The Music of 1968

Dave from A Sound Day (check out the other posts on Dave’s “Turntable Talk”) posted this on November 5, 2022. He wanted a group of us to write about what we thought was the best year in music…I ended up picking the turbulent year of 1968.

When I think of the best year of music …for me it’s between 7 years. I would pick 1965 through 1971. I cannot pick all so here it goes…I pick 1968. It had some of the greatest albums and singles ever.

It was a turbulent year, to say the least. We lost two proponents of peace—Martin Luther King, Jr., and Robert F. Kennedy. Other events include the Vietnam War’s Tet Offensive, riots in Washington, DC, the Civil Rights Act of 1968, and heightened social unrest over the Vietnam War, values, and race.

The music was also toughened up by moving away from psychedelic music. The social climate and The Band’s album Music from Big Pink had a lot of influence on this. You still had psychedelic music released but overall, music was more stripped down to the basics.

My favorite album of all time was released by The Beatles. My favorite album by The Rolling Stones was released that year as well. Let’s look at the albums released in 1968…it’s outstanding.

The Beatles – The Beatles (The White Album)

The Rolling Stones – Beggars Banquet

The Kinks – Are the Village Green Preservation Society

The Band – Music From Big Pink

Small Faces – Ogden’s Nut Gone Flake

The Jimi Hendrix Experience – Electric Ladyland

Cream – Wheel Of Fire

The Byrds – Sweetheart Of The Rodeo

Creedence Clearwater Revival – Creedence Clearwater Revival

Big Brother and Holding Company – Cheap Thrills

Johnny Cash – At Folsom Prison

The Zombies – Odyssey and Oracle

The Grateful Dead – Anthem of the Sun

Van Morrison – Astral Weeks

Aretha Franklin – Lady Soul

Simon and Garfunkel – Bookends

Traffic – Traffic

That list could be on my desert island list… those albums are still being played today. I’ve only scratched the surface of the albums that year.

The Holy Trinity of Rock all released music that year… which would be The Beatles, The Who, and The Stones. I can’t imagine living in the era when these bands were in their prime and roamed the earth. The Who didn’t release an album, but they did release some singles and were gearing up for the following year. Let’s look at some of the singles of that year.

The Beatles – Hey Jude/Revolution

The Beatles – Lady Madonna

The Who – Magic Bus

The Rolling Stones – Jumping Jack Flash

Steppenwolf – Born To Be Wild

The Doors – Hello, I Love You

The Rascals – People Got To Be Free

Cream – Sunshine Of Your Love

Otis Redding – The Dock of the Bay

The Supremes – Love Child

The Chamber Brothers – Time Has Come Today

Janis Joplin – Piece of My Heart

Creedence Clearwater Revival – Suzie Q

Joe Cocker – With A Little Help From My Friends

The year featured the debut album of Creedence Clearwater Revival. Brian Jones made his final album with the Rolling Stones and it was the start of their great 5 album stretch. The Who started to record the album that would break them worldwide with Tommy. Dock of the Bay would be released posthumously after Otis Redding died in a plane crash on December 10, 1967. The Grateful Dead would release their second album Anthem of the Sun and continue to build one of the largest fan bases ever. Jimi Hendrix was breaking barriers with his experimentation in the studio as well as live.

The Band would change the game by releasing Music From Big Pink. It influenced nearly everyone at the time to go back to a rootsy kind of music. Fleetwood Mac would release their debut album this year. Jeff Beck would release his legendary album Truth.

FM radio was getting huge at this time and showed that audiences didn’t have to have top 40 hits to buy albums. Take Van Morrison for instance. Astral Weeks didn’t have a “hit” on the album but continued to be played and sell. The Beatles  The White Album is as diverse as you can get… Pop, Rock, Country, Folk, Reggae, Avant-Gard, Blues, Hard Rock, and some 20’s British Music Hall thrown in for good measure. No singles were released from this album or Sgt Pepper the previous year. They treated singles and albums as two different things. Hey Jude and the hit version of Revolution was recorded during the White Album but yet they left those two off. The Stones would do the same and leave off Jumpin’ Jack Flash from  Beggars Banquet.

1968 set the stage for the coming decade’s rock music. Bands like The Who, Beatles, Rolling Stones and Led Zeppelin didn’t need hit singles. You bought the album now and listened to the music in the context of that format. There were still pop/rock singles but the albums were gaining traction.

To wrap it up…I think any of the years between 1965-1971 could have a strong argument for my tastes. If you are into disco or synth music…not as much.

Carl Perkins – Everybody’s Trying To Be My Baby

I learned about Carl Perkins through George Harrison and The Beatles. On their first tour, they all adopted “stage names” and George’s was George Perkins. A wonderful title for this song.

This gets kind of confusing. It was written by Carl Perkins, but it’s also very similar to another song by the same title by Alabama country singer Rex Griffon in 1936. Carl modernized it by the same sound he was getting out of Blue Suede Shoes.” Meanwhile, the melody was also borrowed from the Hank Williams song “Move It On Over” and “Mind Your Own Business.” Rock Around The Clock also borrowed from this.  Anyway…it is credited to Carl Perkins.

Carl Perkins was on the rise fast in 1956. He just had 3 top-10 hits in that year. On March 22, 1956, Perkins was severely injured when the car he was riding in crashed on Route 13 between Dover and Woodside, Delaware. Perkins and his band were headed to New York City for a Mar. 24, 1956, appearance on NBC-TV’s Perry Como Show after playing a show in Norfolk, Virginia, on Mar. 21, 1956. Perkins had sustained three fractured vertebrae in his neck, a severe concussion, a broken collar bone, and lacerations all over his body. Perkins remained unconscious for an entire day.

Worse than that…his brother Jay Perkins had a fractured neck and severe internal injuries. Later he developed a malignant brain tumor and died in 1958.  It had been planned on the Como show to present Carl with a gold record for Blue Suede shoes. When the wreck happened the song had peaked at #1 on the Country Charts and #2 on the Hot 100. Perkin’s career was never the same after that.

After 1956 he had 6 more top 40 hits in the country charts but never a top 10 hit again. One of those songs peaked at #31 in 1986 called “Birth of Rock and Roll.” Throughout the rockabilly revival of the 80s Perkins worked with Paul McCartney, George Harrison, and many more.

Carl Perkins continued to achieve many successes throughout his career, such as writing the 1968 number one country hit “Daddy Sang Bass” as recorded by Johnny Cash as well as Glen Campbell and The Statler Brothers. He played for about ten years with Johnny Cash, playing lead guitar on Cash’s number one country hit “A Boy Named Sue.” He even appeared on the Johnny Cash Show playing “Matchbox” with Derek And The Dominoes.

Everybody’s Trying To Be My Baby was recorded in March of 1956 in Sun Studios with no other than Sam Phillips producing.

