Bruce Springsteen – Merry Christmas Baby

There have been many versions of this song but this one is the one I listen to the most. The dynamics in this version are great.

This Dec 31st, 1980 performance of Merry Christmas Baby was recorded at Nassau Veterans Memorial Coliseum in Uniondale, NY, during The River Tour. The song was played in its E Street Band arrangement. It was released in November 1986 as the B-side to WAR. This was the lead single from the Live/1975-85 box set.

Although Chuck Berry and Elvis Presley covered “Merry Christmas Baby” before Bruce did, it sounds like he based his version on Otis Redding’s 1968 version.

Lou Baxter wrote this song but it was called “Merry Christmas Blues” and Charles Brown took it home to work it out. He rewrote it with the new title. Baxter wanted Charles Brown to record it the way Charles rewrote it and it became a big hit with Brown singing with Johnny Moore’s Three Blazers.

Then the music business struck again…The company promised Charles he would have a co-writer credit but of course, it didn’t happen and Johnny Moore had his name listed on the song instead. Charles never got paid royalties for the song. It was originally released in 1947 and peaked at #3 in the Charts.

Moore died, largely unknown, in the 1960s. Brown, meanwhile, became renowned as a pioneer of the laid-back, piano-driven style of West Coast blues and was recognized as an early influence on Ray Charles; he had a renaissance in the 1990s, touring with Bonnie Raitt.

Charles Brown was inducted into the Rock and Roll Hall of Fame in 1999 but died before the induction.

It was also on a compilation album A Very Special Christmas of various artists released in 1987.

Merry Christmas Baby

Bring it down, band!

Now, I just came here tonight to say…
I just wanna say…
I just wanna say…

Merry Christmas baby, you surely treat me nice
Come on, merry Christmas baby, you surely treat me nice
I feel just like I’m living, living in paradise

Now listen
Now you see, I feel real good tonight
And I got music on the radio
And I feel real good tonight
And I got music on the radio
And the boys in the band are playing pretty good!
Now, I feel just like I wanna kiss you
Underneath my mistletoe

But now listen
Santa came down chimney, half past three
With lots of nice little presents for my baby and me
Merry Christmas baby, you surely treat me nice
And I feel like I’m living, just living in paradise
Come on boys!

Well now, Santa came down chimney, half past three
With lots of nice little presents for my baby and me
Merry Christmas baby, you surely treat me nice
I feel like I’m living, I’m living in paradise

And I just came down to say
Merry Christmas baby
I just wanna say, merry Christmas baby
I just wanna say, merry Christmas baby
I just wanna say, merry Christmas baby
And happy New Year, too!
Oh yeah!
Play it boys, go!
Merry Christmas
Ha-ha-ha-ha-ha-happy New Year
Ohhhh!

Oh yeah!
Merry Christmas baby!

Cheap Trick – If You Want My Love ….Power Pop Friday

A great Cheap Trick song. In 1982 it was released off the album “One on One” and peaked at #45 on the Billboard 100 and #57 on the UK Charts. That low charting surprised me somewhat because it received heavy airplay on MTV when they actually played music videos.

When I heard the bridge of this song I noticed the strong Beatle influence. I would tell people in the 80s…if the Beatles released a song now…this is what it would sound like. Just a couple of years before, their album All Shook Up was produced by no other than George Martin.

This song was off the album One On One which was produced by Roy Thomas Baker. I bought the album and is one of my favorites by them. John at 2loud2oldmusic reviewed this album a while back. It peaked at #39 on the Billboard Album Chart, #39 in Canada, and #95 in the UK. The two hit singles were If You Want My Love and She’s Tight.

Original bassist Tom Petersson left the band in 1980 and was replaced by Pete Comita. Comita didn’t make it through the recording of this album and he was replaced by Jon Brant. Brant played on Saturday at Midnight, If You Want My Love, and She’s Tight. The rest of the album’s bass tracks were recorded by Rick Nielson. Brant left on good terms in 1987 after playing on the next three albums. Tom Petersson returned after that. Brant has filled in for Petersson when he wasn’t able to tour.

A similar instance happened with Tom Petty and The Heartbreaker’s original bass player Ron Blair. He left the band in 1982 only to return in 2002.

Cheap Trick was always one of the hardest-working bands ever…they toured relentlessly. Rick Nielson has said If You Want My Love is one of his favorite songs he ever recorded. 

If You Want My Love

If you want my love, you got it
When you need my love, you got it
I won’t hide it
I won’t throw your love away, ooh

If you want my love, you got it
When you need my love, you got it
I won’t hide it
I won’t throw your love away, ooh

Yes, I thought you were a mystery girl
A special girl in this crazy old world
You couldn’t see me when I laid eyes on you

Lonely is only a place
You don’t know what it’s like
You can’t fight it
And it’s a hole in my heart, in my heart

If you want my love, you got it
When you need my love, you got it
I won’t hide it
I won’t throw your love away, ooh

You hold the secrets of love in this world
I’m hypnotized by your every word
A special face, a special voice, a special smile in my life

‘Cause lonely is only a place
You don’t know what it’s like
You can’t fight it
And it’s a hole in my heart, in my heart

If you want my love, you got it
When you need my love, you got it
I won’t hide it
I won’t throw your love away, ooh

If you want my love, you got it
When you need my love, you got it
I won’t hide it
I won’t throw your love away, ooh

If you want my love, you got it
When you need my love, you got it
You won’t hide it
You won’t throw your love away, ooh

December 8, 1980…Lennon

Damn this date. Every Dec 8th I can’t help but think of where I was when I heard.  Last year the release of Get Back only heightened the anger and confusion over what happened. I post this post every year on this terrible date and will continue. I have updated it each time and I’ve almost rewritten it since I posted it first back in 2018…and if it’s too long now I apologize. I STILL feel what I felt on that date. Although to be accurate it was on December 9th that I found out…the next morning getting ready for school.

When I watched the news clips I felt like an interloper because all of these fans that were sobbing grew up with Lennon in real-time…I was this 13-year-old kid who was late to the party…a decade late.

It’s odd to think the Beatles had only been broken up for 10 years when this happened…to a 13-year-old at the time…that was a lifetime but in reality, it’s nothing. To put it in perspective… it’s now 2022 and 10 years ago was 2012…that doesn’t seem that long ago. I was only 2 years old when the Beatles broke up so I had no clue.

