Steve Earle – I Ain’t Ever Satisfied

I first found out about Steve Earle through this song. It has remained one of my favorite songs. Steve has released a lot of great songs since but it’s the honesty of this song that I like so much.

I was working at a factory and going to college and I had a radio on while driving a tow motor. After I heard it I immediately bought the album “Exit 0” and enjoyed the complete album. The lyrics ring true of the human spirit…we are never satisfied. Steve Earle was one of the highlights of the 80s for me. Down to earth music and very rootsy.

The night after I got Exit O I learned this song and our band played it. I went to my first Bob Dylan concert on August 20, 1989, and Steve Earle opened up for him. That was one of the best pairings I’ve seen. He played this song and the night was complete…Copperhead Road was pretty good also! I’ve seen Dylan 8 times but this was probably the worse. He played for maybe 40 minutes and left the stage. I remember someone behind me screaming…”I know you are an old son of a b****” but come on… Bob was 48 that year.

Steve is such an underrated American songwriter. The year before this song he released his breakout album Guitar Town. He was straddling the line between country and rock at this period. It’s hard to classify Earle and no need to…he writes great songs that many can relate to.

The song peaked at #26 on the Billboard Mainstream Rock Charts in 1987. The album Exit 0 peaked at #15 on the Billboard Album Country Charts and #36 in Canada.

Just a cool note… Waylon Jennings makes a cameo appearance at the end of the video.

I Ain’t Ever Satisfied

I was born by the railroad tracksWell the train whistle wailed and I wailed right backWell papa left mama when I was quite youngHe said now “One of these days you’re gonna follow me son”

Woh-oh-oh-oh-oh-oh-oh-ohI ain’t ever satisfiedWoh-oh-oh-oh-oh-oh-oh-ohI ain’t ever satisfied

Now I had me a woman she was my worldBut I ran off with my back street girlNow my back street woman could not be trueShe left me standin’ on the boulevard thinkin’ ’bout you

I’ve got an empty feeling deep insideI’m going over to the other sideLast night I dreamed I made it to the promise landI was standin’ at the gate and I had the key in my handSaint Peter said “Come on in boy, you’re finally home”I said “No thanks Pete, I’ll just be moving along”

Woh-oh-oh-oh-oh-oh-oh-ohI ain’t ever satisfiedWoh-oh-oh-oh-oh-oh-oh-ohI ain’t ever satisfied

Led Zeppelin – Dazed And Confused

The writing credit on this song is Jimmy Page but is based on an acoustic song with the same title that Jimmy Page heard folk singer Jake Holmes perform. When Page was a member of The Yardbirds, they played on the same bill with Holmes at the Village Theatre in New York City. Holmes’ version is about an acid trip, but contains many of the same elements that made their way into the Led Zeppelin version: walking bass line, paranoid lyrics and an overall spooky sound.

Led Zeppelin’s version was not credited to Jake Holmes, as Page felt that he changed enough of the melody and added enough new lyrics to escape a plagiarism lawsuit. Well that didn’t work, many years later Jake Holmes sued Zeppelin in 2010 for the song. The suit was “dismissed with prejudice” on January 17, 2012, after an undisclosed settlement between Page and Holmes was reached out of court in the fall of 2011. After that the song was credited “By Page – Inspired by Jake Holmes.”

Jake Holmes was never successful commercially as a singer/songwriter…but you know his work. He wrote many famous jingles, including “Be a All That You Can Be” for the US Army and “Be A Pepper” for Dr. Pepper. He also wrote songs for Frank Sinatra and The Four Seasons.

The Yardbirds played the song in concert, but never recorded a studio version, although they did play it for a BBC taping in March 1968. This was one of the first songs Led Zeppelin recorded. It was released as a single in the US in January 1969, two weeks before the album was issued.

At live shows, Page played this using a violin bow on his guitar. He claimed that he got the idea from a session violinist he worked with who suggested it. Eddie Phillips of the UK band The Creation guitarist pioneered the use of the violin bow on guitar strings, predating Page doing it in The Yardbirds by two years.

The song didn’t chart but the self titled album peaked at #10 on the Billboard Album Charts, #11 in Canada and #6 in the UK in 1969.

Jake Holmes – “We were on the bill with The Yardbirds. We performed it there and blew the place apart with that song, and that’s when Jimmy Page saw it. From what I gather from The Yardbirds, Page sent somebody out to get my album. He did a great job, but he certainly ripped me off.”

Dazed And Confused

Been dazed and confused for so long, it’s not true
Wanted a woman, never bargained for you
Lots of people talk and few of them know
Soul of a woman was created below, yeah

You hurt and abuse, tellin’ all of your lies
Run ’round, sweet baby, Lord, how they hypnotize
Sweet little baby, I don’t know where you’ve been
Gonna love you, baby, here I come again

Every day I work so hard, bringin’ home my hard-earned pay
Try to love you, baby, but you push me away
Don’t know where you’re goin’, only know just where you’ve been
Sweet little baby, I want you again

Ah, ah, ah, ah
Ah, ah, ah, ah
Ahh, ah
Ahh, ah, ah, ah, ah
Ahh, ah

Oh yeah, alright, alright
Ah, ah, ah, ah, ah, ah, ah
Ah, ah, ah, ah
Ah, ah, ah, ah

I don’t like when you’re mystifyin’ me
Oh, don’t leave me so confused, now
Whoa, baby

Been dazed and confused for so long, it’s not true
Wanted a woman, never bargained for you
Take it easy, baby, let them say what they will
Tongue wag so much when I sent you the bill
Oh yeah, alright

Oh, oh, oh, oh, oh
Oh, oh, oh, oh
Oh, oh, oh, oh
Oh, oh, ah, ah, ah, ah

…

Lovin’ Spoonful – Did You Ever Have to Make Up Your Mind?