The Beatle’s version was recorded their version on October 18, 1964. They did it in one take not counting Ringo overdubbing a tambourine and George doubling his voice. It was released on the Album Beatles for Sale released in December of 1964. It was not their best album by any stretch. They were worn out and the album included a lot of covers. The album was not available in the United States and Canada until 1987. The song appeared on their US-only album Beatles 65.

George Harrison sang lead because he was a huge fan of Perkins. It was his showcase song on early tours.

Everybody Is Trying To Be My Baby

Well they took some honey from a tree
Dressed it up and they called it me

Everybody’s trying to be my baby
Everybody’s trying to be my baby
Everybody’s trying to be my baby, now

Woke up last night, half past four
Fifty women knocking on my door

Everybody’s trying to be my baby
Everybody’s trying to be my baby
Everybody’s trying to be my baby, now

Went out last night, I didn’t stay late
‘Fore I got home I had nineteen dates

Everybody’s trying to be my baby
Everybody’s trying to be my baby
Everybody’s trying to be my baby, now

Went out last night, I didn’t stay late
‘Fore I got home I had nineteen dates

Everybody’s trying to be my baby
Everybody’s trying to be my baby
Everybody’s trying to be my baby, now

Well they took some honey from a tree
Dressed it up and they called it me

Everybody’s trying to be my baby
Everybody’s trying to be my baby
Everybody’s trying to be my baby, now

Miss O’Dell: Hard Days and Long Nights with The Beatles, The Stones, Bob Dylan and Eric Clapton… by Chris O’Dell and Katherine Ketcham

I enjoyed this book immensely. It’s almost like a fantasy book. You are a fan and suddenly you get thrown into the world with The Beatles as friends and co-workers. You move from the Beatles to the Stones, CSNY, Bob Dylan and the list kept growing. 

I will say this… as a Beatle fan, this book gave me insight that I never had before. Chris O’Dell happened to meet Derek Taylor (press officer of the Beatles) in Los Angeles in 1968…she worked for him for a few weeks in LA as a PA. He told her she should come over to London to check out the new company that The Beatles were starting called Apple. He didn’t promise her a job but she took a chance and sold her records and borrowed from her parents to go to London. She was like Alice down the rabbit hole, O’Dell stumbled upon a life even she could not have dreamed of.

She took a chance and went over and that started her career working at The Beatles record company Apple. It took her a few months to get hired full time but after the Beatle’s inner circle knew she could be trusted she was there. She met Paul on her very first day. She said all of them were extremely nice and made her feel welcome. She spent the first few months showing up at the office and making herself useful and securing her place. She was especially close to George as a friend and later Ringo as a little more. 

Chris O'Dell George

After all was said and done…she had 3 songs written about her. Two by Leon Russell called Hummingbird, Pieces Apple Lady, and George Harrison’s Miss O’Dell. She was also the “Mystery Woman” on the Rolling Stones Exile on Main Street cover. She was in the Joni Mitchell song “Coyote” with the line He’s got another woman down the hall…the song about Sam Shepard who Chris O’Dell and Joni Mitchell were seeing. She ended up singing on the Hey Jude recording in the final Na Na chorus.

She was one of the first if not the first female tour manager in rock. The tours she worked on were The Rolling Stones, CSNY, Santana, Bob Dylan, Earth Wind and Fire, Jennifer Warnes, Fleetwood Mac, Linda Ronstadt, Eric Clapton, George Harrison, Led Zeppelin, Phil Collins, Echo and the Bunnymen, ELO, and more.

We also get a glimpse into the personalities of Bob Dylan, Jagger and Richards, CSNY (and the disfunction), Eric Clapton, and more. 

Chris O'Dell's Rockstar Life Revealed

Like all of us through life…she made some cringe-worthy decisions. I’m not trying to play it down but most of the time everything worked out in the end. She was in the right place at the right time and took advantage of that. She remains close friends with Pattie Harrison, Ringo Starr (her son’s Godfather), and many of her old famous acquaintances.

This is not a kiss-and-tell book and she doesn’t trash people which made me happy. The only person to come out of this book bad at all is Eric Clapton who was admittedly jealous of Pattie and Chris’s friendship. After the Stones tour, she got into drugs really bad but managed to quit them only to start up again. She, later on, became a drug counselor and helped people. 

This book is for more than just Beatle fans…it gives you what life was like on the road in the 1970s. Some of the highlights in the book for me were: 

  • How the Apple Office worked including the Hell’s Angels visitors
  • How even the biggest stars had deep insecurities
  • Bob Dylan forgot his harmonicas before the Isle of Wight concert and Chris O’Dell arrived by helicopter to give them to him.
  • Keith Richards sending her to pick up a “package” in LA in the middle of a tour
  • Reading about David Crosby’s complaints of no “cross ventilation in his hotel room”
  • When Roger Taylor of Queen realized that she was Miss O’Dell from George’s song.
  • Insight into Pattie Boyd and Maureen Starkey who is hardly covered in Beatles books
  • Reading about how Bangledesh started and how George got his musician friends to participate. 
  • Being on the roof during Get Back brief concert

Chris O’Dell: I think being a Beatle became very difficult for them. They had a different set of problems than the Stones and CSN&Y.  They didn’t tour that much, they couldn’t go out of their hotel rooms, and they lived in a bubble. I think breaking up for them, and I can only guess, was a relief and very difficult at the same time.

Chris O’Dell:  It was like being let go in Disneyland. That’s what it felt like. It’s like here are the keys to Disneyland, go and enjoy yourself. And I was constantly aware that I was watching history in the making and that was exciting. So every day had some, or certainly every week, had something, a twist to it that made it really exciting

Chris O’Dell now: I am happily remarried to a wonderful man who supports me and accepts me as I am. My twenty-three-year-old son is amazing and gives me some credibility as a parent! I have a private practice in Tucson, specializing in addiction and mental health counseling.  My two dogs are happy and life is just better than I would have expected. 

Excerpt from the book: On being in a room with Mick and Keith before the 72 tour. 

