Neil Young – PowerPop… An Eclectic Collection of Pop Culture

Neil Young – Cinnamon Girl

Love the nasty sound Neil has on his guitar. It’s a raw, fuzzed-out letter to the cosmos, sealed with a one-note guitar solo and dropped in the mailbox of your brain forever. It never leaves. This is a song I grew up on, but not this version. Somehow, I had The Gentrys version in my small record collection given to me by someone. It’s close, but no cigar.

That riff, oh that riff. It’s a heavy, descending chunk of molten iron, equal parts garage and pre-grunge blueprint. It’s played in double drop D tuning, which is basically the rock ’n’ roll equivalent of letting the air out of your tires before racing. Everything sounds lower, meaner, sludgier. The minute it hits, it’s clear: Neil doesn’t want perfection. He wants feel. We played this song so many times that I know it by heart.

Neil recruited guitarist Danny Whitten, bassist Billy Talbot, and drummer Ralph Molina from a local psychedelic group called The Rockets and renamed them Crazy Horse. The song was on the album Everybody Knows This Is Nowhere. The album peaked at #34 on the Billboard 200 album chart and #32 in Canada.

In the liner notes of his Decade compilation, Neil said, “Wrote this for a city girl on peeling pavement coming at me through Phil Ochs’ eyes playing finger cymbals. It was hard to explain to my wife.” Although Neil Young never said who it was about, the bit about finger cymbals could be a reference to ’60s folk singer Jean Ray, who performed with then-husband Jim Glover under the name Jim and Jean.

Brian Ray, who is currently Paul McCartney’s guitarist and Jean’s younger brother, has said the song is indeed about his sister. Jean also said that she inspired another Neil Young track from Everybody Knows This Is Nowhere: Cowgirl in the Sand.

The song peaked at #55 in the Billboard 100 and #25 in Canada in 1970.

Cinnamon Girl

I want to live with a Cinnamon Girl
I could be happy the rest of my life
with a Cinnamon Girl

A dreamer of pictures, I run in the night
you see us together chasin’ the moonlight
my Cinnamon Girl

Ten silver saxes, a bass with a bow
the drummer relaxes and waits between shows
for his Cinnamon Girl

A dreamer of pictures, I run in the night
you see us together chasin’ the moonlight
my Cinnamon Girl

Pa, send me money now
I’m gonna make it somehow
I need another chance
You see, your baby loves to dance
yeah, yeah, yeah

Neil Young – Down By The River

This song and Like a Hurricane are high on my list of Neil’s songs. I also like the live versions of this song, which can stretch into 15 minutes at times. He keeps it interesting.

Young traded licks with Danny Whitten of Crazy Horse, Neil wrings every drop of feeling out of a few simple chords as he always does. He has always been one of the best at getting everything out of one simple note. That is why he is one of my favorite guitar players. He doesn’t do it with technical brilliance or flash, just total feel. He can sit on one note and make it scream.

This song was on the 1969 Everybody Knows This Is Nowhere released in 1969. Crazy Horse was on the album also…Crazy Horse included Danny Whitten – guitar, Billy Talbot – Bass, and Ralph Molina on drums. The album included Cinnamon Girl and Cowgirl in the Sand. This was the first album of many to feature Crazy Horse.

Neil Young wrote Down by the River and Cinnamon Girl in 1968, reportedly during a bout of high fever and delirium while bedridden with the flu at a house in Topanga Canyon, California. That is a great day’s work, sick or not. Young used a Gibson Les Paul nicknamed “Old Black,” run through a small Fender amp cranked to overdrive for a natural distortion.

The album peaked at #32 in Canada and #34 on the Billboard Album Charts in 1970. Down by the River didn’t chart, but Cinnamon Girl did peak at #25 in Canada. With the chorus of “I shot my baby down by the river,” this song gets your attention. In a 1970 interview, Neil Young cleared it up: “There’s no real murder in it. It’s about blowing your thing with a chick. See, now in the beginning, it’s ‘I’ll be on your side, you be on mine’. It could be anything. Then the chick thing comes in. Then at the end it’s a whole other thing. It’s a plea… a desperation cry.”

Neil Young: “I’d like to sing you a song about a guy who had a lot of trouble controlling himself, he let the dark side come thru a little too bright.” The explanation goes on the describe the murder, the killer’s arrest and, finally, the guilt he feels as he realized what he’s done.”

Neil Young: “I’m trying to make records of the quality of the records that were made in the late Fifties and the Sixties, like Everly Brothers records and Roy Orbison records and things like that. They were all done with a sort of quality to them. They were done at once. It’s just a quality about them, the singer is into the song and the musicians were playing with the singer and it was an entity, you know. It was something special that used to hit me all the time, that all these people were thinking the same thing, and they’re all playing at the same time. It happens on a few cuts, you can hear it. I think “Cinnamon Girl,” “Everybody Knows This Is Nowhere,” and “Round And Round” has that feeling of togetherness, although it was just Danny and me and Robin Lane.”

