A fun British sitcom that aired from 1972-to 1985. This comedy is not subtle…it’s obvious and in the open. The three UK sitcoms I’ve watched the most are Fawlty Towers, The Good Life, and Are You Being Served. My favorite by a mile is Fawlty Towers but this one is a lot of fun.
The show is about a department store called Grace Bros. owned by the elderly Grace brothers. It is operated with the old British class system. The show highlighted the Menswear and Womenswear departments and also the Floor Walker the pretentious Captain Peacock. It also featured the incompetent floor manager…Mr. Rumbold. As far as the class system…it’s hard to believe that once upon a time this was in effect.
The Women’s department was run by Miss Slocombe. A lady that is known for her hair color changing every day and the love of her pussy cat…they get a lot of mileage out of that. She tries to elevate herself over the working class but that is just what she is. Her assistant is the young very pretty Miss Brahms who talks with a cockney accent and is proud of being thought of as working class.
The head of the Men’s department is Mr. Granger who is older and near retirement and seems to be in a sour mood most of the time. Two more men work in the department… The junior in the department is Mr. Lucas who is always late and flirting with Miss Brahms, never has money, and always has to wait his turn before he can serve anyone and make money because the other two men have seniority, the other man is Mr. Humphries…probably the most popular character of the show. He hints at being gay every episode but never comes out and says it…this is really played up…remember it is the 70s. The writers go for the obvious jokes many times but it’s still funny.
The Grace brothers owned the store and “Young” Mr. Grace was in fact not young at all. He is quite stingy and he always had a very young attractive girl by his side. Overall though a nice older man.
The maintenance men Mr. Mash and Mr. Harmon were great. They would make the devices to advertise the merchandise. Sometimes the machine they made would blow up or show some naughty things to the customers. They were union and they thumbed their nose at higher-up staff.
Mix these personalities and you got a funny show. The purpose of the sitcom basically was to expose the class system and parody it.
The customers that shopped at Grace Bros department store usually left disappointed. The phrases I remember the most are “Are you free?” and while having a customer try on pants that obviously don’t fit…You would hear an employee say don’t worry” They’ll ride up with wear.”
Some of the cast left and past away during the run of the show. They were replaced with different characters and the show went on. When the show ended in 1985 a spin-off was made called Grace and Favour.
The core cast was strong, and the show was very good until the start of the 80s like most shows, they were reaching more for stories and repeating themselves. In 1979 when Trevor Bannister who played Mr. Lucas left it started to go down.
I wouldn’t compare this to Fawlty Towers because Fawlty Towers was better written… but this is a fun sitcom nonetheless. I remember watching it when I was young being broadcast on PBS. It is worth a watch if you like British humor.
The sitcom had 69 episodes and a movie in 1977… well, you can say 70 episodes because in 2016 a new episode was made with different actors playing the same characters but it fell flat.
The original show is still popular in syndication after all of these years.
Tomorrow morning we will kick off our last TV draft round! We have 8 more TV Shows coming…we all want to thank you… the readers who have made this possible and a fun experience.
I also want to thank the bloggers who have reviewed all of these shows and we have covered every decade from the 1950s until now. Below are the picks that began in January and will end on July 3.
Thank you… Paula, Lisa, Dave, John, Keith, Mike, Liam, Vic, Hanspostcard (who started it), and Kirk for all of the reviews below.
Welcome to the Hanspostcard TV Draft. I hope you will enjoy it! Today’s post was written by Lisa at https://tao-talk.com/
Yes, I am being contrary by changing my mind yet again from the list I started out with. Instead of Showtime’s City on a Hill, which is an excellent series and recommended, I’m going with one that I just watched the first of two seasons of and plan on watching the other as soon as I can find it. The name of the series is Resident Alien and it airs on the SyFy Channel. It is based on a Dark Horse comic ( https://www.darkhorse.com/Comics/19-670/Resident-Alien-1) by Peter Hogan and Steven Parkhouse, and written for the screen by Chris Sheridan with 11 others getting screen writing credits. There have been 8 different directors for the 18 episodes made so far.
Genre: comedy; drama
Setting: The story is set in the fictitious town of Patience, Colorado, but it was filmed in and around Vancouver, British Columbia, Canada. There are frequent drone shots of a small community nestled among snowy mountains (which I just learned at imdb: The expansive overhead shots that they often play at the beginning of new segments, which show most and sometimes all of the the town, set in the midst of the surrounding mountains, are pictures of Telluride, Colorado.) Watching TV shows set in small towns in the mountains is the next best thing to being there. Actually the setting brings back pleasant memories of another small town setting of one of my favorite shows of all time, Northern Exposure, set in Cicely, Alaska (but actually filmed in Roslyn, Washington.) While I’m thinking about it, the setting is just one similarity between the two shows.
Starring:
Alan Tudyk plays the main character, Harry Vanderspeigle. The real Harry is a doctor who has a wonderful cabin right on the shores of the lake of the town. When the alien’s ship crash lands in the snow of the mountains, the alien comes across Harry’s cabin, kills him, and assumes his form. The ET is on Earth for a mission, which is to arm and detonate a doomsday device; as the galaxy is sick and tired of humans and their terminally toxic foibles. The plan was to land, arm the device, and leave. Now that the spacecraft is damaged and pieces are strewn that need to be found in the mountain snow, not to mention the doomsday device is also lost, it will take ET some time to fulfill his mission.
Asta Twelvetrees
Sara Tomko plays Asta Twelvetrees. Asta is a nurse at Dr. Hodges, the town doctor’s, practice. As the story opens, we learn that Dr. Hodges has been found dead in his office. Asta was very close to Dr. Hodges. When Harry is enlisted by the mayor to fill in for the deceased doctor until a replacement can be hired, Asta and Harry get acquainted with each other. Thankfully, Asta is a very open-minded and accepting person, as Harry is one hella odd duck. Asta’s dad runs the town’s restaurant. She has relationship and other family issues that are often plot lines.
Deputy Liv and Sheriff Mike
Corey Reynolds plays Sheriff Mike Thompson, who has given himself the nickname, “Big Black,” which is both ironic and funny as hell. Sheriff Thompson is an egotistical but lovable person who, as one of the few black people in the town, has to make sure he is nobody’s fool because he’s representing. Sheriff Thompson’s sidekick, Deputy Liv Baker, played by Elizabeth Bowen, is just that to him, a sidekick. Deputy Baker is never taken seriously by him and is often verbally abused by the sheriff. All Deputy Liv wants is to be taken seriously as a law enforcement officer. She’s got real skills, but nobody seems to notice them.
D’Arcy
Alice Wetterlund plays D’Arcy Bloom, who is a bartender who once was a contender for an Olympic medal in some winter sport until she got a terrible injury that brought her back to her hometown. She and Asta grew up together and are best besties. D’Arcy develops a terrible crush on Harry once he’s on the scene and is willing to take a lot of unwitting insensitivity on Harry’s part (or should I say the alien in Harry’s form, who knows nothing about social cues of humans.)
Ben, Kate, and Max Hawthorne
Levi Fiehler plays Mayor Ben Hawthorne, who is benevolent, yet often out of his depth, especially when dead bodies start turning up here and there. He does act decisively in appointing Harry as the interim doc. How could he know that Harry is an ET in human clothing? Ben is married to Kate, played by Meredith Garretson, who is loving wife and mother with an inquisitive mind. Ben and Kate’s young son (I think he’s around 10 years old,) Max, is played by Judah Prehn. We learn that Judah is one of that rare percentage of humans who is able to see what the ET who is camoflaged as Harry really looks like. Of course he freaks out the first several times he sees him. He does his best to convince others in the town of what Harry really is, but everyone thinks it’s his overactive imagination. Much of the plot of the first season revolves around Max proving to others that Harry is an ET and Harry trying to kill Max (although not all that seriously. This is a comedy, after all.)
Sheriff Mike and Dan Twelvetrees
Gary Farmer plays Dan Twelvetrees. Dan is Asta’s father and owner of the town’s cafe. Dan raised Asta as a single parent and did a good job of it. The cafe is a frequent meeting place for the main characters.
The rest of the cast are good also, but in describing them I might give away important plot points.