“Listen to this fucking article in Rolling Stone about Harrison’s Bangladesh concert,” Keith said. He started reading from the article.
“The Concert for Bangladesh is rock reaching for its manhood.” Keith raised an eyebrow. “Under the leadership of George Harrison, a group of rock musicians recognized, in a deliberate, self-conscious, and professional way, that they have responsibilities, and went about dealing with them seriously.”
Keith looked at Mick and then at me. “Do you believe this shit? But wait, it gets better. Harrison is “a man with a sense of his own worth, his own role in the place of things… with a few parallels among his peers.”
“Bollocks.” Keith laughed, tossing the magazine on the coffee table. “What a fucking load of shit.”
I knew that Keith wasn’t really amused. He could be terribly insecure.
What a paradox Keith was- a sweet sensitive soul who wrote songs about needing love to be happy and yet he lived his life as if he couldn’t give a shit about anything.
But at that moment I wasn’t too interested in Keith’s feelings. I sat at the far end of the sofa, my legs and arms crossed, smoking a cigarette and drinking my Scotch and Coke as if it were straight Coke. I was pissed. Sure, I knew they were just being competitive, but I couldn’t stand listening to them make fun of George. I wanted to jump into the conversation and tell them to leave him alone. But what could I do? I worked for the Stones now, not the Beatles. This is weird, I know, and particularly strange in the context of the Stone’s remarkable longevity, but at that moment I had a sinking feeling that I was beginning my climb down the ladder. I’d started at the very top with the Beatles and now I was on the rung below. I found myself thinking at that moment that the Stones were sometimes a little too raw, too raunchy, too negative. I liked their music, and I liked each of them individually, but if I had to choose, the Beatles would win.
“You know,” I said, trying to smile but having a hard time of it,
“George is my friend.”
Mick looked over at me as if he had forgotten I was there. “Oh yeah, Chris, you’re a Beatle person, aren’t you? Sorry about that”
We let it go, then, but after I dropped Mick at his house and headed home through the dark canyons, I felt a sudden, intense longing to see Pattie and George. Mick was right. When it came right down to it, I was a Beatle person.”

Miss O’Dell

I’m the only one down here
Who’s got nothing to say
About the war
Or the rice
That keeps going astray on its way to Bombay.
That smog that keeps polluting up our shores
Is boring me to tears.
Why don’t you call me, Miss O’Dell?

I’m the only one down here
Who’s got nothing to fear
From the waves
Or the rice
That keeps rolling on right up to my front porch.
The record player’s broken on the floor,
And Ben, he can’t restore it.
Miss O’Dell.

I can tell you
Nothing new
Has happened since I last saw you.

I’m the only one down here
Who’s got nothing to say
About the hip
Or the dope
Or the cat with most hope to fill the Fillmore.
That pushing, shoving, ringing on my bell
Is not for me tonight.
Why don’t you call me, Miss O’Dell?

Why don’t you call me, Miss O’Dell?

Favorite Rock Lyrics 2

Everyone seemed to like the first one so I thought I would bring it back. I did list many of the lyrics that you suggested in the comments on the other post…SO… this post was written by all of us…and uh…the ones that actually wrote the songs!

Bob Dylan

Sometimes my burden is more than I can bear, it’s not dark yet but it’s gettin’ there... Bob Dylan

Rolling Stones

The sunshine bores the daylights out of me…Rolling Stones

Who

I asked Bobby Dylan, I asked The Beatles, I asked Timothy Leary, but he couldn’t help me either, they called me the Seeker…The Who

Grateful Dead

Cows are giving kerosene, the kid can’t read at seventeen, the words he knows are all obscene, but it’s alright… The Grateful Dead

band

You take what you need and you leave the rest, but they should never have taken the very best… The Band

Trogg

Wild thing you make my heart sing you make everything groovy… The Troggs

Springsteen

There were ghosts in the eyes of all the boys you sent away… Bruce Springsteen

ACDC

Rich man, poor man, beggar man thief you ain’t got a hope in hell, that’s my belief… ACDC

Beatles - Rocky Raccoon

The farther one travels the less one knows the less one really knows …The Beatles

Leonard Cohen

My friends are gone and my hair is grey I ache in places I used to play …Leonard Cohen

John Lennon

Whatever gets you through the night … John Lennon

Replacements

God, what a mess, on the ladder of success Where you take one step and miss the whole first rung …The Replacements

Led Zeppelin 1976

Oh, let the sun beat down upon my face and stars fill my dream I’m a traveler of both time and space… Led Zeppelin

Kinks

Girls will be boys and boys will be girls, It’s a mixed up, muddled up, shook up world, except for Lola La-la-la-la LolaThe Kinks

Queen

She keeps her Moet et Chandon in her pretty cabinet “Let them eat cake”, she says just like Marie AntoinetteQueen

van morrison almost independence day

Shammy cleaning all the windows singing songs about Edith Piaf’s soul… Van

neil young after the goldrush

You can’t be twenty on Sugar Mountain though you’re thinking that you’re leaving there too soon… Neil Young

Simon and Garfunkel concert Ohio University 10-29-1968

Hello darkness, my old friend I’ve come to talk with you again…Simon and Garfunkel

Leon Russell – Pisces Apple Lady

I love Leon’s soulful playing and that voice. I’m reading a book now about a lady named Chris O’Dell who worked for the Beatles at Apple records. She dated Leon Russell for around 4 months before she went back to London to finish working for Apple. I’ll be reviewing the book in a few weeks…after the Beatles, she worked for Bob Dylan, George Harrison, and The Rolling Stones.

O’Dell was Peter Asher’s personal Assistant and she booked studio time for the Beatles and other artists. George Harrison was working on a Jackie Lomax session and needed a piano player. George wanted Nicky Hopkins but he was in America so O’Dell mentioned Leon Russell who visited Apple earlier that day. George was ecstatic and later on, Ringo and George played on Leon’s sessions at Trident studio. After work, she walked into the studio and they were recording this song. She began to figure out it was about her (she is a Pisces) and that was Leon’s way of saying he fell in love with her.

This is not the only song inspired by Miss O’Dell. George Harrison wrote a song called Miss O’Dell and Leon wrote another song about her called Hummingbird. Both Pisces Apple Lady and Hummingbird were on his debut album released in 1970 along with his song about Rita Coolidge that Joe Cocker covered… Delta Lady.

Leon was able to get Ringo, George, Charlie Watts, Eric Clapton, Bill Wyman, Bonnie and Delaney, Steve Winwood, Jim Gordon, B.J. Wilson, Mick Jagger, Joe Cocker, and more…on this album.

The album Leon Russell peaked at #60 on the Billboard Album Charts in 1970.

Leon Russell: “I met her when she was working at Apple Records. We had a little thing for a minute. She wrote an autobiography, and she sent me an advance copy. I’m sorry to say, as a young man, I was capable of some actions I’m not proud of. So I was afraid to read the advance copy, I gave it to Jackie [his bass player Jackie Wessel] and I said, ‘Will you read this and see if there’s any untoward activity in it?’ He read it and said, ‘It’s a beautiful little show-business autobiography. There’s no untowardness in it.’ So I was happy.”