Since second grade (1975), I’ve been listening to the Beatles. While a lot of kids I knew listened and talked about modern music …I just couldn’t relate as much. By the time I was ten I had read every book about The Beatles I could get my hands on. In a small middle TN town…it wasn’t too many. I was after their generation but I knew the importance of what they did…plus just great music. The more I got into them the more I learned about the Who, Stones, and the Kinks. I wanted to get my hands on every book about the music of the 1960s. Just listening to the music wasn’t enough…I wanted to know the history.

I spent that Monday night playing albums in my room. Monday night I didn’t turn the radio on…I’m glad I didn’t…The next morning I got up to go to school and the CBS morning news was on. The sound was turned down but the news was showing Beatle video clips. I was wondering why they were showing them but didn’t think much of it.

Curious, I turned the television on and found out that John Lennon had been shot and killed. I was very angry and shocked. The bus ride to school was quiet… at school, it was quiet as well. Some teachers were affected because John was their generation. Some of my friends were shocked but some didn’t get the significance at the time and some didn’t care. A few but not many acted almost gleeful which pissed me off…It was apparent their parents were talking through them. I never said swore words as a kid…it would have embarrassed me…I knew all the words but I never would have except for one particular kid on the bus…after he seemed to be happy about it he got a F**k yourself from yours truly. Not my finest moment as a child but the first time I swore in anger…no regrets here.

I went out and bought the White Album, Abbey Road, and Double Fantasy in late December of 1980…I can’t believe I didn’t have the two Beatles albums already…now whenever I hear any song from those albums they remind me of the winter of 80-81. I remember the call-in shows on the radio then…pre-internet… people calling to share their feelings for John or hatred for the killer.

The next few weeks I saw footage of the Beatles on specials that I had never seen before. Famous and non-famous people pouring their hearts out over the grief. Planned tributes from bands and everyone asking the same question…why?

My young mind could not process why a person would want to do this to a musician. A politician yea…I could see that…not that it’s right but this? A musician? Martin Luther King, Bobby Kennedy, and JFK were before my time.  By the mid-1970s John had pretty much dropped out of sight…John and Yoko released Double Fantasy on November 17, 1980, and suddenly they were everywhere…Less than a month later John was murdered. The catchwords were Catcher in the Rye, Hawaii, handgun, and insane. The next day we were duly informed who killed John in the First, Middle, and Last name format they assign to murderers. I won’t mention his name.

I didn’t want to know his name, his career, his wife’s name, his childhood…I just wanted to know why… he says now…” attention”

I noticed a change happened after that Monday night. John Lennon was instantly turned into a saint, something he would have said was preposterous. Paul suddenly became the square and the uncool one and George and Ringo turned into just mere sidemen. Death has a way of elevating you in life. After the Anthology came out in the 90s that started to change back a little.

I called my dad a few days after it happened and he said that people were more concerned that The Beatles would never play again than the fact a man, father, and husband was shot and killed. He was right and I was among those people until he said that. Dad was never a fan…he was more Elvis, Little Richard, and country music… but he made his point. When my father passed in 2005 I thought about this conversation and knew he was teaching me again.

It was odd being into the Beatles at such a young age and after their time so to speak. While my peers were talking about all the contemporary artists at the time…all I talked about were John, Paul, George, and Ringo. I would end up comparing all the new music I heard to theirs…and that wasn’t fair at all. I would think to myself…well this song (any new song at the time) wasn’t as good as Strawberry Fields and so on. I, fortunately, grew out of that but it took a while.

Below is a video of James Taylor telling on how he met the killer a day before Lennon was murdered. Also Howard Sterns broadcast the day after.

Bruce Springsteen – Working On The Highway

I probably won’t be commenting today…yesterday I felt terrible and it seems I have the flu…just wanted to let you know.

This song has grown on me through the years. It was my least favorite on Born In The USA when it was released but I started to like it.

Springsteen has always been prolific…he picked 12 songs out of the 70 demos for the album and of course, this one made the cut.

This song is about the only song not released as a single off of Born In The USA. I’m being sarcastic but not really. There were 7 top ten hits off of this album. Springsteen hit the mass’s jackpot with this album. It’s not my favorite album by him by any stretch but it has a friendly radio sound.

Born In The USA was the album I listened to endlessly from 1984-1985. You heard it everywhere you turned. A friend of mine (a big Bruce fan from the old days) saw Bruce in 85 and he was depressed that Bruce was no longer a cult performer. The horse was out of the barn so to speak…The public knew and knew him well. Bruce and that bandana were all over the news and any magazine you read.

In 1985 I went on my graduation trip to Florida. The Born In The USA cassette tape was playing in my car where some buddies were riding with me on our senior trip. There are certain songs that take you back to a time. Walking On Sunshine, Glory Days, Working On The Highway, and Darlington County all connect me with that trip.

The album peaked at #1 in America, Canada, New Zealand, and The UK.

Working On The Highway

Friday night’s pay night, guys fresh out of work
Talking about the weekend, scrubbing off the dirt
Some heading home to their families, some looking to get hurt
Some going down to Stovell wearing trouble on their shirts

I work for the county out on ninety five
All day I hold a red flag and watch the traffic pass me by
In my head I keep a picture of a pretty little miss
Someday, mister, I’m gonna lead a better life than this

Working on the highway, laying down the blacktop
Working on the highway, all day long I don’t stop
Working on the highway, blasting through the bedrock
Working on the highway, working on the highway

I met her at a dance down at the union hall
She was standing with her brothers, back up against the wall
Sometimes we’d go walking down the Union tracks
One day I looked straight at her and she looked straight back
So I’m

Working on the highway, laying down the blacktop
Working on the highway, all day long I don’t stop
Working on the highway, blasting through the bedrock
Working on the highway, working on the highway, woo

I saved up my money and I put it all away
I went to see her daddy but we didn’t have much to say
“Son, can’t you see that she’s just a little girl
She don’t know nothing about this cruel, cruel world”

We lit out down to Florida, we got along all right
One day her brothers came and got her and they took me in a black-and-white
The prosecutor kept the promise that he made on that day
And the judge got mad and he put me straight away
I wake up every morning to the work bell clang
Me and the warden go swinging on the Charlotte County road gang
I’m

Working on the highway, laying down the blacktop
Working on the highway, all day long I don’t stop
Working on the highway, blasting through the bedrock
Working on the highway, working on the highway

Working on the highway, laying down the blacktop
Working on the highway, all day long I don’t stop
Working on the highway, blasting through the bedrock
Working on the highway, working on the highway, ooo ooo ooo

Charles Monroe Schulz 

The Banner

On November 26, 1922…Charles Schulz was born in Minneapolis, Minnesota. He would have been 100 years old today. He would read the Sunday cartoon feature with his dad every week. Schulz had asthma and his mom would give him a pencil and paper in bed to draw and that started it all.