Synopsis: The show revolves around ET/Harry learning how to pass as a human until he can get his ship reassembled, find the doomsday device, and head back to his home planet. In the meantime he has to keep people from believing Max. As Harry integrates into his community there are ongoing funny situations and other events that arise that keep things entertaining. Impressions: There is a lot to like about, “Resident Alien.” Foremost is Alan Tudyk as Harry/ET. He’s already got a sort of strange look, and his range of odd and goofy expressions are impressive. He knows just how to play this character to bring him to life. I truly adore the two female leads, Asha and D’Arcy. They are both strong women who have been through significant challenges, yet they came through and are there to be supportive community members in their little town. I also adore the interactions between Sheriff Mike and Deputy Liv, which make for a lot of funny scenes. I also think Mayor Ben is one of the better roles. Not only is there a lot of material for him as mayor but there are multiple family situations that show up over the season; most significant is how he and Kate deal with Max when he insists that Harry is an ET. Speaking of Max, he is simply wonderful as the sharp-minded kid who isn’t going to be outwitted by some old ET. I’ve already talked about the setting. The plots are slow-paced and creative. The humor is pervasive and often dark, yet there are some dramatic and poignant moments dispersed along the way. Grade: 9 Awards: 1 win and 10 nominations
Sources:
top image
Dark Horse comics
imdb
Atlas of Wonders
image Asta
image Deputy Liv and Sheriff Mike
image of D’Arcy
image Hawthorne Family
image Sheriff Mike and Dan
Welcome to the Hanspostcard TV Draft. I hope you will enjoy it! Today’s post was written by Paula at http://paulalight.com
LA Law
Welcome back to Max’s Power Pop! Today I am discussing the legal drama series LA LAW, which ran for eight seasons – from September 1986 to May 1994 – and was based around a fictional Los Angeles law firm called McKenzie, Brackman, Chaney and Kuzak (later Becker was added to the name). Filming took place in downtown Los Angeles. Steven Bochco and Terry Louis Fisher created the popular show; it won 15 Emmy Awards, four of which were for Primetime Emmy Award for Outstanding Drama Series. Fisher was fired from the show during the second season and filed a lawsuit against Bochco and the studio, creating a legal drama within a legal drama.
“The show contains many of Bochco’s trademark features, including an ensemble cast, large number of parallel storylines, social drama, and off-the-wall humor. It reflects the social and cultural ideologies that were occurring when the show was produced in the 1980s and early 1990s, and many of the cases featured on the show dealt with hot-button issues such as capital punishment, abortion, racism, homophobia, sexual harassment, HIV/AIDS, and domestic violence. The series often also reflects social tensions between the wealthy senior lawyer protagonists and their less well–paid junior staff.” ~ Wikipedia
The eight main characters on the show pictured above were played by the following actors (first row, left to right): Jill Eikenberry as Ann Kelsey (associate/partner), Richard Dysart as Leland McKenzie (senior partner), Harry Hamlin as Michael Kuzak (partner), and Michele Greene as Abby Perkins (associate). On the second row, left to right, we have Michael Tucker as Stuart Markowitz (associate/partner and husband of Ann Kelsey), Alan Rachins as Douglas Brackman, Jr. (managing partner/interim senior partner), Corbin Bernsen as Arnie Becker (partner), and Jimmy Smits as Victor Sifuentes (associate).
Additionally, there were a number of recurring roles, such as Susan Ruttan as Roxanne Melman (secretary), Susan Dey as Grace Owens (deputy district attorney, etc.), and Blair Underwood as Jonathan Rollins, an associate who cross-examined a man to death (one of my favorite scenes!). The show also featured relatively unknown guest stars that went on to greater success, such as Jeffrey Tambor, Kathy Bates, David Schwimmer, Bryan Cranston, Kevin Spacey, William H. Macy, Christian Slater, Steve Buscemi, and Lucy Liu. There were also some famous faces who appeared as themselves in cameos, such as Buddy Hackett and Vanna White.
The show presented so many interesting and varied storylines about the law, business practices in general, romantic and other relationships, and family life. I particularly enjoyed the episodes where Roxanne had a significant role. Unfortunately, LA Law ended abruptly after the eighth season without any wrap-up or finale. Shows about lawyers remain a popular theme though, and there have been many other legal dramas since LA Law, including Suits, with our favorite duchess Meghan Markle, and Better Call Saul, the prequel sequel to Breaking Bad.
~*~
Paula Light is a poet, novelist, flash fiction fan, cupcake connoisseur, mom, grandma, cat mommy, etc. Her blog can be found at http://paulalight.com.
Welcome to the Hanspostcard TV Draft. I hope you will enjoy it! Today’s post was written by Keith at https://nostalgicitalian.com/
My ninth pick in the Hanspostcard TV Show Draft is a show that consistently made me laugh out loud – Arrested Development. I know going into this blog that it was a show that not everyone “gets.” I recall going to work raving about the show and how much I laughed at it. I encouraged others to watch it. Some got it and most didn’t.
In almost everything you read about the show, it is referred to as “a cult classic.” To a degree, I guess that may be true. I remember how giddy I got when a couple people in my sleep program also were big fans of the show. We were constantly quoting it in class as many stared at us like we were freaks. Maybe we were.
Before continuing, let me say that I chose this show based on the 3 seasons that aired on Fox. I am aware that years later, two more seasons were produced by Netflix (where you can see the entire 5 seasons). As a fan of the show, I watched the two additional seasons, and while there were some funny moments, and while I loved seeing the return of the cast/characters, it lacked so much of what the first three seasons had. That being said, let’s move on …
Ask me the question, “Just why is Arrested Development so good?” or “What makes the show so funny?” and I cannot give you an answer. In preparing to write this, I did a Google search of those questions. There were many Reddit forums and fan sites that come up with personal opinions about it, but none of them really has a solid answer. After all, “comedy is subjective.”
The Origins of the Show
In 2002, Actor/Director Ron Howard had the idea to create a TV comedy that would involve using handheld cameras and shoot sort of like reality TV. It was to have a look of a documentary, yet be a comedy. NBC’s The Office was shot this way and often referred to as a “mock-umentary.”
He met with some people at Imagine Entertainment to discuss the idea and Mitch Hurwitz mentioned the fact that there were a lot of corporate accounting scandals that were in the news (like Enron and Adelphia), and the story of a family that went from rags to riches might work. Howard liked the idea and had Hurwitz begin writing the series. After creating the story’s characters and plot line, he had a pilot script done in January of 2003 and the first episode was shot just two months later. Howard acted as the show’s narrator and in the opening credits welcomes viewers to the “story of a wealthy family who lost everything, and the one son who had no choice but to keep them all together. It’s Arrested Development”.
The show is about a family – albeit a VERY dysfunctional family. I think that is what makes this whole show work. Watching each of these characters, with their own insecurities and idiosyncrasies, interacting with each other allows for comedy to flourish. (It also will cause you to see members of your own family as members of this one!) Add to brilliantly funny “cut-aways,” narrator comments, and strong comedy writing and you have a show that will make your sides hurt from laughing.
In a nutshell, the show follows the formally wealthy Bluth family as Micheal (Justin Bateman), the only responsible Bluth, tries to keep them and their company from going completely bust while desperately attempting to set a good example for his teenage son (Micheal Cera). The family includes imprisoned father George (Jeffrey Tambor), hypercritical matriarch Lucille (Jessica Walter), failed magician Gob (Will Arnett), spoiled sister Lindsay (Portia de Rossi), and man-child Buster (Tony Hale).
Wikipedia describes the show this way:
The plot of Arrested Development revolves around the members of the Bluth family, a formerly wealthy family who continue to lead extravagant lifestyles despite their changed circumstances. At the center of the show is Michael Bluth, the show’s straight man, who strives to do the right thing and keep his family together, despite their materialism, selfishness, and manipulative natures. Michael is a widowed single father. His teenage son, George Michael, has the same qualities of decency but feels a constant pressure to live up to his father’s expectations and is often reluctant to follow his father’s plans. He battles with a crush he has on cousin Maeby, which developed from a kiss she gave him as part of a prank.
Michael’s father, George Bluth Sr., is the patriarch of the family and a corrupt real estate developer who is arrested in the first episode. George goes to considerable lengths to manipulate and control his family in spite of his imprisonment, and makes numerous efforts to evade justice. His wife, and Michael’s mother, Lucille Bluth, is ruthlessly manipulative, materialistic, and hypercritical of every member of her family, and constantly drinks alcohol. Her grip is tightest on her youngest son, Byron “Buster” Bluth, an over-educated (yet still under-educated) mama’s boy who has dependency issues and is prone to panic attacks.
Michael’s older brother is George Oscar Bluth II, known by the acronym “Gob” (pronounces like “Job” in the Bible). An unsuccessful professional magician whose business and personal schemes usually fail or become tiresome and are quickly abandoned, Gob is competitive with Michael over women and bullies Buster. Michael’s twin sister Linday is spoiled and materialistic, continually seeking the center of attention and leaping on various social causes for the sake of vanity. She is married to Tobias Funke (David Cross), a discredited psychiatrist-turned-aspiring actor. Tobias is a self-diagnosed “never-nude” (a disorder comparable to gymnophobia) whose language and behavior have heavily homosexual overtones to which he seems oblivious and which are the center of much tongue-in-cheek comedy throughout the series. Their daughter is Mae “Maeby” Funke (Alia Shawkat), a rebellious teen with an opportunistic streak, who seeks to defy her parents for the sake of attention, and otherwise pursues boys and power, and furthers her complicated relationship with George Michael.
