TV Shows – Page 32 – PowerPop… An Eclectic Collection of Pop Culture

Saturday Night: A Backstage History of Saturday Night Live

If you want to know why and how Saturday Night Live came to be…this is the book. It covers the first 10 years of the show but is primarily about the first 5 years and the one terrible year after the classic cast left. It was written by Doug Hill and Jeff Weingrad and they interviewed practically everyone connected with the show and it is surprising on how objective they are throughout the book.

Working on the show was/is not for the thin-skinned. It was rough and no one was spared…not even the stars at first. The book goes into detail about how the show started a pattern of work that continued through the decades. The troubles the female writers went through trying to do their job. The endless drugs that fueled many of the all-night writing sessions.

The atmosphere could be very sexist, insulting and aggressive. Michael O’Donoghue was the key writer and gave SNL the edge but he could be difficult. When he left the show he was missed. When the original cast, writers, and Lorne Michaels left, Jean Doumanian took over the show for a year. Things didn’t go well, to say the least. The book details the transition then to Dick Ebersol.

The show went from an ensemble show trying new ideas to a star-driven formulaic show under Ebersol. Maybe the show was destined to do that anyway and it would never be the same again.

I’ve read a few books on SNL but as far as the creation and original cast…this is the one to go to.

The Bob Newhart Show

Probably my personal favorite sitcom of the seventies. It would not be rated as the best by many people or critics…I just like Newhart’s dry sense of humor. Bob Newhart also was in a sitcom in the 80’s called “Newhart” that was set in Vermont that sometimes people confuse with this show.

This show was set in Chicago with Bob playing psychologist Bob Hartley. He lived with his wife Emily Hartley in an apartment complex. He worked in an office building with a receptionist named Carol and an Orthodontist name Jerry. There is also a neighbor named Howard Borden…who sometimes can be just a little too out there (or dumb) but he is more like Bob and Emily’s child at times.

The show ran from 1972 – 1978 with 142 episodes. It was never a Nielson Rating giant despite following the Mary Tyler Moore Show but it was in the top 20 in it’s first few years.

A college drinking game originated from this show. Every time you heard “Hi Bob” you would consume alcohol…sounds like a better time than Yahtzee.

The show’s plot takes place usually in three different places. Bob at home with Emily, Bob with his patients, and Bob with Carol and Jerry. Elliot Carlin was a patient of Bob’s and the most pessimistic character I ever saw on a sitcom. He thought the worse of people and himself and often would puncture Bob’s optimism.

This show was part of CBS’s Super Saturday night lineup that featured All In The Family, The Jeffersons, The Mary Tyler Moore Show, The Bob Newhart Show and then The Carol Burnett Show. All of those shows are remembered today.

It is a smartly written sitcom…the two episodes I would recommend is “Motel” in season 2 episode 2 and the classic episode “Over the River and through the Woods” season 4 episode 11.

If you like a dry sense of humor this show is for you. Some trivia about the show, the bedspread, and sheets in Bob and Emily’s bedroom were designed by Suzanne Pleshette. She designed bedding for JP Stevens Utica brand.

The cast was

Bob Newhart – Bob Hartley

Suzanne Pleshette – Emily Hartley

Bill Daily – Howard Borden

Marcia Wallace – Carol Kester

Peter Bonerz – Jerry Robinson

Jack Riley – Elliot Carlin

Below is a great description of the show

https://tv.avclub.com/the-bob-newhart-show-has-aged-gracefully-1798180611

The Bob Newhart Show might be the driest American sitcom to ever attain anything like major success. While the show was buoyed by running after The Mary Tyler Moore Show for much of its run, making it more of a beneficiary of a good time slot than a breakout hit, in some ways, Bob Newhart has aged even better than that series. Mary Tyler Moore was more historically important, but the center of the show is the uneasy tension arising from the increased entry of women into the workplace in the ’60s and ’70s, which gives the series a certain quaintness in 2014. Bob Newhart—produced by MTM Enterprises, the studio behind Mary Tyler Moore—is about the perils of trying to lead a mentally sound and fulfilling life in the morass of modern society. It’s a subject that will never go out of fashion—even if the series’ ’70s trappings and outfits seem occasionally ridiculous.

The Bob Newhart Show has gotten even more modern in tone with the passage of time, an unusual trick for a TV show. The complete series, collected on DVD for the first time by Shout Factory recently, centers on the home and work lives of Dr. Bob Hartley (Newhart), a Chicago psychologist whose life is rigidly defined by dealing with his patients—both individually and in the group therapy sessions that became a famous source of jokes for the show. The personalities at his office—orthodontist Jerry (Peter Bonerz) and their receptionist, Carol (Marcia Wallace)—are rarely the draw for the show, but they’re perfectly fine as foils both for Bob and his patients.

It’s on the other side of the series that the show crackles to life. When Bob goes home, he arrives to his wife, Emily (Suzanne Pleshette), and the relationship between the two is the thing about the show that most feels like something no network executive would ever greenlight today. The two are deeply in love, and reading between the lines of their dialogue also reveals they’re having lots of sex. But the show codes their conversation as their sex, taking a tip from the great screwball comedies of the ’30s and ’40s. There’s nothing they love so much as ribbing each other with jokes that would be acidic in lesser hands but feel affectionate coming from the mouths of Newhart and Pleshette. What’s more, the two don’t have children and rarely discuss having them. This was because Newhart didn’t want the show to turn into one where he played off of cute kids, but it played as quietly revolutionary at the time and even more so now. The Hartleys are eternally childless, finding their fulfillment in their professional lives and each other, building a marriage that’s more about finding a solid partner to navigate life with than anything else.

The Bob Newhart Show is also notable for breaking down into three rough eras of two seasons each. Where many other sitcoms of this era (the best ever for American sitcoms) were shepherded by a handful of the same producers from start to finish, Bob Newhart began life as a sort of drier, chillier riff on Mary Tyler Moore, under the tutelage of Lorenzo Music and David Davis. This version of the show, its weakest but still an enjoyable one, ran for the first two years, before spending the next two seasons with Tom Patchett and Jay Tarses working first as head writers, then as showrunners. Tarses’ darkly misanthropic streak and lack of love for the sitcom form blended well with a show about psychoanalysis, and the series became one of the darker sitcoms in TV history. By its fifth (and best) season, it was practically death-obsessed, with frequent riffs on suicide and serious psychological conditions. Yet these final two seasons (which gave some of the best TV writers in history their big break) also up an absurdist quality that was already in the show to quantities that hadn’t been seen in the sitcom since the heyday of Green Acres.

