54-40 – I Go Blind

Deke brought this band up the other day and I started to listen to their songs. Deke likes a lot of harder bands so I was expecting screaming guitars but this band is close to Sloan to me or power pop…which yea…I kinda like!

The band was formed in the small border town of Tsawwassen, BC. Musically they were influenced by British invasion and post-punk and American roots and punk rock. They got their name from a reference to a US political slogan from the 1840s (“Fifty-four forty or Fight!”) that called for the American annexation of what is now British Columbia.

54-40_Green_Album

The band started in 1978 when Neil Osborne and Brad Merritt met in Sought Delta High School in Tsawwassen, British Columbia. They released their first album in 1984  called Set The Fire and their second album in 1986 was a self-titled album also called The Green Album. That is the album this song is on.

The album 54-40 peaked at #91 on the Canadian Album Charts in 1986.

The song was covered by Hootie and the Blowfish and did well on the charts in 1996-97. It peaked at #13 in Canada, #2 on the US Adult Top 40, and #22 on the US Adult Contemporary in 1996-97.

I Go Blind

Every time I look at you I go blind
Every time I look at you I go blind
Every time I look at you I go blind
Every time I look at you I go blind

In the morning, I get up
And I try to feel alive but I can’t
Every time I look at you I go blind
I don’t know what it is
Something in me just won’t give it a chance

I think it’s that I feel more confused by the deal
Love has shown me
Little child, did you know that there’s a light
And it’s gonna shine right through your eyes
What do you think that life is like?
Every time I look at you I go blind
I go blind

Somewhere over there
There’s a purpose, there’s a care for free
In me there’s nobody
No one planned, no one stand to be free
I think it’s that because I have seen all the fuss
And it’s no big deal
No big deal

Hold me, hold me
‘Cause I wanna get higher and higher
Higher than
Hold me hold me
‘Cause I wanna get higher and higher
Higher than

Eddie Money – Gimme Some Water

I’ve never been a big Eddie Money fan but this is one of his songs I like. He had a nice career and I did like songs such as Take Me Home Tonight with Ronnie Spector.

This one has an old-west theme and I like the guitar. It has more of a rock sound than Money usually has. The song is off of his album Life for the Taking released in 1978. The album peaked at #17 on the Billboard 100 and #13 in Canada in 1978. The album charted higher than his debut album which featured Two Tickets To Paradise and Baby Hold On which both made it into the top 20.

It doesn’t sound like his big hits…a little rawer and more rock. To my surprise, it wasn’t released as a single but once in a while, I’ll hear it on a classic rock station. Eddie Money had 10 top 40 hits and seven of those were top 20.

The riff is not all that original but it serves its purpose. The song reminds me of Bad Company’s Shooting Star but one I haven’t heard a million times. Eddie Money wrote this song.

Eddie Money: “I had a song called ‘Give Me Some Water,’ and when I was told that Johnny Cash put it in his set — I was on Cloud Nine, I mean this is the guy who ‘Walked the Line!’”

Here is a cover version by Claudia Hoyser who apparently knew Eddie Money. She does a great low-key version here.

Gimme Some Water

Mama never understood what it’s like for a losing man
When her number one son goes bad playing cards with the Devil’s Hand
Daddy got real sick so quick – four walls never understand
I was the one who got good with the gun – took the money from the rich man’s land

Give me some water ’cause I shot a man on the Mexican border
Cool, cool water
Give me some water
I need a little water

Jimmy grew up so fast and he met me at the pass one day
Said, “You’re a wanted man. Take your brother’s hand – I’ll be running with you, anyway.”
So we rode late in the night like fires on the desert sand
’til one day the posse caught us ’cause the sheriff always gets his man

Give me some water ’cause I killed a man on the Mexican border
Cool, cool water
I need a little water

Oh, geeze, if I just get loose my hands
I’d run just as fast as my legs can
But, Lord, I’ve got no room to run
Shouldn’t have done what I did without that gun

Give me some water ’cause I killed a man on the Mexican border
Cool, cool water

Can’t you see that long, white rope hanging from the hangman’s tree
Take the restless horse; tie may hands, of course; tell my mother that I’m finally free
Let me die like a man – no one understands; let me pray that a poor man pray
Smack that horse in the ass; with my last dying gasp my brother could hear me say

Give me some water ’cause I shot a man on the Mexican border
Cool, cool water
Give me some water

Give me some water ’cause I shot a man on the Mexican border
Cool, cool water
Give me some water

Give me some water ’cause I shot a man on the Mexican border
Cool, cool water
Give me some water

Give me some water ’cause I killed a man on the Mexican border
Cool, sweet water
Give me some water

Arlo Guthrie – Alice’s Restaurant Massacree

Hello everyone and those of you who celebrate Thanksgiving… I hope you have a great one with your friends and family! Those of you who don’t…have a great day and weekend coming up. I know Thanksgiving is an American holiday mostly but I have talked to a few who celebrate it from other countries…like Bruce my friend from New Zealand.

Every Thanksgiving I listen to Alice’s Restaurant and this is the fifth year in a row that I’ve posted it on the 4th Thursday of November. Sorry if you are tired of it but it’s not Thanksgiving until Alice’s Restaurant is played…and the Last Waltz is also watched but that is a different story.

The movie that Arlo movie made called Alice’s Restaurant is fun to watch.

It’s not Thanksgiving without listening to this 1967 song. This song did not chart but he did have another version that did chart…it was called Alice’s Rock and Roll Restaurant that peaked at #97 in the Billboard 100.

Many radio stations play this on Thanksgiving. This is usually the only time they play it, since the song is over 18 minutes long.

There have been mixed reviews about the movie that was made…I’ve always found it enjoyable. It’s not going to be confused with Gone With The Wind but it’s a fun period movie.

In 1991, Arlo bought the church where this took place and set up “The Guthrie Center,” where he runs programs for kids who have been abused.

From Songfacts

Running 18 minutes and 34 seconds, this song is based on a true story that happened on Thanksgiving Day, 1965. Arlo was 18, and along with his friend Rick Robbins, drove to Stockbridge, Massachusetts to have Thanksgiving dinner with Alice and Ray Brock. Alice and Ray lived in a church – the former Trinity Church on Division Street in Stockbridge – and were used to inviting people into their home. Arlo and Rick had been traveling together, Arlo working his way up in folk singing and Rick tagging along. A number of people, Arlo and Rick included, were considered members of the family, so they were not guests in the usual sense. 

