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The Contours – Do You Love Me

The first time I heard this song was the Dave Clark Five’s version. It was written by Motown president Berry Gordy Jr, who wrote it for The Temptations, but they failed to arrive for the recording session. At the same time but in a different Motown studio, The Contours arrived to record “It Must Be Love,” but Gordy had other ideas – he asked them to cut “Do You Love Me” instead. The song became one of Motown’s first hits.

The song peaked at #3 in the Billboard 100 in 1962. This would be The Contours last top 40 hits although they would place 8 songs in the top 100.

From Songfacts

Joe Billingslea of The Contours told Mojo magazine February 2009 the story of this song: “We had just left the record hop and we turned at the studio. The doors were always open in those days. Berry was down there at the piano and he said ‘I want you to try this song I’m writing.’ He told us how he wanted the backgrounds to go and we sang it. ‘Try it again, I didn’t quite like it,’ he said. After about the third time he said, ‘That’s not right. I think I’ll give it to The Temptations instead.’ I told him not to. We did it again and he said, ‘That’s exactly how I want it. Come in tomorrow morning, we’re going to record it.’ So we did.

I didn’t like the song. It reminded me of ‘Twist And Shout.’ I said: ‘This song ain’t gonna do nothin’, man.’ That same week it was released and the following week it made the charts. I turned around and said: I love that song! Did I change my opinion? Of course! We realized later that The Temptations could never have sung that song because it wasn’t suited to them but Berry had motivated us to sing it the way he wanted it.”

This song peaked in popularity just as Motown launched their first “Motortown Revue” tour to showcase their acts. The Countours were stars of the show, igniting crowds with “Do You Love Me.” Lower on the bill were some other Motown acts that had yet to hit, including Marvin Gaye, Little Stevie Wonder, and The Supremes.

After being featured in the 1988 movie Dirty Dancing, this was re-released 26 years after it was originally recorded. This time, it charted at #11. The song was a good fit for Dirty Dancing, which despite featuring some modern, original songs, was set in 1963. This was a great song of that era for a dance scene.

The Dave Clark Five recorded this in 1964 as the British Invasion was underway. Their rendition hit #11 in the US. On March 8, 1964, The DC5 played it on the first of their 12 appearances on The Ed Sullivan Show.

In his autobiography To Be Loved, recalls a confrontation with Motown’s primary bass player, James Jamerson, over this song. Jamerson, who is lauded as a creator of the Motown sound, was playing a jazz beat during the session despite Berry’s instructions. “You’ve got to stay on the f–kin’ downbeat,” Berry told him, hoping he wouldn’t have to kick his star bassist out of the session. When they rolled for the next take, Jamerson did as instructed, playing the Pop groove Gordy requested… until Berry took his eyes off him. “In that split second, Jamerson hit four or five Jazz upbeats in rapid succession,” Gordy recalled. “I turned to let him have it, but before I could say anything he had jumped back on the downbeat so brilliantly I could only smile.”

In 1963, London group Brian Poole And The Tremeloes recorded a version that topped the charts in 16 countries including the UK.

This song featured in a 2016 Pepsi commercial starring Janelle Monáe. In the spot, which debuted during the Super Bowl, Monáe dances to the song before entering another room where she goes through a time warp and joins in the celebration to Madonna’s “Express Yourself.”

Do You Love Me

You broke my heart ’cause I couldn’t dance,
You didn’t even want me around
And now I’m back to let you know I can really shake ’em down

Do you love me? (I can really move)
Do you love me? (I’m in the groove)
Now do you love me?
(Do you love me now that I can dance?)
Watch me, now
(Work, work) ah, work it out baby
(Work, work) well, I’m gonna drive you crazy
(Work, work) ah, just a little bit of soul, now?
(Work)
Now I can mash potatoes (I can mash potatoes)
I can do the twist (I can do the twist)
Tell me, baby, do you like it like this?
Tell me (tell me) tell me

Do you love me?
Do you love me, baby?
Now do you love me?
(Do you love me now that I can dance?)
Watch me, now
(Work, work) ah, work it out baby
(Work, work) well, I’m gonna drive you crazy
(Work, work) you are getting kind of cold, now
(Work)
(Work, work) with just a little bit of soul, now ?
(Work, work) come on, come on now
(Work, work) I’m gonna drive you crazy
(Work)
I can mash potatoes
I can do the twist
Well now, tell me, baby, do you like it like this?
Tell me (tell me) tell me

Do you love me?
Do you love me, baby?
Do you love me?
Do you love me?
Now that I can dance
(Work, work) ah, work it out baby
(Work, work) well, I’m gonna drive you crazy
(Work, work) oh you are getting kind of cold, now
(Work)
(Work, work) with just a little bit of soul, now
(Work, work) now don’t you get kinda bold, now?
(Work, work) oh, work it out, baby

Groucho Marx Quotes

Groucho had the best one-liners than just about anyone else.