The supporting cast and characters are just as strong and developed as the main ones. Those include Jeffrey Tambor as George Sr.’ identical twin Oscar, Liza Minnelli as Lucille Austero (or Lucille 2), Carl Weathers appears as himself (and is hilarious), and Henry Winkler as the family’s attorney Barry Zuckerkorn. Other guest stars include Ed Begley Junior, Ben Stiller, Christine Taylor, Julia Louis-Dreyfus, and Charlize Theron.
One Reddit user said:
I’ve never found another sitcom on TV that assumed its viewers had concentration spans and didn’t need to be spoon fed things. The producers were more than happy to let a brilliant joke sail past half the audience rather than overexpose it so everyone watching understood. They were not only happy to include subtle references to episodes that occurred a year or two before they were happy to throw in references to things that were going to happen later in the season. And all without a laugh track or excessive mugging to the camera to tell us when to laugh.
Of course being subtle and extremely clever on its own isn’t enough to make a good sitcom. Arrested Development also benefited from brilliant stories, very clever writing and perfect performances from the entire cast.
The countless in-jokes, references to other jokes and jokes that reference jokes that are referencing the in-jokes. The show is so layered that there are literally hundreds of clever idiosyncrasies within each episode. Like someone said earlier, the viewer feels rewarded when they get a joke that refers to an earlier episode.
One of the things I still love about the show is that it gets better with each viewing! I can watch an episode again and find jokes I had missed before. It is constantly offering a “pay off.” It is different from say Friends or Fraiser, in that every time you watch an episode again, you find a comedy “nugget.”
There are many fantastic running gags on the show. Rolling Stone wrote a very nice article on them. You can find that here:
Visual gags and word play were often a source of laughs on the show. I remember one gag that really pushed the envelope and left me laughing and wondering how they got away with it at the same time:
One of the silliest gags on the show is the Bluth Family Chicken Dance, which is mentioned in the video above. It is not something they all do in unison, let me be clear on that. Each member of the Bluth family has their own – very unique way – of dancing like a chicken. This is often used when insinuating that another family member is chicken or scared of doing something. I’m including this video, because in the one above, some of the “set up” to the full family dance was omitted.
In the middle of the third season, it was clear that viewership was down and the show was probably going to be cancelled. As a matter of fact, Fox pulled the show from the November sweeps that year AND cut down the order for 22 episodes to just 13 (something which became a joke throughout that third season.)
In 2004, the show was nominated for 7 Emmy awards and won five of them. It won for Outstanding Comedy Series, Outstanding Directing for a Comedy Series, Outstanding Casting for a Comedy Series, Outstanding Single-Camera Picture Editing for a Comedy Series and Outstanding Writing for a Comedy Series. It was praised by critics for being one of the funniest shows on TV, but the ratings never really lived up to that hype.
I was excited to write about this show, but now that I am reaching the end, I feel that I have in no way, shape, or form done it justice. I just don’t know how to do that. It is a show that makes me laugh out loud, yet I cannot fully explain why. It is a show that you will either love or hate – based on what you find funny.
Remember at the beginning of this blog I asked: “Just why is Arrested Development so good?” or “What makes the show so funny?”
In an interview with The Guardian, Justin Bateman may have the answer! He explained the key to what makes Arrested Development so hilarious is how seriously the characters take their ridiculous lives. He states that the sitcom is actually more like a drama for its ensemble of characters. The comedy, he feels, comes from the fact that the Bluth family has no idea how funny they really are.
“This is not funny to anybody inside the show. This is a drama to them. Almost like an animal documentary, where you’re watching these freaks, and how they gather their food, and how they make their house. And let’s make sure we all whisper because we don’t want these folks to know how much we’re laughing at them.” – Justin Bateman
The Kids in the Hall are a sketch comedy troupe based out of Toronto, Canada. You could say they are the Canadian Monty Python. Or perhaps, the Canadian Saturday Night Live? Like Monty Python, they are an all-male group of 5 writer/performers (the Pythons had six) who create edgy sketch comedy often bordering on the absurdist, and frequently don wigs and dresses to portray female characters. Like Saturday Night Live, their show was produced by Lorne Michaels and performed in front of a live audience (albeit, it was not broadcast live). But at the heart of things, The Kids in the Hall are their own thing, creators of something outside the mainstream of comedy of the 1980s and 1990s and capturing the ethos of Generation X, paralleling the rise of alternative rock at the same time. A recently released documentary about the Kids calls them Comedy Punks.
Let’s meet the Kids!
Dave Foley (b. 1963) is the member of the troupe who feels most mainstream in his comedy approach, but that is on a relative scale. His boyish good looks were often contrasted with antisocial behavior, such as a surgeon who kills all his patients or an axe murderer, both of whom get away with it because of their charm. He was also considered the “hottest” of the Kids when dressed as woman. Not surprisingly, later in his career he starred in the American sitcom NewsRadio, and provided voices for the Pixar movies A Bug’s Life and Monsters University.
Bruce McCulloch (b. 1961) is probably the weirdest of the Kids in his comedy approach. Inspired by art movies, his surreal monologues and filmed pieces evoked a mood of absurdity rather than just telling jokes. Outside of the Kids in the Hall he has recorded music and directed several movies and tv shows.
Kevin McDonald (b. 1961) is probably a lovely person in real life, but has a talent for playing really annoying characters. A lot of his self-deprecating humor contains a dark undercurrent of the volatility of his childhood growing up with an alcoholic father. McDonald has provided his voice for the Disney movie Lilo & Stitch and its spinoffs and had a recurring role on That 70s Show.
Mark McKinney (b. 1959) specialized in creating characters and is probably the Kid most similar in comedy style to Saturday Night Live (and he did in fact join the cast of SNL from 1995 to 1997). His most notable characters include Mr. Tyzik the Headcrusher and the Chicken Lady. Outside of his work with the Kids he’s appeared in numerous movies and tv shows, the strangest of which is Guy Maddin’s The Saddest Music in the World.
Scott Thompson (b. 1959) performs comedy informed by his gay identity with a definite emphasis on using comedy to advance LGBTQ equality, which was very bold in the 1980s and 1990s. Most notably, he reclaimed the effeminate gay man stereotype through his character Buddy Cole who delivered hilarious monologues. He also frequently portrayed Queen Elizabeth II, one of the rare celebrity impersonations on The Kids in the Hall. His other work includes appearances in many movies and tv shows, including a regular role on The Larry Sanders Show.
Foley and McDonald met in the early 1980s in the Toronto comedy scene and became a writing and performing team. Their partnership is the strongest among all the Kids and has remained so throughout the troupe’s history. Meanwhile, McCulloch and McKinney met in Calgary where they performed with a group called The Audience. Moving to Toronto to expand their opportunities, McCulloch and McKinney met Foley and McDonald and in 1984 they formed The Kids in the Hall. The name came from an old Sid Caesar gag blaming bad jokes on the young writers who hung around the studio. Their shows in Toronto’s comedy clubs became a big attraction. Thompson saw them perform and pretty much willed himself into a spot in the group. Early sketches like “Reg” showcased their humor style at its most sick and twisted.
Saturday Night Live producer Lorne Michaels saw the Kids perform in 1985 and hired McKinney and McCulloch to come to New York to be writers. Eventually, Michaels determined that it would be better to keep the Kids together as a group and worked to get them their own show. The pilot for The Kids in the Hall broadcast on CBC Television in Canada and on HBO in the United States in 1988, followed by a full series of 20 episodes in 1989-1990. Enhancing the Gen X zeitgeist, the Toronto alternative rock band Shadowy Men on a Shadowy Planet provided the theme song, “Having an Average Weekend,” as well as the music to interstitials between sketches and performing live for the studio audience. The band’s music is described as instrumental surf rock, however since the Shadowy Men recorded a track called “We’re Not a F*****g Surf Band,” so we’ll have discover a new genre for them.
The Kids and the Hall had several recurring characters, but carefully avoided the SNL habit of overexposing them to please the fans. Characters appeared when they had a very good and very funny reason to be there. A number of sketches revolved around the company A.T. & Love with characters ranging from an incompetent boss (Foley), hard-pressed businessman Danny Husk (Thompson), and the secretaries Kathie (McCulloch) and Cathy (Thompson). These characters had the versatility to appear in sketches together, on their own, or with a completely different group of characters. Another series of sketches focused on rebellious Gen X teen Bobby Terrance (McCulloh), his more conservative parents (McKinney and Foley), and his best friend, the stoner Bauer (Thompson).
