John Mellencamp – Ain’t Even Done With The Night

This is John in his “Cougar” days. It was right before the floodgates opened for him with the album American Fool that would come in 1982.

This song came off of his 4th studio album Nothing Matters and What If It Did released in 1980.  Ain’t Even Done With The Night peaked at #17 in the Billboard 100 and #15 in Canada. Mellencamp wrote the song.

Nothin matters and what if it did.JPG

He has been asked what is the worse thing he ever did for success. He replied that would be changing his name to Johnny Cougar but the record company had him in a corner.

In 1983 after the hugely successful American Fool album John had enough leverage to force his record company to use his real name. It would now be John Cougar Mellencamp.

Steve Cropper produced this album…he produced many artists for Stax records.

John Mellencamp: “I have probably never gotten along with any record company executive ever, except maybe one,”  “And if they were such good businessmen, why aren’t they running Coca-Cola or other major corporations now?”

John Mellencamp: “I see things that other people don’t see,” he said in his Plain Spoken DVD. “I pay attention to detail. That’s where my songs come from. They’re not about me.”

From Songfacts

John Mellencamp got married at 18 and had his first child a short time later. He knew the vagaries of young romance and fear of commitment quite well, which certainly qualified him to write this song about a couple deeply in love, with the guy unsure what to do and the girl reassuring him.

This method of songwriting proved very successful and comes into play on this song: There was probably a time when your heart was beating like thunder, etching a memory so powerful you can remember the song that was playing on the radio.

This song came during a transitional period for Mellencamp, after his first hit but before his star turn. In 1978, “I Need A Lover,” a song from his second album, took off in Australia, giving him a leg up on the other young rockers he was competing against. From there, he set out to create hits, which he felt was essential to his survival – he was a strong-willed, hard-headed country boy who didn’t get along with his record label and most industry folks, so unless he could become invaluable, he wasn’t going to make it.

“Ain’t Even Done with the Night” came from his quest to make hit pop songs, and even thought he has shown no affinity for it, the song became one of his most enduring, showing up on playlists decades after it was first released.

It helped keep him on the charts until his breakthrough fifth album, American Fool, with the hits “Hurts So Good” and “Jack & Diane.” After that, he no longer had to care even a little what people think. His songs that followed are the ones he considers his best work.

This song falls smack in the middle of the “John Cougar” years – the name he used from 1979-1983; before that he was “Johnny Cougar.” In 1983 he started using “John Cougar Mellencamp,” then in 1990 just John Mellencamp.

Steve Cropper, who produced Otis Redding and many other acts at Stax Records, produced the Nothin’ Matters And What If It Did album.

Ain’t Even Done With The Night

Well our hearts beat like thunder
I don’t know why they don’t explode
You got your hands in my back pockets
And Sam Cooke’s singin’ on the radio
You say that I’m the boy who can make it all come true
Well I’m tellin’ ya that I don’t know if I know what to do

You say that’s all right, hold tight
Well I don’t even know if I’m doin’ this right
Well all right, hold tight
We can stay out all day or we can run around all night
Well all night, all night
Well it’s time to go home
And I ain’t even done with the night

Well I don’t know no good come-ons
And I don’t know no cool lines
I feel the heat of your frustration
I know it’s burnin you up deep down inside
You say that I’m the boy who can make it all come true
Well I’m tellin ya that I don’t know if I know what to do

You say that’s all right, hold tight
Well I don’t even know if I’m doin’ this right
Well all right, hold tight
We can stay out all day or we can run around all night
Well all night, all night
Well it’s time to go home
And I ain’t even done with the night

Green On Red – Time Ain’t Nothing

Another blogger  turned me on to this band and I’ve enjoyed them.

Green On Red were made up of Dan Stuart (vocals/guitar), Jack Waterson (bass), Van Christian (drums, later of Naked Prey) and Chris Cacavas (organ). They part of a California musical scene called Paisley Underground…it basically marriage of classic rock, punk,  psychedelia, and garage rock…Green on Red brings in a Country element and more in their mixture.

This band is hard to describe because over their 7 studio albums and 3 EPs they changed and ended up more toward a rock/country feel.   This song was released in 1985 on the EP  No Free Lunch.

Time Ain’t Nothing

Walking down dusty roads
Looking for horny toads
With the sun on my back
Thinking about people past
Memories that never last
When you’re young and naive

Chorus

Time ain’t nothing
When you’re young at heart
And your soul still burns
I’ve seen rainy days
Sunshine that never fades
All through the night

Had a motorcycle at 10
Never got into heroin
I guess I want to live
Maybe get a house someday
Find a wife raise a family
That don’t mean you have to die

Chorus

Rod Stewart – I Was Only Joking

Of all the Stewart songs from 1976 and after this one may be my favorite.

Rod Stewart co-wrote this with guitarist Gary Grainger.

The Susie alluded to herein was known as Susannah Boffey when she met him as a 17-year-old art student in 1961. At the time, he was an unknown Roderick Stewart. In 1963, she gave birth to his daughter who was fostered out and eventually adopted by a wealthy couple from East Sussex.

Sarah had contact with Rod in the 80s but the two were not close. In 2010, Sarah Streeter was finally admitted to her father’s family, but she has had an on and off again relationship with her birth mother.

Rod’s daughter Sarah in the eighties…and Stewart and Susannah Boffey in the ealry sixties.

