Category: 1960s

Great song by Stevie Wonder. It peaked at #2 in the Billboard 100 in 1968.

This was written by the Motown songwriters Ron Miller and Orlando Murden and was originally recorded in 1966 by a singer named Jean DuShon, who was signed to Chess records.

Other versions of this song to this point were long, drawn-out ballads. Stevie Wonder was the first to pick up the tempo and use an upbeat arrangement. Wonder’s version, however, sat in the Motown vaults for nearly a year before Gordy finally released it in 1968. This became the hit record and definitive version of the song.

From Songfacts

Miller had DuShon record the song as a demo but liked her version so much that he thought she should sing it. Record company politics ensued as Berry Gordy, the head of Motown, was not pleased with one of his songwriters’ compositions going to other labels. He made sure to have his artists record the song, and the first to do so was Barbara McNair, who performed it later in 1966 on a TV special and released it on her album Here I Am that year. The next Motown act to record it was The Temptations, who released it in 1967 on their album In a Mellow Mood.

The song is about finding that special someone who gives you a feeling of boundless happiness. Wonder was just 17 when he first recorded it.

Ron Miller wrote a few more Motown favorites, including “Heaven Help Us All,” “Yester-Me, Yester-You,” “Yesterday” and “A Place In The Sun” for Stevie Wonder, and “Touch Me In The Morning” for Diana Ross. He also reworked “I’ve Never Been To Me” into a hit for Charlene.

The Temptations version featured lead vocals by Paul Williams. It became the showcase song for Williams at their live shows.

Frank Sinatra and Tony Bennett both recorded this song, with Bennett’s version hitting the Hot 100 at #91 – one year before Stevie Wonder charted with it. Bennett often sang it in concert, and in 2006 he performed a slow version with Stevie Wonder for his album Duets: An American Classic. This version won a Grammy for Best Pop Collaboration with Vocals. At the awards ceremony, Wonder dedicated the Grammy to his mother, who died in 2006. Bennett then thanked his sponsor – Target department stores.

British singer-songwriter Emeli Sande recorded this for the Hulu miniseries Four Weddings and a Funeral. Other versions have also been used in these TV shows:

Happy Endings (“Brothas and Sisters” – 2013)
Glee (“Wonder-ful” – 2013) by Kevin McHale
Fringe (“Brown Betty” – 2010; “6B” – 2011)
The West Wing (“Welcome To Wherever You Are” – 2006)
The King Of Queens (“Sold-Y Locks” – 2006)
Boston Legal (“Breast In Show” – 2006)
Entourage (“Exodus” – 2005)
The Nanny (“The Wedding” – 2008)
Good Times (“That’s Entertainment, Evans Style” – 1978)

Dave Mason wrote this song and recorded it with  Traffic in 1968. Included on their self-titled second album, it was released as a single but it didn’t hit the charts in America and didn’t place at all in the UK.

The following year, Joe Cocker recorded what has become the most popular version of the song, peaking at #33 in Billboard 100 in 1972 with a more upbeat rendition. He included it in his set at Woodstock.

Joe Cocker did great covers of songs. Many of Cocker’s hits were covers, including “With A Little Help From My Friends,” “The Letter,” and “You Are So Beautiful.” He made a career out of soulful interpretations of other people’s songs. When Paul McCartney wrote “She Came In Through the Bathroom Window” he gave it to Joe Cocker to record.

From Songfacts

This is one of those songs where the title belies the meaning. The singer is tormented by a breakup and asking “Are you feeling alright,” with the retort, “I’m not feelin’ too good myself.”

In our interview with Dave Mason, he explained: “It’s just a song about a girl. It’s just another relationship gone bad.”

Dave Mason wrote this song with the title “Not Feelin’ Too Good Myself,” which is more accurate in terms of the song’s meaning, but less marketable. The original Traffic version of the song, filled with the corresponding melancholy, was issued as “Feelin’ Alright?” – the question mark providing a vital clue to the content. Joe Cocker’s version scrapped the punctuation and was issued as “Feeling Alright,” which is how it was listed on most subsequent covers.

This song was written while Dave Mason was visiting the Greek island of Hydra. “I was trying to write the simplest thing I could come up with,” he told us. “Two chords was it.”

Mason had left the band when he wrote the song (he split before their first album was released), but when he returned to New York after his time in Hydra, he ran into his bandmates, who were working on the group’s second album. They reached an accord, and Mason came back into the fold, contributing this song and “You Can All Join In,” as well as “Vagabond Virgin,” which he wrote with the band’s drummer Jim Capaldi.

Soon after the album was released in October 1968, Mason once again left the band, and a month later they broke up, with Winwood forming Blind Faith. In 1969, a third Traffic album called Last Exit was cobbled together from live recordings and unused studio tracks.

Traffic lead singer Steve Winwood played on Joe Cocker’s With A Little Help From My Friends album, but not on his cover of this song, which was on the tracklist. Cocker’s version featured the ace Los Angeles bass player Carol Kaye, Paul Humphrey on drums, Artie Butler on piano, and percussion from David Cohen and Laudir de Oliveira.

A distinguishing feature of Cocker’s cover is the female backing vocals, which were comprised of three of the most powerful Soul singers of the era: Brenda Holloway, Merry Clayton and Patrice Holloway. Clayton can also be heard on the Rolling Stones’ “Gimme Shelter.”

At least 45 different acts have recorded this song. Mongo Santamaria took it to #96 US in 1969, and Grand Funk Railroad made #54 with their 1971 version. Other artists to record it include Three Dog Night, Lou Rawls, the 5th Dimension, Rare Earth, Gladys Knight & the Pips, Paul Weller, the Jackson 5, Maceo Parker and Isaac Hayes.

In 1976, Cocker performed this on Saturday Night Live. John Belushi joined him on stage doing his famous impersonation of Cocker’s spastic stage movements. Cocker didn’t know Belushi was going to come on stage, but wondered what was going on when John asked him before the show what he would be wearing during the performance.

The song found a good home on the various FM rock formats of the early ’70s, and Joe Cocker’s version later became a classic rock staple. In 1972, after Grand Funk Railroad charted with the song, Cocker’s was re-released, this time making #33 US.

Billy Gibbons and Dusty Hill of ZZ Top, Keith Richards, Kid Rock, Tom Petty, Jackson Browne, Jeff Lynne, Steve Winwood, and music director Paul Shaffer performed this at the 2004 Rock and Roll Hall of Fame induction ceremony.

The Jackson 5 performed part of this song on a 1971 TV special hosted by Diana Ross. Nine years later, Michael Jackson sang on Dave Mason’s track “Save Me.”

Feelin’ Alright