Peter and Gordon – I Go to Pieces

This song was written by Del Shannon…Peter and Gordon (Peter Asher and Gordon Waller) took it to #9 in the Billboard 100 and #21 in Canada. This was a nice British Invasion song by the duo. Peter Asher is the brother of Jane Asher and became a very successful producer. See the bottom of the post for his producer credits.

You can also see a little “Austin Powers” in Peter Asher.

I Go To Pieces

When I see her comin’ down the street 
I get so shaky and I feel so weak
I tell my eyes look the other way
But they don’t seem to hear a word I say
And I, go to pieces and I want to hide
Go to pieces and I almost die
Every time my baby passes by
I tell my arms they’ll hold someone new
Another love that will be true
But they don’t listen, they don’t seem to care
They reach for her but she’s not there
And I, go to pieces and I want to hide
Go to pieces and I almost die
Every time my baby passes by
I remember what she said when she said
“Goodbye baby. We’ll meet again soon maybe.”
“But until we do, all my best to you.”
I’m so lonely, I think about her only
I go to places we used to go
But I know she’ll never show
She hurt me so much inside
Now I hope she’s satisfied
And I, go to pieces and I want to hide
Go to pieces and I almost die
Every time my baby passes by
Go to pieces and I cry
Every time my baby passes by
Go to pieces and I cry

From Wikipedia https://en.wikipedia.org/wiki/Peter_Asher

Peter Asher Producer’s Credits

Year Album Artist
1968 James Taylor James Taylor
1969 Barbara Keith Barbara Keith
1970 Jo Mama Jo Mama
1970 Sweet Baby James James Taylor
1971 Mud Slide Slim and the Blue Horizon James Taylor
1971 Sister Kate Kate Taylor
1971 Tony Joe White Tony Joe White
1971 Bad Girl Songs Tony Kosinec
1972 One Man Dog James Taylor
1973 Don’t Cry Now Linda Ronstadt
1974 Heart Like a Wheel Linda Ronstadt
1975 Prisoner in Disguise Linda Ronstadt
1975 Black Rose J.D. Souther
1976 Hasten Down the Wind Linda Ronstadt
1976 Love Songs David Sanborn
1976 What’s Wrong with This Picture? Andrew Gold
1977 JT James Taylor
1977 Simple Dreams Linda Ronstadt
1978 Living in the USA Linda Ronstadt
1979 Flag James Taylor
1979 The Glow Bonnie Raitt
1980 Mad Love Linda Ronstadt
1981 Dad Loves His Work James Taylor
1982 Get Closer Linda Ronstadt
1983 Reelin’ in the Years, Vol. 1 various artists
1983 What’s New Linda Ronstadt
1984 Lush Life Linda Ronstadt
1984 Moonlighting (Original TV soundtrack)
1985 That’s Why I’m Here James Taylor
1986 An American Tail (Original soundtrack)
1986 For Sentimental Reasons Linda Ronstadt
1987 Canciones De Mi Padre Linda Ronstadt
1987 Cher Cher
1987 In My Tribe 10,000 Maniacs
1987 Storytellers: Singers and Songwriters various artists
1988 The Land Before Time (Original soundtrack)
1989 Blind Man’s Zoo 10,000 Maniacs
1989 Cry Like a Rainstorm, Howl Like the Wind Linda Ronstadt
1989 Heart of Stone Cher
1989 You Happy Puppet 10,000 Maniacs
1990 Mermaids (Original soundtrack)
1991 Force Behind the Power Diana Ross
1991 Live in Rio James Taylor
1991 Love Hurts Cher
1991 Lovescape Neil Diamond
1991 Mambo Kings (Original soundtrack)
1991 Swept Julia Fordham
1991 Williams Brothers The Williams Brothers
1992 American Standard Mary’s Danish
1992 Back to Basics Olivia Newton-John
1992 Christmas Album Neil Diamond
1992 Olivia Olivia Newton-John
1992 Time Takes Time Ringo Starr
1993 Made in America (Original soundtrack)
1993 Robin Zander Robin Zander
1993 Up on the Roof: Songs from the Brill Building Neil Diamond
1994 Christmas Album, Vol. 2 Neil Diamond
1994 Randy Newman’s Faust: Words and Music various artists
1995 Don’t Ask Tina Arena
1995 EP Collection Peter and Gordon
1995 Faust Randy Newman
1996 It Takes Two various artists
1996 One Fine Day (Original soundtrack)
1996 Show Me Heaven Tina Arena
1997 Most Beautiful Soul Album on Earth various artists
1997 Superstar Christmas various artists
1997 Under These Rocks and Stones Chantal Kreviazuk
1998 Armageddon (Original soundtrack)
1998 As I Came of Age Sarah Brightman
1998 December Kenny Loggins
1998 Motown 40 Forever various artists
1999 All Time Greatest Movie Songs various artists
1999 Best Party Megamix in the World Ever various artists
1999 Collection Julia Fordham
1999 Runaway Bride (Original soundtrack)
1999 When the Going Gets Tough Boyzone
2000 Gift of Love Diana Ross
2000 More Songs from Pooh Corner Kenny Loggins
2000 Tigger Movie: Songs and Story various artists
2001 Everything I Am Anna Vissi
2001 Motown Anthology Diana Ross
2001 Three Chord Opera Neil Diamond
2001 Ultimate Peter and Gordon Peter and Gordon
2002 Capitol Records 1942–2002 various artists
2002 Everybody’s Got a Story Amanda Marshall
2002 Freedom: A History of Us (Original soundtrack)
2002 Live 2002 Robin Williams
2002 Providence (Original TV soundtrack)
2002 Sweet Is the Melody Aselin Debison
2003 Best of the Definitive American Songbook, Vol. 2: I-Z various artists
2003 Cafeteria: Hear various artists
2003 Earth Rider – The Essential John Stewart 1964–1979 John Stewart
2003 Singers and Songwriters Christmas Songs various artists
2004 California Wilson Phillips
2004 Campfire Songs: The Popular, Obscure and Unknown Recordings 10,000 Maniacs
2004 De-Lovely (Original soundtrack)
2004 Intermission Amanda Marshall
2004 Sky Captain and the World of Tomorrow (Original soundtrack)
2004 Taking a Chance on Love Jane Monheit
2005 Live at Earls Court Morrissey
2005 Goodies, Vol. 1 various artists
2005 Souvenirs Tina Arena
2006 You’re Only Lonely Raul Malo
2007 Siren Sasha and Shawna
2006 I Love You Diana Ross
2010 Live at the Troubadour Carole King and James Taylor
2011 Buddy Holly: Listen to Me; The Ultimate Buddy Party Various Artists – Producer and Host
2013 Love Has Come for You Steve Martin and Edie Brickell
2013 When Will You Come Home (EP) The Webb Sisters

