1970s – Page 5 – PowerPop… An Eclectic Collection of Pop Culture

Babe Ruth and The Beatles

This very well could be one of those posts that sounded good in thought but not as good in action.

Strange title, huh? Two of my biggest interests growing up were Babe Ruth and The Beatles. An unlikely pair, but they caught my attention and started me down the path of researching and, most importantly, reading. I can be very obsessive about subjects. I probably would be diagnosed with something. When I find out about someone or some event, it’s not enough to know the event, but I want to know why, where, and how. Maybe that is the reason I started to blog. On the blogs, if Dave mentions a music festival that has been long forgotten, I want to know. If Lisa shows a painting on her site, I want to know who did it and what inspired them. When Halffastcyclingclub mentions a little-known artist or song, I want to know more about them.

I always pay attention to the comment section. That is why I blog. When all of you start commenting, I look up the bands you mention. CB, obbverse, M.Y., Warren, Jim, Randy, Matt, Christian, Clive, Phil, Nancy, and Colin (apologies to everyone I left off!) have supplied me with artists that I listen to on a normal basis. Just because I don’t post on them doesn’t mean I don’t listen to that band or artist. It might be months, but they will usually always pop up. Anyway, enough of this boring stuff…on to this other boring stuff. I guess I felt I had to set this up.

When I was a kid, George Herman Ruth was one of my heroes. I’m not a Yankee fan (always have been a Dodger fan); in fact, I usually root against them (especially last November). Those Red Sox and Yankee teams he was on are great to look back on from 1914 through 1935. His stats are unbelievable, and his personality was as big as his home runs. The man would not leave a kid behind waiting for an autograph. He did have bad habits; you could ask any brothel about him if they were still alive.

I parallel my interest in Babe Ruth with my interest in the Beatles. It’s not just the stats of Babe’s career or the popularity of the Beatles. It was never about popularity. No, because I didn’t know how great they were until I started to read about them. It’s an incredible story they both have. To start with little hope of making it in life, hardly at all…much less gaining popularity worldwide… and end up owning the world. Babe came from a poorer background, but the Beatles’ meeting at the right place and time defied the odds. So many things could have happened, but both worked out.

Both were bigger than life. People would travel from miles around to see The Babe hit one out or strike out, and the Beatles drew their share of people as well. They both defined a generation and are still talked about decades and in Babe’s case, a century later. Both are known around the world. You could go almost anywhere in the 20s – 50s and mention Babe Ruth, and they would know exactly who you were talking about. Even now, his name is alive, and the average person has heard of him, and it’s the same with The Beatles.

Maybe that is the reason I’m drawn to Big Star, The Replacements, and other lesser-known artists, and I like to spotlight them. Why did some get so big and others with a lot of talent didn’t? There are similarities between sports and music. Yes, you can be a one-hit wonder in both. The Kingsmen with Louie Louie and Mark Fidrych with one huge season. Both professions can make you a star or a goat. You could get on Bubblegum cards with both as well.

There is one difference between music and baseball/sports. In baseball, if you produce, you WILL get noticed or remembered. You might not be a Hall of Fame player, but you will get remembered by people. In music, you can produce the greatest album or song, but if the record company doesn’t promote you…it doesn’t matter because people won’t hear you. You are judged by the charts, and as we have all seen, sometimes the charts are not always the best. Want proof of that? Look up Chuck Berry’s only number 1 song.

If I had a time machine…I would go back to 1922 and watch Babe Ruth play, and 1961 to see The Beatles play. I would have loved to have sat in the smoky Hamburg club and to go to the Polo Grounds to grab a beer and a dog and watch the Babe.

Kolchak: The Night Stalker …coming soon

I guess this is like a trailer or a commercial for coming attractions. I’m going to tackle this series in a few weeks, with each episode getting a post. There are only 20 episodes plus two movies, so this won’t be a year and a half of The Twilight Zone or Star Trek like I did a few years back. I hope some of you readers are fans. It was totally different for its time and really for now. We will follow Carl Kolchak (Darren McGavin) as he chases monsters in the seventies.

Music posts will not be interrupted…this will be on Thursday, and I may sneak one in earlier in the week if possible. I hope you will enjoy it. I’m going to write up a few before I start posting. Also, Thanks to Lisa, who brought up this series when I told her I was watching The Night Gallery. I have watched this series over the years, but I don’t know the episodes as well as I do The Twilight Zone and Star Trek, so this will be a fun learning experience for me. I had watched The Twilight Zone and Star Trek so much that I didn’t need to research many of them when I covered their episodes.

I hope you will enjoy them. I will start them sometime in September. Also, I think most of the episodes are on YouTube.

Here is a fan-made trailer of the TV movie that spawned the show.

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Warren Zevon – Lawyers, Guns and Money

I went home with a waitress the way I always doHow was I to know she was with the Russians, too?

This song is for Song Lyric Sunday for Jim Adams’s blog. This week’s prompt is (drum roll please…) A song with a great opening line suggested by Max of PowerPop.

By the time Zevon was recording Excitable Boy in late 1977, he’d already built up a reputation in Los Angeles as a brilliant but different character. He’d been Linda Ronstadt’s piano player, he was pals with Jackson Browne, and he was that rare songwriter who could write a melody that would stick, but it would have a line that would make you laugh nervously. The sessions were stacked with heavy hitters—Danny Kortchmar on guitar, Waddy Wachtel as the sonic glue, Russ Kunkel on drums, and Leland Sklar on the bass. Basically, the best of the 1970s L.A. session scene.