While Thompson was the only gay member of the troupe, sketches with LGBTQ characters were common, including scenes of men kissing men when that was taboo on American TV (one of the many things that got edited between CBC and CBS transmissions). The recurring sketch “Steps” featured three gay men discussing the issues of the day where the audience was laughing with them not at them. Despite the Kids being all men, they never saw dressing up in wigs and dresses as funny in of itself, unlike say Milton Berle. Instead they did their best to portray women as fully-formed characters and offer an honest female perspective. Dave Foley even has a good attitude toward menstruation.
After five seasons and 101 episodes, the Kids were ready to pack it in, physically exhausted and drained of ideas. The final episode broadcast on April 15, 1995 showed them being buried alive in a shared grave. The next step naturally appeared to be making movies, and in April 1996 they released Kids in the Hall: Brain Candy. The making of the film was a miserable experience for everyone involved and tensions ran high, especially toward Foley who everyone resented for signing a contract to star in NewsRadio while they were working on the film. The movie bombed although some fans consider it a cult classic (I am not one of them). The Kids went their own ways for a few years but with reruns of the show in constant rotation on Comedy Central, the troupe’s fan base grew bigger than ever.
By 2000, tensions had eased enough to bring the Kids back together, this time returning to the stage for a North American Tour. Performing in front of live audiences again energized the Kids creatively, and they were able to resume their close personal relationships as well. The Kids went on the road for more tours, introducing new sketches. In 2010, they returned to TV, stepping beyond sketch comedy for the first time in the darkly comic 8-part miniseries Death Comes to Town which aired on CBC. I hadn’t heard of this series until recently so I haven’t watched it yet but I hear it’s good. Just this May, seemingly out of nowhere, the Kids in the Hall TV series returned for season 6, with 8-episodes streaming on Amazon Prime. While the Kids have physically aged, they haven’t lost a step and the new episodes are as funny as ever. The final episode ends with the Kids getting buried again, but I think we’ll see the Kids in the Hall again soon! Until then, here’s one of my favorite sketches, “The Night of the Cow”
Welcome to the Hanspostcard TV Draft. I hope you will enjoy it! Today’s post was written by Mike at https://musiccitymike.net
Suits
Yes, it’s that show that featured Prince Harry’s American wife, actress Meghan Markle, now the Duchess of Sussex if she’s not yet been sent to exile for being so gripey. Let me just get it out of the way and say that she handled her acting duties about as well as she has her time as a member of the British Royal family. Nuff said.
After that odd intro, I’ll further confuse everyone by adding that I am also selecting a series that I quit on after Season 7 of its nine seasons. While that had to do mainly with the exit of some of the show’s best lead characters, it also can be said that Suits was a show that was great when it was good and awful when it was bad.
Suits is a New York City-based legal drama that follows the pursuits of Harvey and Mike. The former, played by Gabriel Macht, is a handsome, uber-confident, high-powered corporate attorney. The latter, played by Patrick Adams, is a young man with an eidetic memory who despite lacking the necessary credentials, works as an attorney alongside his boss Harvey. Keeping the truth about Mike hidden becomes as interesting to the story lines as do the cases and settlements that these two gents win together.
If reading this at all interests you in Suits, I highly recommend that you at least watch the fabulous debut episode whose storyline shows how Mike manages to get where he is working at a major NYC law firm without having a law degree or passing the Bar Exam on his resume.
Down the road however, the show’s writing had its ups and downs, likely due to the host USA Network’s inability to sport a steady team of writers. But great characters and strong acting really made this show what it was. Among the strong roles were Rick Hoffman as the eccentric but loveable attorney Louis, Sarah Rafferty as the drop-dead gorgeous and highly competent legal assistant Donna, and Gina Torres as the cunningly clever and insightful managing partner Jessica.
I guess Macht’s Harvey character is what I enjoyed most about Suits. He’s the kind of guy that’s easy to look up too. Highly driven and devotedly adept at his occupation, he doesn’t like to lose and usually doesn’t. And even though he works just about around the clock, he has this admirable wholeness to his personality. He’s the consummate New Yorker who knows the best hot dog cart and where to get a great cup of coffee. There are autographed Michael Jordan (presumably a one-time client) basketballs in his office along with a turntable and a huge collection of vinyl, Let’s just say that Harvey depicts “corporate cool” at its best.
Of the show’s flaws, it’s easy to spot that the Suits is not filmed in NYC (it’s Toronto) and it dove me crazy how in just two seconds flat someone is able to get the gist of a legal brief shoved in their face. These peeves aside, the legal squabbles are interesting as are their solutions. There are also interesting plot lines involving partnership in-fighting, Louis’s many neuroses, and Mike’s romance with Rachel (played by the future Duchess). However, every so often there was a script that was a dud, and after Mike left, the show lost its appeal.
So, while not a series I recommend watching from start to finish, there’s enough greatness in Suits to poke around a bit. I’m sure that my love for all things NYC and my once desire to be an attorney have something to do with my love for the show. Give it a try if you haven’t.
We have a religious broadcaster in Atlanta that dedicates much of its evening entertainment on its primary subchannel to ancient black-and-white television shows, from the 1950’s and early 1960’s. Some were syndicated shows, while others ran briefly on network TV. One such show was Riverboat, which originally ran on NBC for two seasons, from 1959 to 1961 (31 episodes in the 1959-1960 season and 13 in the 1960-61 season).
The best description I have found for the show is “Wagon Train on a riverboat.” Like Wagon Train, it was an anthology series, this one based around the captain and crew of the riverboat Enterprise. NBC bought into the show as a competitor to ABC’s Maverick, which had lost James Garner, who was replaced by Roger Moore.
The captain of the Enterprise was Grey Holden, played by Darren McGavin. The initial pilot of the boat was Ben Frazer, played by a young Burt Reynolds, who had been cast in an attempt to lure the female viewers of the show. Reynolds left the show after 20 episodes, unable to get along with McGavin; the second season featured Noah Beery Jr. as pilot Bill Blake. Other regulars were, according to Wikipedia:
Dick Wessel, as chief stoker Carney Kohler, was cast in 41 episodes, Jack Lambert was cast in 23 episodes as first mate Joshua MacGregor (having played a different character, Tony Walchek, earlier in the series), John Mitchum co-starred in 10 episodes as Pickalong, the ship’s cook, Michael McGreevey was cast in 17 episodes as cabin boy Chip Kessler, and William D. Gordon played first mate Joe Travis in 13 episodes before his character’s death.
It was considered a Western, even though most of the show’s action took place on the Ohio, Mississippi, and Missouri Rivers. It took place during the antebellum period of the South; of some concern was the fact that there were no African American characters or actors, this despite the fact that historically the majority of dock laborers were Black or Creole. The network and sponsors of the show didn’t want to upset the viewers, particularly those in the South. The writers and McGavin felt this was stupid, but that was life during that period.
The remainder of the weekly casts were made up of guest stars, such as Mary Tyler Moore, Elizabeth Montgomery, Jeanne Crain, Mercedes McCambridge, Ricardo Montalban, Vincent Price, Eddie Albert, and in one show Sandy Kenyon as a pre-presidential Abraham Lincoln. A full list of the guest stars can be found here.
The shows were well-written with an eye towards the history of that period. There are Indian conflicts, con men, beautiful women, stowaways, dangerous cargo, and plenty of fisticuffs. As Mary would say, it was better than the average schlock. When it went off the air, it was replaced by The Americans, a show set during the Civil War.
If you get a chance, it’s worth your time to see it.
I wanted to do a more modern show other than Life On Mars…and this would qualify as it…kinda. It has been on the air since 1975… a whopping 47 years. It’s been on life support at times but has always pulled through. It’s an institution at this point. There is not enough room on a post to go over every cast. Everyone has their favorites some were extremely funny and some were extremely bad (1980 – 1981 cast) and they all make up the history of this show.
I’m going to concentrate on the original cast and how the show became SNL. Most of you have favorite different casts…usually, the one you grew up with.
Even if you don’t like this show or what it’s become…it was a cultural landmark and no one can deny that. It changed television forever. The show started because Johnny Carson wanted more time off. NBC had been airing reruns of Johnny Carson’s Tonight Show on the weekends to fill space in their lineup. This allowed them to double-dip on profits from Carson’s outrageously popular show without spending another dime on production costs. He told NBC he would only be making four shows a week, which meant that best-of Carson shows that had been airing on Saturday nights would now need to be moved to a weeknight.
