This is the year I became aware of sports, news, and politics. This year is an eclectic bunch of songs. You have punk, reggae, pub rock, rock, and pop/rock.
I didn’t get into the Sex Pistols at the time they came out. They were not as big over here as they were in the UK. I did find them later on. I can’t say I’m a huge fan but I do recognize the importance of the Punk rock movement… and they stirred up the rock music industry when it needed stirring up.
This was originally called “No Future.” The band played it live and recorded a demo version with that title, but changed it when lead singer Johnny Rotten got the idea to mock the British monarchy.
I got into Bob Marley and the Wailers a little later but better late than never. Jammin’ is on their ninth studio album Exodus. In Jamaica, the word “jamming” refers to getting together for a celebration. Although it can also mean an impromptu musical session.
Marley wrote the song in exile in Nassau after the 1976 attempt on his life.
The song was written by David Bowie and Brian Eno and was on the Heroes album released in 1977. After burnout because of touring Bowie moved to Berlin and rented a cheap apartment above an auto-repair shop, which is where he wrote the album.
I was walking through a drug store in the late seventies as a kid and I saw this album cover…I thought what??? another person named Elvis? Who is this skinny guy? While at the drug store, the guy was playing this album and I heard Alison… That was the first thing I ever heard from Elvis. The album peaked at #32 in the Billboard Album Charts in 1978. His songs were different than a lot of the radio hits of the day…with different, I mean better.
Fleetwood Mac released Rumours and it was the album of the year. An incredible four singles were pulled off of this album plus the other songs that would become FM classics. Personally, my favorite two are Second Hand News and Never Going Back Again but I do like Go Your On Way.
Lindsey Buckingham showed that less was more in this solo…he used very few notes and used sustain.
Earlier I did a post on this YouTube channel. If you want to know the background I would suggest go there. He releases new videos (around 10-11 minutes long…never longer) every 3-4 days. He has a style of fast edits in videos and he does have ADHD and you can tell.
I went to a pet store in Nashville and asked them if they had prairie dogs. The guy behind the counter eyes lit up but he said no. He asked me if I had watched this show? Of course, I said yes and we spent 15 minutes talking about it. A few years ago hardly anyone had heard of it but now it is getting popular. The reason I want a prairie dog is because of the one that he has on his show…named Big Ounce.
Ben Christie operates an animal rescue and he keeps it fun. He doesn’t show the really bad cases at all. He has moved up from a typical house in a suburb in Austin Texas to a 3-acre spread in Waco Texas. When he bought it…it was really a “crack house” with the property filled with car parts, trash, needles, and hundreds of tires. He has cleaned it up and now it’s beautiful.
He fixed up the “crack house” and lived there for a while but now he has built another house on the property and uses the original house as an office and for animal rehabilitation. He takes in squirrels, ducks, alligators, raccoons, hawks, owls, antelopes, and almost anything that needs help. Ben also keeps the show clean but a fun clean. It’s a show that adults and children watch. Ben’s sense of humor is the reason it is so popular.
He is called “Uncle Ben” and the stars of his show are the animals and his sense of humor. Some of the animals are permanent. Kevin the Rhea (who usually chases Ben and bites him), Big Ounce the prairie dog, Dababy a Kangaroo, Homelander the Ostrich, Master Oogway the tortious, Markiplier the goat, four capibaras, Petunia the pig, Garbanzo beans the duck, and Quenie and Poggers the dogs. There is more.
He spreads the animals out as far as featuring them. Not lingering on one too much but lately, Big Ounce has been the “star” so to speak. The animal to put the show on the map was Kevin the Rhea. Kevin lived on a farm and they were going to euthanize him because of his aggressive nature. Ben got him and gave him a home but that didn’t settle Kevin down at all. Sometimes Ben has to use a riot shield to feed him and to get into Kevin’s area.
Before I could publish this...Big Ounce the prairie dog passed away. Ben got Big Ounce in a pet store with 7 other prairie dogs in a cage. Big Ounce was severely obese so Ben gave him the run of his house and barn and Big Ounce got slim quickly. He has been there since January of 2022… he quickly became the most popular animal there.
Big Ounce was the alpha on the farm. The show is very entertaining and he helps a lot of animals that need it.
This song was on the Exile On Main Street album. The original lyrics were started in 1968 about Brian Jones while he was still a member. It was about his drug habits and decline as a musician and human. After Brian died, Mick rewrote some of the lyrics and we got this gospel-sounding song with the help of Billy Preston and Leon Russell. Leon and Mick Jagger recorded an early version of this song called “(Can’t Seem To) Get a Line on You.”
Keith Richards and Charlie Watts are not on this song. Mick Taylor has claimed to play guitar and bass. Bill Wyman later said that he played bass on the song, not Taylor but Taylor did play guitar. The producer Jimmy Miller played drums on this track with Billy Preston on piano and organ. Clydie King, Joe Greene, Venetta Fields, and Jesse Kirkland sang back up.
Allen Klein owned all of the rights to Stones’ songs written before 1970. Somehow he fooled Mick and Keith into signing all of their rights away to their sixties catalog. Klein got wind of five songs on this album that were written in the 60s and yes…he sued them and got a share of the profits on this album. The songs were Sweet Virginia, Loving Cup, All Down the Line, Shine a Light, and Stop Breaking Down. Although this song is credited to Jagger-Richards…Leon Russell is said to have co-written it with Mick.
The song gave its name to a 2008 Martin Scorsese film chronicling the Stones’ Beacon Theatre performances on the latter tour, and the 2006 performance is included on the soundtrack album. Mick Jagger has named this his favorite song on Exile on Main Street.
Mick Jagger:“When I was very friendly with Billy Preston in the ’70s I sometimes used to go to church with him in Los Angeles, it was an interesting experience because we don’t have a lot of churches like that in England. I hadn’t had a lot of firsthand experience of it.”
Mick Jagger:“It was quite an early one from Olympic Studios London, with Billy Preston. Once it was finished, we never played it on stage for years and years. Then it became this favorite after we recorded it for the Stripped album. So ‘Shine A Light’ was this funny thing that started off as something you did once at that time and never went back to.”
(Can’t Seem To) Get a Line on You with Jagger and Russell in 1969.