Down By The River

Be on my side I’ll be on your side, baby
There is no reason for you to hide,
This much madness is too much sorrow,
It’s impossible to make it today,
Hey, hey, ooh-ooh

She could drag me over the rainbow,
Send me away.

Down by the river
I shot my baby
Down by the river,
Dead, shot her dead.

You take my hand, I’ll take your hand,
Together we may get away.

Byrds – My Back Pages

I was so much older then, I’m younger than that now

This is my favorite song by the Byrds. I like the Byrds’ arrangement of this great Bob Dylan song. Roger McGuinn’s voice plus Rickenbacker is always a winning combination. Dylan recorded his version in 1964 on his Another Side of Bob Dylan album. I fell for the song because of the line, I was so much older then, I’m younger than that now. Just a great phrase from a catalog that is full of them.

On the countless Dylan songs that are covered, I will usually like Dylan’s version better…on this one, I prefer the Byrds. The song peaked at #30 on the Billboard 100 in 1967. It’s one of those songs that I so wish I could have written. Even the title is cool because “My Back Pages” is not uttered in the song.

Bob Dylan helped the Byrds a lot with Mr. Tambourine Man and other songs. The Byrds, in turn, helped widen Bob’s popularity to the new rock audience that was developing, which may not have heard some of these songs as much.

In 1992 the Bob Dylan 30th Anniversary Concert happened, and my cousin had the complete concert on VHS. He had a satellite, so I didn’t have to wait for it to be released almost a year later. I’ll never forget this song being played with Roger McGuinn sharing the stage with Dylan, Tom Petty, George Harrison, Eric Clapton, and Neil Young.

Roger McGuinn: “I don’t try to interpret what Bob meant when he wrote the song. He doesn’t do that, and to do that, you spoil it for people who have a different meaning of the song.”

The song being played at Bob Dylan’s 30th Anniversary concert. Bob Dylan, Roger McGuinn, Neil Young, George Harrison, Eric Clapton, and a bunch more.

My Back Pages

Crimson flames tied through my ears
Rollin’ high and mighty traps
Countless with fire on flaming roads
Using ideas as my maps
We’ll meet on edges, soon, said I
Proud ‘neath heated brow

Ah, but I was so much older then
I’m younger than that now
Half-wracked prejudice leaped forth
Rip down all hate, I screamed
Lies that life is black and white
Spoke from my skull I dreamed
Romantic facts of musketeers
Foundationed deep, somehow
Ah, but I was so much older then
I’m younger than that now

In a soldier’s stance, I aimed my hand
At the mongrel dogs who teach
Fearing not that I’d become my enemy
In the instant that I preach
Sisters fled by confusion boats
Mutiny from stern to bow
Ah, but I was so much older then
I’m younger than that now

Ah, but I was so much older then
I’m younger than that now

My guard stood hard when abstract threats
Too noble to neglect
Deceived me into thinking
I had something to protect
Good and bad, I define these terms
Quite clear, no doubt, somehow
Ah, but I was so much older then
I’m younger than that now

Neil Young – Like a Hurricane

This song is for Song Lyric Sunday for Jim Adams’s blog. This week the theme is to find a song related to a weather condition such as cyclones, floods, hurricanes, rainfall, storms, tornadoes, typhoons, or winds.

I first heard this song in band practice back in the late 80s. The guitar started to play it and I thought it was an original. I told him I loved his song…he said “if only” it was mine! I learned about a lot of songs that way. I don’t know how I missed this one through the years. It’s now one of my favorite Neil Young songs.

Neil Young’s playing style is unique and electrifying. He’s not Clapton, Page, Van Halen, or Hendrix—but they’re not him, either. His approach is all about feeling, and he uses volume and feedback like few others can. Watching him play is thrilling, you always think the wheels are about to come off, but somehow they never do. Together with Crazy Horse, Neil captures the raw spirit of rock better than just about anyone.

Like a Hurricane was on the American Stars ‘n Bars album in 1977. A single version was released that was edited down to under 4 minutes but it only charted in the UK at #48. The album version is the one known now.

Neil’s songs are so well written and detailed but they come out sounding so loose like he is improvising on the spot…cause most of the time while recording he is more interested in getting the right feel than anything technical. it works really well. For me, that is the best way to record and I wish more artists would do this.

Neil Young: “I wrote it on a piece of newspaper in the back of (his friend) Taylor Phelps’s 1950 DeSoto Suburban, a huge car that we all used to go to bars in. As was our habit between bars, we had stopped at Skeggs Point Scenic lookout on Skyline Boulevard up on the mountain to do a few lines of coke; I wrote Hurricane right there in the back of that giant old car. Then when I got home, I played the chords on this old Univox Stringman mounted in an old ornate pump-organ body set up in the living room. I played that damn thing through the night, I finished the melody in five minutes, but I was so jacked I couldn’t stop playing.”

