1980s – Page 42 – PowerPop… An Eclectic Collection of Pop Culture

20 Songs Classic Radio Has Worn Out

Everyone’s list will be different but classic rock radio has just overplayed these songs. It does not mean I don’t/didn’t like the song to begin with…some I didn’t…some I did… There are more than this but I kept it at 20. No need for me to post youtube links…just turn on a classic rock station and they will come to you.

I’ve tried to keep it one per band or artist. The order of these is not really important…you could pull them out of a hat and be just as well. Sometimes the artists have other hits that you don’t hardly hear but no… they stick to the old reliables.

Radio has ruined these for me. Yes, I’m older and have heard them more than some other people but my 18-year-old son suggested a few of them.

Taking Care of Business – Bachman Turner Overdrive – I liked this song at one time…Now I would pull a hamstring getting up to turn it off.
Hotel California – Eagles – I still like the solos at the end with Joe Walsh and Don Felder but the rest I can do without.
More Than A Feeling – Boston – At one time it was refreshing and different. Radio has worked this song like the town pump.
In The Air Tonight – Phil Collins (just one of many) His songs saturated the market so much in the 80s that is was enough for 3 lifetimes
Jukebox Hero – Foreigner – I know huge Foreigner fans but I’m not one of them. This one I know more than I should.
Feel Like Making Love – Bad Company – Not a well-written song to begin with…it doesn’t get better with more spins. They have good songs…Painted Face, Crazy Circles but they don’t get played as much.
Don’t Stop Believing – Journey – Yes it’s catchy and an eighties theme…it fit at the end of the Sopranos…but I can do without it.
Start Me Up – Rolling Stones – Oh how I loved this song when it was released. I liked it a decade later…until Microsoft used it and since then you would think it was the Stones only song.
Tom Sawyer – Rush – See number 5
The Joker – Steve Miller – Hanspostcard says it all.
Money – Pink Floyd – Great band and they have so many others they could play.
Roundabout – Yes – When I hear the octave on the guitar I spin the dial like a top to another station.
Sweet Home Alabama – Lynyrd Skynyrd – In the south where I live this song is required listening…. over and over and over…They have better songs…
Sharp Dressed Man – ZZ Top – I loved the video, the car, and the girls in the video but the song no more. How about the older ZZ Top?
Bad to the Bone – George Thorogood & the Destroyers – In high school alone I heard it enough.
Old Time Rock and Roll – Bob Seger – The first 5 times I heard it…I liked it…but after the 1, 855th time…no more.
Stairway to Heaven – Led Zeppelin – It’s been played backward, forward and sideways…and the hidden message is the same…a worn out masterpiece.
Barracuda – Heart – This and Magic Man are like the bookends of worn out songs.
Black Water – Dobbie Brothers – I’ve never bought a record by them and they had great musicians in that band…but this is nauseatingly overplayed
You Give Love a Bad Name – Bon Jovi – Not for me the first time or the many times after…in cars, shopping centers, and grocery stores.

To be fair…there are songs that are worn out but yet I still listen to… Who Are You, Baba O’Riley, Hey Jude, Lola, Paint It Black, Brown Eyed Girl…

Jackson Browne – Somebody’s Baby

I remember hearing this song on Fast Times at Ridgemont High. A good pop song by Jackson in 1982 and it peaked at #7 in the Billboard 100 and #16 in Canada in 1982. It was written by Jackson Browne and Danny Kortchmar.

This was his highest ever charting song.

Jackson Browne recorded the song for the film because he was friends with its writer, Cameron Crowe. The song’s co-writer Danny Kortchmar was also friends with Crowe, and was working on the song “Love Rules” for the film with Don Henley when he came up with the framework for “Somebody’s Baby.” Kortchmar convinced Browne to finish writing the song and record it for the movie.

Browne has called this an “unabashed pop song.” Most musicians would want their most popular songs on their albums, but Browne was OK having it on the Fast Times at Ridgemont High soundtrack, despite the advice of his former label boss David Geffen, who told him he was nuts for giving it up.

From Songfacts

This song is about a guy who is infatuated with a girl, and convinces himself that she must have a boyfriend. As he tries to work up the courage to talk to her, he keeps losing confidence by reminding himself that she’s too fine not to be taken.

This was part of a memorable scene in the movie Fast Times at Ridgemont High, where it was used to express the feelings of a frustrated teenager. The movie was a huge hit and helped drive the chart success of the song. “Somebody’s Baby” was the only hit from the soundtrack, although “Moving In Stereo” by The Cars was used in a famous scene and also became associated with the film.

Jackson Browne wrote this song with Danny Kortchmar, who played guitar on his Running On Empty and Lives In The Balance albums. Kortchmar had the music and the “must be somebody’s baby” hook. He knew Browne could do something special with the song, so he brought what he had to Jackson, who helped Kortchmar complete it. That’s what I brought to him: all the guitar parts and everything else. In our 2013 interview, Kortchmar explained:

“It was not typical of what Jackson writes at all, that song. But because it was for this movie he changed his general approach and came up with this fantastic song. It’s a brilliant lyric. I think it’s absolutely wonderful. But it’s atypical of him – he wasn’t sure what to make of it himself. He didn’t want to put it on his album that he was making because it was atypical of what he did, but it ended up being something that got requested a lot and he ended up playing it live and taking it to his heart, as it were. And now he plays it all the time.”