When Ray woke up the next morning, he said to them, “Let’s clean up the church and get all this crap out of here, for God’s sake. This place is a mess,” and Rick said, “Sure.” Arlo and Rick swept up and loaded all the crap into a VW microbus and went out to the dump, which was closed. They started driving around until Arlo remembered a side road in Stockbridge up on Prospect Hill by the Indian Hill Music Camp which he attended one summer, so they drove up there and dumped the garbage.A little later, the phone rang, and it was Stockbridge police chief William J. Obanhein. “I found an envelope with the name Brock on it,” Chief Obanhein said. The truth came out, and soon the boys found themselves in Obanhein’s police car. They went up to Prospect Hill, and Obie took some pictures. On the back, he marked them, “PROSPECT HILL RUBBISH DUMPING FILE UNDER GUTHRIE AND ROBBINS 11/26/65.” He took the kids to jail.The kids went in, pleaded, “Guilty, Your Honor,” was fined $25 each and ordered to retrieve the rubbish. Then they all went back to the church and started to write “Alice’s Restaurant” together. “We were sitting around after dinner and wrote half the song,” Alice recalls, “and the other half, the draft part, Arlo wrote.”

Guthrie, the son of legendary folk singer Woody Guthrie, greatly exaggerated the part about getting arrested for comic effect. In the song, he is taken away in handcuffs and put in a cell with hardened criminals. 

In the song, Guthrie avoids the draft and did not have to serve in Vietnam because of his littering arrest. In reality, he was eligible but wasn’t drafted because his number didn’t come up.

Guthrie performed this song for the first time on July 16, 1967, at the Newport Folk Festival.

This reflected the attitude of many young people in America at the time. It was considered an antiwar song, but unlike most protest songs, it used humor to speak out against authority.

After a while, Guthrie stopped playing this at concerts, claiming he forgot the words. As the song approached its 30th anniversary, he started playing it again.

Guthrie made a movie of the same name in 1969 which was based on the song.

Over the years, Guthrie added different words to the song. He recorded a new, longer version in 1995 at The Guthrie Center

Alice’s Restuarant

This song is called Alice’s Restaurant, and it’s about Alice, and the
Restaurant, but Alice’s Restaurant is not the name of the restaurant,
That’s just the name of the song, and that’s why I called the song Alice’s
Restaurant.

You can get anything you want at Alice’s Restaurant
You can get anything you want at Alice’s Restaurant
Walk right in it’s around the back
Just a half a mile from the railroad track
You can get anything you want at Alice’s Restaurant

Now it all started two Thanksgivings ago, was on – two years ago on
Thanksgiving, when my friend and I went up to visit Alice at the
Restaurant, but Alice doesn’t live in the restaurant, she lives in the
Church nearby the restaurant, in the bell-tower, with her husband Ray and
Fasha the dog. And livin’ in the bell tower like that, they got a lot of
Room downstairs where the pews used to be in. Havin’ all that room,
Seein’ as how they took out all the pews, they decided that they didn’t
Have to take out their garbage for a long time.

We got up there, we found all the garbage in there, and we decided it’d be
A friendly gesture for us to take the garbage down to the city dump. So
We took the half a ton of garbage, put it in the back of a red vw
Microbus, took shovels and rakes and implements of destruction and headed
On toward the city dump.

Well we got there and there was a big sign and a chain across across the
Dump saying, “Closed on Thanksgiving.” And we had never heard of a dump
Closed on Thanksgiving before, and with tears in our eyes we drove off
Into the sunset looking for another place to put the garbage.

We didn’t find one. Until we came to a side road, and off the side of the
Side road there was another fifteen foot cliff and at the bottom of the
Cliff there was another pile of garbage. And we decided that one big pile
Is better than two little piles, and rather than bring that one up we
Decided to throw our’s down.

That’s what we did, and drove back to the church, had a thanksgiving
Dinner that couldn’t be beat, went to sleep and didn’t get up until the
Next morning, when we got a phone call from officer Obie. He said, “Kid,
We found your name on an envelope at the bottom of a half a ton of
Garbage, and just wanted to know if you had any information about it. ” And
I said, “Yes, sir, Officer Obie, I cannot tell a lie, I put that envelope
Under that garbage. ”

After speaking to Obie for about forty-five minutes on the telephone we
Finally arrived at the truth of the matter and said that we had to go down
And pick up the garbage, and also had to go down and speak to him at the
Police officer’s station. So we got in the red vw microbus with the
Shovels and rakes and implements of destruction and headed on toward the
Police officer’s station.

Now friends, there was only one or two things that Obie coulda done at
The police station, and the first was he could have given us a medal for
Being so brave and honest on the telephone, which wasn’t very likely, and
We didn’t expect it, and the other thing was he could have bawled us out
And told us never to be seen driving garbage around the vicinity again,
Which is what we expected, but when we got to the police officer’s station
There was a third possibility that we hadn’t even counted upon, and we was
Both immediately arrested. Handcuffed. And I said “Obie, I don’t think I
Can pick up the garbage with these handcuffs on. ” He said, “Shut up, kid.
Get in the back of the patrol car. ”

And that’s what we did, sat in the back of the patrol car and drove to the
Quote Scene of the Crime unquote. I want tell you about the town of
Stockbridge, Massachusets, where this happened here, they got three stop
Signs, two police officers, and one police car, but when we got to the
Scene of the Crime there was five police officers and three police cars,
Being the biggest crime of the last fifty years, and everybody wanted to
Get in the newspaper story about it. And they was using up all kinds of
Cop equipment that they had hanging around the police officer’s station.
They was taking plaster tire tracks, foot prints, dog smelling prints, and
They took twenty seven eight-by-ten colour glossy photographs with circles
And arrows and a paragraph on the back of each one explaining what each
One was to be used as evidence against us. Took pictures of the approach,
The getaway, the northwest corner the southwest corner and that’s not to
Mention the aerial photography.

After the ordeal, we went back to the jail. Obie said he was going to put
Us in the cell. Said, “Kid, I’m going to put you in the cell, I want your
Wallet and your belt. ” And I said, “Obie, I can understand you wanting my
Wallet so I don’t have any money to spend in the cell, but what do you
Want my belt for? ” And he said, “Kid, we don’t want any hangings. ” I
Said, “Obie, did you think I was going to hang myself for littering?”
Obie said he was making sure, and friends Obie was, cause he took out the
Toilet seat so I couldn’t hit myself over the head and drown, and he took
Out the toilet paper so I couldn’t bend the bars roll out the – roll the
Toilet paper out the window, slide down the roll and have an escape. Obie
Was making sure, and it was about four or five hours later that Alice
(remember Alice? It’s a song about Alice), Alice came by and with a few
Nasty words to Obie on the side, bailed us out of jail, and we went back
To the church, had a another thanksgiving dinner that couldn’t be beat,
And didn’t get up until the next morning, when we all had to go to court.