Shine A Light
Saw you stretched out in Room ten oh nine
With a smile on your face and a tear right in your eye
Whoa, come see to get a line on you, my sweet honey love
Berber jewelry jangling down the street
Making bloodshot eyes at every woman that you meet
Could not seem to get high on you, my sweet honey love
May the good Lord shine a light on you
Make every song (you sing) your favorite tune
May the good Lord shine a light on you
Warm like the evening sun
When you’re drunk in the elevator, with your clothes all torn
When your late night friends leave you in the cold gray dawn
Just seen too many flies on you, I just can’t brush them off
Angels beating all their wings in time
With smiles on their faces and a gleam right in their eyes
Whoa, thought I heard one sigh for you
Come on up, come on up, now, come on up now
May the good Lord shine a light on you, yeah
Make every song you sing your favorite tune
May the good Lord shine a light on you, yeah
Warm like the evening sun
Come on up now, come on up now, come on up now, come on up, come on
May the good Lord shine a light on you
Make every song you sing your favorite tune
May the good Lord shine a light on you
Warm like the evening sun, yeah, yeah
I’ve been listening to All Things Must Pass recently and the songs are really consistent on that album.
Harrison wrote these lyrics while he was still a Beatle. He found it hard to get many of them on Beatles albums because there was only so much room. The good side is when The Beatles broke up, he had a backlog full of songs.
Phil Collins was brought in to play the congos on this song. He played for 90 minutes and got blisters on his fingers from playing them for so long. Unfortunately for Collins…his version didn’t make the cut. George Harrison had a great sense of humor and pranked Collins in later years.
Collins met Harrison several more times over the years, and the pair became friendly… friendly enough for Harrison to prank Collins. In 2001, shortly before Harrison’s death, he put out a remastered version of All Things Must Pass and around the same time sent Collins what he claimed was a version of the track on which he had played featuring the drummer’s missing Congas handiwork.
George had the percussionist Ray Cooper play out of time on the tape and that is what he sent to Collins. Phil later said: “I got a tape from George of the song that I played with the congas quite loud, I thought, Oh my god, this sounds terrible. In fact, it was a Harrison joke. He’d recorded [percussionist] Ray Cooper. [He said] said, ‘Play bad, I’m going to record it and send it to Phil.’ I couldn’t believe that a Beatle had actually spent that much time on a practical joke for me.” He did have a connection to the Beatles… As a kid, he was an extra in the Beatles movie A Hard Day’s Night but was edited out. Harrison did credit Collins on the 2001 remastered version of All Things Must Pass.
All the members of Derek and the Dominos played on this track and it was produced by Phil Spector.
George Harrison credits his first experience with LSD as being the doorway to his spiritual awakening and introduction to Hinduism. Harrison said that during the LSD trip, he thought of Yogis of the Himalayas running through his mind. He began to think about death and that is how this song came about.
George Harrison passed away on November 29, 2001 after a long battle with cancer. He was not afraid of death, as he believed it would take him to a better place. Before he passed, Paul and Ringo visited him and spent the day telling jokes and talking about times in Liverpool. He did tell Paul McCartney one to stop fighting with Yoko…that life was too short. Paul honored that wish and started to communicate with Yoko.
George Harrison: In the scriptures and in the Bhagavad Gita it says there’s never a time when you didn’t exist and will never be a time you cease to exist. The only thing that changes is our bodily conditioned soul comes in the body and we go from birth to death and it’s death how I look at it. It is like taking your suit off, you know the soul is in these three bodies and one body falls off.
Acoustic Demo
Art Of Dying
There’ll come a time when all of us must leave here
Then nothing sister Mary can do
Will keep me here with you
As nothing in this life that I’ve been trying
Could equal or surpass the art of dying
Do you believe me?
There’ll come a time when all your hopes are fading
When things that seemed so very plain
Become an awful pain
Searching for the truth among the lying
And answered when you’ve learned the art of dying
But you’re still with me
But if you want it
Then you must find it
But when you have it
There’ll be no need for it
There’ll come a time when most of us return here
Brought back by our desire to be
A perfect entity
Living through a million years of crying
Until you’ve realized the Art of Dying
Do you believe me?
I’ve been listening to Southside Johnny since I posted Hearts Of Stone in August. This one is just a damn good song. I’ve never been to New Jersey but Southside Johnny and Springsteen make me feel like I did. Asbury Park has served as a musical mecca for decades. I’m hoping that one day I will get there.
This song was written by Bruce Springsteen and Bruce recorded it, but it’s Southside Johnny’s version, that is remembered. For many years, the only version of “The Fever,” ever officially released was the Southside Johnny and Asbury Jukes recording released on their debut album I Don’t Want to Go Home in 1976.
I Don’t Want to Go Home serves as a tribute to this music scene, depicting the energy and allure of Asbury Park through its lyrics that pick up from where Bruce left off.
Steve Van Zandt, turned out to be the secret weapon on this album, producing the sessions and writing three of the album’s songs, and Southside vocals are powerful on every track. Ronnie Spector is also on another Springsteen track called You Mean So Much To Me.
The only way Springsteen fans heard his version was through bootlegs. In 1999 Springsteen released “The Fever,” on the 18Tracks CD which featured his 1973 version of the song.
The Fever
When I get home from my job, I turn on my TV But I can’t keep my mind on the show When I lay down at night, I don’t get no sleep So I turn on the radio But lord, the only thing I hear Is you whisp’rin’ in my ear Them words that you used to say Well now the days grow longer, My love grows stronger And the fever gets worse every day I got the fever for this girl
He’s got the fever, oh he’s got the fever, Nothing that a boy can do When he’s got the fever for a girl He’s got the fever, oh he’s got the fever Left this little boy blue
I can remember coming home, See you standing at the stove With the dishes on the table, Dinner ready to go Well maybe out to a movie show Something that you like to see Because you were my sun in the morning, You were my moon at night When I think about you, makes me feel alright Well now the days grow longer, The love just grows stronger And the fever gets so bad at night
He’s got the fever, oh he’s got the fever, Nothing that a boy can do When he’s got the fever for a girl He’s got the fever, oh he’s got the fever Left this little boy blue All right
One of the best riffs in blues or rock. It’s been recycled in so many songs but never loses its bite. This song was a reworking of the Bo Diddley song “I’m A Man.” Great song by the great Muddy Waters.
