Johnny Conqueroo – Rock and Roll

Last weekend I posted Muddy Waters and found this band looking for High John de Conqueror… an African-American folk hero who is name-checked in some blues songs. I played this song and when he started to sing…I knew I liked them. “Johnny Conqueroo” is this band’s name.

Their first EP was released in 2015, with a full-length album right after titled “Washed Up” in 2016. The album consists of 10 songs that travel through a variety of sounds that are both catchy and organic. The lead singer’s name is Grant Curless and what a rock voice he has. Shawn Reynolds plays bass and Wils Quinn plays the drums.

At first, Johnny Conqueroo played at private parties and house concerts. But by their second year as a band, they began to play in clubs and other venues. In recent years, they have branched out to perform in places like Chicago, Tennessee, Wisconsin, Ohio, Alabama, and the Tri-State.  “Rock and Roll” is the second single from Johnny Conqueroo’s EP, “Taking it Easy.” I like this one a lot…it has a Kink’s like guitar riff and a terrific rock and roll voice.

Johnny Conqueroo is based out of Lexington Kentucky. He has a garage band type of sound. They were influenced by The Stooges, The Vines, and The Detroit Cobras. He is signed to Soul Step Records. According to Soul Step Records…this song was released in 2019. I’ve listened to his other songs…if you are a rock fan…you will like them. I’m excited to hear about this new band…or newer band who plays gritty rock and roll.

Grant Curless: “Some kid played a guitar recital at my school and that was when I decided that was where I needed to be, I started taking lessons at a guitar shop here in Lexington for a little bit and I was hooked. As we progressed, it was just Wils and me for a while, trying to feel out what we wanted to do musically and where we wanted to go. Later on we brought in Shawn, who didn’t play a lick of bass at the time. But we slowly showed him what to do and where to put his fingers and eventually it all worked out and we grew with each other. We have stayed together for these five years because of good friendships and it works because of dedication. We decided that we would meet every Saturday to practice and to not let it get away from us. Plus, it is fun, so it is hard for us not to do it.”

I couldn’t find the lyrics…but just enjoy it.

Doors – The Crystal Ship

I was more of an album guy while younger but I did collect singles too. Do you know one thing I miss about vinyl singles? The B-sides that I always liked discovering. My cousin Janene was a teenager when I was 7 years old. She let me have some of her singles from the sixties and the Monkees’ debut album.

She gave me Light My Fire and I loved it. I then turned it over one day and found this song. It was one of the oddest things I’d ever heard as a 7-year-old. I was in a trance listening to it and kept thinking of a glass ship in a blue sea. It wasn’t as good as Light My Fire but I liked this strange piece of music.

Doors - Doors

The song was on their debut self-titled album released in 1967. It peaked at #2 on the Billboard 100 and  #15 in Canada. Morrison dipped into his notebook of words to get this one. He wrote it after splitting up with his girlfriend, Mary Werbelow.

Werbelow followed him from Florida to Los Angeles. Doors drummer John Densmore confirmed that Crystal Ship is about Mary. The song was a goodbye to her. Werbelow and Morrison broke up in 1965 but saw each other off and on until she moved to India in 1969. He reportedly told her that the first four Doors albums were about her…Manzarek has said that parts of them were.

Mary Werbelow is a mystery to many. People still want to know if she is still alive. She gave a short interview in 2005 but has not been heard from since. She said in that interview that she never wants to talk about Jim again. Mary says she is tired. She has trouble sleeping. She says she’s not sure if she has done right by talking so much. She’s worried that others will seek interviews that she does not want to give. She wants that made clear: She does not want to talk about Jim anymore.

The Crystal Ship

Before you slip into unconsciousness
I’d like to have another kiss
Another flashing chance at bliss
Another kiss, another kiss

The days are bright and filled with pain
Enclose me in your gentle rain
The time you ran was too insane
We’ll meet again, we’ll meet again

Oh tell me where your freedom lies
The streets are fields that never die
Deliver me from reasons why
You’d rather cry, I’d rather fly

The crystal ship is being filled
A thousand girls, a thousand thrills
A million ways to spend your time
When we get back, I’ll drop a line

Matthew Good – Hello Time Bomb

The devil’s on sugar smacks
Down at the Radio Shack
Turning shit into solid gold
Solid gold

CB sent me this link…Good sounds different and I really liked his songs. Some of the lyrics won me over to this one.

Matthew Good is an alternative musician from Burnaby…a city in British Columbia, Canada. He started with music in high school. He wrote lyrics for a folk band. He taught himself how to play guitar at 20 years old and started to play and sing with the Rodchester Kings.

In 1995 he formed The Matthew Good Band which lasted from 1995 to 2001. They released 3 EPs and 7 albums including Beautiful Midnight which peaked at #1 in Canada. This song was on that album and Hello Time Bomb peaked at #26 in Canada, #3 on the Canadian alternative charts, and #34 on Billboard’s Alternative Charts in 1999.

After the band broke up he went on to become a solo act. He has released 9 studio albums and 6 of them were in the top 10, 2 were in the top 20, and the last one during 2020 was at #49 in Canada.

Good had troubles throughout his life with medical things. One doctor said he had an ulcer and others said other things. In the mid-2000’s he was diagnosed with Bipolar and things got better for him after that. “I was so relieved to finally know what was wrong with me, and have the chance to deal with the impact a diagnosis would have on my life, before being on medications, my life went from a negative 10 to a plus 10. On medication, it’s a negative three to a plus three. I had to learn to accept that.” He gives tips for people with BiPolar disorder to manage it.

Good has been nominated for 21 Juno Awards and has won four: 2011 Rock Album of the Year for Vancouver, 2002 Video of the Year for Weapon, 2000 Best Rock Album of the Year for Beautiful Midnight, and Best Group of the Year.

Matthew Good has maintained a lukewarm relationship with the music industry and the media, often avoiding the spotlight and avoiding interviews and awards shows (he has not accepted any of his Juno awards in person). In addition to his music projects, he has become a well-known writer and blogger on politics and culture; his book, At Last There is Nothing Left to Say, was published in 2001.

Hello Time Bomb

I found me a reason
So check me tomorrow
We’ll see if I’m leaking
Push and push and push ’till it hurts

The Devil’s on roller-skates
The Devil’s on roller-skates
Down at the roller rink
Picking up chicks for me
Ones that push and push and push ’till it hurts
Push and push ’till it hurts

Dirty enough, I got me a love
And it’s so bad, it’s so bad
Dirty enough, I got me a love
And it’s so bad, it’s so bad

Life’s for the living
So check me tomorrow
We’ll see if I’m kidding
Push and push and push ’till it hurts

Did it on Ritalin
I got me some good grades
Now I work me the night shift, where I
Pull and pull and pull ’till it hurts
Pull and pull ’till it hurts

Dirty enough, I got me a love
And it’s so bad, it’s so bad
Dirty enough, I got me a love
And it’s so bad, it’s so bad
Hello, time bomb, I’m ready to go off
Hello, time bomb, I’m ready to go off

Hahahaha

If life’s for the livid
Check me tomorrow
We’ll see if I’m emperor

The devil’s on sugar smacks
Down at the Radio Shack
Turning shit into solid gold
Solid gold

Dirty enough, I got me a love
And it’s so bad, it’s so bad
Dirty enough, I got me a love
And it’s so bad, it’s so bad
Hello, time bomb, I’m ready to go off
Hello, time bomb, I’m ready to go
Ready to go off

Jan and Dean – Dead Man’s Curve

December 1st so let’s get some surf music in.