Rod Stewart's love child reveals she's reconciled with rocker after kicking  her drug addiction - Mirror OnlineRod Stewart in the early 1960s with Susannah Boffey the mother of Sarah Streeter their daughter

I Was Only Joking was off of the Foot Loose & Fancy Free album released in 1977. The song peaked at #22 in the Billboard 100, #56 in Canada, #5 in the UK, and #35 in New Zealand.

From Songfacts

 Although it is intensely personal, this is a song with which any man of a certain age will identify, especially one who has failed to live up to his potential, lost the love of his life, or screwed up big time. And surely most of us can fill at least one of those categories.

Although written from a male perspective, most women too could say the same. By the time he recorded “I Was Only Joking,” Stewart was already an A-list performer; he would go on to amass a fortune of over $200 million, yet even the mega-successful have regrets.

“I Was Only Joking” alludes too to alcohol, which was only one of the substances he imbibed along the way. Drugs and alcohol are of course an occupational hazard for successful rock musicians due to the lifestyle.

The radio edit runs to 4 minutes 50 seconds while the album version runs to a full 6 minutes 7 seconds. Released as a double-A-side single with “Hot Legs,” it reached #5 in the UK. 

I Was Only Joking

Ever since I was a kid in school
I messed around with all the rules
Apologized, then realized
I’m not different after all

Me and the boys thought we had is sussed
Valentino’s all of us
My dad said we looked ridiculous
But, boy, we broke some hearts

In and out of jobs, running free
Waging war with society
Dumb, blank faces stared back at me
But nothing ever changed

Promises made in the heat of night
Creepin’ home before it got too light
I wasted all that precious time
And blamed it on the wine

I was only joking, my dear
Looking for a way to hide my fear
What kind of fool was I?
I could never win

Never found a compromise
Collected lovers like butterflies
Illusions of that grand first prize
Are slowly wearin’ thin
Susie, baby, you were good to me
Giving love unselfishly
But you took it all too seriously
I guess it had to end

I was only joking, my dear
Looking for a way to hide my fear
What kind of fool was I?
I could never win

Now you ask me if I’m sincere
That’s the question that I always fear
Verse seven is never clear
But I’ll tell you what you want to hear
I try to give you all you want
But giving love is not my strongest point
If that’s the case, it’s pointless going on
I’d rather be alone

‘Cause what I’m doing must be wrong
Pouring my heart out in a song
Owning up for prosperity
For the whole damn world to see

Quietly now while I turn a page
Act one is over without costume change
The principal would like to leave the stage
The crowd don’t understand

Neil Young – Long May You Run

Neil wrote “Long May You Run” in tribute to Mort, his old 1948 Buck Roadmaster hearse.

Neil Young and his band The Squires posing with his hearse Mort (a 1948 Buick Roadmaster hearse Neil had nicknamed Mortimer Hearseburg) in Winnipeg, Manitoba in April 1965

“It had rollers for the coffin in the back, so we just rolled our our amps in and out. It was like they built it for us”  The hearse broke down in Blind River in 1965 where Neil refused to abandon the hearse for two days until he finally gave up.

He soon bought another hearse, Mort Two, which Stephen Stills spotted him driving  in Los Angeles in 1966 when Buffalo Springfield was formed.

Neil would later pay tribute to the original Mort in his song Long May You Run, the title track of The Stills-Young Band album. The album was released in 1976 and peaked at #26 in the Billboard Album Charts, #26 in Canada, and #12 in the UK.

Neil and Stephen Stills toured on this album and Mr. Young decided to leave tour abruptly. He did leave Stills a note: “Dear Stephen, funny how some things that start spontaneously end that way. Eat a peach. Neil.”

The song charted in 1993 from MTV’s Unplugged…it peaked at #34 in the Mainstream Rock Song charts and #28 in Canada.

From Songfacts

Neil was in Canada driving to Sudbury when ‘Mort’ broke down in Blind River, June 1965. (Which is contradictory to the lyrics; “well it was back in Blind River, in 1962, when I last saw you alive”).

In 1976, Stephen Stills and Neil Young formed The Stills-Young Band and released an album called Long May You Run, which turned out to be somewhat ironic when the collaboration quickly stalled.

Stills and Young wrote separately for the album, which Stephen contributing four songs, and Young adding five, including the title track.

Stills is a longtime collaborator of Neil’s, having worked with him first in Buffalo Springfield and then in Crosby, Stills, Nash & Young. However, they had a falling out only nine days into the Long May You Run tour. Young decided to abandon the project, leaving Stills with a mere telegram to explain his departure. It read: “Dear Stephen, funny how some things that start spontaneously end that way. Eat a peach. Neil.”

In addition to Young’s compilation album Decade this also appears on his 1993 album Unplugged

The last ever Tonight Show with Conan O’Brien on Friday January 22, 2010 finished in style when O’Brien’s final musical guest, Neil Young, performed this song in what appeared to be a poke at NBC. O’Brien had been asked to move his slot to 12:05 a.m., and the TV host refused to move his show to such a late hour, and instead negotiated a $45 million exit deal.

Neil Young performed this song at the Closing Ceremonies of the 2010 Vancouver Winter Olympic Games to a rousing ovation of Canadian audience members.

Long May You Run

We’ve been through some things together
With trunks of memories still to come
We found things to do in stormy weather
Long may you run.

Long may you run.
Long may you run.
Although these changes have come
With your chrome heart shining in the sun
Long may you run.

Well, it was back in Blind River in 1962
When I last saw you alive
But we missed that shift on the long decline
Long may you run.