Neil Young: “When ‘Runaway’ goes to ‘I’m a walkin’ in the rain,’ those are the same chords in the bridge of ‘Hurricane’ – ‘You are…’ It opens up. So it’s a minor descending thing that opens up – that’s what they have in common. It’s like ‘Runaway’ with the organ solo going on for 10 minutes.”

Rock Critic Dave Marsh: “an eight-minute tour de force of electric guitar feedback and extended metaphor (Smokey Robinson meets Jimi Hendrix on Bob Dylan’s old block).”

Like a Hurricane

Once I thought I saw you in a crowded hazy bar
Dancing on the light from star to star
Far across the moonbeam I know that’s who you are
I saw your brown eyes turning once to fire

You are like a hurricane
There’s calm in your eye
And I’m gettin’ blown away
To somewhere safer where the feeling stays
I want to love you but I’m getting blown away

I am just a dreamer, but you are just a dream
You could have been anyone to me
Before that moment you touched my lips
That perfect feeling when time just slips
Away between us on our foggy trip

You are like a hurricane
There’s calm in your eye
And I’m gettin’ blown away
To somewhere safer where the feeling stays
I want to love you but I’m getting blown away, blown away

You are just a dreamer, and I am just a dream
You could have been anyone to me
Before that moment you touched my lips
That perfect feeling when time just slips
Away between us on our foggy trip

You are like a hurricane
There’s calm in your eye
And I’m gettin’ blown away
To somewhere safer where the feeling stays
I want to love you but I’m getting blown away

Remembering Buffalo Springfield

I wrote this before I had any readership so I thought I would post it today.

I had a friend’s dad who owned their 1969 greatest hits album when I was in sixth grade and we wore it out. Broken Arrow, Mr Soul, and Expecting to Fly were the ones we played over and over, and heard something we missed in the previous play. So when my peers were listening to The Flock of Seagulls (nothing wrong with that!)…I was listening to Buffalo Springfield and I stayed stuck in the 60s for a long time.

Buffalo Springfield is a band that gets lost in the shuffle at times. People know their big hit “For What It’s Worth” but little about the band. They were only active between 1966-68 but had a huge impact on other artists. The band was very talented……with Neil Young, Stephen Stills, Richie Furay, Bruce Palmer, Dewey Martin, and Jim Messina who replaced Bruce Palmer. They had some great songs like Mr Soul, Nowadays Clancy Can’t Even Sing, Burned, Expecting to Fly, Bluebird, Rock and Roll Woman, Broken Arrow, and their big hit For What It’s Worth…

I just read Neil Young’s book “Waging Heavy Peace” and he said that the end of Buffalo Springfield started because the bass player Bruce Palmer kept getting busted for drugs and taken away…more than once… By 1968 it was over and what a waste of potential they had…The remaining members reunited in 2011 and played 6 concerts… in 2012 they were going to tour and do 30 concerts. Neil quit and did an album with Crazy Horse. He has a history of leaving projects when they don’t interest him anymore.

If this band would have stayed together originally… There’s little doubt they would have gotten much bigger with the talented members they had in place.

The song Broken Arrow is a song that was made in sections and it’s hard to explain it with words… Something is haunting and beautiful about it. I listen to it now and it’s like Buffalo Springfield’s own A Day In The Life. It was produced in 1967 during the psychedelic era. One of my favorite songs of all time…any song with the lyric “He hung up his eyelids and ran down the hall” grabs my attention. Neil Young wrote this beautiful song. Gregg Allman cornered Neil backstage somewhere in the 2000s and pleaded with him to start playing this song again. He did when Buffalo Springfield reformed.

Right after the breakup, Stephen Stills helped form Crosby, Stills, and Nash….short time later Young came aboard and would join them occasionally. Furay and Messina helped form Poco and Messina teamed up with Kenny Loggins later on.

They made three albums while together. Buffalo Springfield (1966), Buffalo Springfield Again (1967) and Last Time Around (1968). A greatest hits came out in 1969 called Retrospective The Best of Buffalo Springfield. A box set was released in 2001.

So…what are your thoughts about Buffalo Springfield?

Broken Arrow

The lights turned on and the curtain fell down
And when it was over it felt like a dream
They stood at the stage door and begged for a scream
The agents had paid for the black limousine
That waited outside in the rain
Did you see them, did you see them?
Did you see them in the river?
They were there to wave to you
Could you tell that the empty quivered
Brown skinned Indian on the banks
That were crowded and narrow
Held a broken arrow?

Eighteen years of American dream,
He saw that his brother had sworn on the wall
He hung up his eyelids and ran down the hall
His mother had told him a trip was a fall
And don’t mention babies at all
Did you see him, did you see him?
Did you see him in the river?
He was there to wave to you
Could you tell that the empty quivered
Brown skinned Indian on the banks
That were crowded and narrow
Held a broken arrow?