The Bangles – If She Knew What She Wants

When I heard this song and saw the video  I knew I liked this band. I like the call and answer vocal arrangement and the jangly guitar.  This song came out right after the massive hit Manic Monday but I always favored this one.

It peaked at #26 on the Billboard 100 in 1986 and #31 in the UK.

If She Knew What She Wants

If she knew what she wants
(He’d be giving it to her)
If she knew what she needs
(He could give her that too)
If she knew what she wants
(But he can’t see through her)
If she knew what she wants
He’d be giving it to her
Giving it to her
But she wants everything
(He can pretend to give her everything)
Or there’s nothing she wants
(She don’t want to sort it out)
He’s crazy for this girl
(But she don’t know what she’s looking for)
If she knew what she wants
He’d be giving it to her
Giving it to her
I’d say her values are corrupted
But she’s open to change
Then one day she’s satisfied
And the next I’ll find her crying
And it’s nothing she can explain
Some have a style
That they work hard to refine
So they walk a crooked line
But she won’t understand
Why anyone would have to try
To walk a line when they could fly
No sense thinking I could rehabilitate her
When she’s fine, fine, fine
She’s got so many ideas traveling around in her head
She doesn’t need nothing from mine

Lindsey Buckingham – Trouble

This song was released in 1981 and I bought the single. It peaked at #9 in the Billboard 100, #31 in the UK, #7 in Canada. The song was off of Lindsey’s debut album “Law and Order.

The song is in the movie  Just One of the Guys

Trouble

Two, ah-three, ah-four!
Two, ah-three, ah-four!
Two, ah-three, ah-four!
I really should be saying goodnight.
I really shouldn’t stay anymore.
It’s been so long since I held ya.
I’ve forgotten what love is for.
I should run on the double 
I think I’m in trouble,
I think I’m in trouble.
So come to me darlin’ and hold me
Let your honey keep you warm
Been so long since I held ya
I’ve forgotten what love is for.
I should run on the double
I think I’m in trouble.