I grew up with a Lovin’ Spoonful Greatest Hits album. Like The Rascals (or Young Rascals) they were primarily a singles band more known for their hits than their albums.

This song was written by John Sebastian. He said he was influenced by a pair of sisters he met at a summer camp where he was a counselor. Neither sister was interested in Sebastian, even though he taught himself the autoharp in an attempt to impress them.

The song did very well peaking at #2 on the Billboard 100, #6 in Canada, and #5 in New Zealand in 1966. A good song by the Lovin’ Spoonful who had a string of hits in the sixties. They had a short window…1966-1969 but they had 14 songs in the Billboard 100. 1 number one and 7 top ten hits.

Their songs are grounded in folk, jug music, and blues. I don’t know if it is possible to be in a bad mood while listening to them. They are now staples on oldies radio stations.

Zal Yanovsky left in 1967 after being dissatisfied with John’s more personal songwriting and a pot conviction. John Sebastion left the group on 1968 and with him gone the hits dried up.

A fun band to listen to. You won’t hear rock operas or rocking solos but you will hear a band that sounds like they are having a good time.

They reunited once in 1979 and for their Rock and Roll Hall of Fame induction in 2000.

As the ’60s drew to a close, The Lovin’ Spoonful disbanded and Sebastian started working on a variety of projects. He wrote music for the Care Bear series, published children’s books, made harmonica instruction videos, and, wrote the theme song to the TV show Welcome Back, Kotter, which was a #1 hit.

Did You Ever Have to Make Up Your Mind?

Did you ever have to make up your mind?
And pick up on one and leave the other behind?
It’s not often easy and not often kind
Did you ever have to make up your mind?

Did you ever have to finally decide?
And say yes, to one and let the other one ride?
There’s so many changes and tears you must hide
Did you ever have to finally decide?

Sometimes there’s one with big blue eyes, cute as a bunny
With hair down to here, and plenty of money
And just when you think she’s that one in the world
Your heart gets stolen by some mousy little girl

And then you know you’d better make up your mind
And pick up on one and leave the other behind
It’s not often easy and not often kind
Did you ever have to make up your mind?

Sometimes you really dig a girl the moment you kiss her
And then you get distracted by her older sister
When in walks her father and takes you in line
And says, “Better go on home, son, and make up your mind”

Then you bet you’d better finally decide
And say yes to one and let the other one ride
There’s so many changes and tears you must hide
Did you ever have to finally decide?

Beatles – All My Loving

This is the first song America heard on February 9, 1964, on the Ed Sullivan Show.

I love this song for one big reason. John Lennon plays a hell of a rhythm in the background. He makes it sound so deceptively easy but it’s not. I need to start focusing on some of their earlier music instead of just their late sixties tracks. I have some readers that just like their early stuff and others who like just the mid or later. I love both because it’s the same band… early, middle, or late… both have great melodies but just different tones of instruments.

What is great about the early part is their harmonies. When I played in a band we didn’t do many Beatles songs although they were being requested. If we did we did a later song like Get Back without those harmonies. It takes a band with 2 or better yet 3 singers who can do those harmonies. Not easy to do when you are teen playing instruments at the same time. We stuck with Rolling Stones and CCR songs without the complicated harmonies. Now we couldn’t do I Am The Walrus either because of the craziness of the instruments.

This song was on the first Beatles album I listened to…the American version of With The Beatles named Meet The Beatles with their faces in shadow. We had a clubhouse and my older cousin bought the album and I was hooked…for life. It’s hard not to get hooked by the songs.

On February 9th, 1964, an estimated 73 million viewers watched this much-hyped young Liverpool band perform five songs ‘live’ from CBS-TV Studio 50 in New York City. Capital Records kept rejecting Beatles songs until I Want To Hold Your Hand. A few radio stations started to play the song and soon Capitol realized that they could not reject them anymore. They didn’t like British records and only would release novelty British songs in America. When they started to get behind Meet The Beatles the dam burst.

They chose All My Loving to start the set and made an immediate good first impression and kept that huge television audience tuned in for the whole show. What separated the Beatles from other bands? The thousands of hours they already had under their belt from rocking in Hamburg, The Cavern, and all around Europe. At one point they very well could have had more hours on stage than any other rock band. Another thing was the quantity and more important the quality of the songwriting of the band that would continue to their end.

It’s a Lennon-McCartney song but mostly McCartney. The song peaked at #1 in Canada and New Zealand. It surprisingly only peaked at #45 on the Billboard 100 in 1964.

Paul McCartney: “I don’t know that I was thinking specifically of Jane Asher when I wrote this, though we were courting. It’s probably more of a reflection on what our lives were like then – leaving behind family and friends to go on tour and experience all these new adventures.”

All My Loving

Close your eyes and I’ll kiss you
Tomorrow I’ll miss you
Remember I’ll always be true
And then while I’m away
I’ll write home every day
And I’ll send all my lovin’ to you

I’ll pretend that I’m kissing
The lips I am missing
And hope that my dreams will come true
And then while I’m away
I’ll write home every day
And I’ll send all my lovin’ to you

All my lovin’, I will send to you
All my lovin’, darlin’, I’ll be true

Close your eyes and I’ll kiss you
Tomorrow I’ll miss you
Remember I’ll always be true
And then while I’m away
I’ll write home every day
And I’ll send all my loving to you

All my lovin’, I will send to you
All my lovin’, darlin’, I’ll be true
All my lovin’, all my lovin’
Ooh ooh, all my lovin’, I will send to you

Leonard Nimoy – The Ballad of Bilbo Baggins

We all need a laugh sometimes. This is one of the most bizarre songs + videos I’ve ever seen.

Do I have any readers that are Star Trek fans of the original series? The reason I ask is that within a couple of weeks, I’ll be going over every episode like I did with the Twilight Zone. I hope you will enjoy it. There are not many shows you can do that with on a blog but I think Star Trek will work as well as the Twilight Zone.