Somebody’s Baby

Well, just, a look at that girl with the lights comin’ up in her eyes.
She’s got to be somebody’s baby.
She must be somebody’s baby.
All the guys on the corner stand back and let her walk on by.

She’s got to be somebody’s baby.
She must be somebody’s baby.
She’s got to be somebody’s baby.
She’s so fine.

She’s probably somebody’s only light.
Gonna shine tonight.
Yeah, she’s probably somebody’s baby, all right.

I heard her talkin’ with her friend when she thought nobody else was around.
She said she’s got to be somebody’s baby; she must be somebody’s baby.
Cause when the cars and the signs and the street lights light up the town,

She’s got to be somebody’s baby;
She must be somebody’s baby;
She’s got to be somebody’s baby.
She’s so

She’s gonna be somebody’s only light.
Gonna shine tonight.
Yeah, she’s gonna be somebody’s baby tonight.

I try to shut my eyes, but I can’t get her outta my sight.
I know I’m gonna know her, but I gotta get over my fright.
We’ll, I’m just gonna walk up to her.
I’m gonna talk to her tonight.

Yeah, she’s gonna be somebody’s only light.
Gonna shine tonight.
Yeah, she’s gonna be somebody’s baby tonight.
Gonna shine tonight, make her mine tonight.

Kinks – Do It Again

Good riff and rock song by the Kinks. It starts off with a chord that is reminiscent of the “A Hard Days Night” intro. I was in high school when it was released and it was great to hear a guitar driven song.

Ray Davies wrote this about the stressful working schedules the Kinks were going through. The song peaked at #41 in the Billboard 100 in 1983.

Do It Again

Standing in the middle of nowhere
Wondering how to begin
Lost between tomorrow and yesterday
Between now and then

And now we’re back where we started
Here we go round again
Day after day I get up and I say
I better do it again

Where are all the people going
Round and round till we reach the end
One day leading to another
Get up go out do it again

Then it’s back where you started
Here we go round again
Back where you started
Come on do it again

And you think today is going to be better
Change the world and do it again
Give it all up and start all over
You say you will but you don’t know when

Then it’s back where you started
Here we go round again
Day after day I get up and I say
Come on better do it again

The days go by and you wish you were a different guy
Different friends and a new set of clothes
You make alterations and [a fact in you knows]
A new house a new car a new job a new nose
But it’s superficial and it’s only skin deep
Cause the voices in your head keep shouting in your sleep
Get back, get back

Back where you started, here we go round again
Back where you started, come on do it again

Back where you started, here we go round again
Day after day I get up and I say, do it agaiiinnn
Do it again
Day after day I get up and I say, do it again

My Favorite Songwriters

This one was the most fun to do. These are the songwriters that I have listened to and admired the most.

1… Bob Dylan – There was no one else I could remotely place as number 1.

2… Lennon – McCartney – As a team…it was quantity and quality. Their music will live long after we are gone.

3…Chuck Berry – He wrote the blueprint for future rockers.

4…Jagger – Richards – For blues rock it doesn’t get much better than these two.

5…Paul Simon – One of the best craftsman of pop songs there is…

6…Bruce Springsteen – One of the best writers of his generation.

7…Goffin and King – Wrote some of the best known and successful songs of the sixties.

8…Smokey Robinson – Bob Dylan said of Robinson…”America’s greatest living poet”

9…Pete Townshend – Took the “Rock Opera” to new levels.

10…Hank Williams – The country poet.

Honorable Mention

Paul McCartney, John Lennon, Ray Davis, Neil Young, Townes Van Zandt, Leiber and Stoller, Elvis Costello, Randy Newman, Woody Guthrie, Merle Haggard, Robbie Robertson, Elton John and Bernie Taupin, Tom Petty, Curtis Mayfield, John Prine, George Harrison, Steve Wonder, Warren Zevon, Brian Wilson

My Favorite Singers

There are so many singers that I cannot possibly list them all. I could make a top 30 and not get them all. This is my personal favorite top 10 plus some extra.

For the most part, I like singers with soul and meaning to their singing…not vocal gymnastics.

1…Aretha Franklin – Aretha could make any song better by singing it.

2…Van Morrison, Them and Solo – Probably my favorite male singer.

3…John Lennon, Beatles – John hated his voice and always wanted an effect on it…It didn’t need it…one of his best performances was “A Day In The Life”

4…Bob Dylan – Bob changed popular singing. I would rather hear Bob sing than many of the great traditional singers.

5…Elvis Presley – Hey he’s Elvis…

6…Otis Redding – Just a fantastic singer and performer and just taking off before he was killed in a plane crash.

7…Mick Jagger, Rolling Stones – Mick makes the most out of his voice.

8…John Fogerty…CCR – If I could have the voice of anyone…it would be Fogerty. The power that John has is incredible…his voice is its own instrument.

9…Janis Joplin – She put everything she had in each song. Her last producer Paul A. Rothchild was teaching Janis how to hold back and sing more traditional to save her voice for old age…which never came.