“Please accept my resignation. I don’t care to belong to any club that will have me as a member”

“I was married by a judge… I should have asked for a jury”

“A man’s only as old as the woman he feels”

“As soon as I get through with you, you’ll have a clear case for divorce and so will my wife

“I married your mother because I wanted children, imagine my disappointment when you came along”

“Behind every successful man is a woman, behind her is his wife”

“Women should be obscene not heard”

“Marriage is the chief cause of divorce”

“Marriage is a wonderful institution but who wants to live in an institution?”

“Those are my principles If you don’t like them I have more”

“You’ve got the brain of a four-year-old boy, and I’ll bet he was glad to get rid of it ”

“Who are you going to believe, me or your lyin’ eyes?”

“Paying alimony is like feeding hay to a dead horse”

“Remember men, you are fighting for this lady’s honor; which is probably more than she ever did”

“Last night I shot an elephant in my Pajamas and how he got in my pajamas I’ll never know”

“I worked myself up from nothing to a state of extreme poverty”

The Marx Brothers

Describing the Marx Brothers in their Paramount movies is like describing a hurricane and a car wreck combined. The brothers were in vaudeville from the early 1900s to 1924 where they finally made it to Broadway in a play called “She Say’s It Is”. Broadway audiences had never seen anything like them. They literally tore up the stage with being so energetic. The brothers’ names were Julius (Groucho), Adolph (Harpo), Leonard (Chick-o) and Herbert (Zeppo). They had another brother that was not in the act Milton (Gummo).

Groucho was always in a power position in the plays and movies. Harpo and Chico would be there to take him down a few notches. Zeppo would be the straight man. Harpo, of course, would play the harp in a musical part, Chico would play the piano and Groucho would sometimes play the guitar…but the comedy is what everyone came to see.

They started movies around 1928 and again no one had ever seen anything like them on screen. The five movies they made for Paramount were Coconuts, Animal Crackers, Monkey Business, Horse Feathers and Duck Soup. These movies were anarchist chaos. After 1933 they signed a deal with MGM and their movies were tamed down to have more of a storyline and some were good but never matched the wildness of the Paramount movies where they had no respect for authority and lived and talked by their own rules. Groucho would say things that we would love to say in real life but we could never get by with it…he would say them in real life…and get by with it.

They are hard to compare to anyone else. The Three Stooges were not the same comedy whatsoever. In the 1970s college students were drawn to the Marx Brothers and their popularity went up with college students standing in lines around the block to see Animal Crackers in a theater. Their movies are still relevant today and can be enjoyed by every generation…

Harpo is my favorite…who never said a word in any film. He was a master of prop comedy and he could have been a big star in silent comedy. He was also a really good harp player also. He wrote one of the best autobiographies (Harpo Speaks!) I’ve ever read. For fans it’s great and for the average person, it’s an interesting read. The book is what first got me into the Marx Brothers.

Beatles – Helter Skelter

Bono once said before playing the song “This is a song Charles Manson stole from The Beatles, well we’re stealin’ it back.” Charles Manson did, in fact, hijack the song from the Beatles. The song is about an amusement park attraction (not a coded message to Charlie). A “Helter Skelter” is an amusement ride popularized mostly in the U.K. with a slide built in a spiral around a high tower. Paul McCartney read an interview with Pete Townshend saying that the Who just recorded the loudest, rawest and dirtiest song ever…it was “I Can See For Miles.” A great song… but not what Townshend described it as exactly…

Paul then started to write a song that fit that description and went above it. Helter Skelter was recorded with all four Beatles in studio two with their amps on 11. It’s a great brutal hard rock song. It was one of the rawest songs ever released by a well-known band at that time. If I hear someone call the Beatles only a pop band…I just point them to this song. Covers of this song range from Motley Crue who despite their image their version sounds light compared to this, Pat Benatar version is not up to this one…U2’s version tries but no version gets close to the Beatles version in rawness. Some credit this song as one of the inspirations of Heavy Metal…

This song fits great on the White Album. The album is the most diverse the Beatles ever made. On the same album, you have Helter Skelter, Rocky Racoon, Sexy Sadie, Honey Pie, Back In The USSR, Blackbird, While My Guitar Gently Weeps, Revolution Nine and many more.

Helter Skelter

When I get to the bottom I go back to the top of the slide
Where I stop and I turn and I go for a ride
Till I get to the bottom and I see you again

Yeah, yeah, yeah, heh, heh, heh, heh
But do you, don’t you want me to love you?
I’m (Ahhh) coming down fast but I’m miles above you
(Ahhh) Tell me, tell me, tell me, come on tell me the answer

Well, you may be a lover but you ain’t no dancer
Now
Helter skelter

Helter skelter
Helter skelter
Yeah!
Woo!, hoo!