Muddy recorded several versions of this song through the years. He recorded the original at Chess Records in Chicago in 1955. One of the reasons I love this song so much is because the guitar line is easy to play but very memorable. Waters used the same basic riff on his song “Hoochie Coochie Man.” George Thorogood also used it for his song “Bad To The Bone.”
The song peaked at #51 in the UK in 1988 and #5 in the R&B Charts in 1955.
Muddy Waters originally recorded this in 1955, then re-recorded it in 1977 for his Hard Again album in a version produced by Johnny Winter. The song was written by Muddy Waters, Mel London, and Bo Diddley.
He was born McKinley Morganfield in Rolling Fork, Mississippi, around 1913. Nicknamed “Muddy” as a child, he worked on the huge Stovall cotton plantation before following the northward migration of African Americans to Chicago, where he drove a truck and signed to Chess Records, a tiny blues label run by two émigré Polish brothers, Leonard and Phil Chess. As Muddy Waters, he established himself as a pioneering electric blues musician in the early 1950s.
Mannish Boys
Oh, yeah
Oh, yeah
Everything gonna be alright this mornin’
Now, when I was a young boy
At the age of five
My mother said I was gonna be
The greatest man alive
But now I’m a man
I’m age twenty-one
I want you to believe me, honey
We having lots of fun
I’m a man (yeah)
I spell M
A, child
N
That represent man
No B
O, child
Y
That spell mannish boy
I’m a man
I’m a full-grown man
I’m a man
I’m a rollin’ stone
I’m a man
I’m a hoochie-coochie man
Sittin’ on the outside
Just me and my mate
I’m made to move
Come up two hours late
Wasn’t that a man?
I spell M
A, child
N
That represesnt man
No B
O, child
Y
That spell mannish boy
I’m a man
I’m a full-grown man
I’m a man
I’m a rolllin’ stone
I’m a man
Full-grown man
Oh, well
Oh, well
Deke brought this band up the other day and I started to listen to their songs. Deke likes a lot of harder bands so I was expecting screaming guitars but this band is close to Sloan to me or power pop…which yea…I kinda like!
The band was formed in the small border town of Tsawwassen, BC. Musically they were influenced by British invasion and post-punk and American roots and punk rock. They got their name from a reference to a US political slogan from the 1840s (“Fifty-four forty or Fight!”) that called for the American annexation of what is now British Columbia.
The band started in 1978 when Neil Osborne and Brad Merritt met in Sought Delta High School in Tsawwassen, British Columbia. They released their first album in 1984 called Set The Fire and their second album in 1986 was a self-titled album also called The Green Album. That is the album this song is on.
The album 54-40 peaked at #91 on the Canadian Album Charts in 1986.
The song was covered by Hootie and the Blowfish and did well on the charts in 1996-97. It peaked at #13 in Canada, #2 on the US Adult Top 40, and #22 on the US Adult Contemporary in 1996-97.
I Go Blind
Every time I look at you I go blind
Every time I look at you I go blind
Every time I look at you I go blind
Every time I look at you I go blind
In the morning, I get up
And I try to feel alive but I can’t
Every time I look at you I go blind
I don’t know what it is
Something in me just won’t give it a chance
I think it’s that I feel more confused by the deal
Love has shown me
Little child, did you know that there’s a light
And it’s gonna shine right through your eyes
What do you think that life is like?
Every time I look at you I go blind
I go blind
Somewhere over there
There’s a purpose, there’s a care for free
In me there’s nobody
No one planned, no one stand to be free
I think it’s that because I have seen all the fuss
And it’s no big deal
No big deal
Hold me, hold me
‘Cause I wanna get higher and higher
Higher than
Hold me hold me
‘Cause I wanna get higher and higher
Higher than
When I think of John Prine this song comes to mind. In this song, he takes on a different gender and you don’t even blink…Prine makes it work. He said: “As a young feminist, the idea that this young man could inhabit the world of a middle-aged woman in a thankless marriage really resonated with me.”
What a terrific singer-songwriter he was…he wrote for his voice and again…it worked for Prine.
Prine was working as a mailman when he wrote this incredible song. He said while walking on his route he would think of lyrics. The song was released in 1971 on his self-titled debut album. It was a song about a 47-year-old woman who feels older than she is…but why did he pick Montgomery Alabama? He said he wasn’t sure but it could have been because it was Hank Williams’ home.
I went to secondhandsongs.com and there have been an incredible 90 covers of it. They range from Bonnie Raitt, John Denver, Tanya Tucker, Carly Simon, Susan Tedeschi, and Wynonna.
John Prine’s self-titled debut album peaked at #154 on the Billboard Album Charts in 1971. In 2020 the album peaked at #55. He was nominated for a Grammy “Best New Artist” in 1972 but didn’t win. He did end up winning 5 Grammys in his career.
In 2020, the album was ranked number 149 on Rolling Stone magazine’s list of the 500 greatest albums of all time. I stopped taking RS seriously but I thought I would add this ranking. It truly IS a great album.
John Prine: “I had this really vivid picture of this woman standing over the dishwater with soap in her hands and just walking away from it all, I just kept that whole idea image in mind when I was writing the song, and I just let it pour out of that character’s heart.”
Angel From Montgomery
I am an old woman named after my mother
My old man is another child that’s grown old
If dreams were lightning, thunder were desire
This old house would have burnt down a long time ago
Make me an angel that flies from Montgomery
Make me a poster of an old rodeo
Just give me one thing that I can hold on to
To believe in this living is just a hard way to go
When I was a young girl, well, I had me a cowboy
He weren’t much to look at, just a free rambling man
But that was a long time and no matter how I try
The years just flow by like a broken down dam
Make me an angel that flies from Montgomery
Make me a poster of an old rodeo
Just give me one thing that I can hold on to
To believe in this living is just a hard way to go
There’s flies in the kitchen, I can hear ’em there buzzing
And I ain’t done nothing since I woke up today
How the hell can a person go to work in the morning
And come home in the evening and have nothing to say?
Make me an angel that flies from Montgomery
Make me a poster of an old rodeo
Just give me one thing that I can hold on to
To believe in this living is just a hard way to go
I’ve never been a big Eddie Money fan but this is one of his songs I like. He had a nice career and I did like songs such as Take Me Home Tonight with Ronnie Spector.