Zevon wanted grit, menace, and the feeling that the whole thing could go off the rails at any second. That’s exactly why this song ended up as the closer; it wasn’t made for a radio single, but it was played quite a bit. The track closes the record with a bang after the short story songs of Roland the Headless Thompson Gunner and Werewolves of London. Where those songs work like short stories, Lawyers, Guns, and Money plays like a situation in escalating panic.

Zevon once stated in an interview that this was based on a true story. Zevon and his manager were partying in Mexico when the party decided to take to the road, and it looked like it was “about to hit the fan.” Zevon’s manager feigned a phone call: “Send lawyers.” Zevon jumped in: “And guns… and money.”

I’ve always liked Zevon’s dark songs with a sense of humor. His universe contains a lot of colorful characters. Zevon would go on to write subtler, more introspective songs, but this one, like Werewolves of London, made sure no one could ever mistake him for another singer-songwriter.

This song is on the great album Excitable Boy, released in 1978. The album peaked at #8 on the Billboard Album Charts and #12 in New Zealand. It was Zevon’s highest-ranking album.

Lawyers, Guns, and Money

I went home with a waitress the way I always doHow was I to know she was with the russians, too?

I was gambling in havana, I took a little riskSend lawyers, guns, and moneyDad, get me out of this, hiyah!

An innocent bystanderSomehow I got stuck between a rock and a hard placeAnd I’m down on my luckYes, I’m down on my luckWell, I’m down on my luck

I’m hiding in Honduras, I’m a desperate manSend lawyers, guns, and moneyThe shit has hit the fan

Send lawyers, guns, and moneySend lawyers, guns, and money

Send lawyers, guns, and money, hiyah!Send lawyers, guns, and money, ow!

…

Billy Joel – Captain Jack

I’ve never been a huge Billy Joel fan, but I do like a lot of his music. I had the Songs In The Attic album, and this is one of the songs that stood out. This is early 1970s Billy, restless and writing about disillusionment, very different from Uptown Girl Billy. I would even say this might be one of the most important songs of his career because of what followed.

Captain Jack is the drug dealer who breaks up the humdrum life of the narrator. Joel didn’t try to hide that in the lyrics at all. Some stations wouldn’t touch it, but others couldn’t stop spinning it. Joel later said the song wasn’t a glamorization, just an observation of what he’d seen in the Long Island neighborhoods where he grew up.

His debut album, Cold Spring Harbor, had been released with a massive technical flaw; the entire thing was mastered at the wrong speed, making Joel’s voice sound unnaturally high. Promotion was minimal, sales were bad, and Joel was locked into a contract that basically gave him pennies per record. He then did the only thing he could do…tour.

The song had quite an effect on Joel. Philadelphia’s WMMR-FM invited Joel to perform a live concert in their tiny Sigma Sound Studios space, just him, drummer Rhys Clark, and bassist Larry Russell. The station’s program director, Michael Tearson, and DJ Ed Sciaky were championing singer-songwriters, and Joel’s Cold Spring Harbor tracks had caught their ear despite the bad pressing.

Joel played an eight-song set, mixing early album cuts with unreleased songs. One of those was Captain Jack. The live performance of this song was rawer and darker than the album tracks he’d been promoting. Listeners lit up the station’s phones, demanding to know where they could buy the song.

Here’s the thing: they couldn’t. Captain Jack wasn’t on Cold Spring Harbor. It wasn’t on any record. WMMR started playing the tape of that live performance regularly, and soon it was one of the station’s most requested tracks, sometimes more than the current hits by Elton John or the Stones.

The WMMR Captain Jack proved Joel had an audience and that he could connect on FM radio without a hit single. By 1973, Columbia had signed him, sent him to Los Angeles with producer Michael Stewart, and Piano Man was born. This was the closing song on the album that included Piano Man and The Ballad of Billy the Kid.

Captain Jack

Saturday night and you’re still hangin’ aroundTired of living in your one horse townYou’d like to find a little hole in the groundFor a while, hmm

So you go to the village in your tie-dye jeansAnd you stare at the junkies and the closet queensIt’s like some pornographic magazineAnd you smile, hmm

Captain Jack will get you high tonightAnd take you to your special islandCaptain Jack will get you by tonightJust a little push, and you’ll be smilin’Oh, yeah

Your sister’s gone out, she’s on a dateAnd you just sit at home and masturbateYour phone is gonna ring soonBut you just can’t wait for that call, hmm

So you stand on the corner in your New English clothesAnd you look so polished from your hair down to your toesOh, but still your fingers gonna pick your nose after all, hmm

But Captain Jack will get you high tonightAnd take you to your special islandCaptain Jack will get you by tonightJust a little push, and you’ll be smilin’, ohOh, yeah-yeah

So you decide to take a holidayYou got your tape deck and your brand-new ChevroletAh, there ain’t no place to go anywayWhat for? Hmm

So you got everything, ah, but nothing’s coolThey just found your father in the swimming poolAnd you guess you won’t be going back to school anymore

But Captain Jack will get you high tonightAnd take you to your special islandOh, Captain Jack will get you by tonightJust a little push and you’ll be smilin’, oh yeah

So you play your albums, and you smoke your potAnd you meet your girlfriend in the parking lotOh, but still you’re aching for the things you haven’t gotWhat went wrong? Hmm

And if you can’t understand why your world is so deadWhy you’ve got to keep in style and feed your headWell, you’re 21 and still your mother makes your bedAnd that’s too long, whoa, yeah-yeah

But Captain Jack will get you high tonightAnd take you to your special islandWell, now Captain Jack will get you by tonightJust a little push and you’ll be smilin’

Oh, Captain Jack will get you high tonightAnd take you to your special islandWell, now Captain Jack will make you to high tonightJust a little push and you’ll be smilin’

Yeah, Captain Jack will get you high tonightAnd take you to your special islandCaptain Jack will get you by tonightWell, now Captain Jack will make you to high tonight

…

Rolling Stones – Rocks Off

The sunshine bores the daylights out of me

This song is a hell of an album opener. I wrote this last weekend, and I was going to post it for Jim’s SLS Sunday great album openers but I didn’t get to post it. This era was probably the pinnacle of the Stones’ career, both in the studio and live.