Pisces Apple Lady

Get off your bottleGo down and see a friendHe’ll know what to do, lordyWhen you tell him how bad it’s beenHe said you oughta get awayTo the English countrysideThis cryin’ won’t help you now boyWhy don’t you look how many tears you’ve cried

When I got down to ChelseaI had no expectationsOh, But to get away from the delta girlAnd the painful situationBut I hardly had the timeOh, to laugh and look aroundAnd I found my heart was a-goin’ againLike a-English leaps and bounds (yeah)

And she’s a Pisces apple ladyWhen she speaks softlyShe screams,(She really got herself together) whoa-whoa (oh-oh)And she’s a Pisces apple ladyTook me by surpriseAnd I fell into a hundred piecesI said a-right before her eyes

Now were togetherAll the way to L.A.I know she that loves me‘Cause she can brighten up a smoggy dayIf I believed in marriageOh, I’d take her for my wifeAnd move on down into high gear babyFor the rest of my natural life

And she’s a Pisces apple ladyWhen she speaks softlyShe screams,(She really got herself together) yes she does (oh-oh)And she’s a Pisces apple ladyTook me by surpriseAnd I fell into a hundred piecesI said a-right before her eyes

Beatles – I’m Only Sleeping

I’ve always loved this song and I just read in the news that The Beatles released a new video to this song. This song was on what many consider their best album…Revolver.

If you lived in America at the time…you didn’t have this song if you bought Revolver. Capital Records left it off the American version. You would have to buy the album Yesterday and Today to get it

There were a lot of rumors about this song’s origin. Some rumors said it was John’s attack on straight society. It was much more simple than that.  Lennon wrote this as a tribute to staying in bed, which he liked to do even when he wasn’t sleeping. He would later write a song titled “I’m So Tired” which resided on the White Album.

Maureen Cleave, the journalist,  wrote of John Lennon: “He can sleep almost indefinitely, is probably the laziest person in England.” She went on to clarify that she meant physically lazy, not intellectually lazy.”

The Beatles were experimenting with this album with sound effects and backward guitar and other effects. The yawning effect is a guitar recorded backward. A few seconds before the yawn comes in, you can hear John Lennon say, “Yawn Paul.”

It was conceived by George Harrison in a late-night session, inspired when a studio engineer accidentally flipped a tape…Harrison was amazed at the effect and decided to do it for real. So he wrote down a solo and then played it twice, once forwards and once backward, with fuzz effects on one track.

George Harrison:  “We turned the tape over and put it on backwards, and then played some guitar notes to it, just playing little bits, guessing, hoping it fitted in…We were excited to hear what it sounded like, and it was magic.”

Revolver broke recording boundaries and developed processes that are still used today. The bass was one thing to be boosted as in the singles around this time. Paperback Writer and Rain the bass came through like never before.

They toured on this album and it would be their last tour. It was full of tension because of Lennon’s Jesus remarks and they were tired of not being heard. The touring equipment still wasn’t up to where people could hear over the screaming. Our band would play in 200-capacity clubs and we had more powerful equipment than the Beatles did playing in big arenas and sports facilities.

They were well into the beginnings of the studio experimental phase of their career. Therefore, I’m Only Sleeping, along with all of the other material from Revolver, was never performed live, nor could it have been because the technology just wasn’t there at that time to play these songs accurately.

Revolver peaked at #1 in the US, Canada, and the UK in 1966.

Ringo Starr: “I believe we taught George Martin how to keep the tape rolling,” he lost that old attitude that you only press the button when you are going to do the take. We began to have the tape rolling all of the time.”

I’m Only Sleeping

When I wake up early in the morning
Lift my head, I’m still yawning
When I’m in the middle of a dream
Stay in bed, float up stream (float up stream)

Please, don’t wake me
No, don’t shake me
Leave me where I am
I’m only sleeping

Everybody seems to think I’m lazy
I don’t mind, I think they’re crazy
Runnin’ everywhere at such a speed
‘Til they find there’s no need (there’s no need)

Please, don’t spoil my day
I’m miles away
And after all
I’m only sleeping

Keepin’ an eye on the world going by my window
Takin’ my time

Lyin’ there and staring at the ceiling
Waiting for a sleepy feeling

Please, don’t spoil my day
I’m miles away
And after all
I’m only sleeping

Keepin’ an eye on the world going by my window
Takin’ my time

When I wake up early in the morning
Lift my head, I’m still yawning
When I’m in the middle of a dream
Stay in bed, float up stream (float up stream)

Please, don’t wake me
No, don’t shake me
Leave me where I am
I’m only sleeping

Beatles – Think For Yourself

A very good George Harrison song. While I was searching for the song on youtube…I came across a 19-minute studio outtake with the Beatles when they were working on this song. George had a time reeling in John and Paul but…I will say this…Lennon could be hilarious. Actually, all of them could be. When you have 19 minutes to kill…listen to that outtake I will post above the song. It gives an insight into them. One comment was, “they sound like drunk teenagers, ” which is correct. They were young and their sense of humor was flowing.

Lennon and McCartney’s songwriting was improving by leaps and bounds at this time. They had started to write years before and George had only been writing a couple of years. He did have one thing they didn’t have…he witnessed firsthand Lennon and McCartney’s writing and was influenced by them. This was only George’s fifth published song, the lyrical depth, and structure of  Think For Yourself proved that George Harrison was going to improve and catch his bandmates in quality if not quantity.

The music to this one is really cool. Paul plays his bass through a fuzz box to give the song a different sound. The song was on the 1965 album  Rubber Soul. This album was a game changer that started with Help! and would lead up to Sgt Pepper in 1967.

Rubber Soul showed the Beatles growing artistically and venturing out to different styles of music. Since With The Beatles they were trying new things with every album. By this time they were breaking out of the Beatlemania image and started touching on every genre to a more mature sound.  The Beatles were breaking/making the rules as they were going along. Not only in writing superb songs but pushing the limits of the studio as well as doing things that pop stars just didn’t do before them…

Producer George Martin was also developing artistically, experimenting with an eye toward making the album sound good in either stereo or mono.

Rubber Soul peaked at #1 in America, Canada, and The UK in 1965.

George Harrison: “When Phil Spector was making ‘Zip-A-Dee Doo-Dah’ (by Bob B. Soxx And The Blue Jeans), the engineer who’d set up the track overloaded the microphone on the guitar player and it became very distorted. Phil Spector said, ‘Leave it like that, it’s great.’ Some years later everyone started to try to copy that sound and so they invented the fuzz box. We had one and tried the bass through it and it sounded really good.”

Think For Yourself

I’ve got a word or two
To say about the things that you do
You’re telling all those lies
About the good things that we can have
If we close our eyes

Do what you want to do
And go where you’re going to
Think for yourself
‘Cause I won’t be there with you

I left you far behind
The ruins of the life that you had in mind
And though you still can’t see
I know your mind’s made up
You’re gonna cause more misery

Do what you want to do
And go where you’re going to
Think for yourself
‘Cause I won’t be there with you

Although your mind’s opaque
Try thinking more if just for your own sake
The future still looks good
And you’ve got time to rectify
All the things that you should

Do what you want to do
And go where you’re going to
Think for yourself
‘Cause I won’t be there with you

Do what you want to do
And go where you’re going to
Think for yourself
‘Cause I won’t be there with you
Think for yourself
‘Cause I won’t be there with you

Favorite Rock Lyrics

Here are some cool lyrics to some songs. My all-time favorite is the first one…I’ve used this one over and over whenever at work and in our world. I could have filled this up with Dylan lyrics but I wanted to spread the wealth.