Long may you run.
Long may you run.
Although these changes have come
With your chrome heart shining in the sun
Long may you run.

Maybe The Beach Boys have got you now
With those waves singing “Caroline”
Rollin’ down that empty ocean road
Gettin’ to the surf on time.

Long may you run.
Long may you run.
Although these changes have come
With your chrome heart shining in the sun
Long may you run.

Paul McCartney – Picasso’s Last Words (Drink to Me)

The Spanish artist Pablo Picasso died at the age of 91 on April 8, 1973. News of his passing reached Paul McCartney when he was in Jamaica.

Paul and Linda were in Jamaica on vacation. They were staying at the same hotel as Dustin Hoffman, who was there filming the movie Papillon with Steve McQueen. The trio had dinner together one evening. Hoffman asked Paul, “How do you write songs?” Paul told him they just come out.  Hoffman went on to ask if Paul could write about anything and Paul said yes.

While having dinner there with Paul McCartney, Dustin Hoffman told the story of the death of Pablo Picasso and his famous last words, “Drink to me, drink to my health. You know I can’t drink anymore.” Picasso then went to bed and died in his sleep.

Paul had a guitar with him and immediately played an impromptu chord progression while singing the quote. Thus, “Picasso’s Last Words” was born, later recorded and added to the album Band On The Run in 1973. Hoffman later said said of Paul writing the song in front of him, the experience was “right under childbirth in terms of great events of my life.”

When Paul started to sing it Dustin got excited and said: After a moment he started singing it. Hoffman jumped up, shouting, “Look, he’s doing it! Go*damn it! Holy sh–!”

Paul agreed to do “Picasso’s Last Words” at Ginger Baker’s studio. Baker and some additional people from the studio filled some cans with gravel and shook them for percussion.

From Songfacts

Pablo Picasso (1881-1973) was one of the most inventive and prolific talents in 20th-century art. In his life he created over 20,000 artistic works, including his famous painting, Guernica, a commentary on the bombing of civilians in the Spanish Civil War. Picasso died in Mougins, France, while he and his wife Jacqueline were entertaining friends for dinner. His final words were “Drink to me, drink to my health, you know I can’t drink any more.” Sadly, Picasso’s passing left a legacy of bitterness and confusion as the artist died without leaving a will and his family ended up fighting amongst themselves for control of his billion dollar estate.

Picasso’s Last Words (Drink to Me)

A grand old painter died last night
His paintings on the wall
Before he went, he bade us well
And said goodnight to us all

Drink to me, drink to my health
You know I can’t drink any more
Drink to me, drink to my health
You know I can’t drink any more

Three o’clock in the morning
I’m getting ready for bed
It came without a warning
But I’ll be waiting for you baby
I’ll be waiting for you there

So drink to me drink to my health
You know I can’t drink any more
Drink to me drink to my health
You know I can’t drink any more

Jet, ooo, ooo, ooo
Jet, ooo, ooo, ooo
Jet, ooo, ooo, ooo
Jet, ooo, ooo, ooo

Drink to me, drink to my health
You know I can’t drink any more
Drink to me, drink to my health
You know I can’t drink any more

I’ll be waiting for your baby, yeah yeh

Drink to me, drink to my health
You know I can’t drink any more
Drink to me, drink to my health
You know I can’t drink any moreDrink to me, drink to my health
You know I, hey ho, ho hey ho
Ho hey ho, ho hey ho
Ho hey ho, ho hey ho
Ho hey ho, ho hey ho
Ho hey ho, ho hey ho

Kinks – Working At The Factory

I first heard this song at Tower Records in 1986 while shopping for a Van Morrison album.

The song was on their twenty second studio album Think Visual released in 1986. The album peaked #81 in the Billboard Album Charts in 1986.

In America, the song “How Are You” was released and the B side was Working at the Factory. In the U.S., AOR disc jockeys flipped the single over and played Working At The Factory as though it was the second single. The song ended up peaking at #16 in the Billboard Mainstream Rock Songs chart. The song got a lot of airplay in Nashville at the time.

The Kinks never was as popular as some of their peers as The Beatles, Stones, and The Who. One of the reasons is because during the sixties the Kinks were  banned from touring the US for 4 years due to their on stage antics.  Promoters  complained to the American Federation of Musicians. The union had the power to withhold work permits for British musicians if they misbehaved on stage or refused to perform without good reason. That’s exactly what happened.

The Kinks have sold over 50 million records worldwide and have been cited as a big influence on a number of bands and a key reference point for many Britpop bands. The Kinks were awarded an Ivor Novello Award for Outstanding Service to British Music, and singer Ray Davies received a CBE in 2004, and was knighted in the 2017 New Year Honours for services to the arts.

Working At The Factory

All my life, I’ve been a workin’ man
When I was at school they said that’s all you’ll ever understand
No profession, I didn’t figure in their plans
So they sent me down the factory to be a workin’ man

All I lived for, all I lived for
All I lived for was to get out of the factory
Now I’m here seemingly free, but working at the factory

Then music came along and gave new life to me
And gave me hope back in 1963
The music came and set me free
From working at the factory

All I lived for, all I lived for
Was to get out of the factory
All I lived for, all I lived for
Was to get out of the factory

Never wanted to be like everybody else
But now there are so many like me sitting on the shelf
They sold us a dream but in reality
It was just another factory
I made the music, thought that it was mine
It made me free, but that was in another time
But then the corporations and the big combines
Turned musicians into factory workers on assembly lines

All we live for, all we live for
All we live for is to get out of the factory
We made the music to set ourselves free
From working at the factory

All my life I’ve put in a working day
Now it’s sign the contract, get production on the way

Take the money, make the music pay
Working at the factory
All I lived for was to get out of the factory

Never wanted to be like everybody else
But now there are so many like me sitting on the shelf
They sold us a dream that in reality
Was just another factory

Working at the factory

Chandler’s Wildlife

I’m taking a short detour from  pop culture with this post so I do apologize but I wanted to share this. When I have time and get bored…which lately is rare since I’ve been busy at work…I watch Chandler’s Wildlife.