He created the Peanuts strip (originally entitled Li’l Folks) in 1950, introducing a group of characters based on semiautobiographical experiences.  That first year, the comic strip came in last place in the New York World Telegram’s reader survey of cartoons… however, a book of Peanuts reprints helped the strip gain a larger audience. Shulz encapsulated the kid’s point of view as good or better than anyone. The grownups didn’t talk; it was all about the kid’s world. When I was growing up I would not miss a Sunday Cartoon feature or holiday special…not to mention the movies that came out.

Schulz channeled the loneliness that he had experienced in his army days and the frustrations of everyday life into Charlie Brown. Charlie Brown was familiar because he was us. . Linus was named after a friend and fellow cartoonist Linus Maurer. Peppermint Patty was inspired by his cousin Patricia and Snoopy is based on Schulz’s intelligent childhood pet dog. Woodstock is just a miniature of Snoopy…he is drawn the same way.

Philip Van Pelt’s wife, Louanne, inspired Lucy Van Pelt, Linus’ sister. Schulz introduced the feisty…some say mean brunette, known for pulling away footballs just as Charlie Brown is about to kick them, to the cartoon strip in 1952.

The comic strip would explode and be a pop culture icon in the 50s until now. So Happy Birthday Charles Schulz!

When I was a kid I would occasionally get a Peanuts item…watch or something with them on it. My favorite characters were Schroeder and Pigpen since I stayed dirty much to my mom’s horror. No matter how much she tried…and she tried and tried to get me somewhere clean…it hardly ever happened. She got me ready for Church one morning and she had a brainstorm. She got me ready 15 minutes before we left. It was a cool spring day so she put a scrubbed-clean Max into the back seat of our car. When she came out she was horrified…I had dug around in the ashtray and was filthy…therefore Pigpen suited me fine.

In the late 1990s while my wife and I were dating…we would go to flea markets and antique shops and buy Peanuts memorabilia. We both had rediscovered The Peanuts in our 20s. Over 2-4 years we bought thousands of dollars of older collectibles. If being late on rent meant getting a rare Peanuts item…so be it! No, we were not the most responsible around at the time. It was a cool bonding activity between us and we still have all the things that we bought. At Christmas, we get a lot of it out and decorate the house. We slowed down when our son Bailey came along and we realized…hmmm better start saving money!

So the Peanuts were with me as a child and an adult and if we ever see a Peaunts item out and about…we usually get it.

If you get in the mood to watch The Peanuts… try A Boy Named Charlie Brown and Snoopy Come Home…their first two movies.

My role model Pigpen

 

 

Planes, Trains and Automobiles

This is my go-to Thanksgiving movie. Steve Martin and John Candy are a great team in this comedy. Personally, I think this is John Candy’s greatest movie. I watch it every year and always looked forward to it. The heart warming ending never fails to get to me.

The movie is full of great scenes and some good lines from Candy and Martin. John Candy can make me laugh with just a look on his face. The guy was a great comedian and a really good actor.

John Hughes is the Director and writer. He shot over 3 hours and had to edit it down. Below is a short plot. For those who haven’t seen it…you are missing a funny movie. It was rated R because of a one-minute scene with the F-Bomb used 18 times by mostly Martin. The movie was released in 1987.

By the way….there is a new extended version of the movie that has been released that has over 75 minutes of extra footage…that will be bought. 

Some great quotes:

Neal: Del… Why did you kiss my ear?
Del: Why are you holding my hand?
Neal: [frowns] Where’s your other hand?
Del: Between two pillows…
Neal: Those aren’t pillows!

Del: You play with your balls a lot.
Neal: I do NOT play with my balls.
Del: Larry Bird doesn’t do as much ball-handling in one night as you do in an hour!
Neal: Are you trying to start a fight?
Del: No. I’m simply stating a fact. That’s all. You fidget with your nuts a lot.
Neal: You know what’d make me happy?
Del: Another couple of balls, and an extra set of fingers?

For those who know the movie…

YOU ARE GOING THE WRONG WAY!

Short Plot

In New York, a marketing executive Neal Page wants to travel home to Chicago for Thanksgiving. He has difficulties getting a taxi and his flight is canceled. He meets in the airport the clumsy and talkative shower curtain ring salesman Del Griffith who has taken his cab and they travel side-by-side to Chicago. However the bad weather shuts down O’Hare Airport and they land at Wichita, Kansas. They both want to go to Chicago and they decide to travel together.  Neal is cursed/blessed with the presence of Del Griffith, shower curtain ring salesman and all-around blabbermouth who is never short of advice, conversation, bad jokes, or company.

Along their journey, Neal changes his viewpoint about Del Griffith and his own behavior.

https://www.imdb.com/title/tt0093748/

Carl Perkins – Everybody’s Trying To Be My Baby

I learned about Carl Perkins through George Harrison and The Beatles. On their first tour, they all adopted “stage names” and George’s was George Perkins. A wonderful title for this song.

This gets kind of confusing. It was written by Carl Perkins, but it’s also very similar to another song by the same title by Alabama country singer Rex Griffon in 1936. Carl modernized it by the same sound he was getting out of Blue Suede Shoes.” Meanwhile, the melody was also borrowed from the Hank Williams song “Move It On Over” and “Mind Your Own Business.” Rock Around The Clock also borrowed from this.  Anyway…it is credited to Carl Perkins.