A Will you, won’t you want me to make you?
(Ahhh)
I’m coming down fast but don’t let me break you
(Ahhh)

Tell me, tell me, tell me the answer
You may be a lover but you ain’t no dancer

Look out!
Helter skelter
Helter skelter

Charlie Rich – Mohair Sam

It’s a song by Charlie Rich who is more known as a country artist and his 1970s hits “Behind Closed Doors” and “The Most Beautiful Girl” off of his album Behind Closed Doors. This is not like Rich’s other hits but it’s a good song.

I first heard about this song when I read The Beatles were listening to this song when they met Elvis and Elvis had it on his jukebox when they all met. The song peaked at #21 in the Billboard 100 in 1966. The song became a hit, ending up in the top 30 on the pop charts.

Charlie played piano on Sun Records in the late 1950s and early 1960s, and then signed with Grove records…after that, he signed with Smash records and this was his first release on that label.

The song was written by Dallas Frazier who also wrote “Elvira”…the song that the Oak Ridge Boys made famous.

Mohair Sam

Well – who is the hippie that’s happenin’ all over our town?
Tearin’ up chicks with the message that he lays down
Who is the coolest guy, what is, what am?
That’s fast-talkin’ – slow walkin’ – good-lookin’ Mohair Sam

Chicks are making reservations for his lovin’ so fine (so fine)
Screamin’ and shoutin’ he’s got ’em all waitin’ in line
Who is the coolest guy, what is, what am?
That’s fast-talkin’ – slow walkin’ – good-lookin’ Mohair Sam

Who is the hippie that’s happenin’ all over our town?
Tearin’ up chicks with the message that he lays down
Who is the coolest guy, what is, what am?
That’s fast-talkin’ – slow walkin’ – good-lookin’ Mohair Sam

Deep Purple – Woman from Tokyo

This song is all about the riff…it is a memorable riff… The song has drive and suspense. Woman from Tokyo peaked at #60 in 1973. This is one of the group’s most popular songs, but they never liked it very much. They didn’t start playing it live until they re-formed in 1984 after their 1976 split.

Because of endless touring and fatigue, Ian Gillan gave a six-month notice and stated that he was leaving the band after fulfilling all of his commitments in 1973. The album Who “Do We Think We Are” was released in January of 1973. The release generated the hit single “Woman from Tokyo.” “Smoke on the Water” was also busy that year becoming Deep Purple’s biggest hit of all-time.

After lead singer Ian Gillian left Deep Purple in 1973 they had two other lead singers before reforming in 1984…and they were David Coverdale and Joe Lynn Turner.

From Songfacts

Deep Purple started recording their Who Do We Think We Are in Rome in July 1972. At this point, the band had yet to tour Japan, but they had three shows scheduled there for August: two in Osaka followed by one at the Budokan arena in Tokyo. Drawing on Japanese imagery (“the rising sun,” “an Eastern dream”), they concocted a story of a lovely lady from that country who drives them wild.

Rome was sunny and relaxing, so the band spent a lot of time in the swimming pool in lieu of working. There was also a sound problem in the studio, and the only track they got out of those sessions was “Woman From Tokyo.” The rest of the album was done in Germany.

In 1973, this was issued as a single, achieving a modest chart position of #60 in America. It aged well and got a lot of airplay on AOR and Classic Rock radio stations, keeping it alive. The stretched out “Toe-Key-Oh” became a bit of an earworm and helped embed the song into many an auditory cortex.

On some compilations from the ’70s, this song is listed as “live,” which Roger Glover insists is a lie, since they never did the song live in that decade.

Woman from Tokyo

Fly into the rising sun
Faces, smiling everyone
Yeah, she is a whole new tradition
I feel it in my heart

My woman from Tokyo
She makes me see
My woman from Tokyo
She’s so good to me

Talk about her like a Queen
Dancing in a Eastern Dream
Yeah, she makes me feel like a river
That carries me away

My woman from Tokyo
She makes me see
My woman from Tokyo
She’s so good to me

But I’m at home and I just don’t belong

So far away from the garden we love
She is what moves in the soul of a dove
Soon I shall see just how black was my night
When we’re alone in Her City of light

Rising from the neon gloom
Shining like a crazy moon
Yeah, she turns me on like a fire
I get high

My woman from Tokyo
She makes me see
My woman from Tokyo
She’s so good to me

Avatar: The Last Airbender

If I would not have had a son growing up when he did I probably would have never watched this series. In 2007 my son was 7 and we started to watch this and I have to admit I got hooked. It is extremely well animated and an entertaining series. The stories are such that an adult can easily watch it. The scripts are intelligent and you get drama, comedy, and action. The show was critically praised and won many awards (listed at the bottom of the post from wiki).

I would recommend this to anyone of any age. It does contain violence and fighting. The show starts off light-hearted for the most part and then grows darker.

It starts and finishes the ongoing story in 3 seasons. The episodes are around 24 minutes long and very easy to watch. You see these characters grow while watching it. Netflix has announced that they are coming out with a live action version of it.