I ran across this guy’s youtube channel. Chandler Kamenesh works at a zoo or wildlife refuge. The guy is passionate about King Cobras . He personally owns two (Kevin and Justina) and he free handles all of the venomous snakes, alligators, and reptiles there including Rattle Snakes and Black Mambas. He has traveled to rescue King Cobras from danger. He recently went to Thailand to rescue 10 King Cobras locked in a concrete and wire housing. He uses his youtubes channel money for projects like that…  

Chandler is in his early twenties and keeps you entertained by being somewhat goofy but I mean that in a good way. He genuinely loves reptiles and it shows. He has done this most of his life and is recognized as an expert in reptiles. 

Once I started to watch one…I got hooked. Now when I have some downtime I will watch a new video post. 

Like I said…Chandler can be goofy but he is serious and caring about these reptiles. The second video is much more serious and it shows him in Thailand rescuing the cobras. 

Bonnie Raitt – Thing Called Love

Thing Called Love was written by John Hiatt for his 1987 album Bring the Family. Bonnie covered this song for her 1989 Nick of Time album.  

Nick of Time was Bonnie Raitt’s breakthrough album. After years of endless touring and making albums it all paid off with this album. Nick of Time peaked at #1 in the Billboard Album Charts and 3× Platinum in Canada.

The song peaked at #11 in the Billboard 100 in 1989. This is the song that really got me into the newer version Bonnie Raitt. I did like her earlier hit Runaway and I’d heard of her music and read about her. She paid her dues and I was happy to see her hit big. She is an extremely gifted slide guitar player and singer.

Bonnie Raitt on the video:

“VH1 was new, and there was an outlet for me to get that kind of exposure. I said that if Dennis Quaid, who was a good buddy of mine, would star in the video as my boyfriend, then I could act more flirty than if I tried to act like that in front of the camera. Because I’m not an actress, and I wasn’t used to videos. The way the song sounds so sexy, I said, that would make me more comfortable and relaxed.

“He said yes, and all my fears went away. Basically I was blushing the whole way, throwin’ it back at him, and he was suckin’ on a toothpick…. The combination of all those things made [the album] Nick of Time an amazing breakthrough.”

Thing Called Love

Don’t have to humble yourself to me,
I ain’t your judge or your king
Baby, you know I ain’t no queen of Sheba
We may not even have our dignity,
This could be just a powerful thing
Baby we can choose you know we ain’t no amoeba

Are you ready for the thing called love
Don’t come from me and you,
It comes from up above
I ain’t no porcupine,
Take off your kid gloves
Are you ready for the thing called love
I ain’t some icon carved out of soap
Sent here to clean up your reputation
Baby, you know you ain’t no prince charming
We can live in fear or act out of hope
For some kind of peaceful situation
Baby, how come the cry of love is so alarming

Ugly ducklings don’t turn into swans
And glide off down the lake
Whether your sunglasses are off or on
You only see the world you make

Are you ready for the thing called love
Don’t come from me and you,
It comes from up above
I ain’t no porcupine,
Take off your kid gloves

Are you ready for it
Are you ready for the thing called love
Don’t come from me and you,
It comes from up above
I ain’t no porcupine,
Take off your kid gloves

Are you ready for it
Are you ready for love, baby
Oooh yeah babe
Are you ready for love

Simon and Garfunkel – April Come She Will

This song is for Song Lyric Sunday for Jim Adams’s blog. This week’s prompt Begin/End/Finish/Start…This song is about the beginning and the end of love affairs.

I watched the Graduate in the mid-eighties and I sat there transfixed watching this classic film. How the music kept the movie going and this song hit me for some reason. I spent weeks (pre internet) tracking down the soundtrack of the film. I went to different record stores but with no luck but finally found it at the Great Escape, a second hand record store.

It was one of the first movies that I recognized how much music can make a movie. It was a great film regardless but without the music the movie would not have been the same.

April Come She Will was composed by Paul Simon. Running just 1:51, it is the shortest track on the album Sounds of Silence released in 1966. It was also on the Graduate soundtrack.

The song was the B side to the Scarborough Fair single.

From Songfacts

This song is also featured in the soundtrack to the film The Graduate. Meant to evoke the capriciousness of a young girl while relating it to how the seasons change, the lyrics were inspired by a nursery rhyme recited by an English girl with whom Simon had an affair. It stands to reason, then, that this would go along with the plot of The Graduate.

Listen for an echo of this song in “For Emily, Whenever I May Find Her,” from S&G’s subsequent album Parsley, Sage, Rosemary & Thyme.

This song isn’t the only one with a classical lyric inspiration on that album; “Richard Cory” is also based on the poem of the same name by American poet Edwin Arlington Robinson.