When I was a senior in High School…1985… for some unknown reason I really got into surf music at the beginning of the year. I listened to Jan and Dean, the Beach Boys, Dick Dale, Link Wray,  and The Ventures. I loved those songs then and now. Plus the bass and drums in these songs are crazy good.

Surf music is about fun… The Beach Boys expanded surf music and then left it for a while with Pet Sounds. By that time Surf purists didn’t like it. They wanted the old formula songs… I wasn’t a purist…I like them all.

This song peaked at #8 on the Billboard 100 and #39 in Canada. The song was written by Brian Wilson, Jan Berry, Artie Kornfeld, and Roger Christian. The song is about a real stretch of road in Los Angeles. It is on Sunset Boulevard near the UCLA campus.

Jan and Dean were William Jan Berry, and Dean Ormsby Torrence, who formed in Los Angeles and 1958. They helped to shape the California Sound and vocal surf music. Jan and Dean had over 20 charting songs and going strong until Jan Berry was in a horrendous car crash that left him permanently brain-damaged and severely handicapped for the rest of his life in 1966.

After numerous brain operations, Jan spent six weeks in a coma and awoke severely brain damaged, unable to speak, and completely paralyzed on his right side. He fought back and was able…although tremendously handicapped to return to the recording studio the next year (1967) to work on material for an unreleased Jan & Dean project that was not to be released until 2010 called Carnival of Sound.  He still could not sing well enough to perform.

Jan kept working at it and finally, he was able to sing again in the early seventies again. He didn’t do any live performances until the late 70s with Dean. At first, Jan lipsynced but he was able to sing after a while.

Dean would go on to be a graphic artist and make album covers for  Harry Nilsson, Steve Martin, the Nitty Gritty Dirt Band, Dennis Wilson, Bruce Johnston, the Beach Boys, Diana Ross and the Supremes, Linda Ronstadt, Canned Heat and more.

Jan and Dean performed again in 1976…10 years after the accident. Jan and Dean continued to tour through the 80’s to the 2000’s. Jan passed away in 2004.

Here is a long quote from one of the songwriters…Artie Kornfeld: One day, Brian and I were chilling and trying out this tiny Honda that the company had sent him as a thank you for writing the Hondells “Little Honda.” (the song was not yet released, but Wilson had already written it for a Honda commercial) We were cruisin’ about three miles from his ex-wife, Marilyn’s mom’s house. Brian, as he was known to do, was pushing two hundred pounds way over what a 60 cc Honda could handle. I said Bry you should slow down, as in Santa Monica there is a lot of sand on the streets. We went over and the bike and were torn apart. We carried half a Honda each three miles, bleeding like crazy, to an open door in an empty house. We noticed a piece of blank paper on the piano and Bry sat down and I pulled up a chair and, I guess because of recent events I wrote down the words, “Dead Mans Curve.”

Brian started a two four piano rhythm but I don’t have any idea for the lyric… except I always envied Jan’s Corvette, sang to Brian’s chords” I was crusin’ in my Sting Ray late one night and an XKE pulled upon the right…” Bran repeated what I wrote down with the melody and I almost finished the lyric in about 30 minutes with me writing the words, some with Brian, as being a New Yorker after I put us on Sunset Blvd.
I had no idea what landmarks we would pass to that curve after Doheny where it turns right and heads into Beverly Hills.

We were laughing and Brian said, lets hear what we have, laughing at the whole trip and tripping on our wipeout still. I jumped up and said Brian stop, “I think we need an accident here.” He responded, “You are nuts Artie,” but stopped and hit a chord, for some reason at that moment I thought of Robert Frost Poem about two roads in the woods and went metaphoric putting in an accident.

In my mind symbolic with the point we make those decisions that may change or end our lives. I wrote something like it says on the record and Brian Started a Kick Ass chorus. In walks the ever great loving talented Jan Berry who with Bry and a little me worked out the complete song. As Jan tightened up the song for a Jan and Dean Record, he was already hearing a finished product. Jan sat down at a table, hardly touched the piano, except to find the changes and as only Jan with Brian there could do…wrote out the entire arrangement, that as I remember, and was not a note off when we went in with it to play for Lou Adler. It just seems like moments but it was really days later when we went in and recorded it. The reason we had to put DJ Roger Christians name on the song, Lou Adler would know more than I.

The musicians on the date included Glen Campbell, then a tough T-shirted ass kicker on guitar, and Leon Russell (wearing a suit). Then there was Earl Palmer and Hal Blaine, the only drummers you could put together, and it came out great. Of course being about 19 or 20 I could not help but notice Lou’s Fiancée Shelly Faberes, in a very tight sweater. Dean did not show. I did stand behind Bry to get a falsetto sound that was a little different.

When the record came out it was the B-side to “New Girl in School.” I guess I did my first promotion as for reasons so few know I reversed the Charts and “New Girl in School” stopped shooting up the charts and “DEAD MANS CURVE” RULED! Brian, Jan and I all lived “Dead Mans Curve” in our separate lives.

Dead Man’s Curve

I was cruisin’ in my Stingray late one night
When an XKE pulled up on the right
He rolled down the window of his shiny new Jag
And challenged me then and there to a drag

I said “You’re on buddy, my mill’s running fine
Let’s come off the line now at Sunset and Vine
But I’ll go you one better, if you’ve got the nerve
Let’s race all the way to Dead Man’s Curve”

(Dead Man’s Curve) is no place to play
(Dead Man’s Curve) you’d best keep away
(Dead Man’s Curve) I can hear ’em say
Won’t come back from Dead Man’s Curve

The street was deserted late Friday night
We were buggin’ each other while we sat out the light
We both popped the clutch when the light turned green
You should’ve heard the whine from my screamin’ machine

I flew past La Brea, Schwab’s and Crescent Heights
And all the Jag could see were my six tail lights
He passed me at Doheny then I started to swerve
But I pulled her out and there we were at Dead Man’s Curve

(Dead Man’s Curve) is no place to play
Dead Man’s Curve

“Well, the last thing I remember, Doc
I started to swerve
And then I saw the Jag slide into the curve
I know I’ll never forget that horrible sight
I guess I found out for myself that everyone was right”

Won’t come back from Dead Man’s Curve

(Dead Man’s Curve) is no place to play
(Dead Man’s Curve) you’d best keep away
(Dead Man’s Curve) I can hear ’em say
Won’t come back from Dead Man’s Curve

(Dead Man’s Curve) is no place to play
(Dead Man’s Curve) you’d best keep away
(Dead Man’s Curve) I can hear ’em say
Won’t come back from Dead Man’s Curve

(Dead Man’s Curve) is no place to play
(Dead Man’s Curve) you’d best keep away
(Dead Man’s Curve) I can hear ’em say
Won’t come back from Dead Man’s Curve

(Dead Man’s Curve) is no place to play
(Dead Man’s Curve) you’d best keep away
(Dead Man’s Curve) I can hear ’em say
Won’t come back from Dead Man’s Curve

Roy Orbison – Only The Lonely (Know the Way I Feel)

Over at my friend’s house in the early 80s, we would look at his dad’s singles from the early to mid-sixties. I couldn’t believe this man’s voice. It was like an alien…his voice was like no other.