Carl Perkins was on the rise fast in 1956. He just had 3 top-10 hits in that year. On March 22, 1956, Perkins was severely injured when the car he was riding in crashed on Route 13 between Dover and Woodside, Delaware. Perkins and his band were headed to New York City for a Mar. 24, 1956, appearance on NBC-TV’s Perry Como Show after playing a show in Norfolk, Virginia, on Mar. 21, 1956. Perkins had sustained three fractured vertebrae in his neck, a severe concussion, a broken collar bone, and lacerations all over his body. Perkins remained unconscious for an entire day.

Worse than that…his brother Jay Perkins had a fractured neck and severe internal injuries. Later he developed a malignant brain tumor and died in 1958.  It had been planned on the Como show to present Carl with a gold record for Blue Suede shoes. When the wreck happened the song had peaked at #1 on the Country Charts and #2 on the Hot 100. Perkin’s career was never the same after that.

After 1956 he had 6 more top 40 hits in the country charts but never a top 10 hit again. One of those songs peaked at #31 in 1986 called “Birth of Rock and Roll.” Throughout the rockabilly revival of the 80s Perkins worked with Paul McCartney, George Harrison, and many more.

Carl Perkins continued to achieve many successes throughout his career, such as writing the 1968 number one country hit “Daddy Sang Bass” as recorded by Johnny Cash as well as Glen Campbell and The Statler Brothers. He played for about ten years with Johnny Cash, playing lead guitar on Cash’s number one country hit “A Boy Named Sue.” He even appeared on the Johnny Cash Show playing “Matchbox” with Derek And The Dominoes.

Everybody’s Trying To Be My Baby was recorded in March of 1956 in Sun Studios with no other than Sam Phillips producing.

The Beatle’s version was recorded their version on October 18, 1964. They did it in one take not counting Ringo overdubbing a tambourine and George doubling his voice. It was released on the Album Beatles for Sale released in December of 1964. It was not their best album by any stretch. They were worn out and the album included a lot of covers. The album was not available in the United States and Canada until 1987. The song appeared on their US-only album Beatles 65.

George Harrison sang lead because he was a huge fan of Perkins. It was his showcase song on early tours.

Everybody Is Trying To Be My Baby

Well they took some honey from a tree
Dressed it up and they called it me

Everybody’s trying to be my baby
Everybody’s trying to be my baby
Everybody’s trying to be my baby, now

Woke up last night, half past four
Fifty women knocking on my door

Everybody’s trying to be my baby
Everybody’s trying to be my baby
Everybody’s trying to be my baby, now

Went out last night, I didn’t stay late
‘Fore I got home I had nineteen dates

Everybody’s trying to be my baby
Everybody’s trying to be my baby
Everybody’s trying to be my baby, now

Went out last night, I didn’t stay late
‘Fore I got home I had nineteen dates

Everybody’s trying to be my baby
Everybody’s trying to be my baby
Everybody’s trying to be my baby, now

Well they took some honey from a tree
Dressed it up and they called it me

Everybody’s trying to be my baby
Everybody’s trying to be my baby
Everybody’s trying to be my baby, now

Shivvers – Teen Line ….Power Pop Friday

I featured a song by The Shivvers a couple of years ago. Most of the songs I heard from them are very good. It’s a shame they couldn’t get a big label interested in the early 80s.

The Shivvers were a power pop band from Milwaukee, active from 1978 to 1982. Milwaukee was not exactly the center of the rock universe at the time. They had their roots in the 60s music, They were more new wavey than punk but retained from the latter a sense of urgency that could be heard in their sole single “Teen Line” released on the Fliptop independent label in 1980.

They thought about moving to LA or New York in the 80s but decided not to. It’s a shame because they did have some famous fans that included Lou Reed and Eric Carmen. In 1993, Kossoris moved to Nashville, where she worked with The Mavericks among others, and recorded a record, “Invisible,” released in 2001.

The Shivvers were Jill Kossoris (vocals), Jim Richardson (drums), Mike Pyle and Jim Eannelli (guitars) and Scott Krueger (bassist/songwriter).

Jill Kossoris:  I’ve been influenced by so many different kinds of music. My parents listened to everything. My sister listened to everything. They were all into power pop like Badfinger, Big Star, the Flamin’ Groovies, Motown music. I liked really catchy, soulful, well-written songs.

Jill Kossoris: You can always look back and see how you could have improved your life in a lot of ways. But at one point, we were just so frustrated that we kind of imploded. You can really get stuck in that whole “bar band” thing. Back in those days, most bands played AT LEAST three- or four hour-long sets. Not to brag, but we were all pretty tight before we started doing that. We were all pretty seasoned musicians. Our time was there. We were ready. Everybody doesn’t get better by grinding it out on the club circuit for five years.

Teen Line

Last night I got a call on the telephone
As long as it can ring I am not alone
And the night don’t seem so far away
It’ll be alright someday
And the sun don’t have to shine
Because my heart’s on a teen line

All you do is call in this love on a teen line

You say feel so fine, you’ve got everything
You’ve got a big black car and bird that sings
And it’s right, ’cause you called me yesterday
And I had so much to say
And the sun don’t have to shine
Because my heart’s on the teen line

All you do is call in this love on the teen line
Nothing matters at all (not at all)
Give us just a little and call on your teen line
Say that you love me and that you’ll think of me tonight

If we were older, we wouldn’t have to wait so long
But as long as you love me, nothing really matters at all

Last night I didn’t know, I was wondering
I sit by the phone waiting for your ring
And the sound makes my heart beat fast
‘Cause you had so much to say
And I know this love will last
‘Cause my heart’s on the teen line

All you do is call in this love on a teen line
Nothing matters at all
Give us just a little and call on your teen line
Say that you love me and that you’ll think of me tonight

Love on the teen line makes me feel loved
Love on the teen line
Love on the teen line
Love on the teen line
Love on the teen line

George Harrison – Wreck Of The Hesperus

I bought George Harrison’s Cloud Nine when it was released in 1987. I took it and recorded it on cassette to play in my car (sorry George). I always liked this breezy song.

I played it constantly. I started to notice a change was happening…classic rock was coming back old and new.  In the 2 years that followed a great string of albums was released. The Traveling Wilburys, Keith Richards Talk Is Cheap, Tom Petty’s Full Moon Fever, Jeff Lynne’s Armchair Theatre, Roy Orbison’s Mystery Girl,  and then another Traveling Wilburys. The older guys were back in the game again.