April Come She Will

April, come she will
When streams are ripe and swelled with rain
May, she will stay
Resting in my arms again
June she’ll change her tune
In restless walks she’ll prowl the night

July, she will fly
And give no warning to her flight
August, die she must
The autumn winds blow chilly and cold
September, I remember
A love once new has now grown old

Beatles – Here Comes The Sun

If you want to hear an optimistic song look no further than this one. This is another Beatles song that was not released as a single. Harrison wrote it and  sang lead, played acoustic guitar and used his newly acquired Moog synthesizer on this track. It was one of the first pop songs to feature a Moog.

George wrote “Here Comes The Sun” after he decided to not show up for a scheduled Apple business meeting in early Spring. He wrote this in Eric Clapton’s garden using one of Clapton’s acoustic guitars enjoying a spring day.

Here Comes the Sun was on the Beatles last studio album Abbey Road. The album contained two of George’s best known songs. Something and Here Comes the Sun. This is one of my favorite George songs.

George Harrison: “‘Here Comes The Sun’ was written at the time when Apple was getting like school, where we had to go and be businessmen: ‘Sign this’ and ‘sign that.’ Anyway, it seems as if winter in England goes on forever; by the time spring comes you really deserve it. So one day I decided I was going to sag off Apple and I went over to Eric Clapton’s house. The relief of not having to go and see all those dopey accountants was wonderful, and I walked around the garden with one of Eric’s acoustic guitars and wrote ‘Here Comes The Sun.'”

When The Beatles’ music was finally made available for download on iTunes in 2010, “Here Comes The Sun” was the top-selling song the first week.

From Songfacts

“It was just sunny and it was all just the release of that tension that had been building up on me,” Harrison said in a 1969 BBC Radio interview. “It was just a really nice sunny day, and I picked up the guitar, which was the first time I’d played the guitar for a couple of weeks because I’d been so busy. And the first thing that came out was that song. It just came. And I finished it later when I was on holiday in Sardinia.”

In the documentary The Material World, Eric Clapton talked about writing this song with Harrison: “It was one of those beautiful spring mornings. I think it was April, we were just walking around the garden with our guitars. I don’t do that, you know? This is what George brought to the situation. He was just a magical guy… we sat down at the bottom of the garden, looking out, and the sun was shining; it was a beautiful morning, and he began to sing the opening lines and I just watched this thing come to life.”

The music begins on the left channel and gradually moves to the right as Harrison’s vocal begins.

The instrumental break is similar to “Badge,” which Harrison helped Clapton write for his band Cream.

John Lennon did not play on this. Around this time, he was making a habit of not playing on Harrison’s compositions as the two were not on the best of terms. The two eventually settled their differences as George contributed quite a bit to Lennon’s album Imagine two years later. 

The Beatles had stopped touring by the time they recorded this song, so they never played it live. The first time Harrison played it live was at the 1971 Concert for Bangla Desh, which he organized to bring aid to that country. He played it at a handful of appearances in the ’70s and ’80s, but didn’t perform it on a tour until 1991, when he joined Eric Clapton for 12 shows in Japan. This version can be heard on the album Live in Japan.

At the Concert for Bangla Desh, Harrison brought Badfinger lead singer Pete Ham to the front of the stage to sing it with him. Badfinger was signed to The Beatles’ Apple Records and had a hit months earlier with “No Matter What.” Harrison had them play on his first post-Beatles solo album, All Things Must Pass, in 1970, and used them as backing musicians at the concert. The Badfinger story, though, had a tragic ending. As Apple Records disintegrated, the group left the label and ended up in legal wranglings that left them angry and broke. Ham committed suicide in 1975.

In 1976, a cover by Steve Harley and Cockney Rebel was a #10 hit in the UK.

Richie Havens covered this in 1971. The Beatles’ version never charted, but his hit #16 in the US. Havens told DISCoveries magazine in 1994: “Fortunately, I can sing things that changed my mind and gave me articulation, like the songs of The Beatles. What they did was, they presented the language we speak in a very straightforward way. The images were totally clear. The influence of clarity – that was the whole influence of the British Invasion.”

Other popular covers were recorded by Nina Simone and Peter Tosh.

On November 20, 1976, Harrison performed this with Paul Simon on Saturday Night Live. On a previous show, producer Lorne Michaels offered The Beatles $3,000 (union minimum), to show up and perform. He said they could split it up any way they wanted, giving Ringo less if they felt like it. Lennon and McCartney were watching together in New York at the time and almost went. On the show when Harrison performed this, there is a skit where he is arguing with Michaels over the money. Michaels tries to explain that the $3000 was for the whole group, and he would have to accept less.

When Harrison died in 2001, many artists performed this at their concerts as a tribute. It was played at the induction ceremonies of the Rock and Roll Hall of Fame as part of the all-star jam.

George Harrison played a guitar solo that was placed at 1:02 into the song, but didn’t make the final cut. Here’s the clip where George Martin and Dhani Harrison listen to it.

Harrison released a follow-up song called “Here Comes The Moon” on his self-titled 1979 album. That song is a tribute to the moon, the “sun’s little brother” that acts like a mirror in the sky, reflecting our light.

In 2006, this was voted by the members of the GeorgeHarrison.com forum as their favorite song of his.

Take That’s Gary Barlow covered this for a 2012 advert for Marks and Spencer. It was the first song he’d recorded as a solo artist since his sophomore album, Twelve Months, Eleven Days in 1999. He said: “It’s a real a privilege to cover such an iconic track. You can’t better perfection but I hope we’ve given it a modern twist that will capture the mood of the nation and provide the perfect anthem for summer 2012.” The song’s exposure on the commercial resulted in the original Beatles recording charting in the UK singles top 75 for the first time.