Counting Crows – Mr. Jones

If you were reading music magazines in 1993 you know this band was really overhyped. There is no way any band could have lived up to it. When I heard this song though I could tell the singer listened to Van Morrison because some of the phrasings are the same. In 1993 The song went to #5 on the Hot 100 Airplay, #1 in Canada and #28 in the UK.

From Songfacts about the song.

This was written by lead singer Adam Duritz and guitarist David Bryson (the other three band members also got composer credits). On an episode of VH1’s Storytellers, Adam explained: “It’s really a song about my friend Marty and I. We went out one night to watch his dad play, his dad was a Flamenco guitar player who lived in Spain (David Serva), and he was in San Francisco in the mission playing with his old Flamenco troupe. And after the gig we all went to this bar called the New Amsterdam in San Francisco on Columbus and we got completely drunk. And Marty and I sat at the bar staring at these two girls, wishing there was some way we could go talk to them, but we were too shy. We kept joking with each other that if we were big rock stars instead of such loser, low-budget musicians, this would be easy. I went home that night and I wrote a song about it. I joke about what it’s about, that story. But it’s really a song about all the dreams and all the things that make you want to go into doing whatever it is that seizes your heart, whether it’s being a rock star or being a doctor or whatever. Those things run from ‘all this stuff I have pent up inside of me’ to ‘I want to meet girls because I’m tired of not being able to.’ It is a lot of those things, it’s about all those dreams, but it’s also kind of cautionary because it’s about how misguided you may be about some of those things and how hollow they may be too. Like the character in the song keeps saying, ‘When everybody loves me I will never be lonely,’ and you’re supposed to know that that’s not the way it’s gonna be. I knew that even then. And this is a song about my dreams.”

Mr. Jones

Sha, la, la, la, la, la, la
Mmm
Uh huh
I was down at the New Amsterdam
Staring at this yellow-haired girl
Mr Jones strikes up a conversation
With a black-haired flamenco dancer
You know, she dances while his father plays guitar
She’s suddenly beautiful
We all want something beautiful
Man, I wish I was beautiful
So come dance the silence down through the morning
Sha la, la, la, la, la, la, la
Yeah
Uh huh
Yeah
Cut up, Maria!
Show me some of that Spanish dancin’
Pass me a bottle, Mr Jones
Believe in me
Help me believe in anything
‘Cause I want to be someone who believes
Yeah
Mr Jones and me
Tell each other fairy tales
And we stare at the beautiful women
She’s looking at you
Ah, no, no, she’s looking at me
Smilin’ in the bright lights
Coming through in stereo
When everybody loves you
You can never be lonely
Well, I’m gonna paint my picture
Paint myself in blue and red and black and gray
All of the beautiful colors are very, very meaningful
Yeah, well, you know gray is my favorite color
I felt so symbolic yesterday
If I knew Picasso
I would buy myself a gray guitar and play
Mr Jones and me
Look into the future
Yeah, we stare at the beautiful women
She’s looking at you
I don’t think so
She’s looking at me
Standing in the spotlight
I bought myself a gray guitar
When everybody loves me
I will never be lonely
I will never be lonely
Said I’m never gonna be
Lonely
I wanna be a lion
Yeah, everybody wants to pass as cats
We all wanna be big, big stars
Yeah, but we got different reasons for that
Believe in me
‘Cause I don’t believe in anything
And I wanna be someone to believe, to believe, to believe
Yeah!
Mr Jones and me
Stumbling through the Barrio
Yeah, we stare at the beautiful women
She’s perfect for you
Man, there’s got to be somebody for me
I wanna be Bob Dylan
Mr Jones wishes he was someone just a little more funky
When everybody love you
Oh! Son, that’s just about as funky as you can be
Mr Jones and me
Starin’ at the video
When I look at the television, I wanna see me
Staring right back at me
We all wanna be big stars
But we don’t know why, and we don’t know how
But when everybody loves me
I’m wanna be just about as happy as I can be
Mr Jones and me
We’re gonna be big stars

Thunderclap Newman – Something In The Air

A band discovered by Pete Townshend of The Who that featured John “Speedy” Keen, Jimmy McCulloch, and Andy “Thunderclap” Newman. The song peaked at #37 in the Billboard 100 and #1 in the UK Charts in 1969.