Roy Orbison spent a couple of years at Sun as a good rockabilly artist. He was soon signed by Fred Foster who owned Monument Records in 1959. He had some good releases but no hits… but with this song, he found his strength. These slower operatic songs that he was so great at. This was the start of his commercial success.

Roy Orbison and Joe Melson wrote this song…one of the first they wrote together. The lyrics were inspired by a failed romance by Joe Melson. He said she took off in a Cadillac and the words just flowed after thinking of that.

The songwriting duo was going to try to give this song to Elvis or The Everly Brothers who already recorded a song by Orbison called Claudette. They talked Oribison into recording it himself thankfully. It ended up being one of his biggest hits. Orbison recorded this at RCA’s Studio B in Nashville with some of the best Nashville musicians. It featured Hank Garland and Harold Bradley on guitars, Bob Moore on Base, and Floyd Cramer on piano.

Fred Foster produced this song. He remembered listening to the playback with goosebumps on his arms. He turned to Roy and said, “There’s your big hit.” The producer was absolutely right. This song was Orbison’s first top-ten hit. It peaked at #2 on the Billboard 100, #2 in Canada, and #1 in the UK in 1960.

Roy Orbison:  “I’ve always been very content when I wrote all those songs. By this I’m saying that a lot of people think you have to live through something before you can write it, and that’s true in some cases, but I remember the times that I was unhappy or discontent, and I couldn’t eat, I couldn’t sleep, I couldn’t communicate, and I certainly couldn’t write a song, no way. All the songs I wrote that were successful were written when I was in a contented state of mind.”

Only The Lonely (Know How I Feel)

Only the lonely (dum-dumb-dummy doo-wah)
Know the way I feel tonight (ooh yay, yay, yay, yeah)
Only the lonely (dum-dumb-dummy doo-wah)
Know this feeling ain’t right (dum-dumb-dummy doo-wah)

There goes my baby
There goes my heart
They’re gone forever
So far apart

But only the lonely
Know why I cry
Only the lonely (dum-dumb-dummy doo-wah, ooh yay, yay, yay, yeah)
(Oh, oh oh oh oh ooh-ah-ah, only the lonely)
(Only the lonely)

Only the lonely (dum-dumb-dummy doo-wah)
Know the heartaches I’ve been through (ooh yay, yay, yay, yeah)
Only the lonely (dum-dumb-dummy doo-wah)
Know I cry and cry for you (dum-dumb-dummy doo-wah)

Maybe tomorrow
A new romance
No-o-o more sorrow
But that’s the chance
You’ve got to take
If your lonely heart breaks
Only the lonely (dum-dumb-dummy doo-wah)

Max Picks …songs from 1977

1977

This is the year I became aware of sports, news, and politics. This year is an eclectic bunch of songs. You have punk, reggae, pub rock, rock, and pop/rock.

I didn’t get into the Sex Pistols at the time they came out. They were not as big over here as they were in the UK. I did find them later on. I can’t say I’m a huge fan but I do recognize the importance of the Punk rock movement… and they stirred up the rock music industry when it needed stirring up.

This was originally called “No Future.” The band played it live and recorded a demo version with that title, but changed it when lead singer Johnny Rotten got the idea to mock the British monarchy.

I got into Bob Marley and the Wailers a little later but better late than never. Jammin’ is on their ninth studio album Exodus. In Jamaica, the word “jamming” refers to getting together for a celebration. Although it can also mean an impromptu musical session.

Marley wrote the song in exile in Nassau after the 1976 attempt on his life.

The song was written by David Bowie and Brian Eno and was on the Heroes album released in 1977. After burnout because of touring Bowie moved to Berlin and rented a cheap apartment above an auto-repair shop, which is where he wrote the album.

I was walking through a drug store in the late seventies as a kid and I saw this album cover…I thought what??? another person named Elvis? Who is this skinny guy? While at the drug store, the guy was playing this album and I heard Alison… That was the first thing I ever heard from Elvis. The album peaked at #32 in the Billboard Album Charts in 1978. His songs were different than a lot of the radio hits of the day…with different, I mean better.

Fleetwood Mac released Rumours and it was the album of the year. An incredible four singles were pulled off of this album plus the other songs that would become FM classics. Personally, my favorite two are Second Hand News and Never Going Back Again but I do like Go Your On Way.

Lindsey Buckingham showed that less was more in this solo…he used very few notes and used sustain.

Rolling Stones – Shine A Light

This song was on the Exile On Main Street album. The original lyrics were started in 1968 about Brian Jones while he was still a member. It was about his drug habits and decline as a musician and human.  After Brian died, Mick rewrote some of the lyrics and we got this gospel-sounding song with the help of Billy Preston and Leon Russell. Leon and Mick Jagger recorded an early version of this song called “(Can’t Seem To) Get a Line on You.”

Keith Richards and Charlie Watts are not on this song. Mick Taylor has claimed to play guitar and bass. Bill Wyman later said that he played bass on the song, not Taylor but Taylor did play guitar. The producer Jimmy Miller played drums on this track with Billy Preston on piano and organ. Clydie King, Joe Greene, Venetta Fields, and Jesse Kirkland sang back up.

Allen Klein owned all of the rights to Stones’ songs written before 1970. Somehow he fooled Mick and Keith into signing all of their rights away to their sixties catalog. Klein got wind of five songs on this album that were written in the 60s and yes…he sued them and got a share of the profits on this album. The songs were Sweet Virginia, Loving Cup, All Down the Line, Shine a Light, and Stop Breaking Down. Although this song is credited to Jagger-Richards…Leon Russell is said to have co-written it with Mick.

The song gave its name to a 2008 Martin Scorsese film chronicling the Stones’ Beacon Theatre performances on the latter tour, and the 2006 performance is included on the soundtrack album. Mick Jagger has named this his favorite song on Exile on Main Street.

Mick Jagger:  “When I was very friendly with Billy
Preston in the ’70s I sometimes used to go to church with him in Los
Angeles, it was an interesting experience because we
don’t have a lot of churches like that in England. I hadn’t had a lot of firsthand experience of it.”

Mick Jagger:  “It was quite an early one from Olympic Studios London, with Billy Preston. Once it was finished, we never played it on stage for years and years. Then it became this favorite after we recorded it for the Stripped album. So ‘Shine A Light’ was this funny thing that started off as something you did once at that time and never went back to.”

 (Can’t Seem To) Get a Line on You with Jagger and Russell in 1969. 