I just couldn’t resist posting this. One youtube commenter said: I attended a Trek convention with a friend in the 80s. He had a copy of Nimoy’s LP and wanted it autographed. He presented it to Nimoy during the signing event. Nimoy shook his head and said, “God, I thought we burned all of these”, then grudgingly signed it. He lightened up on that stance as the years went by and would sing parts of it at conventions.

It is amusing to see him smile in the video as that rarely happened in Star Trek. I have a question for my readers if you made it this far. At first in the video, it looks like he is wearing the Spock ears but in the middle… it doesn’t look like he is…is he? It’s not the clearest video but worth watching.

The song was written by Charles Randolph Grean. He was best known as the arranger for the Nat King Cole recording of The Christmas Song. In 1950, he wrote “The Thing,” a popular novelty song that reached number one on the charts in a version sung by Phil Harris.

Nimoy has quite the discography. He released 5 albums between 1967 and 1970 plus a compilation in 1993 named Highly Illogical. This song was on the 1968 album Two Sides of Leonard Nimoy.

The song got noticed more after the movie series than it had been during its initial release. It was also on a 1996 15-minute documentary titled Funk Me Up Scotty. The film had been made for BBC’s Star Trek Night. The song gets circulated now pretty regularly.

When asked where the master tapes were in 2003…Leonard Nimoy: “I’m not looking for a wave of Leonard Nimoy Hobbit songs all over the world. I don’t think it’s gonna happen”

Here is Funk Me Up Scotty

(Everyone sing along)

The Ballad of Bilbo Baggins

In the middle of the earth in the land of the Shire
Lives a brave little hobbit whom we all admire.
With his long wooden pipe,
Fuzzy, woolly toes,
He lives in a hobbit-hole and everybody knows him

Bilbo! Bilbo! Bilbo Baggins
He’s only three feet tall
Bilbo! Bilbo! Bilbo Baggins
The bravest little hobbit of them all

Now hobbits are a peace-lovin’ folks you know
They don’t like to hurry and they take things slow
They don’t like to travel away from home
They just want to eat and be left alone
But one day Bilbo was asked to go
On a big adventure to the caves below,
To help some dwarves get back their gold
That was stolen by a dragon in the days of old.

Bilbo! Bilbo! Bilbo Baggins
He’s only three feet tall
Bilbo! Bilbo! Bilbo Baggins
The bravest little hobbit of them all

Well he fought with the goblins!
He battled a troll!!
He riddled with Gollum!!!
A magic ring he stole!!!!
He was chased by wolves!!
Lost in the forest!!!
Escaped in a barrel from the elf-king’s halls!!!

Bilbo! Bilbo! Bilbo Baggins
The bravest little hobbit of them all

Now he’s back in his hole in the land of the Shire,
That brave little hobbit whom we all admire,
Just a-sittin’ on a treasure of silver and gold
A-puffin’ on his pipe in his hobbit-hole.

Bilbo! Bilbo! Bilbo Baggins
He’s only three feet tall
Bilbo! Bilbo! Bilbo Baggins
The bravest little hobbit of them all

Creedence Clearwater Revival – Suzie Q

This song has one of the most recognizable guitar licks in rock history.

A bar band needing another song to get through the night? This is the one that the guitar player would noodle around and get it and the band could kick in without rehearsing. I saw the clock turn to 3am playing this song many times… if you could see the clock through the smoke. The guitar riff on the original version was created by the then-15-year-old James Burton.

The song took Dale Hawkins and his band three months to perfect the song on the stages throughout the south. He was the original singer of the song and it came out in 1957. The song was credited to Dale Hawkins, Robert Chaisson, Stan Lewis, and Eleanor Broadwater. The song peaked at #24 on the Billboard 100 and #7 on the R&B Charts.

This song is the only top 40 song for CCR not written by John Fogerty. This song started it all for Creedence. After this, they were one of the most successful bands in the world. The song peaked at #11 on the Billboard 100 and #10 in Canada. Fogerty wanted to make their identity with this song.

CCR’s version became popular on the West Coast before it was available on vinyl. The band brought a cassette tape of the song to a San Francisco DJ, who played it in appreciation for the group’s earlier support of a DJ strike. Fantasy records then had to get the single out. The song was on their debut album called Creedence Clearwater Revival released in 1968. It peaked at #52 on the Billboard Album Charts.

The Rolling Stones also covered it on their 1964 12 x 5 album.

John Fogerty: “I knew I needed to work on arranging the song so that the band would sound like Creedence Clearwater Revival, would sound professional, mysterious and also have their own definition. The song I chose was ‘Susie Q.’ I decided not to write the song myself. I decided to pick something that existed because it’d just be easier. I’d be less self-conscious about doing things.”

John Fogerty on hearing it for the first time: “I went crazy and immediately began banging on the dashboard.”

When asked what the rhymes are in the latter part of the song, bass player Stu Cook said, “They were just simple rhymes. John hated it when songwriters used simple rhymes just to make things rhyme, so this was a statement against that. It was sort of anti-Dylan.”

Suzie Q

Oh Susie Q, oh Susie Q
Oh Susie Q baby I love you, Susie Q
I like the way you walk
I like the way you talk
I like the way you walk
I like the way you talk
Susie Q

Well, say that you’ll be true
Well, say that you’ll be true
Well, say that you’ll be true and never leave me blue, Susie Q

Well, say that you’ll be mine
Well, say that you’ll be mine
Well, say that you’ll be mine, baby all the time, Susie Q

Uh uh
Uh uh
Uh uh
Uh uh

Oh Susie Q, oh Susie Q
Oh Susie Q, baby I love you, Susie Q

I like the way you walk
I like the way you talk
I like the way you walk I like the way you talk, Susie Q

Oh Susie Q, oh Susie Q
Oh Susie Q, baby I love you, Susie Q

…

Ranking Beatle Albums

For anyone who has talked to me in person or through the blog…the number one choice is NOT going to be a surprise. The rest of the bunch might be a little but not number 1. It’s also an almost impossible task for me to do this. The Stones albums were easier for me to rank because of the wide selection.