Paul McCartney was also feeling the pain from Beatles’ business dealings around this time and wrote his own, far more pessimistic, song about it: “You Never Give Me Your Money,” which was also included on Abbey Road.

Tom Petty, who was Harrison’s good friend and played with him in the Traveling Wilburys, said of this song in Rolling Stone: “No piece of music can make you feel better than this. It’s such an optimistic song, with that little bit of ache in it that makes the happiness mean even more.”

At the 2016 Republican National Convention, Ivanka Trump, speaking before her father Donald took the stage, emerged with this song playing. The Harrison estate was not happy and voiced their displeasure on Twitter: “The unauthorized use of #HereComestheSun at the #RNCinCLE is offensive & against the wishes of the George Harrison estate. If it had been Beware Of Darkness, then we MAY have approved it!”

Naya Rivera and Demi Lovato sang this on the 2013 Glee episode “Tina in the Sky with Diamonds.”

Nina Simone’s version was used on the TV series Scandal in the 2015 episode “You Can’t Take Command.”

During the 2020 coronavirus pandemic, many found solace in this song. Some hospitals would play the song when a patient was discharged.

Harrison and Simon on SNL

Here Comes The Sun

Here comes the sun (doo doo doo)
Here comes the sun, and I say
It’s all right

Little darling, it’s been a long cold lonely winter
Little darling, it feels like years since it’s been here

Here comes the sun (doo doo doo)
Here comes the sun, and I say
It’s all right

Little darling, the smiles returning to the faces
Little darling, it seems like years since it’s been here

Here comes the sun
Here comes the sun, and I say
It’s all right

Sun, sun, sun, here it comes
Sun, sun, sun, here it comes
Sun, sun, sun, here it comes
Sun, sun, sun, here it comes
Sun, sun, sun, here it comes

Little darling, I feel that ice is slowly melting
Little darling, it seems like years since it’s been clear
Here comes the sun
Here comes the sun, and I say
It’s all right

Here comes the sun (doo doo doo)
Here comes the sun
It’s all right
It’s all right

Thin Lizzy – Jailbreak

Bruce Springsteen’s Born to Run was released a year before this and it was said to influence this album. The album was Jailbreak and was the bands sixth album. It was their breakthrough album.

The album peaked at #18 in the Billboard Album Charts, #5 in Canada, and #10 in the UK in 1976. The album had three well known Thin Lizzy songs…The Boys Are Back In Town, Cowboy Song, and the title track.

The title track didn’t chart in America but it did peak at #31 in the UK in 1976.

Thin Lizzy was founded in Dublin in 1969 when Lynott and drummer Brian Downey left their group Orphanage to form a new band with musicians formally from the last incarnation of Van Morrison’s Them.

Thin Lizzy’s sound was made of Phil Lynotts songwriting and voice…along with the dual-guitar interplay of Scott Gorham and Brian Robertson.

Jailbreak

Tonight there’s gonna be a jailbreak
Somewhere in this town
See me and the boys we don’t like it
So were getting up and going down

Hiding low looking right to left
If you see us coming I think it’s best
To move away do you hear what I say
From under my breath

Tonight there’s gonna be a jailbreak
Somewhere in the town
Tonight there’s gonna be a jailbreak
So don’t you be around

Don’t you be around

Tonight there’s gonna be trouble
Some of us won’t survive
See the boys and me mean business
Bustin’ out dead or alive

I can hear the hound dogs on my trail
All hell breaks loose, alarm and sirens wail
Like the game if you lose
Go to jail

Tonight there’s gonna be a jailbreak
Somewhere in the town
Tonight there’s gonna be a jailbreak
So don’t you be around

Tonight there’s gonna trouble
I’m gonna find myself in
Tonight there’s gonna be a jailbreak
So woman stay with a friend

You know it’s safer

Breakout!

Tonight there’s gonna be a breakout
Into the city zones
Don’t you dare to try and stop us
No one could for long

Searchlight on my trail
Tonight’s the night all systems fail
Hey you good lookin’ female
Come here!

Tonight there’s gonna be a jailbreak
Somewhere in the town
Tonight there’s gonna be a jailbreak
So don’t you be around

Tonight there’s gonna be trouble
I’m gonna find myself in
Tonight there’s gonna be trouble
So woman stay with a friend

Webb Wilder – Tough It Out

Webb Wilder is just different…different in a great way. He looks like he dropped out of a 50’s black and white detective show. The song peaked at #16 in the Mainstream Rock Songs in 1992.

His real name is John “Webb” McMurry and according to wiki “The Webb Wilder character was created in 1984 for a short comedy film created by friend called “Webb Wilder Private Eye.” The character was a backwoods private detective who fell out of the 1950s and happened to also be a musician. The short appeared on the television variety show “Night Flight.”[Whatever it is it works.

Webb Wilder’s quote when asked what kind of music he plays.

 “I came to Nashville as kind of a hunch, an educated guess that it would be a good place for me. Rock ‘n’ roll and country have more in common than not. We don’t have the typical Nashville country sound, but we thought we could use that to our advantage. It’s sorta like we’re a roots band for rock ‘n’ roll fans and a rock band for roots fans” he also adds these phrases…“Swampadelic”, “Service-station attendant music”, “Uneasy listening”, “Psychobilly”

Psychobilly….Now that is a cool description.