There is not a bad song on Cloud Nine. The one I played the less was ironically the biggest hit on the album…Got My Mind Set On You. Personally, I thought this album was his best since All Things Must Pass. The reviews at the time agree with that.

This song is about what I talked about in the first paragraph. George was poking fun at himself as a dinosaur rocker although he was only 45…that’s young in today’s world. The first verse says it all…

I’m not the wreck of the HesperusFeel more like the Wall of ChinaGetting old as MethuselahFeel tall as the Eiffel TowerI’m not a power of attorneyBut I can rock as good as GibraltarAin’t no more no spring chickenBeen plucked but I’m still kickingBut it’s alright, it’s alright

The title came from an 1842 Henry Wadsworth Longfellow poem of the same name that combined fact with fiction. Procol Harum also had a song on their 1969 Salty Dog album called The Wreck of the Hesperus but no relation to this one.

The Cloud Nine album peaked at #8 on the Billboard Album Charts, #6 in Canada, and #10 in the UK in 1987. This song was not released as a single. The best-known songs off of the album were Got My Mind Set On You and When We Was Fab. The album was produced by Jeff Lynne with guest appearances by Eric Clapton and Ringo Starr to name a few.

When I would buy albums I would explore every song good or bad. Many times I found songs I liked more than the singles that were pulled from it. This song did make me hunt down Bill Big Broonzy in the 80s…which wasn’t that easy but I did get my hands on some of his music and liked it…great blues player.

It’s funny how when you first hear something and what you think the lyrics are. I’ve been hearing them wrong since 1987.

What I thought I heard…

I slipped on the pavement “with no ice there” and Met a snake “carrying lanterns”

No on both accounts…

I slipped on a pavement oysterMet a snake climbing ladders

George Harrison: The song, it just came to me with this lyric. I don’t know. Maybe I was thinking from the point of view that people tend to think of you as somebody who’s passe, been and done. And it was just a sort of tongue-in-cheek kind of thing that… This was an old poem, but I was brought up [in] that period they sang, you know, the little catch thing they always said, you know, ‘you look like the wreck of the Hesperus.’ I never really knew what it was, I suppose, but it sounded good, kinda like some awful wreck. It was a shipwreck and a poem, an old Victorian poem. Anyway, that line just came to me and I just continued the lyric from there. [It’s] sort of [a] strange lyric. [Eiffel Tower] and rock as good as Gibralter, you know, it just gets silly. By end of it, I’m saying I’m not the wreck of the Hesperus, more like Big Bill Broonzy. You know, I don’t know. That to me is… I mean, as far back as I can remember [there was] Big Bill Broonzy with this big ol’ guitar playing. It was pretty groovy. I suppose now, it’s like that really. All of us are turning into– like Eric Clapton and such– I keep telling my boy, when you get older, he’s gonna be like, ‘that was Big Bill Broonzy, man, hanging around at our house!’ We’re all getting old as my mother.

George Harrison: “I’ve been friends with Eric for years. And I think I always will be. He’s a lovely fella and I love him very dearly. And he, [sic] and I called him up again and you know I’m doing an album, Eric could you come and play. Sure, he came over and played great stuff. Devil’s Radio, Cloud Nine [sic], he does a nice little solo on the end of That’s What It Takes and also the other one the second side The Wreck Of The Hesperus

The Wreck of the Hesperus

I’m not the wreck of the HesperusFeel more like the Wall of ChinaGetting old as MethuselahFeel tall as the Eiffel TowerI’m not a power of attorneyBut I can rock as good as GibraltarAin’t no more no spring chickenBeen plucked but I’m still kickingBut it’s alright, it’s alright

Poison penmen sneak, have no nerve to speakMake up lies then they leak ‘m outBehind a pseudonym, the rottenness in themReaching out trying to touch me

Met some Oscars and TonysI slipped on a pavement oysterMet a snake climbing laddersGot out of the line of fire(But it’s alright)

Brainless writers gossip nonsensesTo others heads as dense as they isIt’s the same old maladyWhat they see is faulty

I’m not the wreck of the HesperusFeel more like Big Bill BroonzyGetting old as my motherBut I tell you I got some company(But it’s alright)

But it’s alright, it’s alrightBut it’s alright, it’s alrightIt’s alright, alrightIt’s alright

Tom Petty – Change Of Heart

This was the first Petty song that I learned on guitar. This song is not his best, but it hasn’t got the “Free Falling” treatment by being played every day. This song was on the album Long After Dark.

Long After Dark was Tom Petty and the Heartbreakers’ fifth studio album released in 1982. The band used MTV to push the band further into stardom, but Petty wasn’t exactly happy with the album. It was the third album produced by Jimmy Iovine, who made executive decisions pushing the album more into upbeat rock, but Petty wanted to include a couple more acoustic, ballad-type songs.

I could hear the band change a little with the song You Got Lucky… A Change of Heart peaked at #21 on the Billboard 100 and #36 in Canada…it was the second single released from the album.

The bass player Ron Blair quit after the last album Hard Promises was released. This is the first album that featured Howie Epstein on bass.  In the last couple of years of his first stint with the band, Blair was considering leaving and was not always available, thus being occasionally replaced with other bassists, including Donald “Duck” Dunn, on his last two albums. In spite of his departure in 1982, he would continue to make occasional guest appearances on studio albums all the way up to Southern Accents.

Epstein was fired in 2002 and then died in 2003 of a drug overdose. Ron Blair came back to his old position in 2002 and remained with the band until Petty passed away in 2017.

Ron Blair about quitting: “Some days I’ll think, ‘Couldn’t I have put up with it? At the time, it was really a gut decision. That’s kind of what I regret, that it wasn’t a real thought-out decision. I physically and verbally tuned out on an emotional level, rather than really thinking it out. Purely and simply it just ceased to be fun. 