By the summer of 1971, the band had officially become British tax exiles. Facing crippling tax rates back home, they scattered across Europe, with Keith Richards renting Villa Nellcôte, a grand 19th-century mansion in Villefranche-sur-Mer, on the French Riviera. When I say renting, I mean turning it into a 24-hour rock ‘n’ roll asylum. The basement, humid, airless, and filled with cigarette smoke, became the main recording space. Mobile studio trucks parked outside ran cables through windows and stairwells.

Despite the drug use and long hours, they got it done. It would be hard to replicate this album because of how it was recorded. Many of the songs sound low-fi and make them even dirtier-sounding. The vocals on this song are not steady in volume, but that adds to it. This, to me, is how the Stones should sound. If they are too clean-sounding, it just doesn’t work for me in the studio or live. Mick Taylor’s guitar is a huge reason this album sounds so good as well.

This song opened their great Exile On Main Street album. Part of the charm is the muddiness of the recordings. It was recorded in the middle of heavy drugs, hangers-on, and a band fleeing from the taxes of England. It’s a wonder they got a song out of it, much less an album that some consider their best.

What you hear in those opening moments, Keith’s ragged riff tumbling down the stairs like it’s late for work, completely works. This song is sloppy yet tight and a bit menacing. It was a great opener for this album. It clearly told you what was coming next.

Exile On Main Street peaked at #1 on The Billboard Album Charts, Canada, and the UK in 1972. This was released as a single in Japan only.

Rocks Off

I hear you talking when I’m on the street
Your mouth don’t move but I can hear you speak

What’s the matter with the boy?
He don’t come around no more
Is he checking out for sure?
Is he gonna close the door on me?

And I’m always hearing voices on the street
I want to shout, but I can hardly speak

I was making love last night
To a dancer friend of mine
I can’t seem to stay in step
‘Cause she come ev’ry time that she pirouettes over me

And I only get my rocks off while I’m dreaming
(Only get them off, only get them off, only get them off)
I only get my rocks off while I’m sleeping
(Only get them off, only get them off, only get them off)

I’m zipping through the days at lightning speed
Plug in, flush out and fire the fuckin’ feed

Heading for the overload
Splattered on the nasty road
Kick me like you’ve kicked before
I can’t even feel the pain no more

Feel so hypnotized, can’t describe the scene
It’s all mesmerized all that inside me

The sunshine bores the daylights out of me
Chasing shadows moonlight mystery

Heading for the overload
Splattered on the dirty road
Kick me like you’ve kicked before
I can’t even feel the pain no more

And I only get my rocks off while I’m sleeping
(Only get them off, only get them off, only get them off)
(Only get them off, only get them off, only get them off)

…

Queen – You’re My Best Friend

I like Queen every once in a while, but I have to take them in doses. Queen is over the top, and they went out of their way to do that, which is fine, but in this song, they keep it more simple. I first got into them when my friend Paul, brought the News Of The World album cover to school, as we all loved the cool robot. Before he did that, I do remember this song on the radio. Out of all of their well-known hits, this one is a little different, more pure pop-sounding.

In the hands of another band, this song could have turned into a bland pop song. The harmonies and the arrangement by Queen lifted this song up. It was written by the bass player John Deacon. All members of Queen encouraged each other to write, and each one of them wrote at least one hit. Deacon wrote this one, I Want To Break Free, and the huge Another One Bites The Dust.

It was written for his wife, Veronica, while the couple were newly married. That explains the warmth in the lyrics, which never dip into rock-star bombast. Musically, it stands out in Queen’s catalog because of that Wurlitzer electric piano. Deacon played it and made it the song’s signature sound, even though Freddie Mercury didn’t like that instrument at all. Well, Freddie was wrong here because it fit the song perfectly. You cannot get that sound from a grand piano.

The song came off the A Night at the Opera album. This is one of the two albums that Queen named after Marx Brothers movies…the other one is Day at the Races. They were watching the A Night at the Opera movie while making the album. They became friends with Groucho Marx in the mid-seventies.

It peaked at #16 on the Billboard 100, #7 in the UK, and #2 in Canada in 1976.

Freddie Mercury: I refused to play that damn thing, It’s tiny and horrible and I don’t like them. Why play those when you have a lovely superb piano.

