Tag: Faces

Faces – You’re So Rude

I love the Faces because they never sounded polished to death. This song sounds like five guys playing rock and roll because that was exactly what they wanted to be doing.

Ronnie Lane is probably my favorite member of the Faces. Rod Stewart had the voice and was obviously the biggest star, but there was something about Lane that I always liked. He was a great songwriter and bass player, and I loved what he did with the Small Faces, Faces, and later with Slim Chance and his solo career. He sounded more grounded than any other rock star I know.

This one appeared on the Faces’ 1971 album A Nod Is as Good as a Wink… to a Blind Horse. The song was written by Ronnie Lane and Ian McLagan, and Lane sang lead on this one. It’s loose, funny, and sounds like the band is having a great time playing it. That looseness was a big part of what made the Faces so good. They could sound like they were about to fall apart while somehow staying together. They sounded as if they were always on tour, and they were.

The Faces had grown out of the Small Faces after Steve Marriott left to form Humble Pie. Ronnie Lane, Ian McLagan, and Kenney Jones remained and were joined by Rod Stewart and Ronnie Wood from the Jeff Beck Group. They dropped the “Small” from the name, and one of the great rock and roll bands of the early seventies was born.

Lane eventually left the Faces in 1973. He formed Slim Chance and moved toward a roots mixture of rock, folk, and country music. That side of him had always been there, but away from the Faces he was able to follow it wherever he wanted. His later career never brought him the fame that Stewart achieved, but the music has aged extremely well.

You’re So Rude

My mum she likes you, she thinks you’re swell
Got the makings of a dance hall girl
Your low-cut frock and your bird’s nest hair
Stiletto heels and the way that you swear

She said to take you back to see my folks again
On Sunday

Why, it looks as though there’s nobody in
They’ve all gone out to see my Auntie Reenie
Don’t you worry, you just come right in
I’m sure we’ll pass the time ’til they come home

Well, let me take your coat
Kick off your shoes, warm your toes
Try the sofa

It’s getting dark, we’ll miss the late night bus
It’s only eight? Well, I’m not taking any chances
-Door closes
What’s that noise? Why’d they come back so soon?
Straighten your dress, you’re really looking a mess

I’ll wet my socks, pretend we just got caught in the rain
Oh, you’re so rude

Faces – Debris

I was going to post this song a few weeks ago but I posted The Poacher instead by Ronnie Lane. Either way, we all win with those two songs. As with The Poacher…Ronnie Lane wrote and did the vocals for this song. It’s a gorgeous song and is one of the Faces best known songs.

This song was on the album that I would say ranks in the Hall Of Fame for names… A Nod Is As Good As a Wink… to a Blind Horse. It doesn’t get much better than that. The album was released in 1971. Debris is said to be about his East End working class roots. The album also contained their biggest hit…Stay With Me. The album peaked at #6 on the Billboard Album Charts, #5 in Canada, and #2 in the UK in 1971.

Lane didn’t seem the kind of person who wanted just fame…or for that matter money. He pretty much proved that when he left the Faces two years later to start a solo career that toured under a big top travelling around not meeting expenses most of the time.

Ronnie started his own folk-country band named “Slim Chance” and released a surprise hit single “Come On” in 1973 and it went to #11 in the UK. Ronnie had a unique idea of touring. His tour was called “The Passing Show” which toured the countryside with a circus tent and included a ringmaster and clowns.

Lane had been ripped off along along with the other Small Faces so he wasn’t drawing money from those old records. Pete Townshend tried to talk him out of quitting the Faces because as Pete told him…you are on the verge of making good royalties and money from the Face’s concerts will set you up for life. He ignored Pete and followed his heart. Lane had a lot of great music in him though and those albums with Slim Chance and Rough Mix with Pete Townshend are great.

Lane diagnosed with was Multiple Sclerosis around 1976.