10…Johnny Cash – Last but far from least. Only one man can sound like Cash…and that is Cash

Honorable Mention…any of these could have easily been on the list.

Steve Marriott, Paul McCartney, Levon Helm, Bessie Smith, Little Richard, Roger Daltrey, Pete Townshend, Elton John, Neil Young, Roy Orbison, Smokey Robinson, Sam Cooke, Joe Cocker, Billie Holiday, Freddie Mercury, Kate Bush, Ella Fitzgerald, Paul Rodgers, David Bowie.

U2 – New Year’s Day

I’d heard guitar delay before but U2 took it to a new level. New Year’s Day peaked at #53 in the Billboard 100, #10 in the UK and #41 in Canada in 1983. This song was on their third album War. This is about the time I started to notice them.

from Songfacts.

The lyrics refer to the movement for solidarity lead by Lech Walesa in Poland. After this was recorded, Poland announced they would abolish martial law, coincidentally, on New Year’s Day, 1983.

This was U2’s first UK Top 10 and their first single to chart in America.

This almost didn’t make the album because Bono was having fits writing the lyrics.

The Edge played piano on this as well as guitar. In concert, he played the song on the piano with his guitar in his lap. For his guitar solo, he would get up and go to the front of the stage as the crowd cheered wildly.

This was the first U2 video to get heavy airplay on MTV, and it was by far their most ambitious video to that point. It was directed by Meiert Avis, who worked on U2’s previous videos, including “Gloria” and “I Will Follow.” They planned to shoot the video in Sweden, but when the mountains and snow they hoped for didn’t materialize, they tried Norway. They got the majestic mountains and tight shots of the band performing the song, which was more than adequate for MTV in 1983.

We also see what is supposed to be the band riding horses, which were actually four teenaged girls covered in winter clothes. The guys in U2 weren’t experienced riders, and since they were in the middle of a tour during the shoot, it wasn’t worth the risk.

The themes of understanding in a time of global unrest were a focal point for the album War, whose title was inspired by the various worldwide conflicts of 1982.

The line “Under a blood red sky” was used as the title for a video and live album U2 released in 1983. The video was recorded at Red Rocks, Colorado, June 5, 1982. The album contains performances from that show as well as two others.

Bono considers this a love song. While it is about war, it deals with “The struggle for love.”

Bono wrote this shortly after he married his childhood sweetheart, Ali.

This song was recorded at Windmill Lane Studios in Dublin, which is where U2 recorded their first three albums. The studio had a stone stairway where Larry Mullen played his drums for this track.

This is commonly played at bars every New Year’s Day for lack of something more appropriate.

This is a popular song for other artists to sample or cover. With It Guys used the piano line as a sample in the song “Let The Music Take Control,” Manchester rappers Kiss AMC sampled the intro for their song “A Bit Of U2,” the group Dynamic Base used the sample on their “Africa” single and Bacon Popper did the same on “Free.” Hyper Logic also used a sample in “Only Me.” >>

Producer Steve Lillywhite remembers mixing this song in ten minutes while Bono cranked out “40” at the last minute while another band was waiting outside of the studio for their turn.

New Year’s Day

Yeah!

All is quiet on New Year’s Day
A world in white gets underway
I want to be with you, be with you night and day
Nothing changes on New Year’s Day
On New Year’s Day

I will be with you again
I will be with you again

Under a blood red sky
A crowd has gathered, black and white
Arms entwined, the chosen few
The newspapers says, says

Say it’s true, it’s true
We can break through
Though torn in two
We can be one

I, I will begin again
I, I will begin again

Oh, maybe the time is right
Oh, maybe tonight

I will be with you again
I will be with you again

And so we are told this is the Golden Age
And gold is the reason for the wars we wage
Though I want to be with you, be with you night and day
Nothing changes on New Year’s Day
On New Year’s Day
On New Year’s Day

Cyndi Lauper – Money Changes Everything

The song peaked at #27 in the Billboard 100 and #30 in Canada in 1985. This song was the fifth single released off of the She’s So Unusual album. It was written by Tom Gray who released it with the Brains in 1980.

Most Cyndi Lauper fans owned the album by the time this song was released as a single, so it was issued with a different version, labeled “recorded live” as the A-side, and the album version on the B-side. The “live” version was recorded live but in a studio. Most radio stations played the album version.

From Songfacts.

A track from Cyndi Lauper’s debut album She’s So Unusual, “Money Changes Everything” was written by Tom Gray, who first recorded it with his Atlanta Rock band The Brains. The song got a great audience reaction when The Brains performed it at live shows in 1979, and when they earned some cash opening shows for The B-52s, they recorded the song and pressed 1,000 copies on their own label. Progressive FM stations in Boston, San Francisco and a few places in between started playing the song, which earned the band a record deal with Mercury Records.

But then money changed everything: Mercury cleaned house and the executives that were behind the band were replaced with folks who knew nothing about them. The song was released on The Brains 1980 self-titled debut album, but without record company support, it got little attention despite being produced by Steve Lillywhite, who would later have enormous success working with U2.

