My Favorite Paul McCartney songs

The most commercially successful of the Beatles. Paul was so blessed with huge musical talent. Undoubtedly, he was the most talented musician in the Beatles. That’s not to say he hasn’t written some bad songs, but as a musician, he could have played with anyone. There is a story that Miles Davis and Jimi Hendrix wanted to collaborate on a project and attempted to recruit Paul on bass.

He has had so many hits that it would be impossible to not leave one off. Paul is known for his pop hits, but when the mood struck, he could rip out rock and roll with the best of them. I always liked it when Paul would write something with loud guitars. In a stretch in the early 70s, he had quite a few of them. One of them I liked but didn’t make this list was Hi, Hi, Hi. 

  1. Junior’s Farm – This one doesn’t get played as much as some others, but it’s my favorite Paul song. 

  1. Let Me Roll It – I always thought this one could have been written and performed by John Lennon. 

3. Band On The Run – One of Paul’s masterpieces. He pretty much stuck 3 short songs together on this, like he did on Abbey Road. 

4. Picasso’s Last Words (Drink To Me) – The Spanish artist Pablo Picasso died at the age of 91 on April 8, 1973. News of his passing reached Paul McCartney when he was in Jamaica.

While having dinner there with Paul McCartney, Dustin Hoffman told the story of the death of Pablo Picasso and his famous last words, “Drink to me, drink to my health. You know I can’t drink anymore.” Picasso then went to bed and died in his sleep.

Paul had a guitar with him and immediately played an impromptu chord progression while singing the quote. Thus, “Picasso’s Last Words” was born, later recorded and added to the album Band On The Run in 1973Hoffman later said of Paul writing the song in front of him, the experience was “right under childbirth in terms of great events of my life.”

5. Sally G -I’ve always liked B-Sides… Let’s listen to some Liverpudlian Country Music. I cannot hear this song without thinking of my grandmother. Her name was Sally, and yes, her last name started with G. She lived to the ripe old age of 96. 

6. Nineteen Hundred and Eighty Five – This song was on arguably McCartney’s best album, Band On The Run. It didn’t chart, but it was released as the B side to the song Band on the Run, and it was played quite a bit on the radio. One of my favorite McCartney album tracks.

Nineteen Hundred And Eighty-Five was never performed live by Wings, and only became part of McCartney’s live set in 2010.

7. Uncle Albert/ Admiral Halsey – I remember hearing this before I knew who Paul McCartney was…it was unbelievably catchy, but I had no clue what it was about…still don’t.

Paul combined pieces of various unfinished songs to create this… in the later years of The Beatles, he helped do this for the Abbey Road Medley. As a result, Uncle Albert – Admiral Halsey contains 12 different sections over the course of its 4:50 running time.

8. Jet – It was a terrific single…I like the B side (Let Me Roll It) more, but I love this song. Tony Visconti, who did a lot of production work for David Bowie and Thin Lizzy, did the orchestration on this song.

9. Listen to What the Man Said – It’s far from his best song, but it’s a good pop hit.  It was recorded for the album Venus and Mars. It was a song that McCartney had high hopes for, but early recordings did not live up to the song’s potential. The missing ingredient was Jazz musician Tom Scott’s sax solo. They ended up keeping the first take that Tony Scott played on.

10. Maybe I’m Amazed – I’ve always liked the original version of this song the best. The studio version of this song was never released as a single (no tracks on the album were), but it is one of the most remembered songs on McCartney’s first solo album McCartney. “Maybe I’m Amazed” was written in 1969, just after The Beatles broke up, about Linda.

Paul McCartney – Listen To What The Man Said

This was one of those songs that sounded so good over AM radio…and I guess still does if you can catch it on AM. It’s a song I forget about from time to time. I was reminded when I saw Paul in 2010 and 2014. He just keeps playing songs you remember and you think…did this guy write every hit of the 20th century?

It takes me back to when my sister would skip school (she is eight years older) and take me with her…maybe that is the reason I can’t spell worth a dam. Mom never found out about those days or my sister would have been grounded forever.

It’s far from his best song but it’s a good pop hit.  It was recorded for the album Venus and Mars. It was a song which McCartney had high hopes for, but early recordings did not live up to the song’s potential. The missing indgredient was Jazz musician Tom Scott’s sax solo. They ended up keeping the first take.

Listen To What The Man Said peaked at #1 in the Billboard 100, #1 in Canada, #6 in the UK, and #8 in New Zealand in 1975. The album peaked at #1 in the Billboard Album Charts, #1 in Canada, #1 in the UK, and #1 in New Zealand.

Paul’s impression of Leo Nocentelli, the guitarist for The Meters…many people thought he was imitating Wolfman Jack.

Paul McCartney and John Lennon were talking seriously about getting together during the Venu and Mars sessions in New Orleans but John reunited with Yoko and didn’t come. This was after John’s “lost weekend” when he was separated from Yoko. May Pang (his girlfriend at the time) verified this.

Paul McCartney:It was one of the songs we’d gone in with high hopes for. Whenever I would play it on the piano, people would say ‘Oh, I like that one.’ But when we did the backing track, we thought we didn’t really get it together at all.

Someone said [famous jazz musician] ‘Tom Scott lives near here.’ We said, yeah, give him a ring, see if he turns up, and he turned up within half an hour! There he was, with his sax, and he sat down in the studio playing through. The engineer was recording it. We kept all the notes he was playing casually. He came in and I said ‘I think that’s it.’ He said ‘Did you record that?’ I said yes, and we listened to it back. No one could believe it, so he went out and tried a few more, but they weren’t as good. He’d had all the feel on this early take, the first take.

My stuff is never ‘a comment from within’. Basically I’m saying: ‘Listen to the basic rules, don’t goof off too much’. But if you say ‘The Man’, it can mean God, it can mean ‘Women, listen to your man’, it can mean so many things. Later I did a song with Michael Jackson called ‘The Man’ and again, it’s quite nice leaving things ambiguous: I’m sure for Michael, probably ‘The Man’ meant God.

Listen To What The Man Said

Alright, okay
Very good to see you down in New Orleans, man
Yeah here it is
Yeah, yeah

Any time, any day
You can hear the people say
That love is blind
Well, I don’t know but I say love is kind

Soldier boy kisses girl
Leaves behind a tragic world
But he won’t mind, he’s in love
And he says love is fine

Oh yes, indeed we know
That people will find a way to go
No matter what the man said

And love is fine for all we know
For all we know, our love will grow
That’s what the man said

So won’t you listen to what the man said
He said

Ah, take it away

Oh yes, indeed we know
That people will find a way to go
No matter what the man said

And love is fine for all we know
For all we know, our love will grow
That’s what the man said

So won’t you listen to what the man said
He said

Oh yes, indeed we know
That people will find a way to go
No matter what the man said

And love is fine for all we know
For all we know, our love will grow
That’s what the man said

So won’t you listen to what the man said
He said

The wonder of it all, baby
The wonder of it all, baby
The wonder of it all, baby, yeah yeah yeah