Change Of Heart

Well I fought for youI fought too hardTo do it all again babe,It’s gone too far

You never needed meYou only wanted me aroundIt gets me down

There’s been a change,Yeah there’s been a change of heartSaid there’s been a changeYou push just a little too farYou make it just a little to hardThere’s been a change of heart

I’ll get over youIt won’t take longI’ve stood in yer gallerySeen what’s hangin’ from the wall

You were the moon and sun,Yer just a loaded gun nowIt gets me down

There’s been a change,Yeah there’s been a change of heartSaid there’s been a changeYou push just a little too farYou make it just a little to hardThere’s been a change of heart

Whoa yeah, oh boyLooks like we finally found the turning pointOh me, oh myLooks like it’s time for me to kiss it goodbye, yeah kiss it goodbye

There’s been a change,Yeah there’s been a change of heartSaid there’s been a changeYou push just a little too farYou make it just a little to hardThere’s been a change of heart

Favorite Rock Lyrics 2

Everyone seemed to like the first one so I thought I would bring it back. I did list many of the lyrics that you suggested in the comments on the other post…SO… this post was written by all of us…and uh…the ones that actually wrote the songs!

Bob Dylan

Sometimes my burden is more than I can bear, it’s not dark yet but it’s gettin’ there... Bob Dylan

Rolling Stones

The sunshine bores the daylights out of me…Rolling Stones

Who

I asked Bobby Dylan, I asked The Beatles, I asked Timothy Leary, but he couldn’t help me either, they called me the Seeker…The Who

Grateful Dead

Cows are giving kerosene, the kid can’t read at seventeen, the words he knows are all obscene, but it’s alright… The Grateful Dead

band

You take what you need and you leave the rest, but they should never have taken the very best… The Band

Trogg

Wild thing you make my heart sing you make everything groovy… The Troggs

Springsteen

There were ghosts in the eyes of all the boys you sent away… Bruce Springsteen

ACDC

Rich man, poor man, beggar man thief you ain’t got a hope in hell, that’s my belief… ACDC

Beatles - Rocky Raccoon

The farther one travels the less one knows the less one really knows …The Beatles

Leonard Cohen

My friends are gone and my hair is grey I ache in places I used to play …Leonard Cohen

John Lennon

Whatever gets you through the night … John Lennon

Replacements

God, what a mess, on the ladder of success Where you take one step and miss the whole first rung …The Replacements

Led Zeppelin 1976

Oh, let the sun beat down upon my face and stars fill my dream I’m a traveler of both time and space… Led Zeppelin

Kinks

Girls will be boys and boys will be girls, It’s a mixed up, muddled up, shook up world, except for Lola La-la-la-la LolaThe Kinks

Queen

She keeps her Moet et Chandon in her pretty cabinet “Let them eat cake”, she says just like Marie AntoinetteQueen

van morrison almost independence day

Shammy cleaning all the windows singing songs about Edith Piaf’s soul… Van

neil young after the goldrush

You can’t be twenty on Sugar Mountain though you’re thinking that you’re leaving there too soon… Neil Young

Simon and Garfunkel concert Ohio University 10-29-1968

Hello darkness, my old friend I’ve come to talk with you again…Simon and Garfunkel

Smithereens – Behind The Wall Of Sleep …. Power Pop Friday

This song has a Rolling Stones connection in the lyrics. I love the first line “She had hair like Jeannie Shrimpton back in 1965.” Shrimpton dated Mick Jagger before he was with Marianne Faithful. The second reference is an odd one to Bill Wyman, the Stones’ bass player.

The song was on their debut album  Especially for You released in 1986. They had released a couple of EP’s before this album. Pat DiNizo wrote the song and was influenced by the title of the H.P. Lovecraft short story, “Beyond the Wall of Sleep.” The song was about Kim Ernst. She was the bass player of The Bristols.

Pat DiNizo: “We’d done a gig with The Bristols, four fabulous women who looked, sounded and dressed like Roger McGuinn’s The Byrds, Kim had black hair, really long: ‘She [had hair like] like Jeannie Shrimpton back in 1965, she had legs that never ended, I was halfway paralyzed. She was tall and cool and pretty, and she dressed as black as coal. If she asked me to I’d murder, I would gladly lose my soul.’ Our first two hits were ‘Blood And Roses,’ about suicide, and this one, ‘If you’d ask me to I’d murder’—very dark material [laughs].”

In 1985 they recorded the album at The Record Plant, the famous recording studio that hosted John Lennon and Bruce Springsteen among others. They had to save up gig money to record.

Drummer Dennis Diken: “Those sessions actually almost didn’t happen, we had recorded Beauty and Sadness in Studio B. That was the room where Springsteen recorded The River, and a lot of other big stuff was done there. Studio A was also famous for historic sessions; John Lennon worked there. But we were the low guys on the totem pole, so we got a call on the afternoon of Good Friday 1985—when we were supposed to go in that night—saying, ‘Sorry, but we have a more important session booked in B now. We’re going to have to kick you upstairs to C,’ which was a much smaller room.

“We got on the phone with each other and said, ‘Hey, this ain’t too cool. Maybe we should wait until larger rooms become available again,’ but in the end, reluctantly, we went for it.”

The album peaked at #51 in the Billboard Album Charts. The song peaked at #23 in the Mainstream Rock Play charts.

Behind The Wall Of Sleep

She had hair like Jeannie Shrimpton back in 1965
She had legs that never ended
I was halfway paralyzed
She was tall and cool and pretty and she dressed as black as coal
If she asked me to I’d murder, I would gladly lose my soul

Now I lie in bed and think of her
Sometimes I even weep
Then I dream of her behind the wall of sleep

Well she held a bass guitar and she was playing in a band
And she stood just like Bill Wyman
Now I am her biggest fan
Now I know I’m one of many who would like to be your friend
And I’ve got to find a way to let you know I’m not like them

Now I lie in bed and think of her
Sometimes I even weep
Then I dream of her behind the wall of sleep

Now I lie in bed and think of her
Sometimes I even weep
Then I dream of her behind the wall of sleep

Got your number from a friend of mine who lives in your hometown
Called you up to have a drink
Your roommate said you weren’t around
Now I know I’m one of many who would like to be your friend
And I’ve just got to find a way to let you know I’m not like them

Now I lie in bed and think of her
Sometimes I even weep
Then I dream of her behind the wall of sleep
Behind the wall of sleep
Behind the wall of sleep
Behind the wall of sleep

Alice Cooper – Teenage Frankenstein

Happy Halloween everyone! This song was released in 1986 but the song would have fit well with his seventies output. I heard the song a lot in my area at the time.