Soon after, Tom Gray got a publishing deal with ATV, which pitched “Money Changes Everything” to the producer Rick Chertoff, hoping he would record it with a teenage singer he worked with named Rachel Sweet. Chertoff declined, but a few months later he included the song on a demo reel for a new artist he was working with: a brash young singer named Cyndi Lauper. Cyndi loved the song and recorded it for her album, turning it into a hit and improving Gray’s financial fortunes considerably.

The song is about a girl who leaves her man for someone with a more robust bank account. Many songs have been written about how money can’t buy love, but this one takes the opposite tack, explaining that sometimes money trumps love.

Lauper didn’t change the gender of the song – the original version sung by a man places him in the lead role, but with Lauper singing, she is recounting a story.

Tom Gray wasn’t going for social commentary when he wrote this song; he got the idea after having a conversation with his landlady. In our interview with Gray, he explained:

“We were just sort of gossiping about this couple we knew, and she said, ‘She’s going to leave him as soon as she finds somebody with money.’ And I said, ‘Wait a minute, excuse me.’ The idea of the song just appeared in my head right there. The keyboard part was something I’d been banging on the piano for a week or so. But I wrote the chorus very quickly and then the verses followed. The song was finished within a day or two.”

A lot happened between this song’s conception and its appearance on the chart. Written in 1979 and first recorded by The Brains in 1980, Lauper put it on her She’s So Unusual album, which came out in October 1983. The first single was “Girls Just Want To Have Fun,” which peaked in March 1984. The album was a runaway hit, and three more singles were issued before “Money Changes Everything” finally got its turn, peaking at #27 in February 1985.

The song provided a welcome infusion of cash to its writer Tom Gray. It didn’t change everything, but he did go from hand-to-mouth, mowing lawns for extra funds, to buying a house and enjoying a higher status in the songwriter community, which led to a collaboration with Carlene Carter. He also became friends with Lauper, who met him when she came to Atlanta on her first tour. They wrote a song together for her next album called “The Faraway Nearby.” They collaborated again on Lauper’s song “A Part Hate,” which appeared on her 1993 album Hat Full of Stars.

Lauper released an acoustic version of this song with Adam Lazzara of Taking Back Sunday on her 2005 album The Body Acoustic. This was a moment of serendipity for the song’s writer Tom Gray, who had formed a band called Delta Moon and was working on a similar arrangement. Gray told us: “I’d always wanted to do it with a fiddle, so I played Appalachian dulcimer on it. And then after we already had it in the can, Cyndi came out with her all-acoustic CD – and what instrument did she play on it but Appalachian dulcimer! We hadn’t talked or communicated about this at all. But she came out doing it with a fiddle and an Appalachian dulcimer and I was just like, ‘Whoa.'”

Money Changes Everything

I said I’m sorry baby I’m leaving you tonight
I found someone new, he’s waitin’ in the car outside
Ah honey how could you do it
We swore each other everlasting love
I said well yeah I know but when we did;
There was one thing we weren’t
Thinking of and that’s money

Money changes everything
I said money, money changes everything
We think we know what we’re doin’
That don’t mean a thing
It’s all in the past now
Money changes everything

They shake your hand and they smile
And they buy you a drink
They say we’ll be your friends
We’ll stick with you till the end
Ah but everybody’s only
Looking out for themselves
And you say well who can you trust
I’ll tell you it’s just
Nobody else’s money

Money changes everything
I said money, money changes everything
You think you know what you’re doin’
We don’t pull the strings
It’s all in the past now
Money changes everything

Money, money changes everything
I said money, money changes everything
We think we know what we’re doing
We don’t know a thing
It’s all in the past now

Money changes everything
Money changes everything
Money changes everything, money changes everything, money changes everything, money changes

My Favorite Drummers

This is my top ten favorite drummers…I’m sure I’m going to leave some great ones out. Like guitarists, I like drummers with feel more than technique. Anyone who has read this blog knows who my number 1 is without question…

1…Keith Moon, The Who – It’s hard if not impossible to copy this man’s drumming style. He changed the Who completely and was their engine. I’m not a drummer so I really never cared like some drummers do if he played by the rules in drumming…Was he disciplined? No, but it worked well for him and for the songs. Songs like Bargain and Goin’ Mobile are great examples of Keith.

2…John Bonham, Led Zeppelin – Without Bonham, there is no Led Zeppelin as we know them. He was the ultimate groove drummer. He was a bricklayer and had hard hands and hit the drums incredibly hard but with a light touch also.

3…Levon Helm, The Band – Not only was he a great drummer but also a soulful singer. He brought something many drummers didn’t… a bit of the old south.

4…Charlie Watts, Rolling Stones – Charlie and Ringo made their respective groups swing. Charlie can play blues, rock, big band, and jazz. Charlie and his rhythm section partner Bill Wyman were overlooked being in the same band with Mick and Keith. On top of his drumming skills…Charlie grounds the band much like Ringo did for the Beatles.

5…Ringo Starr, The Beatles – He was not Moon or Bonham in flash but he played exactly what was needed…He could have gone overboard and the songs would have suffered. He played for the song. Some have called him the human metronome. I cannot imagine any other drummer for The Beatles. His tom tom work on Sgt Pepper alone is excellent.