NBC executive Herbert Schlosser sought to create a new show with an old format…a variety show to fill the slot on Saturday Night. He picked Lorne Michaels, a Canadian writer who only had a handful of credits to be the producer. Michaels started a show that was far different than Schlosser imagined but to his credit… Schlosser was behind it and pushed for it to be on the air. The first two shows were experiments but by the third show, they found the format they would keep to this day. The funny thing is…Johnny Carson never liked the show.
Lorne Michaels made the show to appeal to baby boomers with a touch of Avant-Garde and “guerrilla-style comedy.” It was a game-changer much like All In The Family was to sitcoms. Late-night was never again a wasteland. This show helped open the doors for David Letterman and other shows to follow it.
It started out as “Saturday Night.” The Saturday Night Live title belonged to ABC for a show hosted by Howard Cosell who was out of his league. After Cosell’s show was cancelled, ABC let Saturday Night have the “Live” part.
Who was the best cast through the years? This is a question that is debated over and over again. People argue and usually pick the cast they grew up with. I grew up in the Eddie Murphy and Joe Piscopo era. Personally, I always thought the original cast was the best era of the show. Yes, I thought the Murphy and Piscopo casts were very funny along with later casts that had Dana Carvey, Michael Myers, Chris Farley, Chris Rock, and many others that followed. The first five seasons had something extra that others would not and could not have. It had an underground feel that vanished after it became a pure comedy show. They had a massive amount of talent in that first class.
John Belushi, Dan Ackroyd, Chevy Chase (though I liked his replacement better…Bill Murray), Gilda Radner, Jane Curtin, Garrett Morris, and my favorite overlooked cast member Laraine Newman. They were the perfect cast for that time.
Why do I like the original cast the most? They tried new things and went out on a limb. Some of the skits succeeded some fell flat but they were different from anything on TV at that time…and also at this time. That cast pushed the envelope and made the network executives worry. The host each week was usually under the radar actors, writers, comedians musicians, and sometimes athletes. The musical guests were mostly rarely seen performers that weren’t on tv…prime time or otherwise. Frank Zappa, Leon Redbone, The Kinks, Patti Smith, Ry Cooder, Kinky Friedman, and others. You would have more popular musicians like Paul Simon but the show gave you a great variety.
No way would Michaels ever dream of that now…he usually gets whoever is the most popular to draw in ratings. He can no longer do what he did in the 70s because of that. He also used the complete ensemble. It was not Eddie Murphy, Joe Piscopo, and everyone else of the early eighties. It was about building an unknown cast and all of them having a shot…not a star-driven show that gave all the best bits to the big names. He made sure the entire cast had a lead in skits and parody commercials. Dick Ebersol who followed Lorne Micheals, was famous for getting stars in the cast and the show revolving around them.
A lot of the skits are now famous… Ackroyd’s Bassomatic, the Samurai, the uncomfortable but funny Word Association with Richard Pryor, The Killer Bees, The Mr. Bill Show, Weekend Update, Roseanne Rosannadanna, Land Shark, Bag of Glass, The Wild and Crazy Guys, the Coneheads, The Lounge Singer, Mr. Mike, The Blues Brothers and many more.
The writers for the show were not in the variety show comedy vein..they were not in the current SNL vein either. The style was more aggressive, especially with Michael O’Donoghue. He was a comedy trailblazer with National Lampoon and added black humor to SNL. Other writers were Franken and Davis, Rosie Shuster, Alan Zweibel, Marilyn Miller, Anne Beatts, Herb Sargent, Tom Schiller, and also Ackroyd and Chase.
The original group also did some serious skits along with comedy and trips into the bizarre (See the ultra-dark “Mr. Mike”). …It separated the original from any other cast.
I like the feel of the underground the first five years had but you can only be that for so long…popularity takes over. Those first 5 years (the first four were great…the fifth very good) set the foundation that holds to this day…just without the daring and danger.
Ann Beatts was one of the original writers who saw the popularity of the show rise beyond anything she ever imagined. She knew the risk-taking traits in the show would have to end because of it. “You can only be avant-garde for so long until you become garde.”
By the 5th season (1979-1980), it was a circus grown out of proportion. The cast by that time were usually bigger stars than the guest hosts. Everyone left after that season along with Lorne Michaels. The show went on without him until 1985 when he rejoined. It was never the same again. Sometimes it was funny and sometimes not but it was never the same experimental show it was at the start.
What other show would introduce “Acapulco Gold” and “Orange Sunshine” to a national television audience?
The Bassomatic…something you cannot explain with words.
Welcome to the Hanspostcard TV Draft. I hope you will enjoy it! Today’s post was written by Dave at https://soundday.wordpress.com/
Today I’ll take “Great TV Shows” for $400. As you might have guessed the answer, and my next show to cover for this event, is Jeopardy!
Jeopardy! is a show so familiar it seems to hardly need any description. After all, it’s been around longer than many of its contestants, and longer than I (or many of the other columnists taking part here) have been. It’s been parodied on Saturday Night Live, sung about jokingly by Weird Al Yankovic and plays a part in the plot of Groundhog Day. Few and far between are those of us who’ve not at least seen part of an episode in passing somewhere along the line. Such an iconic part of the culture it’s become that even the opening theme with booming introduction – “this is JEOPARDY!” – is instantly identifiable by most. But that aside, let’s look at the show a little anyway.
Jeopardy! Is a long-running game show, in which three contestants play against each other trying to answer questions correctly to win. Or actually, answer “answers”…we’ll get to that. How long-running? It premiered in 1964, and has been running most of the time since, although in slightly different formats and shown on different providers. The current version has been running daily since 1984. Merv Griffin created it and also created the similarly-popular Wheel of Fortune which not coincidentally often runs right before or after Jeopardy! in many markets. Although he’s credited with creating it, and his name appears on the credits day after day, he credits his wife with being the one who had the basic idea.
Back around the end of 1963, he and his wife were sitting around, talking about his desire to create a game show for TV. She commented that quiz shows were popular and quite good, but there hadn’t been any since the 1958 “Game Show Scandal”, in which it was found certain contestants on the shows Dotto and Twenty-one had been given the answers so the producers could control who would win and come back, based on who they felt would be most popular with their viewers rather than their skill or even luck. The game idea was still good, but the concept had been tarnished. They wagered almost six years was enough time passed to give it another go. She then suggested the twist – why not give answers and have contestants guess the question. Merv recalled “she fired a couple of answers at me – ‘5280’ – and the question of course would be ‘how many feet in one mile?’” He liked it and quickly took the idea to NBC, who bought it sight unseen.
NBC ran it, filming in New York, weekdays from 1964 through ’75, and added a nighttime weekly version which they syndicated in 1974. All the time, Art Fleming was the host who introduced the contestants and asked the, err “answers.” It had finally run its course by summer ’75, but they resurrected it again for the ’78-79 season, again with Fleming at the helm in the Big Apple. That lasted just one season, but it didn’t stay gone too long. In 1984, a new version began, running daily (five days a week), still produced by Griffin’s company, but this time shot in L.A. and sold for syndication. It wasn’t exclusive to one network, but most local stations in the U.S. had an hour of free time to program what they wanted between the evening news and “primetime shows”, so in the vast majority of cities, (as well as in Canada), one station or another ran Jeopardy! The basic show was still the same, but this time there was a new host – big-haired, moustached Alex Trebek, a Canadian with limited experience as a game show host but a personality that fit.
In case you’ve not seen it, the game is broken into three parts, “Jeopardy”, “Double Jeopardy” and “Final Jeopardy.” The first two take up most of the show, and consist of contestants picking mystery questions (or “answers”) from a board, which is made up of a grid of 30 boxes. There are six categories, and five question/answers in each. Each one is worth a certain value, in the first round being $200, 400, 600, 800 and 1000 and in “double Jeopardy” , you guessed it, double that amount. (If you didn’t guess it, you might not quite be Jeopardy! material.) Players who buzzed in first and gave the correct response for each won that amount of money…but if they were wrong, the amount was subtracted from their score. So it paid to be quick on the buzzer…and sure of your knowledge of the category. “Final Jeopardy” consisted of one answer all three would be given and had to answer (with the question) in 30 seconds. They could wager any or all of the amount of money they’d accrued so far in the game, and like the earlier bits, they’d win it if they were right, but lose it if wrong. Put together a run of correct answers and a bit of moxie in “Final Jeopardy” and you can do very well – James Holzhauer won a record $131127 in a 2019 episode. The game winner went home with that money, and got invited back to play the next day, whereas the second and third place finishers got a small consolation prize – typically $1000 and $2000 , which some bitterly noted didn’t pay their costs to actually go to L.A. and pay for a hotel … the show doesn’t pay expenses.
