My Memories of 1977

In 1977 I turned 10 years old. It was the first year I wanted to know what was going on in the world. I started to watch Walter Cronkite reporting the world news. Keywords I remember were Sadat, Middle East, Son of Sam, Concorde, and Inflation. Local news would be Chris Clark on channel 5 an affiliate of CBS…keywords locally… Snow, Ray Blanton (the name would be more popular the next year…in a bad way), and Larry Schmittou…who would bring Nashville minor league baseball the following year with the “Sounds” a Reds farm team.

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I missed around 3 weeks of school because of it being either closed or the bus would not run down our rural road because of snow…sledding and exploring time! In Middle Tn… 1 inch of snow will shut down a city.

I remember Star Wars hit the theaters with lines around the corners. I didn’t see it the month it was released but soon afterward. It was everywhere and the talk of the school. We had never seen anything like it before.

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I remember Queen releasing News of the World. A friend of mine brought the album to school and we studied every inch of the cover (by Frank Kelly Freas), a giant robot picking up the bodies of the band. We Will Rock You and We Are the Champions played non-stop on the radio. This is when I started to explore other bands that weren’t named The Beatles.

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The TV mini-series Roots was huge and historic.

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I was watching Gilligans Island and it was interrupted by sad news. Elvis Presley was dead at 42 years old. My mom and other grown-ups around were really upset. I knew his songs and it was sad but I didn’t understand everyone’s reactions for someone they didn’t know. Three years later when I was 13 I understood perfectly clear when John Lennon was murdered. Three days after Elvis died Groucho Marx passed away…In October Bing Crosby passed away.

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I paid attention to the inauguration of Jimmy Carter as President in January. I would hear about peanuts, teeth and his brother Billy for the rest of the year…and about one of those keywords again…inflation.

I remember the Son of Sam killings. In August of that year, David Berkowitz was finally apprehended. He killed six people and wounded seven others. I also remember the blackouts in New York in July…

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The Concorde was all over the news that year. To a 10-year-old in 1977, it looked like something out of a sci-fi movie.

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In March of 1977, I started to follow baseball. I’m not from California but my Dad always rooted for the Dodgers and it was passed down to me. I read from a young age about Babe Ruth, Christy Matheson, and the older players… but this was the first year I followed modern baseball from start to finish. Cey, Lopes, Garvey, Russell, Yeager, Dusty Baker, Reggie Smith, Don Sutton, Tommy John…I loved that team. I still can imitate the batting stance of all of the starters. Ron Cey was my hero and I played 3rd base in Little League because of him.

Our insurance salesman would come to our house every now and then and he knew I was a Dodger fan. He said he went to games in LA and would bring back something for me… I believed him totally. My mom told me not to get my hopes up as he was busy and might forget… A few weeks later…there he was with a Dodger 1977 pennant in his hand to give me…I still have it. I couldn’t believe the pennant in my hand came from the mythical Dodger Stadium where my heroes played.

They had four players with 30 or more home runs that year…Cey, Garvey, Smith, and Baker. They made it to the World Series but broke my heart. They played the Yankees and Reggie Jackson (it still hurts to type his name) hit three home runs in the sixth and deciding game to beat my Dodgers. It took a while to get over that…well I’m still writing about it 41 years later…but it’s always next year.

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I’ll close it out on Matchbox and Hot Wheels…I had a huge collection that I carried to friends houses to trade and race.

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If only life was that simple again…

 

The Bangles – If She Knew What She Wants

When I heard this song and saw the video  I knew I liked this band. I like the call and answer vocal arrangement and the jangly guitar.  This song came out right after the massive hit Manic Monday but I always favored this one.

It peaked at #26 on the Billboard 100 in 1986 and #31 in the UK.

If She Knew What She Wants

If she knew what she wants
(He’d be giving it to her)
If she knew what she needs
(He could give her that too)
If she knew what she wants
(But he can’t see through her)
If she knew what she wants
He’d be giving it to her
Giving it to her
But she wants everything
(He can pretend to give her everything)
Or there’s nothing she wants
(She don’t want to sort it out)
He’s crazy for this girl
(But she don’t know what she’s looking for)
If she knew what she wants
He’d be giving it to her
Giving it to her
I’d say her values are corrupted
But she’s open to change
Then one day she’s satisfied
And the next I’ll find her crying
And it’s nothing she can explain
Some have a style
That they work hard to refine
So they walk a crooked line
But she won’t understand
Why anyone would have to try
To walk a line when they could fly
No sense thinking I could rehabilitate her
When she’s fine, fine, fine
She’s got so many ideas traveling around in her head
She doesn’t need nothing from mine

Lindsey Buckingham – Trouble

This song was released in 1981 and I bought the single. It peaked at #9 in the Billboard 100, #31 in the UK, #7 in Canada. The song was off of Lindsey’s debut album “Law and Order.

