I remember hearing this song on Fast Times at Ridgemont High. A good pop song by Jackson in 1982 and it peaked at #7 in the Billboard 100 and #16 in Canada in 1982. It was written by Jackson Browne and Danny Kortchmar.
This was his highest ever charting song.
Jackson Browne recorded the song for the film because he was friends with its writer, Cameron Crowe. The song’s co-writer Danny Kortchmar was also friends with Crowe, and was working on the song “Love Rules” for the film with Don Henley when he came up with the framework for “Somebody’s Baby.” Kortchmar convinced Browne to finish writing the song and record it for the movie.
Browne has called this an “unabashed pop song.” Most musicians would want their most popular songs on their albums, but Browne was OK having it on the Fast Times at Ridgemont High soundtrack, despite the advice of his former label boss David Geffen, who told him he was nuts for giving it up.
From Songfacts
This song is about a guy who is infatuated with a girl, and convinces himself that she must have a boyfriend. As he tries to work up the courage to talk to her, he keeps losing confidence by reminding himself that she’s too fine not to be taken.
This was part of a memorable scene in the movie Fast Times at Ridgemont High, where it was used to express the feelings of a frustrated teenager. The movie was a huge hit and helped drive the chart success of the song. “Somebody’s Baby” was the only hit from the soundtrack, although “Moving In Stereo” by The Cars was used in a famous scene and also became associated with the film.
Jackson Browne wrote this song with Danny Kortchmar, who played guitar on his Running On Empty and Lives In The Balance albums. Kortchmar had the music and the “must be somebody’s baby” hook. He knew Browne could do something special with the song, so he brought what he had to Jackson, who helped Kortchmar complete it. That’s what I brought to him: all the guitar parts and everything else. In our 2013 interview, Kortchmar explained:
“It was not typical of what Jackson writes at all, that song. But because it was for this movie he changed his general approach and came up with this fantastic song. It’s a brilliant lyric. I think it’s absolutely wonderful. But it’s atypical of him – he wasn’t sure what to make of it himself. He didn’t want to put it on his album that he was making because it was atypical of what he did, but it ended up being something that got requested a lot and he ended up playing it live and taking it to his heart, as it were. And now he plays it all the time.”
Somebody’s Baby
Well, just, a look at that girl with the lights comin’ up in her eyes.
She’s got to be somebody’s baby.
She must be somebody’s baby.
All the guys on the corner stand back and let her walk on by.
She’s got to be somebody’s baby.
She must be somebody’s baby.
She’s got to be somebody’s baby.
She’s so fine.
She’s probably somebody’s only light.
Gonna shine tonight.
Yeah, she’s probably somebody’s baby, all right.
I heard her talkin’ with her friend when she thought nobody else was around.
She said she’s got to be somebody’s baby; she must be somebody’s baby.
Cause when the cars and the signs and the street lights light up the town,
She’s got to be somebody’s baby;
She must be somebody’s baby;
She’s got to be somebody’s baby.
She’s so
She’s gonna be somebody’s only light.
Gonna shine tonight.
Yeah, she’s gonna be somebody’s baby tonight.
I try to shut my eyes, but I can’t get her outta my sight.
I know I’m gonna know her, but I gotta get over my fright.
We’ll, I’m just gonna walk up to her.
I’m gonna talk to her tonight.
Yeah, she’s gonna be somebody’s only light.
Gonna shine tonight.
Yeah, she’s gonna be somebody’s baby tonight.
Gonna shine tonight, make her mine tonight.