You’re My Best Friend

Ooh you make me live
Whatever this world can give to me
It’s you you’re all I see
Ooh you make me live now honey
Ooh you make me live

Ooh you’re the best friend that I ever had
I’ve been with you such a long time
You’re my sunshine and I want you to know
That my feelings are true
I really love you
Oh you’re my best friend

Ooh you make me live

Ooh I’ve been wandering round
But I still come back to you
In rain or shine
You’ve stood by me girl
I’m happy at home
You’re my best friend

Ooh you make me live
Whenever this world is cruel to me
I got you to help me forgive
Ooh you make me live now honey
Ooh you make me live

You’re the first one
When things turn out bad
You know I’ll never be lonely
You’re my only one
And I love the things
I really love the things that you do
Ooh you’re my best friend

Ooh you make me live

I’m happy at home
You’re my best friend
Oh you’re my best friend
Ooh you make me live
You’re my best friend

Fabulous Poodles – Mirror Star

Hanspostcard recommended this song to me, and it stuck with me. I guess I’ll never forget the name of this band. I heard of the band before because I remember reading about them opening for The Kinks and Tom Petty. John Entwistle played on a few tracks on their first album and produced it. On this second album, Muff Winwood produced it. This song and Chicago Boxcar (Boston Back) are probably their best-known songs.

The band was influenced by The Who and The Kinks, and you can tell. After listening to them a little, they have some pub rock, the punch of it, combined with really good pop songwriting. They formed in London in 1975, with Tony de Meur (vocals/guitar), Richie Robertson (bass/vocals), Bobby Valentino (violin/vocals), and Bryan Wernham (drums). From the start, they had a knack for mixing good pop songwriting with theatrical humor, with some British music hall thrown in. This song was written by Tony De Meur and John Parsons.

Like a lot of late ’70s UK pop/rock, Mirror Star didn’t tear up the charts, but it found a loyal following, especially when the band opened for The Kinks on their U.S. tours. American audiences who were expecting another punk band got this odd pop/rock band.

They released 3 albums between 1977 and 1979. This one was on their second album, Unsuitable, released in 1978. I’ve searched, and they didn’t seem to chart in the UK, which surprised me. This song did peak at #81 on the Billboard 100 in 1979.

Mirror Star

He was a lonely boy, no good at sportsHe couldn’t run, his legs were shortHe walked the streets inside his headAnd spent a lot of time in bed

He practiced on his way to schoolHis friends all said, you’re off the wallHe played a tight elastic bandHis mic was just his empty hand

Mirror, mirror, mirror starHe posed in front of every carThey all called him crazy kidHe ran up to his room and hid

He greased his hair with VaselineAnd practiced looking really meanHe saw a face that’s going farHe posed right there with his guitar

Head’s in the clouds on school reportsHe’s always lost in other thoughtsMade no difference, shut them outHe’d be a star someday, no doubt

Mirror, mirror on the wallYou never treat him like a foolHere in his room, he is the kingThe wild applause is deafening

You see his face on every wallFrom Camden Town to LiverpoolHe lays a groupie when he’s downAnd rents the best hotel in town

The kids hang round to see his faceAnd wish that they were in his placeReflections paid, the mirror made‘Cause posing’s helped him make the grade

Mirror, mirror on the wallYou never treat him like a foolHere in his room, he is the kingThe wild applause is deafening

Mirror, mirror, mirror starMirror starMirror, mirror starMirror, mirror, mirror starMirror, mirror starMirror, mirror

…

Syd Barrett – Octopus

I was never a huge Pink Floyd fan, but I did start liking them more and more through the years. My favorite era was the Syd Barrett era, before they became massive. Syd Barrett was a co-founder of Pink Floyd. He is credited with coming up with the band’s name, which was inspired by blues musicians Pink Anderson and Floyd Council. Their debut album has really grown on me and there are some gems on there.

By the time this was recorded in late 1969, Syd was already something of a rock ‘n’ roll ghost story. The man who led Pink Floyd through UFO Club acid nights and their first album (The Piper at the Gates of Dawn) had flamed out under the weight of mental illness. Octopus was the lead single from his 1970 album The Madcap Laughs, his first solo album. Yes, it is worth checking out.

A track that sounds like it was part nursery rhyme and English psychedelia mixed together into a surreal song. In just under two years since his short-lived run as Pink Floyd’s original frontman, Barrett had all but disappeared into erratic behaviour. I’m glad EMI decided to let him try again in 1969; it wasn’t out of commercial ambition because they had to know better. I like this album though, and I would recommend it.

The sessions were chaotic. Producers came and went: Peter Jenner tried first, then Malcolm Jones. When things still weren’t gelling, Barrett’s old bandmates David Gilmour and Roger Waters were drafted in to finish the job. Between all of them, they managed to pull the album together. Uncut placed this in their 200 Greatest Albums of all time. In 2015, NME (New Musical Express) placed this album at number 7 on a list of best albums recorded at Abbey Road.

The album peaked at #40 on the UK charts in 1970.

Octopus

Trip to heave and ho
Up down, to and fro’
You have no word
Trip, trip to a dream dragon
Hide your wings in a ghost tower
Sails cackling at every plate we break

Was cracked by scattered needles
The little minute gong
Coughs and clears his throat
Madam you see before you stand
Hey ho, never be still
The old original favorite grand
Grasshoppers green Herbarian band
And the tune they play is “In Us Confide”

So trip to heave and ho
Up down, to and fro’
You have no word
Please, leave us here
Close our eyes to the octopus ride

Isn’t it good to be lost in the wood?
Isn’t it bad so quiet there, in the wood?
Meant even less to me than I thought
With a honey plough of yellow prickly seeds
Clover honey pots and mystic shining feed

The madcap laughed at the man on the border
Hey ho, huff the Talbot
The winds they blew and the leaves did wag
They’ll never put me in their bag
The raging seas will always seep
So high you go, so low you creep
The wind it blows in tropical heat
The drones they throng on mossy seats
The squeaking door will always squeak
Two up, two down we’ll never meet

Please, leave us here
Close our eyes to the octopus ride

Graham Parker – Hold Back The Night

I missed this song in Graham Parker’s discography. This is a good one and a cover of the Trammps song they released in 1975. The Trammps would later have some huge disco hits. This one was more Philly soul-sounding. Parker had already been bending R&B and soul into his own style with his first two albums, Howlin’ Wind and Heat Treatment.