That absurdism also taught future writers who would work on shows starring Newhart a valuable lesson: Newhart, in and of himself, is not the driver of the story. He is, instead, the reactor, the modern man trapped in an absurd system and forced to remark quietly on how bizarre it is. Despite being deliberately low-concept, The Bob Newhart Show is one of the weirdest sitcoms in history, especially as it goes on. Even the characters who seem to be the most traditional sitcom types, like Bill Daily’s Howard Borden, go beyond what they initially seem to be (in Howard’s case, a generic dumb guy) and take on a specificity that other shows would avoid. Howard, for instance, is a navigator for an airline, who has terrible luck in love and a tendency to spiral blame for things he’s done wrong outward at others. What seemed like a generic riff on Mary’s Ted Baxter early in the show’s run becomes something else entirely—not a buffoon but, rather, a man limited by his own perceptions.

All of this reaches its apex in the show’s best character, Jack Riley’s Elliot Carlin, one of Bob’s patients and an almost perfect foil for Dr. Hartley, his dark, dour demeanor acting like a funhouse-mirror version of his therapist. The scenes between the two can feel like minimalist one-act plays at times, with Newhart and Riley bouncing off of each other in barely varying monotones that take on the vibe of complex business negotiations disguised as therapy sessions. In Carlin and Hartley, the show found two very similar men who looked at the dehumanizing state of American society of the ’70s and chose wildly different reactions. Hartley, an optimist, chose to believe people could improve themselves; Carlin, a pessimist, was pretty sure they never would. The genius of The Bob Newhart Show was how it knew Carlin was right but admired Bob Hartley for trying anyway.

The Beatle Cartoon Series

I have all 39 episodes taken from VHS tape but you can view most on youtube. The cartoon reminds me of the style of Rocky and Bullwinkle. John and George were voiced by Paul Frees who did the voice for Boris Badenov on Rocky and Bullwinkle. They ran on ABC from 1965-1969 though only 65-67 were first run episodes.

The show was made on the cheap and the cartoon Beatles were put in usual cartoon situations like a jungle, haunted house, or on a boat. The main thing was to play a Beatle song in the background while our heroes got out or into a jam.

They were a rating success. I watch them now and think…why not get actors with real British accents to voice them? They are silly and fun but George especially had no accent at all. The Beatles had nothing to do with them and didn’t really like them at first when they were first on air. They started to appreciate them more as time went on.

With season 3 you start seeing more pop art being incorporating in the episodes. They have segments where flower power framed the newer songs. Some of the segments looked really good but then they would go back to their younger selves. Some of the episodes could be considered so bad they are good…but I like them.

I never got to see these until the 1980s.

Below is some samples of it.

Below are the episodes descriptions from Wikipedia

Season 1 (1965–66)

1. A Hard Day’s Night / I Want to Hold Your Hand: The Beatles are in Transylvania rehearsing in a haunted house with “monstrous” visitors, including a vampire, a ghost, a werewolf, and a witch, with a parody of Boris Karloff; To hide from their fans, the Beatles run inside a diving bell which drops them into the ocean with a lovesick octopus. Sing Alongs: Not A Second Time / Devil In Her Heart

2. Do You Want To Know A Secret / If I Fell: The Beatles go to Dublin, Ireland for the weekend where they meet a leprechaun named Wilhelmina Morris; John is kidnapped by Dr. Dora Florahyde and Igor, both of whom want John’s brain for their monster. In the I Want To Hold Your Hand Sing Along, Ringo is shown inside a submarine. Sing Alongs: A Hard Day’s Night / I Want To Hold Your Hand

3. Please Mr. Postman / Devil In Her Heart: Ringo loses 15 rings he bought with all of the Beatles’ spendings and they are expecting a telegram from manager Brian Epstein for more money; Ringo wanders into the woods in Transylvania where he meets a witch who wants Ringo for a husband. Sing Alongs: If I Fell / Do You Want To Know A Secret

4. Not A Second Time / Slow Down: The Beatles abandon their flight and land in Africa while trying to get away from their fans, but three girls keep tracking them down. They later encounter a few crocodiles; The Beatles are on the way to the town Ringo Ravine (named after Ringo) until they encounter a donkey that smells gold named “Gold Nose”. Sing Alongs: Baby’s In Black / Misery

5. Baby’s In Black / Misery: Paul gets kidnapped by Professor Psycho who wants Paul to marry his creation Vampiress, half girl and half bat; The Beatles go to a wax museum where a vampire follows them. Sing Alongs: I’ll Get You / Chains

6. You’ve Really Got A Hold On Me / Chains: In Africa, Ringo asks a medicine maker named Jack to help fix the Beatles’ flat tire. He then turns a worm into a snake and it lusts for Ringo; After getting knocked out, Ringo dreams about himself as Captain William Bligh from the movie Mutiny on the Bounty (1962). Sing Alongs: Slow Down / Honey Don’t

7. I’ll Get You / Honey Don’t: The Beatles run into hunter Alan Watermain (a parody of Alan Quartermain) in Africa after escaping from their fans and go out hunting for a lion; Ringo is mistaken as a bull rider, and the cowboys send him to ride on a super-tough bull named Honey. Sing Alongs: You’ve Really Got A Hold On Me / Any Time At All

8. Any Time At All / Twist and Shout: The Beatles imagine themselves as the Three Musketeers (Plus One) while they are on a tour at a museum in France; The Beatles attend an art show where a girl tries to be like other artists. They inspire her with music. Sing Alongs: I’ll Be Back / Little Child

9. Little Child / I’ll Be Back: A Native American girl on a Texas Indian reservation wants to prove that girls are as good at trapping as boys are by trapping the Beatles; The mayor of a Texas town gives Ringo a golden guitar as a gift, only to be stolen by three men, prompting the Fab Four to hunt for the thieves and get the guitar back. (The song “Ticket to Ride” is heard at the beginning of this episode.) Sing Alongs: Long Tall Sally / Twist And Shout

10. Long Tall Sally / I’ll Cry Instead: The Beatles stay at a castle for the night during a fog. John and Ringo try on a couple of cursed armor suits and start to fight each other; After signing too many autographs in Japan, George’s hand gets swollen and suffers “autographitis”. His bandmates take him to a hand doctor but end up in a karate class by mistake. Sing Alongs: I’ll Follow The Sun / When I Get Home