The Who | Music legends, Music pics, Rock and roll

Meet the new boss/same as the old boss…The Who (No truer words have been spoken)

What isn't shown in The Beatles: Get Back — Class A drugs, Yoko baiting and  the dodgy accountant | Times2 | The Times

And in the end, the love you take is equal to the love you make…The Beatles

Chuck Berry: 20 Essential Songs - Rolling Stone

I saw her from the corner when she turned and doubled back
And started walking toward a coffee-colored Cadillac… Chuck Berry

Jimmy Webb on John Lennon's Lost Weekend, Frank Sinatra - Rolling Stone

And I need you more than want you,
And I want you for all time…Jimmy Webb

How Peter Gabriel Conquered the World With 'So'

You can blow out a candle but you can’t blow out a fire…Peter Gabriel.

Grateful Dead - Wikipedia

Shake the hand that shook the hand of P.T. Barnum and Charlie Chan… Grateful Dead

Revolutions: Rolling Stones "Beggars Banquet" - YouTube

I wasn’t looking too good but I was feeling real well… Rolling Stones

Johnny Cash photographer reveals truth behind San Quentin Prison shot

But I shot a man in Reno just to watch him die… Johnny Cash

Bruce Springsteen – The Highlight Reel (1973-1975) – Pretty In Sync.

We learned more from a three-minute record, than we ever learned in school…Bruce Springsteen

Why Hank Williams Won't Be Reinstated in the Grand Ole Opry - Rolling Stone

The silence of a falling star lights up a purple sky… Hank Williams Sr.

The Band Shares Previously-Unreleased "The Weight" From Royal Albert Hall,  1971 [Listen]

I just spent 60 days in the jailhouse/for the crime of having no dough…The Band

lynyrd skynyrd - one more time

I drank enough whiskey to float a battleship around… Lynyrd Skynyrd

Jimmy Buffett

I blew out my flip-flop stepped on a pop-top/cut my heel had to cruise on back home… Jimmy Buffet

Bob Dylan

She knows there’s no success like failure and that failure’s no success at all… Bob Dylan

Bob Seger

Wish I didn’t know now what I didn’t know then… Bob Seger

TW

In Jersey, anything’s legal, as long as you don’t get caught… The Traveling Wilburys

Ricky Nelson

You see, ya can’t please everyone, so ya got to please yourself…Ricky Nelson

Kinks

Because celluloid heroes never feel any pain and celluloid heroes never really die… Kinks

Beatles – In My Life

What other band in the world would not release this song as a single? That alone shows that they had quality as well as quantity. It was on Rubber Soul released in 1965. I always considered Revolver and Rubber Soul sister and brother albums. Rubber Soul was released first and Revolver could have been the continuation of Rubber Soul or the wilder older brother/sister.

This song is one of the most beautiful songs ever written. We have a short journey through John Lennon’s life up to that point. This song is as close to perfection as you can get.

Lennon said that a reporter asked him ” why don’t you put some of the way you write in the book in the songs?’ or ‘Why don’t you put something about your childhood into the songs?” and that spurred him on to write this personal song.

Pete Pete Shotton, who was a close childhood friend of John, has related how John once told him that the lyric about the friends who were “dead” and “living” was about Stuart Sutcliffe, a close friend and former Beatle who died of a brain tumor in April of 1962, and Pete himself as the “living” friend.

John was picky with Beatle songs. There were some he claimed not to like but this one was one of the songs he was most proud of.

Before his death, Lennon gave an extensive interview with Playboy magazine and the interviewer went down a list of Lennon and McCartney songs. Lennon gave his feelings about each song and who wrote what. McCartney, later on, agreed with most of all John’s memories on who wrote what…except on a couple of songs. John and Paul seem to disagree on two songs in particular: “Eleanor Rigby” and this song.

John claims he wrote everything except the middle eight, which he attributed to Paul. Paul has said that he wrote most of the melody and helped with the lyrics. I tend to believe Paul on this but I’m amazed that they both seemed to agree on most of the other songs. John could write some beautiful melodies but this one sounds like Paul had a lot to do with it.

In the studio, something seemed to be missing so George Martin slowed down the tape and recorded an Elizabethan piano solo. Not that Ringo Starr needs any defending…but people seem to downgrade him because he wasn’t like Keith Moon or John Bonham. No Ringo played for the song…this song is a great example. If he would have been busy it would have ruined it. Ringo played this one perfectly as he did with most other Beatles songs.

This was voted the best song of all time by a panel of songwriters in a 2000 Mojo magazine poll.

Paul McCartney on writing the song: “So I recall writing the whole melody. And it actually does sound very like me, if you analyze it. I was obviously working to (John’s) lyrics. The melody’s structure is very me. So my recollection is saying to John, ‘Just go and have a cup of tea or something. Let me be with this for ten minutes on my own and I’ll do it.’ And with the inspiration of Smokey and The Miracles, I tried to keep it melodic but a bit bluesy, with the minors and little harmonies, and then my recollection is going back up into the room and saying, ‘Got it, great! Good tune, I think. What d’you think?’ John said, ‘Nice,’ and we continued working with it from then, using that melody and filling out the rest of the verses. As usual, for these co-written things, he often just had the first verse, which was always enough: it was the direction, it was the signpost and it was the inspiration for the whole song. I hate the word but it was the template.”

“We wrote it, and in my memory we tagged on the introduction, which I think I thought up. I was imaging the intro of a Miracles record, and to my mind the phrases on guitar are very much Smokey and The Miracles. So it was John’s original inspiration, I think my melody, I think my guitar riff. I don’t want to be categorical about this. But that’s my recollection. We then finished it off and it was a fine song which John sang.”

John Lennon: “’In My Life’ was, I think, my first real, major piece of work. Up until then it had all been glib and throw-away. I had one mind that wrote books and another that churned out things about ‘I love you’ and ‘you love me,’ because that’s how Paul and I did it…It was the first song that I wrote that was really, consciously, about my life…a remembrance of friends and lovers of the past.”

John Lennon:  “I wrote that in Kenwood (his home at the time). I used to write upstairs where I had about ten Brunell tape recorders all linked up, I still have them, I’d mastered them over the period of a year or two – I could never make a rock and roll record but I could make some far out stuff on it. I wrote it upstairs, that was one where I wrote the lyrics first and then sang it.” He added that was usually the case with songs such as this one and “Across the Universe” and “some of the ones that stand out a bit.”