This one has an old-west theme and I like the guitar. It has more of a rock sound than Money usually has. The song is off of his album Life for the Taking released in 1978. The album peaked at #17 on the Billboard 100 and #13 in Canada in 1978. The album charted higher than his debut album which featured Two Tickets To Paradise and Baby Hold On which both made it into the top 20.
It doesn’t sound like his big hits…a little rawer and more rock. To my surprise, it wasn’t released as a single but once in a while, I’ll hear it on a classic rock station. Eddie Money had 10 top 40 hits and seven of those were top 20.
The riff is not all that original but it serves its purpose. The song reminds me of Bad Company’s Shooting Star but one I haven’t heard a million times. Eddie Money wrote this song.
Eddie Money: “I had a song called ‘Give Me Some Water,’ and when I was told that Johnny Cash put it in his set — I was on Cloud Nine, I mean this is the guy who ‘Walked the Line!’”
Here is a cover version by Claudia Hoyser who apparently knew Eddie Money. She does a great low-key version here.
Gimme Some Water
Mama never understood what it’s like for a losing man
When her number one son goes bad playing cards with the Devil’s Hand
Daddy got real sick so quick – four walls never understand
I was the one who got good with the gun – took the money from the rich man’s land
Give me some water ’cause I shot a man on the Mexican border
Cool, cool water
Give me some water
I need a little water
Jimmy grew up so fast and he met me at the pass one day
Said, “You’re a wanted man. Take your brother’s hand – I’ll be running with you, anyway.”
So we rode late in the night like fires on the desert sand
’til one day the posse caught us ’cause the sheriff always gets his man
Give me some water ’cause I killed a man on the Mexican border
Cool, cool water
I need a little water
Oh, geeze, if I just get loose my hands
I’d run just as fast as my legs can
But, Lord, I’ve got no room to run
Shouldn’t have done what I did without that gun
Give me some water ’cause I killed a man on the Mexican border
Cool, cool water
Can’t you see that long, white rope hanging from the hangman’s tree
Take the restless horse; tie may hands, of course; tell my mother that I’m finally free
Let me die like a man – no one understands; let me pray that a poor man pray
Smack that horse in the ass; with my last dying gasp my brother could hear me say
Give me some water ’cause I shot a man on the Mexican border
Cool, cool water
Give me some water
Give me some water ’cause I shot a man on the Mexican border
Cool, cool water
Give me some water
Give me some water ’cause I shot a man on the Mexican border
Cool, cool water
Give me some water
Give me some water ’cause I killed a man on the Mexican border
Cool, sweet water
Give me some water
It’s 7:25 on Thanksgiving night and I just started this movie again. After looking at John Candy’s movies on IMDB I can’t help but think that a lot his movies were not up to his talent level. This one is a great one though.
This is my go-to Thanksgiving movie, along with The Last Waltz. Steve Martin and John Candy are a great team in this comedy. Personally, I think this is John Candy’s greatest movie. I watch it every year and always look forward to it. The heartwarming ending never fails to get to me.
The movie is full of great scenes and some good lines from Candy and Martin. John Candy can make me laugh with just a look on his face. The guy was a great comedian and a really good actor.
John Hughes is the Director and writer. He shot over 3 hours and had to edit it down. Below is a short plot. For those who haven’t seen it…you are missing a funny movie. It was rated R because of a one-minute scene with the F-Bomb used 18 times by mostly Martin. The movie was released in 1987.
John Hughes was the 1980s. I was expecting a credit that read: 1980’s – Directed by John Hughes. Hughes had a certain style that you can see in his movies. A lot of delayed timing routines from The Breakfast Club to Uncle Buck.
I do wish Candy and Martin would have done another movie together.
By the way….there is a new extended version of the movie that has been released that has over 75 minutes of extra footage.
Some great quotes:
Neal: Del… Why did you kiss my ear? Del: Why are you holding my hand? Neal: [frowns] Where’s your other hand? Del: Between two pillows… Neal: Those aren’t pillows!
Del: You play with your balls a lot. Neal: I do NOT play with my balls. Del: Larry Bird doesn’t do as much ball-handling in one night as you do in an hour! Neal: Are you trying to start a fight? Del: No. I’m simply stating a fact. That’s all. You fidget with your nuts a lot. Neal: You know what’d make me happy? Del: Another couple of balls, and an extra set of fingers?
For those who know the movie…
YOU’RE GOING THE WRONG WAY!
Short Plot
In New York, a marketing executive Neal Page wants to travel home to Chicago for Thanksgiving. He has difficulties getting a taxi and his flight is canceled. He meets in the airport the clumsy and talkative shower curtain ring salesman Del Griffith who has taken his cab and they travel side-by-side to Chicago. However the bad weather shuts down O’Hare Airport and they land at Wichita, Kansas. They both want to go to Chicago and they decide to travel together. Neal is cursed/blessed with the presence of Del Griffith, shower curtain ring salesman and all-around blabbermouth who is never short of advice, conversation, bad jokes, or company.
Along their journey, Neal changes his viewpoint about Del Griffith and his own behavior.
Happy Thanksgiving! Watching The Last Waltz is just as part of Thanksgiving as the meal with the family…that and listening to Alice’s Restaurant.
The Band on Thanksgiving in 1976 at the Fillmore West. The film starts off with THIS FILM MUST BE PLAYED LOUD! A cut to Rick Danko playing pool and then it then to the Band playing “Don’t Do It”…the last song they performed that night after hours of playing. Through the music and some interviews, their musical journey and influences are retraced.
This film is considered by many the best concert film ever made. It was directed by Martin Scorsese. I love the setting with the chandeliers that were from the movie Gone With The Wind. The quality of the picture is great because it was shot with a 35-millimeter camera which wasn’t normally done with concerts.
Before the Band and guests hit the stage, Bill Graham, the promoter, served a Thanksgiving dinner to 5000 people that made up the audience with long tables with white tablecloths.
The Band’s musical guests included
Ronnie Hawkins, Bob Dylan, Neil Young, Dr. John, Paul Butterfield, Van Morrison (my favorite performance), Joni Mitchell, Eric Clapton and Muddy Waters
The Staple Singers and Emmylou Harris also appear but their segments were taped later on a sound stage and not at the concert.
