I first learned about Howlin’ Wolf after reading a Rolling Stones biography. It contained an interview that Brian Jones did in the early sixties. He founded the Stones and pushed the Stones toward the blues.
Howlin’ Wolf’s real name was Chester Burnett and he was born in 1910. He was a blues singer, guitarist, and harp player. He had a professional rivalry with fellow bluesman Muddy Waters. Waters ended up getting Wolf his first job in Chicago.
This classic song was recorded way back in 1956 at the legendary Chess studios in Chicago. Wolf is listed as the songwriter and the producers were Leonard Chess, Phil Chess, and Willie Dixon. He lives up to the Howlin’ part of his name…his voice is powerful. He has been credited as one of the first to move acoustic blues to electric guitar.
The Yardbirds (The Clapton version) covered this song and Howlin’ Wolf himself considered their version the definitive version of his song. That had to be quite an honor coming from the man himself.
After reading many of Christian’s posts…I realized I need to add some more blues into my blog…
Smokestack Lightning
Whoa, smokestack lightnin’ Shinin’ just like gold Why don’t you hear me cryin’? A-whoo-hoo, a-whoo-hoo, whoo
Whoa-oh, tell me, baby What’s the matter here? Why don’t you hear me cryin’? Whoo-hoo, whoo-hoo, whoo
Whoa-oh, tell me, baby Where did you stay last night? Why don’t you hear me cryin’? Whoo-hoo, whoo-hoo, whoo
Whoa-oh, stop your train Let a poor boy ride Why don’t you hear me cryin’? Whoo-hoo, whoo-hoo, whoo
Whoa-oh, fare-you-well Never see a you no more Why don’t you hear me cryin’? Whoo-hoo, whoo-hoo, whoo
Whoa-oh, who been here baby since I, I been gone a little bitty boy? Girl, be on A-whoo-hoo, whoo-hoo, whoo
I want to thank you all who have stuck with me through this long haul. We are now finished with the 3rd season! The next season will be quick with only 18 hour long episodes. If you want… please comment on what you think I got wrong, right, or just your favorite episodes.
Season three was not as consistent as seasons 1 and 2 but it still contained some classics such as To Serve Man, A Game Of Pool, The Midnight Sun, Deaths-Head Revisited, Nothing In The Dark, The Dummy, and more.
By the close of the third season, The Twilight Zone had made cultural inroads beyond its status as a mere television series. The show started to fit into popular culture, the twilight zone was a phrase perfectly suited to describe any number of strange situations.
Dean Rusk, the Secretary of State, in a speech to the Senate, referred to the Twilight Zone in diplomacy, Serling noted. When that happened, I thought, My gosh, we’ve arrived! During the 1962 California gubernatorial primaries, Governor Pat Brown said he was looking forward to the post-election TV logs reading, Richard Nixon Returns to Twilight Zone.
In the spring of 1962, The Twilight Zone was late in finding a sponsor for its fourth season. As a result, CBS programmed a new show, Fair Exchange, into its time slot for the fall. Suddenly and without prior warning, The Twilight Zone was off the air.
After CBS dropped The Twilight Zone, Serling accepted a teaching post at Antioch College, effective September, 1962, through January, 1963. CBS did of course pick the series back up after a while. The series renewal made no change in this decision. Serling was tired of The Twilight Zone and burned out. Over the next two seasons, his involvement in the show would be greatly decreased. He would still host the show and contribute his share of scripts, but his input on the details of production would be minimal. Those decisions would be made by others.
CBS ordered only 18 episodes for the 4th season but…they would now be an hour long in format. With Serling’s less involvement combined with the hour format…the shows quality declined in this season. It would somewhat bounce back in the 5th season.
The Raspberries formed in the early 1970s when Eric Carmen and Jim Bonfanti envisioned a band that would emulate bands such as The Beatles, The Who, and The Beach Boys.
This song came off of the Side 3 album released in 1973. This song…well the way I would describe it is country tinged power pop. It was an odd and cool album cover. It was a die-cut of a basket of Raspberries, with the group’s name placed on top of the LP sleeve.
Three members wrote and sang songs. It wasn’t just Eric Carmen…This song was written and sung by Dave Smalley the bass player. This was their third album and they would end up releasing four studio albums.
The band consisted of Eric Carmen (vocalist/guitarist/bassist/pianist), Wally Bryson (guitarist), Jim Bonfanti (drummer), and Dave Smalley (guitarist/bassist).
Their last appearance as the original lineup was on The Mike Douglas Show in 1974. Shortly after… Bonfanti and Smalley both quit the band to pursue individual music careers. Michael McBride and Scott McCarl replaced them and shortly after Raspberries went on to produce their fourth and final album Starting Over…which yielded what could be their masterpiece… Overnight Sensation.
In 2004, the original four members of the group performed at Cleveland’s House of Blues. This resulted in a 2005 mini-tour. The Raspberries performed at other venues around the United States, with their final concert performance in Cleveland, Ohio at KeyBank State Theatre on December 14th, 2007.
Should I Wait
Don’t you know you’re gonna lose If you love somebody that don’t love you? You’ll believe him when he’s untrue But I can’t bear seein’ him break your heart in two I’ve let it happen much too long
Should I wait, hopin’ you’ll find out on your own? It’s me who’s loved you for so long
If he hurts you with his lies Don’t let it take too long to open your eyes You’re gonna see through his disguise But I can’t bear seein’ him break your heart in two I’m tired of tryin’ to play it cool
Should I wait, hopin’ you’ll find out on your own? The one you love is just a fool
If I had the chance I’d make you see When you fall in love how it should be A love that makes you sad can only turn out bad So I’ll be hangin’ ’round until you’re free
Don’t you know you’re gonna lose If you love somebody that don’t love you? You’ll believe him when he’s untrue But I can’t bear seein’ him break your heart in two I’ve let it happen much too long
Should I wait, hopin’ you’ll find out on your own? It’s me who’s loved you for so long
After being sued for My Sweet Lord, George Harrison wrote this song. This was Harrison’s funny send-up of the He’s So Fine and My Sweet Lord plagiarism court case.
