m free, free fallin’ Free fallin’, now I’m free fallin’, now I’m Free fallin’, now I’m free fallin’, now I’m
I want to glide down over Mulholland I want to write her name in the sky Gonna free fall out into nothin’ Gonna leave this world for a while
And I’m free, free fallin’ Yeah I’m free, free fallin’
I remember I had the album this was on…Let Me Up (I’ve Had Enough) and I was disappointed. I always liked this song though. The album did not live up to Southern Accents the previous album.
Although this is a 1980s song…Steve Jobs, Eddie Murphy, Joe Piscopo, and Vanessa Redgrave are singled out…as well as events in the world…the idea behind it is more relevant today than 1987.
I’ve always thought this song was about information overload on our senses…being overwhelmed in the disinformation age…and this was 1987! How about now?
Mike Campbell, the guitarist for The Heartbreakers, wrote the music for this and gave Petty the demo. Tom held it for a while and didn’t do anything with it until one day when he was working with Bob Dylan. They came up with some lyrics by picking words out of a newspaper and off the television. Tom pulled out Mike’s demo, and they inserted those words over the track. The song is about the deluge of information and marketing messages that can prove overwhelming.
This song peaked at #18 in the Billboard 100, #41 in Canada, and #38 in New Zealand in 1987. It was written by Tom Petty, Bob Dylan, and Mike Campbell.
From Songfacts
Many of Petty’s songs start as demos written by Campbell. Mike also wrote the tracks for Don Henley’s “The Boys of Summer” and “The Heart Of The Matter,” and helped Petty produce this album.
In 1986, the band toured with Bob Dylan in Australia, New Zealand and Japan, which led to Dylan’s contribution on this song. In 1988, Petty and Dylan played together in The Traveling Wilburys, a band whose other members were Jeff Lynne, George Harrison and Roy Orbison.
In the lyrics, Petty mentions various places and events that were in the news and getting constant media exposure. Actors Vanessa Redgrave, Joe Piscopo and Eddie Murphy also show up.
Jammin’ Me
You got me in a corner You got me against the wall I got nowhere to go I got nowhere to fall
Take back your insurance Baby nothin’s guaranteed Take back your acid rain Baby let your T.V. bleed
You’re jammin’ me, you’re jammin’ me, Quit jammin’ me Baby you can keep me painted in a corner You can look away, but it’s not over
Take back your angry slander Take back your pension plan Take back your ups and downs of your life In raisin-land
Take back Vanessa Redgrave Take back Joe Piscopo Take back Eddie Murphy Give ’em all some place to go
You’re jammin’ me, you’re jammin’ me Quit jammin’ me Baby you can keep me painted in a corner You can walk away but it’s not over
Take back your Iranian torture And the apple in young Steve’s eye Yeah take back your losing streak Check your front wheel drive
Take back Pasadena Take back El Salvador Take back that country club They’re tr yin’ to build outside my door
First time I heard this song I loved it. It was by a group called Lone Justice with lead singer Maria McKee. The song was Ways to be Wicked and it was written by Tom Petty and Mike Campbell. I loved McKee’s voice.
In 1985 the song peaked at #29 in the Mainstream Rock Charts and #77 in the UK. This is a surprise to me because I heard the song quite a bit back then and thought it charted higher. They had two more songs that come to mind. “I Found Love” and “Shelter”. They should have made it further than they did. Maria did have a number 1 in the UK with “Show Me Heaven” in 1990.
Ways To Be Wicked
Honey, why you always smile When you see me hurt so bad? Tell me what I did to you, babe That would make you act like that?
Well, I’ve been your fool before, honey Yeah, and I probably will again ‘Cuz you ain’t afraid to let me have it No, you ain’t afraid to stick it in
Well, you know so many Ways to be wicked Ooh, but you don’t know one little thing About love
Well, I can take a little pain Yeah, I can hold it pretty well I can watch your little eyes light up While you’re walkin’ me through Hell
Well, I’ve been your fool before, honey Yeah, and I probably will again ‘Cuz you ain’t afraid to let me have it No, you ain’t afraid to stick it in
Well, you know so many Ways to be wicked But you don’t know one little thing About love
Those cobra eyes Lie with a smile Baby you take pride In the devil down inside, yeah
Well, I can take a little pain Yeah, I can hold it pretty well I can watch your little eyes light up While you’re walkin’ me through Hell
Well, I’ve been your fool before Yeah, and I probably will again You ain’t afriad to let me have it No, you ain’t afraid to sitck it in
Well, you know so many Ways to be wicked Ooh, but you don’t know one little thing About love
Well, you know so many Ways to be wicked Yeah, but you don’t know one little, one little thing About love
Yeah you know so many Ways to be wicked But you don’t know one little, one little
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