The game demands quick reflexes and a good, wide-ranging knowledge of…well, the more the better. While Art Fleming has criticized the “new” version (new as in the past 38 years), for being “dumbed down” by Hollywood, and it is true there are often some questions about pop culture, there are also still more about things like ancient history or American geography. Esquire tabulated many years of shows and found the most frequently-used categories were “Before and After”, “Literature”, “Science” , “Word Origins” and “American History” while the most-used ones for Final Jeopardy are “American Presidents” and “Word Origins.” Readers Digest compiled the ten that seemed to be hardest for contestants, and they included “Classical Music”,and “Canadian Cities” (sample : “Residents of this Saskatchewan city are called ‘Moose Javians’” , for question “What is Moose Jaw?”) . But it wasn’t only Canadian geography the mostly-American contestants had trouble with; so too did their own American because “States that Flow Together” also made the difficult list. That one had two states, with the last letter of one being the first of the next. Somehow no one could figure out “MissourI and Illinois” for the clue “one has St. Louis, the other has East St. Louis!” Of course, sometimes they like to have a little fun too, and at times the categories seem a little loopy – “Superb Owl” (all about owls on , yes Super Bowl week); “Songs for Your Cat,” “Hertz so Good” (about electricity)…
The show seems to hit the sweet spot between being so esoteric it requires a phD and so simple or celebrity-based anyone who watches Entertainment Tonight could run the board. Similarly, Alex Trebek hit the perfect spot as the host (for over 8000 episodes from ’84 until his death late in 2020; the final one he made aired in January ’21; until the final days of his illness he missed just one show…an April 1 edition where he traded places with Wheel of Fortune‘s Pat Sajak as an April Fool’s joke); warm and fatherly enough, with just enough self-deprecating humor to balance his occasional raised eyebrow and seeming hint of condescension when dealing with less-than-swift contestants. He won seven Emmys for it and became a household name and beloved celebrity; so much so that just who was going to replace him became headline news for months. So far, the answer appears to be Ken Jennings, who along with Big Bang Theory-alum Mayim Bialik have hosted the vast majority of post-Trebek shows. Jennings is an obvious choice, himself being the most famous, and by some accouts, most successful contestant ever on Jeopardy! Jennings won 74-straight shows in 2004, winning over $2.5 million and later won $1 million more on a “Greatest of All Time” tournament between past big winners. (From time to time, they have special tournaments, like ones for college students and “Celebrity Jeopardy!” where stars – mainly actors, but some athletes, writers, even politicians – try to win money for charity. Takeaway from those – no wonder Stephen King can cram so many details into his novels. The man seems to know everything!) Jennings turned his run on Jeopardy! Into several books, online and magazine columns and a rare level of celebrity based on…just being pretty darn smart!
The hype, for lack of a better word, surrounding Trebek’s unfortunate demise (losing a long battle to cancer) and picking his replacement has only helped Jeopardy! Its ratings have risen of late, with some of Trebek’s final episodes being watched by over 14 million at time or airing and many more later on streaming services; Entertainment Weekly reported this year that it currently is the most-watched “regular” TV show based on viewers watching it live…an amazing feat for a game show which through syndication doesn’t even necessarily play in every market. Maybe it’s Trebek and Ken Jennings, or maybe I hold out hope, it’s something different. At a time when everything seems to be being dumbed down from our news to our movies to our elected officials, maybe some of us are appreciating a show where it actually pays to be smart… to know a little about the Nile River or European history or great American literature.
Jeopardy! is a show I’ve enjoyed now and then since I was a kid and Trebek was young and had a huge Afro. As I got older and Trebek’s facial hair shrank, I actually found myself watching more, playing along. It was also one of the few shows my parents were both fond of too; my Mom sometimes would phone me up and ask in exasperation “did you see Final Jeopardy? How did they not know Dickens was the answer!!” or the like; when I spent about half a year living with my Dad as he got on in years, it became nearly a nightly routine for us to go down to the basement after dinner and watch Jeopardy!, trying to shout out the answers fastest. He never did well if it was about Lady Gaga or baseball, but he could rock the history and current events categories. Needless to say, I miss both my parents, and also Alex Trebek but I’m pretty glad I can still try to fit a bit of Jeopardy! in to the routine still and learn a little something with it. Memorable contestants, every topic under the sun, learning while playing… what is “great game show” Merv?
Welcome to the Hanspostcard TV Draft. I hope you will enjoy it! Today’s post was written by Paula at http://paulalight.com
Curb Your Enthusiasm
Omgosh I love this show! Larry David, the co-creator of Seinfeld, created the Curb concept and launched the show post-Seinfeld in October 2000. He stars in every episode as a fictionalized version of himself ~ a wealthy entertainment professional living a posh life in Los Angeles who doesn’t quite get the hang of social interaction and focuses on what he considers insults while committing many missteps himself. I guess fictionalized Larry might be “on the spectrum,” though that isn’t discussed. Cheryl Hines stars as his wife/ex-wife and Jeff Garlin is hilarious as his manager. Susie Essman plays Jeff’s wife and imo she is the funniest character with the best lines. Also very funny is J.B. Smoove, a hurricane refugee whom Larry and Cheryl shelter; he ends up as a regular, living in Larry’s guest quarters. The episodes where Smoove tries to find a “Mary Ferguson” to take the place of a Mary Ferguson who ditched him and their travel plans are absolutely side-splitting.
But I’m jumping ahead ~ the MF eps are in S11 (the latest one). Yep, Curb goes up to 11, and Larry has confirmed that there will be a Season 12. I’m so excited! If you don’t watch this show, but are a Seinfeld fan, I highly recommend catching up. Curb is also about the minutiae of daily life and the small misunderstandings that can morph into big dramas and ruin relationships. The show was developed from a one-hour comedy show that Larry did in 1999, which was shot as a “mockumentary.” Curb continues that style, with Larry outlining each ep and then relying on the actors to provide funny improvisational dialog, which is called retroscripting (all info is from Wikipedia). The show has been a huge success ~ nominated for 47 Emmy Awards and winning the 2002 Golden Globe for Best TV Series (music/comedy).
One of my favorite eps is S3e9 when Larry and Cheryl are still married and she has her family over for the Christmas holidays. Larry is Jewish, and he has no idea that the cookies Cheryl and fam have baked are for a special manger scene they’re going to set up. He eats the baby Jesus and everyone is mad at him. Season 4 starts out with several great eps, including such fab guest stars as Mel Brooks and Ben Stiller. This Season features a theme of Larry getting one “free pass” from Cheryl to be unfaithful during their marriage and he wants to cash it in, resulting in several hilarious attempts. Cheryl and Larry renew their wedding vows during this season and have a big argument over whether to love each other until death (Larry’s preference) or for all eternity (Cheryl’s). In S6 and beyond, Cheryl and Larry split up for good, and we get to see Larry going on dates, getting served with a fatwa, opening a spite store, and being forced to cast a terrible actress in his new show when her burglar uncle drowns in Larry’s unfenced pool. Larry ends up trapped in a relationship with an unattractive city council member (Tracey Ullman) in hopes of revoking the law about fencing pools, and Smoove says Larry is putting “bad miles” on his penis.
Can’t wait for S12!
~*~
Paula Light is a poet, novelist, flash fiction fan, cupcake connoisseur, mom, grandma, cat mommy, etc. Her blog can be found at http://paulalight.com.
Welcome to the Hanspostcard TV Draft. I hope you will enjoy it! Today’s post was written by Keith at https://nostalgicitalian.com/
Sherlock
We have come to the eighth round of the Hanspostcard TV Show Draft. I have already picked Columbo and Perry Mason, and for this round I have another mystery show. I’ve noticed a few of the other participants have picked some great BBC shows, so I guess it is now my turn. For this round, I pick Sherlock.
The series ran from 2010 – 2017. Series 1 aired in 2010, Series 2 in 2012, a Christmas mini-episode ran in 2013, Series 3 ran in 2014, a special “period” show aired in 2016, and Series 4 aired in 2017. What I love about this show is the modern take on a classic character. Having Sherlock Holmes solving crimes in modern day was the draw for me and it did not disappoint.
The Premise
The show features Sherlock Holmes, who is a “consulting detective”, along with his flatmate Dr. John Watson solving crimes in a modern-day London. He helps Detective Inspector Greg Lestrade, who at first is a bit suspicious of Sherlock. Over time, however, he realized Sherlock’s intelligence and ability to help solve various crimes and considers him an asset.
Dr. Watson documents their adventures on his personal blog and Sherlock becomes a sort of celebrity. This leads to a lot of press coverage and ordinary people and the British government seeking out Sherlock for help with cases.