Shine A Light

Saw you stretched out in Room ten oh nine
With a smile on your face and a tear right in your eye
Whoa, come see to get a line on you, my sweet honey love
Berber jewelry jangling down the street
Making bloodshot eyes at every woman that you meet
Could not seem to get high on you, my sweet honey love

May the good Lord shine a light on you
Make every song (you sing) your favorite tune
May the good Lord shine a light on you
Warm like the evening sun

When you’re drunk in the elevator, with your clothes all torn
When your late night friends leave you in the cold gray dawn
Just seen too many flies on you, I just can’t brush them off

Angels beating all their wings in time
With smiles on their faces and a gleam right in their eyes
Whoa, thought I heard one sigh for you
Come on up, come on up, now, come on up now

May the good Lord shine a light on you, yeah
Make every song you sing your favorite tune
May the good Lord shine a light on you, yeah
Warm like the evening sun

Come on up now, come on up now, come on up now, come on up, come on

May the good Lord shine a light on you
Make every song you sing your favorite tune
May the good Lord shine a light on you
Warm like the evening sun, yeah, yeah

George Harrison – Art Of Dying

I’ve been listening to All Things Must Pass recently and the songs are really consistent on that album.

Harrison wrote these lyrics while he was still a Beatle. He found it hard to get many of them on Beatles albums because there was only so much room. The good side is when The Beatles broke up, he had a backlog full of songs.

Phil Collins was brought in to play the congos on this song. He played for 90 minutes and got blisters on his fingers from playing them for so long. Unfortunately for Collins…his version didn’t make the cut. George Harrison had a great sense of humor and pranked Collins in later years.

Collins met Harrison several more times over the years, and the pair became friendly… friendly enough for Harrison to prank Collins. In 2001, shortly before Harrison’s death, he put out a remastered version of All Things Must Pass and around the same time sent Collins what he claimed was a version of the track on which he had played featuring the drummer’s missing Congas handiwork.

George had the percussionist Ray Cooper play out of time on the tape and that is what he sent to Collins. Phil later said: “I got a tape from George of the song that I played with the congas quite loud, I thought, Oh my god, this sounds terrible. In fact, it was a Harrison joke. He’d recorded [percussionist] Ray Cooper. [He said] said, ‘Play bad, I’m going to record it and send it to Phil.’ I couldn’t believe that a Beatle had actually spent that much time on a practical joke for me.” He did have a connection to the Beatles… As a kid, he was an extra in the Beatles movie A Hard Day’s Night but was edited out. Harrison did credit Collins on the 2001 remastered version of All Things Must Pass.

All the members of Derek and the Dominos played on this track and it was produced by Phil Spector.

George Harrison credits his first experience with LSD as being the doorway to his spiritual awakening and introduction to Hinduism. Harrison said that during the LSD trip, he thought of Yogis of the Himalayas running through his mind. He began to think about death and that is how this song came about.

George Harrison passed away on November 29, 2001 after a long battle with cancer. He was not afraid of death, as he believed it would take him to a better place. Before he passed, Paul and Ringo visited him and spent the day telling jokes and talking about times in Liverpool. He did tell Paul McCartney one to stop fighting with Yoko…that life was too short. Paul honored that wish and started to communicate with Yoko.

George Harrison: In the scriptures and in the Bhagavad Gita it says there’s never a time when you didn’t exist and will never be a time you cease to exist. The only thing that changes is our bodily conditioned soul comes in the body and we go from birth to death and it’s death how I look at it. It is like taking your suit off, you know the soul is in these three bodies and one body falls off.

Acoustic Demo

Art Of Dying

There’ll come a time when all of us must leave here
Then nothing sister Mary can do
Will keep me here with you
As nothing in this life that I’ve been trying
Could equal or surpass the art of dying
Do you believe me?

There’ll come a time when all your hopes are fading
When things that seemed so very plain
Become an awful pain
Searching for the truth among the lying
And answered when you’ve learned the art of dying

But you’re still with me
But if you want it
Then you must find it
But when you have it
There’ll be no need for it

There’ll come a time when most of us return here
Brought back by our desire to be
A perfect entity
Living through a million years of crying
Until you’ve realized the Art of Dying
Do you believe me?

Muddy Waters – Mannish Boy

One of the best riffs in blues or rock. It’s been recycled in so many songs but never loses its bite. This song was a reworking of the Bo Diddley song “I’m A Man.” Great song by the great Muddy Waters.

Muddy recorded several versions of this song through the years. He recorded the original at Chess Records in Chicago in 1955. One of the reasons I love this song so much is because the guitar line is easy to play but very memorable. Waters used the same basic riff on his song “Hoochie Coochie Man.” George Thorogood also used it for his song “Bad To The Bone.”

The song peaked at #51 in the UK in 1988 and #5 in the R&B Charts in 1955.

Muddy Waters originally recorded this in 1955, then re-recorded it in 1977 for his Hard Again album in a version produced by Johnny Winter. The song was written by Muddy Waters, Mel London, and Bo Diddley.

He was born McKinley Morganfield in Rolling Fork, Mississippi, around 1913. Nicknamed “Muddy” as a child, he worked on the huge Stovall cotton plantation before following the northward migration of African Americans to Chicago, where he drove a truck and signed to Chess Records, a tiny blues label run by two émigré Polish brothers, Leonard and Phil Chess. As Muddy Waters, he established himself as a pioneering electric blues musician in the early 1950s.

Mannish Boys

Oh, yeah
Oh, yeah

Everything gonna be alright this mornin’
Now, when I was a young boy
At the age of five
My mother said I was gonna be
The greatest man alive
But now I’m a man
I’m age twenty-one
I want you to believe me, honey
We having lots of fun

I’m a man (yeah)
I spell M
A, child
N
That represent man
No B
O, child
Y
That spell mannish boy
I’m a man
I’m a full-grown man
I’m a man
I’m a rollin’ stone
I’m a man
I’m a hoochie-coochie man

Sittin’ on the outside
Just me and my mate
I’m made to move
Come up two hours late
Wasn’t that a man?
I spell M
A, child
N
That represesnt man
No B
O, child
Y
That spell mannish boy
I’m a man
I’m a full-grown man
I’m a man
I’m a rolllin’ stone
I’m a man
Full-grown man
Oh, well
Oh, well

54-40 – I Go Blind

Deke brought this band up the other day and I started to listen to their songs. Deke likes a lot of harder bands so I was expecting screaming guitars but this band is close to Sloan to me or power pop…which yea…I kinda like!

The band was formed in the small border town of Tsawwassen, BC. Musically they were influenced by British invasion and post-punk and American roots and punk rock. They got their name from a reference to a US political slogan from the 1840s (“Fifty-four forty or Fight!”) that called for the American annexation of what is now British Columbia.

54-40_Green_Album

The band started in 1978 when Neil Osborne and Brad Merritt met in Sought Delta High School in Tsawwassen, British Columbia. They released their first album in 1984  called Set The Fire and their second album in 1986 was a self-titled album also called The Green Album. That is the album this song is on.

The album 54-40 peaked at #91 on the Canadian Album Charts in 1986.

The song was covered by Hootie and the Blowfish and did well on the charts in 1996-97. It peaked at #13 in Canada, #2 on the US Adult Top 40, and #22 on the US Adult Contemporary in 1996-97.

