Hope you all are having a good week…happy Wednesday!
And he dug up her grave and built a cage with her bones Excitable boy, they all said well, he’s just an excitable boy …. Warren Zevon
I’ll be in my basement room with a needle and a spoon And another girl can take my pain away…Rolling Stones
We were the first band to vomit at the bar and find the distance to the stage too far meanwhile it’s getting late at ten o’clock rock is dead they say Long Live Rock…The Who
Cause when life looks like Easy Street there is danger at your door… The Grateful Dead
Then here come a man with a paper and a pen tellin’ us our hard times are about to end… The Band
I could walk like Brando right into the sun then dance just like a Casanova… Bruce Springsteen
Elementary penguin singing Hare Krishna man, you should have seen them kicking Edgar Allen Poe …The Beatles
Mother, you had me but I never had you I, I wanted you You didn’t want me so, I just got to tell you goodbye … John Lennon
Exchanging “good luck”s face to face checkin’ his stash by the trash at St. Mark’s place …The Replacements
We come from the land of the ice and snow from the midnight sun where the hot springs flow… Led Zeppelin
Every day, I look at the world from my window but chilly, chilly is the evening time Waterloo sunset’s fine… The Kinks
I don’t wanna be a candidate for Vietnam or Watergate… Queen
If I ventured in the slipstream between the viaducts of your dream… Van Morrison
I am just a dreamer but you are just a dream and you could have been anyone to me… Neil Young
So we bought a pack of cigarettes and Mrs. Wagner pies and walked off to look for America…Simon and Garfunkel
Around 1990 I was playing a club and we usually got off around 2am in the morning. Early on a Sunday morning around 2:30…the guitar player and I packed the car and headed out to Pensacola Florida. One of those spontaneous trips. On the way, we listened to a Dennis Leary comedy tape and The Rolling Stone’s Tattoo You. This is the song that stuck with me on that trip for some reason.
Tattoo You was made up of outtakes and songs that were almost a decade old going back to Emotional Rescue, Black and Blue, and the Goats Head Soup album. Tattoo You to me…was their last great album. They originally recorded this song around 1972 (that version at the bottom). They worked on this song at least 4 different times. : Dynamic Sounds Studios, Kingston, Jamaica, Nov. 25-Dec. 21 1972; Village Recorders, Los Angeles, USA, Jan.13-15 1973; EMI Pathé Marconi Studios, Paris, France, Jan. 5-March 2 1978; June 10-Oct. 19 1979. In 1981 Mick redid all of his vocals to the song.
Even though he had left the band seven years earlier, Mick Taylor’s guitar solo was left on this track and it is fantastic. Pianist Nicky Hopkins also appears on the track, as does the band’s old producer Jimmy Miller, who plays percussion.
Associate producer Chris Kimsey remembers there was a need to put an album out very quickly. A tour was already planned and Mick and Keith were not talking that much at the time. Kimsey told the band that he could probably make an album just out of the unused songs they had going back to 1972. Despite coming from different eras the songs fit together quite nicely. Personally, I think the album was much better than it’s predecessor Emotional Rescue.
The song was written by Jagger/Richards and was pulled from 10 years prior…it was one of the few not pulled as a single.
A version they recorded in 1972
The Tattoo You version from 1981
Tops
Every man is the same, come on
I’ll make you a star
I’ll take you a million miles from all this
Put you on a pedestal
Come on (come on, come on)
Have you ever heard those opening lines?
You should leave this small town way behind
I’ll be your partner, show you the steps
With me behind, you’re tasting of the sweet wine of success
‘Cause I’ll, I’ll take you to the top, baby (hey, baby)
I’ll take you to the top
I’ll take you to the top, baby
I’ll take you to the top
Step on the ladder, toe in the pool
You’re such a natural, you don’t need no acting school
Don’t need no casting couch or be a star in bed
And never, never let success go to you pretty head
‘Cause I’ll, I’ll take you to the top, baby
I swear I would never gonna stop, baby
I’ll take you to the top
Don’t let the world pass you by
Don’t let the world pass you by
Don’t let the world pass you by
You take your chance now, baby
I’m sorry for the rest of your sweet loving life, baby
Oh, sugar
Hey sugar, I’ll take you to the top
I’ll take you to the top
I’ll take you to the top, sugar
I’ll take you to the top
Oh, baby
I’ll take you to the top
I’ll take you to the top
I’ll take you to the top
I’ll take you to the top
I’ll take you to the top
Every few years I will watch Maximum Overdrive for a laugh and this is the best thing about it. That movie was directed by a very high Stephen King and it showed.