It was written and sung by  John “Speedy” Keen. The song has been featured in many movies and commercials. 16-year-old Jimmy McCullock would later play in Wings and the reunited Small Faces.

Something In The Air

Call out the instigators
Because there’s something in the air
We’ve got to get together sooner or later
Because the revolution’s here, and you know it’s right
And you know that it’s right
We have got to get it together
We have got to get it together now
Lock up the streets and houses
Because there’s something in the air
We’ve got to get together sooner or later
Because the revolution’s here, and you know it’s right
And you know that it’s right
We have got to get it together
We have got to get it together now
Hand out the arms and ammo
We’re going to blast our way through here
We’ve got to get together sooner or later
Because the revolution’s here, and you know it’s right
And you know that it’s right
We have got to get it together
We have got to get it together now

 

Del Amitri – Roll to Me

In 1995 “Roll to Me” peaked at #10 in the Billboard 100, #5 in Canada and #22 on the UK charts. I liked the song the first time I heard it and it is incredibly catchy.

Ironically it was the bands biggest hit and they did not like the song.

From songfacts

Del Amitri toured the US when this became a hit, but they played the song reluctantly, often telling the audience that it was something they had to do. Del Amitri wasn’t able to get a foothold in the States, and this was their last hit there.

 

Roll to Me

Look around your world pretty baby
Is it everything you hoped it’d be
The wrong guy, the wrong situation
The right time to roll to me
Roll to me
Look into your heart pretty baby
Is it aching with some nameless need?
Is there something wrong
And you can’t put your finger on it?
Right, then roll to me
And I don’t think I have ever seen
A soul so in despair
So if you want to talk the night through
Guess who will be there?
So don’t try to deny it pretty baby
You’ve been down so long you can hardly see
When the engine’s stalled and it won’t stop raining
It’s the right time to roll to me
Roll to me
Roll to me
And I don’t think I have ever seen
A soul so in despair
So if you want to talk the night through
Guess who will be there?
So,
Look around your world pretty baby
Is it everything you hoped it’d be
The wrong guy, the wrong situation
The right time to roll to me
The right time to roll to me
The right time to roll to me…oooh

Sammy Johns – Chevy Van

Sammy Johns released Chevy Van back in 1975 and it peaked at #5 in the Billboard Top 100 and reached #7 in Canada. It is pure AM 70’s pop but it does take me back to that time.

The musicians that back Johns are the famous Wrecking Crew from Los Angeles. The song has been covered by many Country artists and most recently by Eric Church.

Vans were very popular in the 70s…Not family Mini Vans but rolling waterbed and shag carpet teenage machines. They were customized to have everything in them… Some movies were even centered around vans (Vansploitation)

 

Chevy Van

I gave a girl a ride in my wagon
She rolled in and took control
She was tired and her mind was a-draggin’
I said get some sleep and dream of rock and roll

‘Cause like a picture she was layin’ there
Moonlight dancin’ off her hair
She woke up and took me by the hand
She’s gonna love me in my Chevy van
And that’s all right with me

Her young face was like that of an angel
Her long legs were tanned and brown
Better keep your eyes on the road, son
Better slow this vehicle down

‘Cause like a picture she was layin’ there
Moonlight dancin’ off her hair
She woke up and took me by the hand
She’s gonna love me in my Chevy van
And that’s all right with me

I put her out in a town that was so small
You could throw a rock from end to end
A dirt road Main Street, she walked off in bare feet
It’s a shame I won’t be passin’ through again

‘Cause like a picture she was layin’ there
Moonlight dancin’ off her hair
She woke up and took me by the hand
We made love in my Chevy van
And that’s all right with me

van3.jpg

 

van1.jpg

Martin Briley – Salt In My Tears

With a line like “You Ain’t Worth The Salt In My Tears” in a song…how could you not listen? This song was released in 1983 and reached #36 on the Billboard Charts. I liked the song because it had a catchy guitar riff which stood out at the time with all the synth music going on.