I Go Blind

Every time I look at you I go blind
Every time I look at you I go blind
Every time I look at you I go blind
Every time I look at you I go blind

In the morning, I get up
And I try to feel alive but I can’t
Every time I look at you I go blind
I don’t know what it is
Something in me just won’t give it a chance

I think it’s that I feel more confused by the deal
Love has shown me
Little child, did you know that there’s a light
And it’s gonna shine right through your eyes
What do you think that life is like?
Every time I look at you I go blind
I go blind

Somewhere over there
There’s a purpose, there’s a care for free
In me there’s nobody
No one planned, no one stand to be free
I think it’s that because I have seen all the fuss
And it’s no big deal
No big deal

Hold me, hold me
‘Cause I wanna get higher and higher
Higher than
Hold me hold me
‘Cause I wanna get higher and higher
Higher than

Eddie Money – Gimme Some Water

I’ve never been a big Eddie Money fan but this is one of his songs I like. He had a nice career and I did like songs such as Take Me Home Tonight with Ronnie Spector.

This one has an old-west theme and I like the guitar. It has more of a rock sound than Money usually has. The song is off of his album Life for the Taking released in 1978. The album peaked at #17 on the Billboard 100 and #13 in Canada in 1978. The album charted higher than his debut album which featured Two Tickets To Paradise and Baby Hold On which both made it into the top 20.

It doesn’t sound like his big hits…a little rawer and more rock. To my surprise, it wasn’t released as a single but once in a while, I’ll hear it on a classic rock station. Eddie Money had 10 top 40 hits and seven of those were top 20.

The riff is not all that original but it serves its purpose. The song reminds me of Bad Company’s Shooting Star but one I haven’t heard a million times. Eddie Money wrote this song.

Eddie Money: “I had a song called ‘Give Me Some Water,’ and when I was told that Johnny Cash put it in his set — I was on Cloud Nine, I mean this is the guy who ‘Walked the Line!’”

Here is a cover version by Claudia Hoyser who apparently knew Eddie Money. She does a great low-key version here.

Gimme Some Water

Mama never understood what it’s like for a losing man
When her number one son goes bad playing cards with the Devil’s Hand
Daddy got real sick so quick – four walls never understand
I was the one who got good with the gun – took the money from the rich man’s land

Give me some water ’cause I shot a man on the Mexican border
Cool, cool water
Give me some water
I need a little water

Jimmy grew up so fast and he met me at the pass one day
Said, “You’re a wanted man. Take your brother’s hand – I’ll be running with you, anyway.”
So we rode late in the night like fires on the desert sand
’til one day the posse caught us ’cause the sheriff always gets his man

Give me some water ’cause I killed a man on the Mexican border
Cool, cool water
I need a little water

Oh, geeze, if I just get loose my hands
I’d run just as fast as my legs can
But, Lord, I’ve got no room to run
Shouldn’t have done what I did without that gun

Give me some water ’cause I killed a man on the Mexican border
Cool, cool water

Can’t you see that long, white rope hanging from the hangman’s tree
Take the restless horse; tie may hands, of course; tell my mother that I’m finally free
Let me die like a man – no one understands; let me pray that a poor man pray
Smack that horse in the ass; with my last dying gasp my brother could hear me say

Give me some water ’cause I shot a man on the Mexican border
Cool, cool water
Give me some water

Give me some water ’cause I shot a man on the Mexican border
Cool, cool water
Give me some water

Give me some water ’cause I shot a man on the Mexican border
Cool, cool water
Give me some water

Give me some water ’cause I killed a man on the Mexican border
Cool, sweet water
Give me some water

Arlo Guthrie – Alice’s Restaurant Massacree

Hello everyone and those of you who celebrate Thanksgiving… I hope you have a great one with your friends and family! Those of you who don’t…have a great day and weekend coming up. I know Thanksgiving is an American holiday mostly but I have talked to a few who celebrate it from other countries…like Bruce my friend from New Zealand.

Every Thanksgiving I listen to Alice’s Restaurant and this is the fifth year in a row that I’ve posted it on the 4th Thursday of November. Sorry if you are tired of it but it’s not Thanksgiving until Alice’s Restaurant is played…and the Last Waltz is also watched but that is a different story.

The movie that Arlo movie made called Alice’s Restaurant is fun to watch.

It’s not Thanksgiving without listening to this 1967 song. This song did not chart but he did have another version that did chart…it was called Alice’s Rock and Roll Restaurant that peaked at #97 in the Billboard 100.

Many radio stations play this on Thanksgiving. This is usually the only time they play it, since the song is over 18 minutes long.

There have been mixed reviews about the movie that was made…I’ve always found it enjoyable. It’s not going to be confused with Gone With The Wind but it’s a fun period movie.

In 1991, Arlo bought the church where this took place and set up “The Guthrie Center,” where he runs programs for kids who have been abused.

From Songfacts

Running 18 minutes and 34 seconds, this song is based on a true story that happened on Thanksgiving Day, 1965. Arlo was 18, and along with his friend Rick Robbins, drove to Stockbridge, Massachusetts to have Thanksgiving dinner with Alice and Ray Brock. Alice and Ray lived in a church – the former Trinity Church on Division Street in Stockbridge – and were used to inviting people into their home. Arlo and Rick had been traveling together, Arlo working his way up in folk singing and Rick tagging along. A number of people, Arlo and Rick included, were considered members of the family, so they were not guests in the usual sense. 

When Ray woke up the next morning, he said to them, “Let’s clean up the church and get all this crap out of here, for God’s sake. This place is a mess,” and Rick said, “Sure.” Arlo and Rick swept up and loaded all the crap into a VW microbus and went out to the dump, which was closed. They started driving around until Arlo remembered a side road in Stockbridge up on Prospect Hill by the Indian Hill Music Camp which he attended one summer, so they drove up there and dumped the garbage.A little later, the phone rang, and it was Stockbridge police chief William J. Obanhein. “I found an envelope with the name Brock on it,” Chief Obanhein said. The truth came out, and soon the boys found themselves in Obanhein’s police car. They went up to Prospect Hill, and Obie took some pictures. On the back, he marked them, “PROSPECT HILL RUBBISH DUMPING FILE UNDER GUTHRIE AND ROBBINS 11/26/65.” He took the kids to jail.The kids went in, pleaded, “Guilty, Your Honor,” was fined $25 each and ordered to retrieve the rubbish. Then they all went back to the church and started to write “Alice’s Restaurant” together. “We were sitting around after dinner and wrote half the song,” Alice recalls, “and the other half, the draft part, Arlo wrote.”

Guthrie, the son of legendary folk singer Woody Guthrie, greatly exaggerated the part about getting arrested for comic effect. In the song, he is taken away in handcuffs and put in a cell with hardened criminals. 

In the song, Guthrie avoids the draft and did not have to serve in Vietnam because of his littering arrest. In reality, he was eligible but wasn’t drafted because his number didn’t come up.

Guthrie performed this song for the first time on July 16, 1967, at the Newport Folk Festival.

This reflected the attitude of many young people in America at the time. It was considered an antiwar song, but unlike most protest songs, it used humor to speak out against authority.

After a while, Guthrie stopped playing this at concerts, claiming he forgot the words. As the song approached its 30th anniversary, he started playing it again.

Guthrie made a movie of the same name in 1969 which was based on the song.