The streets were lined for the wedding parade
The Queen wore the white gloves, the county of song
The black covered caisson her horses had drawn
Protected her king from the sun rays of dawn
They married for peace and were gone
Did you see them, did you see them?
Did you see them in the river?
They were there to wave to you
Could you tell that the empty quivered
Brown skinned Indian on the banks
That were crowded and narrow
Held a broken arrow?

Band – The Last Waltz

Happy Thanksgiving! Watching The Last Waltz is just as part of Thanksgiving as the meal with the family…that and listening to Alice’s Restaurant.

The Band on Thanksgiving in 1976 at Winterland. The film starts off with THIS FILM MUST BE PLAYED LOUD! A cut to Rick Danko playing pool and then it then to the Band playing “Don’t Do It”…the last song they performed that night after hours of playing. Through the music and some interviews, their musical journey and influences are retraced.

This film is considered by many the best concert film ever made. It was directed by Martin Scorsese. I love the setting with the chandeliers that were from the movie Gone With The Wind. The quality of the picture is great because it was shot with a 35-millimeter camera which wasn’t normally done with concerts.

Before the Band and guests hit the stage, Bill Graham, the promoter, served a Thanksgiving dinner to 5000 people that made up the audience with long tables with white tablecloths.

The Band’s musical guests included

Ronnie Hawkins, Bob Dylan, Neil Young, Dr. John, Paul Butterfield, Van Morrison (my favorite performance), Joni Mitchell, Eric Clapton and Muddy Waters

The Staple Singers and Emmylou Harris also appear but their segments were taped later on a sound stage and not at the concert.

Robbie wanted off the road earlier and that is what the Last Waltz was all about…the last concert by The Band with a lot of musical friends. He was tired of touring and also the habits the band was picking up… drugs and drinking. Richard Manuel, in particular, was in bad shape and needed time.

The rest of the Band supposedly agreed but a few years later all of them but Robbie started to tour as The Band again. Richard Manuel ended up hanging himself in 1986. Rick Danko passed away in 1999 at the end of a tour of a heart attack attributed to years of drug and alcohol abuse. Levon Helm died of cancer in 2012.

The Band sounded great that night and it might be the best version you will ever hear of The Night They Drove Old Dixie Down.

The Last Waltz is a grand farewell to a great band and a film that I revisit at least twice a year… once always around Thanksgiving.

The complete concert is at the bottom…without cuts.

Neil Young – Wonderin’

I heard this song in the 80s and really liked the video. When I first saw the 80s time lapsed video…I thought Young looked a little like Stephen King around this time…looking at it again…I still do. I want to thank Dave for the post that jarred my memory about After The Gold Rush.

It’s a song that was left off of After The Gold Rush back in 1970. He played it live with Crazy Horse but it would be 1983 when it finally appeared on the album Everybody’s Rockin’. It was re-cut into a 1950s style to fit the rest of the album. He made the album as Neil Young and the Shocking Pinks. There is a story in that as well.

In the early eighties, David Geffen signed Neil Young to a huge contract with Geffen Records. Neil Young who will do his own thing no matter what or when…released an album called “Trans” which was his foray into electronic music. Geffen wanted another “Harvest” with another Heart of Gold or Old Man…instead, he got “Computer Age” and “We R in Control” with Neil singing through a Vocoder.

After that album Neil was asked to do more rock and roll by a Geffen record company executive…the record company was thinking more along the lines of the harder rock Rust Never Sleeps…so Neil gave them rock and roll all right… “Everybody’s Rockin” is an album full of early fifties Doo-wop and rockabilly-sounding songs in the middle of the 80s (thank you, Neil!). The record company was not amused…he then released an album full of country music… In his contract, Neil had full artistic freedom.

Geffen had claimed the new albums were “unrepresentative” of Neil’s music. He sued Neil for 3.3 million dollars but the case was settled and Geffen lost and had to apologize to Neil. That shows you…sometimes life is fair.

If you look at Neil’s career…it was all about change and evolving so I don’t know what Geffen expected. Neil rarely repeats himself. Geffen was expecting early seventies Neil and that wasn’t happening. Young is not an artist that you mess with.

After hearing the original version…I like both.. and I do enjoy the early rock and roll feel of it in the 80s version. The album peaked at #46 on the Billboard Album Charts, #22 in Canada, #21 in New Zealand, and #50 in the UK.

Wonderin’

I’ve been walking all night long
My footsteps made me crazy
Baby, you’ve been gone so long
I’m wonderin’ if you’ll come home
I’m hopin’ that you’ll be my baby
I’m wonderin’ if I’ll be alone
Knowin’ that I need you to save me.

I’ve been talking all day long
To keep my heart from sadness
Baby, you’ve been gone so long
I’m wonderin’ if you’ll come home
I’m hopin’ that you’ll be my baby
I’m wonderin’ if I’ll be alone
Knowin’ that I need you to save me.

I’m wonderin’, I’m wonderin’,
I’m wonderin’, I’m wonderin’,
I’m wonderin’, I’m wonderin’,
I’m wonderin’, I’m wonderin’.