In 1983 Ronnie called some of his musician friends to do some charity concerts for the Research for Multiple Sclerosis. They were known as the ARMS (Action into Research for Multiple Sclerosis) Charity Concerts. Musicians such as Eric Clapton, Jeff Beck, Jimmy Page, Steve Winwood, Bill Wyman, Charlie Watts, and more came out to support Ronnie.

Ronnie Lane died of Pneumonia while in the final stages of Multiple Sclerosis in 1997

Debris

Two, three, four

I left you on the debris
At the Sunday morning market
You were sorting through the odds and ends
You was looking for a bargain

I heard your footsteps at the front door
And that old familiar love song
‘Cause you knew you’d find me waiting there
At the top of the stairs

I went there and back
Just to see how far it was
And you, you tried to tell me
But I had to learn for myself

There’s more trouble at the depot
With the general workers union
And you said, “They’ll never change a thing
Well, they won’t fight and they’re not working”

Oh, you was my hero
How you are my good friend
I’ve been there and back
And I know how far it is

But I left you on the debris
Now we both know you got no money
And I wonder what you would have done
Without me hanging around

Faces – Maybe I’m Amazed

This week I want to mix it up a bit so I’m doing cover versions all this week. I thought I would kick it off with The Faces. I don’t think I’ve ever heard a version of this that I don’t like. A blog that I would highly recommend that specializes in covers is Randy at Mostly Music Covers. Check him out when you can…he goes in-depth on music covers.

The Faces were fun…any band that would have a bartender on stage with a bar…has my vote. Ronnie Lane would sing the first part of this song with Rod the Mod Stewart would pick it up after the first verse. I like Ronnie’s voice a lot…it wasn’t Rod Stewart but it was very rootsy. Lane was a very good singer in a band with a great singer…twice. He was in the Small Faces with Steve Marriott and The Faces with Rod Stewart. Those two types of singers don’t come very often.

Faces - Long Player

The song was on their album Long Player… They did an excellent version of this song. They added to it without losing its charm. The album was their sophomore album and it peaked at #29 on the Billboard Album Charts, #32 in Canada, and #31 in the UK in 1971. Their next album A Nod Is As Good As a Wink… to a Blind Horse (that is a great title!) peaked at #6 on the Billboard Album Charts later that year.

This song was written by Paul McCartney on his debut album. It should have been released as a single. He did release it as a single in 1976, a live version off the triple record set…Wings Over America. Paul wrote this song for Linda who helped pull him through a bad depression after The Beatles broke up. I did read an interesting fact about this song. “This was the first song with the word “amazed” in the title to reach the Hot 100. Another didn’t appear until 1999 when Lonestar charted with “Amazed.”

It’s hard to believe that the Faces single didn’t chart because McCartney never released it as a single himself…you would think the market would have been ready for it. Although FM stations did play the McCartney version.

Stewart always called Ronnie Lane the heart of the band and that was probably true. Lane got frustrated not being able to sing many songs and was upset at Stewart’s lack of commitment… and quit. After Lane quit in 1973, Tetsu Yamauchi took his place for touring but then they broke up in 1975 when Ron Wood joined the Stones and Stewart continued his solo career.

Ron Wood talks about Maybe I’m Amazed and has a special guest in this 1:24 clip. 

Maybe I’m Amazed

Baby I’m amazed at the way you love me all the time
Maybe I’m afraid of the way I’ll leave you
Baby, I’m amazed at the way you fool me all the time
You hung me on a line
Baby, I’m amazed at the way I really need you

Baby, I’m a man, oh baby,
I’m a lonely man who’s in the middle of something
That he doesn’t really understand
Baby, I’m a man, oh baby,
You’re the only woman that could ever help me
Baby, won’t you try to understand

Baby, I’m a man, oh baby,
I’m a lonely man who’s in the middle of something
That he does not really understand
Baby, I’m a man, oh baby,
You’re the only one that could ever help me
Baby, won’t you try to understand