Stephen King was a huge fan of AC/DC, and when he got to meet them he asked them if they would provide music for this movie. He also offered the band a role in the film, but AC/DC declined, stating they were not actors. The band agreed to do the soundtrack after Stephen King sang “Ain’t No Fun (Waiting Round to Be a Millionaire)” from their 1976 album Dirty Deeds Done Dirt Cheap. King sang the entire song from start to finish and the band laughingly agreed that if he was such a fan they would do it for him.
AC/DC performs all but two songs featured in the film, including two unreleased mixes of previously recorded songs, and the entire 1987 album Who Made Who is the soundtrack to this movie. AC/DC wrote this song and various instrumentals, only two of which appear on the album.
The rest of the songs are from previous AC/DC albums. At the time of the release many music stores had no idea the album Who Made Who was a compilation soundtrack for this movie, and many mislabeled the album as an AC/DC greatest hits. Limited pressings of the album did feature the movie’s logo, stating it was the soundtrack to Stephen King’s Maximum Overdrive, but this was later removed from future pressings.
The song peaked at #23 on the Billboard 100 and #16 in the UK and #35 in New Zealand in 1986. The album peaked at #33 on the Billboard Album Charts, #12 in Canada, #11 in the UK, and #24 in New Zealand.
Who Made Who
The video games say, “Play me”
Face it on a level, but it take you every time on a one-on-one
Feelin’ running down your spine
Nothin’ gonna save your one last dime ’cause it own you
Through and through
The databank know my number
Says I got to pay ’cause I made the grade last year
Feel it when I turn the screw
Kick you ’round the world
There ain’t a thing that it can’t do
Do to you, yeah
Who made who, who made you?
Who made who, ain’t nobody told you?
Who made who, who made you?
If you made them and they made you
Who picked up the bill and who made who?
Who made who, who turned the screw?
Satellites send me picture
Get it in the aisle
Take it to the wall
Spinnin’ like a dynamo
Feel it goin’ round and round
Running outta chips, you got no line in an 8-bit town
So don’t look down, no
Who made who, who made you?
Who made who, ain’t nobody told you?
Who made who, who made you?
If you made them and they made you
Who picked up the bill and who made who?
Ain’t nobody told you?
Who made who?
Who made you?
Who made who?
And who made who?
Yeah
Nobody told you?
More than any other song to that time…this one seemed so different and I knew music was changing in the 80s. I still liked it and I bought the single. Just like with Bonnie Tyler and It’s A Heartache…my first thought when hearing this was Rod Stewart. I really like Carne’s raspy voice more than the pop singers at the time…and now. Now I’d love to hear a duet with Kim Carnes and Bonnie Tyler.
“Bette Davis Eyes” was originally recorded by Jackie DeShannon on her 1975 album New Arrangement. DeShannon wrote the song with the songwriter Donna Weiss. According to DeShannon, she got the idea after watching the 1942 Bette Davis movie Now Voyager. It was Donna Weiss who submitted the demo to Carnes, who along with her band and producer Val Garay, came up with the hit arrangement for the song.
With Bette Davis Eyes a major hit in 1981, the then 73-year-old Bette Davis wrote to Carnes, DeShannon, and Weiss to thank them for making her cool in the eyes of her granddaughter. She also thanked them for making her part of modern history. Carnes later performed the song for Davis live as part of a tribute to the actress. The two remained friends until Davis’ death in 1989. Joan Crawford was long gone by this time…I have to wonder what she would have thought or said?
The producer told the drummer to go out and buy the cheapest drum set he could buy (and you can tell). They ran the drums through a synthesizer called a Sequential Circuits Prophet-5 and it gave a thin-sounding drum sound. At the time it was different but it would soon become commonplace to replace drum sets altogether with electronic drums…which to me… went way too far. That is why some recordings from that period sound so dated…but that is just me. Keyboardist Bill Cuomo made significant contributions to the chord changes and arrangement, as well as coming up with that synth riff.