Well, I’m knowin’
that I need you to save me
Knowin’ that I need you to save me.
Knowin’ that I need you to save me.
Knowin’ that I need you to save me.
I’m wonderin’, I’m wonderin’.

Band – The Last Waltz

Happy Thanksgiving! Watching The Last Waltz is just as part of Thanksgiving as the meal with the family…that and listening to Alice’s Restaurant.

The Band on Thanksgiving in 1976 at the Fillmore West. The film starts off with THIS FILM MUST BE PLAYED LOUD! A cut to Rick Danko playing pool and then it then to the Band playing “Don’t Do It”…the last song they performed that night after hours of playing. Through the music and some interviews, their musical journey and influences are retraced.

Before the Band and guests hit the stage, Bill Graham, the promoter, served a Thanksgiving dinner to 5000 people that made up the audience with long tables with white tablecloths.

The Band’s musical guests included

Ronnie Hawkins, Bob Dylan, Neil Young, Dr. John, Paul Butterfield, Van Morrison (my favorite performance), Joni Mitchell, Eric Clapton and Muddy Waters

The Staple Singers and Emmylou Harris also appear but their segments were taped later on a sound stage and not at the concert.

The Band sounded great that night and it might be the best version you will ever hear of The Night They Drove Old Dixie Down.

The Last Waltz is a grand farewell to a great band and a film that I revisit at least twice a year… once always around Thanksgiving.

The complete concert is at the bottom…without cuts.

Don Gibson – Oh Lonesome Me

I have heard this song all of my life and never knew much about it. I like the song because of the sad lyrics set against upbeat music.

Don Gibson wrote this song and it was produced by a legend of country music…Chet Atkins. Atkins, meanwhile, was inducted into the Country Music, Rock & Roll, and Musicians Halls of Fame. Atkins is also one of the primary figures credited with creating the “Nashville sound,” which transformed country music in the 1950s with a sound much cleaner and smoother than the style that preceded it.

Gibson released this in 1958 and it peaked at #7 on the Billboard 100. This was his only top-10 entry in the pop charts. Gibson, an inductee of the Country Music, Nashville Songwriters, and North Carolina Music Halls of Fame, wrote multiple songs now considered country standards.

It’s been covered by a lot of artists. Neil Young and The Kentucky Headhunters are just two that covered the song as well. It was the biggest hit The Headhunters had and it peaked at #8 on the Billboard Country Charts and #19 on the Canadian Country Charts in 1990.

Others who covered it are Johnny Cash who took it to #13 Country and #93 on the Hot 100 in 1961…Stonewall Jackson’s 1970 rendition went to #63 Country. Other acts to cover the song include Bing Crosby, Bob Luman, Southern Culture on the Skids, Ray Charles, Connie Francis, and Bobbi Martin.

Neil Young covered it on his album After The Gold Rush in 1970.

Oh Lonesome Me

Everybody’s going out and having fun
I’m a fool for staying home and having none.
I can’t get over how she set me free.
Oh, lonesome me.

There must be some way that I can lose these lonesome blues
Forget about my past and find someone new
I’ve thought of everything from A to Z
Oh, lonesome me.

I’ll bet she’s not like me.
She’s out and fancy free,
Flirting with the boys with all her charms
But I still love her so,
And brother don’t you know
I’d welcome her right back here in my arms

Favorite Rock Lyrics 4

Hope you all are having a good week…happy Wednesday!

And he dug up her grave and built a cage with her bonesExcitable boy, they all said well, he’s just an excitable boy …. Warren Zevon

I’ll be in my basement room with a needle and a spoonAnd another girl can take my pain away…Rolling Stones

We were the first band to vomit at the bar and find the distance to the stage too far meanwhile it’s getting late at ten o’clock rock is dead they say Long Live Rock…The Who

Cause when life looks like Easy Street there is danger at your door… The Grateful Dead

Then here come a man with a paper and a pen tellin’ us our hard times are about to end… The Band

I could walk like Brando right into the sun then dance just like a Casanova… Bruce Springsteen

Elementary penguin singing Hare Krishna man, you should have seen them kicking Edgar Allen Poe …The Beatles

Mother, you had me but I never had you I, I wanted youYou didn’t want me so, I just got to tell you goodbye … John Lennon

Exchanging “good luck”s face to face checkin’ his stash by the trash at St. Mark’s place …The Replacements

We come from the land of the ice and snow from the midnight sun where the hot springs flow… Led Zeppelin

Every day, I look at the world from my window but chilly, chilly is the evening timeWaterloo sunset’s fine… The Kinks

I don’t wanna be a candidate for Vietnam or Watergate… Queen

If I ventured in the slipstream between the viaducts of your dream… Van Morrison

I am just a dreamer but you are just a dream and you could have been anyone to me… Neil Young

So we bought a pack of cigarettes and Mrs. Wagner piesand walked off to look for America…Simon and Garfunkel

Buffalo Springfield – Bluebird

For those in the US and celebrate Memorial Day…Happy Memorial Day!