6…Mitch Mitchell, Jimi Hendrix Experience – Any holes left in Jimi’s music would be quickly filled in by Mitch. He was a jazz drummer who fused it into rock.

7…Ginger Baker, Cream – If this was a list of “likable people” Ginger would not be in the top 1000 but his drumming was some of the best of the sixties and I’m sure he would say “ever”… He was as big of part of Cream’s sound as Clapton or Bruce.

8…Bobby Elliot, Hollies – Drummer from the Hollies that other drummers have admired. He hit the drums hard and his fills were great… He is often overlooked but he is always spot on.

9…Dave Grohl, Foo Fighters, Nirvana – He can play anything… He fuels those Nirvana songs…and is really great at whatever instrument he plays.

10…Clem Burke, Blondie – An exciting drummer that was heavily influenced by number 1 on this list. He has played with Pete Townshend, Bob Dylan, Iggy Pop, and David Bowie.

Honorable Mention

Gene Krupa, Buddy Miles, Mick Fleetwood, Max Weinberg, “D.J.” Fontana, Benny Benjamin, Stewart Copeland, and Hal Blaine.

Yes, I know… No Neil Peart…yes he is a great drummer…just not my style of music.

Paul McCartney – Coming Up

Merry Christmas to everyone…

I was 12 when this came out in 1979 and loved it…especially the video that went with it. The live version is the one that hit really big and the single had the live and studio version. The song (Live Version) peaked at #1 in the Billboard 100, #2 in the UK and #1 in Canada in 1980.

McCartney played all the instruments and shared vocal harmonies with wife Linda McCartney on the studio version.

Paul McCartney on recording Coming Up

I originally cut it on my farm in Scotland. I went into the studio each day and just started with a drum track. Then I built it up bit by bit without any idea of how the song was going to turn out. After laying down the drum track, I added guitars and bass, building up the backing track. I did a little version with just me as the nutty professor, doing everything and getting into my own world like a laboratory. The absent-minded professor is what I go like when I’m doing those; you get so into yourself it’s weird, crazy. But I liked it.

Then I thought, ‘Well, OK, what am I going to do for the voice?’ I was working with a vari-speed machine with which you can speed up your voice, or take it down a little bit. That’s how the voice sound came about. It’s been speeded up slightly and put through an echo machine I was playing around with. I got into all sorts of tricks, and I can’t remember how I did half of them, because I was just throwing them all in and anything that sounded good, I kept. And anything I didn’t like I just wiped.

On John Lennon

I heard a story from a guy who recorded with John in New York, and he said that John would sometimes get lazy. But then he’d hear a song of mine where he thought, ‘Oh, shit, Paul’s putting it in, Paul’s working!’ Apparently ‘Coming Up’ was the one song that got John recording again. I think John just thought, ‘Uh oh, I had better get working, too.’ I thought that was a nice story.

Coming Up

You want a love to last forever
One that will never fade away
I want to help you with your problem
Stick around, I say

Coming up, coming up, yeah
Coming up like a flower
Coming up, I say

You want a friend you- can rely on
One who will never fade away
And if you’re searching for an answer
Stick around. I say

It’s coming up, it’s coming up
It’s coming up like a flower
It’s coming up. yeah

You want some peace and understanding
So everybody can be free
I know that we can get together
We can make it, stick with me

It’s coming up, it’s coming up
It’s coming up like a flower
It’s coming up for you and me

Coming up, coming up
It’s coming up, it’s coming up, I say
It’s coming up like a flower
It’s coming up
I feel it in my bones

You want a better kind of future
One that everyone can share
You’re not alone, we all could use it
Stick around we’re nearly there

It’s coming up, it’s coming up everywhere
It’s coming up like a flower
It’s coming up for all to share
It’s coming up, yeah
It’s coming up, anyway
It’s coming up like a flower
Coming up

Lenny Kravitz – Let Love Rule

This sounded older when it was released in 1989 because it has a 60s psychedelic sound which some critics complained about…it’s the reason that I liked it. Lenny plays a lot of the instruments his self. The song peaked at #89 in the Billboard 100 and #39 in the UK in 1989.

A little trivia for you about Lenny…his mom was Roxie Roker from the tv show The Jeffersons.

From Songfacts.

Lenny Kravitz in a 1998 interview with Tracey Pepper: “When I did ‘Let Love Rule,’ everyone said what a naive piece of s–t it was. Journalists would ask, ‘Don’t you feel funny singing about that?’ and I was like, If I were sitting here singing about the devil and raping children, then it’d be okay? God forbid you sing about love. It’s a lost concept.”

This song is Kravitz’ credo. “Love has to be the final outcome of every situation,” he said.

This was the title track from Lenny Kravitz’ debut album on which he provided almost all of the instrumental and vocal material himself. However when it was released many critics condemned him for being an out of date throwback to late ’60s psychedelic rock.

Lenny Kravitz’s then-wife Lisa Bonet directed and appeared in the music video for this song.

The singer was persuaded by his style-star daughter Zoe Kravitz to develop a new line of shoes for Tom’s. Amongst his designs, which debuted in 2012 were footware printed with lyrics from this song.