The song is in the movie  Just One of the Guys

Trouble

Two, ah-three, ah-four!
Two, ah-three, ah-four!
Two, ah-three, ah-four!
I really should be saying goodnight.
I really shouldn’t stay anymore.
It’s been so long since I held ya.
I’ve forgotten what love is for.
I should run on the double 
I think I’m in trouble,
I think I’m in trouble.
So come to me darlin’ and hold me
Let your honey keep you warm
Been so long since I held ya
I’ve forgotten what love is for.
I should run on the double
I think I’m in trouble.

Infamous Rock and Roll Locations

After reading about the rock tours of the 1970s… many locations became famous for the decadence of The Who, Led Zeppelin, Doors, and many traveling musicians. I’ve picked some spots that have been mentioned here and there in stories of travel.

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Continental Hyatt House or The Riot House – Swimming pool on the roof…check…John Bonham riding a motorcycle down the hallway…check…Keith Richards dropping a TV out of room 1019 or 1015…check…. every major rock act including Led Zeppelin, The Who, Doors, and Stones, stayed there. During the filming of Almost Famous, it was having a makeover, and director Cameron Crowe filmed it just in time before it all changed.

8401 Sunset Blvd, West Hollywood, CA 90069

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Edgewater Inn Seattle – The Beatles stayed here on their 1964 tour. You can just open the window and go fishing from your room.  Led Zeppelin also stayed here in 1969 and their wild reputation started here…just google Led Zeppelin Edgewater Inn if you want…

2411 Alaskan Way, Seattle, WA 98121

https://www.edgewaterhotel.com/seattle-hotel-history.aspx

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The Rainbow Bar and Grill – The original Hollywood vampires formed here. Keith Moon, Alice Cooper, John Lennon, Harry Nilsson formed an informal club to drink their and your share of booze. Alice Cooper is trying to revive the club now with the help of Johnny Depp.

9015 Sunset Blvd, West Hollywood, CA 90069

https://www.visitwesthollywood.com/stories/feature-rainbow-bar-grill/

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Villa Nellcôte – The mansion in France that Keith Richards rented in 1972 where Exile On Main Street was recorded in the basement of the mansion. Many events happened here and nearby. Car chases, drugs, boat excursions and a visit from John Lennon…

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Rodney Bingenheimer’s English Disco – Rodney opened this up in 1972 and it stayed open through 1975. It catered to Glam Rock but Led Zeppelin would hit this club when they came into town.

7561 Sunset Boulevard

http://www.lamag.com/citythinkblog/its-all-happening-rodney-bingenheimers-long-gone-70s-era-disco-returns/

Counting Crows – Mr. Jones

If you were reading music magazines in 1993 you know this band was really overhyped. There is no way any band could have lived up to it. When I heard this song though I could tell the singer listened to Van Morrison because some of the phrasings are the same. In 1993 The song went to #5 on the Hot 100 Airplay, #1 in Canada and #28 in the UK.

From Songfacts about the song.

This was written by lead singer Adam Duritz and guitarist David Bryson (the other three band members also got composer credits). On an episode of VH1’s Storytellers, Adam explained: “It’s really a song about my friend Marty and I. We went out one night to watch his dad play, his dad was a Flamenco guitar player who lived in Spain (David Serva), and he was in San Francisco in the mission playing with his old Flamenco troupe. And after the gig we all went to this bar called the New Amsterdam in San Francisco on Columbus and we got completely drunk. And Marty and I sat at the bar staring at these two girls, wishing there was some way we could go talk to them, but we were too shy. We kept joking with each other that if we were big rock stars instead of such loser, low-budget musicians, this would be easy. I went home that night and I wrote a song about it. I joke about what it’s about, that story. But it’s really a song about all the dreams and all the things that make you want to go into doing whatever it is that seizes your heart, whether it’s being a rock star or being a doctor or whatever. Those things run from ‘all this stuff I have pent up inside of me’ to ‘I want to meet girls because I’m tired of not being able to.’ It is a lot of those things, it’s about all those dreams, but it’s also kind of cautionary because it’s about how misguided you may be about some of those things and how hollow they may be too. Like the character in the song keeps saying, ‘When everybody loves me I will never be lonely,’ and you’re supposed to know that that’s not the way it’s gonna be. I knew that even then. And this is a song about my dreams.”