The line, “This tune has nothing Bright about it,” is a reference to Bright Tunes Music, the company that owned the publishing rights to “He’s So Fine” and sued Harrison.
It was the first single for Harrison’s Thirty Three & 1/3 album, and features Billy Preston on piano and organ, and Monty Python’s Eric Idle calling out a falsetto “Could be ‘Sugar Pie, Honey Bunch,” “No, sounds more like ‘Rescue Me’!” interjection right before the instrumental break.
The song peaked at #25 in the Billboard 100 and #30 in Canada in 1976. I bought this album when I was 10 and still enjoy it. I couldn’t stop playing Crackerbox Palace.
U.S. District Court Judge Richard Owens found that while he did not feel that George had ‘deliberately’ plagiarized the song ‘He’s So Fine’, there was substantial evidence that he did infringe on the song’s copyright. George was found guilty and ordered to pay damages in the amount of $587,000.”
From Songfacts
Harrison made a video for this song where he is seen pleading his case in courtroom that devolves into a full-on circus by the end, a metaphor for the actual proceedings. The video was shown on Saturday Night Live when Harrison was the musical guest on November 20, 1976. On the same show, Harrison’s video for “Crackerbox Palace” also aired.
This Song
This song has nothing tricky about it This song ain’t black or white and as far as I know Don’t infringe on anyone’s copyright, so
This song, we’ll let be This song is in E This song is for you and
This tune has nothing bright about it This tune ain’t bad or good and come ever what may My expert tells me it’s okay
As this song came to me Unknowingly This song could be you could be, ooh
This riff ain’t trying to win gold medals This riff ain’t hip or square, well-done or rare May end up one more weight to bear
But this song could well be A reason to see That without you there’s no point to this song Ooh, ooh
But this song could well be A reason to see That without you there’s no point to this song
An excellent episode and a great way to close out the 3rd season. Donald Pleasence plays Professor Ellis Fowler and does an excellent job as he always does. He was only 43 years old when he played this part. Pleasance’s old age make-up is subtle and completely convincing.
Preparing to leave for Christmas vacation, Professor Fowler is informed by the Headmaster that, after fifty-one years of teaching, he is to be forcibly retired. Fowler is devastated by this news and begins to brood. He now believes his life was utterly without worth and thinks about suicide. The episode is poignant and makes you wonder how many lives we have touched without realizing it. This one made it into my earlier top 10 episodes of the Twilight Zone.
This is an episode that I think teachers will like.
Buck Houghton Producer:Pleasance was an idea of the casting directors, Id never heard of him, Boy, damn the expense; we brought him from England. He was just wonderful in it. Hes a very nice man. I have a feeling it was his first time in this country professionally, and while he was a thorough going professional with a huge experience in stage and everything else, he was a little apprehensive of this whole experience because he arrived on a given day and five days later it was all going to be over. So he had a lot to absorb. But Bob Miller is very together and gave him confidence and we were off and running.
This show was written by Rod Serling
Rod Serling’s Opening Narration:
Professor Ellis Fowler, a gentle, bookish guide to the young, who is about to discover that life still has certain surprises, and that the campus of the Rock Spring School for Boys lies on a direct path to another institution, commonly referred to as the Twilight Zone.
Summary
Professor Ellis Fowler has been teaching at the Rock Spring School for Boys for a great many years. In fact, he taught the grandfather of one of his current students. Just before Christmas however, he’s told by the headmaster that his contract will not be renewed for the new year. Despondent, he returns home convinced that his life has been wasted and decides to end it all. Before he can do so however, his is visited by some very special students from the past who give him cause to reconsider.
Rod Serling’s Closing Narration:
Professor Ellis Fowler, teacher, who discovered rather belatedly something of his own value. A very small scholastic lesson, from the campus of the Twilight Zone.
CAST
Rod Serling … Narrator / Self – Host (uncredited)
Donald Pleasence … Professor Ellis Fowler
Liam Sullivan … Headmaster
Philippa Bevans … Mrs. Landers
Tom Lowell … Artie Beechcroft
Russell Horton … Bartlett
Buddy Hart … Boy
Darryl Richard … Thompson
This song came off the album Straight Up that was released in 1971. Sweet Tuesday Morning was guitarist Joey Molland’s ballad about his then new wife Kathie.
All the band members wrote songs and sang. Pete Ham was the most successful out of the four but that doesn’t mean the rest were mediocre. Joey and Tom were both good songwriters and all collaborated with each other at times.
Joey Molland joined the band when bass player Ron Griffiths quit right after they recorded Come and Get It because of friction caused by his marriage. Molland who was previously with Gary Walker & The Rain, The Masterminds, and The Fruit-Eating Bears joined as a guitar player. Tom Evans switched to bass and this was the most successful lineup.
Sweet Tuesday Morning is mostly an acoustic song with simple backing that fit the early 1970s. In the UK this was the B side of Day After Day, Badfinger’s biggest hit. Joey Molland had quite a strong showing on Straight Up…with the songs “Sweet Tuesday Morning,” “Suitcase,” “I’d Die Babe” and the albums most rocking song “Sometimes.”
Most consider Straight Up the best album they made. If you ever decide to buy a Badfinger album and want something other than just a greatest hits…this is the one to buy.