Let Love Rule

Love is gentle as a rose
And love can conquer any war
It’s time to take a stand
Brothers and sisters join hands

We got to let love rule
(Let love rule)
We got to let love rule
(Let love rule)

Love transcends all space and time
And love can make a little child smile
Oh can’t you see
This won’t go wrong
But we got to be strong
We can’t do it alone

We got to let love rule
(Let love rule)
We got to let love rule
(Let love rule)

(Let love rule)
You got to got to got to
(Let love rule)

You got to got to got to, yeah
(Let love rule) let let let let love rule
(Let love rule)

You got to, got to, got to
Just say yeah
You got to yeah
You got to
You got to, got to, got to yeah
Let love rule

The Cult – She Sells Sanctuary

I remember this song in the 80s and I didn’t hear it again until playing…Grand Theft Auto Vice City. It’s the only game I ever got hooked on as an adult. After playing the game for hours and stealing cars…this would be on the radio of the car you were driving constantly. After I beat it…I really never played another game again. I guess I just had to get it out of my adult system.

The song kicks in nicely.

The lead singer Ian Astbury puts it bluntly on what the song is about…he says “What’s the song about? Sex. Plain and simple, it’s about sex. I’ve had sex and I’m very proud of that fact.”

The song peaked at #15 in the UK charts but didn’t chart in the Billboard 100.

From Songfacts.

Billy Duffy of The Cult talks about how his quasi-psychedelic guitar intro came about: “I found a violin bow, and I started to play the guitar with the bow like Jimmy Page. I did it to amuse Astbury, who was in the control room, and in order to make it sound weirder, I just hit every pedal I had on the pedal board. Then once I stopped banging the strings and doing all that, I played the middle section of the song, which was kind of a pick thing with all the BOSS pedals on, and that sound just leaped out. The producer went, ‘Hold it, hold it, that’s great!’ And we decided to start the song with that mystical sound. If I hadn’t found that violin bow laying around, we wouldn’t have gone there.”

“She Sells Sanctuary” was the last song to feature Nigel Preston on drums. Preston was fired from the band shortly after its release and was replaced by Big Country’s drummer, Mark Brzezicki.

In 1993, a collection of remixes of this song by Youth, Butch Vig and JG Thilwell reached #15 in the UK.

This song featured in the 1992 film, With Honors and in the 2004 film, Layer Cake.

This formed part of a mashup with Flo Rida’s “Good Feeling” in a Budweiser commercial broadcast during the 2012 Super Bowl. The one-minute ad celebrates several decades of great times in the US, beginning at the end of Prohibition in 1933.

She Sells Sanctuary

Oh, the heads that turn
Make my back burn
And that heads that turn
Make my back, make my back burn

The sparkle in your eyes
Keeps me alive
And the sparkle in your eyes
Keeps me alive, keeps me alive

The world
And the world turns around
The world and the world yeah
The world drags me down

Oh, the heads that turn
Make my back burn
And that’s heads that turn
Make my back, make my back burn, yeah
Hey yeah hey, yeah hey

The fire in your eyes keeps me alive
And the fire in your eyes keeps me alive
Inside her you’ll find sanctuary
Inside her you’ll find sanctuary

And the world the world turns around
And the world and the world the world drags me down
And the world and the world the world turns around
And the world and the world and the world and the world
And the world drags me down

Ah, hey yeah, hey yeah
And the world and the world turns around
And the world and the world
Yeah, the world drags me down
And the world
Yeah, the world turns around
And the world and the world the world drags me down

Hey yeah, hey yeah
Sanctuary, hey
Sanctuary, hey

1970s Russ Berrie Sillisculpts

Whenever I go to a yard sale or flea market and I see one…I have to get it. Worlds Greatest Dad, Worlds Greatest Mom, Worlds Greatest Grandpa, “Being Sick is bad for your health” and many more. They have a look that I like and are usually cheap…for two bucks you can have part of the seventies.

He did more than the statues…he had stuffed animals and bears which in the 80s and 90s really took off…along with trolls.

Russell Berrie started his business with only $500 and ran it out of a rented garage in Palisades Park, NJ. His first product to reach the shelf was his Fuzzy Wuzzie in 1964.

By 1968 Americans were ready for something a little bolder. Russ Berrie and Co. introduced Sillisculpts, plastic message figurines with a little more attitude. Two of the most memorable are the “I love you this much!” statuette and another of an old lawyer crying “Sue the bastards!” (I must find this one).

These come in every form and shape.

In 1971, as sales passed the $7 million mark, Russ Berrie and Company moved to a new corporate headquarters facility in Oakland, New Jersey. This location would become the center of the company’s worldwide marketing and distribution businesses. In the following year, Russ Berrie and Company opened a second new facility, when a distribution center, in Santa Rosa, California, came online.

By 1985, Russ Berrie and Company sales had reached $204.6 million, and revenues more than doubled in just two years.

In 1992, Russ Berrie and Company’s fortunes got a lift, when the popularity of one of its oldest products, Trolls, first introduced in the 1960s, escalated dramatically. Although they had not been a big seller for many years, suddenly the company’s trolls—squishy dolls with rubbery faces and hair that stood on end—were experiencing wild demand. To meet this clamor, Russ Berrie and Company’s designers began to churn out hundreds of different troll products, and the company’s Far Eastern suppliers raced to keep output high. By the end of the year, pushed by the troll fad, the company’s earnings had soared to $300 million.