Martin Briley is a talented musician… below is from Wikipedia

Briley has received orchestral commissions, and has written songs for such artists as Céline Dion, *NSYNC, Dream, Michael Bolton, Mietta, Kenny Loggins, Pat Benatar, Jessica Andrews, Five Star, Jeff Healey, Rebecca St. James, Nana Mouskouri, Willie Nile, Gregg Allman, Night Ranger, David Hasselhoff, Patrick Swayze, Michael Monroe, Chastity Bono, Peter Tork, Nikki Webster, Hope Partlow, Natascha Sohl, Ballas Hough, Phil Stacey, Orianthi, The Maine and Barry Manilow.

Salt In My Tears

I never did it, no, I won’t admit it
Why should I lie for you anymore
You never loved me
You pushed and shoved me
I see the woman I never saw

I saw you laugh when the knife was twisted
It still hurts but the pain has shifted
I’m looking back at the time that drifted by
But I won’t cry for the wasted years
Cause you ain’t worth the salt in my tears

Feeling neglected, used and rejected
You need a shoulder to lean upon
Baby you picked him, found your next victim
Don’t worry, someone will come along

I broke the spell that you kept me under
I had enough of the rain and thunder
I lost track of the time and I wonder why
But I won’t cry for the wasted years
Cause you ain’t worth the salt in my tears

I’ll sit around and drink a few more beers
Until the memory just disappears
Cause you ain’t worth the salt in my tears

I saw you laugh when the knife was twisted
It still hurts but the pain has shifted
I’m looking back at the time that drifted by
But I won’t cry for the wasted years
Cause you ain’t worth the salt in my tears

Cause you ain’t worth the salt in my tears
Cause you ain’t worth the salt in my tears

The La’s – There She Goes

A song by a British band called The La’s. A very good pop song that has no verses…it just repeats the chorus four different ways four different times. The song peaked at #49 on the 1991 Billboard Chart and #13 on the UK charts in 1990.

It was written by the singer Lee Mavers and recorded in 1988 and remixed and released again in 1990.

Many people think the song was about heroin. Paul Hemmings an ex-guitarist for the band denies that rumor. Either way, it is a perfectly constructed pop song.

It’s been covered by a lot of artists but probably most successfully by Sixpence None the Richer. I’ve always liked The La’s version the best.

 

“There She Goes”

There she goes
There she goes again
Racing through my brain
And I just can’t contain
This feeling that remainsThere she blows (there she blows again)
There she blows again (there she blows again)
Pulsing through my vein (there she blows again)
And I just can’t contain
This feeling that remainsThere she goes
There she goes again
She calls my name
Pulls my train
No one else could heal my pain
But I just can’t contain
This feeling that remains

There she goes
There she goes again
Chasing down my lane
And I just can’t contain
This feeling that remains

There she goes (there she goes again)
There she goes (there she goes again)
There she goes (there she goes again)

 

The Byrds – Drug Store Truck Driving Man

This song is on the Dr. Byrds & Mr. Hyde album by the Byrds. It’s a really good song and the song’s origin is interesting. It was written in response to an on-air argument with Ralph Emery, who was an all-night country DJ on a country radio station at the time. It was written by Roger McGuinn and Gram Parsons. The song was an open letter to Emery.

Before I get into the song which I really like…I want everyone to know I’m not downing Emery because of this. I grew up with Ralph Emery on television in the 1970s. I was never a fan because his show wasn’t in my age group. To be fair to Ralph…he did invite Roger McGuinn on his show in 1985 when Vern Gosdin covered Turn, Turn, Turn and Roger played guitar. He was on there more than once so it was all in the past by that time. Times had changed so much by the 80s…rock and country went together by then but in the 60s Buck Owens touched on it but not many people were doing both…the Byrds with Gram Parsons were pioneers in a way with Sweetheart Of The Rodeo.

In 1968 The Byrds were in Nashville promoting their new country album Sweetheart of the Rodeo and got a cool reception at the Grand Ole Opry. They got into an argument with Emery on air when he said that “You Ain’t Going Nowhere” wasn’t country and then proceeded to call them long-haired hippies and would not play the record. He also didn’t understand what the song meant and Roger told him that Dylan wrote it…well that didn’t help!