Sweet Tuesday Morning
Sweet Tuesday morning You came and you smiled And all of my fears, They have left me
Sweet Tuesday morning You came and you smiled And love is the answer you gave me
I’ve been to places all around, astound me I’ve seen the breaking of the souvenirs I’m in a brightness I can feel surround me And it’s the first time I’ve felt it for years
Sweet Tuesday morning, You came and you smiled And love is the answer you gave me….mm-mhm
I’ve been to places all around, astound me I’ve seen the breaking of the souvenirs I’m in a brightness I can feel surround me And it’s the first time I’ve felt it for years
It’s been a while since I’ve posted a Buddy song…and any time is too long. He is one of the most important influences from the 50s or any era. Since I’m a Beatle fan I have to say…without Buddy the Beatles would have been different. He wrote his own songs that were part country, rock, rockabilly, and a touch of power pop with his crisp Stratacaster leading the way.
Of all the stars in the 50s I believe Buddy was the one who would have been heard from more in the sixties. His music fit what was going on and had a timeless quality about it.
This song peaked at #27 in the Billboard Hot 100, #9 in the R&B Charts, and #11 in the UK in 1958. Think It Over was written by Buddy Holly, Jerry Allison, and Norman Petty in 1958. Per Wiki… Norman Petty’s wife, played piano on this recording.
John Lennon: “He was a great and innovative musician. He was a ‘master’. His influence continues, I often wonder what his music would be like now, had he lived…”
“Buddy Holly was the first one that we were really aware of in England who could play and sing at the same time—not just strum, but actually play the licks.”
Keith Richards:“Holly passed it on via the Beatles and via The Rolling Stones … He’s in everybody”
Think It Over
Think it over, what you’ve just said Think it over in your pretty, little head Are you sure that I’m not the one? Is your love real or only fun?
You think it over Yes, think it over A lonely heart grows cold and old
Think it over and let me know Think it over, but don’t be slow Just remember all birds and bees Go by twos through life’s mysteries
You think it over Yes, think it over A lonely heart grows cold and old
Think it over and think of me Think it over and you will see A happy day when you and I Think as one and kiss the blues goodbye
You think it over Yes, think it over A lonely heart grows cold and old
No, this is not the strongest song in the Beatles catalog or even the strongest on the Let It Be album but…I love that guitar riff! That riff is one of the most unorthodox riffs I’ve heard. Only the mind of John Lennon could have come up with that part. The same man that brought us the riffs of Daytripper and And Your Bird Can Sing.
The part that hooked me as a kid was the guitar riff as I’ve said and the I, I, I, I Iyeeeeeeeee that starts it out. The other strong part of the song is the chorus “All I Want Is You!” “Everything has got to be just like you want it to!” and right after that the riff comes in again. I also like John’s raw vocals in this one. Also…it’s hard not to like “I roll a stoney. “The orginal title was All I Want Is You.
John Lennon would often string words together to create nonsensical phrases for his lyrics. When asked about this song he said it refers to no specific person and the lyrics are “nonsense,” a lyrical technique he also attributes to Bob Dylan songs. John said he made it up as he went along.
The lyrics were brought up in the movie “Imagine” released in 1988.
This part below was in the Imagine movie.
In a clip after the Beatles broke up, a young man…obviousy on hard times ended up in John’s garden. The fellow’s name was Curt Claudio. He looked a bit lost and scarred. He latched onto John Lennon and his music, believing that he had some sort of connection to John and he traveled to England to find out if he really did. He was found sleeping on the grounds of Tittenhurst Park, John and Yoko’s home in Ascot. Claudio thought John was speaking to him through his songs. He mentions lyrics to Dig a Pony.
John took the time to go out and talk to Curt and very kindly told him that he was just a guy too, and that while Curt thought that John’s songs were written with Curt in mind, they were really just written from personal, everyday experiences. He then invited him in the house for something to eat.
Video below
Dig A Pony
I dig a pony Well, you can celebrate anything you want Yes, you can celebrate anything you want Oh
I do a road hog Well, you can penetrate any place you go Yes, you can penetrate any place you go I told you so
All I want is you Everything has got to be just like you want it to Because
I pick a moon dog Well, you can radiate everything you are Yes, you can radiate everything you are Oh now
I roll a stoney Well, you can imitate everyone you know Yes, you can imitate everyone you know I told you so
All I want is you Everything has got to be just like you want it to Because (woo)
Oh now I feel the wind blow Well, you can indicate everything you see Yes, you can indicate everything you see Oh now
I load a lorry Well, you can syndicate any boat you row Yeah, you can syndicate any boat you row I told you so
All I want is you Everything has got to be just like you want it to Because
This is not a good episode. Cavender Is Coming has one redeeming quality…and her name is Carol Burnett. The episode borrows from It’s A Wonderful Lie and season one Twilight Zone episode Mr. Beavis in particular. This episode was meant to serve as a pilot, the same as Mr. Beavis did…and like Mr. Beavis it didn’t make it as a series. The episode is more like a sitcom than a Twilight Zone and it is the only TZ with a laugh track.
As the guardian angel, Jesse White does the best he can but the problem is with the writing. Carol Burnett could ony do some much also. It is one of the lowest rated episodes on IMDB and in various polls. It’s not my my lowest rated episode…that is coming in the 4th season. It does have it’s funny parts but it doesn’t feel like a Twilight Zone.
In writing Cavender Is Coming, Serling used material from Burnett’s own life for certain sequences. At the beginning of the episode, Agnes is employed as an usherette. This was actually taken from one of Burnetts personal experiences.
The first day she went to work as an usherette, the manager ran through a list of silent signals. Three fingers slapped on the wrist meant take a thirty-minute break. Opening your mouth like a fish and pointing to it meant you were thirsty. And when the manager poked his finger into the center of his palm, that meant he wanted a girl to stand in the center of the lobby to direct the patrons to the available seating.