The song was on the album Constrictor released in 1986. The song peaked at #80 in the UK. The song was written by Alice Cooper and Kane Roberts.

Alice Cooper’s real name is Vincent Furnier. Alice Cooper was the name of the band, but the name became so associated with the lead singer that he took it.

The band did a good job spreading the rumor that “Alice Cooper” was the name of a girl who was accused of being a witch in the 1600s, saying she contacted them through an Ouija board. Furnier later explained that he made it up when he was thinking of a sweet, innocent-sounding name that would contrast against their shocking stage show.

Cooper ran for President in 2016 with the slogan “A Troubled Man For Troubled Times” which I loved.

Alice Cooper for President

His “platform” were these talking points

  1. Getting Brian Johnson back in AC/DC
  2. A snake in every pot
  3. No more pencils, no more books
  4. Adding Lemmy to Mt Rushmore
  5. Rename Big Ben “Big Lemmy”
  6. Groucho Marx on the $50 bill
  7. Peter Sellers on the £20 note
  8. Cupholders required for every airplane seat
  9. Ban on talking during movies in movie theatres
  10. Ban on taking selfies, except on a designated National Selfie Day

Cooper is a big family man which contradicts his reputation. Cooper is a born-again Christian and believes in the devil enough to have genuine supernatural fear. He’s never taken a satanist stance and warns other bands against it. When he was a kid, his family was poor and there were very few presents. Now, Cooper goes crazy on Christmas, buying lots of gifts for his family.

Alice Cooper:  “When I moved to L.A. with this little wimpy garage band, the first people we met were the Doors. Then we met Jimi Hendrix, Janis Joplin. All of the people who died of excess were our big brothers and sisters. So I said to myself: How do you become a legend and enjoy it? The answer is to create a character as legendary as those guys and leave that character on the stage.”

Teenaged Frankenstein

I’m the kid on the blockWith my head made of rockAnd I ain’t got nobodyI’m the state of the artGot a brain a la carteI make the babies cry

I ain’t one of the crowdI ain’t one of the guysThey just avoid meThey run and they hideAre my colors too brightAre my eyes set too wide?I spent my whole lifeBurning, turning

I’m a teenage FrankensteinThe local freak with the twisted mindI’m a teenage FrankensteinThese ain’t my handsAnd these legs ain’t mine

Got a synthetic faceGot some scars and a braceMy hands are rough and bloodyI walk into the nightWomen faint at the sightI ain’t no cutie-pie

I can’t walk in the dayI must walk in the nightStay in the shadowsStay out of the lightAre my shoulders too wideIs my head screwed on tight?I spent my whole life burningBurning, turning

I’m a teenage FrankensteinThe local freak with the twisted mindI’m a teenage FrankensteinThese ain’t my handsAnd these legs ain’t mine

My top 10 Favorite Stones Albums

This is an almost impossible task. It is of course subjective. How do you compare Between the Buttons to Some Girls… Steel Wheels to Goats Head Soup? There was such a difference in eras…and in the Stones case decades apart.

When making these lists the question always comes to mind…do I make the list of my favorite albums or what I think artistically their best albums are in history. I’ve just gone with my personal favorite.

Beggars Banquet

1: Beggars Banquet 1968 – This was the second Stones album I ever owned and with songs like Prodigal Son, Jigsaw Puzzle, and the filthy Stray Cat Blues it’s hard to resist. Their rock/blues peak started with this album into a stretch of 5 great albums in a row. The common dominator was producer Jimmy Miller in all 5. This album was the last one to feature Brian Jones.

Favorite song – Stray Cat Blues

Sticky Fingers

2: Sticky Fingers 1971 – Is this the best Stones album artistically?  I would have to say yes. There is not a weak track on this album. After reviewing it and comparing it to Exile on Main Street…I have to give it to Sticky Fingers as artistically the best Stones album…but it’s my second. They had a lot of competition that year with The Who Who’s Next and Led Zeppelin IV.

Favorite song – Dead Flowers

Let It Bleed larger

3: Let It Bleed 1969 – The first album with Mick Taylor. This was the second album into their gold stretch of 5 great albums. The Mick Taylor years are said by some to be their best albums. I do miss Brian Jones’s coloring of the musical pictures though. They were more flexible with Jones than anyone else but it’s hard to beat Mick Taylor’s fat guitar sound.

Favorite song – Monkey Man

Exile On Mainstreet

4: Exile On Mainstreet 1972 – This was my favorite Stones album at one time. It was mostly recorded in the  Nellcôte in France in a damp basement. It’s one of the greatest double albums ever. Not much I can say about this album that hasn’t already been said.

Favorite Song – tied… Happy and All Down The Line

Some Girls

5: Some Girls 1978 – What a filthy-sounding title track and I mean that in the best way. This album was great…personally, I think it’s their last great album…but the next one on the list is close.

Favorite Song – Before They Make Me Run

Tattoo You

6: Tattoo You 1981 – Over the hill… Geritol-drinking old geezers…those are some of the comments I heard about the Stones while they were 39 and 40! This album was a hodgepodge of outtakes and older songs put together for an album. For me…this was their last brush with greatness. Not that some of the later albums weren’t good…they were but not at this level of good.

Favorite Song – Worried About You

Between The Buttons

7: Between The Buttons (American Version) 1967 – This was the first Stones album I owned. I had to add a Brian Jones-era album. This period gets overlooked too much. They were adventurous during this period and tried new things…I wish that would have carried over more later on instead of the blues/rock on and on….but they did touch a little funk and reggae later on.

Favorite song – Ruby Tuesday

Goat's Head Soup

8: Goats Head Soup 1973 – The new deluxe mix has moved this one up. It was a drop-off from Sticky Fingers and Exile on Mainstreet but they were hard to compete with.

Favorite song – 100 Years Ago

black and blue

9: Black and Blue 1976- This was not known as a great album and it’s not. You would need a scorecard to see what guitar player they were auditioning on each track.  It contains my all-time favorite Rolling Stones song…Memory Motel. They do mix it up with different styles with this one.