Robbie wanted off the road earlier and that is what the Last Waltz was all about…the last concert by The Band with a lot of musical friends. He was tired of touring and also the habits the band was picking up… drugs and drinking. Richard Manuel, in particular, was in bad shape and needed time.
The rest of the Band supposedly agreed but a few years later all of them but Robbie started to tour as The Band again. Richard Manuel ended up hanging himself in 1986. Rick Danko passed away in 1999 at the end of a tour of a heart attack attributed to years of drug and alcohol abuse. Levon Helm died of cancer in 2012.
The Band sounded great that night and it might be the best version you will ever hear of The Night They Drove Old Dixie Down.
The Last Waltz is a grand farewell to a great band and a film that I revisit at least twice a year… once always around Thanksgiving.
The complete concert is at the bottom…without cuts.
Hello everyone and those of you who celebrate Thanksgiving… I hope you have a great one with your friends and family! Those of you who don’t…have a great day and weekend coming up. I know Thanksgiving is an American holiday mostly but I have talked to a few who celebrate it from other countries…like Bruce my friend from New Zealand.
Every Thanksgiving I listen to Alice’s Restaurant and this is the fifth year in a row that I’ve posted it on the 4th Thursday of November. Sorry if you are tired of it but it’s not Thanksgiving until Alice’s Restaurant is played…and the Last Waltz is also watched but that is a different story.
The movie that Arlo movie made called Alice’s Restaurant is fun to watch.
It’s not Thanksgiving without listening to this 1967 song. This song did not chart but he did have another version that did chart…it was called Alice’s Rock and Roll Restaurant that peaked at #97 in the Billboard 100.
Many radio stations play this on Thanksgiving. This is usually the only time they play it, since the song is over 18 minutes long.
There have been mixed reviews about the movie that was made…I’ve always found it enjoyable. It’s not going to be confused with Gone With The Wind but it’s a fun period movie.
In 1991, Arlo bought the church where this took place and set up “The Guthrie Center,” where he runs programs for kids who have been abused.
From Songfacts
Running 18 minutes and 34 seconds, this song is based on a true story that happened on Thanksgiving Day, 1965. Arlo was 18, and along with his friend Rick Robbins, drove to Stockbridge, Massachusetts to have Thanksgiving dinner with Alice and Ray Brock. Alice and Ray lived in a church – the former Trinity Church on Division Street in Stockbridge – and were used to inviting people into their home. Arlo and Rick had been traveling together, Arlo working his way up in folk singing and Rick tagging along. A number of people, Arlo and Rick included, were considered members of the family, so they were not guests in the usual sense.
When Ray woke up the next morning, he said to them, “Let’s clean up the church and get all this crap out of here, for God’s sake. This place is a mess,” and Rick said, “Sure.” Arlo and Rick swept up and loaded all the crap into a VW microbus and went out to the dump, which was closed. They started driving around until Arlo remembered a side road in Stockbridge up on Prospect Hill by the Indian Hill Music Camp which he attended one summer, so they drove up there and dumped the garbage.A little later, the phone rang, and it was Stockbridge police chief William J. Obanhein. “I found an envelope with the name Brock on it,” Chief Obanhein said. The truth came out, and soon the boys found themselves in Obanhein’s police car. They went up to Prospect Hill, and Obie took some pictures. On the back, he marked them, “PROSPECT HILL RUBBISH DUMPING FILE UNDER GUTHRIE AND ROBBINS 11/26/65.” He took the kids to jail.The kids went in, pleaded, “Guilty, Your Honor,” was fined $25 each and ordered to retrieve the rubbish. Then they all went back to the church and started to write “Alice’s Restaurant” together. “We were sitting around after dinner and wrote half the song,” Alice recalls, “and the other half, the draft part, Arlo wrote.”
Guthrie, the son of legendary folk singer Woody Guthrie, greatly exaggerated the part about getting arrested for comic effect. In the song, he is taken away in handcuffs and put in a cell with hardened criminals.
In the song, Guthrie avoids the draft and did not have to serve in Vietnam because of his littering arrest. In reality, he was eligible but wasn’t drafted because his number didn’t come up.
Guthrie performed this song for the first time on July 16, 1967, at the Newport Folk Festival.
This reflected the attitude of many young people in America at the time. It was considered an antiwar song, but unlike most protest songs, it used humor to speak out against authority.
After a while, Guthrie stopped playing this at concerts, claiming he forgot the words. As the song approached its 30th anniversary, he started playing it again.
Guthrie made a movie of the same name in 1969 which was based on the song.
Over the years, Guthrie added different words to the song. He recorded a new, longer version in 1995 at The Guthrie Center
Alice’s Restuarant
This song is called Alice’s Restaurant, and it’s about Alice, and the
Restaurant, but Alice’s Restaurant is not the name of the restaurant,
That’s just the name of the song, and that’s why I called the song Alice’s
Restaurant.
You can get anything you want at Alice’s Restaurant
You can get anything you want at Alice’s Restaurant
Walk right in it’s around the back
Just a half a mile from the railroad track
You can get anything you want at Alice’s Restaurant
Now it all started two Thanksgivings ago, was on – two years ago on
Thanksgiving, when my friend and I went up to visit Alice at the
Restaurant, but Alice doesn’t live in the restaurant, she lives in the
Church nearby the restaurant, in the bell-tower, with her husband Ray and
Fasha the dog. And livin’ in the bell tower like that, they got a lot of
Room downstairs where the pews used to be in. Havin’ all that room,
Seein’ as how they took out all the pews, they decided that they didn’t
Have to take out their garbage for a long time.
We got up there, we found all the garbage in there, and we decided it’d be
A friendly gesture for us to take the garbage down to the city dump. So
We took the half a ton of garbage, put it in the back of a red vw
Microbus, took shovels and rakes and implements of destruction and headed
On toward the city dump.
Well we got there and there was a big sign and a chain across across the
Dump saying, “Closed on Thanksgiving.” And we had never heard of a dump
Closed on Thanksgiving before, and with tears in our eyes we drove off
Into the sunset looking for another place to put the garbage.
We didn’t find one. Until we came to a side road, and off the side of the
Side road there was another fifteen foot cliff and at the bottom of the
Cliff there was another pile of garbage. And we decided that one big pile
Is better than two little piles, and rather than bring that one up we
Decided to throw our’s down.