11. I’ll Follow the Sun / When I Get Home: The Beatles’ car breaks down and they are captured by a highwayman who happens to be a car repair man; The Beatles explore the Notre Dame in France where they later meet its famous hunchback Quasimodo. Sing Alongs: I’ll Cry Instead / Everybody’s Trying To Be My Baby

12. Everybody’s Trying To Be My Baby / I Should Have Known Better: The Beatles, spending the night at a temple in Japan during a rainstorm, are mistaken for Japanese ancestors of four girls; The Beatles are in Rome trying to find a theater to rehearse. Their last resort is the Coliseum. Sing Alongs: I’m A Loser / I Wanna Be Your Man

13. I’m A Loser / I Wanna Be Your Man: In Hollywood, Ringo gets hired as a stuntman by Incredible Pictures Inc. and ends up in the hospital after getting pulverized in many scenes; In Rome, the Beatles buy a statue of the Goddess of Musica made from stolen gold coins melted down and sculptured. Sing Alongs: No Reply / I’m Happy Just To Dance With You

14. Don’t Bother Me / No Reply: In Rome, The Beatles are being followed by two spies who are after their songbook, “New Beatle Songs”, marked “Top Secret”. The Beatles movie Help! and Oddjob from the James Bond movie Goldfinger are spoofed; In Japan, The Beatles are warned by a Charlie Chanlookalike about a jewel thief named Anyface. Things become complicated when Anyface shows up disguised as Paul. Sing Alongs: It Won’t Be Long / I Should Have Known Better

15. I’m Happy Just To Dance With You / Mr. Moonlight: The Beatles are in a Roman Street Festival where Paul wins a dancing bear named Bonnie; The Beatles meet Professor Ludwig Von Brilliant who is on a mission to view an eclipse. After being adrift at sea, they escape from an island on a submarine. Sing Alongs: Don’t Bother Me / Can’t Buy Me Love

16. Can’t Buy Me Love / It Won’t Be Long: John is given a friendship ring from a Polynesian tribal chief, which means he must marry the chief’s New York-accented daughter who dislikes pineapples; While picnicking in Japan, John goes for a swim in a pond with shrinking potion in it and gets shrunk. The other Beatles think John is a Beatle doll and chase after him. Sing Alongs: Anna (Go to Him) / Mr. Moonlight

17. Anna / I Don’t Want To Spoil The Party: In Japan, Paul gets lured into a ghost ship called “Ah-Nah”. The other Beatles dash off to the rescue before they might lose Paul for good; Paul, George and Ringo sneak away from John and go to Greenwich Village for some fun time at a Beatnik party rather than going to a museum. Sing Alongs: Matchbox / Thank You Girl

18. Matchbox / Thank You Girl: In Hawaii, John buys a trailer for the group to stay in rather than staying at a hotel so many times. They later encounter a group of Hawaiians who are evacuating from a volcano; The Beatles sneak away from their manager to get something to eat at a French restaurant by enrolling in a cooking course. Sing Alongs: I Don’t Want To Spoil The Party / Help!

19. From Me To You / Boys*: In Hawaii, a surfer named Surf Wolf challenges George to a surfing duel; The Beatles participate in a Mr. Hollywood Contest in California. Sing Alongs: Please Mr. Postman / I Saw Her Standing There
Note: The opening title erroneously shows “With Love From Me To You”

20. Dizzy Miss Lizzy / I Saw Her Standing There: John and Paul secretly sign George up to an ice boat race, and he partners up with a girl named Lizzy; In Madrid, John and Paul visit a restaurant where John develops a hot foot with ashes in his boot. Rosita falls for John, and her boyfriend Jose challenges John to a duel. Sing Alongs: Ticket To Ride / From Me To You

21. What You’re Doing / Money*: The Beatles are on a fishing trip, and Ringo runs into gypsies. One of them falls for Ringo and wants to marry him. George comes in as a woman claiming he’s engaged to Ringo to get him back; John puts Ringo in charge to keep their money safe in his jacket pocket. Later Ringo is being followed by a mystery man at a carnival who is after the money. (The song “Help!” is heard at the beginning of this episode.) Sing Alongs: Dizzy Miss Lizzy / All My Loving

22. Komm Gib Mir Deine Hand* / She Loves You: The Beatles visit the Bavarian alps mission is to climb up a mountain with the dog Gunthar to put up their own flag on top; The Beatles are about to rescue a girl who they think is held as a prisoner on a ship. As a result, her boyfriend, a knife thrower, comes to her defense…with knives. Sing Alongs: Bad Boy / Tell Me Why

23. Bad Boy / Tell Me Why: The Beatles visit the Bavarian Alps. They encounter a runaway named Hans who wants to be a Beatle, prompting The Fab Four to run after him with their music (in which Paul plays the bass right-handed) and take him back home. (The song “Slow Down” is heard in the background); In Spain, Ringo is the jockey of a donkey that can run like a horse whenever she hears loud music. Sing Alongs: Please Please Me / Hold Me Tight

24. I Feel Fine / Hold Me Tight: Paul thinks Hollywood’s a phony. Actor Dick Dashing wants to prove Paul he is wrong by putting him in some different movie scenes; In New York, George and Ringo visit the Statue Of Liberty until they have spotted a man with a package which they think is a bomb. Sing Alongs: What You’re Doing / There’s A Place

25. Please Please Me / There’s A Place: In Madrid, a bull named El Taco gets knocked out, and the Beatles decide to help out with the bullfight with Ringo as the matador, and John and Paul as the bull; John’s sympathy helps a trained ape named Mr. Marvelous escape from the television studio and go out to explore the outside world. Sing Alongs: Roll Over Beethoven / Rock And Roll Music

26. Roll Over Beethoven / Rock and Roll Music: The Beatles are on their way home after visiting New York City until Paul gets grabbed by an elephant named Beethoven; The Beatles are invited to play at the Duke’s Palace, but they are mistaken for a string quartet. Sing Alongs: I Feel Fine / She Loves You

Season 2 (1966)

27. Eight Days A Week / I’m Looking Through You: A great movie lover named Lips Lovelace loses his ability to kiss. Paul decides to take his place in the studio with a leading lady who falls for him; The Beatles are in Egypt. They are wandering around in a pyramid until Ringo encounters a ghost who wants a body, and he chooses Ringo’s. Sing Alongs: Run For Your Life / Girl**