There was a terrible live action movie that was released…avoid at all costs. Some have regarded it as one of the worst movies ever made…

I looked for a short synopsis of the series…I found this and altered it a little on IMDB.

In a lost age the world is divided into four equal powers: Water Tribe, Earth Kingdom, Fire Nation, and Air Nomads. In each nation, there’s a group of gifted people known as Benders who have the ability to manipulate their native element using martial arts and elemental magic. For thousands of years, the nations lived together peacefully. But then disaster struck. The young ruler of the Fire Nation, Fire Lord Sozin, began a war of world conquest. The only one who could have prevented it was the Avatar. The Avatar is the human incarnation of the Spirit of Light, he alone can master bending all four elements. But, just when he was needed most, he disappeared.

Now, 100 years later, a young Waterbender named Katara and her older brother Sokka stumble upon the long lost Avatar, Aang (he was around 12), who was encased in an iceberg for 100 years. They must help Aang master all four elements before summer when Sozin’s grandson Fire Lord Ozai will use a comet to deal one last deadly strike against the other nations and claim a Fire Nation victory. But, all that is easier said than done with the Fire Lord’s determined and hot-tempered son, Prince Zuko, hot on their trail.

Below is the intro to the series.

https://en.wikipedia.org/wiki/Avatar:_The_Last_Airbender

Awards and nominations

Year	Award	Category	Nominee	Status
2005	Pulcinella Awards	Best Action Adventure TV Series	Avatar: The Last Airbender	Won^[78]
2005	Pulcinella Awards	Best TV Series	Avatar: The Last Airbender	Won^[78]
2006	33rd Annie Awards	Best Animated Television Production	Avatar: The Last Airbender	Nominated^[79]
		Storyboarding in an Animated Television Production	Lauren MacMullan for “The Deserter”	Won^[79]
		Writing for an Animated Television Production	Aaron Ehasz and John O’Bryan for “The Fortuneteller”	Nominated^[79]
2007	Nickelodeon Australian Kids’ Choice Awards 2007	Fave Toon	Avatar: The Last Airbender	Nominated^[80]
	34th Annie Awards	Character Animation in a Television Production	Yu Jae Myung for “The Blind Bandit”	Won^[81]
	34th Annie Awards	Directing in an Animated Television Production	Giancarlo Volpe for “The Drill”	Won^[81]
	Genesis Awards	Outstanding Children’s Programming	“Appa’s Lost Days”	Won^[82]
	59th Primetime Emmy Awards	Outstanding Animated Program	“City of Walls and Secrets”	Nominated^[83]
	59th Primetime Emmy Awards	Outstanding Individual Achievement in Animation	Sang-Jin Kim for “Lake Laogai”	Won^[84]
2008	2008 Kids’ Choice Awards	Favorite Cartoon	Avatar: The Last Airbender	Won^[85]
	Annecy International Animated Film Festival	TV series	Joaquim Dos Santos for “The Day of Black Sun, Part 2: The Eclipse“	Nominated^[86]
	Peabody Awards	N/A	Avatar: The Last Airbender	Won^[87]
	13th Satellite Awards	Best Youth DVD	Book 3: Fire, Volume 4	Nominated^[88]
2009	36th Annie Awards	Best Animated Television Production for Children	Avatar: The Last Airbender	Won^[89]
	36th Annie Awards	Directing in an Animated Television Production	Joaquim Dos Santos for “Sozin’s Comet, Part 3: Into the Inferno“	Won^[89]
	Golden Reel Awards	Best Sound Editing: Television Animation	“Sozin’s Comet, Part 4: Avatar Aang”	Nominated^[90]
	Nickelodeon Australian Kids’ Choice Awards 2009	Fave Toon	Avatar: The Last Airbender	Won^[91]
2010	Nickelodeon Australian Kids’ Choice Awards 2010	Top Toon	Avatar: The Last Airbender	Nominated^[92]

The Who – Happy Jack

It took me a few listens to warm up to this song…after that, I’ve been hooked. Roger Daltrey on Happy Jack. “I remember when I first heard ‘Happy Jack’, I thought, ‘What the f–k do I do with this? It’s like a German oompah song!’ I had a picture in my head that this was the kind of song that Burl Ives would sing, so ‘Happy Jack’ was my imitation of Burl Ives!”

The song peaked at #24 in the Billboard 100 and #3 in the UK in 1967.

From Songfacts

Pete Townshend based the “Happy Jack” character on the strange and not-too-intelligent guys who used to hang around English beaches and play with the kids. Townshend would play on the Isle Of Man beach as a kid.

This was featured on The Who’s second album, A Quick One. In the US, the album title was changed to “Happy Jack” due to record company fears that the original title was a reference to sex.