Ralph Emery would not budge…It was the 1960s in a very fifties Nashville and Ralph could not get past the hair although they didn’t have excessively long hair. It would open up a bit in the early seventies with Outlaw country music by Willie Nelson, Kris Kristofferson, and Waylon Jennings. That movement would soon join traditionalists and the outlaw crowd together. They Byrds helped, in their own way, to make that happen.

The lyrics were about the narrow-mindedness of then certain segments of the country music industry. Lines like “He’s the all-American boy” and “he don’t like the way we play” reflect the hate that McGuinn and Parsons felt from some in Nashville. The title, “Drug Store Truck Drivin’ Man,” is a dig at Emery, suggesting that he was more of a conventional figure who could not appreciate or understand the Byrds’ approach to country music. But I’m glad it happened because we got a good country-rock song out of it.

Chris Hillman: “There was the funny story with Ralph Emery, the DJ in Nashville, where he had The Gilded Palace Of Sin tacked on the wall outside of his office, and with a big red pen it said, ‘This is not country music.’ Roger and Gram had gone to do an interview with him when we were all still with the Byrds, and Ralph was such a jerk to them then that they wrote that song “Drug Store Truck Driving Man”. A classic! I wish I’d written a part of that. But later, whenever I’d go on his show with the Desert Rose Band, Ralph would ask, “Did you write that song?” Finally, I had to say, “No, but I wish I had!” So when Roger was on later, Ralph would say, “Well, how is Gram doing?” and Roger would answer, “He’s still dead.” McGuinn was pretty darned quick in those situations!” 

I’m adding a live version and a hell of a story by Jason and the Scorchers…on how they played this song and it found a spot on Ralph Emery’s TV show in the early 80s.

Ralph Emery when he invited McGuinn on his show in 1985

Drug Store Truck Drivin’ Man

He’s a drug store truck-drivin’ man
He’s the head of the Ku Klux Klan
When summer rolls around
He’ll be lucky if he’s not in town

Well, he’s got him a house on the hill
He plays country records till you’ve had your fill
He’s a fireman’s friend he’s an all-night DJ
But he sure does think different from the records he plays

He’s a drug store truck-drivin’ man
He’s the head of the Ku Klux Klan
When summer rolls around
He’ll be lucky if he’s not in town

Well, he don’t like the young folks I know
He told me one night on his radio show
He’s got him a medal he won in the War
It weighs five-hundred pounds and it sleeps on his floor

He’s a drug store truck drivin’ man
He’s the head of the Ku Klux Klan
When summer rolls around
He’ll be lucky if he’s not in town

He’s been like a father to me
He’s the only DJ you can hear after three
I’m an all-night musician in a rock and roll band
And why he don’t like me I can’t understand

He’s a drug store truck-drivin’ man
He’s the head of the Ku Klux Klan
When summer rolls around
He’ll be lucky if he’s not in town

He’ll be lucky if he’s not in town

This one’s for you, Ralph

Juinor’s Farm/Sally G. by Paul McCartney and Wings

Juinor’s Farm/Sally G. single by Paul McCartney and Wings.

I had this single as a kid. Juinor’s Farm and Sally G were both partially recorded in Nashville during Paul’s six-week stay there in 1974. Juinor’s Farm is one of my favorite songs by Paul McCartney. The song rocks and the solo was performed by a 21-year-old Jimmy McCulloch. The song reached #3 in America. The band stayed at a farm in Lebanon TN around 30 miles from Nashville. I remember at the time it being big news that Paul McCartney was going to record in Nashville. I was seven years old and remember seeing Paul on the local news.

Jimmy McCulloch was a guitar prodigy… He was playing in a band when he was 11. He was in a band supporting The Who when he was 14 and in the band Thunderclap Newman in 1969 when he was 16. He went on to play with John Mayall (That guy knew how to pick guitar players) and Stone the Crows… He then went to play with Paul McCartney and Wings in 1974. He gave Paul’s songs an edge and I wish he would have stayed in Wings longer.

He left Paul to play with the reformed Small Faces in 1977.  In 1979 died of heart failure due to morphine and alcohol poisoning. You have to wonder how much better this guy could have been…

The B side was Sally G. and it hit #17 on the Billboard charts and even #51 on the country charts. This song has stayed with me through the years. When I listen to it…I think, now this is more of a what a country song should sound like. I really hate modern country music. No pickup trucks or tractors in this song. Modern country music could learn a lot by listening to country songs in this period and earlier. Paul composed the song after visiting a club in Printer’s Alley in Nashville.