I’ve seen Hanspostcard to this before but I’ve never tried it. Since it would be convoluted to include the American versions…I’m sticking with the UK versions only…except with Magical Mystery Tour. Magical Mystery Tour was released as two eps in the UK but an album in the US…now the album is considered the standard.

I was struck again by how far they came. Please Please Me and four years later I Am The Walrus. Who makes that big of a jump?

As with my Stones list a while back… I will do this on personal preference. When people mention the best Beatle album…many say Revolver or Sgt Pepper. Artistically I always thought Revolver is at the top but not personally.

The only easy selection for me was the bottom two but that doesn’t mean I don’t love them both. Many bands would make a career out of the bottom two. The hardest part was comparing the early albums with the others. That is not all…how do you compare Strawberry Fields with I Want To Hold Your Hand to Something off of Abbey Road?

I have some readers who are pro-early Beatles and some who are pro-middle to late. I’ll take them all. They were innovative to start off with…not just middle to late. I know that many will disagree and I hope you do… that’s the fun of these lists! If I made this tomorrow…only the top pick and the last two would be the same. I have over 40 revisions of this post…yea it was hard.

Yellow Submarine

13. Yellow Submarine (Soundtrack) – This was the dumping ground of the not wanted songs for a while. The Beatles would keep sending songs to this album but just because it was last doesn’t mean it wasn’t any good. The album also had songs from other albums on this one.

Favorite Song – Hey Bulldog

Beatles for Sale

12. Beatles For Sale – The cover tells the story. Beatlemania had worn them down physically and emotionally. Six out of the fourteen songs on the album are cover versions. They were good cover versions but were running low on gas at this point.

Favorite Song – No Reply

Let It Be

11. Let It Be – My love for this album has grown but I’ve always liked it. Lately, it has drawn new fans into the Beatles because of the Get Back film. Why oh why did Phil Spector leave off Don’t Let Me Down? This is another album that I hated to rank as low as I did.

Favorite Song – Two Of Us

Please Please Me

10. Please Please Me – I love this debut album. They recorded most of it in one day… on February 11, 1963. Recording this in one day shows you how well they knew their material. It takes people days just to start on an album…much less get it done. It really hurts to rank this as low as it is.

Favorite Song – Please Please Me

Magical Mystery Tour

9. Magical Mystery Tour – I remember buying this album as a kid I liked it better than Sgt Pepper at the time. Many of the songs had already appeared on singles like Strawberry Fields Forever, Penny Lane, Hello Goodbye, I Am The Walrus.

Favorite Song – Strawberry Fields Forever

With The Beatles

8. With The Beatles – This album was close to its American counterpart (Meet The Beatles) without I Want To Hold Your Hand. It had many more covers. I think Meet The Beatles could be a little better because it was totally made up of Lennon-McCartney songs with Harrison’s first original song…Don’t Bother Me.

Favorite Song – It Won’t Be Long (one of my favorite Beatles songs of all time)

Help!

7. Help! – For me this album gets underrated and this is where you can start hearing the change between Beatlemania and more mature Beatle music. It opens the door for Rubber Soul and then Revolver.

Favorite Song – The Night Before

Abbey Road

6. Abbey Road – This album has been said to sound more modern than the other Beatles albums. The reason is they recorded on a 16-track recorder just installed at the time in Abbey Road. It was the last album they all worked on together.

Favorite Song – The “mini pop opera” on side B

Sgt Pepper

5. Sgt Pepper’s Lonely Hearts Club Band – The most famous album of the Beatles and quite possibly of all time. As John Lennon said it wasn’t really a concept album after the first two tracks and the refrain…it worked because they said it worked. If The Beatles would have included Strawberry Fields and Penny Lane…this could be my number 1.

Favorite Song: perhaps my favorite of all time… A Day In The Life

Rubber Soul

4. Rubber Soul – This was known as their pivotal album. I think Help! was the album that you started to know the change between the early Beatles and mid-Beatles but this one was full-blown. It shows their folk and drug influence with their great melodies.

Favorite Song – In My Life

A Hard Day's Night

3. A Hard Day’s Night (Soundtrack) – I think this is the best album they released during the Beatlemania days and on some days it could be listed even higher. Songs such as the title track, Tell Me Why, I Should Have Known Better, If I Fell, Anytime At All, and many more.

Favorite Song – I’ll Cry Instead

Revolver

2. Revolver – I think Revolver is the Beatle’s best album artistically. It’s not the most popular with the masses but it’s a masterpiece of an album. I’m biased but this one or Pet Sounds? I would take Revolver any day of the week…and I love Pet Sounds! It’s as close to a perfect album as you can get.

Favorite Song – Tomorrow Never Knows

The White Album

The Beatles (White Album) – This not only is my favorite Beatles album…but my favorite album of all time. It gives such a wide palette of music… there is something that everyone would like on here somewhere. Unlike Abbey Road or Sgt Pepper…it’s not slick…it’s them playing in a room. I like the well-known songs and I love the album tracks even more. Actually, all are album tracks technically because there were no singles (except for an overseas single) from this album. Songs included Back in the USSR, Helter Skelter, Dear Prudence, Sexy Sadie, Cry Baby Cry, Revolution 1, and so many more.

Favorite Song: Sexy Sadie

Izzy Stradlin And The Ju Ju Hounds – Shuffle It All

I loved this song when it was released. I saw the video before I heard it on the radio. I knew two of the members straight off the bat. Izzy Stradlin was a founding member of Guns N Roses. The other guy I knew was Rick Richards of Georgia Satellites on lead guitar. To round out the band, Jimmy Ashhurst of Broken Homes on bass, and Charlie Quintana on drums.