In My Life

There are places I’ll remember
All my life though some have changed
Some forever not for better
Some have gone and some remain

All these places had their moments
With lovers and friends I still can recall
Some are dead and some are living
In my life I’ve loved them all

But of all these friends and lovers
There is no one compares with you
And these memories lose their meaning
When I think of love as something new

Though I know I’ll never lose affection
For people and things that went before
I know I’ll often stop and think about them
In my life I love you more

Though I know I’ll never lose affection
For people and things that went before
I know I’ll often stop and think about them
In my life I love you more

In my life I love you more

Beatles – She’s Leaving Home

I got this album when I was 10 years old and they even included the cutouts 10 years after it was released.

This song was on the Sgt Peppers Lonely Hearts Club Band album. The album was probably the most influential rock album ever released. Other bands followed with psychedelic albums with varying results. The Zombie’s Odessey and Oracle was a great one but the Stones’ Their Satanic Majesties Request disappointed many fans. Sgt Pepper worked well but The Beatles would completely move on after their next EP – Album Magical Mystery Tour.

Not only were the songs different but the sound was different than their last albums. The two that stood out were Ringo’s drums and his use of toms on songs like A Day In The Life. Paul’s bass playing was brilliant. His bass on the album and especially Lucy In The Sky With Diamonds stands up to anything today…the sound of the bass also was crystal clear.

She’s Leaving Home took me a while to appreciate but when I got older I was blown away. This song was inspired by a real runaway named Melonie Coe. She had been on the television show, Ready, Steady Go, and won a prize for a miming and dancing contest. The Beatles were performing on the program and it was Paul who presented her with her prize.

Fast forward a couple of years and Melanie ran away from home in the afternoon leaving a note for her mother to find when she returned.  Melanie was running away with her boyfriend because she was in the early stages of pregnancy. She ended up breaking up with the guy.

The story of her disappearance was reported in the British newspaper, The Daily Mirror, and when Paul McCartney read it, he began to write the song She’s Leaving Home. The headline read: A-Level Girl Dumps Car and Vanishes.

It’s doubtful if Paul remembered Melanie from their brief encounter.

In the article, her father said “I cannot imagine why she should run away, she has everything here … even her fur coat.” And Lennon and McCartney turned that into “We gave her everything money could buy.”
Melanie moved to Los Angeles, having decided to become an actress. She didn’t make it and her only claim to fame was that she dated Burt Ward…a.k.a Robin in the television series Batman. She moved back to England and then on to Southern Spain where she became a real estate agent.

Melanie Coe 3

Paul was excited about this song and rang George Martin up to do it NOW. George couldn’t record when Paul wanted to so Paul recruited  Mike Leander…another producer. That didn’t sit well with Martin and he was hurt but there wasn’t much he could do.

George Martin: “It was the song that got away, It was the song I wanted to do…It was just one of those silly things. He was so damned impatient and I was up to my eyes with other work and I just couldn’t cope. But Paul realizes now, though he was surprised that I was upset.”

Melanie Coe: “The amazing thing about the song was how much it got right about my life, It quoted the parents as saying ‘we gave her everything money could buy’ which was true in my case. I had two diamond rings, a mink coat, hand-made clothes in silk and cashmere and even my own car. Then there was the line ‘after living alone for so many years,’ which really struck home to me because I was an only child and I always felt alone…I heard the song when it came out and thought it was about someone like me but never dreamed it was actually about me…I must have been in my twenties when my mother said she’d seen Paul on television and he’d said that the song was based on a story in a newspaper. That’s when I started telling my friends it was about me.”

Melanie Coe: “I first heard the song when it came out and I didn’t realize it was about me, but I remember thinking it could have been about me….I found the song to be extremely sad. It obviously struck a chord somewhere. It wasn’t until later, when I was in my twenties, that my mother said, ‘You know, that song was about you!’ She had seen an interview with Paul [McCartney] on television and he said he’d based the song on this newspaper article. She put two and two together.”

Paul McCartney: “We’d seen a story in the newspaper about a young girl who had left home and not been found. There were a lot of those at the time, That was enough to give us a story line. So I started to get the lyrics: she slips out and leaves a note and then the parents wake up and then…It was rather poignant. I like it as a song, and when I showed it to John, he added the Greek chorus, long sustained notes, and one of the nice things about the structure of the song is that it stays on those chords endlessly. Before that period in our songwriting we would have changed chords but it stays on the C chord. It really holds you. It’s a really nice little trick and I think it worked very well.”

“Greek chorus” entails by adding: “While I was showing that to John, he was doing the Greek chorus, the parents’ view: ‘We gave her most of our lives, we gave her everything money could buy.’ I think that may have been in the runaway story, it might have been a quote from the parents.”

John Lennon: “Paul had the basic theme for this song, but all those lines like ‘We sacrificed most of our life…we gave her everything money could buy,’ those were the things Mimi used to say to me. It was easy to write.”

She’s Leaving Home

Wednesday morning at five o’clock as the day begins
Silently closing her bedroom door
Leaving the note that she hoped would say more
She goes downstairs to the kitchen clutching her handkerchief
Quietly turning the backdoor key
Stepping outside she is free

She (We gave her most of our lives)
Is leaving (Sacrificed most of our lives)
Home (We gave her everything money could buy)
She’s leaving home after living alone
For so many years (Bye bye)

Father snores as his wife gets into her dressing gown
Picks up the letter that’s lying there
Standing alone at the top of the stairs
She breaks down and cries to her husband “Daddy our baby’s gone
Why would she treat us so thoughtlessly?
How could she do this to me?”

She (We never thought of ourselves)
Is leaving (Never a thought for ourselves)
Home (We struggled hard all our lives to get by)
She’s leaving home after living alone
For so many years (Bye bye)

Friday morning at nine o’clock she is far away
Waiting to keep the appointment she made
Meeting a man from the motor trade

She (What did we do that was wrong)
Is having (We didn’t know it was wrong)
Fun (Fun is the one thing that money can’t buy)
Something inside that was always denied
For so many years (Bye bye)

She’s leaving home
Bye bye

Rock Star Hologram Tours

It’s gone past simple holograms…they are now avatars (the ABBA reunion). For the sake of this post… I’ll call them holograms. This post is basically me arguing with myself and wanting some input.

I’ve thought about the subject of the dead rock star hologram tours off and on. I apologize for putting it so bluntly but that is what it is. Something in me just tells me there is something inherently wrong about this. So I hate to ask myself this…but would I want to go to a Jimi Hendrix show playing near me? Uh…yes I would and I feel bad about saying that. I would probably go and then hate the decision later. How could they capture Jimi Hendrix? I don’t see how someone could capture a performer like him…who was different every time he played.

I was surprised at my answer that I would even go. On the other hand, we have laser shows with bands’ music…so what is the big difference? We also have duets with Paul McCartney singing with John Lennon right now on Paul’s tour. When I saw The Who, there was Keith Moon singing “Bell Boy” in a film from a concert in the 70s while the current Who was playing. I also got to see Beatlemania with artists dressed up as The Beatles…somewhat different than this but is it really?