28. Help! / We Can Work It Out: Paul and Ringo go to a fashion show in Paris, but the designs are stolen by a thief named Jacques Le Zipper. Paul chases Jacques to the Eiffel Tower, and has trouble with heights; George becomes superstitious. The Beatles encounter the Lucky Wizard who is really a thief trying to give them bad luck and rob their money. Sing Alongs: The Night Before** / Day Tripper

29. I’m Down* / Run For Your Life: The Beatles are on a tour at a wine factory in France where Ringo accidentally knocks down a vat of wine. If it does not get fixed in two hours, the factory will go out of business; The Beatles are on a tour at the Palace of Versailles. Ringo gets knocked out by a statue, and dreams about the days of Marie Antoinette. Sing Alongs: Eight Days A Week / Paperback Writer

30. Drive My Car* / Tell Me What You See*: The Beatles help a young man and his girlfriend get their old jalopy running in a car race, the Popsville Hot Rod Race; While visiting “the man of a thousand faces”, The Beatles fool around with his makeup machine and change into different characters. (John briefly imitates Jimmy Durante and Swee’Pea from “Popeye” makes a cameo.) Sing Alongs: Yesterday** / We Can Work It Out

31. I Call Your Name* / The Word*: Ringo is convinced to release his pet frog Bartholomew in the swamp. Later a movie producer offers a filming deal to Ringo and the frog, and the Fabs have dashed off to find Bartholomew; The Beatles are being punished after gazing at the girls’ unveiled faces. The only way to get out of the situation is to say the password: “love”. Sing Alongs: She’s a Woman** (original broadcast, replaced with a repeat of I Feel Fine) / Wait

32. All My Loving / Day Tripper: The Beatles are in India where they learn how to charm an animal at an “Indian Charm Skool”. When the animal is revealed to be a tiger, they use music to tame it when it is about to claw John and Ringo (The song “Love You To” is heard in the beginning of this episode.); After watching the movie The Way Out Creatures From Planet Glom, the Beatles take a trip out into space with a beautiful woman who is actually an alien taking them on a one-way trip 23 billion miles from Earth. Sing Alongs: I’m Looking Through You / Nowhere Man

33. Nowhere Man / Paperback Writer: The Beatles walk into a cave for some exploring which is a home of a hermit who wants to be alone. He tries to get rid of them, but no luck; Each of the Beatles write fictional stories of how they met with Ringo as a theatre actor, Paul as a scientist, George as a secret agent, and John as a war pilot. Sing Alongs: And I Love Her** / Michelle**

Season 3 (1967)

34. Penny Lane / Strawberry Fields: In a spoof of James Bond, the Beatles are jealous of a detective named James Blonde who gets more attention from many women, so the Fab Four head to their hometown of Liverpool to stop a robbery on Penny Lane so they can be heroes; Traveling with their driver James, the Beatles use music to add color and happiness to the lives of the children at an orphanage, a reference to Strawberry Field in Woolton, a suburb of Liverpool. John sums up the experience with “It’s all in the mind, you know.” Sing Alongs: Good Day Sunshine / Rain**

35. And Your Bird Can Sing / Got To Get You Into My Life: The Beatles and a couple of hunters hunt for a rare bird called a green double-breasted tropical woosted that can sing anything, including “Hound Dog” and “She Loves You”; The Beatles are in India, learning how to escape from their bodies from Swami Rivers. It works, but the problem is that the souls’ bodies are moving by themselves, and they must get them before it’s too late. (“Love You To” is heard in the background) Sing Alongs: Penny Lane / Eleanor Rigby

36. Good Day Sunshine / Ticket To Ride: Ringo thinks he’s a jinx. When the Beatles arrive at Carney Island, it starts to rain. Their music turns the rainy day back into a sunny day which makes Ringo happy. (The song “Little Child” is heard at the end of this episode.); The Beatles each have their own hobby. Paul paints, George builds a three-eyed robot, John writes and Ringo collects “birds” which is an English slang term for girls. Paul releases the only one Ringo caught and he runs after her. Sing Alongs: Strawberry Fields Forever / And Your Bird Can Sing

37. Taxman* / Eleanor Rigby: The Beatles get knocked out while carrying tons of money to the bank, and dream about the days of Robin Hood. Paul exclaims: “It never happened”; A group of children claim that an elderly woman named Eleanor Rigby is a witch. The Fabs tell them the true story about Eleanor Rigby in a song. (The song “I Feel Fine” is heard at the end of this episode.) Sing Alongs: Got To Get You Into My Life / Here, There and Everywhere**

38. Tomorrow Never Knows*/I’ve Just Seen a Face*: The Beatles fall into a well and end up in the inner world with foreign natives. The chief wants the Fabs to marry his daughters, and they began to run away. (The song “Love You To” is heard during this episode.); Ringo loses his singing voice. For treatment, his three mates send Ringo to a haunted house to scare his voice back. Sing Alongs: She Said She Said** / Long Tall Sally (repeat)

39. Wait / I’m Only Sleeping*: The Prince of Krapotkin’s girlfriend is in grave danger. The Beatles help him to save her from the Prime Minister who wants to marry her; John falls asleep while telling a story to a couple of children. In his dream he volunteers to help King Arthur and Merlin slay a vicious dragon. However, John and his mates opt instead to play music to put the dragon to sleep. Sing Alongs: Penny Lane (repeat) / Eleanor Rigby (repeat)

Alias Smith and Jones

This television show only last three seasons from 1971-1973 and from reading the reviews of the day it attracted young viewers because of the young male leads Pete Duel and Ben Murphy. It’s a western comedy about two reformed non-violent bank robbers who are trying to go straight.

The Governor has promised them amnesty if they stay out of trouble for a while but no one can know so, they are still wanted. The episodes are humorous and different from the two big westerns at the time…Gunsmoke and Bonanza. The episodes tended to be uneven though but overall it was a good show.

Pete Duel was going through problems in his life at the time. During the first season, he was driving drunk and pulled into the path of an oncoming car. Two people were injured and one hospitalized. This would haunt him till his death and he would fight a drinking problem to the end.

Pete and Ben are in about every shot of the series. They both worked 12-14 hour days 6-7 days a week. Pete was never happy with the show. He was restless and wanted to do different things. When the second season started he was put on 2-year probation for the accident and lost his drivers license.

One quote from him around this time about being in a TV series was “It’s a big fat drag to any actor with interest in his work. It’s the ultimate trap.” He was very environmentally conscious and often spoke out on issues like pollution.