One of the girls worked up her own signal in reply to the bosss gestures. She poured a bag of buttered popcorn on his head and told him, That means I quit.
One good thing is the original laugh track has been removed in syndication.
Buck Houghton (Producer of the Twilight Zone) on the laugh track:That was CBS’s idea, because they were in a pilot mood and they wanted to get a Jesse White thing going. I refused to go to the dubbing session with the canned laughter man there. I thought it was a dreadful idea.
This show was written by Rod Serling
Rod Serling’s Opening Narration:
Submitted for your approval, the case of one Miss Agnes Grep, put on Earth with two left feet, an overabundance of thumbs and a propensity for falling down manholes. In a moment she will be up to her jaw in miracles, wrought by apprentice angel Harmon Cavender, intent on winning his wings. And, though it’s a fact that both of them should have stayed in bed, they will tempt all the fates by moving into the cold, gray dawn of the Twilight Zone.
Summary
Inept guardian angel Harmon Cavender is given a chance to finally earn his wings by helping an unconventional big city woman, the young, awkward Agnes Grep, who has just been fired. Cavender doesn’t ask her wishes, instead he puts her in posh clothes, provides her with a fortune, and moves her uptown to a fancy Park Avenue address
Rod Serling’s Closing Narration:
A word to the wise now to any and all who might suddenly feel the presence of a cigar-smoking helpmate who takes bankbooks out of thin air. If you’re suddenly aware of any such celestial aids, it means that you’re under the beneficent care of one Harmon Cavender, guardian angel. And this message from the Twilight Zone: Lotsa luck!
CAST
Rod Serling … Narrator / Self – Host (uncredited)
Jesse White … Harmon Cavender
Carol Burnett … Agnes Grep
Howard Smith … Polk
Frank Behrens … Stout
Roy N. Sickner … Bus Driver
Sandra Gould … Woman
Donna Douglas … Woman #1
Adrienne Marden … Woman #2
Maurice Dallimore … Man
I’ve been watching Get Back on Disney Plus and this is one of the songs they have went over. I always thought Two Of Us should have been a single… It’s not slick or full of production…just John and Paul singing together like they did in the early years. It feels like they had come full circle.
Paul McCartney wrote this about enjoying his travels with his wife Linda. The song was on the album Let It Be recorded in January of 1969 but wasn’t released until 1970. It was the last studio album released of the Beatles career but not the last recorded.
After this album The Beatles embarked on recording the classic album Abbey Road in the summer of 1969. As the film Get Back shows…yes they would argue but it was not as bad as we have been led to believe or they would not have recorded Abbey Road. There was also talk of another possible album after Abbey Road but they decided to call it a day.
I always thought The Beatles ended at the right time. They never made a bad album like some other bands. I do think they had a couple of albums left in them but to end a career recording Abbey Road…its hard to top that.
It’s interesting to speculate if they would have got back together if John Lennon would not have been murdered. I don’t think they would have recorded again but I do think Lennon and McCartney would have written together again.
Linda McCartney:As a kid I loved getting lost. I would say to my father – let’s get lost. But you could never seem to be able to get really lost. All signs would eventually lead back to New York or wherever we were staying! Then, when I moved to England to be with Paul, we would put Martha in the back of the car and drive out of London. As soon as we were on the open road I’d say, ‘Let’s get lost’ and we’d keep driving without looking at any signs. Hence the line in the song, ‘Two of us going nowhere’.
Paul wrote ‘Two Of Us’ on one of those days out. It’s about us. We just pulled off in a wood somewhere and parked the car. I went off walking while Paul sat in the car and started writing. He also mentions the postcards because we used to send a lot of postcards to each other.
From Songfacts
Lennon and McCartney sang together on this song, which is something they did a lot in the early years of The Beatles, but not so much later on, when they started writing separately and restricting the lead vocal to whoever wrote the song.
This song is mostly acoustic, with Lennon and McCartney each playing acoustic guitar. George Harrison’s electric guitar is there, but low in the mix. There is no bass on the track.
This appears twice in the Beatles documentary movie Let It Be, first as a duet by John and Paul and then with the whole band.
John Lennon did the whistling on the fade-out.
Two Of Us
Two of us riding nowhere Spending someone’s hard-earned pay You and me Sunday driving Not arriving On our way back home We’re on our way home We’re on our way home We’re going home
Two of us sending postcards Writing letters on my wall You and me burning matches Lifting latches On our way back home We’re on our way home We’re on our way home We’re going home
You and I have memories That stretches out ahead
Two of us wearing raincoats Standing solo You and me chasing paper Getting nowhere On our way back home We’re on our way home We’re on our way home We’re going home
You and I have memories That stretches out ahead
Two of us wearing raincoats You and me chasing paper Getting nowhere On our way back home We’re on our way home We’re on our way home We’re going home
This is an emotional episode (100th)…I would even say heartwarming. It’s a sci-fi episode with a bit of drama and well done. You probably will recognize David White… best known as Darin’s boss Larry Tate on Bewitched. He plays George Rogers, a father of 3 who is left raising his children alone after his wife passes away. He takes his children to Facsimile Ltd. to build a robot grandmother to help raise the children.
One of the children, a young girl (Anne) after losing her mom is hesitant to accept her new robot grandmother. She blames her mom for dying and thinks anyone who loves her will leave. Josephine Hutchinson plays the Grandma with warmth and compassion. Veronica Cartwright who plays Anne Rogers does a good job conveying hurt and confusion over losing her mom.
I like this episode although it’s not as unsettling as some of the great episodes.
Ray Bradbury is a name that stands out as a writer on this episode. Initially, it was intended for Bradbury’s involvement with The Twilight Zone to be far greater than just one script. He wrote Serling and offered another story called “Here There Be Tygers” (not the Stephen King Story). It was turned down along with another story he wrote. It seems like Bradbury and the Twilight Zone would have went together well.