It was released on the EP The Pink Parker in late ’77 (a live version was tacked onto the U.S. version of The Parkerilla in 1979). Graham’s version is raw and raucous, much more than the original. The Pink Parker peaked at #24 in the UK Charts and #58 on the Billboard 100 in 1977. He recorded this with his great backup band called The Rumour.

The Rumour would be Graham’s backing band for years. They also recorded their own albums separately and did three in all. They broke up in 1980 and then reformed and started to back Parker up again in 2011 and remain his backup band to this day.

The Pink Parker was an EP, and it basically functioned as a stealth single for Hold Back the Night. The track started getting serious airplay and attention.

Hold Back The Night

Hold back the nightTurn on the lightDon’t wanna dream about you babyHold back the nightTurn on the lightDon’t wanna dream about you baby

When you leftYou took the sunRight out of my skyYes you didWonder whyYou went awayAnd never told me why

When the sun go downThe moon is nearI’m scared to death‘Cause your face appear

Hold back the nightTurn on the lightDon’t wanna dream about you babyHold back the nightTurn on the lightDon’t wanna dream about you baby

LonelinessHolding meWhen I go to bed yes it isLike a characterIn a bookThat I have read

When the sun go downThe moon is nearI’m scared to death‘Cause your face appear

Hold it hold it hold it hold it

Hold back the nightTurn on the lightDon’t wanna dream about you babyI said hold back the nightTurn on the lightDon’t wanna dream about you baby

Hold back the nightTurn on the lightDon’t wanna dream about you babyHold back the nightTurn on the lightDon’t wanna dream about you babyHold back the nightTurn on the lightDon’t wanna dream about you babyHold back the nightTurn on the lightDon’t wanna dream about you babyHold back the nightTurn on the lightDon’t wanna dream about you babyHold back the nightTurn on the lightDon’t wanna dream about you babyHold back the nightTurn on the lightDon’t wanna dream about you baby

…

Ramones – Sheena Is a Punk Rocker

I so love the Ramones. They cut through the BS and got down to business. No solos, no lengthy anything…just songs that rock and leave you wanting more. This song peaked at #81 on the Billboard 100 and #22 in the UK in 1977. This was supposedly the first punk song in the Billboard 100. This was the sound of punk going pop, and not in the sellout sense. It would become one of their most popular songs.

If you were standing outside CBGB in the summer of 1977, the street noise wasn’t just the usual loud feedback anymore; it had a melody with the Ramones. They had a lot of influences, but one of them was Bubblegum rock, and it shows. Most of their songs are very catchy.

This song was Joey Ramone’s attempt to write a 1960s-style teenage rebellion song for the late 1970s crowd, and he nailed it. The name was borrowed from Sheena, Queen of the Jungle, a pulp heroine with a loincloth and a machete. But in the Ramones’ world, she trades her safari clothes for a leather jacket and heads to the rock clubs.

Tommy Ramone helped produce this track. He is credited on the album under his real name, Tommy Erdelyi. They were more popular years after they broke up than they were when they were together. It’s a shame they didn’t get as popular when they were a working band.

Joey Ramone: “‘Sheena Is A Punk Rocker’ first came out as a single. I played it for (Sire Records President) Seymour Stein. He flipped out and said ‘We gotta record that song now.’ It was like back in the ’50s; you’d rush into the studio because you thought you had a hit, then put it right out. To me ‘Sheena’ was the first surf/punk rock/teenage rebellion song. I combined Sheena, Queen of the Jungle with the primalness of punk rock. Then Sheena is brought into the modern day: ‘But she just couldn’t stay/she had to break away/well New York City really has it all.’ It was funny because all the girls in New York seemed to change their name to Sheena after that. Everybody was a Sheena.”

Sheena Is A Punk Rocker

Well the kids are all hopped up and ready to go
They’re ready to go now they got their surfboards
And they’re going to the discotheque Au Go Go
But she just couldn’t stay she had to break away
Well New York City really has is all oh yeah, oh yeah

Sheena is a punk rocker
Sheena is a punk rocker
Sheena is a punk rocker now
Sheena is a punk rocker
Sheena is a punk rocker
Sheena is a punk rocker now
Well she’s a punk punk, a punk rocker
Punk punk a punk rocker
Punk punk a punk rocker
Punk punk a punk rocker

Sheena is a punk rocker
Sheena is a punk rocker
Sheena is a punk rocker now
Sheena is a punk rocker
Sheena is a punk rocker
Sheena is a punk rocker now
Sheena is a punk rocker
Sheena is a punk rocker
Sheena is a punk rocker now

My Favorite Ringo Starr songs

Well this finishes up my solo Beatles favorite songs. We had George, John, and Paul, and now last but not least…Mr Richard Starkey or Ringo Starr, whichever way you want to go. John Lennon was initially worried about Ringo when the Beatles broke up. He wondered how Ringo would make his way…he needed not to worry. In the early seventies, he had more hits than John or Paul did at that time. Plus, Ringo found a career in acting.

Lennon jokingly sent a telegram to Ringo after the success of the Ringo album and said, “Congratulations. How dare you? And please write me a hit song.”