After being driven home from the set on December 30, 1971, he died of a self-inflicted gunshot wound in the early hours of December 31, 1971.

The show continued on with Roger Davis taking over Duel’s character in the series. It lasted only 17 episodes after Duel’s departure.

This is from Wikipedia… it’s a sad commentary

Upon learning of Duel’s death, executive producer Jo Swerling, Jr., initially wanted to end the series, but ABC refused. Swerling later stated:

ABC said, “No way!” They said, “You have a contract to deliver this show to us, and you will continue to deliver the show as best you can on schedule or we will sue you.” Hearing those words, Universal didn’t hesitate for a second to instruct us to stay in production. We were already a little bit behind the eight ball on airdates. So, we contacted everybody, including Ben (Murphy), and told them to come back in. The entire company was reassembled and back in production by one o’clock that day shooting scenes that did not involve Peter — only 12 hours after his death.

The Intro

Narrator: Hannibal Heyes and Kid Curry – the two most successful outlaws in the history of the West. And in all the trains and banks they robbed, they never shot anyone. This made our two latter-day Robin Hoods very popular – with everyone but the railroads and the banks.

Jed ‘Kid’ Curry: There’s one we thing we gotta get, Heyes.

Hannibal Heyes: What’s that?

Jed ‘Kid’ Curry: Out of this business!

Sheriff Lom Trevors: The governor can’t come flat out and give you amnesty now. First you have to prove you deserve it.

Hannibal Heyes: Ah. So all we have to do is just stay out of trouble till the governor figures we deserve amnesty.

Jed ‘Kid’ Curry: But in the mean time, we’ll still be wanted.

Sheriff Lom Trevors: Well, that’s true. Till then only you, me and the Governor will know about it. It’ll be our little secret.

Hannibal Heyes: That’s a good deal?

Jed ‘Kid’ Curry: I sure wish the governor’d let a few more people in on our secret!

Are You Being Served?

A fun British sitcom that aired from 1972-1985. This comedy is not subtle…it’s obvious and in the open.

The show is about a department store called Grace Bros. owned by the elderly Grace brothers. It is operated with the British class system. The show highlighted the Menswear and Womenswear departments and also the Floor Walker the pretentious Captain Peacock. It also featured the incompetent floor manager…Mr. Rumbold.

The Women’s department was run by Miss Slocombe. A lady that is known for her hair color changing every day and the love of her pussy cat…they get a lot of mileage out of that. She tries to elevate herself over the working class but that is just what she is…Her assistant is the young very pretty Miss Brahms who talks with a cockney accent and is proud of being thought of as working class.

The head of the Men’s department is Mr. Granger who is older and near retirement and seems to be in a sour mood most of the time. Two more men work in the department… The junior in the department is Mr. Lucas who is always late and flirting with Miss Brahms, never has money and always has to wait his turn before he can serve anyone and make money because the other two men have seniority, The other man is Mr. Humphries…probably the most popular character of the show. He hints at being gay every episode but never comes out and says it…this is really played up…remember it is the 70s. The writers go for the obvious jokes many times but it’s still funny.

The Grace brothers owned the store and “Young” Mr. Grace was in fact not young at all. He was stingy and he always had a very young attractive girl by his side.

The maintenance guy Mr. Mash and Mr. Harmon were great. They would make the devices to advertise the merchandise. Sometimes the machine they made would blow up or show some naughty things to the customers. They were union and they thumbed their nose at the everyone.

Mix these personalities and you got a funny show. The purpose of the sitcom basically was to expose the class system and to parody it.

The customers that shopped at Grace Bros department store usually left disappointed. The phrases I remember the most are “Are you free?” and while having a customer try on pants that obviously doesn’t fit…You would hear an employee say don’t worry ”They’ll ride up with wear.”

Some of the cast left and past away during the run of the show. They were replaced with different characters and the show went on. When the show ended in 1985 a spin-off was made called Grace and Favour.

The core cast was strong and the show was very good until the start of the 80’s and like most shows, they were reaching more for stories and repeating themselves. In 1979 when Trevor Bannister who played Mr. Lucas left it started to go down.

The sitcom had 69 episodes and a movie in 1977… well, you can say 70 episodes because in 2016 a new episode was made with different actors playing the same characters.

I wouldn’t compare this to Fawlty Towers because Fawlty Towers was better written… but this is a fun sitcom nonetheless. I remember it when I was young being broadcast on PBS. It is worth a watch if you like British humor.

The cast was

Mollie Sugden – Miss Slocombe

Frank Thornton – Mr. Peacock

John Inman – Mr. Humphries

Wendy Richard – Miss Brahms

Nicholas Smith – Mr. Rumbold

Trevor Bannister – Mr. Lucas

Arthur Brough – Mr. Grainger

Harold Bennett – Young Mr. Grace

Larry Martyn – Mr. Mash

Arthur English – Mr. Harmon

James Hayter – Mr. Tebbs

Alfie Bass – Mr. Goldberg

Mike Berry – Mr. Spooner

Kenneth Waller – Old Mr. Grace

MatchGame 73-79

I’m not big into game shows but this one was my favorite. When I was at my grandmothers I would watch Match Game. This was the one I looked forward to. The questions were written for the dirty minded… you could see what the celebrities wanted to write down but they had to stay somewhat clean. Dick DeBartolo from Mad Magazine wrote most of the questions so it had that humor.

Mary liked to pour gravy over John’s ______

It was fun for the celebrities and from the documentries I’ve seen they would film 12 episodes over a weekend and drinks would be flowing at lunch and dinner. The styrofoam cups you would see them drinking from would sometimes be vodka instead of water on air.

The regulars I remember were Brett Somers, Charles Nelson Reilly and Richard Dawson (until he left for his own show). The others that would be on the show occasionally were Betty White, Fannie Flagg, Joyce Bulifant, Nipsey Russell, Marcia Wallace, Patti Deutsch and more.

Sometimes the celeberties would have so much fun that I would feel sorry for the contestant trying to win money when the celebrities would write joke answers. Richard Dawson and Charles Nelson Reilly would usually be serious on the answers.

So many women would pick Dawson because he was the best player and because they wanted to kiss him if they won…or lost really…That was a glimpse to his future game show.

Gene Rayburn was the host and he would hold everything together barely. It really did seem Rayburn was having a great time.