In 1966 The Who were slotted to film a television series in much the same vein as the Monkees series. For the pilot episode, the band filmed a clip to go along with this song. It featured the 4 of them as robbers attempting to rob a safe. They get distracted, however, by a cake sitting close by and wackiness ensues as The Who smear themselves from head to foot with frosting. Finally a cop busts in and foils their plan, chasing them out of the room. The show never aired, but the clip can now be found in the Kids Are Alright DVD. The clip is light years ahead of its time for what other bands of the ’60s were doing.

A live version can be found on the expanded Live at Leeds album.

At the tail end of the song, you can hear Townshend yelling the phrase “I saw yer!” to Who drummer Keith Moon. Apparently, Moon had been banished from the studio and was trying to sneak back in.

This song was used in an ad campaign for the Hummer H2 in 2004. The commercial featured a boy in a wooden car rolling straight down a hill to win a soap box derby instead of taking the winding road down like everyone else.

Happy Jack

Happy Jack wasn’t old, but he was a man
He lived in the sand at the Isle of Man
The kids would all sing, he would take the wrong key
So they rode on his head on their furry donkey

The kids couldn’t hurt Jack
They tried and tried and tried
They dropped things on his back
And lied and lied and lied and lied and lied

But they couldn’t stop Jack, or the waters lapping
And they couldn’t prevent Jack from feeling happy

The kids couldn’t hurt Jack
They tried and tried and tried
They dropped things on his back
And lied and lied and lied and lied and lied

But they couldn’t stop Jack, or the waters lapping
And they couldn’t prevent Jack from feeling happy

I saw ya!

The Wonderful World of Sid and Marty Krofft

Growing up in the seventies watching shows on Saturday morning was a wonderful experience and Sid and Marty Krofft could really be on the strange side….but a great strange.

It has been rumored that the brothers were inspired by hallucination drugs such as LSD and or pot. The brothers have always denied this claim. Shows with titles H.R Pufnstuf and Lidsville (Puff and a Lid) and the lyrics led to accusations.

H.R. Pufnstuf, who’s your friend when things get rough?
H.R. Pufnstuf, can’t do a little, ’cause you can’t do enough!

A quote from them…”We screwed with every kid’s mind,” says Marty Krofft of the loopy shows — such as H.R. Pufnstuf, Lidsville, and Land of the Lost — that he created with brother Sid in the early 1970s. “There’s an edge. Disney doesn’t have an edge.”…from Hollywoodreporter.

H.R. Pufnstuf – A boy with a talking flute got in a boat and then the skies turned gray and there in the sky was Witchiepoo… He ended up at a place with H.R. Pufnstuf (who has to be seen) his friends and talking trees…terrorized by Witchiepoo…. with a hint of psychedelic threw in…as was most of the shows they created. It’s awesome to know that kids watched this strange show… Give me this over Barney…

Lidsville – A boy falls down a large top hat at an amusement park and ends up in a land of Hats…there was also a genie named Weenie…who played Witchiepoo in HR Pufnstuf. The bad guy was Charles Nelson Reilly the magician and he would go around zapping people. The show is just plain bizarre…for me, it is the strangest show they did….and besides Land of the Lost my favorite.

Sigmund and the Sea Monsters – A couple of boys find a friendly sea monster hiding from his mean family of sea monsters. the boys hide Sigmund from everyone else. This is probably the most normal one of them all…It was a popular Saturday morning show.

The Bugaloos – Singing insects…Watch it…Most boys had a crush on the Butterfly Caroline Ellis.

The Banana Splits – An animal rock group with a catchy theme song…which all of the earlier shows had a catchy theme. This show was made by Hanna-Barbera but the costumes were made by the Krofft brothers.

The Land of the Lost – The best-written show of them all. Land Of The Lost post.

There were other shows like Electra Woman and Dyna Girl, The Space Nuts, The Lost Saucer and Wonder Bug but they were not in the same league as the top group. In these shows, the Krofft brothers moved away from the puppets…which they were known for… and the wild themes.

Sid and Marty Krofft also had an inside theme park in Atlanta

In 1976, a developer asked the Kroffts to develop a very cool amusement park for the new Omni International complex in downtown Atlanta. The World of Sid and Marty Krofft was the world’s first indoor amusement park, but due to poor attendance, it was closed after just six months. The Omni International building that contained the amusement park was renamed the CNN Center when the site was converted to the present CNN headquarters.

The brothers sued McDonald’s and won for ripping off H.R. Pufnstuf and Living Island. I can see a resemblance…

The Bugaloos

Lidsville

Sigmund and the Sea Monsters

The Banana Splits

So you need to choose between baseball and football

https://www.sbnation.com/2019/1/15/18183785/kyler-murray-nfl-draft-choice-baseball-football

I found this article by Grant Brisbee about Kyler Murray who is going to choose between baseball and football. It’s a great article that relates to any athlete choosing between the two sports. He writes in the article if you want fame quickly choose football… if you want a long career and more money in the long run…pick baseball…but it’s not that easy on either.

He touches on quality of life also a little in this…For me, this is the key thing to think about. In years after retirement being able to…think and function would be a nice benefit.