In 2001, Russ Berrie had sales of $294.3 million and net income of $40.2 million, selling items like a stuffed dog named Muffin and a stuffed bear known as Honeyfritz.

In December 2002, Russ Berrie died unexpectedly after having a heart attack in his home. Often named by Fortune magazine as one of America’s most generous philanthropists, Berrie was just 69 years old when he died.

Blondie – The Tide is High

I remember hearing this a lot in 1981. The Tide Is High,” a remake of an obscure 1967 song by the Jamaican group the Paragons (Very good version by the way). It was released in 1980 but peaked in 1981 at #1 in the Billboard 100, the UK and Canada. It was written by Jamaican DJ Duke Reid in the 1930s

This is interesting. Sean Lennon said: “My father had an old Wurlitzer in the game room of our house on Long Island. It was filled with 45s, mostly Elvis and The Everly Brothers. The one modern song I remember him listening to was ‘The Tide Is High’ by Blondie, which he played constantly. When I hear that song, I see my father, unshaven, his hair pulled back into a ponytail, dancing to and fro in a worn-out pair of denim shorts, with me at his feet, trying my best to coordinate tiny limbs.”

From Songfacts.

Blondie experimented with many different sounds. They were a punk/new wave band in their early years, making a name playing clubs like CBGB’s in New York. This song was their foray into reggae, but they played around with rap on “Rapture” and with disco on “Heart Of Glass.”

Debbie Harry in 1000 UK #1 Hits by Jon Kutner and Spencer Leigh: “I first heard ‘The Tide Is High’ on a compilation tape that someone had given me while we were in London. Chris (Stein) and I both fell in love with the song and decided it was too good to resist.”

Blondie wanted to give the song a Jamaican feel, so they hired three percussion players and created a new string and horn arrangement to give it an authentic sound. According to Chris Stein, the percussion includes “eight tracks of drum sticks tapping on a piano bench.”

The Tide is High

The tide is high but I’m holdin’ on
I’m gonna be your number one
I’m not the kind-a girl who gives up just like that, oh no

It’s not the things you do that tease and hurt me bad
But it’s the way you do the things you do to me
I’m not the kind-a girl who gives up just like that, oh no

The tide is high but I’m holdin’ on
I’m gonna be your number one, number one.

Ev’ry girl wants you to be her man
But I’ll wait my dear till it’s my turn
I’m not the kind-a girl who gives up just like that, oh no

The tide is high but I’m holdin’ on
I’m gonna be your number one, number one, number one

Ev’ry girl wants you to be her man
But I’ll wait my dear till it’s my turn
I’m not the kind-a girl who gives up just like that, oh no

The tide is high but I’m holding on
I’m gonna be your number one, number one, number one

The tide is high but I’m holding on
I’m gonna be your number one
The tide is high but I’m holding on
I’m gonna be your number one
The tide is high but I’m holding on
I’m gonna be your number one

Juice Newton – Queen of Hearts

This song was played and played when it was released but I haven’t heard it a lot since. The song peaked at #2 in the Billboard 100, #14 in the Country Charts, and #8 in Canada in 1981. This song was written by Hank DeVito, who was the pedal steel guitarist for Emmylou Harris’ backing group, The Hot Band.

In 1981 I remember 3 songs that you would hear on the radio at any time after they were released. Bette Davis Eyes, The Tide Is High, and Queen of Hearts. You didn’t have to wait for it…turn on the radio and one of them would be there.

From Songfacts.

Juice Newton had the biggest success with “Queen of Hearts” after it appeared on her 1981 album, Juice. In September 1981, Newton’s version peaked at #2 on the US charts, having shifted over one million copies. In 1982, the song was nominated for the Grammy Award for Best Female Country Vocal Performance. Dave Edmunds, who first recorded “Queen of Hearts” in 1979, told Creem Newton stole his composition: “She did pinch my arrangement, note for note, but I’m not angry with that.”

The Welsh musician Dave Edmunds was the first artist to record “Queen of Hearts.” The song appears on his 1979 album, Repeat When Necessary. The track peaked at #11 in the UK, but Edmunds’ label – Led Zeppelin’s Swan Song – refused to release it in the US. Edmunds, who reached #4 US with his 1970 cover of “I Hear You Knocking,” was hoping for another American hit and was not pleased when Swan Song held back both “Queen of Hearts” and “Girls Talk” (a song written by Elvis Costello that made #4 UK for Edmunds in 1979).