Over the years, Guthrie added different words to the song. He recorded a new, longer version in 1995 at The Guthrie Center

Alice’s Restuarant

This song is called Alice’s Restaurant, and it’s about Alice, and the
Restaurant, but Alice’s Restaurant is not the name of the restaurant,
That’s just the name of the song, and that’s why I called the song Alice’s
Restaurant.

You can get anything you want at Alice’s Restaurant
You can get anything you want at Alice’s Restaurant
Walk right in it’s around the back
Just a half a mile from the railroad track
You can get anything you want at Alice’s Restaurant

Now it all started two Thanksgivings ago, was on – two years ago on
Thanksgiving, when my friend and I went up to visit Alice at the
Restaurant, but Alice doesn’t live in the restaurant, she lives in the
Church nearby the restaurant, in the bell-tower, with her husband Ray and
Fasha the dog. And livin’ in the bell tower like that, they got a lot of
Room downstairs where the pews used to be in. Havin’ all that room,
Seein’ as how they took out all the pews, they decided that they didn’t
Have to take out their garbage for a long time.

We got up there, we found all the garbage in there, and we decided it’d be
A friendly gesture for us to take the garbage down to the city dump. So
We took the half a ton of garbage, put it in the back of a red vw
Microbus, took shovels and rakes and implements of destruction and headed
On toward the city dump.

Well we got there and there was a big sign and a chain across across the
Dump saying, “Closed on Thanksgiving.” And we had never heard of a dump
Closed on Thanksgiving before, and with tears in our eyes we drove off
Into the sunset looking for another place to put the garbage.

We didn’t find one. Until we came to a side road, and off the side of the
Side road there was another fifteen foot cliff and at the bottom of the
Cliff there was another pile of garbage. And we decided that one big pile
Is better than two little piles, and rather than bring that one up we
Decided to throw our’s down.

That’s what we did, and drove back to the church, had a thanksgiving
Dinner that couldn’t be beat, went to sleep and didn’t get up until the
Next morning, when we got a phone call from officer Obie. He said, “Kid,
We found your name on an envelope at the bottom of a half a ton of
Garbage, and just wanted to know if you had any information about it. ” And
I said, “Yes, sir, Officer Obie, I cannot tell a lie, I put that envelope
Under that garbage. ”

After speaking to Obie for about forty-five minutes on the telephone we
Finally arrived at the truth of the matter and said that we had to go down
And pick up the garbage, and also had to go down and speak to him at the
Police officer’s station. So we got in the red vw microbus with the
Shovels and rakes and implements of destruction and headed on toward the
Police officer’s station.

Now friends, there was only one or two things that Obie coulda done at
The police station, and the first was he could have given us a medal for
Being so brave and honest on the telephone, which wasn’t very likely, and
We didn’t expect it, and the other thing was he could have bawled us out
And told us never to be seen driving garbage around the vicinity again,
Which is what we expected, but when we got to the police officer’s station
There was a third possibility that we hadn’t even counted upon, and we was
Both immediately arrested. Handcuffed. And I said “Obie, I don’t think I
Can pick up the garbage with these handcuffs on. ” He said, “Shut up, kid.
Get in the back of the patrol car. ”

And that’s what we did, sat in the back of the patrol car and drove to the
Quote Scene of the Crime unquote. I want tell you about the town of
Stockbridge, Massachusets, where this happened here, they got three stop
Signs, two police officers, and one police car, but when we got to the
Scene of the Crime there was five police officers and three police cars,
Being the biggest crime of the last fifty years, and everybody wanted to
Get in the newspaper story about it. And they was using up all kinds of
Cop equipment that they had hanging around the police officer’s station.
They was taking plaster tire tracks, foot prints, dog smelling prints, and
They took twenty seven eight-by-ten colour glossy photographs with circles
And arrows and a paragraph on the back of each one explaining what each
One was to be used as evidence against us. Took pictures of the approach,
The getaway, the northwest corner the southwest corner and that’s not to
Mention the aerial photography.

After the ordeal, we went back to the jail. Obie said he was going to put
Us in the cell. Said, “Kid, I’m going to put you in the cell, I want your
Wallet and your belt. ” And I said, “Obie, I can understand you wanting my
Wallet so I don’t have any money to spend in the cell, but what do you
Want my belt for? ” And he said, “Kid, we don’t want any hangings. ” I
Said, “Obie, did you think I was going to hang myself for littering?”
Obie said he was making sure, and friends Obie was, cause he took out the
Toilet seat so I couldn’t hit myself over the head and drown, and he took
Out the toilet paper so I couldn’t bend the bars roll out the – roll the
Toilet paper out the window, slide down the roll and have an escape. Obie
Was making sure, and it was about four or five hours later that Alice
(remember Alice? It’s a song about Alice), Alice came by and with a few
Nasty words to Obie on the side, bailed us out of jail, and we went back
To the church, had a another thanksgiving dinner that couldn’t be beat,
And didn’t get up until the next morning, when we all had to go to court.

We walked in, sat down, Obie came in with the twenty seven eight-by-ten
Colour glossy pictures with circles and arrows and a paragraph on the back
Of each one, sat down. Man came in said, “All rise.” We all stood up,
And Obie stood up with the twenty seven eight-by-ten colour glossy
Pictures, and the judge walked in sat down with a seeing eye dog, and he
Sat down, we sat down. Obie looked at the seeing eye dog, and then at the
Twenty seven eight-by-ten colour glossy pictures with circles and arrows
And a paragraph on the back of each one, and looked at the seeing eye dog.
And then at twenty seven eight-by-ten colour glossy pictures with circles
And arrows and a paragraph on the back of each one and began to cry,
’cause Obie came to the realization that it was a typical case of American
Blind justice, and there wasn’t nothing he could do about it, and the
Judge wasn’t going to look at the twenty seven eight-by-ten colour glossy
Pictures with the circles and arrows and a paragraph on the back of each
One explaining what each one was to be used as evidence against us. And
We was fined $50 and had to pick up the garbage in the snow, but that’s not
What I came to tell you about.

Came to talk about the draft.

They got a building down New York City, it’s called Whitehall Street,
Where you walk in, you get injected, inspected, detected, infected,
Neglected and selected. I went down to get my physical examination one
Day, and I walked in, I sat down, got good and drunk the night before, so
I looked and felt my best when I went in that morning. ‘Cause I wanted to
Look like the all-American kid from New York City, man I wanted, I wanted
To feel like the all-, I wanted to be the all American kid from New York,
And I walked in, sat down, I was hung down, brung down, hung up, and all
Kinds o’ mean nasty ugly things. And I waked in and sat down and they gave
Me a piece of paper, said, “Kid, see the phsychiatrist, room 604.”

And I went up there, I said, “Shrink, I want to kill. I mean, I wanna, I
Wanna kill. Kill. I wanna, I wanna see, I wanna see blood and gore and
Guts and veins in my teeth. Eat dead burnt bodies. I mean kill, Kill,
Kill, kill. ” And I started jumping up and down yelling, “kill, kill, ” and
He started jumping up and down with me and we was both jumping up and down
Yelling, “KILL, KILL.” And the Sargent came over, pinned a medal on me,
Sent me down the hall, said, “You’re our boy.”