Jeff Samardzija is a pitcher for the San Francisco Giants.

Right now, Jeff Samardzija is somewhere either smoking a cigarette or rehabbing his shoulder, unless he’s doing both at the same time because he’s an absolute legend. But his brain is still good. In 10 years, his brain will probably still be good, and he’ll have made more money over his career than Joe Thomas, who was one of the best offensive linemen in NFL history.

It’s a good article.

Tanya Tucker – Delta Dawn

I’ve always liked this song and Tanya’s voice. This song was first recorded by Alexander Harvey in 1972. Tracy Nelson (who sang backup on the original) and Bette Midler put the song in their live repertoire before it became a country hit for a 13-year-old Tanya.

The song peaked at #6 in the Country Charts, #3 in Canada and #72 in the Billboard 100 in 1972.

Helen Reddy would take the song to #1 in the Billboard 100 in 1973.

Barbra Streisand passed on the song after the backing track had been recorded by her producer without her prior knowledge.

Delta Dawn

Delta Dawn, what’s that flower you have on?
Could it be a faded rose from days gone by?
And did I hear you say he was a-meeting you here today
To take you to his mansion in the sky?

She’s forty-one and her daddy still calls her “baby”
All the folks around Brownsville say she’s crazy
‘Cause she walks dowtown with a suitcase in her hand
Looking for a mysterious dark-haired man

In her younger days they called her Delta Dawn
Prettiest woman you ever laid eyes on
Then a man of low degree stood by her side
And promised her he’d take her for his bride

Delta Dawn, what’s that flower you have on?
Could it be a faded rose from days gone by?
And did I hear you say he was a-meeting you here today
To take you to his mansion in the sky?

Janis Joplin – Get It While You Can

A great bluesy song off of Pearl, Janis’s last album. The song peaked at #78 in the Billboard 100 in 1971. “Get It While You Can” was written by the songwriting team of Jerry Ragovoy and Mort Shuman, and originally recorded by the soul singer Howard Tate. The song was the title track to Tate’s debut album, which was produced by Ragovoy. His version made just #134 in the US, and Tate struggled in the business before giving up music in the mid-’70s.

Pearl was Janis’s most polished album. Janis died on October 4, 1970, and the album was released on January 11, 1971. The album would peak at #1.

John Lennon’s birthday was on October 9 and Janis recorded a birthday message for him while completing Pearl. She sang “Happy Trails”…but by the time John received the tape, Joplin had died.

From Songfacts

In 2002, Tate once again teamed up with Ragovoy to record a new album called Rediscovered, on which they included a new version of this song. Speaking with Record Collector about the new version, Tate said, “The words mean much more to me now than they did back then, then they were just the words of a song someone had wrote for me. Now they have all the meaning in the world, I can relate to them. You have to Get It While You Can because you may not get it tomorrow, you may not get another chance.”

The most popular version of this song was recorded by Janis Joplin and the Full Tilt Boogie Band and included as the last track on her 1971 posthumous album Pearl. So if you listen to her primary studio albums in order of release, this is the last song you hear from her.

This song is about not passing up the opportunity for love and comfort, because life’s too mean and short. Isn’t that just about the cornerstone of Joplin’s philosophy? In the book Love, Janis by Janis’ sister Laura Joplin, Full Tilt Boogie Band guitarist John Till shares this moment of Janis’ free-wheeling spirit: “She’d come boogeying up to me and our faces would come right together like that, and then she’d give me a great big kiss. And I wouldn’t remember nothing except big asterisks and f***ing exclamation points over my head… It was an experience, taking a guitar solo in front of forty thousand people and getting this kiss from Janis.”

Also from Love, Janis, a glimpse into her application of the counter-culture philosophy right towards her last year: “In private, she was changing in small but important ways. When someone who latched onto her group was grumbling angrily about the ‘pigs’ abusing their power, Janis cut him short. ‘They’re cops, just people doing their job, honey. Don’t call them pigs, it just makes it worse.’ When she first started touring with Big Brother, if a waitress was rude to them because of their attire and style, they often left without tipping. On the Full Tilt tour, a rude waitress might be left a $100 bill, as a way to change her attitude about hippies.”

From the same book, a quote from Janis offering a take on her life’s work: “My whole purpose is to communicate. What I sing is my own reality. But just the fact that people come up to me and say, ‘Hey, that’s my reality too,’ proves to me that it’s not just mine.”

This song reached its peak position of #78 US in September 1971, nearly a year after Joplin died.