I remember Richard Dawson’s last week on the show. He wore dark glasses and would not smile. He seemed bored (he had started to do Family Feud by this time) and serious. Turns out that he wanted off the show but they would not let him…After that final show of him being sullen and not smiling…he was gone.

The game was also changed because of Dawson. In the last round more times than not he was picked…well he was good… The producers changed the rules and made people spin a wheel to see which celeb they would get in the final round.

They would push the censors as far as they could for the 1970s…I watch it whenever I can…

Gunsmoke the Early Years

I grew up watching the hour-long color episodes (seasons 12-20) of Gunsmoke in reruns and I liked the show. Now I’m watching the first 6 seasons…they are black and white and very different. There is no Festus or Newly…we have Chester (Dennis Weaver) and he is a refreshing character. They just never played these episodes on television when I was younger. There still is Doc Adams (Milburn Stone)and a very young good looking Kitty Russell (Amanda Blake).

These episodes dealt with murder, rape, human trafficking, and plenty of Matt Dillon (James Arness) decking bad guys with his fist or the butt of his gun. They are 30 minutes long which is great. They got to the point quickly. Some of the stories were grim but it matched the look of the series.

I was surprised at how rough, violent and authentic they were and that is not knocking the later episodes but there is a difference. The violence was toned down as the series continued.

The later color episodes centered more around the guest stars and the old black and white ones centered more on the local cast of Dodge City.

Have Gun Will Travel was also on CBS along with Gunsmoke. You will see some of the same character actors and sets. Some Have Gun Will Travel scenes were filmed in a redecorated Long Branch… Too bad there wasn’t a crossover at least once.

Chester…I’ve always liked Dennis Weaver as an actor…in McCloud, Duel and anything he was in… He brings his character Chester alive as a real person. Chester had a limp on the show and Dennis Weaver said he would take yoga classes so he could do things like putting on a boot look believable with a bad leg…he also put a pebble in his boot on his right foot so he would not forget which leg was lame.

Chester could be lazy but he was invaluable and loyal to a fault to Matt Dillon. Dennis Weaver left the show after the 9th season with no explanation on what happened to Chester as was the way back then with TV shows.

If you are a fan and have seen only the later episodes…check these out.

Paul Lynde Halloween Special

I love watching this from time to time. Yes, it’s bad…really bad but it’s so bad it’s good. All the celebrities who are in different phases of their careers, cross paths in this epic of a show. First, let’s go through all of the stars.

Paul Lynde of course,

Billie Hayes (Witchiepoo from H.R. Pufnstuf)

Margaret Hamilton (The witch from Wizard of Oz)

Tim Conway (No seventies variety show was right without Tim Conway)

Florence Henderson (Brady Bunch mom)

KISS (their first TV show appearance)

Billy Barty (was in many films)

Betty White (and still going)

Roz Kelly (Pinky Tuscadero from Happy Days)

Donny and Marie Osmond! (just to top it off)

The plot… which really doesn’t matter.

I always thought Paul Lynde was wickedly funny. In this, he was watered-down and could not be his Hollywood Squares best. He had a quick campy wit at times and the writers probably toned it down for prime time. I first noticed Lynde on Bewitched as Uncle Arthur and he was great in that role. It was his delivery that made everything work in his comedy.

This special has comedy bits and music…oh yes the music. You have KISS, you have the disco and you have Florence Henderson singing “That Old Black Magic…” Most of the comedy bits fail but the real comedy is how bad it is… The only thing missing from this extravaganza was a guest appearance from Harvey Korman and/or Don Knotts.

The main reason many people have watched it since it aired is it was KISS’s first TV show appearance…not including concert material.

It is a train wreck but one I like watching over and over again. At no other time could a show like this have been aired. It only aired once…for good reason.

What other show does Paul Lynde play a trucker who wants to marry Pinky Tuscadero?

Night Gallery Pilot 1969

This is the pilot that started the television show Night Gallery. Rod Serling started this a few years after Twilight Zone. He didn’t have the control he did with Twilight Zone and it wasn’t as consistent but still had many good episodes. Personally, I think the pilot is the best. It’s three very well acted and written stories.

I was in Tampa Florida visiting some relatives. I was left alone in the living room and watched this. I had one eye covered with my hand…sometimes both. I was 6 at the time so I do have an excuse.

My favorite story is The Cemetery. Roddy McDowall and Ossie Davis starred in this story that is the opener. Roddy plays a playboy who kills his uncle to inherit his fortune. Ossie plays the loyal butler who is still trying to do his job and stay loyal to his old boss. A painting of the family cemetery keeps changing and shows the uncle moving out of his plot slowly to the door. The story has a cool twist ending.

The second story is called “Eyes” which stars Joan Crawford. It was directed by a young Steven Spielberg. A blind terrible rich woman who would pay for someone’s eyes to see just for eleven minutes. After an illegal operation to transplant someone’s eyes in her the bandage is taken off and then a surprise.

The third story is called “Escape Route” about an ex-Nazi looking for peace in a painting at a museum. Very well acted and justice prevails.

For more details below is the Wiki description of each story

“The Cemetery”

Jeremy Evans is a despicable selfish young man who murders his rich uncle to inherit his estate, both much to the detriment of his uncle’s butler, Osmond Portifoy. Later, Evans notices that a painting of the family graveyard has changed – a fresh, empty grave appears in it and soon after a coffin standing upright appears in the grave. Little by little, the painting depicts the return of his uncle from his burial site, moving closer and closer, or so it seems, to Evans.

“Eyes”

Claudia Menlo is a heartless, wealthy blind woman who desperately wants to be able to see. Sidney Resnick, a hapless gambler who owes money to loan sharks, agrees to donate his eyes to her for the grand sum of $9,000. Her doctor, whom she blackmails into performing the illegal surgery, warns her that her vision will only last for about eleven hours. After the surgery, she removes the bandages from her eyes, and by a quirk of fate, there is a blackout seconds later. She awakens the next day to see the sunrise, but she panics when her sight quickly begins to fade.

“The Escape Route”

A Nazi fugitive named Joseph Strobe is constantly on the run from the authorities and his nightmares about the past. One day, while fleeing from imaginary pursuers, he finds himself in a museum where he meets Bleum, a survivor of the same concentration camp where Strobe made the decisions about who would live or die. Bleum does not initially recognize him, but points out a painting that depicts a man being crucified in a concentration camp. Strobe turns away; he is drawn to a painting of a fisherman, and imagines himself in the painting. When Strobe returns to the art gallery the next day, Bleum recognizes him as a Nazi, and later, outside a bar, Strobe kills him to ensure his own anonymity. Once again, Strobe must hide from authorities. In a state of desperation he returns to the museum and prays to become the fisherman in the painting, but dire consequences loom.