Before I get on with the list. Ringo has had some really good songs on albums since the 1980s, but these I grew up with and are forever linked to him. Also now drummers and many other people are coming around to see just how great a drummer Ringo is.

Back Off Boogaloo – Many think a few of the verses are about Paul, and at this time, I can see that. Paul was suing the other Beatles, which turned out to be a good thing for all parties except Allen Klein. It was inspired by Marc Bolan because he frequently used the word “Boogaloo,” which stuck with Ringo.

2. Oh My My -This is an overlooked Ringo song that is really good. I had this single as a kid from a cousin. The song was on the 1973 Ringo album, which was his most successful album. Three of his former bandmates helped contribute to this album. It contained Photograph, You’re Sixteen, and this one, which were hits. Ringo and Vini Poncia wrote this one.

3. It Don’t Come Easy – A great pop single that fits Ringo’s voice perfectly. If you dig on YouTube, you can hear a version in which George Harrison sings. George Harrison is on guitar, Gary Wright on piano, Mal Evans on tambourine, and Pete Ham and Tom Evans from Badfinger on backup vocals. Klaus Voormann, a Hamburg fan, plays bass. It was credited to Ringo and George Harrison.

4. Photograph – Photograph and It Don’t Come Easy were probably the best straight-out pop singles Ringo released, and they are both excellent AM radio hits. George Harrison and Ringo wrote this one.

5. Early 1970 – Why is this song so high on my list? It’s a Ringo written song, and he has verses about each of the Beatles. Is it technically a great song? No, but it has a lot of meaning behind it, and it shows where Ringo was with the other Beatles at this time. He was really close to George, a friend to John, and with Paul, it was up in the air.

The first verse is about Paul… he talks about his farm, and his new wife Linda, and Paul was very quiet around this time and he stopped coming to Apple. He also told Ringo to get out of his house when Ringo delivered a message from the 3 Beatles for McCartney to delay releasing his debut album because of Let It Be releasing at the same time. They finally gave in to Paul. Ringo was wondering if Paul would play music with him when he came by again. And when he comes to town, I wonder if he’ll play with me.

The second verse is about John. Ringo sings about John and Yoko doing the bed in, and what I thought was “Cocaine” as a kid was really a lesser drug…”Cookies.” He also references Yoko with “With his mama by his side, she’s Japanese.” At the end of the verse…unlike Paul, he knows John will play music with him. And when he comes to town, I know he’s gonna play with me.

The third verse is about George. Ringo and George were extremely close in the Beatles and afterward. Things did pop up between them through the years but they remained friends. He describes George in the first line, Pattie Boyd Harrison in the second, and George’s famous mansion Friar Park in the 3rd. Ringo and George wrote together, and George hung out with Ringo more than the other Beatles. He’s a long-haired, cross-legged guitar picker, um-um.
With his long-legged lady in the garden picking daisies for his soup. A forty acre house he doesn’t see, ‘Cause he’s always in town playing for you with me.

6. No No Song – Ok…it’s a pure novelty song but…it’s Ringo. If John, Paul, or George had done this, it wouldn’t be in my top 100…but…again…it’s Ringo. He can get by with it. This was the last of his big hits in America. This one was by Hoyt Axton.

7. Your Sixteen – I had his single as a kid…another one off of the Ringo album. The Ringo album is almost Ringo’s Greatest Hits.

8. Only You – Ringo did a nice cover of this song.

9. I’m The Greatest – Lennon wrote this one for Ringo as well. It was on the huge Ringo album. Lennon knew he could not get by with singing this.

10. Grow Old With Me – John Lennon wrote this song for Ringo, but Ringo waited until 2019 to do it because John gave it to him right before he was murdered.

…

Ry Cooder – Jesus On The Mainline

I had another Ry Cooder song written up and scheduled to go today, but in a conversation, halffastcyclingclub played me this song while we were talking about something else. I decided to try to write this one up for Sunday. I love the spirit and soulfulness of this song. I’ll post the other Cooder song soon. Halffastcyclingclub posted this song on Ry Cooder’s 75th Birthday here.

This song was on his 1974 Paradise and Lunch album. This isn’t a solo showcase or a guitar clinic. Cooder doesn’t treat roots music like a museum exhibit; he has fun with it. You can hear the respect, but you can also hear the joy. It’s a song that, after a minute, I fell in love with.

He sent me the live version, which I would recommend. It’s an old spiritual, passed down and passed around, sung in churches and on chain gangs, more often associated with Sunday salvation. The writer of this beautiful song is unknown, but has been in the American folk and gospel circles for years. Mavis Staples also did a great version of this one. Cooder’s version is almost like a tent revival crossed with a Muscle Shoals jam session.

Cooder’s guitar is wonderful as always in this, but his voice lifts the whole thing skyward with that gospel chorus. This is the kind of song that you don’t just listen to, you get in and ride with it. The album peaked at #174 on the Billboard Album Charts in 1974.