That’s what we did, and drove back to the church, had a thanksgiving
Dinner that couldn’t be beat, went to sleep and didn’t get up until the
Next morning, when we got a phone call from officer Obie. He said, “Kid,
We found your name on an envelope at the bottom of a half a ton of
Garbage, and just wanted to know if you had any information about it. ” And
I said, “Yes, sir, Officer Obie, I cannot tell a lie, I put that envelope
Under that garbage. ”
After speaking to Obie for about forty-five minutes on the telephone we
Finally arrived at the truth of the matter and said that we had to go down
And pick up the garbage, and also had to go down and speak to him at the
Police officer’s station. So we got in the red vw microbus with the
Shovels and rakes and implements of destruction and headed on toward the
Police officer’s station.
Now friends, there was only one or two things that Obie coulda done at
The police station, and the first was he could have given us a medal for
Being so brave and honest on the telephone, which wasn’t very likely, and
We didn’t expect it, and the other thing was he could have bawled us out
And told us never to be seen driving garbage around the vicinity again,
Which is what we expected, but when we got to the police officer’s station
There was a third possibility that we hadn’t even counted upon, and we was
Both immediately arrested. Handcuffed. And I said “Obie, I don’t think I
Can pick up the garbage with these handcuffs on. ” He said, “Shut up, kid.
Get in the back of the patrol car. ”
And that’s what we did, sat in the back of the patrol car and drove to the
Quote Scene of the Crime unquote. I want tell you about the town of
Stockbridge, Massachusets, where this happened here, they got three stop
Signs, two police officers, and one police car, but when we got to the
Scene of the Crime there was five police officers and three police cars,
Being the biggest crime of the last fifty years, and everybody wanted to
Get in the newspaper story about it. And they was using up all kinds of
Cop equipment that they had hanging around the police officer’s station.
They was taking plaster tire tracks, foot prints, dog smelling prints, and
They took twenty seven eight-by-ten colour glossy photographs with circles
And arrows and a paragraph on the back of each one explaining what each
One was to be used as evidence against us. Took pictures of the approach,
The getaway, the northwest corner the southwest corner and that’s not to
Mention the aerial photography.
After the ordeal, we went back to the jail. Obie said he was going to put
Us in the cell. Said, “Kid, I’m going to put you in the cell, I want your
Wallet and your belt. ” And I said, “Obie, I can understand you wanting my
Wallet so I don’t have any money to spend in the cell, but what do you
Want my belt for? ” And he said, “Kid, we don’t want any hangings. ” I
Said, “Obie, did you think I was going to hang myself for littering?”
Obie said he was making sure, and friends Obie was, cause he took out the
Toilet seat so I couldn’t hit myself over the head and drown, and he took
Out the toilet paper so I couldn’t bend the bars roll out the – roll the
Toilet paper out the window, slide down the roll and have an escape. Obie
Was making sure, and it was about four or five hours later that Alice
(remember Alice? It’s a song about Alice), Alice came by and with a few
Nasty words to Obie on the side, bailed us out of jail, and we went back
To the church, had a another thanksgiving dinner that couldn’t be beat,
And didn’t get up until the next morning, when we all had to go to court.
We walked in, sat down, Obie came in with the twenty seven eight-by-ten
Colour glossy pictures with circles and arrows and a paragraph on the back
Of each one, sat down. Man came in said, “All rise.” We all stood up,
And Obie stood up with the twenty seven eight-by-ten colour glossy
Pictures, and the judge walked in sat down with a seeing eye dog, and he
Sat down, we sat down. Obie looked at the seeing eye dog, and then at the
Twenty seven eight-by-ten colour glossy pictures with circles and arrows
And a paragraph on the back of each one, and looked at the seeing eye dog.
And then at twenty seven eight-by-ten colour glossy pictures with circles
And arrows and a paragraph on the back of each one and began to cry,
’cause Obie came to the realization that it was a typical case of American
Blind justice, and there wasn’t nothing he could do about it, and the
Judge wasn’t going to look at the twenty seven eight-by-ten colour glossy
Pictures with the circles and arrows and a paragraph on the back of each
One explaining what each one was to be used as evidence against us. And
We was fined $50 and had to pick up the garbage in the snow, but that’s not
What I came to tell you about.
Came to talk about the draft.
They got a building down New York City, it’s called Whitehall Street,
Where you walk in, you get injected, inspected, detected, infected,
Neglected and selected. I went down to get my physical examination one
Day, and I walked in, I sat down, got good and drunk the night before, so
I looked and felt my best when I went in that morning. ‘Cause I wanted to
Look like the all-American kid from New York City, man I wanted, I wanted
To feel like the all-, I wanted to be the all American kid from New York,
And I walked in, sat down, I was hung down, brung down, hung up, and all
Kinds o’ mean nasty ugly things. And I waked in and sat down and they gave
Me a piece of paper, said, “Kid, see the phsychiatrist, room 604.”
And I went up there, I said, “Shrink, I want to kill. I mean, I wanna, I
Wanna kill. Kill. I wanna, I wanna see, I wanna see blood and gore and
Guts and veins in my teeth. Eat dead burnt bodies. I mean kill, Kill,
Kill, kill. ” And I started jumping up and down yelling, “kill, kill, ” and
He started jumping up and down with me and we was both jumping up and down
Yelling, “KILL, KILL.” And the Sargent came over, pinned a medal on me,
Sent me down the hall, said, “You’re our boy.”
Didn’t feel too good about it.