Kim Carnes’ version of Bette Davis Eyes came out in 1981. It was the lead single from her sixth studio album, Mistaken Identity. And despite being released at the start of the decade, it was a song that would be played throughout the 80s on radios everywhere.
DeShannon is a Kentucky-born singer-songwriter who’s been on the music scene for most of her life. She started singing regularly on the radio at the age of six and some of her biggest hits include What the World Needs Now is Love and Put a Little Love in Your Heart.
The song peaked at #1 on the Billboard 100, #2 in Canada, #2 in New Zealand, and #10 in the UK in 1981.
Jackie DeShannon:Donna Weiss and I were writing quite a bit at the time, and we both liked black-and-white movies. Donna had written many pages, and I was fooling around with the melody, and we pieced together ‘Bette Davis Eyes.
We made a demo with a much more rock-and-roll feel. That’s what I thought we were going to do, but the producer had another concept. It turned out OK. I don’t dislike it, but it was not my concept. It had been out a long time, and Donna gave it to Kim Carnes with something else on the tape. Kim liked it and that was that. Her version was much closer to the demo version.
Bette Davis Eyes
Her hair is Harlow gold
Her lips are sweet surprise
Her hands are never cold
She got Bette Davis eyes
She’ll turn the music on you
You won’t have to think twice
She’s pure as New York snow
She got Bette Davis eyes
And she’ll tease you, she’ll unease you
All the better just to please you
She’s precocious, and she knows just
What it takes to make a pro blush
She got Greta Garbo’s standoff sighs, she’s got Bette Davis eyes
She’ll let you take her home
It whets her appetite
She’ll lay you on the throne
She got Bette Davis eyes
She’ll take a tumble on you
Roll you like you were dice
Until you come out blue
She’s got Bette Davis eyes
She’ll expose you, when she snows you
Off your feet with the crumbs she throws you
She’s ferocious and she knows just
What it takes to make a pro blush
All the boys think she’s a spy, she’s got Bette Davis eyes
She’ll tease you, she’ll unease you
All the better just to please you
She’s precocious, and she knows just
What it takes to make a pro blush
All the boys think she’s a spy, she’s got Bette Davis eyes
She’ll tease you
She’ll unease you
Just to please you
She’s got Bette Davis eyes
She’ll expose you
When she snows you
‘Cause she knows you, she’s got Bette Davis Eyes
This extended from my last chat with CB… we had Graham Parker last week and Paul Kelly was brought up. I ran out of time last week to write this one up. I really like great storytellers…and Paul Kelly is one of them. His music touches on many styles. Country, rock, folk, reggae, bluegrass, and touches of many more styles. He has been described as the poet laureate of Australian music. He writes about everyday life that many people can relate to. I’ve seen this stated about him… Paul Kelly’s songs dig deep into Australia: how it feels, looks, tastes, sounds.
Today I’m going to give you a small sample platter of this great artist.
Here is a very short bio of Paul Kelly.
Paul Kelly was born in 1955 is from Adelaide, Australia. Debuted in Hobart, Australia, 1974; moved to Melbourne and performed in pubs, 1976; formed band the Dots, released albums Talk, 1981, and Manila, 1982; moved to Sydney, 1984; released Post with Steve Connolly and Ian Rilen, 1985; formed as Paul Kelly and the Coloured Girls, released Gossip, 1986; regrouped as Paul Kelly and the Messengers, released Gossip in the U.S., followed by Under the Sun, 1987; published collected writings volume Lyrics, 1993; formed new lineup with Shane O’Mara, Bruce Haymes, Peter Luscombe, Stephen Hadley, and Spencer Jones. Kelly is still releasing albums. His last album was Paul Kelly’s Christmas Train released in 2021. Altogether he had 28 studio albums, 6 live albums, 8 compilation albums, and an incredible 64 singles.