We walked in, sat down, Obie came in with the twenty seven eight-by-ten
Colour glossy pictures with circles and arrows and a paragraph on the back
Of each one, sat down. Man came in said, “All rise.” We all stood up,
And Obie stood up with the twenty seven eight-by-ten colour glossy
Pictures, and the judge walked in sat down with a seeing eye dog, and he
Sat down, we sat down. Obie looked at the seeing eye dog, and then at the
Twenty seven eight-by-ten colour glossy pictures with circles and arrows
And a paragraph on the back of each one, and looked at the seeing eye dog.
And then at twenty seven eight-by-ten colour glossy pictures with circles
And arrows and a paragraph on the back of each one and began to cry,
’cause Obie came to the realization that it was a typical case of American
Blind justice, and there wasn’t nothing he could do about it, and the
Judge wasn’t going to look at the twenty seven eight-by-ten colour glossy
Pictures with the circles and arrows and a paragraph on the back of each
One explaining what each one was to be used as evidence against us. And
We was fined $50 and had to pick up the garbage in the snow, but that’s not
What I came to tell you about.

Came to talk about the draft.

They got a building down New York City, it’s called Whitehall Street,
Where you walk in, you get injected, inspected, detected, infected,
Neglected and selected. I went down to get my physical examination one
Day, and I walked in, I sat down, got good and drunk the night before, so
I looked and felt my best when I went in that morning. ‘Cause I wanted to
Look like the all-American kid from New York City, man I wanted, I wanted
To feel like the all-, I wanted to be the all American kid from New York,
And I walked in, sat down, I was hung down, brung down, hung up, and all
Kinds o’ mean nasty ugly things. And I waked in and sat down and they gave
Me a piece of paper, said, “Kid, see the phsychiatrist, room 604.”

And I went up there, I said, “Shrink, I want to kill. I mean, I wanna, I
Wanna kill. Kill. I wanna, I wanna see, I wanna see blood and gore and
Guts and veins in my teeth. Eat dead burnt bodies. I mean kill, Kill,
Kill, kill. ” And I started jumping up and down yelling, “kill, kill, ” and
He started jumping up and down with me and we was both jumping up and down
Yelling, “KILL, KILL.” And the Sargent came over, pinned a medal on me,
Sent me down the hall, said, “You’re our boy.”

Didn’t feel too good about it.

Proceeded on down the hall gettin more injections, inspections,
Detections, neglections and all kinds of stuff that they was doin’ to me
At the thing there, and I was there for two hours, three hours, four
Hours, I was there for a long time going through all kinds of mean nasty
Ugly things and I was just having a tough time there, and they was
Inspecting, injecting every single part of me, and they was leaving no
Part untouched. Proceeded through, and when I finally came to the see the
Last man, I walked in, walked in sat down after a whole big thing there,
And I walked up and said, “What do you want?” He said, “Kid, we only got
One question. Have you ever been arrested? ”

And I proceeded to tell him the story of the Alice’s Restaurant Massacre,
With full orchestration and five part harmony and stuff like that and all
The phenome… – and he stopped me right there and said, “Kid, did you ever
Go to court? ”

And I proceeded to tell him the story of the twenty seven eight-by-ten
Colour glossy pictures with the circles and arrows and the paragraph on
The back of each one, and he stopped me right there and said, “Kid, I want
You to go and sit down on that bench that says Group W…. Now kid!! ”

And I, I walked over to the, to the bench there, and there is, Group W’s
Where they put you if you may not be moral enough to join the army after
Committing your special crime, and there was all kinds of mean nasty ugly
Looking people on the bench there. Mother rapers. Father stabbers. Father
Rapers! Father rapers sitting right there on the bench next to me! And
They was mean and nasty and ugly and horrible crime-type guys sitting on the
Bench next to me. And the meanest, ugliest, nastiest one, the meanest
Father raper of them all, was coming over to me and he was mean ‘n’ ugly
‘n’ nasty ‘n’ horrible and all kind of things and he sat down next to me
And said, “Kid, whad’ya get?” I said, “I didn’t get nothing, I had to pay
$50 and pick up the garbage. ” He said, “What were you arrested for, kid? ”
And I said, “Littering.” And they all moved away from me on the bench
There, and the hairy eyeball and all kinds of mean nasty things, till I
Said, “And creating a nuisance.” And they all came back, shook my hand,
And we had a great time on the bench, talkin about crime, mother stabbing,
Father raping, all kinds of groovy things that we was talking about on the
Bench. And everything was fine, we was smoking cigarettes and all kinds of
Things, until the Sargeant came over, had some paper in his hand, held it
Up and said.

“Kids, this-piece-of-paper’s-got-47-words-37-sentences-58-words-we-wanna-
Know-details-of-the-crime-time-of-the-crime-and-any-other-kind-of-thing-
You-gotta-say-pertaining-to-and-about-the-crime-I-want-to-know-arresting-
Officer’s-name-and-any-other-kind-of-thing-you-gotta-say”, and talked for
Forty-five minutes and nobody understood a word that he said, but we had
Fun filling out the forms and playing with the pencils on the bench there,
And I filled out the massacre with the four part harmony and wrote it
Down there, just like it was, and everything was fine and I put down the
Pencil and I turned over the piece of paper, and there, there on the
Other side, in the middle of the other side, away from everything else on
The other side, in parentheses, capital letters, quotated, read the
Following words:

(“KID, HAVE YOU REHABILITATED YOURSELF?”)

I went over to the Sargent, said, “Sargeant, you got a lot a damn gall to
Ask me if I’ve rehabilitated myself, I mean, I mean, I mean that just, I’m
Sittin’ here on the bench, I mean I’m sitting here on the Group W bench
’cause you want to know if I’m moral enough join the army, burn women,
Kids, houses and villages after bein’ a litterbug. ” He looked at me and
Said, “Kid, we don’t like your kind, and we’re gonna send you fingerprints
Off to Washington. ”

And friends, somewhere in Washington enshrined in some little folder, is a
study in black and white of my fingerprints. And the only reason I’m
singing you this song now is cause you may know somebody in a similar
situation, or you may be in a similar situation, and if your in a
situation like that there’s only one thing you can do and that’s walk into
The shrink wherever you are, just walk in say “Shrink, You can get
Anything you want, at Alice’s restaurant. “. And walk out. You know, if
One person, just one person does it they may think he’s really sick and
They won’t take him. And if two people, two people do it, in harmony,
They may think they’re both faggots and they won’t take either of them.
And three people do it, three, can you imagine, three people walking in
Singin a bar of Alice’s Restaurant and walking out. They may think it’s an
Organization. And can you, can you imagine fifty people a day, I said
Fifty people a day walking in singing a bar of Alice’s Restaurant and
Walking out. And friends they may think it’s a movement.

And that’s what it is, the Alice’s Restaurant Anti-Massacre Movement, and
All you got to do to join is sing it the next time it comes around on the
Guitar.