Influence of the Monkees

I debated on whether to write this or not. When the Monkees are mentioned some people cringe but they have a place in my 5-year-old self…plus how many bands can say that Jimi Hendrix opened up for them… though maybe the worst pairing ever.

While writing this I’m not saying they deserve to be remembered as a top rock group. Not at all but they do need to be recognized for their influence on a couple of generations. They influenced a lot of kids to form bands…mostly because of their weekly prime-time television show and ensuing hit singles. In the 80s they had a big comeback with a tour and massive airplay on MTV… I got to see them then…without Nesmith though.

When I was around 5-6 years old and watched the Monkees in syndication many years after they did the show. I loved them. I thought WOW… I must be in a band one day. Little did I know that being in a band was not living in a cool place at the beach and having adventures at every turn…not to mention everyone getting along…it doesn’t happen. They had fun songs and influenced me…After I went through the Monkees faze I discovered the Beatles, The Who, Stones, Kinks…anything British but I have a soft spot for some of the old Monkees songs.

The Monkees basically took A Hard Days Night movie humor and made a television show around a life of a mid-sixties rock band. Kids wanted to form bands after seeing them romp around the screen with girls…who wouldn’t want that gig? Michael Stipe from REM is one that states he was influenced by the Monkees.

They were not allowed to play on their first couple of albums…only sing…The Monkees were put together by Bob Rafelson and Bert Schneider for Screen Gems with two real musicians in the band…Michael Nesmith and Peter Tork… Micky Dolenz (he did sing in cover bands before The Monkees) and Davy Jones could sing and act…. and Mickey quickly learned drums.

When news came out that they didn’t play on their albums they were roundly criticized in the 1960s. They fought Don Kershner who controlled what they sang…. and won… The funny thing is many sixties pop bands didn’t play on their records and the Monkees actually started to play their own instruments on their third album (Headquarters) and writing some songs for every album afterward.

In the second season of their tv show they started to gain more control there also… Some of those last episodes are very pot influenced…especially the episode called “The Frodis Caper”… The episodes started to get surreal and break the fourth wall…the second season is worth a watch…all of them are fun but the 1st season is more formulaic.

HEAD The Movie…they made a trip movie called Head that Jack Nicholson helped to write… Personally, I like it but I like 60s movies like this. The one song that stands out is The Porpoise Song. The movie tears down the Monkee myth… One song/chant is the “Ditty Diego “… The first lines are “Hey, hey, we are the Monkees You know we love to please A manufactured image With no philosophies“…They didn’t take themselves seriously at all…they knew where they were at as far as a band goes. When they made the movie they knew it would destroy their image…that was the point.

I do still like some songs by them…anything wrote by Michael Nesmith (famous also for Elephant Parts), Pleasant Valley Sunday, Randy Scouse Git, Steppin Stone and Saturday’s Child.

All in all, they ended up singing and playing on some of the best-known sixties pop-rock hits….plus they drove one of those cool sixties tv cars…the Monkeemobile.

The Dick Cavett Show

The Dick Cavett Show on ABC was a smart alternative to the Tonight Show with Johnny Carson and Cavett frequently booked intellectuals for extended and in-depth conversations

You actually got to really know the guests. He took more than 10 minutes, unlike today…there were no distractions, no busy sets just great conversations.

The knock on Cavett was….snob, name-dropper and controversial guests. All three were correct and I loved it. Yes, he attended Yale and yes he was/is a name dropper…If I got to hang out with people like Groucho Marx I would be a name dropper also… you better believe it. He would book John Lennon, Jimi Hendrix, Katharine Hepburn, Bette Davis, and many more. He welcomed the counterculture and Nixon hated him…that is a seal of approval for me.

He would mix and match guests….Janis Joplin, Raquel Welch and Gloria Swanson on the same show…together!

His ABC show in the early 70s was the best out of all of his different shows (PBS, CBS, USA Network). If he had a special rare guest he would only have that one guest for the entire show or sometimes two…

He had Norman Mailer and. Gore Vidal going at it… One show featured Salvador Dalí, Lillian Gish, and Satchel Paige. He took chances and it paid off… Johnny Carson once said that Dick Cavett was the only one that could have given him a serious challenge…but ABC then was a distant 3rd in the network race.

This is not knocking Johnny whatsoever. Johnny’s show is the blueprint of today’s talk shows…Cavett just gave you a smarter show.

Watching the shows now it’s like watching a time capsule. Not everything is topical though. To hear Marlon Brando and Katherine Hepburn who hardly ever did talk shows is very interesting.

It was NOT… hey my name is Miss fill in the blank and my favorite color is blue…bye until next time I need to plug something… You really got to know the person and Dick could usually bring out something interesting. My favorite interview of George Harrison is by Dick. It didn’t look promising at first but George finally warmed up to a very relieved Cavett… this one was right after John and Yoko were guests.

https://www.youtube.com/watch?v=XRyyiSLwZfY

Cavett and the 72 Rolling Stones Tour

Cavett and Woody Allen

Saturday Night Live

I first posted this in 2018 and I had two readers at the time so I thought I would post it again. It started out as Saturday Night… Saturday Night Live title belonged to ABC for a show hosted by Howard Cosell who was out of his league. ABC let Saturday Night have the Live part after Cosell’s show was over.

Who was the best cast through the years? This is a question that is debated over and over again. The people arguing usually pick the cast they grew up with. I grew up with Eddie Murphy and Joe Piscopo. Personally, I always thought the original cast was the best and it wasn’t even close. John Belushi, Dan Ackroyd, Chevy Chase (though I liked his replacement better…Bill Murray), Gilda Radner, Jane Curtin, Garrett Morris and my favorite overlooked cast member Laraine Newman.

Why do I like the original cast the most? They tried new things and went out on a limb. Some of the skits succeeded some didn’t but they were different from anything on TV at that time…and also at this time. That cast pushed the envelope to use a worn-out phrase but in this instance it is true. Lorne Michaels guided the show and even the musical guests were usually hip bands and artists unknown to the general public and some are legendary now.