To my surprise…on the organ was former Faces/Small Faces member Ian McLagan. Ron Wood also played on the album. Another surprise was super session man Nicky Hopkins. Izzy had some big guns playing with him.

Stradlin quit Guns ‘N Roses in 1991 during their hottest period. He moved back to his Indiana town Lafayette and put this band together and wrote the material. The song has a very Stonesy Keith Richards feel to it.

I was surprised, to be honest…I’ve never been a fan of lead singer Axl Rose. I liked Stradlin’s voice much more. I’ve always been a fan of voices that are a little out of the norm. This album was released within a few months of the Black Crowes The Southern Harmony & Musical Companion so the airwaves were full of rootsy blues rock and roll.

The album was self-titled Izzy Stradlin and the Ju Ju Hounds released in 1992…wow has it been that long? The album peaked at #102 on the Billboard Album Charts. They did a huge tour into September of 1993.

Izzy has made 10 solo albums and also two more EP’s with the JuJu Hounds. He refused to rejoin Guns N’Roses in 2016 because they refused to cut the money evenly. He also played with former bandmate Slash in Velvet Revolver.

On quitting Guns N’ Roses he said some of it was due to Axl Rose’s chronic lateness and him being a diva. He was then offered a contract. “This is right before I left – demoting me to some lower position. They were gonna cut my percentage of royalties down. I was like, ‘Fuck you! I’ve been there from Day One. Why should I do that? Fuck you, I’ll go play the Whisky.’ That’s what happened. It was utterly insane.”

Shuffle It All

Boredom saturation
It’s a never ending clue
Isn’t just to fill the time
When there’s nothing else to do

She drove on out of New York
She had enough insane
And drivin’ just though Texas two days
She ended up in L.A.

Shuffle it all
Shuffle it all, yeah
Shuffle it all
Pack up your life again

A pile of records spread out
The covers still look good
Picture here a Peter Tosh’s
startin’ down and a smokin’ wood

My dog dreaming is running
I see him twitch a paw
My woman playing Dr. Mario
On the TV all night long

Just another cigarette
Staring at the moon, yeah
Then I’m headin’ off to bed
Sleepin’ without you, yeah

Shuffle it all
Shuffle it all, yeah
Pack up your bags again

It’s a long and winding road
Sure enjoy the view, yeah
If you want to see it
Just slow down
You’re so welcome to come along

Lookin’ for a tune to play
I’m gonna see it again
When the day is over
Try to write you ’bout the rain

Feel the motors winding on
There ain’t no news
If you see those old friends out there
Tell them that I send my love

Wake up, time to leave again
Try to find my shoes
Put the luggage in the van
Roll up your Doctor Dolittle

Shuffle it all
Shuffle it all, yeah
Shuffle it all
Pack up your things again
Shuffle it all (Keep movin’ along)
Shuffle it all (Keep movin’ along)
Shuffle it all (Keep movin’ along)
Pack up your life again

Keep on shufflin’

Orange Humble Band – Down In Your Dreams…. Power Pop Friday

Bruce from Vinyl Connection referred me to this song after The Stems post I did last week. I liked it the minute I heard it. This song was off of an EP called Down in Your Dreams released in 1998.

This band at one time or another included Darryl Mather, Mitch Easter, Ken Stringfellow, Jody Stephens, Bill Smith, Jon Auer, Dave Smith, and Rick Steff.

You may recognize some of those names. Ken Stringfellow and Jon Auer were in the Posies and the later Big Star with Alex Chilton, Mitch Easter was the producer of R.E.M. and a member of Let’s Active. Darryl Mather was in the Australian band Lime Spiders.

Mather along with his bassist friend Bill Gibson formed this band in 1994 in Australia. The band released 3 albums… Assorted Creams (1997), Humblin’ (Across America) (2001) and Depressing Beauty (2015). They had one EP and that would be this one and two singles named Apple Green Slice Cut and Any Way You Want It.

I’ve dived into their catalog and song after song shows different styles and really likable music. I would strongly suggest you checking this band out. Plus…what a cool name!

Down In Your Dreams

Sorry…I could NOT find the lyrics.

…

Billy Preston – That’s The Way God Planned It

A soulful song by Billy Preston that was produced by his friend George Harrison. It was released in 1969 on Apple Records. This song had an ALL-STAR band backing it. George told Preston he would “invite some of his friends” over. Billy had no idea those friends were Eric Clapton on guitar, Keith Richards on bass, and Ginger Baker on drums. That alone makes the song worth listening to. Also, the backup vocals were done by Doris Troy and Madeline Bell.

This song peaked at #62 on the Billboard 100 Charts, #61 in Canada, and #11 in the UK in 1969.

Preston was good friends with the Beatles…playing on the Let It Be album and the Get Back film. They signed him to Apple Records after getting him out of his contract with Capitol Records. He ended up with 5 top 5 hits including 2 number 1’s. He also toured with the Rolling Stones throughout the seventies.

The album was called That’s the Way God Planned It and it peaked also at #62 in the Billboard Album Charts. Critic David Fricke said: “Preston would have bigger hits in the Seventies but never make a better one than this album’s rapturous title track … The rest of the album is solid church-infused soul, with Preston covering both Bob Dylan and W.C. Handy.”

In 1979, after a few years without a hit, he would hit the charts again with Syreeta Wright on the ballad “With You I’m Born Again.” Preston suffered from kidney disease in his later years and would pass away on June 6, 2006.

Billy Preston: “I first met [them] in Hamburg in 1962, I was backing Little Richard and they were just one of 14 other groups. They used to dedicate ‘Taste Of Honey’ and ‘Love Me Do’ to me and they were the only group I bothered to watch.”