With feeling. So we’ll wait for it to come around on the guitar, here and
Sing it when it does. Here it comes.

You can get anything you want, at Alice’s Restaurant
You can get anything you want, at Alice’s Restaurant
Walk right in it’s around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice’s Restaurant

That was horrible. If you want to end war and stuff you got to sing loud.
I’ve been singing this song now for twenty-five minutes. I could sing it
For another twenty-five minutes. I’m not proud… Or tired.

So we’ll wait till it comes around again, and this time with four part
Harmony and feeling.

We’re just waitin’ for it to come around is what we’re doing.

All right now.

You can get anything you want, at Alice’s Restaurant
Excepting Alice
You can get anything you want, at Alice’s Restaurant
Walk right in it’s around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice’s Restaurant

Da da da da da da da dum
At Alice’s Restaurant

Max Picks …songs from 1976

1976

The bicentennial in America and everything that wasn’t nailed down was painted Red, White, and Blue. It was the first year I remember becoming aware of news and popular culture. In 1977 I would start watching the news and following baseball.

I always liked the imagery of this song.

When Phil Lynott was a kid his mother Philomena ran an illegal drinking den in Manchester, England. Phil was often with his mother in this den. Some of her most frequent returning customers were members of the Quality Street Gang (a group of criminals operating in Manchester, England, in the 1960s, 1970s, and 1980s).

He would spend his time observing the gang, their mannerisms, the way they talk, and the way they fight. All of this observation eventually inspired him to write a song about them called “The Boys Are Back In Town.”

I always liked this song by Seger. This song is a staple on classic radio and I still listen to it when it comes on. Seger has great imagery in this song.It took Seger around six months to write this song. Along with “Turn The Page,” this was one of just two songs Seger ever wrote on the road. Night Moves was a breakthrough hit for Seger, introducing the heartland rocker to a much wider audience. He had been very popular in Michigan ever since his first album in 1969… which had the hit Ramblin’ Gamblin’ Man. That song went to #17 on the Hot 100, but over the next few years, he struggled to make a national impact.

Lynyrd Skynyrd’s Freebird was originally released on the (Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd) in 1973 but the live version is what hit in 1976 with a single released off of One More From The Road. This is when the song became a legend. Personally, I like the studio version of it a lot but live it was unbeatable.

It’s become so ingrained that people will shout this out at concerts. In 2016 someone shouted this out at a Bob Dylan concert…guess what? Bob and his band went into the ending of the song where it rocks.

This is the band at Knebworth in 1976.

Punk was around in the UK and in America, we had the Ramones.

The Ramones were no frills and to the point. No long solos (or any) or instrumental breaks. Just 2-minute rock songs full of energy. This was the song that helped launch the Ramones.

The song never charted but is probably their best-known song because of the many movies, TV shows, and commercials it’s been in. The song was mainly written by drummer Tommy Ramone, while bassist Dee Dee Ramone came up with the title (the song was originally called “Animal Hop”). Dee Dee also changed one line: the original third verse had the line “shouting in the back now”, but Dee Dee changed it to “shoot ’em in the back now.”

This song still sounds fresh today. Got To Get You Into My Life was on Revolver released in 1966. It was not released as a single at the time. Any other band would have released it as a single.

In 1976 it was released as a single and peaked at #7 in the Billboard 100…not bad for a song that was 10 years old. It was released off of the horribly packaged compilation album Rock and Roll Music. Capital Records seemed to forget The Beatles represented the 60s, not the 50s that the album cover represented.

Bad Company – Rock ‘n’ Roll Fantasy

In 1979 this song was out I was at our town’s Dime Store…remember Dime Stores? They had a .50-cent single bin. I looked around and I saw a Rock And Roll Fantasy single just picked it up and bought it…not paying attention to the band.

I played the single at home and it was The Kinks Rock and Roll Fantasy… a totally different song but it soon became one of my favorites by the Kinks…so I won in that deal. This Bad Company song has been worn out by radio but I still will listen when it comes on.

Paul Rodgers has one of the best voices in rock and blues. So good in fact that one band came looking for him when their singer passed away. The Doors searched for Rodgers after Jim Morrison had died but Rodgers was living off the grid in England and they couldn’t find him. He didn’t know about it until years later when Doors guitarist Robby Krieger told him. The Doors were all Free fans.

The song was written by Paul Rodgers about rock and roll escapism. The band was all burned out from their 1977 tour and they took a two-year break until 1979 when they released the Desolation Angels album. It became one of their most successful albums along with their last top 10 album.

This song was quite successful as was the album Desolation Angels. The album peaked at #3 on the Billboard Album Charts, #6 in Canada, #10 in the UK, and #32 in New Zealand in 1979.

The song peaked at #13 on the Billboard 100 and #16 in Canada.

They were on Led Zeppelin’s record label…Swan Song. It would be the last huge year on the label when Led Zeppelin released In Through The Out Door along with this Bad Company album. John Bonham would pass the following year and the label died in 1983. Bad Company was far and away the most successful band on the label not including Zeppelin.

When clearing out the offices in 1983…unheard demos by Iron Maiden and Heart were found.

Paul Rodgers: “I discovered quite recently that I was lined up to join The Doors, which blew my mind. Robby Krieger told me that the Doors were all fans of Free, and after Jim Morrison’s death, they came to England looking for me. The thing is, at that time, I had buried myself in the country, working on things, and they couldn’t get a hold of me. My jaw actually dropped like in a cartoon when Robby told me this.”

Paul Rodgers: “I don’t think you should ever bring politics and stuff that surrounds you every day – all that depressing stuff – into music, people want to go and see groups to get away from all that. I know I do. The lights, the atmosphere… they can forget everything else.”

Rock ‘n’ Roll Fanstasy

Here comes the jesters, one, two three
It’s all part of my fantasy
I love the music and I love to see the crowd
Dancin’ In the aisles and singin’ out loud

Here comes the dancers one bye one
Your mama’s callin’ but you’re havin’ fun
You find you’re dancin’ on a number nine cloud
Put your hands together now and sing It out loud

Its all part of my rock ‘n roll fantasy
Its all part of my rock ‘n roll dream
Its all part of my rock ‘n roll fantasy
Its all part of my rock ‘n roll dream

Put up the spotlights one and all
And let the feelin’ get down to your soul
The music’s so loud you can hear the sound
Reachin’ for the sky and churn In up the ground

Its all part of my rock ‘n roll fantasy
Its all part of my rock ‘n roll dream
Its all part of my rock ‘n roll fantasy
Its all part of my rock ‘n roll dream

Paul McCartney – Let Me Roll It

This song has always reminded me of a John Lennon-type song because of the heavy use of echo and the raw riff. The song was on arguably Paul’s best album Band on the Run. The song was the B side to the song Jet in 1974. I like some of the Wings material…this one to me is in the top tier.