Didn’t feel too good about it.

Proceeded on down the hall gettin more injections, inspections,
Detections, neglections and all kinds of stuff that they was doin’ to me
At the thing there, and I was there for two hours, three hours, four
Hours, I was there for a long time going through all kinds of mean nasty
Ugly things and I was just having a tough time there, and they was
Inspecting, injecting every single part of me, and they was leaving no
Part untouched. Proceeded through, and when I finally came to the see the
Last man, I walked in, walked in sat down after a whole big thing there,
And I walked up and said, “What do you want?” He said, “Kid, we only got
One question. Have you ever been arrested? ”

And I proceeded to tell him the story of the Alice’s Restaurant Massacre,
With full orchestration and five part harmony and stuff like that and all
The phenome… – and he stopped me right there and said, “Kid, did you ever
Go to court? ”

And I proceeded to tell him the story of the twenty seven eight-by-ten
Colour glossy pictures with the circles and arrows and the paragraph on
The back of each one, and he stopped me right there and said, “Kid, I want
You to go and sit down on that bench that says Group W…. Now kid!! ”

And I, I walked over to the, to the bench there, and there is, Group W’s
Where they put you if you may not be moral enough to join the army after
Committing your special crime, and there was all kinds of mean nasty ugly
Looking people on the bench there. Mother rapers. Father stabbers. Father
Rapers! Father rapers sitting right there on the bench next to me! And
They was mean and nasty and ugly and horrible crime-type guys sitting on the
Bench next to me. And the meanest, ugliest, nastiest one, the meanest
Father raper of them all, was coming over to me and he was mean ‘n’ ugly
‘n’ nasty ‘n’ horrible and all kind of things and he sat down next to me
And said, “Kid, whad’ya get?” I said, “I didn’t get nothing, I had to pay
$50 and pick up the garbage. ” He said, “What were you arrested for, kid? ”
And I said, “Littering.” And they all moved away from me on the bench
There, and the hairy eyeball and all kinds of mean nasty things, till I
Said, “And creating a nuisance.” And they all came back, shook my hand,
And we had a great time on the bench, talkin about crime, mother stabbing,
Father raping, all kinds of groovy things that we was talking about on the
Bench. And everything was fine, we was smoking cigarettes and all kinds of
Things, until the Sargeant came over, had some paper in his hand, held it
Up and said.

“Kids, this-piece-of-paper’s-got-47-words-37-sentences-58-words-we-wanna-
Know-details-of-the-crime-time-of-the-crime-and-any-other-kind-of-thing-
You-gotta-say-pertaining-to-and-about-the-crime-I-want-to-know-arresting-
Officer’s-name-and-any-other-kind-of-thing-you-gotta-say”, and talked for
Forty-five minutes and nobody understood a word that he said, but we had
Fun filling out the forms and playing with the pencils on the bench there,
And I filled out the massacre with the four part harmony and wrote it
Down there, just like it was, and everything was fine and I put down the
Pencil and I turned over the piece of paper, and there, there on the
Other side, in the middle of the other side, away from everything else on
The other side, in parentheses, capital letters, quotated, read the
Following words:

(“KID, HAVE YOU REHABILITATED YOURSELF?”)

I went over to the Sargent, said, “Sargeant, you got a lot a damn gall to
Ask me if I’ve rehabilitated myself, I mean, I mean, I mean that just, I’m
Sittin’ here on the bench, I mean I’m sitting here on the Group W bench
’cause you want to know if I’m moral enough join the army, burn women,
Kids, houses and villages after bein’ a litterbug. ” He looked at me and
Said, “Kid, we don’t like your kind, and we’re gonna send you fingerprints
Off to Washington. ”

And friends, somewhere in Washington enshrined in some little folder, is a
study in black and white of my fingerprints. And the only reason I’m
singing you this song now is cause you may know somebody in a similar
situation, or you may be in a similar situation, and if your in a
situation like that there’s only one thing you can do and that’s walk into
The shrink wherever you are, just walk in say “Shrink, You can get
Anything you want, at Alice’s restaurant. “. And walk out. You know, if
One person, just one person does it they may think he’s really sick and
They won’t take him. And if two people, two people do it, in harmony,
They may think they’re both faggots and they won’t take either of them.
And three people do it, three, can you imagine, three people walking in
Singin a bar of Alice’s Restaurant and walking out. They may think it’s an
Organization. And can you, can you imagine fifty people a day, I said
Fifty people a day walking in singing a bar of Alice’s Restaurant and
Walking out. And friends they may think it’s a movement.

And that’s what it is, the Alice’s Restaurant Anti-Massacre Movement, and
All you got to do to join is sing it the next time it comes around on the
Guitar.

With feeling. So we’ll wait for it to come around on the guitar, here and
Sing it when it does. Here it comes.

You can get anything you want, at Alice’s Restaurant
You can get anything you want, at Alice’s Restaurant
Walk right in it’s around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice’s Restaurant

That was horrible. If you want to end war and stuff you got to sing loud.
I’ve been singing this song now for twenty-five minutes. I could sing it
For another twenty-five minutes. I’m not proud… Or tired.

So we’ll wait till it comes around again, and this time with four part
Harmony and feeling.

We’re just waitin’ for it to come around is what we’re doing.

All right now.

You can get anything you want, at Alice’s Restaurant
Excepting Alice
You can get anything you want, at Alice’s Restaurant
Walk right in it’s around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice’s Restaurant

Da da da da da da da dum
At Alice’s Restaurant

Max Picks …songs from 1976

1976

The bicentennial in America and everything that wasn’t nailed down was painted Red, White, and Blue. It was the first year I remember becoming aware of news and popular culture. In 1977 I would start watching the news and following baseball.

I always liked the imagery of this song.

When Phil Lynott was a kid his mother Philomena ran an illegal drinking den in Manchester, England. Phil was often with his mother in this den. Some of her most frequent returning customers were members of the Quality Street Gang (a group of criminals operating in Manchester, England, in the 1960s, 1970s, and 1980s).

He would spend his time observing the gang, their mannerisms, the way they talk, and the way they fight. All of this observation eventually inspired him to write a song about them called “The Boys Are Back In Town.”

I always liked this song by Seger. This song is a staple on classic radio and I still listen to it when it comes on. Seger has great imagery in this song.It took Seger around six months to write this song. Along with “Turn The Page,” this was one of just two songs Seger ever wrote on the road. Night Moves was a breakthrough hit for Seger, introducing the heartland rocker to a much wider audience. He had been very popular in Michigan ever since his first album in 1969… which had the hit Ramblin’ Gamblin’ Man. That song went to #17 on the Hot 100, but over the next few years, he struggled to make a national impact.

Lynyrd Skynyrd’s Freebird was originally released on the (Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd) in 1973 but the live version is what hit in 1976 with a single released off of One More From The Road. This is when the song became a legend. Personally, I like the studio version of it a lot but live it was unbeatable.

It’s become so ingrained that people will shout this out at concerts. In 2016 someone shouted this out at a Bob Dylan concert…guess what? Bob and his band went into the ending of the song where it rocks.

This is the band at Knebworth in 1976.