Mr. Jones

Sha, la, la, la, la, la, la
Mmm
Uh huh
I was down at the New Amsterdam
Staring at this yellow-haired girl
Mr Jones strikes up a conversation
With a black-haired flamenco dancer
You know, she dances while his father plays guitar
She’s suddenly beautiful
We all want something beautiful
Man, I wish I was beautiful
So come dance the silence down through the morning
Sha la, la, la, la, la, la, la
Yeah
Uh huh
Yeah
Cut up, Maria!
Show me some of that Spanish dancin’
Pass me a bottle, Mr Jones
Believe in me
Help me believe in anything
‘Cause I want to be someone who believes
Yeah
Mr Jones and me
Tell each other fairy tales
And we stare at the beautiful women
She’s looking at you
Ah, no, no, she’s looking at me
Smilin’ in the bright lights
Coming through in stereo
When everybody loves you
You can never be lonely
Well, I’m gonna paint my picture
Paint myself in blue and red and black and gray
All of the beautiful colors are very, very meaningful
Yeah, well, you know gray is my favorite color
I felt so symbolic yesterday
If I knew Picasso
I would buy myself a gray guitar and play
Mr Jones and me
Look into the future
Yeah, we stare at the beautiful women
She’s looking at you
I don’t think so
She’s looking at me
Standing in the spotlight
I bought myself a gray guitar
When everybody loves me
I will never be lonely
I will never be lonely
Said I’m never gonna be
Lonely
I wanna be a lion
Yeah, everybody wants to pass as cats
We all wanna be big, big stars
Yeah, but we got different reasons for that
Believe in me
‘Cause I don’t believe in anything
And I wanna be someone to believe, to believe, to believe
Yeah!
Mr Jones and me
Stumbling through the Barrio
Yeah, we stare at the beautiful women
She’s perfect for you
Man, there’s got to be somebody for me
I wanna be Bob Dylan
Mr Jones wishes he was someone just a little more funky
When everybody love you
Oh! Son, that’s just about as funky as you can be
Mr Jones and me
Starin’ at the video
When I look at the television, I wanna see me
Staring right back at me
We all wanna be big stars
But we don’t know why, and we don’t know how
But when everybody loves me
I’m wanna be just about as happy as I can be
Mr Jones and me
We’re gonna be big stars

Thunderclap Newman – Something In The Air

A band discovered by Pete Townshend of The Who that featured John “Speedy” Keen, Jimmy McCulloch, and Andy “Thunderclap” Newman. The song peaked at #37 in the Billboard 100 and #1 in the UK Charts in 1969.

It was written and sung by  John “Speedy” Keen. The song has been featured in many movies and commercials. 16-year-old Jimmy McCullock would later play in Wings and the reunited Small Faces.

Something In The Air

Call out the instigators
Because there’s something in the air
We’ve got to get together sooner or later
Because the revolution’s here, and you know it’s right
And you know that it’s right
We have got to get it together
We have got to get it together now
Lock up the streets and houses
Because there’s something in the air
We’ve got to get together sooner or later
Because the revolution’s here, and you know it’s right
And you know that it’s right
We have got to get it together
We have got to get it together now
Hand out the arms and ammo
We’re going to blast our way through here
We’ve got to get together sooner or later
Because the revolution’s here, and you know it’s right
And you know that it’s right
We have got to get it together
We have got to get it together now

 

Del Amitri – Roll to Me

In 1995 “Roll to Me” peaked at #10 in the Billboard 100, #5 in Canada and #22 on the UK charts. I liked the song the first time I heard it and it is incredibly catchy.

Ironically it was the bands biggest hit and they did not like the song.

From songfacts

Del Amitri toured the US when this became a hit, but they played the song reluctantly, often telling the audience that it was something they had to do. Del Amitri wasn’t able to get a foothold in the States, and this was their last hit there.