No way would Michaels ever dream of that now…he usually gets whoever is the most popular to draw in the ratings. He could not do what he did in the 70s anymore because of ratings…and it is sad. Michaels also used the complete ensemble. It was not the Eddie Murphy and the Joe Piscopo show of the early eighties. It was about getting an unknown cast and building them and all of them having a shot…not a star-driven show that gave all the best bits to the stars.

A lot of the skits are now famous… Ackroyd’s Bassomatic, the Samurai, the uncomfortable but funny Word Association with Richard Pryor, The Mr. Bill Show, Weekend Update, Roseanne Rosannadanna, Land Shark, Bag of Glass, The Wild and Crazy Guys, the Coneheads, The Lounge Singer, Mr. Mike, The Blues Brothers and many more.

The writers for the show were not in the Carol Burnett comedy vein..they were not in the current SNL vein either. The style was more aggressive, especially with Michael O’Donoghue. He was a comedy trailblazer with National Lampoon and added dark humor to SNL. Other writers were Franken and Davis, Rosie Shuster, Alan Zweibel, Marilyn Miller, Anne Beatts, Herb Sargent, Tom Schiller and also Ackroyd and Chase.

The two members that didn’t get as much publicity as the others were Newman and Morris and are not as well remembered today. Newman and Ackroyd were the best character actors on the show…they could play anyone. That cast tried to test all the limits. SNL has turned into just another comedy show through the years. The original group also did some serious skits along with comedy and trips into the bizarre (See Mr. Mike). …It separated the original from any other cast.

There were other great casts but none resonated like the original to me. It was also the timing of when they debuted…and look at the talent in that cast…

The host each week was usually under the radar actors, writers, musicians and sometimes athletes. You usually didn’t see A-list actors but if you did they were carefully chosen. The one big mistake was Milton Berle…how he got to host I don’t know but that is the only show of the first five years I will try to avoid… He was that bad.

I like the feel of the underground the first five years had but you can only be that for so long…popularity takes over. Those first 5 great years (the first four were great…the fifth good) set the foundation that holds to this day…just without the daring and danger…in other words, it has become vanilla like the rest of the world.

Cheers to the show that introduced Acapulco Gold to a television audience.

The Bassomatic…something you cannot explain with words.

The best Star Trek parody…

The Twilight Zone

The way Rod Serling handled social injustice and racial bigotry all with a science fiction twist was compelling. He had to do it that back then because of sponsors. Picking a favorite episode (Walking Distance is hard to beat) is almost impossible. Black Mirror covers some of the same territory but nothing beats the intelligence of Twilight Zone.

Hands down my favorite show of all time. I never get tired of it. 5 seasons of quality 30 minute stories. Season 4 has hour long episodes. Just a few of them are a little forced but even the weakest are very watchable. Rod Serling was a great TV writer and he picked some great writers like Richard Matheson to contribute to the show. The show doesn’t age and the black and white only adds to it.

I would really look forward to labor day because one channel would always play Twilight Zones for 24 hours. I then just went out and bought the complete collection on DVD.

The Twilight Zone has been revived a few times. In the 80’s and 2000’s but they didn’t come close to the original. A movie was made in 1983 called Twilight Zone: The Movie but it came with a tragic a cost. Vic Morrow and two child actors died needlessly in a scene with a helicopter.

The movie was alright…I liked the Vic Morrow story but my favorite part was the intro with Dan Aykroyd “You want to see something really scary”and Albert Brooks. Again not even scratching the surface of the original series.

You could always depend on a twist in the smart scripts. I’ve seen all of them probably 5 – 10 times each. The one that is the most haunting to me is “Come Wander With Me”… It’s not the most famous one but I loved it…if you haven’t seen it check it out. A lot of future stars were on the show from Robert Redford to Jack Klugman.

Dan Aykroyd and Albert Brooks

Shallow Wondering and Searching

I often wonder where things end up… When I watch a television show, a historical video, a movie, famous concerts, or whatever… I do the stupidest thing and I admit it. I always wonder…where is that prop today? Where is Jackie Kennedy’s pillbox hat? Where is the M that is hanging in the Mary Tyler Moore show now (I’ve read where Mary Tyler Moore still had it when she died)? Where is the Car from the B movie “The Car” at now? Where the cars from Death Race 2000….the original ended up? Where is the original Eleanor from the original Gone in 60 seconds? Where a prop is from a long-ago variety show. Very trivial stuff and not worth the effort but I cannot help it.

Then if I have plenty of free time…If I don’t I make it… I google through the night. Trying to find any clue to where they have gone. It is a sickness and a waste of time… I could do much more constructive things but I look at it as a shallow hobby… Where certain guitars are now…that is the easiest thing to find but some things are impossible but I have a lot fun searching.

Land Of The Lost

I watched this as a kid and loved it…I also learned a new word…Chroma Key…they used that to do the special effects.

The plot was that a family…the Marshalls…Rick, Will, and Holly are out rafting apparently and suddenly they go through an open portal to a different universe. A world with dinosaurs, crystals, pylons and time doors. They find a cave to hide in after waking up in the raft to a very bad looking T-Rex looking down on them.

Yes, the special effects were bad regardless of Chroma Key or whatever…It did have two redeeming qualities… The writing and the introduction to Sleestaks and which were really cool lizard-like things that could not hit a broad side of a barn with their crossbows…and

The stories. This show used a lot of the writers from the original Star Trek… With the pylons, skylons, different crystals that controlled time, the weather and everything else. The acting could be sketchy at times but Spencer Milligan as Rick Marshall was really good.

I always wished they would remake this with modern effects with the same storylines. They actually had some good sci-fi stories in this show. People who criticize the look of the show must remember that this was a Saturday morning show….the budget was low… I still would rather watch this…bad effects and all to the awful 2009 movie of the same name…

This was made by Sid and Marty Krofft. They had some of the strangest shows for kids…they were unique, to say the least.

Wikipedia

A number of well-respected writers in the science fiction field contributed scripts to the series (mostly in the first and second seasons), including Larry Niven,^[6] Theodore Sturgeon,^[6]^[7] Ben Bova,^[6] and Norman Spinrad, and a number of people involved with Star Trek, such as Dorothy “D.C.” Fontana,^[6] Walter Koenig,^[6]^[8]^[9] and David Gerrold.^[6] Gerrold, Niven, and Fontana also contributed commentaries to the DVD of the first season.

Marshall, Will, and Holly

On a routine expedition

Met the greatest earthquake ever known.

High on the rapids

It struck their tiny raft.

And plunged them down a thousand feet below.

To the Land of the Lost.