Punk was around in the UK and in America, we had the Ramones.

The Ramones were no frills and to the point. No long solos (or any) or instrumental breaks. Just 2-minute rock songs full of energy. This was the song that helped launch the Ramones.

The song never charted but is probably their best-known song because of the many movies, TV shows, and commercials it’s been in. The song was mainly written by drummer Tommy Ramone, while bassist Dee Dee Ramone came up with the title (the song was originally called “Animal Hop”). Dee Dee also changed one line: the original third verse had the line “shouting in the back now”, but Dee Dee changed it to “shoot ’em in the back now.”

This song still sounds fresh today. Got To Get You Into My Life was on Revolver released in 1966. It was not released as a single at the time. Any other band would have released it as a single.

In 1976 it was released as a single and peaked at #7 in the Billboard 100…not bad for a song that was 10 years old. It was released off of the horribly packaged compilation album Rock and Roll Music. Capital Records seemed to forget The Beatles represented the 60s, not the 50s that the album cover represented.

Bad Company – Rock ‘n’ Roll Fantasy

In 1979 this song was out I was at our town’s Dime Store…remember Dime Stores? They had a .50-cent single bin. I looked around and I saw a Rock And Roll Fantasy single just picked it up and bought it…not paying attention to the band.

I played the single at home and it was The Kinks Rock and Roll Fantasy… a totally different song but it soon became one of my favorites by the Kinks…so I won in that deal. This Bad Company song has been worn out by radio but I still will listen when it comes on.

Paul Rodgers has one of the best voices in rock and blues. So good in fact that one band came looking for him when their singer passed away. The Doors searched for Rodgers after Jim Morrison had died but Rodgers was living off the grid in England and they couldn’t find him. He didn’t know about it until years later when Doors guitarist Robby Krieger told him. The Doors were all Free fans.

The song was written by Paul Rodgers about rock and roll escapism. The band was all burned out from their 1977 tour and they took a two-year break until 1979 when they released the Desolation Angels album. It became one of their most successful albums along with their last top 10 album.

This song was quite successful as was the album Desolation Angels. The album peaked at #3 on the Billboard Album Charts, #6 in Canada, #10 in the UK, and #32 in New Zealand in 1979.

The song peaked at #13 on the Billboard 100 and #16 in Canada.

They were on Led Zeppelin’s record label…Swan Song. It would be the last huge year on the label when Led Zeppelin released In Through The Out Door along with this Bad Company album. John Bonham would pass the following year and the label died in 1983. Bad Company was far and away the most successful band on the label not including Zeppelin.

When clearing out the offices in 1983…unheard demos by Iron Maiden and Heart were found.

Paul Rodgers: “I discovered quite recently that I was lined up to join The Doors, which blew my mind. Robby Krieger told me that the Doors were all fans of Free, and after Jim Morrison’s death, they came to England looking for me. The thing is, at that time, I had buried myself in the country, working on things, and they couldn’t get a hold of me. My jaw actually dropped like in a cartoon when Robby told me this.”

Paul Rodgers: “I don’t think you should ever bring politics and stuff that surrounds you every day – all that depressing stuff – into music, people want to go and see groups to get away from all that. I know I do. The lights, the atmosphere… they can forget everything else.”

Rock ‘n’ Roll Fanstasy

Here comes the jesters, one, two three
It’s all part of my fantasy
I love the music and I love to see the crowd
Dancin’ In the aisles and singin’ out loud

Here comes the dancers one bye one
Your mama’s callin’ but you’re havin’ fun
You find you’re dancin’ on a number nine cloud
Put your hands together now and sing It out loud

Its all part of my rock ‘n roll fantasy
Its all part of my rock ‘n roll dream
Its all part of my rock ‘n roll fantasy
Its all part of my rock ‘n roll dream

Put up the spotlights one and all
And let the feelin’ get down to your soul
The music’s so loud you can hear the sound
Reachin’ for the sky and churn In up the ground

Its all part of my rock ‘n roll fantasy
Its all part of my rock ‘n roll dream
Its all part of my rock ‘n roll fantasy
Its all part of my rock ‘n roll dream

Paul McCartney – Let Me Roll It

This song has always reminded me of a John Lennon-type song because of the heavy use of echo and the raw riff. The song was on arguably Paul’s best album Band on the Run. The song was the B side to the song Jet in 1974. I like some of the Wings material…this one to me is in the top tier.

Let Me Roll is in my top two of McCartney’s Wings songs along with Juinor’s Farm. It’s a song our band played a lot and it’s powerful live. I’m not a huge fan of Wings but I’ve been digging into them after finishing a huge McCartney book called The McCartney Legacy.

McCartney wanted to record this album somewhere remote and not in the same old studios in London. He picked Lagos Nigeria to record partly thinking that his family could hit the beach and have a nice time. That didn’t happen for Wings. Before they were set to go guitarist Henry Mccullough quit and a week later drummer Denny Seiwell quit.

At that point, Paul had only two other Wings members. Linda McCartney and Denny Laine. A big problem at the time was that money was tight. The reason money was Paul hadn’t seen his royalties from any of his Wings albums or even Let It Be because all of it had gone into Apple. The same with John, George, and Ringo. Everything was tied up with Allen Klein.

The three set off to Lagos and recorded at the EMI studio there which was severely underequipped. Ginger Baker had a studio down there and was unhappy that Paul didn’t record at his place. They did end up going there and recording Picasso’s Last Words there.

Wings were not welcomed by Feti Kuti, a huge musician there, because he thought Paul was there to steal their music. Around 40 angry people including Kuti went into the studio to confront Paul so Denny Laine called Ginger Baker. He came out to diffuse the situation. You know it was pretty bad when Baker plays the peacemaker.

Also, Paul and Linda were told NOT to wander off of the compound they were staying at because it was unsafe. Paul and Linda took a chance and left at dark and started to walk down a dirt road and a car pulled up and robbed them at knifepoint. Linda probably saved their lives by letting the robbers know who Paul was…they were lucky they were not killed.

They managed to record most of the album there and saved most of the overdubbing until they got back to London. When Paul’s back was to the wall…he pulled off what I think is his best solo album.

Paul McCartney:  Let Me Roll It was a riff, originally, a great riff to play, and whenever we played it live, it goes down great. We’d play it on two guitars, and people saw it later as a kind of John pastiche, as Lennon-ish, Lennon-esque. Which I don’t mind. That could have been a Beatles song. Me and John would have sung that good.”

Let Me Roll It

You gave me something
I understand
You gave me loving in the palm of my hand

I can’t tell you how I feel
My heart is like a wheel
Let me roll it
Let me roll it to you
Let me roll it
Let me roll it to you

I want to tell you
And now’s the time
I want to tell you that
You’re going to be mine

I can’t tell you how I feel
My heart is like a wheel
Let me roll it
Let me roll it to you
Let me roll it
Let me roll it to you

I can’t tell you how I feel
My heart is like a wheel
Let me roll it
Let me roll it to you
Let me roll it
Let me roll it to you

You gave me something
I understand
You gave me loving in the palm of my hand

I can’t tell you how I feel
My heart is like a wheel
Let me roll it
Let me roll it to you
Let me roll it
Let me roll it to you