Get It While You Can

In this world, if you read the papers, darling
You know everybody’s fighting ah with each other
You got no one you can count on babe
Not even your own brother
So if someone comes along
He gonna give you some love and affection

I’d say get it while you can, yeah
Honey, get it while you can, yeah
Hey hey, get it while you can
Don’t you turn your back on love, no, no

Don’t you know when you’re loving anybody, baby
You’re taking a gamble on a little sorrow
But then who cares, baby
‘Cause we may not be here tomorrow, no

And if anybody should come along
He gonna give you any love and affection
I’d say get it while you can, yeah
Hey, hey, get it while you can
Hey, hey, get it while you can
Don’t you turn your back on love
No no no, no no no no no

Oh, get it while you can, yeh
Honey get it when you’re gonna wanna need it dear, yeah yeah
Hey hey, get it while you can
Don’t you turn your back on love
No no no, no no no no, get it while you can

I said hold on to somebody when you get a little lonely, dear
Hey hey, hold on to that man’s heart
Hey hey, get it, want it, hold it, need it
Get it, want it, need it, hold it
Get it while you can, yeah
Honey get it while you can, baby, yeah
Hey hey, get it while you can

Byrds – Eight Miles High

One of the reasons that Roger McGuinn is one of my favorite guitarists is because of this song. Roger has said he was influenced by John Coltrane when arranging the song.

The song peaked at #14 in the Billboard 100 and #24 in the UK in 1966

Many people…including me believe this song is about drugs, but the band claimed it was inspired by a flight where singer Gene Clark asked guitarist Roger McGuinn how high they were in the sky. McGuinn told him six miles, but for the song, they changed it to eight.

Roger McGuinn on Eight Miles High

Eight Miles High has been called the first psychedelic record. It’s true we’d been experimenting with LSD, and the title does contain the word “high”, so if people want to say that, that’s great. But Eight Miles High actually came about as a tribute to John Coltrane. It was our attempt to play jazz.

From Songfacts.

This story was likely a smokescreen to keep the song in the good graces of sensitive listeners. The band had been doing a lot of drugs at the time, including LSD, which is the likely inspiration. If the band owned up to the drug references, they knew it would get banned by some radio stations, and that’s exactly what happened when a radio industry publication reported that the song was about drugs and that stations should be careful about playing it. As soon as one station dropped it, others followed and it quickly sank off the charts.

When we asked McGuinn in 2016 if the song was really about drugs, he replied: “Well, it was done on an airplane ride to England and back. I’m not denying that the Byrds did drugs at that point – we smoked marijuana – but it wasn’t really about that.”

In his book Echoes, Gene Clark said that he wrote the song on his own with David Crosby coming up with one key line (“Rain gray town, known for its sound”), and Roger McGuinn arranging the song with help from Crosby.

In the Forgotten Hits newsletter, McGuinn replied: “Not true! The whole theme was my idea… Gene would never have written a song about flying. I came up with the line, ‘Six miles high and when you touch down.’ We later changed that to Eight because of the Beatles song ‘Eight Days a Week.’ I came up with several other lines as well. And what would the song be without the Rickenbacker 12-string breaks?”

This song is often cited in discussions of “Acid Rock,” a term that got bandied about in 1966 with the release of Bob Dylan’s Blonde on Blonde album. The genre covers a kind of psychedelic music that became popular at the time, and also the look and lifestyle that went with it. “Acid Rock” was hailed as a pathway to higher consciousness and derided as senseless drug music. At the end of the ’60s, the term petered out, as rock critics moved on to other topics for their think pieces.

The band recorded this on their own, but Columbia Records made them re-record it before they would put it on the album, partly because they had contracts with unions. The Byrds liked the first version better.

Don McLean referred to this in his song “American Pie,” which chronicles the change in musical style from the ’50s to the ’60s. The line is “Eight miles high and falling fast- landed foul out on the grass.” McLean could be sardonically implying that the song is about drugs, since “foul grass” was slang for marijuana.

Husker Du recorded a noise-pop version in 1985.

For decades, the story went that “Eight Miles High” was a commercial failure because it had been banned from radio due to its perceived pro-drug messages. Research presented by Mark Teehan on Popular Music Online challenges this theory. Teehan instead blames the song’s failure to chart on three factors:

First, its sound was too far ahead of its time, and radio stations didn’t know what to do with it.

Second, the departure of Gene Clark led to Columbia Records significantly shrinking the scope of the band’s advertising campaign.

Third, the success of Paul Revere and the Raiders’ “Kicks” further diminished Columbia’s support for the Byrds and “Eight Miles High.”

Eight Miles High

Eight miles high and when you touch down
You’ll find that it’s stranger than known
Signs in the street that say where you’re going
Are somewhere just being their own

Nowhere is there warmth to be found
Among those afraid of losing their ground
Rain gray town known for its sound
In places small faces unbound

Round the squares huddled in storms
Some laughing some just shapeless forms
Sidewalk scenes and black limousines
Some living some standing alone

Merle Haggard – Mama Tried

Merle Haggard wrote this song while serving time in San Quentin prison for robbery. The song is based on his life, and how his mother tried to help him but couldn’t… This song came out in 1968 and peaked at #1 in the Country Charts in 1968.