Let Me Roll is in my top two of McCartney’s Wings songs along with Juinor’s Farm. It’s a song our band played a lot and it’s powerful live. I’m not a huge fan of Wings but I’ve been digging into them after finishing a huge McCartney book called The McCartney Legacy.

McCartney wanted to record this album somewhere remote and not in the same old studios in London. He picked Lagos Nigeria to record partly thinking that his family could hit the beach and have a nice time. That didn’t happen for Wings. Before they were set to go guitarist Henry Mccullough quit and a week later drummer Denny Seiwell quit.

At that point, Paul had only two other Wings members. Linda McCartney and Denny Laine. A big problem at the time was that money was tight. The reason money was Paul hadn’t seen his royalties from any of his Wings albums or even Let It Be because all of it had gone into Apple. The same with John, George, and Ringo. Everything was tied up with Allen Klein.

The three set off to Lagos and recorded at the EMI studio there which was severely underequipped. Ginger Baker had a studio down there and was unhappy that Paul didn’t record at his place. They did end up going there and recording Picasso’s Last Words there.

Wings were not welcomed by Feti Kuti, a huge musician there, because he thought Paul was there to steal their music. Around 40 angry people including Kuti went into the studio to confront Paul so Denny Laine called Ginger Baker. He came out to diffuse the situation. You know it was pretty bad when Baker plays the peacemaker.

Also, Paul and Linda were told NOT to wander off of the compound they were staying at because it was unsafe. Paul and Linda took a chance and left at dark and started to walk down a dirt road and a car pulled up and robbed them at knifepoint. Linda probably saved their lives by letting the robbers know who Paul was…they were lucky they were not killed.

They managed to record most of the album there and saved most of the overdubbing until they got back to London. When Paul’s back was to the wall…he pulled off what I think is his best solo album.

Paul McCartney:  Let Me Roll It was a riff, originally, a great riff to play, and whenever we played it live, it goes down great. We’d play it on two guitars, and people saw it later as a kind of John pastiche, as Lennon-ish, Lennon-esque. Which I don’t mind. That could have been a Beatles song. Me and John would have sung that good.”

Let Me Roll It

You gave me something
I understand
You gave me loving in the palm of my hand

I can’t tell you how I feel
My heart is like a wheel
Let me roll it
Let me roll it to you
Let me roll it
Let me roll it to you

I want to tell you
And now’s the time
I want to tell you that
You’re going to be mine

I can’t tell you how I feel
My heart is like a wheel
Let me roll it
Let me roll it to you
Let me roll it
Let me roll it to you

I can’t tell you how I feel
My heart is like a wheel
Let me roll it
Let me roll it to you
Let me roll it
Let me roll it to you

You gave me something
I understand
You gave me loving in the palm of my hand

I can’t tell you how I feel
My heart is like a wheel
Let me roll it
Let me roll it to you
Let me roll it
Let me roll it to you

Chris Hillman – She Don’t Care About Time

This song had the perfect producer…Tom Petty. In 2017 this album (Bidn’ My Time) by Chris Hillman was released. CB sent me a link to this song and I liked the jangle and the song. The next day I listened to it some more and it suddenly dawned on me…I’ve heard this song before.

After I looked at the title again I knew I’d heard it. It was a Byrd song written by Gene Clark. It was a B-side on the single with Turn, Turn, Turn. Clark was an excellent songwriter and his songs included Eight Miles High and I’ll Feel A Whole Lot Better.

Chris Hillman joined the Byrds as the bass guitarist without ever having played the instrument. With his background in country and folk music, he picked up playing the bass with no problem. He brought country music to the Byrds. After David Crosby quit…Gram Parsons was recruited and Hillman found another member to share his love of country music with. They made the Sweetheart of the Rodeo album in 1968 which still serves as inspiration for musicians.

Parsons quit the Bryds after that album and Hillman brought in the great guitarist Clarence White to replace Gram. Soon after that Hillman quit and formed The Flying Burrito Brothers with Gram Parsons.

In the 1980s, Hillman formed The Desert Rose Band which had some success in the Country charts.

Hillman thought he was done making albums but Tom Petty and Desert Rose Band remember Herb Pedersen had other ideas. Pedersen convinced Hillman to make one more album and Tom Petty wanted to produce it. The album is very rootsy and also contains the Byrds sound. A couple of Byrds help with out with the album…David Crosby and Roger McGuinn. Petty brought Heartbreakers Benmont Tench, Steve Ferrone, and Mike Campbell.

I listened to this album and it’s a combination of jangle, bluegrass, country rock, and folk. It’s a nice melding of all of these styles.

I’m going to add this video which is a very short story about the album.

She Don’t Care About Time

Hallways and staircases everyday to climb
To go up to my white walled room out on the end of time
Where I can be with my love for she is all that is mine
And she’ll always be there, my love don’t care about time

I laugh with her, cry with her, hold her close she is mine
The way she tells me of her love and never is she trying
She don’t have to be assured of many good things to find
And she’ll always be there, my love don’t care about time

Her eyes are dark and deep with love, her hair hangs long and fine
She walks with ease and all she sees is never wrong or right
And with her arms around me tight I see her all in my mind
And she’ll always be there my love don’t care about time

Traffic – Hole In My Shoe

In the year 1967, all kinds of experimentation was going on in music. Sitars, spacey lyrics,  and phased guitars were the order of the day. Personally, I like the abstract lyrics and sound…artists were branching out as far as they could.

This song was written by guitarist Dave Mason and it was his first song. It was their follow-up to their first hit single Paper Sun. Despite the lyrics, Mason has said that this song was written before he tried LSD. He said that his bandmates didn’t think this represented their sound.

The brief monologue in the middle was spoken by a girl named Francine Heimann who was Chris Blackwell’s stepdaughter. Chris Blackwell was the founder of Island Records and a prominent producer. Jimmy Miller produced this song and their album Mr Fantasy.

Hole In My Shoe and Paper Sun were singles only and not included on an album. Back in that time, singles and albums were treated differently by artists than they would be in the 70s and 80s. Those two singles would be included on the 2000 CD re-release of Mr Fantasy.

Dave Mason left the band after their debut album but rejoined during the sessions of their second album in 1968 and then left again in 1969.

The song peaked at #2 in the UK and #4 in Canada in 1967.

Dave Mason:  “That’s the first song I ever wrote. It was my first attempt at songwriting. I mean, that stuff I did back then, when I listen to it, I cringe and realize I need to work on writing. But writing comes out of living. You have to have something.”

Steve Winwood: “We never wanted to be a pop band but we had a hit with ‘Shoe,’ which was Dave’s song. Dave had his own idea about the band, the rest of us had another one – a not-quite-as-sensible one, really, because it wasn’t half as commercial.”