By 1991 I was walking through a street fair in Nashville and there he was playing with his band. He had just put out an album called Doodad that got some local and national airplay. His music is a mixture of rock/country/rockabilly/punk and anything else he can throw in. The man has the gift of gab also.

I’ve seen him a couple of times in the 90s and he can bring the house down. He did get some MTV and VHI play nationally in 1991-92.  His other known songs are my favorite “Meet Your New Landlord,” Poolside,  and “Human Cannonball”. He has had some great backing bands. He also did a great cover of Steve Earle’s The Devil’s Right Hand….

I’m including my favorite song by him called Meet Your New Landlord and of course Tough it Out.

Tough It Out

When I was in the cradle
Momma used to say “Now, baby
Don’t ya cry cry cry”
She turned on the radio
And fed me rock and roll
Lullaby-by-by
Well it got under my skin
And man it pulled me in
’cause it was strong strong strong
I hit the ground runnin’
And let me tell ya somethin’
I was gone gone gone

Get offa my line
’cause I’m comin’ through
I’m aimin’ high
And I’m willin’ to shoot

I won’t bow, I won’t bend
I won’t break, I’ll tough it out
I won’t budge, I won’t deal
I won’t change, I’ll tough it out
(Tough it out) Keep rockin’ (tough it out) No stoppin’
‘Til I win the prize, I’ll tough it out
(Tough it out) Straight ahead (tough it out) knock ’em dead
No compromise, I’ll tough it out

Now I’ve got somethin’
For ever man woman
And child child child
We don’t leave the hall
’til they’re bouncin’ off the walls
Goin’ wild wild wild
It might happen any day
Might be light years away
I don’t mind mind mind
We got our head down, ears back
Headed for the barn
Feelin’ fine fine fine

Get offa my line
’cause I’m comin’ through
I’m aimin’ high
And I’m willin’ to shoot

I won’t bow, I won’t bend
I won’t break, I’ll tough it out
I won’t budge, I won’t deal
I won’t change, I’ll tough it out
(Tough it out) Keep rockin’ (tough it out) No stoppin’
‘Til I win the prize, I’ll tough it out
(Tough it out) Straight ahead (tough it out) knock ’em dead
No compromise, I’ll tough it out(Tough it out) (tough it out)

You might catch me down
But I won’t stay caught
Now I might not sell
But I can’t be bought

I won’t bow, I won’t bend
I won’t break, I’ll tough it out
I won’t budge, I won’t deal
I won’t change, I’ll tough it out
(Tough it out) Keep Rockin’ (tough it out) No stoppin’
‘Til I win the prize, I’ll tough it out
(Tough it out) Straight ahead (tough it out) knock ’em dead
No compromise, I’ll tough it out

I won’t bow, I won’t bend
I won’t break, I’ll tough it out
I won’t budge, I won’t deal
I won’t change, I’ll tough it out
Tough it out
‘Til I win the prize, I’ll tough it out
Tough it out
No compromise, I’ll tough it out

Badfinger – Straight Up

Obviously, I really like this band. When I was a newbie Beatles fan I thought Come and Get It was a Beatles song and then I found out it was this band with a funny name called Badfinger . As a teenager I had this album and I bought their  1979 Airwaves album (without Pete Ham) in the early eighties. in the cutout bin. It was a nice album but without Pete Ham it wasn’t up to their standards.

Badfinger was known as a singles band but they did have one great album along with very good ones…and Straight Up was the great one.

I bought two of Pete Ham “solo” albums named Golders Green and 7 Park Avenue in the 1990s. The albums were made of Pete’s demos from the 60s and 70s. The pop world really missed out when Pete decided to leave the earth. His songs were very McCartney like…good McCartney like.

Badfinger had undoubtedly one of the saddest stories in a business that is full of them. Two members committed suicide and the band was ripped off beyond belief by a manager. The band was left virtually penniless after making millions.

Straight Up has two of their big hits…the beautiful Day After Day and what I consider the best power-pop song of all time…Baby Blue. It’s not just the hits though that are good….the band had three songwriters with Pete Ham, Tom and  Joey Molland.  Tom and Joey were not in their bandmate’s writing level but they were very good. There is not a bad song on the album.

Take It All is a song written by Pete and the song is about the Bangladesh concert when Pete got to play with George Harrison up front and his bandmates were in the background. Joey Molland the other guitarist was upset at this so Pete wrote this song.

Suitcase was a rocking song that Joey Molland wrote and was a great live song. It was a departure from the power pop they played…they were expanding their repertoire. Pete Ham plays some great slide guitar in this.

Sweet Tuesday Morning is one of those seventies songs that is beautifully written and performed by Joey.

Of course the hits…Day After Day and Baby Blue…this is Day After Day it peaked at #4 in the Billboard 100, #2 in Canada and #10 in the UK in 1971.

Badfinger along with Big Star and the Raspberries gave us great power pop and helped create the genre. If you have a greatest hits…this would be a good companion album to go with it.

Take It All
Baby Blue
Money
Flying
I’d Die, Babe
Name Of The Game
Suitcase
Sweet Tuesday Morning
Day After Day
Sometimes
Perfection
It’s Over

Baby Blue peaked at #14 in the Billboard 100, #7 in Canada, and #73 in the UK.

Black Crowes – Sister Luck

I first heard this song on the Shake Your Money Maker album that I had just bought. I loved this song but it reminded of another song and I couldn’t put my finger on it. It then came to me…a song named Sway by the Rolling Stones off of Sticky Fingers.