It’s something that I think will happen in the near future for different stars no matter if we like it or not. Holograms have been around for a while. In 1977 The Who presented a promotional event just for their fans with this Keith Moon hologram (with the real Keith Moon in attendance) and in another event in 2009…obviously without the real Keith in attendance.

Keith is near the end of his life in this version…you can tell it’s older with the greenwash all around. The big difference is now …the holograms sing, move, and play their instruments or rather they appear to do that. There have been shows now built around Buddy Holly, Roy Orbison, Elvis, Ronnie James Dio, ABBA (who are very much alive),  Whitney Houston, Tupac, Billie Holiday, Wilson Pickett, and more.

The families are in control now and will decide. I’ll ask myself again…would I want to see the Hamburg or Cavern Beatles? The 1972 Rolling Stones? the 1969 Who? The 1950’s Elvis? AC/DC with Bon Scott? 1970 Janis Joplin? The Doors?

Yes to all the questions I asked but…I’m not sure how I would feel.

What do you think? Would it be unsettling to see a long-gone performer in their prime again a few feet from you? Would you go see a show (not really a concert) of your favorite deceased performer?

Now, on the other hand, there is another angle. If Bob Dylan, who is very much alive, would announce tomorrow that a 1966 version of himself was going on tour…would I go? Oh yes, I would and I would not feel bad at all. ABBA just did this also. So why do I think I would feel different about seeing Jimi, Lennon, Janis, or someone else that has long been gone?

Before you answer…now, current bands can play in Washington and be projected as holograms in London simultaneously…so it’s taken a huge jump. See the bottom video. No traveling in stuffy vans….just play at your local pizza joint and be somewhere else also. So our band could play in my garage and be on stage at Carnegie Hall and interact with the audience. I have to wonder how far it will go?

Georgia Satellites -Hippy Hippy Shake

I have to give Deke credit for this post. He did a review of “LIGHTNIN’ IN A BOTTLE” …a live Satellite show in 1988 that was released in 2002. This song was in a movie called Cocktail…I wasn’t a fan of the movie but it did have some good music. Deke mentioned Hippy Hippy Shake and I’ve always liked this song.

The Georgia Satellites came out of nowhere with a number 2 hit in 1986 called Keep Your Hands To Yourself. At the time of Madonna and synth-driven songs, it was great to hear this band out of Georgia that played raw roots rock and roll without the big production.

I remember being a senior in high school and watching one of my buddy’s band play in a talent show right before us. They played “Keep Your Hands To Yourself” and it sounded great. That song was made for a rock band…any rock band and I asked him if they wrote it. He said no they had an advance copy of the song or bootleg. I’ve liked this band ever since. They were a no-frills raw rock band in the middle of the sometimes overproduced 80s…a band I followed until they broke up.

I always thought their timing was a bit off. If they would have come out in the late eighties along with the Black Crowes and Guns and Roses… they could have had more staying power.

This song is a little different for them. Their lead singer Dan Baird didn’t sing it. The lead guitar player Rick Richards did the vocals on this one as well as their hit  Battleship Chains.

Chan Romero was just 17 when he wrote this song. According to his entry in the Rockabilly Hall of Fame, he was inspired by the song “Come On, Let’s Go” by Ritchie Valens. The Swinging Blues Jeans cover was a hit in 1963 when the song peaked at #2 in the UK, #2 in Canada, and #24 on the Billboard 100. The Beatles covered it on their Live At The BBC album.

The Satellites version peaked at #45 in the  Billboard 100 and #65 in Canada.

Some of the movies this has appeared in include Uncle Buck, Austin Powers International Man of Mystery, and Cocktail. 

Hippy Hippy Shake

For goodness sakes
I got the hippy hippy shakes
yeah I got the shakes
I got the hippy hippy shakes
I can’t sit still
with the hippy hippy shakes
yeah I get my fill now
with the hippy hippy shake
yeah it’s in the bag
the hippy hippy shake

well I’ve been shakin’ to the left
shakin’ to the right
you do the hippy shake shake
with all of your might
oh baby yeah come on shake
oh it’s in the bag
the hippy hippy shake

well I’ve been shakin’ to the left
shakin’ to the right
you do the hippy shake shake
with all of your might
of baby yeah come on shake
oh it’s in the bag
the hippy hippy shake
the hippy hippy shake
the hippy hippy shake

Beatles – Savoy Truffle

I love the horns in this song. It wasn’t George Harrison’s best on the album…that would be While My Guitar Gently Weeps but this one is fun.

George was good friends with Eric Clapton and was watching his friend with toothaches and getting dental work. Clapton’s weakness was candy and he would eat all of it until it was gone.

Harrison got the lyrics for this from the inside lid of a box of chocolates. Montelimar, Ginger Sling, Cream Tangerine, and Coffee Dessert were names of candies in the Mackintosh “Good News” assortment. The names “Cherry Creme” and “Coconut Fudge” were invented by George, however, to round out the verses.

Press agent Derek Taylor came up with the line  ‘You know that what you eat you are‘.

Derek Taylor: “George said, ‘We need a bit here, da da, da da da da, da da,’ and I thought again of my good friend, Alan Pariser. He had done a film called ‘You Are What You Eat,’ which was a very pippy thing; ‘Don’t eat meat, man, or you’ll be filled with the adrenaline of frightened animals.’ So I said to George, ‘You know that what you eat you are.’

good-news-chocolates

The MacIntosh’s Good News box where George got some of the lyrics.

Harrison wrote the line “We all know Obla-Di-Bla-Da” as an in-joke with the band. McCartney had pushed Obla-Di-Bla-Da so much that the band played endless versions of it and were not happy about it.

The White Album was released in 1968 and peaked at #1 in the Billboard Album Chart, #1 in Canada, #1 in the UK, and #1 about everywhere else…and it would be #1 as well on my list.

The White Album is as diverse as you can get… Pop, Rock, Country, Folk, Reggae, Avant-Garde, Blues, Hard Rock, and some 20’s British Music Hall thrown in the mix. It has plenty of songs that you have heard of and many that the masses have not heard. The Beatles more than many bands could bend to a style of music and play that style well.

Some critics said they should have taken the best of the two albums and slimmed it down to one. I understand that argument but as a Beatle fan…Nahhhhh. It’s the Beatles White Album!

George Harrison: “At that time he had a lot of cavities in his teeth and needed dental work. He always had a toothache but he ate a lot of chocolates – he couldn’t resist them, and once he saw a box he had to eat them all. He was over at my house, and I had a box of ‘Good News’ chocolates on the table and wrote the song from the names inside the lid: ‘Creme Tangerine, Montelimart’…” 

“He’d got this real sweet tooth and he had just had his mouth worked on. His dentist said he was through with candy. So, as a tribute, I wrote ‘You’ll have to have them all pulled out, after the Savoy Truffle.’ The truffle was some kind of sweet, just like all the rest, ‘crème tangerine,’ ‘ginger sling,’ just candy, to tease Eric.” 