 

Roll to Me

Look around your world pretty baby
Is it everything you hoped it’d be
The wrong guy, the wrong situation
The right time to roll to me
Roll to me
Look into your heart pretty baby
Is it aching with some nameless need?
Is there something wrong
And you can’t put your finger on it?
Right, then roll to me
And I don’t think I have ever seen
A soul so in despair
So if you want to talk the night through
Guess who will be there?
So don’t try to deny it pretty baby
You’ve been down so long you can hardly see
When the engine’s stalled and it won’t stop raining
It’s the right time to roll to me
Roll to me
Roll to me
And I don’t think I have ever seen
A soul so in despair
So if you want to talk the night through
Guess who will be there?
So,
Look around your world pretty baby
Is it everything you hoped it’d be
The wrong guy, the wrong situation
The right time to roll to me
The right time to roll to me
The right time to roll to me…oooh

Moody Blues – Go Now

What a mood this song creates. This is before the Moody Blues went searching for the lost chord…or evolved into a more progressive type band. They are just a beat group at this stage but the song’s arrangement pointed to a different direction. The singer is Denny Laine that later ended  up playing with Paul McCartney and Wings. He quit the Moody Blues in 1966 and was replaced by Justin Hayward.

The song peaked at #10 on the Billboard 100, #2 in Canada and  #1 in the UK in 1965.

Go Now

We’ve already said “goodbye”
Since you gotta go, oh you’d better
Go now, go now, go now (go now, ooh)
Before you see me cry?
I don’t want you to tell me just what you intend to do now
‘Cause how many times do I have to tell you darlin’, darlin’
I’m still in love with you now
Whoa oh oh oh
We’ve already said “so long”
I don’t want to see you go, oh you’d better
Go now, go now, go now (go now, ooh)
Don’t you even try?
Tellin’ me that you really don’t want it to end this way
‘Cause darlin’, darlin’, can’t you see I want you to stay, yeah
Since you gotta go, oh you’d better
Go now, go now, go now (go now, ooh)
Before you see me cry
I don’t want you to tell me just what you intend to do now
‘Cause how many times do I have to tell you darlin’, darlin’
I’m still in love, still in love with you now
Ooh ooh ooh
I don’t want to see you go but darlin’, you better go now

 

Tucker and Dale vs Evil

This is a 2010 comedy/horror movie. I just watched it 2 years ago on a recommendation from a co-worker. It is more comedy than horror. If you like dark humor combined with stupid humor you might like this movie.

It’s a parody on horror movies and the film goes over the normal cliches. Tucker and Dale are West Virginia mountain men that bought a cabin in the woods and are excited for their “vacation cottage.” It is an old beat up cabin but they plan to fix it up.

They meet some college kids that are staying near them and the kids think Tucker and Dale are killers. You have sympathy for Tucker and Dale right away. They are nice guys just happy to have their cabin. Tucker is trying to teach Dale with his limited knowledge on women and how to be social.

The movie surprised me and I really liked it. The director is Eli Craig, Sally Field’s second son.

If you are looking for another Gone With The Wind…this is not it but if you are in a mood for a stupid comedy/horror that is funny…give it a try.

This review is from Screen Rant.

https://screenrant.com/tucker-and-dale-vs-evil-reviews/

 

 

 

 

Creedence Clearwater Revival

This band was rock, country, blues, pop and a little of everything. Their music is played on practically every jukebox and by every self-respecting bar band. The songs are not intricate masterpieces like Bohemian Rhapsody or A Day In The Life but masterpieces all the same.

Bands go their whole career without writing one song that is NOT a love song…this band wrote about everything else but love. Many of their songs have become standards today.  They had songs about rivers, swamps, backdoors, jungles, and riverboats.

The band…or should I say John Fogerty wrote one song after another and kept hitting the charts. At the time it must have felt like the well would never run dry. Their songs were simple but so effective. John has a distinctive sound with not only his guitar but his voice. His voice was an instrument itself that drove his songs.

They were together in the public eye from 1968 to 1972. Creedence was one of the biggest bands in the world during those years. Songs kept coming like Proud Mary, Bad Moon Rising, Who’ll Stop the Rain, Green River, Looking Out My Back Door, Have You Ever Seen the Rain, Lodi, Traveling Band and etc… They were a singles band and they were an album band. Albums such as Cosmo’s Factory, Green River, Willy and The Poor Boys are classic albums.

Many people thought they were from the south…maybe Louisiana but they were from El Cerrito, California. Hard to believe they were from the same area as the Grateful Dead and the San Francisco music scene of the late sixties. Creedence was not a jam band like many of their peers, they played songs to the letter. They were called rock, country rock and swamp rock.

The band had 9 top ten hits and 16 songs that charted.

They were originally signed to Fantasy Records by Saul Zaentz to a bad record deal that kept John enslaved to the company long after the band broke up. Saul held the rights to John’s songs. Saul had promised the band, to begin with, that he would renegotiate the contract when the band got more successful…he never did.