Rod, while talking in the 7os said this:Ray Bradbury is a very difficult guy to dramatize, because that which reads so beautifully on the printed page doesn’t fit in the mouth it fits in the head. And you find characters saying the things that Bradbury’s saying and you say, Wait a minute, people don’t say that. Certainly, Bradbury’s dialogue does lean to the poetic and this might have been a consideration.
Ray Bradbury years later:I would prefer not to write or talk much about Twilight Zone or my stories. The series is over and done, my work for it stands on its own. For various reasons two scripts were never done. I dont recall the reasons now, so many years later.
This show was written by Rod Serling and Ray Bradbury
Rod Serling’s Opening Narration:
They make a fairly convincing pitch here. It doesn’t seem possible, though, to find a woman who must be ten times better than mother in order to seem half as good, except, of course, in the Twilight Zone.
Summary
George is a widower with three children and he is being criticized for trying to raise his children on his own. His son Tom shows him an ad from a company with the motto ‘I Sing the Body Electric’ that advertises an electronic data processing system to meet anyone’s needs – essentially, a robot. They set off and everyone seems to like the idea of having a grandmotherly robot housekeeper except for Anne, who has yet to come to grips with her mother’s death. Her rejection of the new member of their family will have serious repercussions but also lead to closure.
A fable? Most assuredly. But who’s to say at some distant moment there might be an assembly line producing a gentle product in the form of a grandmother whose stock in trade is love. Fable, sure, but who’s to say?
CAST
Rod Serling … Narrator / Self – Host (uncredited)
Josephine Hutchinson … Grandma Robot
David White … George Rogers
Vaughn Taylor … Salesman
Doris Packer … Nedra
Charles Herbert … Tom Rogers
Veronica Cartwright … Anne Rogers
Dana Dillaway … Karen Rogers
Susan Crane … Older Ann
Paul Nesbitt … Older Tom
Judee Morton … Older Karen
David Armstrong … Van Driver (uncredited)
During Han’s song draft, fellow blogger Paul picked Caravan off of the album Moondance. I got the album out and enjoyed it yet again. I first got the album in the mid-80s and I count it as one of my favorite albums ever…and it’s not even my favorite Van Morrison album.
The song is one of the most romantic songs ever. Van had recently married his girlfriend Janet Planet (gotta love that name) when he wrote this song. It’s a very popular wedding song, it didn’t work too well though for Van though… Morrison and Janet divorced in 1973.
Her name before she married Morrison was Janet Rigsbee.
The song has been covered many times. Artists to cover this song include Brian McKnight, Ray Charles, Aaron Neville, Helen Reddy, Rod Stewart, Paul Carrack and John Anderson. Canadian vocalist Michael Bublé covered this for the title track of his 2009 album.
Van Morrison’s ex-wife, Janet Planet, now goes by Janet Morrison Minto after marrying her third husband, Chris Minto. She currently operates a beading business in Los Angeles via Etsy. Her shop, Lovebeads, sells uniquely designed necklaces and bracelets. So go and buy some necklaces or bracelets from Janet Planet!
Crazy Love
I can hear her heart beat for a thousand miles And the heaven’s open every time she smiles And when I come to her that’s where I belong Yet I’m running to her like a river’s song
She give me love, love, love, love, crazy love She give me love, love, love, love, crazy love
She’s got a fine sense of humor when I’m feeling low down Yeah when I come to her when the sun goes down Take away my trouble, take away my grief Take away my heartache, in the night like a thief
She give me love, love, love, love, crazy love She give me love, love, love, love, crazy love
Yes I need her in the daytime (I need her) Yes I need her in the night (I need her) Yes I want to throw my arms around her (I need her) Kiss and hug her, kiss and hug her tight
Yeah when I’m returning from so far away She gives me some sweet lovin’ brighten up my day Yes it makes me righteous, yes it makes me whole Yes it makes me mellow down in to my soul
She give me love, love, love, love, crazy love She give me love, love, love, love, crazy love She give me love, love, love, love, crazy love She give me love, love, love, love, crazy love
The Band on Thanksgiving in 1976 at the Fillmore West. The film starts off with THIS FILM MUST BE PLAYED LOUD! A cut to Rick Danko playing pool and then it then to the Band playing “Don’t Do It”…the last song they performed that night after hours of playing. Through the music and some interviews, their musical journey and influences are retraced.
This film is considered by many the best concert film ever made. It was directed by Martin Scorsese. I love the setting with the chandeliers that were from the movie Gone With The Wind. The quality of the picture is great because it was shot with 35-millimeter which wasn’t normally done with concerts.
Before the Band and guests hit the stage, Bill Graham, the promoter, served a Thanksgiving dinner to 5000 people that made up the audience with long tables with white tablecloths.
The Band’s musical guests included
Ronnie Hawkins, Bob Dylan, Neil Young, Dr. John, Paul Butterfield, Van Morrison (my favorite performance of a guest), Joni Mitchell, Eric Clapton and Muddy Waters
The Staple Singers and Emmylou Harris also appear but their segments were taped later on a sound stage and not at the concert.
Robbie wanted off the road earlier and that is what the Last Waltz was all about…the last concert by The Band with a lot of musical friends. He was tired of touring and also the habits the band was picking up…the drugs and drinking. Richard Manuel, in particular, was in bad shape and needed time.
The rest of the Band supposedly agreed but a few years later all of them but Robbie started to tour as The Band again. Richard Manuel ended up hanging himself in 1986. Rick Danko passed away in 1999 at the end of a tour of a heart attack attributed to years of drug and alcohol abuse. Levon Helm died of cancer in 2012.