I had a friend’s dad who owned their 1969 greatest hits album when I was in sixth grade and we wore it out. Broken Arrow, Bluebird, Mr. Soul, For What It’s Worth, and Expecting to Fly were the ones we played over and over and caught something we missed in the previous play.

In 1966 a folk-rock band was formed in Los Angeles from a mix of Canadian and American musicians. It was called Buffalo Springfield. The band consisted of Stephen Stills (guitar, keyboards, vocals), Dewey Martin (drums, vocals), Bruce Palmer (electric bass), Richie Furay (guitar, vocals), and Neil Young (guitar, harmonica, piano, vocals).

Buffalo Springfield is a band that gets lost in the shuffle at times. People know their big hit “For What It’s Worth” but little about the band. They were only active between 1966-68 but had a huge impact on other artists. The band was very talented……with Neil Young, Stephen Stills, Richie Furay, Bruce Palmer, Dewey Martin, and Jim Messina who replaced Bruce Palmer. They had some great songs like Mr. Soul, Nowadays Clancy Can’t Even Sing, Burned, Expecting to Fly, Bluebird, Rock and Roll Woman, Broken Arrow, and their big hit For What It’s Worth. Buffalo Springfield is a band that never quite reached its true potential but still made a big impression in the late sixties and after.

Before forming this band, Furay and Stills had played together in the Au Go Go Singers. Palmer and Young had played together in the Mynah Birds. That band featured Rick James on lead vocals and was signed to Motown. Just think about that for a second…Neil Young and Super Freak himself…Rick James was in a band together. They sounded much like the Stones.

If Buffalo Springfield would have stayed together… it’s little doubt they would have gotten much bigger than they did with the talented members they had in place. The name of the group was inspired by the Buffalo-Springfield steamroller made by the Buffalo-Springfield Roadroller Company in Springfield, Ohio.

In 1967 they released their second album Buffalo Springfield Again. The album peaked at #44 in the Billboard Album Charts. Bluebird peaked at #58 on the Billboard 100 and #38 in Canada. Three singles in total were pulled off the album.

After various drug-related arrests and line-up changes, Buffalo Springfield decided to break up in 1968. Stephen Stills went on to form the folk-rock supergroup Crosby, Stills & Nash with David Crosby of the Byrds and Graham Nash of the Hollies. Neil Young launched his successful solo career and reunited in 1969 with Crosby, Stills, Nash & Young.

Neil Young on the breakup: “I just couldn’t handle it towards the end. It wasn’t me scheming on a solo career, it wasn`t anything but my nerves. Everything started to go too fucking fast. I was going crazy, joining and quitting, joining and quitting again. I began to feel like I didn’t have to answer or obey anyone. I needed more space. That was the big problem in my head. So I’d quit, then I`d come back ‘cos it sounded so good. It was a constant problem. I just wasn’t mature enough to deal with it. I was very young. We were getting the shaft from every angle, and it seemed like we were trying to make it so bad and getting nowhere.”

Bluebird

Listen to my bluebird laughShe can’t tell you whyDeep within her heart, you seeShe knows only cryingJust crying

There she sits, aloft at perchStrangest color blueFlying is forgotten nowThinks only of youJust youOh yeah

So, get all those bluesMust be a thousand huesAnd be just differently usedYou just know

You sit there mesmerizedBy the depth of her eyesThat you can’t categorizeShe got soulShe got soulShe got soulShe got soul

Do you think she loves youDo you think at all

Soon she’s going to fly awaySadness is her own.Give herself a bath of tearsAnd go home, and go home

…

Neil Young – Sugar Mountain ….Canadian Week

Today through Friday I will feature nothing but Canadian artists. It will be some left off because I could go on forever. Oh NO…where to put Justin Beiber? Nah, I’ll skip him… I will feature at least 2 artists I’ve never blogged on before and both are huge…and worlds apart.

I thought I would start off this Monday with no other than Uncle Neil. Young had no trouble coming up with verses to this song. He has said…he came up with 126 verses and the trouble came with editing it down. His was first released as the B-side of Young’s first single as a solo artist, “The Loner.” He used it as a B-side on a few other singles, but did not put it on an album until his 1977 Greatest Hits compilation Decade.

Young wrote this song in a room at the Fort William’s Victoria Hotel in Ontario. He wrote the song on his 19th birthday on November 12, 1964. The song is about lost childhood but he had a firm grasp on being an adult going by the song.

Joni Mitchell has said that what prompted him to write this was that Neil really soon, could no longer visit an under-21 club that he favored. That is not to say that the said club would be “Sugar Mountain” itself. But being barred from the venue, according to Mitchell, would have been one of the factors that made the singer realize that some of the joys of childhood simply cannot be innocently replicated as we get older.