The show features various crimes and villains, however, a recurring feature is the battle between Holmes and his archenemy, Jim Moriarty. Many of the stories in the series have been adapted from Sir Arthur Conan Doyle’s Sherlock Holmes books.
Who’s Responsible?
Steven Moffat and Mark Gatiss were both writers for another BBC show – Dr. Who. They were both huge fans of Sherlock Holmes. They were both no stranger to taking Victorian stories and adapting it for television. The two men spent many hours during train rides discussing creating a new series featuring Sherlock Holmes. Moffat’s wife suggested that the two begin developing the show before someone else stole the idea.
The Cast
Sherlock Holmes – Benedict Cumberbatch
According to Moffat and Gattis, Benedict Cumberbatch was immediately the guy they wanted to play Holmes. They had seen him perform in Atonement and thought he was perfect. A producer said that he was the only one they actually saw for the role. According to one article: “The part is modelled as a charismatic secondary psychopath or “High functioning sociopath” as Sherlock self-describes, unlike Doyle’s rendering as a primary psychopath, thereby allowing more opportunity or ambiguity for traits of empathy.” Cumberbatch told the Guardian, “There’s a great charge you get from playing him, because of the volume of words in your head and the speed of thought—you really have to make your connections incredibly fast. He is one step ahead of the audience and of anyone around him with normal intellect. They can’t quite fathom where his leaps are taking him.”
Dr. John Watson – Martin Freeman
Actor Matt Smith was originally the actor Moffat and Gattis had in mind to play Watson, but there was something about him, the chemistry with Cumberbatch, and the way he played the character that they didn’t like (They would eventually cast him in Dr. Who). Eventually, Martin Freeman won the role. Moffat says of Freeman, (he is) “the sort of opposite of Benedict in everything except the amount of talent… Martin finds a sort of poetry in the ordinary man. I love the fastidious realism of everything he does.” Freeman, when considering his character, says he is “a ‘moral compass’ for Sherlock, who does not always consider the morality and ethics of his actions.”
DetectiveInspector Lestrade – Rupert Graves
According to Moffat and Gattis, many auditioned for the role, but they all seemed to have a comedic take on the role. The creators liked Graves’ approach to it and he was cast. There is some great interplay between Lestrade and Holmes throughout the series. He works for Scotland Yard.
Jim Moriarty – Andrew Scott
Scott is fantastic as Moriarty! Moffat said, “We knew what we wanted to do with Moriarty from the very beginning. Moriarty is usually a rather dull, rather posh villain so we thought someone who was genuinely properly frightening. Someone who’s an absolute psycho.” They certainly achieved this. There were times I was genuinely freaked out by his performance! The creators never intended to have a “confrontation” scene between Holmes and Moriarty, but then they saw Scott’s audition and they knew that they HAD to!
Other Cast Members
Amanda Abbington – Mary (Morstan) Watson
At the time of the series, Amanda Abbington was Martin Freeman’s real life partner. She was cast to play John Watson’s girlfriend/wife.
Mrs. Hudson – Una Stubbs
Mrs. Hudson is Holmes’ and Watson’s landlady. She brings a wonderful bit of comedic dialog to every interaction and scene. Interesting story – Una has known Benedict Cumberbatch since he was 4 years old and she has worked with his mother!
Molly Hooper – Louise Brealey
Molly Hooper works at a morgue at a London hospital. She also has an apparent crush on Sherlock. Because of her work position and crush on him, Sherlock frequently exploits her to let him examine or perform experiments on victims’ bodies. In the first episode of the series she allows him to hit a corpse with a riding crop to see how it might bruise in post mortum.
Mycroft Holmes – Mark Gattis
(SPOILER ALERT) When Mycroft first appears in the series, you really have no idea who he is. He is this mysterious man who tries to get Watson to spy on Sherlock for him. You only learn later on that he is Sherlock’s brother. Mycroft is even more skilled at deduction, correcting Sherlock on occasion and beating him in deduction exercises, as well as lacking enthusiasm for “legwork”. His intellect is borderline superhuman. The sibling rivalry between the two lead to some very good scenes.
Sally Donovan & Phillip Anderson – Vinette Robinson & Jonathan Aris
Srgt. Sally Donovan often works with Lestrade on cases. She resents Sherlock’s presence at crime scenes and treats him with extreme disrespect and rudeness, cruelly calling him a “freak” to his face, and warns Watson that Sherlock is a psychopath who will one day get bored of catching killers and become one himself.
Phillip Anderson is originally a member of the Metropolitan Police’s Forensic Services. From the series opening, it is clear that Anderson and Sherlock have history of mutual dislike with Sherlock repeatedly humiliating Anderson and Anderson refusing to assist him at crime scenes.
Why I Picked It
Growing up, I had read a few of the Sherlock Holmes books. I has seen Basil Rathbone as Sherlock Holmes in movies, and certainly heard many old time radio shows featuring Holmes and Watson. I was intrigued to see just how Sherlock would play out in modern times.
I began to watch the first episode and all it took was the first meeting of Sherlock and Watson, and I was hooked. The way Sherlock is able to tick off things about Watson after just a couple minutes was awesome. Here is that scene:
Pardon me while I sort of digress for a moment.
One of the shows I considered picking in the draft was House, M.D. starring Hugh Laurie. I had heard it said that House was based on Sherlock Holmes. House would often make brilliant deductions about the his patients, and often was able to rattle off things about people because of his keen sense of observation – just like Sherlock Holmes. When I began to watch Sherlock, I immediately noticed just how much the two were alike.
The two characters are very similar. Check out the following links:
Now, back to why I picked it. I love a good mystery, obviously. I was fascinated by the way Sherlock worked and how he figured things out. Sherlock is a bit different that my earlier picks of Columbo and Perry Mason. I loved watching him sort through all the things that helped get him to the final conclusion.
I love good characters. This show is full of them. There are times I laugh out loud at some of the interactions. One of my favorite exchanges between Sherlock and Lestrade happens in the first episode. Sherlock, Watson and Lestrade are in a room and Sherlock yells, “Shut up!” Lestrade answers back, “I didn’t say anything.” Sherlock adds quickly, “You were thinking. It’s annoying!”
Holmes and Watson are the perfect team. They play well off each other. The same holds true for Cumberbatch and Freeman. Their chemistry is magical. I remember seeing the Sherlock Holmes movies with Robert Downey Jr. and Jude Law and thinking they had good chemistry, but Cumberbatch and Freeman’s chemistry is far superior.
In between Series 3 & 4, Sherlock aired a special on New Years Day of 2016. The Abominable Bride was set in Victorian London. Set in the time of the original books, it takes Sherlock out of the modern day and places him back where we all know him from. Moffat stated that “The special is its own thing. We wouldn’t have done the story we’re doing, and the way we’re doing it, if we didn’t have this special. It’s not part of the run of three episodes. So we had this to do it … It’s kind of in its own little bubble.”
The special won an Emmy for Outstanding Television Movie at the 2016 Primetime Emmy Awards. If you only watch one episode – I’d suggest this one.
The final episode of Sherlock aired in 2017. Steven Moffat stated that He and Mark Gattis had fifth series plotted out, but weren’t ready to fully produce it. Whether or not a new series of shows will come to fruition is still up in the air.
When Benedict Cumberbatch was asked about whether or not Sherlock would make more episodes, he said, “I’m the worst person to ask because my slate’s pretty, pretty full at the moment, as is Martin’s and all the other key players involved. So, who knows? Maybe one day, if the script’s right. And I say ‘the script,’ maybe it could be a film rather than the series. Who knows?”
Sherlock is a multi award winning show full of mystery, adventure, comedy, and fun. If you have never seen it, I highly recommend it.
Welcome to the Hanspostcard TV Draft. I hope you will enjoy it! Today’s post was written by Liam at https://othemts.wordpress.com/
Opening Soon at a Theater Near You (1975–1977) – WTTW, Chicago
Sneak Previews (1977–1982) – PBS
At the Movies (1982–1986) – Syndication
Siskel & Ebert & the Movies (1986–1999) – Syndication
In 1975, WTTW-TV (the local PBS outlet for Chicago) brought together two film critics, Gene Siskel and Roger Ebert for a movie review show called Opening Soon at a Theater Near You. Siskel wrote film reviews for the Chicago Tribune starting in 1969 while Ebert began his career as a film critic at the Chicago Sun-Times in 1967. In 1975, Ebert became the first film critic to receive a Pulitzer Prize. This was a time when there was a heated rivalry between the two Chicago newspapers, and members of the small field of film criticism, there was a professional rivalry between Siskel and Ebert as well, bordering on animosity.
