Beatles Week – Got To Get You Into My Life @othemts.wordpress.com

Liam Sullivan is a Dad, archivist, choral singer, and tour guide living his best life in Boston, MA. You can read his thoughts on books, movies, music, and more at Panorama of the Mountains https://othemts.wordpress.com.

“Got to Get You Into My Life” is a song by The Beatles that was a top ten hit when I was a small child. Except that The Beatles broke up more than 3 years before I was even born. How could this be? It was a mystery to me for a long time. I didn’t even know it was a song by The Beatles until I was a teenager in the 1980s. It puzzled me how I could remember “Got to Get You Into My Life” being in heavy rotation with the songs I heard played on the radio in my dad’s Chevy Nova back in the mid-70s.

I won’t keep you in suspense as long as I was. It turns out that Capitol Records, The Beatles label in the United States, released “Got to Get You Into My Life” as a single on May 31, 1976. Despite being a ten-year-old song at that point, it did well on the charts, peaking at #7 on the Billboard Hot 100 in the week of July 24, 1976. It would be The Beatles last Top Ten hit until “Free As A Bird” in 1995.

The single was released to promote a compilation album that Capitol Records was promoting called Rock ‘n’ Roll Music. The collection of 28 rockers culled from The Beatles’ previous releases was clearly Capitol looking to make some money off of a beloved band that wasn’t making any new music. It sold well, reaching number 2 on the Billboard album charts, ironically held out of the top spot by Paul McCartney’s Wings at the Speed of Sound.

    The album cover for Rock ‘n’ Roll Music was designed to tap into the Fifties nostalgia craze of the 1970s with images of a jukebox, cars with big fins, and Marilyn Monroe. The Beatles, notably were a Sixties band, but the title track is a cover of a Chuck Berry song from the Fifties, so there’s a tenuous connection. The Fifties nostalgia probably was kicked off by the doo wop cover act Sha Na Na performing at Woodstock in 1969 (the group would get a TV show that started in 1977. I loved Bowser). The Broadway musical Grease (1972), the movie American Graffiti (1973), and the TV sitcom Happy Days (debuted in 1974), all continued this trend. Even John Lennon got into the act with his 1974 album Rock ‘N’ Roll, a collection of covers of Lennon’s favorite songs from his youth.

    But “Got to Get You Into My Life” is not a Fifties song. It’s a Sixties song that became a hit in the Seventies partly because it really sounds like the soul and funk music that was dominating the charts at the time. Does it not sound like it totally fits in with the Number One song of week of July 24, 1976, “Kiss and Say Goodbye” by The Manhattans (who despite their name were a New Jersey band who played Philadelphia soul). Even better evidence that an old Beatles’ album track somehow captured the zeitgeist of Seventies funk and soul is that the Chicago R&B band released a cover of the song in July 1978 (their version peaked at #9 on the Hot 100).

    But let’s go back to the Sixties, when the Beatles recorded the song. The lineup for The Beatles recording the song was Paul McCartney on lead vocal and bass, John Lennon on rhythm guitar, George Harrison on lead guitar, and Ringo star on drums and tambourine. Producer George Martin also added organ. But if you’re going to record an homage to Motown and Memphis soul, you’re going to need horns. So a quintet of guest artists were brought in.
    • Eddie Thornton – trumpet. The Jamaican-born Thornton, known by the nickname Tan Tan, is likely the first Black guest musician on a Beatles recording since The Beatles didn’t have many guest artists prior to recording Revolver.
    • Ian Hamer – trumpet. Hamer had a jazz artists who had a long career as a Liverpool big band leader.
    • Les Condon – trumpet. The London-born Condon was a modern jazz pioneer who played with many of the top UK and American jazz acts.
    • Alan Branscombe – tenor saxophone. Merseyside-born Branscombe was a sideman to numerous jazz band leaders over a four decade career.
    • Peter Coe – tenor saxophone. Coe was more of a pop musician and had previously played with the British R&B band Georgie Fame and the Blue Flames, contributing a sax solo to their UK #1 hit “Yeh Yeh.”
    Having discussed many aspects of the song, let us finish with the lyrics. It is a love song, of course. Right? Well, according to McCartney “It’s actually an ode to pot.” Legendarily, the Beatles were introduced to marijuana by Bob Dylan when they met in 1964, and the band grew to incorporate the drug into their creative process leading to this love song to pot. Personally, I’m going to forget that I learned that because while I’ve never used marijuana, I have been in love. The lyrics of this song so perfectly capture that feeling of meeting an intoxicating person (or plant) and connecting with them so fully that you just want to spend every moment you can with them. Surely this is what Paul McCartney would feel when he met Linda Eastman in 1967. In fact, they are famous for spending “every single day” of their lives together until Linda’s death in 1998. You can read the full lyrics and decide for yourself if this is a love song, a drug song, or (most likely) both.
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Beatles – Got To Get You Into My Life

This song still sounds fresh today. Got To Get You Into My Life was on Revolver released in 1966. It was not released as a single at the time. Any other band would have released it as a single.