Speaking of Joni Mitchell. She wrote an “answer” song to this one called The Circle Game. Sugar Mountain is also on his Sugar Mountain – Live at Canterbury House 1968 released in 2008.

Neil Young on his new friend (which he doesn’t name) at this time: “Mainly, he was the funniest person I’d met in years. He didn’t have another gig until next weekend, so he stayed in Thunder Bay and we played and he took us to see Buffalo. We lived on A&W cheeseburgers and root beer. Very Canadian.”

Neil Young: “At first I wrote 126 verses to it. Now, you can imagine that I had a lot of trouble figuring out what four verses to use… I was underneath the stairs… Anyway, this verse that I wrote… It was the worst verse of the 126 that I wrote. So, I decided to put it in the song, to just to give everybody a frame of reference as to, you know, what can happen. What I’m trying to say here, by stopping in the middle of the song, and explaining this to you, is that… I think it’s one of the lamest verses I ever wrote. And it takes a lotta nerve for me to get up here and sing it in front of you people. But, if when I’m finished singing, you sing the chorus ‘Sugar Mountain’ super loud, I’ll just forget about it right away and we can continue.”

Neil Young: “I do ‘Sugar Mountain’ really for the people more than I do it for myself. I think I owe it to them, cos it seems to really make them feel happy, so that’s why I do that. They pay a lotta money to come and see me and I lay a lotta things on ’em that they’ve never heard before, and I think I owe it to them to do things they can really identify with. It’s such a friendly song, and the older I get and the older my audience gets the more relevant it becomes, especially since they’ve been singing it for 20 years. It really means a lot to them, so I like to give ’em the chance to enjoy that moment.”

Sugar Mountain

Oh, to live on sugar mountain
With the barkers and the colored balloons
You can’t be twenty on sugar mountain
Though you’re thinking that you’re leaving there too soon
You’re leaving there too soon

It’s so noisy at the fair
But all your friends are there
And the candy floss you had
And your mother and your dad

There’s a girl just down the aisle
Oh to turn and see her smile
You can hear the words she wrote
As you read the hidden note

Now you’re underneath the stairs
And you’re giving back some glares
To the people who you met
And it’s your first cigarette

Now you say you’re leaving home
‘Cause you want to be alone

Ain’t it funny how you feel
When you’re finding out it’s real

Oh, to live on sugar mountain
With the barkers and the colored balloons
You can’t be twenty on sugar mountain
Though you’re thinking that you’re leaving there too soon

Johnny Cash and Neil Young – Little Drummer Boy

I have to admit…I didn’t know this existed until a few days ago. I was looking for more Dylan Christmas songs and this popped up. I will be honest…Little Drummer Boy has never been my favorite Christmas song but this version is probably the best I’ve heard.

It comes from Seven Gates: A Christmas Album by Ben Keith and Friends, which was released in 1994. It was co-produced by Neil Young. You can hear Johnny Cash loud and clear but Neil doesn’t have his usual voice in this one.

Ben Keith and Neil Young’s relationship began when the multi-instrumentalist Keith first worked with him in 1971 on the Harvest album. The two were introduced together by the producer Elliot Mazer, who found him in Nashville and asked him to be a last-minute session musician on the record. After that first meeting, they helped each other until Ben Keith passed away at Neil Young’s ranch in 2010.

Remarkably, this cover is the only time that Johnny Cash and Neil Young have ever collaborated. Neil was a guest on The Johnny Cash Show in the early seventies.

The song was written by Harry Simeone, Katherine Kennicott Davis, and Henry Onorati. First recorded in 1951 by the Trapp Family. The song was originally titled “Carol of the Drum” and was based upon a traditional Czech carol.

Neil also contributed Greensleeves on that album so I thought I would add that below.

Neil Young on the Johnny Cash Show.

Little Drummer Boy

Come they told me, pa rum pa pum pum
Our newborn King to see, pa rum pa pum pum
Our finest gifts we bring, pa rum pa pum pum
To lay before the King, pa rum pa pum pum,
Rum pa pum pum, rum pa pum pum,
So to honor Him, pa rum pa pum pum,
When we come…
Little Baby , pa rum pa pum pum
I am a poor boy too, pa rum pa pum pum
I have no gift to bring, pa rum pa pum pum
To lay before the King, pa rum pa pum pum,
Rum pa pum pum, rum pa pum pum,
Shall I play for you, pa rum pa pum pum,
On my drum?…

Mary nodded, pa rum pa pum pum
The ox and lamb kept time, pa rum pa pum pum
I played my drum for Him, pa rum pa pum pum
I played my best for Him, pa rum pa pum pum
Rum pa pum pum, rum pa pum pum
Then He smiled at me, pa rum pa pum pum
Me and my drum…
Me and my drum…
Me and my drum…
Me and my drum…
Me and my drum…

…

Johnny Cash – Folsom Prison Blues

But I shot a man in Reno, Just to watch him die… Johnny Cash

It doesn’t get much better than that.