He also comments on important social and historical events and their significance to Australian identity and life. Several of his songs highlight the plight of Australia’s Indigenous people including ‘Maralinga (Rainy Land)’, a song about atomic testing by the British in Australia’s outback and its effects on the Indigenous people of that area. He and Midnight Oil were some of the artists who contributed to the album Building Bridges – Australia Has A Black History. All sales proceeds were donated to the National Coalition of Aboriginal Organisations.
The first song I listened to by Paul Kelly was “To Her Door.” It reminded me of Steve Earle or Springsteen. Not because of his voice but because of the songwriting. The story…the way lyrics flow and ebb and fit together like a puzzle. All the while this is going on the music has great dynamics that rise up to meet the lyrics head-on and punctuates it. The song was released in 1987 and was on the album Under The Sun that peaked at #14 in Australia.
That album also produced the single Dumb Things. This song has a shuffle that jumps. It starts off with a cool harmonica blasting and invites you in. This character-driven song stuck with me for days. This one peaked at #36 in Australia and #17 on the Billboard Alternative Charts in 1987.
Now it’s time for a pure rock song by Kelly called Darling It Hurts. This song was off of the album Gossip released in 1986. The song peaked at #25 in Australia and #19 on the Billboard Mainstream Rock Charts.
This one is called Bradman and it’s off of Gossip as well. It has a sports connection. I’ll be the first to admit I don’t know much about Cricket but the song is great. It’s about Sir Donald Bradman, arguably…. the greatest ever cricketer (and definitely the greatest ever Australian cricketer). This one peaked at #51 in Australia and was part of a double A-sided single along with the song Leaps and Bounds.
I’m going to close this on this song or I could go on for pages. This song is called Careless. It was released in 1989 on the album So Much Water So Close to Home. It’s an incredibly catchy song but a song that means something. Like a mixture in a bottle, like a frozen over lake, Like a long-time, painted smile I got so hard I had to crack, You were there, you held the line, you’re the one that brought me back
If you liked what you have heard…do some homework and look this artist up…you won’t be sorry. He will now remain on my playlist. I’ve given you a few samples but it’s so much more to explore.
Rock Critic David Fricke: “I have had the pleasure and privilege of seeing Paul Kelly in performance more times than I can count – although it’s still not enough. I’ve seen him in performance in the Northeast and Southwest Hemispheres, unplug and plugged in, solo, with his band and, on one memorable evening in New York, on stage exchanging songs, quips and composing tips with Jimmie Dale Gilmore, Michelle Shocked and Allen Toussaint. If memory serves me right, Paul actually sang a few bars of Fats Domino’s‘Blueberry Hill’ one thanksgivings back in the mid 80s at my apartment in Manhattan as he pored over a road atlas- his forefinger on the city of New Orleans – and excitedly pointed out the route he was taking on a car trip through the southern United States”
Now here is one for the road…this song’s title appealed me right away… “How to Make Gravy.”
How To Make Gravy
Hello Dan, it’s Joe here I hope you’re keeping well It’s the 21st of December And now they’re ringing the last bells If I get good behaviour I’ll be out of here by July Won’t you kiss my kids on Christmas Day? Please don’t let ’em cry for me
I guess the brothers are driving down from Queensland And Stella’s flying in from the coast They say it’s gonna be a hundred degrees, even more maybe But that won’t stop the roast Who’s gonna make the gravy now? I bet it won’t taste the same Just add flour, salt, a little red wine And don’t forget a dollop of tomato sauce For sweetness and that extra tang
And give my love to Angus, and to Frank and Dolly Tell ’em all I’m sorry, I screwed up this time And look after Rita, I’ll be thinking of her Early Christmas morning when I’m standing in line
I hear Mary’s got a new boyfriend I hope he can hold his own Do you remember the last one? What was his name again? Ahh, just a little too much cologne And Roger, you know I’m even gonna miss Roger ‘Cause there’s sure as hell no one in here I want to fight
Oh, praise the Baby Jesus, have a Merry Christmas I’m really gonna miss it, all the treasure and the trash And later in the evening, I can just imagine You’ll put on Junior Murvin and push the tables back
And you’ll dance with Rita, I know you really like her Just don’t hold her too close Oh, brother, please don’t stab me in the back I didn’t mean to say that, it’s just my mind it plays up Multiplies each matter, turns imagination into fact
You know I love her badly, she’s the one to save me I’m gonna make some gravy, I’m gonna taste the fat Ahh, tell her that I’m sorry, yeah, I love her badly Tell ’em all I’m sorry, and kiss the sleepy children for me You know one of these days, I’ll be making gravy I’ll be making plenty, I’m gonna pay ’em all back
I love James Bond movies. I’ve watched a few of the new ones, but they mostly miss an essential ingredient of why I like James Bond. The gadgets…I love the gadgets and they are few and far between in the new movies…so my favorites will be the 20th-century movies. I have watched the new ones…but not enough to rank them. I do like them like Skyfall and others. I just know the older ones better…and would that surprise any of my readers? Plus…to me…Sean Connery has never been topped.