Queen of Hearts

Midnight, and I’m a-waiting on the twelve-oh-five
Hoping it’ll take me just a little farther down the line

Moonlight, you’re just a heartache in disguise
Won’t you keep my heart from breaking
If it’s only for a very short time

Playing with the queen of hearts
Knowing it ain’t really smart
The joker ain’t the only fool
Who’ll do anything for you
Laying out another lie
Thinking ’bout a life of crime
‘Cause that’s what I’ll have to do
To keep me away from you

Honey, you know it makes you mad
Why is everybody telling everybody what you have done

Baby, I know it makes you sad
But when they’re handing out the heartaches
You know you got to have you some

Playing with the queen of hearts
Knowing it ain’t really smart
The joker ain’t the only fool
Who’ll do anything for you
Laying out another lie,
Thinking ’bout a life of crime
‘Cause that’s what I’ll have to do
To keep me away from you

Lovers, I know you’ve had a few
But hide your heart beneath the covers
And tell ’em they’re the only one

And others, they know just what I’m going through
And it’s a-hard to be a lover
When you say you’re only in it for fun

Playing with the queen of hearts
Knowing it ain’t really smart
The joker ain’t the only fool
Who’ll do anything for you

Playing with the queen of hearts
Playing with the queen of hearts
Playing with the queen of hearts
Playing with the queen of hearts

Prince – Raspberry Beret

I liked Purple Rain but something about this song and the Around the World in a Day album…it showed more of a 60s psychedelic influence and I really liked it. The album wasn’t the success that Purple Rain was but still contained two top ten hits… Raspberry Beret and Pop Life.

This song peaked at #2 in the Billboard 100 and #25 in the UK in 1985. The Hindu Love Gods did an interesting cover of this song.

From Songfacts.

Prince discussed the meaning of Around the World in a Day with Rolling Stone in 1985: “I was trying to say something about looking inside oneself to find perfection. Perfection is in everyone. Nobody’s perfect, but they can be. We may never reach that, but it’s better to strive than not.”

Prince originally recorded “Raspberry Beret” in 1982, but re-worked it with his newly re-formed Revolution backing band, which had just crystalized into what would become the fan favorite lineup: Brown Mark on bass, Bobby Z on drums, Wendy Melvoin, Lisa Coleman and Doctor Fink on keyboard, backing guitar, and backing vocals. If you blinked in the mid-’80s, you missed it, because this incarnation of the Revolution broke up by 1986, with Prince firing everybody but Doctor Fink.

This stands as one of the finest examples of the “Minneapolis sound,” blending in finger-cymbals, a string section, and a harmonica as a strategy to create a well-rounded groove. This style is sometimes called “The Prince Sound,” but there were a lot of other guys making it as well, many of them working with Prince at some point. For a great explanation of that sound and how it led to Paula Abdul’s music career, check out our interview with Oliver Leiber.

This song was used in the soundtrack to Girl 6, a 1996 film about a troubled actress turned phone sex worker. It was directed by Spike Lee and has Quentin Tarantino (!) in a supporting role.

At the time this was released, Prince was under fire from Tipper Gore during the notorious PMRC witch hunt, which placed two of his songs on the list of the “filthy 15” – “Darling Nikki” was the original song that got Tipper’s goat. So this is one of the songs where Prince started making his lyrics more family friendly. Nevertheless, you can’t miss “Old Man Johnson” as a reference to his you-know-what. Normally we’d stay clear of looking for euphemisms in lyrics, but come on, this is Prince we’re talking about.

The video is an odd mashup of performance footage and animation. Simon Fields, who was one of the top music video producers at the time, said in the book I Want My MTV: “We filmed a whole video, then Prince got a Japanese animator to do a completely different video and we mashed the two up. He would mess with directors. He would give them the impression that they’d be in charge of the video, then halfway through he’d go ‘Thank you,’ take what he liked, and edit it himself.”

“Raspberry Beret” was the first single from Prince’s Around the World in a Day album, his follow-up to Purple Rain. The album sold over three million copies in the US and spent three weeks at #1 in the summer of 1985.

Raspberry Beret

I was working part time in a five-and-dime
My boss was Mr. McGee
He told me several times that he didn’t like my kind
‘Cause I was a bit too leisurely

Seems that I was busy doing something close to nothing
But different than the day before
That’s when I saw her, ooh, I saw her
She walked in through the out door, out door

She wore a
Raspberry beret
The kind you find in a second hand store
Raspberry beret
And if it was warm she wouldn’t wear much more
Raspberry beret
I think I love her

Built like she was
She had the nerve to ask me
If I planned to do her any harm
So, look here
I put her on the back of my bike
And we went riding
Down by old man Johnson’s farm

I said now, overcast days never turned me on
But something about the clouds and her mixed
She wasn’t to bright
But I could tell when she kissed me
She knew how to get her kicks

She wore a
Raspberry beret
The kind you find in a second hand store
Raspberry beret
And if it was warm she wouldn’t wear much more
Raspberry beret
I think I love her

The rain sounds so cool when it hits the barn roof
And the horses wonder who you are
Thunder drowns out what the lightning sees
You feel like a movie star

Listen
They say the first time ain’t the greatest
But I tell ya
If I had the chance to do it all again
I wouldn’t change a stroke
‘Cause baby I’m the most
With a girl as fine as she was then

(Raspberry beret)
The kind you find (The kind you find)
The kind you find (In a second hand store)
Oh no no
(Raspberry beret)
(And if it was warm)
Where have all the raspberry women gone?
Yeah (Raspberry beret)

I think I, I think I, I think I love her

(Raspberry beret)
No no no
No no no (The kind you find)
(In a second hand store)
(Raspberry beret)
Tell me
Where have all the raspberry women gone? (And if it was warm she)
(Wouldn’t wear much more)
(Raspberry beret)