Baby, I’m amazed at the way you’re with me all the time
Baby, I’m afraid of the way I’ll leave ya’
Baby, I’m amazed at the way you help me sing the song
You right me when I’m wrong
Baby I’m amazed at the way I really need you

Baby, I’m a man, oh baby,
I’m a lonely man who’s in the middle of something
That he does not really understand
Baby, I’m a man, oh baby,
You’re the only woman that could ever help me
Baby, won’t you try to understand

Faces – Richmond

A great song by the Faces that was written by Ronnie Lane.  Lane was a very good singer in a band with a great singer…twice. He was in the Small Faces with Steve Marriott and The Faces with Rod Stewart. Those two types of singers come just once a generation.

He takes the lead in this song.  The Faces were a raucous fun band. They stormed the stage with a full bar and bartender. They WERE banned from the Holiday Inn chain…but that didn’t stop them from staying there. They soon started to check in at Holiday Inns as Fleetwood Mac…and it worked! They didn’t take anything seriously and wanted to have fun and take the audience with them.

One US tour billed as a Rock’n’Roll Circus, involved sharing the bill with jugglers, acrobats, Blinko the clown, and a Chinese high-wire stripper called Ming Wung. All the while they were leaping about the stage, swapping mics, whispering in huddles, and booting soccer balls into the crowd.

This song came off of their album Long Player released in 1971. The album peaked at #29 on the Billboard Album Charts, #34 in Canada, and #41 in the UK. Their next album A Nod Is As Good As a Wink… to a Blind Horse would peak at #6 in the same year.

Stewart always called Ronnie Lane the heart of the band and that was probably true. Lane got frustrated not being able to sing many songs and was upset at Stewart’s lack of commitment… and quit. After Lane quit in 1973, Tetsu Yamauchi took his place for touring but then they broke up in 1975 when Ron Wood joined the Stones and Stewart continued his solo career.

Drummer Kenney Jones: “It wasn’t just at gigs, everywhere we went we fell on the floor – airports, restaurants, hotels, bars. We were saying to people that you don’t have to take rock’n’roll too seriously. Every gig was like going to a party. The Faces were undoubtedly the most fun band I was ever in.”

Kenney Jones: “We were the first to do a lot of things, we’d have a white stage, and insist that Chuch Magee, who was our roadie, wore black trousers, a white shirt, and a waistcoat, so he looked like a barman. So he’d tend the bar, then quickly do Woody’s guitar and various other things. And we’d have palm trees on stage with us. It was very over-the-top. We took the piss out of ourselves, more than anything.”

Kenney Jones: “Rod summed it up really well, he told me that once Ronnie Lane left the band, the spirit of the Faces left too. Ronnie was integral to the band. It was the complete line-up when he was there. It never quite felt the same afterwards.”

Free Drummer Simon Kirke: .“Touring with the Faces was wonderful, they were at their peak and had Rod Stewart singing. Jeez, he could sing so well back then. He’s like Paul Rodgers, really; he never sung a bad show, he just had variations on brilliant. They always had such fun on stage. There were drinks in abundance, and Woody was there with the ever-present ciggie hanging out of his mouth or tucked in the end of his guitar. Ian would be grinning from ear to ear. And they dressed so flamboyantly, too, all silks and satins and flares. I loved ’em. They just had a great time, whereas Free were slightly serious.”

This video is just 7 minutes long…it is Ronnie Lane’s son talking about his dad and Cat Stevens is at the end of the video. 