The band included guitar player, lead singer and writer John Fogerty, drummer Doug Clifford, bassist Stu Cook and Tom Fogerty (John’s brother) on rhythm guitar. Eventually, Tom, Stu, and Doug started to feel like John’s backup band and wanted more control. Tom quit and Creedence became a trio and took off on a tour and made an album.

The band broke up in 1972. It was a sad thing because who knows how many more songs Creedence could have created. Instead of music, the band bickered back and forth and still will file lawsuits from time to time against each other.

I’ve tried to read a few books about them but it’s hard to get through the name calling and the lawsuits that flew back and forth. They all were friends earlier but Stu, Tom, and Doug would usually take Saul Zaentz’s side against John. The brothers rarely talked to each other before Tom died in 1990.

Creedence at the Royal Albert Hall in 1970

 

Creedence Clearwater Revival Discography

https://en.wikipedia.org/wiki/Creedence_Clearwater_Revival_discography

 

Cheap Trick

I’ve always admired Cheap Trick. First of all, they didn’t look like any other band. They had two bonafide looking rock stars in lead singer Robin Zander and bassist Tom Peterson. Their great guitar player Rick Nielsen looked like Huntz Hall from the old Bowery Boys films and the drummer Bun E Carlos looked like an old uncle you would have somewhere.

They were a hard-working band from Rockford Illinois in the mid-70s. None of their first three albums made it in the top 40 but they did have a single to chart…a single off their third album “Heaven Tonight” was the first to chart in America…”Surrender” (Studio Version) peaked at #61 on the Billboard 100 in 1978. They were not getting any traction in America but in Japan, they were getting huge.

They toured Japan in 1978 with a Beatlemania atmosphere and played at Budakon and recorded a live album there. “Cheap Trick at Budakon” is what finally broke them in America in 1979.

I got to see Cheap Trick in 1984 in Opryland and I  became a fan. They had some great rockers but also some power-pop gems like “Voices.” The albums I like are Heaven Tonight, Dream Police, In Color and of course Live at Budakon.

They never had that milestone studio album that really marked their career like some bands but they made enough good music to be remembered. They were inducted into the Rock and Roll Hall of Fame in 2016.

Voices

You didn’t know what you were looking for
Till you heard the voices in your ear

Hey, it’s me again
Plain to see again
Please, can I see you every day?
I’m a fool again
I fell in love with you again
Please, can I see you every day?

You didn’t know what you were looking for
Till you heard the voices in your ear
You didn’t know what you were looking for
Till you heard the voices in your ear

Words don’t come out right
I try to say it oh, so right
I hope you understand my meaning
Hey, it’s me again
I’m so in love with you again
Please, can I see you every day?

You didn’t know what you were looking for
Till you heard the voices in your ear
You didn’t know what you were looking for
Till you heard the voices in your ear

I remember every word you said (word you said)
I remember voices in my head (in my head)
I remember every word you said (word you said)

(I) Your voices 
(Heard your voice) Cool voices 
Warm voices
It was just what I needed to

(Words) Cool voices 
(Don’t seem right) Warm voices
Your voices
It’s just what I needed for

(Love) Warm voices
(Is the word) Your voices
Cool voices
It was just what I needed to

(I) Your voices 
(Heard your voice) Cool voices 
Warm voices
It was just what I needed to
Just what I needed to
Just what I needed

You didn’t know what you were looking for
Till you heard the voices in your ear
You didn’t know what you were looking for
Till you heard the voices in your ear

Memories of KISS in the 70s

I must admit I never jumped on the KISS bandwagon when they got popular. I wasn’t blind though, I saw and heard them everywhere at school.  I was interested in them because they were such a mystery. The more I was ignoring them the more I felt like I was missing out on something.

The lunch boxes and the KISS Army posters were everywhere. I remember my schoolmates talking to each other about the KISS comic book that had their blood mixed in with the ink. To a 10 year old that was pretty cool. After talking about them to friends I did end up buying “Destroyer.” I liked it ok but it was the image that intrigued me.

They were brilliant in what they did…not getting their photos taken without makeup and keeping their past hidden. They were like cartoon characters coming to life. They knew how to market themselves and kept people wanting more.

I did like some of the songs like Shock Me, Hard Luck Woman, New York Groove, and the anthem Rock and Roll All Night.

I also remember that TV movie KISS Meets the Phantom of the Park. I will admit I still watch it from time to time because it is so bad it’s good.