I’m not going into big detail…but what I remember the most about them.
What are your favorites?
10. Live and Let Die (1974)
This was Roger Moore’s debut in the role. It does have a Blaxploitation movie feel to it because of when it was made…and a killer theme song. I love the speedboat chases of this one.
9. Diamonds Are Forever (1971)
This is one that Connery came back after being absent in On Her Majesty’s Secret Service. Not as good as his 1960’s Bond films but as always…a fun movie to watch.
8. Thunderball (1965)
Not as good as the top 3 of this list but the lavish sets work. I also love the Astin Martin with the bullet shield. The jetpack is pretty cool also.
7. The Living Daylights (1987)
Timothy Dalton played Bond in an intense way and it worked. I like Dalton’s Bond. He was a little more serious and it worked great.
6. On Her Majesty’s Secret Service (1969)
George Lazenby’s one-shot at James Bond was great. I’m sure his agent was fired after telling him one was enough…he would be typecast. What a dumb decision that was! Good one where James Bond gets married.
5. You Only Live Twice (1967)
I loved the small one-man helicopter named “Little Nellie” in this one. Connery was a badass in this one. I also like the giant lair of Blofeld.
4. The Spy Who Loved Me (1977)
For me, this was Roger Moore’s best Bond movie. You see a young Barbara Bach who would marry Ringo Starr a little later on. The opening squence may be my favorite of any of them.
3. From Russia With Love (1963)
This one could have been number 1 easily also with me. The top 3 are hard to beat. This one is a little longer but never gets boring.
2. Goldfinger (1964)
Goldfinger is usually on top of every list I’ve seen and it could have been on this one also but Ursula Andress tipped the scales for…
1. Dr. No (1962)
In 1962…I can’t imagine the impact Ursula Andress walking out of the water must have had on audiences. It is burned into my brain. I would love to live where Doctor No did.
I’m just now really listening to this band and I’m liking a lot of what I’m hearing. This song takes on a new meaning after Katrina but this song was released in 1989. Whenever I post something about a band that I don’t know much about…I usually go with their most popular song to start off. I posted Ahead By A Century, and people responded. I like this one more…it has some thump to it.
I liked this one with a first listen. I love the relentless guitar riff that starts this off. The song seems to be recalling a past experience in the city, and the lyrics describe a sense of nostalgia and appreciation for everything New Orleans has to offer…including its spirit. The song is lamenting the changing times, and expressing his desire to remain connected to its rich history and traditions.
The song was on their debut album Up To Here released in 1989. The album did well in Canada peaking at #9 and #170 on the Billboard 100. They released 13 studio albums and this is the worse showing of all the albums on the Canadian charts. Nine of their albums peaked at #1, two of them at #2, and one of them at #3. The song peaked at #1 on the Canadian RPM magazine Charts, #70 on the Canadian Singles Charts, and #30 on the Billboard Main Rock Charts in 1989. The song was credited to the band.
To show the disparity between the band’s fortunes in America and Canada. I read that a fan was traveling through upstate New York and passed a small roadside club that said “Tonight: The Tragically Hip” and he turned around and saw them in the small club. In Canada at the time were filling stadiums and now they got a chance to see them close up. A difference a few miles can make.
The Tragically Hip is an institution in Canada, and still something of a cult band everywhere else…and I love cult bands such as Big Star and The Replacements.