The man had 38 number one hits, 71 top ten hits, and 101 songs in the top 100 in the country charts. Merle is one of my favorite country artists. If only the new ones would listen and learn.

This song has been covered by a wide range of artists, including the Everly Brothers and the Grateful Dead.

From Songfacts

The song is largely autobiographical; Haggard’s father died when he was nine years old, and his mother, a devout member of the Church of Christ, tried to keep him on the straight and narrow with a strict upbringing based on her conservative values. This didn’t sit well with Haggard, who said he was an “incorrigible” child and constantly rebelling against her (“Despite all my Sunday learning, towards the bad I kept on turning”).

He was always hopping on freight trains (“The first thing I remember knowing was a lonesome whistle blowing”), an early indicator of his itinerant outlaw personality. He got into trouble for offenses like shoplifting and writing bad checks. Stints in reform school didn’t help, and in 1957 he landed in prison for burglary, where he spent his 21st birthday.

In this song, Haggard takes full responsibility for his choices and takes pity on his mother, who did the best she could (“No one could steer me right but Mama tried”).

Mama Tried

The first thing I remember knowing,
Was a lonesome whistle blowing,
And a young un’s dream of growing up to ride,
On a freight train leaving town,
Not knowing where I’m bound,
And no one could change my mind but Mama tried
One and only rebel child,
From a family, meek and mild,
My Mama seemed to know what lay in store
Despite my Sunday learning,
Towards the bad, I kept turning
‘Til Mama couldn’t hold me anymore

I turned twenty-one in prison doing life without parole.
No one could steer me right but Mama tried, Mama tried
Mama tried to raise me better, but her pleading, I denied
That leaves only me to blame ’cause Mama tried

Dear old Daddy, rest his soul,
Left my Mom a heavy load,
She tried so very hard to fill his shoes
Working hours without rest,
Wanted me to have the best
She tried to raise me right but I refused

I turned twenty-one in prison doing life without parole
No one could steer me right but Mama tried, Mama tried,
Mama tried to raise me better, but her pleading, I denied
That leaves only me to blame ’cause Mama tried

Beatles – Hey Bulldog

The Beatles recorded this while they were filming the promotional video for “Lady Madonna.” Since they had to be in a studio while filming, Paul McCartney thought they should record a song. This is a nice rocking song written by Lennon. The original name was “Hey Bullfrog” but Paul barked at the end and made John Lennon laugh. They kept in the barking and changed the title, even though there is no mention of a bulldog in the verses or chorus.

John said Hey Bulldog was “a good sounding record that means nothing.” This song would not be out of place today. It is one of the few Beatle songs that gets overlooked and underplayed.

Geoff Emerick, the engineer describes the events of this session. “Even though it was destined to be given to the ‘Yellow Submarine’ film, ‘Hey Bulldog’ was a really strong song. The vibe that day was great… all four Beatles were in an exceptionally good mood because they knew they would be heading to India in a matter of days. Despite the fact that there was a film crew underfoot, it was a Sunday session, so things were quite relaxed – the Abbey Road complex was largely deserted, and The Beatles could wander around the corridors if they wanted to.”

Dave Grohl played the song with Jeff Lynne in 2014 in a tribute to the Beatles after the Grammys.

From Songfacts

This was the first recording session to which John Lennon brought Yoko.

This was the last song The Beatles recorded before leaving for a retreat in India to study meditation with the Maharishi.

John Lennon called this “a good sounding record that means nothing.” Musically, it has some interesting nuances. The middle part contains an interesting example of Lennon’s polyphonic technique: The piano in the background does not follow the singer. Near the end of the song, Lennon talks while accompanied by the music, which could be considered a forerunner to Rap. In the climax, Lennon starts shouting, and the others follow. They scream like mad while the guitar in the background plays the same notes again and again as if nothing has happened.

Hey Bulldog

Sheepdog, standing in the rain
Bullfrog, doing it again
Some kind of happiness is
Measured out in miles
What makes you think you’re
Something special when you smile

Childlike no one understands
Jackknife in your sweaty hands
Some kind of innocence is
Measured out in years
You don’t know what it’s like
To listen to your fears

You can talk to me
You can talk to me
You can talk to me
If you’re lonely, you can talk to me

Big man (yeah) walking in the park
Wigwam frightened of the dark
Some kind of solitude is
Measured out in you
You think you know me, but you haven’t got a clue

You can talk to me
You can talk to me
You can talk to me
If you’re lonely, you can talk to me

Hey hey

Roar

Hey, bulldog (hey bulldog)

Woof

Hey, bulldog
Hey, bulldog
Hey, bulldog

Hey man

Whats up brother?

Roof

What do ya say

I say, roof

You know any more?

Ah ah (you got it, that’s it, you had it)
That’s it man, wo ho, that’s it, you got it

Woah

Look at me man, I only had ten children

Ah ah ah ah ah ah ha ha ha ha
Quiet, quiet (ok)
Quiet
Hey, bulldog, hey bulldog