Richmond

I wish I
I wish I was in Richmond
I do, I would I
I wish I
I wish I was back home

I’m waitin’
Here in New York City
The rain is falling
There’s no one who cares
There’s no one loves me here

The women
They may look very pretty
And some they know it
But some look good
They show a leg and smile
But they all look like the flowers
In someone else’s garden
I’ve no act of love
for anyone but you

Pete Townshend and Ronnie Lane – My Baby Gives It Away

I have often wondered why this album wasn’t more popular. It features The Who’s Pete Townshend and The Small Faces/Faces Ronnie Lane who then was leading his own band, Slim Chance. The album is full of great songs and is worth a listen. The guest musicians include Eric Clapton, Charlie Watts, John Entwistle, Ian Stewart, John “Rabbit” Bundrick, and more.

In October of 1976, the Who closed a North American tour in Toronto, a show that would be the last with Keith Moon before a paying audience. The band took a break to pursue individual projects. Ronnie Lane had wanted Townshend to produce his album but he then wanted Townshend to collaborate writing on the songs. Townshend declined because he had never written with anyone before but they did manage to write the title track, Rough Mix, together.

The album ended up with Townsend songs and Lane songs. They did do a cover of a Don Williams song called Till All The Rivers Run Dry. Rough Mix didn’t draw a lot of attention at the time but is now considered a lost gem. Townshend has said in his book that there was a big argument where he shoved Ronnie Lane. He said it felt like he didn’t know his own strength because Lane felt like he was made out of paper. Later Pete found out about Lane’s multiple sclerosis.

Lane was already showing the early symptoms of multiple sclerosis (tremors, slurred speech), which others sometimes interpreted as a sign he was drunk. He didn’t tell Townshend, or very many others, about his medical diagnosis.

Townshend’s liner notes eventually read, “Ron and Pete play various acoustic & electric guitars, mandolins & bass guitars, banjos, ukuleles & very involved mind games.”

The album peaked at #44 in the Billboard Album Charts, #70 in Canada, and #45 in the UK in 1977.

Pete Townshend: The recording of Rough Mix with Ronnie is now a blur, but I remember some special moments. I played live guitar with a large string orchestra for the first time, my father-in-law Ted Astley arranging and conducting on ‘Street in the City’. I was surprised at the respect given me by the orchestral musicians. Playing with Charlie Watts on ‘My Baby Gives It Away’ was also very cool, making me aware that his jazz-influenced style was essential to the Stones’ success, the hi-hat always trailing the beat a little to create that vital swing.

Meeting John Bundrick (Rabbit) was also an important event in my life as a musician. He wandered into the Rough Mix studio one day looking for session work. Here was a Hammond player who had worked with Bob Marley, and could play as well as Billy Preston. Offstage he could be reckless and impulsive, drinking too much, asking for drugs and telling crazy stories, but musicians of his calibre didn’t come around very often.

My Baby Gives It Away

My baby wakes in the deep of the nightShe doesn’t need itBut she says it’s all rightMy baby digs it, just a Rollin’ away

My baby gives it up every dayMy baby gives it, she gives it awayMy baby gives it up every dayMy baby She just gives it away

When you’re alone in some city hotelYou can get company by ringing a bellYou might go pick up a girlOn the street

But my baby gives it up totally freeMy baby’s counting’ on, ’cause you aloneMy baby’s brother never break a your armMy baby ha, ha, I love her

She’s cheepOoh yeahMy babyMy baby

My babyMy babyMy baby

You better buy yourself an new pair of shoesAnd walk for a lifetime on that bad newsYou better buy an electric guitarThere’s no better way to beat the blues, I beat ’em

My babyMy babyMy babyMy baby

My babyMy babyMy babyMy baby

She give it way, every day, every wayMy baby just gives it away

My baby’s momma is a singular girlShe brought up her daughter and brought her up wellI’m breathing no more‘Cause she took it away

My baby gives it up every dayMy baby gives itShe gives it awayMy baby gives it up every day

My babyMy babyMy babyMy baby

My babyMy babyMy babyMy baby

My babyMy baby

How I love her, yeahMy baby, my baby, she just gives it awayMy baby, my baby, she just gives it awayMy baby, my baby, gives it away

Let me tell you, my baby, she just give it awayMy baby, every dayMy baby gives it up every dayMy baby give itJust gives it away

Faces – Ohh La La

What a great song from The Faces. The song was written by Ronnie Lane and Ronnie Wood and sung by Wood. That is strange because The Faces had one of the best lead singers around at the time…Rod Stewart.