Hole In My Shoe

I looked to the sky
With an elephant’s eye
Was looking at me
From a bubblegum tree
And all that I knew was
The hole in my shoe which
Was letting in water (letting in water)

I walked through a field
That just wasn’t real
With a hundred tin soldiers
Would shoot at my shoulder
And all that I knew
The hole in my shoe which
Was letting in water (letting in water)

(I climbed on the back of a giant albatross
Which flew through a crack in the cloud
To a place where happiness reigned all year round
And music played ever so loudly)

I started to fall
And suddenly woke
And the dew on the grass
Had soaked through my coat
And all that I knew
The hole in my shoe which
Was letting in water (letting in water)

Jimmie Rodgers – Blue Yodel No 1 (T For Texas)

T for Texas
T for Tennessee
T for Tennessee
T for Thelma
That gal that made a wreck out of me

Jimmie Rodgers was the first country star and is called the Father of Country Music. He is also called The Singing Brakeman and The Blue Yodeler. He was massively popular and others got their start imitating him like Roy Rodgers and Gene Autry. Rodgers had a deep love for Texas and all it represented. He drew inspiration from his travels and experiences across the country.

I never heard Rodgers version until the internet. I had read where a young George Harrison mention that he was a big influence on him. I do know this song well by Lynyrd Skynyrd who Ronnie Van Zant was influenced by him. They took this 1928 song and turned it on its ear.

Rodgers recorded this at what used to be Trinity Baptist Church in New Jersey. The record company Victor (later RCA Victor) was launched in Camden, New Jersey in 1901 and, in 1918, purchased Trinity Baptist Church, at 114 N. Fifth St., in order to have a space large enough to record a symphony orchestra, with good acoustics. Many artists recorded there including Fats Waller, Jelly Roll Morton, Duke Ellington, and the Carter Family. At the time of his death in 1933, his sales represented 10% of the total for the label. Even during the Depression his records sold well.

The song was released on February 3, 1928. Why the yodels? Rodgers said he saw a troupe of Swiss yodelers doing a demonstration at a church. They were touring America, and he just happened to catch it, liked it, and incorporated it into his songs. Altogether he wrote 13 Blue Yodels.

It’s been covered in every decade since. According to secondhandsongs.com it’s had 71 versions. Jimmie Rodgers died at 35 from a pulmonary embolism that was a direct result of tuberculosis he was diagnosed in 1924. He passed on May 26, 1933.

Journalist John Lilly wrote about the original song in 1992: It generated an excitement and record-buying frenzy that no one could have predicted. … The lyrics made an obvious connection to the southern states, talked about hard times with women and work, and had a macho, slightly dangerous undertone. Not only were these to be recurring themes in subsequent Jimmie Rodgers songs, (he re-worked these ideas for a total of 13 ‘Blue Yodels’ but they continue as themes in country songwriting to this day.”

Blue Yodel No 1 (T For Texas)

T for Texas
T for Tennessee
T for Tennessee
T for Thelma
That gal that made a wreck out of me

If you don’t want me mama
You sure don’t have to stall
You sure don’t have to stall
‘Cause I can get more women
Than a passenger train can haul

I’m gonna buy me a pistol
Just as long as I’m tall
Just as long as I’m tall
I’m gonna shoot poor Thelma
Just to see her jump and fall

I’m goin’ where the water
Drinks like cherry wine
Drinks like cherry wine
‘Cause this Georgia water
Tastes like turpentine

I’m gonna buy me a shotgun
With a great long shiny barrel
With a great long shiny barrel
I’m gonna shoot that rounder
That stole away my gal

‘Druther drink muddy water
Sleep in a holler log
Sleep in a holler log
Than to be in Atlanta
Treated like a dirty dog

Band – Daniel And The Sacred Harp

His father said son you’ve given in, you know you won your harp
But you lost in sin.

Do you ever play an album and skip a certain song to get to the next? When I first got the album Stage Fright I remember the order was The Shape I’m In, The W.S. Walcott Medicine Show, Daniel and the Scared Harp, and then the title song which I loved (I can’t remember yesterday but I can remember the order of songs from the 1980s when I got the album). I would skip this one like an idiot…which yes I was. Later on, I played it through…and fell head over heels in love with this song. It has become my favorite on the album.

What a beautiful song from The Band on their Stage Fright album. It’s one of the most fascinating songs they ever did. It’s fast becoming a favorite of mine by them. Robbie Robertson’s songwriting in this is incredible.

This story song is close to Robert Johnson‘s story of selling his soul to the devil to be able to play like he did. It’s a song based on the Faust story. I always enjoyed stories about selling your soul for an item or an ability. In movies also…like The Devil and Daniel Webster. If you are wondering what the Faust story is…here is a brief definition I found: a German necromancer or astrologer who sells his soul to the devil in exchange for knowledge and power.

Also, I must add…Sacred harp music is a religious folk music named for Benjamin Franklin White’s The Sacred Harp (1844)  using four-shape shape note notation… Its old-time spirituals are sung a cappella… the “sacred harp” is the human voice singing hymns to God.

Robbie seemed to be going for an Appalachian sound in this song and succeeded. He also made it sound biblical against the backdrop of the American South long ago.

Robbie used the words ‘sacred harp’ but this harp is a physical one. What kind of harp is it? To blues players, it’s a mouth harp or harmonica. Could it be a harp as the kind angels play? The song’s vocals are shared between Levon Helm and Richard Manuel. Manuel sings the part of “Daniel” in this song and Levon is the narrator of the story.

The end of the song is chilling. He played out his heart just the time to pass
But as he looked to the ground, he noticed no shadow did he cast. The Band never played Daniel and the Sacred Harp live.

Stage Fright peaked at #5 on the Billboard Album Charts, #6 in Canada, and #15 in the UK in 1970. The album has some of my favorite songs by the Band on it. The Shape I’m In, Stage Fright, The W.S. Walcott Medicine Show, and this one.

Robbie Robertson: I was so obsessed that I was stealing everything in sight. From Fred Carter, Roy Buchanan, the Howlin’ Wolf records. I came a long way in a short time, and people used to kid me, saying, “What is it with this guy? Did he sell his soul?”

Robbie Robertson: Roy Buchanan was only three or four years older than me, but he’d been around quite a bit for his age. He told me a lot of stories, crazy stories about how he was half-wolf, half man. They were like the stories you heard about Robert Johnson selling his soul to the devil. We know these are just silly stories, but at the same time they’re fascinating American mythology. Like we’d be sitting in a room playing together and I’d ask Buchanan how he’d figured out some lick and he’d say, “Well, I can’t really tell you,” clearly implying that he, too, had made some sort of pact. Years later, it became obvious he was playing a game with me.