This was McCartney’s last release on Apple Records

sallyg.jpg

This is from the Tennessean about Paul’s 1974 visit to Nashville. It was written by Dave Paulson

1974
Paul McCartney touched down at Metropolitan airport with his family on the evening of June 6, 1974, emerging from the plane wearing a green battle jacket and flashing a peace sign. The Tennessean reported that Paul answered questions “briefly but willingly” and even humored a group of kids who were amused by his British accent (he said the word “elevator” at their request).
The music superstar told a crowd of about 50 fans and members of the press that he’d come to Nashville for his three Rs — rehearsing, relating and riding. Music producer and executive Buddy Killen, who would act as the McCartneys’ Music City guide during their six-week stay here that summer, greeted the family upon their arrival.
The McCartneys rented a 133-acre farm just outside of Lebanon from songwriter Curly Putman (“Green, Green Grass of Home”) for $2,000 a week. They had requested a farm within 50 miles of Nashville that had horses and swimming facilities.
“I’ve got a farm in Scotland,” McCartney told reporters during an informal press conference on the farm. “You’re not the only people who have farms, you know. Back in Scotland, we’re country people in our own way.”
During their stay, the family visited the homes of Johnny Cash and Chet Atkins and even took in a few movies at their local drive-in.
McCartney and his family caused quite a stir when they joined the audience at Opryland for the third annual Grand Masters Fiddling Contest on June 16, 1974. During the intermission, Porter Wagoner and Dolly Parton performed their final show together before Parton embarked on her solo career. Linda McCartney got out of her seat several times to take photos of the duo. The McCartneys went backstage to meet with Wagoner and Parton, and then escaped into a waiting automobile.
McCartney told Nashville reporters that he was raised on country music, and he tried his hand at a bit of country songwriting while he was in town: He wrote the song “Sally G.” after a trip to Printer’s Alley.
McCartney drove around on a newly purchased motorcycle during the family’s Nashville visit. When a group of reporters waited at the Putman farm gate for a “highly informal” press conference, Paul and Linda rode past, smiling and waving.
Linda told The Tennessean she was “not much into materialism anymore,” though she had made a recent trip to Rivergate to purchase gifts for her family. Another big machine Paul loved — the Mellotron synthesizer — was not readily available in Tennessee at the time, to his chagrin.
As his time in Tennessee came to a close, McCartney told a group of local reporters that he hoped to mount a U.S. tour the following year, and that if it happened, Music City would definitely be on the itinerary.
“We just couldn’t skip Nashville,” he said. “We have too many friends here.”
McCartney continued to skip Nashville for the next 36 years.

When Paul did come I was there in 2010… he also came back in 2013 and I was there again. Three hours of one favorite after another…

Ooh La La 1973

What a great song from The Faces. The song was written by Ronnie Lane and Ronnie Wood and sung by Wood. That is strange because The Faces had one of the best lead singers around at the time…Rod Stewart.

Stewart by this time was soaring as a solo artist and his interest in the Faces was waning. He claimed the song was not in his key to sing. He did do vocals for it then and Lane but Wood ended up singing the released version.

The Faces had one big hit…Stay With Me but this song is their greatest song to me. Rod Stewart finally covered the song in 1998 for a tribute to Ronnie Lane. Ronnie Lane did his own version with his band Slim Chance. Ronnie Wood also does it live in solo shows.

A song between Granddad and Son about the ways of love. The song never ages because the subject matter never changes and it is continually passed along. The song creates an atmosphere and Wood not known for his singing ability did a great job on this one.

The song was included in the 1998 film Rushmore and enjoyed renewed popularity.

It’s one of my favorite songs of all time. Just a beautiful melody and words.