Stewart by this time was soaring as a solo artist and his interest in the Faces was waning. He claimed the song was not in his key to sing. He did do vocals for it then and Lane but Wood ended up singing the released version.

The Faces had one big hit…Stay With Me but this song is their greatest song to me. Rod Stewart finally covered the song in 1998 for a tribute to Ronnie Lane. Ronnie Lane did his own version with his band Slim Chance. Ronnie Wood also does it live in solo shows.

A song between Granddad and Son about the ways of love. The song never ages because the subject matter never changes and it is continually passed along. The song creates an atmosphere and Wood who is not known for his singing ability did a great job on this one.

The song was included in the 1998 film Rushmore and enjoyed renewed popularity.

It’s one of my favorite songs of all time. Just a beautiful melody and words.

Ohh La La

Poor old granddad
I laughed at all his words
I thought he was a bitter man
He spoke of woman’s ways

They’ll trap you, then they use you
Before you even know
For love is blind and you’re far too kind
Don’t ever let it show

I wish that I knew what I know now
When I was younger
I wish that I knew what I know now
When I was stronger

The can can’s such a pretty show
They’ll steal your heart away
But backstage, back on earth again
The dressing rooms are gray

They come on strong and it ain’t too long
Before they make you feel a man
But love is blind and you soon will find
You’re just a boy again

When you want her lips, you get a cheek
Makes you wonder where you are
If you want some more and she’s fast asleep
Then she’s twinkling with the stars
Poor young grandson, there’s nothing I can say
You’ll have to learn, just like me
And that’s the hardest way
Ooh la la, ooh la la la yeh
I wish that I knew what I know now
When I was younger
I wish that I knew what I know now
When I was stronger

 

 

Faces – Ooh La La

What a great song from The Faces. The song was written by Ronnie Lane and Ronnie Wood and sung by Wood. That is strange because The Faces had one of the best lead singers around at the time…Rod Stewart.

Stewart by this time was soaring as a solo artist and his interest in the Faces was waning. He claimed the song was not in his key to sing. He did do vocals for it then and Lane but Wood ended up singing the released version.

The Faces had one big hit…Stay With Me but this song is their greatest song to me. Rod Stewart finally covered the song in 1998 for a tribute to Ronnie Lane. Ronnie Lane did his own version with his band Slim Chance. Ronnie Wood also does it live in solo shows.

A song between Granddad and Son about the ways of love. The song never ages because the subject matter never changes and it is continually passed along. The song creates an atmosphere and Wood not known for his singing ability did a great job on this one.

The song was included in the 1998 film Rushmore and enjoyed renewed popularity.

It’s one of my favorite songs of all time. Just a beautiful melody and words.

Poor old granddad
I laughed at all his words
I thought he was a bitter man
He spoke of woman’s ways
They’ll trap you, then they use you
Before you even know
For love is blind and you’re far too kind
Don’t ever let it show
I wish that I knew what I know now
When I was younger
I wish that I knew what I know now
When I was stronger
The can can’s such a pretty show
They’ll steal your heart away
But backstage, back on earth again
The dressing rooms are gray
They come on strong and it ain’t too long
Before they make you feel a man
But love is blind and you soon will find
You’re just a boy again
When you want her lips, you get a cheek
Makes you wonder where you are
If you want some more and she’s fast asleep
Then she’s twinkling with the stars
Poor young grandson, there’s nothing I can say
You’ll have to learn, just like me
And that’s the hardest way
Ooh la la, ooh la la la yeh
I wish that I knew what I know now
When I was younger
I wish that I knew what I know now
When I was stronger