Deke told me about the live album The Tragically Hip Live At The Rox May 3, 91 and it is great…a great sound and the band was really tight that night. No video of them but it’s worth a listen to the video below this.
New Orleans Is Sinking
Bourbon blues on the street, loose and complete
Under skies all smoky blue-green
I can’t forsake a Dixie dead-shake
So we danced the sidewalk clean
My memory is muddy, what’s this river that I’m in?
New Orleans is sinking man, and I don’t wanna swim
Colonel Tom, what’s wrong? What’s going on?
Can’t tie yourself up for a deal
He said “hey north you’re south shut your big mouth,
You gotta do what you feel is real”
Ain’t got no picture postcards, ain’t got no souvenirs
My baby, she don’t know me when I’m thinking ’bout those years
Pale as a light bulb hanging on a wire
Sucking up to someone just to stoke the fire
Picking out the highlights of the scenery
Saw a little cloud that looked a little like me
I have my hands in the river
My feet back up on the banks
Looked up to the Lord above
And said, hey man thanks
Sometimes I feel so good I gotta scream
She said Gordie baby I know exactly what you mean
She said, she said, I swear to God she said
My memory is muddy, what’s this river that I’m in?
New Orleans is sinking man and I don’t wanna swim
Swim
Ever since I heard him in the mid to late 80s I liked Steve Earle. He opened up for Bob Dylan in 1988 and he was fantastic. His music was between country, folk, and rock. You can’t really put Earle in a box…and you shouldn’t. I’ve read reviewers compare him to Randy Newman, Bruce Springsteen, and Waylon Jennings in the same review. That is a great span of artists.
The song is about escaping the town you are living in. I knew a lot of people who wanted to escape the small town I grew up in. The song reminds me a little of The River by Bruce Springsteen in content. It’s a song that many people will be able to relate to.
The song was from his debut album Guitar Town. I remember he was being played on country radio and WKDF…Nashville’s number-one rock station back in the 80s. The album is ranked 489 on Rolling Stone Magazine’s top 500 albums. They called it a rocker’s version of country. The album peaked at #1 on the Billboard Country Charts, #89 on the Billboard Album Charts, and #82 in Canada.
Four singles were pulled off of that album. Hillbilly Highway, Guitar Town, Someday, and Goodbye’s All We Got Left. All were in the top 40 in the Billboard Country Charts and two of them were top 10. Someday peaked at #28 on the Billboard Country Charts and #31 on the Canada Country Charts.
His next album Exit-0 is one that pushed him closer to the rock genre. His third album Copperhead Road broke him in the rock genre. Earle himself calls his music the world’s first blend of heavy metal and bluegrass…according to Wiki…Rolling Stone magazine called his music “Power Twang.”
Someday
There ain’t a lot that you can do in this town
You drive down to the lake and then you turn back around
You go to school and you learn to read and write
So you can walk into the county bank and sign away your life
I work at the fillin’ station on the interstate
Pumpin’ gasoline and countin’ out of state plates
They ask me how far into Memphis son, and where’s the nearest beer
And they don’t even know that there’s a town around here
Someday I’m finally gonna let go
‘Cause I know there’s a better way
And I want to know what’s over that rainbow
I’m gonna get out of here someday
Now my brother went to college cause he played football
I’m still hangin’ round cause I’m a little bit small
I got me a 67 Chevy, she’s low and sleek and black
Someday I’ll put her on that interstate and never look back
This was part two of Steve Rushin’s memoir of his childhood. The first one Sting-Ray Afternoons was about 1969-1980 and this one follows him from 1980 to the end of the decade. High School, College, and then a job at Sports Illustrated.
I probably should have combined this review with Stingray Afternoons but this one is in a totally different decade and a different period of his life. As much as I could relate to the first one…I am Steve’s age so this really hits home with my teenage years. He mentions all of the 1980s milestones and disasters such as The Challenger explosion and John Lennon’s murder.
Like the first book…it brings back a lot of insecurities and fun I had in the 1980s with high school and college. I was able to relate to Rushin because he was just an ordinary guy in the 80s…living a normal life like most of the rest of us. His humor and witty observations keep this book moving. He rarely sticks in one place…he keeps his story moving.