I’m not saying the Black Crowes stole anything from it but they probably were influenced by the song. Rich Robinson the guitar player played the same 5 string G tuning that Keith Richards made famous…and he really does it well. Like the Georgia Satellites before them the Black Crowes sound was a throw back to the early seventies and it worked well.

The Black Crowes album Shake Your Money Maker was released in 1990. This album shocked me when I heard it. After longing for something with that 70’s tone…here it was with this new band. I always thought they sounded like The Stones/Faces   musically with a Rod Stewart type lead singer.

Sister Luck was not released as a single but remains a favorite album track of mine.

Sister Luck

Worried sick my eyes are hurting
To rest my head I’d take a life
Outside the girls are dancing
‘Cause when you’re down it just don’t seem right

Feeling second fiddle to a dead man
Up to my neck with your disregard
Like a beat dog that’s walking on the broadway
No one wants to hear you when you’re down

Sister luck is screaming out
Somebody else’s name
Sister luck is screaming out
Somebody else’s name

A flip of a coin
Might make a head turn
No surprise, who sleeps
Held my hand over a candle
Flame burnin’ but I never weep

Sister luck is screaming out
Somebody else’s name
Sister luck is screaming out
Somebody else’s name

What a shame

The Kids Are Alright Documentary…Desert Island Music Films

We wrapped up Hanspostcard’s album draft…100 albums in 100 days. We are going into extra innings and extending three more picks from these categories… favorite Soundtracks, Greatest Hits, and a music related movie. This is my pick for a music related movie: The Who in The Kids Are Alright.

2020 ALBUM DRAFT- ROUND 13 PICK 5- BADFINGER20 SELECTS- THE KIDS ARE ALRIGHT

I acquired a VHS copy of this in the mid-eighties. It wasn’t a great copy but my friends and I wore it out. One of them worked at a small cable station. The station was in a small county that usually aired farm reports and advertisements. Basically, it was a very small building in the middle of nowhere. All they would do there is broadcast videos.

We had the tape in hand and wanted to see it so we went there one afternoon. He popped it in the VHS player and played it. He had no idea but it was going out live all over the region. Near the end of the film, he took a phone call from his boss. I didn’t think anyone ever watched that station…but it turns out they did and they were not fans of The Who. He didn’t get fired but they took his key for the door for a little while. It was a big subject the next day at school as some teenagers loved it but their parents didn’t appreciate their farm reports being interrupted by My Generation and Keith Moon in bondage.

I’ve seen this film so many times I can almost quote it while it’s playing. The Who albums made me a huge fan of their music…this film made me a huge fan of band.

This film covers the original Who and being such a Who fan I’m glad Jeff Stein (director) was so persistent in doing this because many of the tapes he was able to borrow probably would have been erased and used again by the BBC as was their policy.

Jeff was a fan of the band and pestered them until they let him do this. He had no prior experience in filmmaking but this was the 1970s and he got the gig. His timing was eerily perfect. He caught the original band at the very end of their tenure with Keith Moon.

He searched high and low for clips of the band in earlier years. Stein keeps the appearance mostly in order. There is sadness in this. You see the band through the years from 1964 to 1978… you see all of them gradually age of course but Keith Moon ages faster than any of them. I’ve read where it hit him hard while watching the rough cut right before he died. His lifestyle had taken its toll on him. He saw himself as a young energetic kid that looked like Paul McCartney’s younger brother to a man who was 32 and looked like he was in his 40s at least.

This may be the first or one of the first film bios on a major rock band. Led Zeppelin had The Song Remains the Same but it focused on one concert in New York… The Beatles had Let It Be but those films didn’t show their history like The Kids Are Alright.

The Who - Wikipedia

In this film you see a band that is fun… unlike their peers Zeppelin and Sabbath the Who were more open to their audience and didn’t have a dark mystique hanging over them. They would crack jokes from the stage…Moon and Townshend treated it like a High School talent show until they started to play…then they got serious.

You see film segments that were fun like the video of Happy Jack, the interview on the Russell Harty Show, Keith with Ringo, and Keith and Pete sharing a joke that only they could understand. One of my favorite segments is The Who playing Barbara Ann with Keith singing and the band having a good time. They also played I Saw Her Standing There but it didn’t make the final cut…you can watch it in the outtakes. I can’t imagine the big bands of that time doing Barbara Ann and goofing for the camera.

The Who did a couple of live shows for the film besides being interviewed. Stein mostly used old clips but he convinced the band to do a couple of free concerts in May of 1978 where he could get a definitive version of Won’t Get Fooled Again… which personally I think is the greatest live performance song live you will ever hear. You see Keith’s last performance as he is looking pudgy, older, and slower but still pulls it off. Pete wasn’t too thrilled about doing the concerts for the film but it turned out good. They ended up only using a version Won’t Get Fooled Again and Baba O’Riley from the 78 live show.

Keith died a few months before The Kids Are Alright debuted on June 15, 1979. The film showed The Who at it’s best. Kenney Jones from the Faces replaced him but it was never the same. You cannot replace Moon…he was the engine that drove the Who. Later on in the 90s Zak Starkey…who was Ringo’s son and Keith’s God son played drums for the Who and still does.

If you haven’t watched the film…stop what you are doing and watch it. It still holds up as one of the best music documentaries that rock has produced.

Zak Starkey and Keith Moon

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