An alternate take…

Daniel And The Sacred Harp

Daniel, Daniel and the sacred harp
Dancing through the clover
Daniel, Daniel would you mind
If I look it over

I heard of this famous harp years ago back in my hometown
But I sure never thought old Daniel be the one to come and bring it around
Tell me Daniel how the harp came into your possession
Are you one of the chosen few who will march in the procession?
And Daniel said

The sacred harp was handed down, from father unto son
And me not being related, I could never be the one
So I saved up all my silver and took it to a man
Who said he could deliver the harp, straight into my hand

Three years I waited patiently
‘Till he returned with the harp from the sea of Galilee
He said there is one more thing I must ask
But not of personal greed
But I wouldn’t listen I just grabbed the harp
And said take what you may need

Now Daniel looked quite satisfied, and the harp it seemed to glow
But the price that Daniel had really paid, he did not even know
Back to his brother he took his troubled mind
And he said dear brother I’m in a bind
But the brother would not hear his tale
He said Old Daniel’s gonna land in jail
So to his father Daniel did run
And he said oh father what have I done
His father said son you’ve given in, you know you won your harp
But you lost in sin.

Then Daniel took the harp and went high on the hill
And he blew across the meadow like a whippoorwill
He played out his heart just the time to pass
But as he looked to the ground, he noticed no shadow did he cast

Robert Johnson – Hellhound On My Trail

When I hear Robert Johnson…I think of all the myths built around him. Not all are myths though…to hear his guitar on those songs is incredible. He was a man ahead of his time. He is so mysterious…we still only know so much about him. If one song captures the mystery of this legendary bluesman, it is this song… a haunting tale of a man pursued by the devil. Only three confirmed photos of the man are known to exist.

Robert Johnson

Was Robert Johnson the most influential guitarist in the history of blues and rock? That very possibly could be true. It wasn’t until the 80s that I started to read and hear more about him. Reading interviews with Clapton, Jimmy Page, and others…they all owed a huge debt to Johnson.

My introduction to Robert Johnson came from Eric Clapton while playing with Cream. Johnson was a great blues guitarist who supposedly sold his soul to the devil at the crossroads to be able to play the blues. Some of the songs he wrote played into this myth. He only cut 29 songs that he recorded in a two-year period between 1936 and 1937.

Movies such as the 1980s film Crossroads brought Johnson more fans. Many people have searched for Johnson after listening to artists that were influenced by him. His voice will haunt you after you listen to his recordings. They are pure and timeless.

Son House and Willie Brown

The great bluesman Son House talked about when he and Willie Brown played in different juke joints that Johnson would want to play with them. He said Johnson made a racket with the guitar and everyone wanted him to stop playing. Then one day Johnson left town and came back between 6-8 months later and he had mastered the guitar. That boosted the “selling of his soul to the devil” rumors.

Hellhound On My Trail

I got to keep movin’, I’ve got to keep movin’
Blues fallin’ down like hail, blues fallin’ down like hail
Mm mm mm, blues fallin’ down like hail, blues fallin’ down like hail
And the days keeps on worryin’ me of a hellhound on my trail
Hellhound on my trail, hellhound on my trail

If today was Christmas eve, if today was Christmas eve
And tomorrow was Christmas day
If today was Christmas eve and tomorrow was Christmas day
(Aow, wouldn’t we have a time, baby?)
All I would need, my little sweet rider, just
To pass the time away, huh huh, to pass the time away

You sprinkled hot foot powder, mmm
Mmm, around my door, all around my door
You sprinkled hot foot powder, mmm
All around your daddy’s door, hmm hmm hmm
It keep me with ramblin’ mind, rider
Every old place I go, every old place I go

I can tell, the wind is risin’, the leaves tremblin’ on the tree
Tremblin’ on the tree
I can tell, the wind is risin’, leaves tremblin’ on the tree
All I need’s my little sweet woman
And to keep my company, hmm hmm, hey hey
My company

Buddy Holly – Well… All Right

I’ve never heard a song by Buddy Holly that I didn’t like. Well…All Right was released just a couple of months before Buddy Holly died in that lonely Iowa cornfield. A while back I posted Blind Faith‘s cover of this song. The song is in my top 10 of Buddy Holly’s songs easily.

This song was somehow a B side. In the 50s and 60s many times a B side was a throwaway track. People started to flip the hit singles over and sometimes…sometimes find gold! He had a song called Heartbeat that he thought would be a big hit. I like Heartbeat a lot but I lean more toward Well…All Right. I think Heartbeat sounds like the 50s…but this song sounds fresher.

It’s a quiet song but Holly builds in dynamics for the chorus showing his strength and tenderness on this recording. The construction of the melody and lyrics are outstanding. Its simple instrumentation yet powerful push is what won me over.

Heartbeat only peaked at #82 on the Billboard 100 and #30 on the UK Charts. It’s the flipside that has been remembered. It was written by  Buddy Holly, Norman Petty, Jerry Allison, and Joe Mauldin.

What really hurts about Holly’s career is that he was just getting started. He had matured and was experimenting more than his rocking peers. Fortunately for all of us, he left behind a significant musical catalog that still influences new and old artists today.

Well…All Right

Well all right, so I’m being foolishWell all right let people knowAbout the dreams and wishes you wishIn the night when lights are low

Well all right, well all rightWe’ll live and love with all our mightWell all right, well all rightOur lifetime of love will be all right

Well, all right, so I’m going steadyIt’s all right when people sayThat those foolish kids can’t be readyFor the love that comes their way

Well all right, well all rightWe will live and love with all our mightWell all right, well all rightOur lifetime of love will be all right

Well all right, well all rightWe’ll live and love with all our mightWell all right, well all rightOur lifetime love will be all right

Willie Nile – House of a Thousand Guitars

Neath a delta moon and a worn brass ring in the house of a thousand guitars.

I’ve really been into this artist lately and especially this song. This song should have been played on the radio. I have a weakness for songs that name-drop other people. For instance Tom Petty’s Jammin’ Me, R.E.M.’s The End of the World (As We Know It), The Replacements Alex Chilton, Neil Young’s “Hey Hey My My (Into the Black), and well…you get the picture. I posted an earlier article about Nile and the readers really liked it.

Nile made two critically acclaimed albums in 1980 and 81 and then walked away from the music business. He didn’t like the business end but came back with an album in 1991. Since then he has made up for lost time with 11 albums. This was the title track to his 2009 album. It was his 6th studio album and since this album he has released 8 more. One of those albums is Positively Bob: Willie Nile Sings Bob Dylan which is fantastic.