The show started off roughly as each critic attempted to assert their personality and get one over on their opponent (not to mention that neither one had much experience in front of a camera). Over time they gradually eased up and started having more of a conversation about the movies. Working together proved to be more effective inspiring one another with insights. Siskel and Ebert started to become friends in real life as well. Despite all of this, some of the best TV drama came when they disagreed and argued about a movie, but always with respect for their opponent as an individual.
After two seasons on WTTW, the show was retooled as Sneak Previews and broadcast nationally on PBS. The pair left PBS in 1982 for a syndicated show produced by Tribune Entertainment called At the Movies. In 1986, after a contract dispute, they created another syndicated show called Siskel & Ebert & the Movies (later shortened to Siskel & Ebert) produced by Walt Disney television. All the shows shared some common characteristics, reviewing a handful of new releases in each episode, with special episodes focusing on the Oscars, Siskel & Ebert’s best movies of the year, and a deep focus on the work of an individual artists. The shows ended with a roundup of the movies discussed with Siskel & Ebert each giving a thumbs up or thumbs down for each movie. “Two thumbs up” became a coveted phrase for movie promoters to include in their advertisements.
It’s unfortunate that the whole thumbs up/thumbs down thing became such a cultural touchstone, because Siskel & Ebert offered a much deeper appraisal of movies than that shorthand could ever offer. I found a website called Siskel & Ebert Movie Reviews where full episodes of the show have been uploaded. Watching some shows reminds me how deep they would go into their discussion of the films as well as sharing extended clips of the movies. It seems a foreign concept today when everyone is so worried about “spoilers,” but I remember going to the movies back in the 1980s knowing a whole lot about what I was going to see thanks to Siskel & Ebert, and it helped me enjoy the movies more.
Siskel & Ebert essentially democratized film criticism. When the show started in the 1970s, it was a time when foreign films were getting screened regularly in the U.S. for the first time, and older American movies were getting rereleased. Siskel & Ebert loved “highbrow” art movies, and promoted them on their show but never in a snooty manner. Instead they made these films more accessible to wider audiences. In the 1980s, home video made even more movies more widely available and the always included home media releases in their shows as well. The duo could also find great entertainment in “lowbrow” Hollywood movies and weren’t afraid to say what they liked and why they were still great movies. Of course, they also didn’t hold back on bad movies, and covered them in features like “Dog of the Week” with Spot the Wonder Dog barking an introduction.
Gene Siskel died of a brain tumor in 1999. A private man he did not share the extent of his illness outside his family so his sudden death took his partner Roger Ebert off guard. Ebert continued the show with rotating guest hosts for a time before partnering up with Richard Roeper from 2000 to 2008. Ebert was struck with cancer of the thyroid and salivary glands in 2002 and in 2006 had his lower jaw surgically removed. Always contrary to Siskel, Ebert was open to sharing his health problems with the public, particularly in the intimate documentary movie Life Itself. Unable to speak, Ebert continued to review movies in print, publishing them on his website RogerEbert.com until his death in 2013.
Welcome to the Hanspostcard TV Draft. I hope you will enjoy it! Today’s post was written by Mike at https://musiccitymike.net
Star Trek: Voyager
Let me begin by saying that I really don’t care much for science fiction. My family can confirm how I am on record for falling asleep in the movie theater for Star Wars and Lord of the Rings movies. I guess my brain finds little appeal for fantasy. So, what is it about Star Trek: Voyager that makes it different?
Well, this attraction started with Star Trek: The Next Generation which my family and I watched together and which I would likely pick as a favorite should there be a second round to this draft. Together, we binge-watched all of TNG on DVD, and in true geekiness, kept a spreadsheet where we rated each episode on a 1 to 5 scale. Our watching continued with Voyager, but our nerdom didn’t include the spreadsheet after Mom dropped out.
So, this leaves me to try and explain both how Star Trek overcome my disdain for sci-fi and why I favor (ever so slightly) Voyager over The Next Generation.
I guess what makes me somewhat of a Trekkie, is how these shows extend the history of our planet into the future and explore the unknown expanse of our galaxy. We see the development of technology (some of which has since come to pass) and experience the remarkable acceleration of the speed of travel (unlikely to ever happen). As a child, I always enjoyed books about the future and Trek provided me with a continuation of this fascination. Perhaps my attraction takes root in the fact that there is some probability to some of what is presented in Trek.
On the other hand, as the name itself implies, Star Wars focused more on wars and battles with much more emphasis on alien fantasy rather than the evolution of Earthlings.
As for The Next Generation, everything about it was fabulous and more than satisfied my needs. The casting was perfect, the technological advances were exciting and sometimes realistic, and the stories were fantastic. However, while the same can be said for Voyager, there was just something about it that attracted me even more.
As brilliant as Patrick Stewart was as Captain Jean-Luc Picard on TNG, so was Kate Mulgrew as Captain Kathryn Janeway on Voyager. Let’s just stop there and call it even. Likewise, both casts matchup well with Data on TNG and Seven of Nine on Voyager getting the nods as my favorites. Touché again.
But perhaps what puts Voyager over the top is simply the passage of time, both fictionally in the scripts and, as to the tools available for filming. As to the former, Starfleet technology advanced especially in the use of the Holodeck, a recreational device in which crewmembers freely interacted in an imaginary setting of their choice. To the latter, TV special effects just got better and for the first time in the Trek series were enhanced through the use of CGI (“Computer Generated Images). TNG had made a giant leap however in this regard when compared to the original Star Trek series which at times often completely lost the feel of traveling through outer space.
Voyager lasted seven seasons (1995-2001). It started just after and ran concurrently with Deep Space Nine which failed to catch my fancy along with the other subsequent Trek series that have maintained the franchise. So, if like me, sci-fi is not your thing, like me, you might find enjoyment in Voyager. On the other hand, if you regularly attend Trekkie conventions, where do you rank Voyager amongst the Star Trek canon?
Welcome to the Hanspostcard TV Draft. I hope you will enjoy it! Today’s post was written by John from The Sound Of One Hand Typing.
Sunday nights at the Holton house in Chicago would see Mary and I in front of the TV at 10 PM, watching Monty Python’s Flying Circus, Dave Allen At Large (which it doesn’t look like anyone choe for this; maybe I’ll write it up later), The Two Ronnies, and Doctor Who.
The Two Ronnies was a comedy and variety show that ran on the BBC from April 1971 to December 1987. It starred British comedians and actors Ronnie Corbett and Ronnie Barker. They met in 1963 when Corbett was a bartender at The Buckstone Club in Haymarket, London, and Barker was making a name for himself in the West End and on radio. They first appeared on The Frost Report with John Cleese, but their big break came when they improvised through an eleven minute technical issue at the BAFTA Awards in 1970. In the audience was Bill Cotton, head of Light Entertainment for the BBC, who signed them to a contract.
Personality- and appearance-wise, the two looked completely different: Barker was big, heavy, and spoke with a blue-collar accent, while Corbett was short, slight, and spoke with more of an upper-class accent. They didn’t become a comedy team like Morecambe & Wise and continued to work on separate projects while they were doing the show. They had some of the best comedy writers working with them, including most of the cast of Monty Python’s Flying Circus (John Cleese, Eric Idele, Michael Palin, and Terry Jones), and Spike Milligan, and Corbett wrote some sketches using the pseudonym “Gerald Wiley.” The humor was, for its time, off-color, relied on double-entendres and what would now be considered not politically correct and sometimes downright offensive. Kind of a higher-class The Benny Hill Show.
The show started and ended with a “news broadcast,” where the two would take turns reading humorous fake news items, such as “Someone broke into the local police station and stole all the toilet seats. Police have nothing to go on.” During the rest of the show, they would do comedy sketches together and separately. For example, “Swedish Made Simple.”
Another with the two: “The Inventor’s Convention.”
An example of Barker working alone is “TV Symbols.”
During each show, Corbett would sit in a chair and tell a joke, getting sidetracked as he was telling it.
The last sketch of the show was usually a musical one, in the grand tradition of the British musical theater. Some of the earlier shows had a continuing story instead of the musical number; I don’t recall seeing any of them when they were broadcast on WTTW in Chicago. I have a couple of examples. This is “Yeomen of the Guard.”
Another: “The Sultan’s Harem.”
The show would end as it began, with Corbett and Barker reading some late “news items,” and with a running gag, where Corbett would say, “that’s all we have time for, so it’s good night from me,” and Barker would say “And it’s good night from him.”
All the shows have been released on DVD. Many of them are available from eBay. Britbox or Acorn might have them available as well. Many of their sketches and musical numbers can be found on YouTube as well.
PowerPop... An Eclectic Collection of Pop Culture 