That’s The Way God Planned It

Why can’t we be humbleLike the good Lord saidHe promised to exalt usFor love is the way

How men be so greedyWhen there’s so much leftAll things are God givenAnd they all have been blessed

That’s the way God planned itThat’s the way God wants it to be, didn’t HeWell, that’s the way God planned itThat’s the way God wants it to be, for you and meYeah, yeah, yeah, yeah, yeah

Let not your heart be troubledLet mourning sobbing ceaseLearn to help one anotherAnd live in perfect peace

If we just be humbleLike the good Lord saidHe promised to exalt usFor love is the way

That’s the way God planned itThat’s the way God wants it to be, doesn’t HeYou better believe meThat’s the way God planned itThat’s the way God wants it to be, for you and meYeah, yeah, yeah, yeah, yeah

That’s the way, alrightCome on, come on, come on

I hope you get this messageAnd where you won’t others willYou don’t understand meBut I’ll love you still

That’s the way God planned itThat’s the way God wants it to beYou better believe meThat’s the way God planned itThat’s the way God wants, He wants it to be

That’s the way God planned itThat’s the way God wants it to beYeah, yeah, yeah, yeah, yeahThat’s the way God planned itThat’s the way God wants it to beOh, yeah

…

Lynryd Skynyrd – All I Can Do Is Write About It

When you think of Lynryd Skynyrd you don’t think of an Environmental Friendly band but Van Zant was that. They all grew up in Gainesville Florida and were around wildlife and natural tropical areas. This song is a warning about the growth of his hometown and he was cautioning about urban and suburban areas claiming wild lands as their own.

‘Cause when I can see the concrete a slowly creepin’Lord take me and mine before that come

Van Zant saw this happening all through Dixie which include South Carolina, North Carolina, Mississippi, Florida, Alabama, Georgia, Louisiana, Texas, Virginia, Arkansas, and Tennessee.

This song was on their Gimme Back My Bullets album released in 1976 after Ed King had left the band. It was the B-side to Gimme Back My Bullets.

Gimme Back My Bullets is mistaken for meaning real gun bullets but it’s not…it meant the chart positions of songs…” with a bullet.” The definition I found was “That has entered the charts in a high position, or has climbed rapidly in the charts, or is thought to have the potential for further rapid advancement.”

The song was written by Ronnie Van Zant and guitar player Allen Collins. The band was an album band that also included some hit singles and now classic radio staples such as Simple Man, Free Bird, Sweet Home Alabama, Gimme Back My Bullets, Saturday Night Special, The Ballad Of Curtis Lowe, and more.

What if the plane crash wouldn’t have happened? Bill Bentley, the author of “Smithsonian Rock and Roll: Live and Unseen,” said: “I think if Lynyrd Skynyrd had lasted, they would have become one of the foundations of American rock bands, much like Tom Petty and the Heartbreakers or Bruce Springsteen and the E Street Band, I think Ronnie Van Zant had enough artistic strength to grow and they really would have been individuals, there wouldn’t have been another band like them.”

I’m not sure what would have happened but I don’t see them ever conforming to the trends of the day. Ronnie Van Zant in parachute pants? I just don’t see it happening. I can’t see them changing their sound like ZZ Top, Heart, and Cheap Trick. Personally, I think they would have had a huge follow-up to Street Survivors…as the 80s came they might have carried on as before like Tom Petty and Bruce Springsteen.

If they didn’t make it in the 80s I could see them reforming in the 90s like The Allman Brothers and others. Most people think of these guys as backwoods good old boys…which some of that is true but they varied on their writing. An environmental song and a gun control song in Saturday Night Special. No one talks about that much.

All I Can Do Is Write About It

Well this life that I live took me everywhereThere ain’t no place I ain’t never goneWell it’s kind of like the sayinThat you heard so many timesWell there just ain’t no place like home

Did you ever see a she-gator protect her youngin’Or fish in a river swimmin’ freeDid you ever see the beauty of the hills of CarolinaOr the sweetness of the grass in Tennessee

And Lord I can’t make any changesAll I can do is write ’em in a song‘Cause if I can seen the concrete a slowly creepin’Lord take me and mine before that comes

Like to see a mountain stream a flowin’Do ya like to see a youngin’ with his dogDid ya ever stop and think aboutWell the air your breathin’Well ya better listen to my song

And Lord I can’t make any changesAll I can do is write ’em in a song‘Cause when I can see the concrete a slowly creepin’Lord take me and mine before that comes

I’m not tryin’ to put down no big cityBut the things they write about us is just a boreWell you can take a boy out of ole’ Dixieland, LordBut you’ll never take ole’ Dixie from a boy

And Lord I can’t make any changesAll I can do is write ’em in a song‘Cause when I can see the concrete a slowly creepin’Lord take me and mine before that comes

If I can see the concrete a slowly creepin’Lord take me and mine before that comes

Delfonics – La-La Means I Love You

I first heard about this band after watching the movie Jackie Brown. I heard of a few of their songs through the years but found out more about them after I saw the movie. They are as smooth as it gets in the 60s and 70s soul.

The song was written by Thom Bell and lead singer William Hart.

This song was the first hit for The Delfonics and was produced by Thom Bell, who helped craft the Philadelphia Soul sound. Bell, and The Delfonics, worked for Cameo-Parkway Records in Philadelphia, which was looking to compete with Motown. The Delfonics are credited with significantly contributing to the development of the Philadelphia sound.

Thom Bell also produced for The Stylistics, Chubby Checker, and Elton John. But his main focus was the Philly sound, which is soul music characterized by funk influences and lush instrumental arrangements.