In this song, Nile lists John Lennon, John Lee Hooker, Jimi Hendrix, Muddy Waters, Bob Dylan, The Stones, Bob Dylan, and more. It also has a hell of a catchy chorus that will stick with you. It’s very commercial-sounding and accessible.

Willie Nile is still out there touring and playing concerts.

House of the Thousand Guitars

Jimmy Hendrix plays all night long in the house of a thousand guitars.
Through a purple haze you can hear the song in the house of a thousand guitars.
When the clock strikes 12 Robert Johnson sings in the house of a thousand guitars.
Neath a delta moon and a worn brass ring in the house of a thousand guitars.
There’s not a dry eye when old Hank sings in the house of a thousand guitars.
With the pain and the hurt love sometime brings in the house of a thousand guitars.
Well you can hear Bob Dylan and the Rolling Stones in the house of a thousand guitars.
There will be no vultures picking on their bones in the house of a thousand guitars.
House of a thousand, house of a thousand, house meet the moon and stars.
House of a thousand, house of a thousand, house of a thousand guitars.
You can spread your finger across the universe in the house of a thousand guitars.
John Lennon, Muddy Waters, man you can do worse in the house of a thousand guitars.
Well you can walk bare foot on broken glass in the house of a thousand guitars.
Cause Mr. John Lee Hooker’s gonna kick your ass in the house of a thousand guitars.
House of a thousand, house of a thousand, house meet the moon and stars.
House of a thousand, house of a thousand, house of a thousand guitars.
You can hear electric fingers playin’, dripping down life’s crooked alleways.
They say there are no broken strings in the house of a thousand guitars.
Just some busted hearts and bee that stings.
There are stained glass windows on the bedroom walls.
You can hear the cry when salvation calls.
Well you can move your body, you can shake your heads in the house of a thousand guitars.
You can play with blood on your fingtips in the house of a thousand guitars.
House of a thousand, house of a thousand, house meet the moon and stars. House of a thousand, house of a thousand, house of a thousand guitars.

Rosie & The Originals – Angel Baby

This was one of John Lennon’s favorite songs throughout his life. Rosie and the Originals were also mentioned by Led Zeppelin on liner notes after the song Dy’er Mak’er…“Whatever happened to Rosie and the Originals?” 

Rosie Hamlin wrote “Angel Baby,” her and the Originals’ lone hit, when she was just 14, with her first boyfriend and the Penguins’ “Earth Angel” serving as her primary inspiration. After penning the song over a couple hours in the afternoon, Hamlin and some instrument-playing San Diego friends laid down the first version of the track.

Rosie Hamlin

They had trouble landing a record deal. No appointments with any of the labels. They eventually found a private studio and recorded the song themselves…all teenagers. After that, they took one of their 45’s to Kresge’s Department Store in San Diego. They had listening booths in their music section where you could preview records before you bought them. Rosie asked the manager to play their record and see if he could sell it in his store.

A distributor from Highland Records heard “Angel Baby” and, without officially signing the group to a record contract, took control of the single’s master take and gave songwriting credit to the Originals’ eldest member. The single eventually found its way to famed DJ Alan Freed, who played “Angel Baby” numerous times a day in November 1960; two months later, the single peaked at Number Five on the Hot 100.

However, Hamlin parted ways with Highland after a legal battle over the song’s authorship and ownership. After disbanding the Originals, Hamlin recorded an album with her guitarist husband Noah Tafolla before leaving the music industry by 1963.

After her divorce, a little over 3 years later, she did venture into music again but never had any other hits and played live some. She made a Spanish version of this song in 2002.

It’s been covered many times but Rosie’s favorite cover version was…John Lennon’s that he recorded for his Rock and Roll album released in 1975 but the song didn’t end up being released until 1986. John’s voice can be heard saying: This is one of my all-time favorite songs… My love to Rosie wherever she may be.”

Rosie and the Originals never received a penny from “Angel Baby,” nor any of the other Highland recordings until September 1994, when a financial settlement was reached and the masters of their recordings were returned to them. Rosie said: “It looks like that song will be around longer than I will.”

And it is …Rosie passed away in 2017 at the age of 71.

Angel Baby

It’s just like heaven being here with you
You’re like an angel, too good to be true
But after all, I love you, I do
Angel baby, my angel baby

When you are near me, my heart skips a beat
I can hardly stand on my own two feet
Because I love you, I love you, I do
Angel baby, my angel baby

Oh, I love you, oh I do
No one could love you like I do
Ooh, ooh

Please, never leave me blue and alone
If you ever go, I’m sure you’ll come back home
Because I love you, I love you, I do
Angel baby, my angel baby

It’s just like heaven being here with you dear
I could never stay the way without you near
Because I love you, I love you, I do
Angel baby, my angel baby

Oh, I love you, oh, I do
No one could love you like I do
Ooh, ooh, ooh, ooh, ooh, ooh

Beatles – Now And Then

I have been hyped about this because I’m not old enough to remember The Beatles when they were together. In the 90s when Free As A Bird came out I was so excited because it was the first time I ever heard a “new” Beatles song. I’ve been waiting for Paul to finish this song for 27 years. I thought it would end up just being him finishing it or not at all. My son Bailey is excited also. He was born in 2000 so he didn’t even get to hear Free As A Bird much less The Beatles as an active band. I think he is more excited than I am.

The thing that I’m happy about the most after listening to it is the great sound. They didn’t try to make it fit with everyone else now. The mix sounds lively and not flat and compressed to death like a lot of recordings. I’m listening through headphones and they did a hell of a job on it.

Over 700 radio stations will play the song when it’s released. 

This song is not one of John’s best but it sounds great hearing John Lennon again. This will be the last single from them and for me, this is my musical event of the year.

This came about because of Peter Jackson’s advancements in audio technology while working on Get Back. He took John’s voice off of the 1978 cassette tape and it’s clean. They ran into a buzz on the tape before and could not finish it in the 90s.

Is this the best song ever by them? No, it’s not but it’s a nice send-off. On the single version, the B-Side is appropriately their first single Love Me Do. The video (out tomorrow) was directed by Peter Jackson.

What a long road this song took to get here.

12-Minute Bio on the song. 

Now and Then

I know it’s true, it’s all because of you
And if I make it through, it’s all because of you
And now and then, if we must start again
Well we will know for sure, that I love you

I don’t want to lose you – oh no, no, no
Lose you or abuse you – oh no, no, no, sweet doll
But if you have to go, away
If you have to go
Nda-da-doo, doo-doo-doo

Now and then, I miss you
Oh now and then, I want you to return on me
And now return to me…

I know it’s true, it’s all because of you
And if you go away, I know you you’ll nev’… stay

I don’t want to lose you – oh no, no, no
Abuse you or confuse you – oh no, no, no, sweet darl’
But if you had to go,
Well I won’t stop you babe
And if you had to go, well you believe in that love