The man in black was The Man. Not many performers can cross genres like Johnny Cash did and still does. He first recorded this song in 1955 at Sun Records as the B side to “S3o Doggone Lonesome” but it was the live 1969 version that hit.

The At Folsom Prison album helped revitalize Cash’s career. Up to this point, his last Country top 40 entry was in 1964. This was recorded live at Folsom Prison in California on January 13, 1968, and that album came to define his outlaw image. The record company told him it wouldn’t work but Johnny recorded at the prison anyway.

Folsom Prison Blues peaked at #1 on the Billboard Country Charts, #1 on the Canadian Country Charts, #32 on the Billboard 100, and #17 on the Canadian Pop Charts. The song and album generated a lot of interest in the rebellious Johnny Cash, who made prison reform his political cause of choice. He started regularly performing in jails, doing about 12 shows a year for free mostly in Folsom and San Quentin.

The album peaked at #1 in the Billboard Country Charts, #13 in the Billboard Album Charts, and #27 in Canada.

This iconic picture came from Folsom Prison. According to photographer Jim Marshall…he asked Cash to express what he thought of the prison authorities when he played the show. Marshall told Cash “let’s do a shot for the warden” and the picture was born.

Cash saw Crane Wilbur’s 90-minute film Inside the Walls of Folsom Prison while stationed in Germany. It left an impression on Cash, who emphasized the tale of the imprisoned men, and inspired him to write a song. Johnny Cash: “It was a violent movie, I just wanted to write a song that would tell what I thought it would be like in prison.”

Cash’s first prison performance occurred in 1957 when he performed for inmates at Huntsville State Prison. The favorable response inspired Cash to perform at more prisons through the years. His next hit, recorded in San Quentin Prison, was the humorous “A Boy Named Sue,” which proved that he could be clever and funny.

Cash came off as a champion for the oppressed. He got his own national TV show in 1969 and became one of the most popular entertainers of his era. His guests included Derek and the Dominos, Joni Mitchell, Bob Dylan, Linda Ronstadt, Kris Kristofferson, Mickey Newbury, Neil Young, Gordon Lightfoot, Merle Haggard, James Taylor, Tammy Wynette, and Roy Orbison.

Isn’t that list incredible? Cash was considered a Country-Folk artist but look at the range of performers. The late sixties and seventies were like this ….and it’s the reason I like them so much…all the generations intersected at that point in time. I mean you have Eric Clapton and then you have Tammy Wynette on the guest list.

The lyrics to this song were based on a 1953 recording called Crescent City Blues by a bandleader named Gordon Jenkins with Beverly Maher on vocals. After filing a lawsuit, Gordon Jenkins received an out-of-court settlement from Cash in 1969. I have to say it does sound really close.

Johnny Cash: “I don’t see anything good come out of prison. You put them in like animals and tear out the souls and guts of them, and let them out worse than they went in.”

Rosanne Cash: “He was a real man with great faults, and great genius and beauty in him, but he wasn’t this guy who could save you or anyone else.”

Folsom Prison Blues

(Hello, I’m Johnny Cash)

I hear the train a-comin’
It’s rollin’ ’round the bend
And I ain’t seen the sunshine
Since I don’t know when
I’m stuck in Folsom Prison
And time keeps draggin’ on
But that train keeps a-rollin’
On down to San Antone

When I was just a baby
My Mama told me, “son
Always be a good boy
Don’t ever play with guns”
But I shot a man in Reno
Just to watch him die
When I hear that whistle blowin’
I hang my head and cry (play it to the verse, yeah)
(Sue it)

I bet there’s rich folks eatin’
From a fancy dining car
They’re probably drinkin’ coffee
And smokin’ big cigars
Well, I know I had it comin’
I know I can’t be free
But those people keep a-movin’
And that’s what tortures me (hit it)

(Howdy-ho)

Well, if they freed me from this prison
If that railroad train was mine
I bet I’d move it on, a little
Farther down the line
Far from Folsom Prison
That’s where I want to stay
And I’d let that lonesome whistle
Blow my blues away

(yeah)

Band – The Last Waltz

Happy Thanksgiving! Watching The Last Waltz is just as part of Thanksgiving as the meal with the family…that and Alice’s Restaurant which is coming.

Before the Band and guests hit the stage, Bill Graham, the promoter, served a Thanksgiving dinner to 5000 people that made up the audience with long tables with white tablecloths.

The Band’s musical guests included

Ronnie Hawkins, Bob Dylan, Neil Young, Dr. John, Paul Butterfield, Van Morrison (my favorite performance), Joni Mitchell, Eric Clapton and Muddy Waters

The Staple Singers and Emmylou Harris also appear but their segments were taped later on a sound stage and not at the concert.

The Band sounded great that night and it might be the best version you will ever hear of The Night They Drove Old Dixie Down.

The Last Waltz is a grand farewell to a great band and a film that I revisit at least twice a year… once always around Thanksgiving.

The complete concert is at the bottom…without cuts.