Savoy Truffle

Creme tangerine and montelimar
A ginger sling with a pineapple heart
A coffee dessert, yes you know it’s good news
But you’ll have to have them all pulled out
After the Savoy truffle

Cool cherry cream, a nice apple tart
I feel your taste all the time we’re apart
Coconut fudge, really blows down those blues
But you’ll have to have them all pulled out
After the Savoy truffle

You might not feel it now
But when the pain cuts through
You’re going to know, and how
The sweat is going to fill your head
When it becomes too much
You shout aloud

You’ll have to have them all pulled out
After the Savoy truffle

You know that what you eat you are,
But what is sweet now, turns so sour
We all know Obla-Di-Bla-Da
But can you show me, where you are?

Creme tangerine and montelimar
A ginger sling with a pineapple heart
A coffee dessert, yes you know it’s good news
But you’ll have to have them all pulled out
After the Savoy truffle
Yes you’ll have to have them all pulled out
After the Savoy truffle

Gene Vincent – Bluejean Bop

His sound, voice, and echo draws me in and keeps me there. The slow intro and then music kicks in. His voice goes with that slapback echo better than any other singer. His influence can be heard through the decades including Springsteen in Glory Days.

This was released in 1956  from their debut album of the same name. Like many of the songs on the record, it only came in at around two and a half minutes long… but those two and a half recordings rocked. This gem was written by Gene Vincent and  Hal Levy. The song peaked at #16 in the UK in 1956.

Vincent was injured in a car accident on April 16, 1960…with Eddie Cochran in a taxi which killed Cochran. Vincent whose leg was weak due to a wound incurred in combat in Korea…was injured. He walked with a noticeable limp for the rest of his life. In 1962 he was in Hamburg and played on the same bill as the Beatles. The Beatles got close to him.

George Harrison told a story about going with a drunk Vincent to his hotel room. Vincent thought his girlfriend was cheating on him so he shoved a gun in Harrison’s hand. George was shocked and didn’t want any part of that.

The Beatles played at least 14 of Gene Vincent’s songs in their sets before they made it. A song like Somewhere Over The Rainbow that the Beatles would never think of covering until Gene Vincent covered it and gave the song his ok.

Paul McCartney:  “I remember hearing Blue Jean Bop on an album that I think John had; going to a place near Penny Lane for the afternoon, having a ciggy, and just listening to records. Blue Jean Bop was always one of my favorites. The first record I ever bought was Be Bop-A-Lula. We loved Gene.”

Bluejean Bop

Bluejean baby, with your big blue eyes
Don’t want you looking at other guys
Got to make you give me, one more chance
I can’t keep still, so baby let’s dance

Well the bluejean bop is the bop for me
It’s the bop that’s done in a dungaree
You flip your hip, free your knee
Squeal on your heel baby, one to three
Well the bluejean bop, bluejean bop
Oh baby, bluejean bop, bluejean bop
Oh baby, bluejean bop, baby won’t you bop with Gene (bop Blue Caps, bop)

Well bluejean baby when I bop with you
Well my heart starts hoppin’ like a kangaroo
My feet do things they never done before
Well bluejean baby, give me more more more
Well the bluejean bop, bluejean bop
Oh baby, bluejean bop, bluejean bop
Oh baby, bluejean bop, baby won’t you bop with Gene (rock again Blue Caps, go)

Well the bluejean bop, bluejean bop
Oh baby, bluejean bop, bluejean bop
Oh baby, bluejean bop, baby won’t you bop with Gene (Blue Caps, bop with Gene now, let’s go)

Well it’s, bluejean bop, bluejean bop
Bluejean, bluejean bop
Oh baby, bluejean, bluejean bop
Bluejean, bluejean bop
Bluejean, oh baby, won’t you bop with Gene

Beatles – You Can’t Do That

I love B-sides and this is a good one. I liked You Can’t Do That much better than the A-side Can’t Buy Me Love.

John Lennon never liked his voice. He always wanted George Martin to add echo or anything else to cover it up. I never understood that…for me John was one of the best rock and roll singers out there. His thin nasal voice cut through the music and cuts into you.

I first heard this song on a 1976 compilation album Rock and Roll Music. That was my second ever Beatles album. Capital put together one of the worse covers ever for that album.

Beatles Rock and Roll Music front and backBeatles Rock and Roll Music Gatefold

The cover made the Beatles look like they were from the 50s. A very few of the songs on the album were covers of 50s songs. Ringo Starr said: “It made us look cheap and we never were cheap. All that Coca-Cola and cars with big fins was the Fifties!” John Lennon told Capitol that the cover looked like a Monkees reject. He offered to design the cover but was declined. That doesn’t mean the album didn’t contain great music…a double album full of some great songs.

You Can’t Do That helped popularized the two-measure guitar riff…. a guitar riff that opens a song and continues through it. It laid the foundation for modern rock… with artists such as The Stones to Nirvana. The Beatles would use this frequently in songs such as I Feel Fine, Ticket To Ride, Day Tripper, If I Needed Someone, Paperback Writer and I Want To Tell You. The Stones made a career of it.

The song originally appeared on the UK soundtrack of A Hard Days Night. They recorded this in nine takes on George Harrison’s 21st birthday (February 25, 1964). The song was the B side to Can’t Buy Me Love but managed to peak at #48 in the Billboard 100 and #33 in Canada in 1964. Harry Nilsson covered it in 1967 and that version peaked at #10 in Canada.

This was the first Beatles song on which George Harrison played a 12-string guitar… John played the lead. Lennon said that Wilson Pickett was an influence on this song.

You Can’t Do That

I got something to say that might ’cause you pain
If I catch you talking to that boy again
I’m gonna let you down
And leave you flat
Because I told you before, oh
You can’t do that

Well, it’s the second time I’ve caught you talking to him
Do I have to tell you one more time, I think it’s a sin
I think I’ll let you down (let you down)
And leave you flat
(Gonna let you down and leave you flat)
Because I’ve told you before, oh
You can’t do that

Everybody’s green
‘Cause I’m the one, who won your love
But if they’d seen
You’re talking that way they’d laugh in my face

So please listen to me, if you wanna stay mine
I can’t help my feelings, I’ll go out of my mind
I’m gonna let you down (let you down)
And leave you flat
(Gonna let you down and leave you flat)
Because I’ve told you before, oh, you can’t do that

You can’t do that
You can’t do that
You can’t do that
You can’t do that
You can’t do that

Everybody’s green
‘Cause I’m the one who won your love
But if they’d seen
You’re talking that way they’d laugh in my face

So please listen to me, if you wanna stay mine
I can’t help my feelings, I’ll go out of my mind
I’m gonna let you down (let you down)
And leave you flat
(Gonna let you down and leave you flat)
Because I’ve told you before, oh
You can’t do that