Jesus On The Mainline

I know Jesus is on that mainlineTell Him what you wantJesus is on that mainlineTell Him what you wantJesus is on that mainlineTell Him what you wantCall Him up and tell Him what you want

Well, the line ain’t never busyTell Him what you wantWo, that line ain’t never busyTell Him what you wantWell, the line ain’t never busyTell Him what you wantKeep on calling Him upAnd tell Him what you want

Well, if you want His kingdomTell Him what you wantIf you want His kingdomTell Him what you wantIf want His kingdomTell Him what you wantCall Him up, call Him up, call Him up, call Him upYou can call Him up and tell Him what you wantWell, if you’re sick and want to get wellTell Him what you wantWell, if you’re sick and you want to get wellTell Him what you wantIf you’re sick and you want to get wellTell Him what you wantCall Him up and tell Him what you want

And if you’re feeling down and outTell Him what you wantAnd if you’re feeling down and outTell Him what you wantAnd if you’re feeling down and outTell Him what you wantCall Him up and tell Him what you want

I know Jesus is on that mainlineTell Him what you wantJesus is on that mainlineTell Him what you wantJesus is on that mainlineTell Him what you wantCall Him up, call Him up, call Him up, call Him upCall Him up and tell Him what you want

…

On Any Sunday

Great documentary about motorcycle racing of all kinds. I still drool over these vintage motorcycles. For the early seventies, it gives you some fantastic footage of what it was like racing on a motorcycle.

I love documentaries, but I wasn’t sure this one would interest me…but it did. I’m not a motorcycle guy, and I only rode some when I was a teenager, but this 1971 documentary kept me glued. I would recommend this to anyone, young or old. The longer I watched, the more I got hooked.

Steve McQueen is in this film, and he helped finance it because he believed in it so much. He is not in it a lot, but he was a gearhead. It was made by Bruce Brown, the same filmmaker who made “Endless Summer,” an excellent documentary about Surfing. Again, I’m not a surfer by any means, but it was also very interesting. I saw the surfing one first, and I got hooked, so I went to this one. It swapped out surfboards for motocross bikes, waves for dirt trails, and sandy blond beach bums for sunburned gearheads with calloused hands and battered helmets.

This film follows about every kind of motorbike competition you can think of… it centers on off-road competition rather than road riding. While Steve McQueen was the draw and provided a lot of the backing to the film, the two main motorcyclists they follow are today’s leaders in their field. The two were Mert Lawwill and Malcolm Smith.

Mert was one of the early pioneers in the off-road bicycling world, having introduced the first production mountain bike. He also developed prosthetic limbs for amputees.

Malcolm owns a dealership and runs Malcolm Smith Racing, a producer of off-road rider equipment. Smith was inducted into the Off-road Motorsports Hall of Fame in 1978, the Motorsports Hall of Fame of America in 1996, and the Motorcycle Hall of Fame in 1998.

I gained a lot of respect for these men who gave their lives to this sport they loved. They traveled around the country with broken vehicles, raced with broken arms and backs to do something they loved without much pay. Brown didn’t over-explain anything. He just showed it. And that’s the charm. On Any Sunday, it doesn’t try to sell you the sport; it invites you to ride with them.

This documentary helped change the image of motorcyclists. There was a “sequel” to this documentary called On Any Sunday: The Next Chapter in 2014.

After watching it, I wanted a motorcycle really bad…But I let the thought pass by and got a Jeep instead.

FULL MOVIE

My Favorite John Lennon songs

Since I listed George’s songs…I have to finish what I started. This one is the hardest to write of any of them because I’m leaving off a lot of great songs.

John is the Beatle I favor; on the surface, the reasons are many. The man’s voice was one of the best rock voices I’ve ever heard. I preferred his voice to that of McCartney, Harrison, and Starr. He probably could write better pure rock songs than the other Beatles, and he also had a great sense of melody that could keep up with Paul and, at times, surpass him on ballads. Yes, he could be witty, sharp, and downright hateful at times, but he was the truth guy for them.

One of the worst days in my teen years was December 9, 1980. I was 13, and that morning I found out that John Lennon was murdered on the 8th. It really hit me hard and changed me in many ways. At that age, this showed me that the world could be an awful place.

When John was murdered, a very unfair thing happened. John was elevated almost as a Saint, which he would have readily admitted he was not. Paul became the sidekick and sank lower in people’s perception of the band. John became the cool one and Paul the square, which was totally unfair to both of them. It didn’t start changing until the Anthology came out in the mid-90s. People started to see Paul as an equal, which he was, and George started to get recognized more and more, as I said last week. And, most people loved Ringo anyway.

My favorite John songs won’t include The Beatles, as I explained last week in the George Harrison post. This will be just solo John. My favorite albums by him were the first two official albums he released. Plastic Ono Band and Imagine. His Mind Games and Steel and Glass albums are great as well, but he had an edge on those first two that he didn’t have on the rest.

Instant Karma! (We All Shine On) – This song is so damn fresh-sounding. It sounds like it was recorded yesterday. It’s so electric-sounding and live.

2. Working Class Hero – This song was a favorite of mine of John Lennon when I was younger. He took some flak about this one, and also the song Imagine. When it came to being a Working Class Hero and having all of his possessions. His answer was

“What would you suggest I do? Give everything away and walk the streets? The Buddhist says, “Get rid of the possessions of the mind.” Walking away from all the money would not accomplish that. It’s like the Beatles. I couldn’t walk away from the Beatles. That’s one possession that’s still tagging along, right?”

3. Mind Games – This is around the time Lennon started to mellow out a bit musically and personally. I bought this single in 1979…6 years after it was released.

4. I Know (I Know) – Yep…this one is not as well known, but it was reportedly about either Yoko or Paul. It was released on the 1973 album Mind Games.

5. GOD – He pours out his feelings on the Beatles and everything else.

6. Watching the Wheels – When listening to Double Fantasy, I like it, but not as well as his early seventies output. This one, though, fits in nicely with his best songs.