The Band sounded great that night and it might be the best version you will ever hear of The Night They Drove Old Dixie Down.
The Last Waltz is a grand farewell to a great band and a film that I revisit at least twice a year… once always around Thanksgiving.
The complete concert is at the bottom…without cuts.
Happy Thanksgiving! This is a Thanksgiving tradition…tonight I start another! The Beatles Get Back on Disney Plus.
The movie that Arlo movie made called Alice’s Restaurant is a fun watch. My next tradition is coming up with my next post.
Every Thanksgiving I listen to Alice’s Restaurant and this is the fourth year in a row that I’ve posted it on the 4th Thursday of November. Sorry if you are tired of it but it’s not Thanksgiving until Alice’s Restaurant is played…and the Last Waltz is watched also but that is a different story.
It’s not Thanksgiving without listening to this 1967 song. This song did not chart but he did have another version that did chart…it was called Alice’s Rock and Roll Restaurant that peaked at #97 in the Billboard 100.
Many radio stations play this on Thanksgiving. This is usually the only time they play it, since the song is over 18-minutes long.
There have been mixed reviews about the movie that was made…I’ve always found it enjoyable. It’s not going to be confused with Gone With The Wind but it’s a fun period movie.
In 1991, Arlo bought the church where this took place and set up “The Guthrie Center,” where he runs programs for kids who have been abused.
From Songfacts
Running 18 minutes and 34 seconds, this song is based on a true story that happened on Thanksgiving Day, 1965. Arlo was 18, and along with his friend Rick Robbins, drove to Stockbridge, Massachusetts to have Thanksgiving dinner with Alice and Ray Brock. Alice and Ray lived in a church – the former Trinity Church on Division Street in Stockbridge – and were used to inviting people into their home. Arlo and Rick had been traveling together, Arlo working his way up in folk singing and Rick tagging along. A number of people, Arlo and Rick included, were considered members of the family, so they were not guests in the usual sense.
When Ray woke up the next morning, he said to them, “Let’s clean up the church and get all this crap out of here, for God’s sake. This place is a mess,” and Rick said, “Sure.” Arlo and Rick swept up and loaded all the crap into a VW microbus and went out to the dump, which was closed. They started driving around until Arlo remembered a side road in Stockbridge up on Prospect Hill by the Indian Hill Music Camp which he attended one summer, so they drove up there and dumped the garbage.A little later, the phone rang, and it was Stockbridge police chief William J. Obanhein. “I found an envelope with the name Brock on it,” Chief Obanhein said. The truth came out, and soon the boys found themselves in Obanhein’s police car. They went up to Prospect Hill, and Obie took some pictures. On the back, he marked them, “PROSPECT HILL RUBBISH DUMPING FILE UNDER GUTHRIE AND ROBBINS 11/26/65.” He took the kids to jail.The kids went in, pleaded, “Guilty, Your Honor,” was fined $25 each and ordered to retrieve the rubbish. Then they all went back to the church and started to write “Alice’s Restaurant” together. “We were sitting around after dinner and wrote half the song,” Alice recalls, “and the other half, the draft part, Arlo wrote.”
Guthrie, the son of legendary folk singer Woody Guthrie, greatly exaggerated the part about getting arrested for comic effect. In the song, he is taken away in handcuffs and put in a cell with hardened criminals.
In the song, Guthrie avoids the draft and did not have to serve in Vietnam because of his littering arrest. In reality, he was eligible but wasn’t drafted because his number didn’t come up.
Guthrie performed this song for the first time on July 16, 1967, at the Newport Folk Festival.
This reflected the attitude of many young people in America at the time. It was considered an antiwar song, but unlike most protest songs, it used humor to speak out against authority.
After a while, Guthrie stopped playing this at concerts, claiming he forgot the words. As the song approached its 30th anniversary, he started playing it again.
Guthrie made a movie of the same name in 1969 which was based on the song.
Over the years, Guthrie added different words to the song. He recorded a new, longer version in 1995 at The Guthrie Center
Alice’s Restuarant
This song is called Alice’s Restaurant, and it’s about Alice, and the Restaurant, but Alice’s Restaurant is not the name of the restaurant, That’s just the name of the song, and that’s why I called the song Alice’s Restaurant.
You can get anything you want at Alice’s Restaurant You can get anything you want at Alice’s Restaurant Walk right in it’s around the back Just a half a mile from the railroad track You can get anything you want at Alice’s Restaurant
Now it all started two Thanksgivings ago, was on – two years ago on Thanksgiving, when my friend and I went up to visit Alice at the Restaurant, but Alice doesn’t live in the restaurant, she lives in the Church nearby the restaurant, in the bell-tower, with her husband Ray and Fasha the dog. And livin’ in the bell tower like that, they got a lot of Room downstairs where the pews used to be in. Havin’ all that room, Seein’ as how they took out all the pews, they decided that they didn’t Have to take out their garbage for a long time.
We got up there, we found all the garbage in there, and we decided it’d be A friendly gesture for us to take the garbage down to the city dump. So We took the half a ton of garbage, put it in the back of a red vw Microbus, took shovels and rakes and implements of destruction and headed On toward the city dump.
Well we got there and there was a big sign and a chain across across the Dump saying, “Closed on Thanksgiving.” And we had never heard of a dump Closed on Thanksgiving before, and with tears in our eyes we drove off Into the sunset looking for another place to put the garbage.
We didn’t find one. Until we came to a side road, and off the side of the Side road there was another fifteen foot cliff and at the bottom of the Cliff there was another pile of garbage. And we decided that one big pile Is better than two little piles, and rather than bring that one up we Decided to throw our’s down.