Proceeded on down the hall gettin more injections, inspections,
Detections, neglections and all kinds of stuff that they was doin’ to me
At the thing there, and I was there for two hours, three hours, four
Hours, I was there for a long time going through all kinds of mean nasty
Ugly things and I was just having a tough time there, and they was
Inspecting, injecting every single part of me, and they was leaving no
Part untouched. Proceeded through, and when I finally came to the see the
Last man, I walked in, walked in sat down after a whole big thing there,
And I walked up and said, “What do you want?” He said, “Kid, we only got
One question. Have you ever been arrested? ”
And I proceeded to tell him the story of the Alice’s Restaurant Massacre,
With full orchestration and five part harmony and stuff like that and all
The phenome… – and he stopped me right there and said, “Kid, did you ever
Go to court? ”
And I proceeded to tell him the story of the twenty seven eight-by-ten
Colour glossy pictures with the circles and arrows and the paragraph on
The back of each one, and he stopped me right there and said, “Kid, I want
You to go and sit down on that bench that says Group W…. Now kid!! ”
And I, I walked over to the, to the bench there, and there is, Group W’s
Where they put you if you may not be moral enough to join the army after
Committing your special crime, and there was all kinds of mean nasty ugly
Looking people on the bench there. Mother rapers. Father stabbers. Father
Rapers! Father rapers sitting right there on the bench next to me! And
They was mean and nasty and ugly and horrible crime-type guys sitting on the
Bench next to me. And the meanest, ugliest, nastiest one, the meanest
Father raper of them all, was coming over to me and he was mean ‘n’ ugly
‘n’ nasty ‘n’ horrible and all kind of things and he sat down next to me
And said, “Kid, whad’ya get?” I said, “I didn’t get nothing, I had to pay
$50 and pick up the garbage. ” He said, “What were you arrested for, kid? ”
And I said, “Littering.” And they all moved away from me on the bench
There, and the hairy eyeball and all kinds of mean nasty things, till I
Said, “And creating a nuisance.” And they all came back, shook my hand,
And we had a great time on the bench, talkin about crime, mother stabbing,
Father raping, all kinds of groovy things that we was talking about on the
Bench. And everything was fine, we was smoking cigarettes and all kinds of
Things, until the Sargeant came over, had some paper in his hand, held it
Up and said.
“Kids, this-piece-of-paper’s-got-47-words-37-sentences-58-words-we-wanna-
Know-details-of-the-crime-time-of-the-crime-and-any-other-kind-of-thing-
You-gotta-say-pertaining-to-and-about-the-crime-I-want-to-know-arresting-
Officer’s-name-and-any-other-kind-of-thing-you-gotta-say”, and talked for
Forty-five minutes and nobody understood a word that he said, but we had
Fun filling out the forms and playing with the pencils on the bench there,
And I filled out the massacre with the four part harmony and wrote it
Down there, just like it was, and everything was fine and I put down the
Pencil and I turned over the piece of paper, and there, there on the
Other side, in the middle of the other side, away from everything else on
The other side, in parentheses, capital letters, quotated, read the
Following words:
(“KID, HAVE YOU REHABILITATED YOURSELF?”)
I went over to the Sargent, said, “Sargeant, you got a lot a damn gall to
Ask me if I’ve rehabilitated myself, I mean, I mean, I mean that just, I’m
Sittin’ here on the bench, I mean I’m sitting here on the Group W bench
’cause you want to know if I’m moral enough join the army, burn women,
Kids, houses and villages after bein’ a litterbug. ” He looked at me and
Said, “Kid, we don’t like your kind, and we’re gonna send you fingerprints
Off to Washington. ”
And friends, somewhere in Washington enshrined in some little folder, is a
study in black and white of my fingerprints. And the only reason I’m
singing you this song now is cause you may know somebody in a similar
situation, or you may be in a similar situation, and if your in a
situation like that there’s only one thing you can do and that’s walk into
The shrink wherever you are, just walk in say “Shrink, You can get
Anything you want, at Alice’s restaurant. “. And walk out. You know, if
One person, just one person does it they may think he’s really sick and
They won’t take him. And if two people, two people do it, in harmony,
They may think they’re both faggots and they won’t take either of them.
And three people do it, three, can you imagine, three people walking in
Singin a bar of Alice’s Restaurant and walking out. They may think it’s an
Organization. And can you, can you imagine fifty people a day, I said
Fifty people a day walking in singing a bar of Alice’s Restaurant and
Walking out. And friends they may think it’s a movement.
And that’s what it is, the Alice’s Restaurant Anti-Massacre Movement, and
All you got to do to join is sing it the next time it comes around on the
Guitar.
With feeling. So we’ll wait for it to come around on the guitar, here and
Sing it when it does. Here it comes.
You can get anything you want, at Alice’s Restaurant
You can get anything you want, at Alice’s Restaurant
Walk right in it’s around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice’s Restaurant
That was horrible. If you want to end war and stuff you got to sing loud.
I’ve been singing this song now for twenty-five minutes. I could sing it
For another twenty-five minutes. I’m not proud… Or tired.
So we’ll wait till it comes around again, and this time with four part
Harmony and feeling.
We’re just waitin’ for it to come around is what we’re doing.
All right now.
You can get anything you want, at Alice’s Restaurant
Excepting Alice
You can get anything you want, at Alice’s Restaurant
Walk right in it’s around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice’s Restaurant
The bicentennial in America and everything that wasn’t nailed down was painted Red, White, and Blue. It was the first year I remember becoming aware of news and popular culture. In 1977 I would start watching the news and following baseball.
I always liked the imagery of this song.
When Phil Lynott was a kid his mother Philomena ran an illegal drinking den in Manchester, England. Phil was often with his mother in this den. Some of her most frequent returning customers were members of the Quality Street Gang (a group of criminals operating in Manchester, England, in the 1960s, 1970s, and 1980s).
He would spend his time observing the gang, their mannerisms, the way they talk, and the way they fight. All of this observation eventually inspired him to write a song about them called “The Boys Are Back In Town.”
I always liked this song by Seger. This song is a staple on classic radio and I still listen to it when it comes on. Seger has great imagery in this song.It took Seger around six months to write this song. Along with “Turn The Page,” this was one of just two songs Seger ever wrote on the road. Night Moves was a breakthrough hit for Seger, introducing the heartland rocker to a much wider audience. He had been very popular in Michigan ever since his first album in 1969… which had the hit Ramblin’ Gamblin’ Man. That song went to #17 on the Hot 100, but over the next few years, he struggled to make a national impact.
Lynyrd Skynyrd’s Freebird was originally released on the (Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd) in 1973 but the live version is what hit in 1976 with a single released off of One More From The Road. This is when the song became a legend. Personally, I like the studio version of it a lot but live it was unbeatable.
It’s become so ingrained that people will shout this out at concerts. In 2016 someone shouted this out at a Bob Dylan concert…guess what? Bob and his band went into the ending of the song where it rocks.
This is the band at Knebworth in 1976.
Punk was around in the UK and in America, we had the Ramones.