Poor old granddad
I laughed at all his words
I thought he was a bitter man
He spoke of woman’s ways
They’ll trap you, then they use you
Before you even know
For love is blind and you’re far too kind
Don’t ever let it show
I wish that I knew what I know now
When I was younger
I wish that I knew what I know now
When I was stronger
The can can’s such a pretty show
They’ll steal your heart away
But backstage, back on earth again
The dressing rooms are gray
They come on strong and it ain’t too long
Before they make you feel a man
But love is blind and you soon will find
You’re just a boy again
When you want her lips, you get a cheek
Makes you wonder where you are
If you want some more and she’s fast asleep
Then she’s twinkling with the stars
Poor young grandson, there’s nothing I can say
You’ll have to learn, just like me
And that’s the hardest way
Ooh la la, ooh la la la yeh
I wish that I knew what I know now
When I was younger
I wish that I knew what I know now
When I was stronger

 

You Know My Name (Look Up The Number) Beatles

I bought the Let It Be single by the Beatles in the mid-1970s from a relative’s yard sale. I loved Let It Be and then I flipped it over. The song started off with a catchy piano riff and then took a left turn never coming back.

I won’t even attempt to describe it because it would lose everything in words. It is a funny record (I don’t mean “My Love” bad funny… wo wo wo wo, wo wo wo wo…sorry Paul) it’s a comedy record. You could tell they were having a great time doing it.

Brian Jones played saxophone on the recording. Yes, that Brian Jones of the Rolling Stones. He dropped by the studio and John and Paul thought he would play some guitar but he had a sax so they thought of this tune and he played on it.

My friend and I would listen to this over and over. We would quote from it…”Welcome to Slaggers” at school. Sometimes…and this is probably sad but we still do.

The song was recorded in May of 1967 and June of 1969 and was released as the B side of Let It Be in 1970.

It’s just so off the wall. The thing that surprises me isn’t the 1967 sessions…it’s John and Paul working on this in 1969 when they were not exactly best mates anymore. How could you not get along and make this? I guess they went through bad and good periods like any friendship or partnership…

The original version was 6:08 long but John edited it down to 4:19 for the single release.

Here is a quote from John Lennon

“That was a piece of unfinished music that I turned into a comedy record with Paul. I was waiting for him in his house, and I saw the phone book was on the piano with ‘You know the name, look up the number.’ That was like a logo, and I just changed it. It was going to be a Four Tops kind of song – the chord changes are like that – but it never developed and we made a joke of it. Brian Jones is playing saxophone on it.”

Paul McCartney on Brian Jones

“I naturally thought he’d bring a guitar along to a Beatles session and maybe chung along and do some nice rhythm guitar or a little bit of electric twelve-string or something, but to our surprise, he brought his saxophone,”

“He opened up his sax case and started putting a reed in and warming up, playing a little bit. He was a really ropey sax player, so I thought, ‘Ah-hah. We’ve got just the tune.”

“It’s not amazingly well played but it happened to be exactly what we wanted. Brian was very good like that.”

Free As A Bird

In the 1990s I kept reading about the Beatles Anthology coming out and the three surviving Beatles getting back together to release old never heard before music as well as new. They were going to take a John Lennon demo and add something to it. This was beyond exciting for me. I was too young to remember a new Beatles song coming out.

It had an older feel but sounded modern at the same time. George Harrison’s distorted slide guitar playing brought an edge to it. It even had the strange ending like some of their other songs.

I got an early release of the Anthology CD from a friend of mine that worked in a record store and he said…don’t tell anyone. I sat glued to Free As a Bird because for once I was listening to a new Beatles song… I was one-year-old in1968 so I missed them when they were originally out. I liked the song and still do. I have talked to Beatles fans who don’t really like it that much but the song has stuck with me. Real Love…the second release didn’t do as much for me because it was basically a solo John Lennon song.

Was Free As a Bird the best song in the Beatles catalog? No not even close but just to hear something new was fantastic. The Anthology videos and CDs jump-started their popularity all over again…and it hasn’t stopped since then. I had cousins who were teenagers at the time who never had an interest in them until Anthology came out. All I could say to them was…I’ve told you for years.

The video of Free As a Bird is fantastic and still one of my favorite music videos. It told their history through the different eras of their career. Every time I watch it I always notice something I didn’t notice before.

Little did he know that day in1977 when John made a demo of a song idea on a cheap cassette recorder… it would be a future Beatle song. Not to even mention that the tape itself would be part of the song.

It did win a Grammy Award for Best Pop Performance by a Duo or Group with Vocal…

After reading the mixed reactions one thing dawned on me. The Beatles did the right thing by not reuniting when John was alive. There is no way they could have made anything that would have lived up to the expectations of everyone…You cannot compete against a memory because you lose every time… But yea… I still would have loved to hear it.