That’s what we did, and drove back to the church, had a thanksgiving Dinner that couldn’t be beat, went to sleep and didn’t get up until the Next morning, when we got a phone call from officer Obie. He said, “Kid, We found your name on an envelope at the bottom of a half a ton of Garbage, and just wanted to know if you had any information about it. ” And I said, “Yes, sir, Officer Obie, I cannot tell a lie, I put that envelope Under that garbage. ”
After speaking to Obie for about forty-five minutes on the telephone we Finally arrived at the truth of the matter and said that we had to go down And pick up the garbage, and also had to go down and speak to him at the Police officer’s station. So we got in the red vw microbus with the Shovels and rakes and implements of destruction and headed on toward the Police officer’s station.
Now friends, there was only one or two things that Obie coulda done at The police station, and the first was he could have given us a medal for Being so brave and honest on the telephone, which wasn’t very likely, and We didn’t expect it, and the other thing was he could have bawled us out And told us never to be seen driving garbage around the vicinity again, Which is what we expected, but when we got to the police officer’s station There was a third possibility that we hadn’t even counted upon, and we was Both immediately arrested. Handcuffed. And I said “Obie, I don’t think I Can pick up the garbage with these handcuffs on. ” He said, “Shut up, kid. Get in the back of the patrol car. ”
And that’s what we did, sat in the back of the patrol car and drove to the Quote Scene of the Crime unquote. I want tell you about the town of Stockbridge, Massachusets, where this happened here, they got three stop Signs, two police officers, and one police car, but when we got to the Scene of the Crime there was five police officers and three police cars, Being the biggest crime of the last fifty years, and everybody wanted to Get in the newspaper story about it. And they was using up all kinds of Cop equipment that they had hanging around the police officer’s station. They was taking plaster tire tracks, foot prints, dog smelling prints, and They took twenty seven eight-by-ten colour glossy photographs with circles And arrows and a paragraph on the back of each one explaining what each One was to be used as evidence against us. Took pictures of the approach, The getaway, the northwest corner the southwest corner and that’s not to Mention the aerial photography.
After the ordeal, we went back to the jail. Obie said he was going to put Us in the cell. Said, “Kid, I’m going to put you in the cell, I want your Wallet and your belt. ” And I said, “Obie, I can understand you wanting my Wallet so I don’t have any money to spend in the cell, but what do you Want my belt for? ” And he said, “Kid, we don’t want any hangings. ” I Said, “Obie, did you think I was going to hang myself for littering?” Obie said he was making sure, and friends Obie was, cause he took out the Toilet seat so I couldn’t hit myself over the head and drown, and he took Out the toilet paper so I couldn’t bend the bars roll out the – roll the Toilet paper out the window, slide down the roll and have an escape. Obie Was making sure, and it was about four or five hours later that Alice (remember Alice? It’s a song about Alice), Alice came by and with a few Nasty words to Obie on the side, bailed us out of jail, and we went back To the church, had a another thanksgiving dinner that couldn’t be beat, And didn’t get up until the next morning, when we all had to go to court.
We walked in, sat down, Obie came in with the twenty seven eight-by-ten Colour glossy pictures with circles and arrows and a paragraph on the back Of each one, sat down. Man came in said, “All rise.” We all stood up, And Obie stood up with the twenty seven eight-by-ten colour glossy Pictures, and the judge walked in sat down with a seeing eye dog, and he Sat down, we sat down. Obie looked at the seeing eye dog, and then at the Twenty seven eight-by-ten colour glossy pictures with circles and arrows And a paragraph on the back of each one, and looked at the seeing eye dog. And then at twenty seven eight-by-ten colour glossy pictures with circles And arrows and a paragraph on the back of each one and began to cry, ’cause Obie came to the realization that it was a typical case of American Blind justice, and there wasn’t nothing he could do about it, and the Judge wasn’t going to look at the twenty seven eight-by-ten colour glossy Pictures with the circles and arrows and a paragraph on the back of each One explaining what each one was to be used as evidence against us. And We was fined $50 and had to pick up the garbage in the snow, but that’s not What I came to tell you about.
Came to talk about the draft.
They got a building down New York City, it’s called Whitehall Street, Where you walk in, you get injected, inspected, detected, infected, Neglected and selected. I went down to get my physical examination one Day, and I walked in, I sat down, got good and drunk the night before, so I looked and felt my best when I went in that morning. ‘Cause I wanted to Look like the all-American kid from New York City, man I wanted, I wanted To feel like the all-, I wanted to be the all American kid from New York, And I walked in, sat down, I was hung down, brung down, hung up, and all Kinds o’ mean nasty ugly things. And I waked in and sat down and they gave Me a piece of paper, said, “Kid, see the phsychiatrist, room 604.”
And I went up there, I said, “Shrink, I want to kill. I mean, I wanna, I Wanna kill. Kill. I wanna, I wanna see, I wanna see blood and gore and Guts and veins in my teeth. Eat dead burnt bodies. I mean kill, Kill, Kill, kill. ” And I started jumping up and down yelling, “kill, kill, ” and He started jumping up and down with me and we was both jumping up and down Yelling, “KILL, KILL.” And the Sargent came over, pinned a medal on me, Sent me down the hall, said, “You’re our boy.”
Didn’t feel too good about it.