In 1976 it was released as a single and peaked at #7 in the Billboard 100…not bad for a song that was 10 years old. It was released off of the horribly packaged compilation album Rock and Roll Music. Capital Records seemed to forget The Beatles represented the 60s, not the 50s that the album cover represented. They probably wanted to capitalize on the 50s revival that was going on at the time… Bad Choice.

I owned this album and Hey Jude Again for my first exposure to the Beatles.

Image result for beatles rock and roll music gate fold albumRelated image

There is a 5 piece horn section on this recording that sounds great. Paul McCartney has said the song was about pot…

“’Got To Get You Into My Life’ was one I wrote when I had first been introduced to pot.  I’d been a rather straight working-class lad but when we started to get into pot it seemed to me to be quite uplifting.  It didn’t seem to have too many side effects like alcohol or some of the other stuff, like pills, which I pretty much kept off.  I kind of liked marijuana.  I didn’t have a hard time with it and to me it was mind-expanding, literally mind-expanding.”

“So ‘Got To Get You Into My Life’ is really a song about that, it’s not to a person, it’s actually about pot.  It’s saying, ‘I’m going to do this.  This is not a bad idea.’  So it’s actually an ode to pot, like someone else might write an ode to chocolate or a good claret.  It wouldn’t be the first time in history someone’s done it, but in my case it was the first flush of pot.”

From Songfacts

This beatific love song is actually about marijuana. Paul McCartney cleared this up in his 1998 book Many Years From Now when he explained that it was not about a particular person, but his desire to smoke pot. “I’d been a rather straight working-class lad but when we started to get into pot it seemed to me to be quite uplifting,” he said.

There are no obvious drug references in the song, so it appears to be about a guy who is blissfully in love:

Ooh, then I suddenly see you
Ooh, did I tell you I need you
Every single day of my life

A British rock group called Cliff Bennett & The Rebel Rousers released this song as a single around the same time it appeared on the The Beatles Revolver album. Bennett & The Rebel Rousers were an opening act for The Beatles on their European tour in early 1966; since there were no plans to release “Got To Get You Into My Life” as a single, Paul McCartney encouraged them to record it and produced the session.

Revolver appeared on August 5, 1966 and the Cliff Bennett & The Rebel Rousers version of this song showed up on the UK chart for the first time on August 17, rising to #6 on September 21. It ended up being the biggest hit for the group, which made #9 in 1964 with “One Way Love.”

Session musicians played trumpets and sax. It was the first time horns were used in a Beatles song.

Earth, Wind & Fire recorded a funky new version for the 1978 movie Sgt. Pepper’s Lonely Hearts Club Band. Beatles producer George Martin was in charge of the music, and the soundtrack was a success, but the movie, which starred Peter Frampton, The Bee Gees and Aerosmith, was a huge flop. Earth, Wind & Fire’s version of this hit #9 in the US.

The first group to chart with this song was Blood, Sweat & Tears, whose horn-heavy version made #62 in the summer of 1975. The Beatles version wasn’t issued as a single until 1976, when Capitol Records issued it in America backed with “Helter Skelter.”

This version went to #7 in July that year, becoming the first Beatles song to chart in the US since 1970. Later in 1976, Capitol issued “Ob-La-Di, Ob-La-Da,” which made #49.

John Lennon thought this was some of McCartney’s best work.

In the ’60s, Joe Pesci was an aspiring singer known as Joe Ritchie. He recorded a version of this that can be found on Rhino’s “Golden Throat” Series. His version merits the “Stick to Acting” award. >>

This song rarely licensed for movies or TV. The only time the Beatles rendition was used in a film is the 2015 movie Minions, where it plays under the end credits. In 2009, a version by Matthew Sweet and Susanna Hoffs appeared in the Eddie Murphy movie Imagine That, and in 2013 Kurt Hummel and Chris Colfer sang it on the “Love, Love, Love” episode of the TV series Glee.

Got To Get You Into My Life

I was alone, I took a ride
I didn’t know what I would find there
Another road where maybe I
Could see another kind of mind there
Ooh, then I suddenly see you
Ooh, did I tell you I need you
Every single day of my life

You didn’t run, you didn’t hide
And had you gone, you knew in time
We’d meet again for I had told you
Ooh, you were meant to be near me
Ooh, and I want you to hear me
Say we’ll be together every day
Got to get you into my life

What can I do, what can I be
When I’m with you I want to stay there
If I’m true I’ll never leave
And if I do I know the way there
Ooh, then I suddenly see you
Ooh, did I tell you I need you
Every single day of my life
Got to get you into my life

I was alone, I took a ride
I didn’t know what I would find there
Another road where maybe I
Could see another kind of mind there
Ooh, then I suddenly see you
Ooh, did I tell you I need you
Every single day