The Delfonics were known as The Five Guys and played their own instruments. Bell cut them down to a trio and made them a vocal group, with Bell playing most of the instruments himself. He recorded three albums with the group and had one more big hit with them: Didn’t I (Blow Your Mind This Time) in 1970. Bell then joined Philadelphia International Records, run by Kenny Gamble and Leon Huff, where he worked with The Stylistics.

This song peaked at #4 on the Billboard 100, #2 on the R&B Charts, #11 in Canada, and #19 in the UK in 1968. They only had one more top-ten hit…Didn’t I (Blow Your Mind This Time).

La-La Means I Love You

Many guys have come to you
With a line that wasn’t true
And you passed them by
(Passed them by)
Though you’re in the center ring
And their lines don’t mean a thing
Why don’t you let me try?
(Let me try)

Now, I don’t wear a diamond ring
I don’t even have a song to sing
All I know is

La la la la la la la la la means
I love you
Oh, baby, please now
La la la la la la la la la means
I love you

If I ever saw a girl
That I needed in this world
You are the one for me
(One for me)
Let me hold you in my arms
Girl, and thrill you with my charms
I’m sure you will see
(You will see)

The things I am sayin’ are true
And the way I explain them to you
Listen to me

La la la la la la la la la means
I love you
Ooh, baby
La la la la la la la la la means
I love you

The things I am sayin’ are true
And the way I explain them to you,
Yes to you
Listen to me

La la la la la la la la la means
I love you
Oh, you’ll have to understand now
La la la la la la la la la means
I love you
Come on and take my hand

Rolling Stones – You Got The Silver

I posted the song Happy a while back and I was commenting on Keith Richards lead vocals. He always would sing songs that reflected him and his voice. I heard this song in the 80s and fell in love with it.

This is one of the times that Keith Richards sang the entire lead vocal. They did record a version with Jagger singing lead but decided to release the one with Richards singing.

Supersession man Nicky Hopkins played piano and organ on this. He played with The Stones on albums from Between The Buttons through Black And Blue. Along with Ian Stewart and Billy Preston, Hopkins was one of the three major contributors on keyboards for The Stones. Hopkins also played with The Beatles, Who, Kinks, and Jeff Beck.

The song was included in the Michaelangelo Antonioni 1970 film Zabriskie Point…but it wasn’t on the soundtrack. This song was the B side to the Let It Bleed single…also it was featured on the album Let It Bleed.

Supposedly Keith Richards wrote this about his then-girlfriend, Anita Pallenberg. She was with his bandmate Brian Jones before leaving Brian for Richards. This didn’t help Brian’s mental state at the time.

Brian Jones played the autoharp on this track. Jones played many unusual instruments for The Stones, and this was one of the last songs he contributed to. To be fair he rarely showed up to the Let It Bleed sessions and was not always functional when he did.

Personally, I’m a Brian Jones fan. When they got rid of him they lost their ultimate utility knife. He flavored the music with different instruments and they never sounded the same again. As much as Mick Taylor made so much of their sound from here on…that variety that Brian provided was missed.

I do understand why Mick and Keith did what they did but…it’s no secret that they dominated the songwriting and did not want songs from anyone else in the band. Taylor had to sue to get credits for songs he helped write years later after he left the band.

George Harrison and Brian Jones were close because they were in a similar situation with their respective bands. George at least got some songs on albums, unlike Brian. I would recommend any Stones fan to read Brian Jones: The Making of the Rolling Stones by Paul Trynka. Brian could be nasty and also a good guy…in other words, he was human. Sometimes it gets overlooked that Brian started The Rolling Stones.

The Stones didn’t play this live until 1999, but then it became a regular part of their otherwise hit-packed setlists. Richards was surprised how well it went over with fans.

You Got The Silver

Hey babe, what’s in your eyes?
I saw them flashing like airplane lights
You fill my cup, babe, that’s for sure
I must come back for a little more

You got my heart you got my soul
You got the silver you got the gold
You got the diamonds from the mine
Well that’s all right, it’ll buy some time

Tell me, honey, what will I do
When I’m hungry and thirsty too
Feeling foolish (and that’s for sure)
Just waiting here at your kitchen door?

Hey baby, what’s in your eyes?
Is that the diamonds from the mine?
What’s that laughing in your smile?
I don’t care, no, I don’t care

Oh babe, you got my soul
You got the silver you got the gold
If that’s your love, just leave me blind
I don’t care, no, that’s no big surprise

…

Happy New Year To Powerpop Readers!

I want to thank everyone who has read my blog this year and the last few years. I ran this last year and I’ve added many more names! It’s so much fun communicating with all of you. I’ve been told my blog is a place people come to comment like sitting around a campfire. That is the way I hope it is. I’m not a real writer so I just write as if I’m talking to you in a room.

I started this blog in September 2017 and I have learned a lot from reading your blogs and interacting with you all. It was cool to find fellow Big Star, Beatles, Who, Twilight Zone, Baseball, Jazz, Classical, Power Pop, Rock, Hard Rock, Folk, Old Country, Surf, Classic TV, Classic Movie, the 1970s, fans…. and everything in between.

In 2016 I would not have believed I would be communicating with people in different states across America plus the world…such as New Zealand, The UK, Hong Kong, Germany, Columbia, Australia, India, France, Sweden, Spain, and more! I’m also learning more about new music, old new music, cool old and new movies, and most of all…people. I probably comment too much at times but it’s a lot of fun learning.

I was hesitant to do this post because I know I will miss someone …if I did… it wasn’t on purpose.

I’ve commented with you all, emailed many of you, talked to some of you over the phone, and met one of you. Thank you all once again.

I didn’t know where New Zealand was until I started to talk to Bruce, Graham, and Obbverse…after talking to them I would love to visit there. They also leave some of the best comments of anyone.

I’ve learned about Australia and Columbia…and classical music from Matt

A fellow Big Star and mid-60s pop/rock fan! Obbverse

I’ve even listened to Heavy Metal and Canadian bands from Canadians Deke and Dave and became friends with both.