After the 70s I really didn’t follow them at all until…

In the 90s I finally got to see them with the original members and makeup. Since I never got to see them at their peak this was as close as it got. It was like finally solving the mystery I couldn’t solve when I was 10. I had fun and that was enough for me… for closure.

I have some friends who are still fans of them and who followed them through the 70s until now.

They do have their place in history whether if you like them or not and they were as part of the 1970’s as Star Wars and Inflation.

 

 

 

Saturday Night: A Backstage History of Saturday Night Live

If you want to know why and how Saturday Night Live came to be…this is the book. It covers the first 10 years of the show but is primarily about the first 5 years and the one terrible year after the classic cast left. It was written by Doug Hill and Jeff Weingrad and they interviewed practically everyone connected with the show and it is surprising on how objective they are throughout the book.

Working on the show was/is not for the thin-skinned. It was rough and no one was spared…not even the stars at first. The book goes into detail about how the show started a pattern of work that continued through the decades. The troubles the female writers went through trying to do their job. The endless drugs that fueled many of the all-night writing sessions.

The atmosphere could be very sexist, insulting and aggressive. Michael O’Donoghue was the key writer and gave SNL the edge but he could be difficult. When he left the show he was missed. When the original cast, writers, and Lorne Michaels left, Jean Doumanian took over the show for a year. Things didn’t go well, to say the least. The book details the transition then to Dick Ebersol.

The show went from an ensemble show trying new ideas to a star-driven formulaic show under Ebersol. Maybe the show was destined to do that anyway and it would never be the same again.

I’ve read a few books on SNL but as far as the creation and original cast…this is the one to go to.

 

 

 

Sammy Johns – Chevy Van

Sammy Johns released Chevy Van back in 1975 and it peaked at #5 in the Billboard Top 100 and reached #7 in Canada. It is pure AM 70’s pop but it does take me back to that time.

The musicians that back Johns are the famous Wrecking Crew from Los Angeles. The song has been covered by many Country artists and most recently by Eric Church.

Vans were very popular in the 70s…Not family Mini Vans but rolling waterbed and shag carpet teenage machines. They were customized to have everything in them… Some movies were even centered around vans (Vansploitation)

 

Chevy Van

I gave a girl a ride in my wagon
She rolled in and took control
She was tired and her mind was a-draggin’
I said get some sleep and dream of rock and roll

‘Cause like a picture she was layin’ there
Moonlight dancin’ off her hair
She woke up and took me by the hand
She’s gonna love me in my Chevy van
And that’s all right with me

Her young face was like that of an angel
Her long legs were tanned and brown
Better keep your eyes on the road, son
Better slow this vehicle down

‘Cause like a picture she was layin’ there
Moonlight dancin’ off her hair
She woke up and took me by the hand
She’s gonna love me in my Chevy van
And that’s all right with me

I put her out in a town that was so small
You could throw a rock from end to end
A dirt road Main Street, she walked off in bare feet
It’s a shame I won’t be passin’ through again

‘Cause like a picture she was layin’ there
Moonlight dancin’ off her hair
She woke up and took me by the hand
We made love in my Chevy van
And that’s all right with me

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The Rolling Stones – The Under Assistant West Coast Promotion Man

Not the most well-known song by the Stones but a lot of American’s owned it. I bought the single Satisfaction in 1979 and flipped it over and found this oddly named likable song. This was the American B side to Satisfaction. Not exactly Day Tripper/We Can Work It Out but a likable single all the same. The song was released in 1965.

The Stones recorded this in Chess studios in Chicago.

The song is about George Sherlock who was the London Records promotions man who accompanied the Stones to California. This was their response to having basically a chaperone.

Well, I’m waiting at the bus stop in downtown L.A.
Well, I’m waiting at the bus stop in downtown L.A.
But I’d much rather be on a boardwalk on Broadway

Well, I’m sitting here thinkin’ just how sharp I am
Well, I’m sitting here thinkin’ just how sharp I am
I’m an under assistant west coast promo man

Well, I promo groups when they come into town
Well, I promo groups when they come into town
Well they laugh at my toupee, they’re sure to put me down

Well, I’m sitting here thinking just how sharp I am
Yeah, I’m sitting here thinking just how sharp I am
I’m a necessary talent behind every rock and roll band

Yeah, I’m sharp
I’m really, really sharp
I sure do earn my pay
Sitting on the beach every day, yeah
I’m real real sharp, yes I am
I got a Corvette and a seersucker suit
Yes, I have

Here comes the bus, uh oh
I thought I had a dime
Where’s my dime
I know I have a dime somewhere
I’m pretty sure