Proceeded on down the hall gettin more injections, inspections, Detections, neglections and all kinds of stuff that they was doin’ to me At the thing there, and I was there for two hours, three hours, four Hours, I was there for a long time going through all kinds of mean nasty Ugly things and I was just having a tough time there, and they was Inspecting, injecting every single part of me, and they was leaving no Part untouched. Proceeded through, and when I finally came to the see the Last man, I walked in, walked in sat down after a whole big thing there, And I walked up and said, “What do you want?” He said, “Kid, we only got One question. Have you ever been arrested? ”
And I proceeded to tell him the story of the Alice’s Restaurant Massacre, With full orchestration and five part harmony and stuff like that and all The phenome… – and he stopped me right there and said, “Kid, did you ever Go to court? ”
And I proceeded to tell him the story of the twenty seven eight-by-ten Colour glossy pictures with the circles and arrows and the paragraph on The back of each one, and he stopped me right there and said, “Kid, I want You to go and sit down on that bench that says Group W…. Now kid!! ”
And I, I walked over to the, to the bench there, and there is, Group W’s Where they put you if you may not be moral enough to join the army after Committing your special crime, and there was all kinds of mean nasty ugly Looking people on the bench there. Mother rapers. Father stabbers. Father Rapers! Father rapers sitting right there on the bench next to me! And They was mean and nasty and ugly and horrible crime-type guys sitting on the Bench next to me. And the meanest, ugliest, nastiest one, the meanest Father raper of them all, was coming over to me and he was mean ‘n’ ugly ‘n’ nasty ‘n’ horrible and all kind of things and he sat down next to me And said, “Kid, whad’ya get?” I said, “I didn’t get nothing, I had to pay $50 and pick up the garbage. ” He said, “What were you arrested for, kid? ” And I said, “Littering.” And they all moved away from me on the bench There, and the hairy eyeball and all kinds of mean nasty things, till I Said, “And creating a nuisance.” And they all came back, shook my hand, And we had a great time on the bench, talkin about crime, mother stabbing, Father raping, all kinds of groovy things that we was talking about on the Bench. And everything was fine, we was smoking cigarettes and all kinds of Things, until the Sargeant came over, had some paper in his hand, held it Up and said.
“Kids, this-piece-of-paper’s-got-47-words-37-sentences-58-words-we-wanna- Know-details-of-the-crime-time-of-the-crime-and-any-other-kind-of-thing- You-gotta-say-pertaining-to-and-about-the-crime-I-want-to-know-arresting- Officer’s-name-and-any-other-kind-of-thing-you-gotta-say”, and talked for Forty-five minutes and nobody understood a word that he said, but we had Fun filling out the forms and playing with the pencils on the bench there, And I filled out the massacre with the four part harmony and wrote it Down there, just like it was, and everything was fine and I put down the Pencil and I turned over the piece of paper, and there, there on the Other side, in the middle of the other side, away from everything else on The other side, in parentheses, capital letters, quotated, read the Following words:
(“KID, HAVE YOU REHABILITATED YOURSELF?”)
I went over to the Sargent, said, “Sargeant, you got a lot a damn gall to Ask me if I’ve rehabilitated myself, I mean, I mean, I mean that just, I’m Sittin’ here on the bench, I mean I’m sitting here on the Group W bench ’cause you want to know if I’m moral enough join the army, burn women, Kids, houses and villages after bein’ a litterbug. ” He looked at me and Said, “Kid, we don’t like your kind, and we’re gonna send you fingerprints Off to Washington. ”
And friends, somewhere in Washington enshrined in some little folder, is a study in black and white of my fingerprints. And the only reason I’m singing you this song now is cause you may know somebody in a similar situation, or you may be in a similar situation, and if your in a situation like that there’s only one thing you can do and that’s walk into The shrink wherever you are, just walk in say “Shrink, You can get Anything you want, at Alice’s restaurant. “. And walk out. You know, if One person, just one person does it they may think he’s really sick and They won’t take him. And if two people, two people do it, in harmony, They may think they’re both faggots and they won’t take either of them. And three people do it, three, can you imagine, three people walking in Singin a bar of Alice’s Restaurant and walking out. They may think it’s an Organization. And can you, can you imagine fifty people a day, I said Fifty people a day walking in singing a bar of Alice’s Restaurant and Walking out. And friends they may think it’s a movement.
And that’s what it is, the Alice’s Restaurant Anti-Massacre Movement, and All you got to do to join is sing it the next time it comes around on the Guitar.
With feeling. So we’ll wait for it to come around on the guitar, here and Sing it when it does. Here it comes.
You can get anything you want, at Alice’s Restaurant You can get anything you want, at Alice’s Restaurant Walk right in it’s around the back Just a half a mile from the railroad track You can get anything you want, at Alice’s Restaurant
That was horrible. If you want to end war and stuff you got to sing loud. I’ve been singing this song now for twenty-five minutes. I could sing it For another twenty-five minutes. I’m not proud… Or tired.
So we’ll wait till it comes around again, and this time with four part Harmony and feeling.
We’re just waitin’ for it to come around is what we’re doing.
All right now.
You can get anything you want, at Alice’s Restaurant Excepting Alice You can get anything you want, at Alice’s Restaurant Walk right in it’s around the back Just a half a mile from the railroad track You can get anything you want, at Alice’s Restaurant
Happy Thanksgiving to everyone. This first premiered on November 20, 1973, on CBS and won an Emmy Award. Great Thanksgiving special as always with the earlier Peanuts.
The Halloween, Thanksgiving, and Christmas Peanuts specials I always looked forward to. The way their world was only for kids where grownups were heard but only as noise in the background.
It starts off with Lucy tempting Charlie Brown with that football. Just one time I wanted to see Charlie kick the football…or Lucy.
It’s Thanksgiving and Peppermint Patty invites herself and Marcie over to Charlie Brown’s house but Charlie and Sally are ready to go to their grandmothers. Charlie talks to Linus and he suggests having two Thanksgiving dinners.
The only thing Charlie can come up with is feeding his friends toast and cold cereal which does not make Peppermint Patty happy whatsoever. She lets Charlie have it really bad until Marcie reminds her that she invited herself over.
Not going to give it away for those who have not seen this wonderful holiday cartoon. The music by Vince Guaraldi is excellent and makes every Peanuts cartoon special.