Favorite song – Memory Motel

It's Only Rock and Roll.jpg

10: It’s Only Rock and Roll 1974 – This was a drop from the previous 5 albums and the last album featuring Mick Taylor. It does contain some good songs like the title track, Ain’t Too Proud To Beg, If You Can’t Rock Me, and others.

Favorite Song – If You Can’t Rock Me

Honorable Mention

Get Your Ya Yas Out

Get Your Ya Ya’s Out 1970 – I didn’t include any live albums but if I did this one would be in there. I also liked Still Life but this one to me is their best by far.

Favorite Song – Jumping Jack Flash

Their Satanic Majesties Request

Their Satanic Majesties Request 1967 – I know Stones fans who either hate this album or love it. I like it because they showed some more range in this one. They tried something different after Sgt Pepper was released and some of it works.

Favorite Song – She’s A Rainbow

The Rolling Stones Steel Wheels | Classic Rock Review

Steel Wheels 1989 – My favorite album after Tattoo You would be Steel Wheels by far. It contained the songs Mixed Emotions and Rock in a Hard Place. I missed this tour and the last one with Bill Wyman playing bass.

Favorite Song – Sad, Sad, Sad

Below is Happy from the 1972 tour…for my money, they never sounded better. One big reason was Mick Taylor and his Les Paul. Also, I like hearing Keith sing lead and backup…no it’s not perfect but it’s the Stones…no professional backup singers, please.

XTC – Senses Working Overtime ….Power Pop Friday

What a great-sounding band XTC has been for years. I was exposed to many bands in the 80s like The Replacements, REM (before they hit), and Big Star but not XTC. I didn’t find out about them until their 2002 release I’m The Man Who Murdered Love. When I heard that song I knew I had to find out about this band. Way back when I published that post I also looked up this song that a fellow blogger (run-sew-read) suggested. It’s only taken me 4 years but I’ve finally posted it!

This song was released in 1982 on the album  English Settlement. The album peaked at #48 on the Billboard Album Chart, #15 in Canada, #12 in New Zealand, and #5 in the UK. The song peaked at #10 in the UK, #31 in Canada, #37 in New Zealand, and #38 on the Billboard Mainstream Rock charts.

When they went on tour for this album… it would be their last. That didn’t exactly help them cross over to a mass audience. Andy Partridge had a fear of flying and severe stage fright that could have been heightened by withdrawing from valium that he had taken since childhood. On April 3, 1982, they performed their last show in San Diego. After that first night of the American tour, the rest of the tour was canceled. My friend Dave from A Sound Day has more info on this band and album.

I do think XTC would have broken through to a mass audience if they could have toured. At the time some people in America had thought that Partridge died and some bands held tribute shows.

Allmusic Stephen Thomas Erlewine: XTC was one of the smartest – and catchiest – British pop bands to emerge from the punk and new wave explosion of the late ’70s. … While popular success has eluded them in both Britain and America, the group has developed a devoted cult following in both countries that remains loyal over two decades after their first records. … XTC’s lack of commercial success isn’t because their music isn’t accessible – their bright, occasionally melancholy, melodies flow with more grace than most bands – it has more to do with the group constantly being out of step with the times. However, the band has left behind a remarkably rich and varied series of albums that make a convincing argument that XTC is the great lost pop band.

Drummer Terry Chambers on their last concert: “The audience was electric, everyone was on their feet and cheering throughout. It was the first date of our first major U.S. headlining tour, playing decent-sized venues, and the future looked good. I had no idea that Andy [Partridge, singer] was in such bad shape. Even after the gig, when we were traveling to LA, we had no clue that anything was wrong.”

Andy Partridge: “We were bullied back onto the road and that really started to wind me up, I’d be there onstage thinking: ‘I hate doing this.’ The anger towards being made to tour and the mental stress it was causing me began to manifest itself in stage fright, which I’d never had in my life. It didn’t help that my mental state was being exacerbated by the impact of Valium withdrawal, which I’d been on since my early teens.”

“And I had no concept of withdrawal, and I had no concept of what would happen to you if you stopped taking this stuff, which… your brain becomes dependent on it,” Partridge said in 2006. “And after 13 years of quite high doses, you’re really dependent on it. … I was losing my memory, I was getting bouts of amnesia, I was getting physical problems like pains in my stomach, I was getting weird events like I couldn’t move my legs. And my brain came unwound. I started having panic attacks.”

Senses Working Overtime

Hey, hey, the clouds are whey
There’s straw for the donkeys
And the innocents can all sleep safely
All sleep safely

My, my, sun is pie
There’s fodder for the cannons
And the guilty ones can all sleep safely
All sleep safely

And all the world is football-shaped
It’s just for me to kick in space
And I can see, hear, smell, touch, taste
And I’ve got one, two, three, four, five
Senses working overtime
Trying to take this all in
I’ve got one, two, three, four, five
Senses working overtime
Trying to taste the difference ‘tween a lemon and a lime
Pain and pleasure, and the church bells softly chime

Hey, hey, night fights day
There’s food for the thinkers
And the innocents can all live slowly
All live slowly

My, my, the sky will cry
Jewels for the thirsty
And the guilty ones can all die slowly
All die slowly

And all the world is biscuit-shaped
It’s just for me to feed my face
And I can see, hear, smell, touch, taste
And I’ve got one, two, three, four, five
Senses working overtime
Trying to take this all in
I’ve got one, two, three, four, five
Senses working overtime
Trying to taste the difference ‘tween a lemon and a lime
Pain and pleasure, and the church bells softly chime

And birds might fall from black skies (Whoo-whoo)
And bullies might give you black eyes (Whoo-whoo)
And buses might skid on black ice (Whoo-whoo)
But to me they’re very, very beautiful (England’s glory)
Beautiful (A striking beauty)

And all the world is football-shaped
It’s just for me to kick in space
And I can see, hear, smell, touch, taste
And I’ve got one, two, three, four, five
Senses working overtime
Trying to take this all in
I’ve got one, two, three, four, five
Senses working overtime
Trying to tell the difference ‘tween the goods and crimes
Dirt and treasure
And there’s one, two, three, four, five
Senses working overtime
Trying to take this all in
I’ve got one, two, three, four, five
Senses working overtime
Trying to taste the difference ‘tween a lemon and a lime
Pain and pleasure, and the church bells softly chime