I’ve read great stories and read poems for really the first time from Lisa and Bruce. I still don’t know much about them but I’m learning.

Learned about new music from Jeff, Graham, and Christian.

Learned even more about the Beatles and music from Hanspostcard

Learned even more about baseball from Hanspostcard, John, and Dave

Looked at sewing machines as works of art with run-sew-read and learned more about The Moody Blues, books, and movies.

Learned a whole lot about the Grateful Dead and music from Jim

My guide to 80’s alternative bands from Paul and Dave

Learned so much about movies from Bernie… a great movie reviewer and person.

Fellow Twilight Zone fan Beth

the press music reviews…excellent top-notch posts on music and I love the alternate album covers you present.

I’ve started to comment a lot with walkingoffthechessboard

Getting to know Paul and Colin at onceuponatime70s … with that title how could I not like them?

Loudhorizon where I find rare bands of the 60s and 70s.

Commenting with Under The Mask

Vinyl Connection for all the info on albums that I love and music in general.

Monday songs from Eden make my Mondays better.

Recently commenting with halffastcyclingclub

Liam…another great blogger I met through our TV Draft last year.

I’ve had a good time commenting about music with princecranoir

How radio really works and more about family from Keith… Keith

Learning every number 1 from the UK with Stewart

I’m learning a lot about cover versions from randydafoe

About life and friendship from my friend Vic,

Wonderful life stories from Mitch,

Album reviews from 2loud2oldmusic and Graham

Learned about Chicago and interesting music from fan and fellow musician John

One of my favorite blogs from Mojo Horizon

Restaurants to eat at from Blaine. I want to make it down to Louisana so I can try these wonderful restaurants that he recommends.

Detailed history from Rick

MobsterTiger who is kind enough to re-blog some of my posts.

Kingclover who I’ve got to know more about this year talking about music.

Cooking and Saint Bernards from Jeanne

Inspiring writing from Pam

Writing and an author… Steve Campbell

Movies from Master Mix Movies

Off-the-radar songs and movies, and everything cool from Cincinnati Babyhead (CB)

ALWAYS cool music from Hotfox63

Some of the most entertaining true stories I’ve ever heard from Phil Strawn

I got to know Paula Light from our TV Show draft.

Great posts and one of my first followers…and fellow Monkee fan Blackwing

Nashville music history from my cousin Ricky

Comics from Harry Chamberlain

Learning about all the places that usfman travels

Stories from James

Just recently commenting with Dana at Regular Girl Devos

Awesome Cartoons from Hobo Cartoons

Sheree for dropping by my site every day.

The writing of Jason

Fellow power pop fan Mike and fellow Nashvillian.

Great posts from Mark

Again if I missed anyone I’m sorry…I just ran through this off the top of my head.

Thanks to everyone and have a Happy New Year to you and your family from Powerpop.blog (and it’s curator…Max). We survived 2020, 2021 and 2022…lets make this one better!

HAPPY NEW YEAR!!!

Band – Across The Great Divide

Happy New Year to all my readers. This is my first post of the year other than the New Years’ post this morning at 12:01 AM CST. My next post in one hour will be just for all of my readers…

My friend CB (Cincinnati Baby Head) reminded me of this song not too long ago…so thank you CB. Man…wasn’t The Band a truly great band? Not many bands could get away with a name like that…but it is no question they lived up to it. They made pure music for the people…

Standin’ by your window in painA pistol in your handAnd I beg you, dear Molly, girl,Try and understand your man the best you can.

Not a good way to start your day.

Canada has given us Neil Young, The Guess Who, BTO, and many more but…to me, this band was their best export.

The Band had 3 great singers and a good one in Robbie. Robertson wrote most of the songs and wrote for the other three voices. He was smart enough to step aside and let his bandmates sing his songs. Not many singer/songwriters would do that but it worked well.

This song was on their second album called The Band released in 1969. The album is one of the best albums ever. It contained these songs, Up On Crippled Creek, The Night They Drove Old Dixie Down, Whispering Pines, Rag Mama Rag, and more.

They recorded this album not in a recording studio but at Sammy Davis’s house in California. They remodeled the adjacent pool house into a recording studio. The Band fashioned a makeshift workshop environment similar to the one at their former home, Big Pink.

The album peaked at #2 in Canada, #9 on the Billboard 100, and #25 in the UK. This song was not released as a single.

Levon Helm: “Sometimes we would grow the songs from scratch, right there in the pool-house, sometimes we would just pull them out of thin air. We had story songs, we had picture songs and we had songs that emulated things we had heard. One thing that helped is that we had two different styles of rhythm section, with Richard and me swapping drum duties. That was done mainly to accommodate Garth’s ability to trade instruments around. Of course, Garth could play percussion, woodwind, bass—just about anything.”

Across The Great Divide

Standin’ by your window in painA pistol in your handAnd I beg you, dear Molly, girl,Try and understand your man the best you can.

Across the Great DivideJust grab your hat, and take that rideGet yourself a brideAnd bring your children down to the river side

I had a goal in my younger daysI nearly wrote my willBut I changed my mind for the betterI’m at the still, had my fill and I’m fit to kill

Across the Great DivideJust grab your hat, and take that rideGet yourself a brideAnd bring your children down to the river side

Pinball machine and a queenI nearly took the busTried to keep my hands to myselfThey say it’s a must, but who can ya trust?Harvest moon shinin’ down from the skyA weary sign for allI’m gonna leave this one horse townHad to stall ’til the fall, now I’m gonna crawlAcross the Great Divide

Now Molly dear, don’t ya shed a tearYour time will surely comeYou’ll feed your man chicken ev’ry SundayNow tell me, hon, what ya done with the gun?

Across the Great DivideJust grab your hat, and take that rideGet yourself a brideAnd bring your children down to the river side