The Ramones were no frills and to the point. No long solos (or any) or instrumental breaks. Just 2-minute rock songs full of energy. This was the song that helped launch the Ramones.
The song never charted but is probably their best-known song because of the many movies, TV shows, and commercials it’s been in. The song was mainly written by drummer Tommy Ramone, while bassist Dee Dee Ramone came up with the title (the song was originally called “Animal Hop”). Dee Dee also changed one line: the original third verse had the line “shouting in the back now”, but Dee Dee changed it to “shoot ’em in the back now.”
This song still sounds fresh today. Got To Get You Into My Life was on Revolver released in 1966. It was not released as a single at the time. Any other band would have released it as a single.
In 1976 it was released as a single and peaked at #7 in the Billboard 100…not bad for a song that was 10 years old. It was released off of the horribly packaged compilation album Rock and Roll Music. Capital Records seemed to forget The Beatles represented the 60s, not the 50s that the album cover represented.
Some tv episodes are classic and will live on. When you tell someone you like a certain show, there is always that certain episode that many people will bring up that represents that show. I’ll go through a few random shows in the next few weeks and pick the one that I remember the most. They will be in no particular order.
” Those can’t be skydivers. I can’t tell just yet what they are but… Oh my God! They’re turkeys! Oh no! Johnny, can you get this?”
” The Pinedale Shopping Mall has just been bombed with live turkeys. Film at eleven”
“I really don’t know how to describe it. It was like the turkeys mounted a counter-attack. It was almost as if they were… organized!”
“As God as my witness, I thought turkeys could fly”
WKRP IN CINCINNATI – Turkeys Away
When I talk to people about this show. This episode always comes to mind. The Characters are Bailey Quarters, Les Nessman, Mr. Carlson, Venus Flytrap, Dr. Johnny Fever, Herb Tarlek, Jennifer Marlowe and Andy Travis
Les’s play by play of the promotion is great. The complete episode is great but when Mr. Carlson says the closing line it turns into a classic episode.
It starts off with the big guy Mr. Carlson trying to act busy driving everyone crazy trying to be useful and probing the office to see what everyone was up to. He decided he would plan a promotion. He told the salesman Herb to get 20 turkeys ready for a Thanksgiving radio promotion.
Les is at the shopping center and Mr Carlson and Herb are up in a helicopter. He then notices a dark object being dropped from the helicopter, then a second one. Believing them to be skydivers, his tone becomes increasingly cautious when he sees no parachutes are opening. After a few more moments he realizes in horror that the objects are live turkeys. Continuing his broadcast (which bears a strong resemblance to the Hindenberg disaster) he says that the turkeys are hitting the ground and that the crowd has begun running away in panic. One turkey hits a parked car. Les continues, saying the turkeys are hitting the ground like “sacks of wet cement”. He tries to retreat to the store behind him but realizes he can’t after annoying the owner.
At the studio, the gang are listening, horrified themselves, when the broadcast is suddenly cut off. Johnny calmly tries to re-establish contact with Les, but hears only silence. Johnny thanks Les, telling his listeners that the shopping mall was just “bombed by live turkeys” and ends the broadcast.
At the end, Mr. Carlson says the phrase that elevates the episode to a classic. “As God as my witness, I thought turkeys could fly”
In 1979 this song was out I was at our town’s Dime Store…remember Dime Stores? They had a .50-cent single bin. I looked around and I saw a Rock And Roll Fantasy single just picked it up and bought it…not paying attention to the band.
I played the single at home and it was The Kinks Rock and Roll Fantasy… a totally different song but it soon became one of my favorites by the Kinks…so I won in that deal. This Bad Company song has been worn out by radio but I still will listen when it comes on.
Paul Rodgers has one of the best voices in rock and blues. So good in fact that one band came looking for him when their singer passed away. The Doors searched for Rodgers after Jim Morrison had died but Rodgers was living off the grid in England and they couldn’t find him. He didn’t know about it until years later when Doors guitarist Robby Krieger told him. The Doors were all Free fans.
The song was written by Paul Rodgers about rock and roll escapism. The band was all burned out from their 1977 tour and they took a two-year break until 1979 when they released the Desolation Angels album. It became one of their most successful albums along with their last top 10 album.
This song was quite successful as was the album Desolation Angels. The album peaked at #3 on the Billboard Album Charts, #6 in Canada, #10 in the UK, and #32 in New Zealand in 1979.
The song peaked at #13 on the Billboard 100 and #16 in Canada.
They were on Led Zeppelin’s record label…Swan Song. It would be the last huge year on the label when Led Zeppelin released In Through The Out Door along with this Bad Company album. John Bonham would pass the following year and the label died in 1983. Bad Company was far and away the most successful band on the label not including Zeppelin.
When clearing out the offices in 1983…unheard demos by Iron Maiden and Heart were found.
Paul Rodgers: “I discovered quite recently that I was lined up to join The Doors, which blew my mind. Robby Krieger told me that the Doors were all fans of Free, and after Jim Morrison’s death, they came to England looking for me. The thing is, at that time, I had buried myself in the country, working on things, and they couldn’t get a hold of me. My jaw actually dropped like in a cartoon when Robby told me this.”
Paul Rodgers: “I don’t think you should ever bring politics and stuff that surrounds you every day – all that depressing stuff – into music, people want to go and see groups to get away from all that. I know I do. The lights, the atmosphere… they can forget everything else.”
Rock ‘n’ Roll Fanstasy
Here comes the jesters, one, two three
It’s all part of my fantasy
I love the music and I love to see the crowd
Dancin’ In the aisles and singin’ out loud
Here comes the dancers one bye one
Your mama’s callin’ but you’re havin’ fun
You find you’re dancin’ on a number nine cloud
Put your hands together now and sing It out loud
Its all part of my rock ‘n roll fantasy
Its all part of my rock ‘n roll dream
Its all part of my rock ‘n roll fantasy
Its all part of my rock ‘n roll dream
Put up the spotlights one and all
And let the feelin’ get down to your soul
The music’s so loud you can hear the sound
Reachin’ for the sky and churn In up the ground
Its all part of my rock ‘n roll fantasy
Its all part of my rock ‘n roll dream
Its all part of my rock ‘n roll fantasy
Its all part of my rock ‘n roll dream