7. Jealous Guy – He wrote this melody with the Beatles, but later added some more words to describe himself.

8. How? – What makes “How?” stand out for me is its vulnerability. Lennon doesn’t pretend to know the answers; instead, he shares the questions most of us keep to ourselves. That honesty is what drew me to music in the first place.

9. Nobody Told Me – This one he wanted Ringo to do and had planned to give it to him. I think Ringo would have done a great job of it but I’m glad we have John’s version.

10. Mother – It seems John was looking for a mother for all of his life. His real mother left him with his aunt Mimi, and years later, when he finally started to get to know his mother, she was killed in a hit-and-run accident.

*Bonus! – How Do You Sleep? – It’s the song about Paul when both were angry at each other. Forget that for a minute…it’s a great melody and song on its own. It’s a brilliant piece of rock and roll with George’s snarling slide guitar and an irresistible groove, but its venom can be hard to swallow. Lennon’s line “The sound you make is muzak to my ears” still makes me wince.

…

My Favorite George Harrison songs

Everyone who knows me knows that John is my favorite Beatle, but since I’ve been blogging, I’ve met a lot of people who have been won over by George. I’ve always liked George, but I’ve probably delved more into his catalog than I did before because of people’s enthusiasm about him. I know many bloggers now who consider him their favorite out of The Beatles, including Lisa from tao-talk.com, who ironically, inspired this post from her John Lennon post on Sunday. Enthusiasm rubs off, so I thought I would list my top ten favorite George songs. For some of Lisa’s posts about George, check here, here, here, here, and here. George’s popularity has grown a great deal in the past few years.

I can only imagine how he felt being in a band that contained two of the top songwriters of the 20th Century. Unlike John and Paul, George didn’t start writing songs until 1963-1964. John and Paul had been writing songs since 1956. He was influenced by both of them, and I think he influenced them later on. Songs like Something, you can hear McCartney’s influence. With Taxman I can hear some of John in that one.

You may notice something about this list. It leaves off his two biggest hits. My Sweet Lord and I’ve Got My Mind Set On You. Maybe I’ve heard them too many times, I don’t know, but the other ones hit me more. I’m also going to leave off Beatles (and Wilburys) songs that George wrote. If I made a list of John’s songs (which I will now), I won’t include his Beatles songs because I think they belong to all four, not just John.

I switched my number one and two songs a little while back. They are close to me, but the number one song has won me over again and again.

All Things Must Pass

This is not only my favorite George Harrison song, but I also think it’s one of the best solo Beatles songs, period.

This 1970 George Harrison song is on the album All Things Must Pass. He brought it up during the Let It Be sessions; they went over it, and it sounded fantastic for a rehearsal…you could hear it taking shape. George was mindful of the TV show concert of some kind on Let It Be (it wasn’t decided yet). He wanted to play acoustic and was afraid the acoustic would get lost live. All the songs they did on Let It Be live on the rooftop…were rockers. They went through the song over 30 times. They picked it back up before the concert, but George dropped it. George wanted to do more of a rocker.

To me, it’s the greatest non-officially recorded Beatles song. When all the Beatles’ voices came together in the chorus while rehearsing this one…a shiver went through me. None of them could reproduce those vocals apart.

2. Isn’t It A Pity

I think this one gets forgotten, and it shouldn’t be that way. It was the B side to My Sweet Lord and I think it’s the superior side. George said he wrote it in 1966, but it didn’t see the light of day until 1970.

It resembles Hey Jude in its structure.

3. What Is Life

What an uplifting song this is. It’s a slice of guitar-pop ecstasy. Power pop? Soul-pop? Sunshine fuzz-rock? However you tag it, it belongs high on anyone’s list of 1970s songs.

4. Blow Away

I bought this album, which was in a cut-out bin at a record store and I was surprised how good this album was. This is a song that doesn’t come up as much when you hear George’s music. Much like Isn’t It A Pity…it gets forgotten. It’s nothing earth-shattering or complicated about this song… It’s just a truly great pop single.

5. Any Road

This song was released posthumously, and it remains one of my favorite George songs. It pretty much sums up his philosophy, and I love it. It seemed like a final message from George to everyone.

I heard this song before George passed away…a live version of it by him on a VH1 special that he was on. The interviewer kept pushing him to do a song…I’m glad he did now. When I heard it, I smiled because it was so George. With George’s songs, you could expect a good melody, slide guitar, and his own nugget of knowledge that he left behind.

This song was on George’s last album, Brainwashed, in 2003. George wrote the song in 1988 while working on a video for “Cloud Nine.”

I would follow with these songs.

6: Crackerbox Palace –I first saw the video of this song on television in the seventies. I might have seen it on the SNL broadcast…probably a repeat. A good catchy song by George off of his Thirty-Three & 1/3 album.

7: Give Me Love (Give Me Peace on Earth) – Another positive song from George. George Harrison said this about the song: “Sometimes you open your mouth and you don’t know what you are going to say, and whatever comes out is the starting point. If that happens and you are lucky, it can usually be turned into a song. This song is a prayer and personal statement between me, the Lord, and whoever likes it.”

8. When We Was Fab – It was nice to hear him having fun with his legend instead of the bitterness that all of them had for a short time.

9. Devil’s Radio – From what I read about George, as a kid, he didn’t like the neighbors knowing his business and hated gossip…this song says that plain and clear about the press as well.

10. The Art of Dying – Harrison wrote these lyrics while he was still a Beatle. He found it hard to get many of them on Beatles albums because there was only so much room. The good side is that when The Beatles broke up, he had a backlog full of songs.