Just to be clear…this book touches on pop culture like music, sports, movies, events, and the teen years. It doesn’t really dwell on anything in particular but his life. It’s not a fact book, music book, or a sports book…he mostly uses them for a time reference point. He does mention how as time went on…Sting-Rays when out of favor for dirt bikes like Huffy. Then the car soon replaced all of that when you turned 16.
His father stands out in these books. He is hilarious…a very good dad and he would tell things like they were. They had 5 kids…4 boys and 1 red-headed girl. His dad would tell people when asked about his kids…yea we have 4 sh*theads and 1 red-head.
If you get Stingray Afternoons you almost have to get this one…it’s pretty much the sequel and it lives up to the original…just a different era and time of a person’s life.
The Replacements are a band that deserved to be heard. I always thought they should have been in the spotlight just as much as R.E.M. I always looked at them as the Stones to R.E.M’s Beatles. They didn’t help themselves though… as they tended to self-sabotage many breaks they received.
Paul Westerberg was one of the best songwriters of the 1980s. They had more of a timeless sound than many of their peers until their last albums. You could listen to this album Let It Be and think it comes from any decade and that is what Westerberg wanted.
This song was way ahead of the curve on the subject matter. It was released in 1984. Their manager Peter Jesperson for a brief time worked for R.E.M. and the two bands were friends. When he came back to the Replacements he had a couple of Peter Bucks (guitar player for R.E.M.) guitars. Buck came by to get them and used that as an excuse to hit the clubs with Westerberg.
Westerberg and Buck even talked about having Buck produce this album. As Buck and Westerberg were drunkenly hitting the bars they decided to have some fun and wear loud makeup and women’s clothes for a laugh. It nearly got them into a bar fight with some less-liberal locals.
A girl called them androgynous, which was the first time Westerberg heard the word. He looked it up and based the song around it. The song is about Dick and Jane who don’t stick to traditional gender norms.
An artist in the movement for transgender rights was Laura Jane Grace, who performed this song with Miley Cyrus and Joan Jett at a benefit for The Happy Hippie Foundation, which encourages young people to accept others without judgment.
The Crash Test Dummies and Joan Jett have covered this song.
Androgynous
Here come Dick, he’s wearing a skirt
Here comes Jane, you know she’s sporting a chain
Same hair, revolution
Same build, evolution
Tomorrow who’s gonna fuss
And they love each other so
Androgynous
Closer than you know, love each other so
Androgynous
Don’t get him wrong and don’t get him mad
He might be a father, but he sure ain’t a dad
And she don’t need advice that’ll center her
She’s happy with the way she looks
She’s happy with her gender
And they love each other so
Androgynous
Closer than you know, love each other so
Androgynous
Mirror image, see no damage
See no evil at all
Kewpie dolls and urine stalls
Will be laughed at
The way you’re laughed at now
Now, something meets boy, and something meets girl
They both look the same
They’re overjoyed in this world
Same hair, revolution
Unisex, evolution
Tomorrow who’s gonna fuss
And tomorrow Dick is wearing pants
Tomorrow Janie’s wearing a dress
Future outcasts and they don’t last
And, today, the people dress the way that they please
The way they tried to do in the last centuries
And they love each other so
Androgynous
Closer than we know, love each other so
Androgynous
It’s a rare event that I post a top ten song of the eighties but this song was a cover and I didn’t know that for the longest. In the 80s my favorite female singers of that time were Maria McKee from Lone Justice and Patty Smyth of Scandal. As far as mainstream artists…I did like Cyndi Lauper and Pat Benatar at the time. My then-girlfriend played Lauper constantly so I gradually started to like her music like Money Changes Everything.
This song was her breakout song and never did I think it was a cover. She released an album in 1981 as a member of the group Blue Angel, but “Girls Just Want To Have Fun” made her famous. She turned the song into a 1980s anthem. The song was on the album She’s So Unusual released in 1983.
Singer/songwriter named Robert Hazard, who had a band called Robert Hazard and the Heroes, wrote it and released it in 1979. It was much more rock guitar based than Lauper’s version.
Lauper had trouble recording the song. They tried it in different ways but nothing worked. Lauper listened to Come On Eileen and was inspired by that…they did it in that tempo and it worked.
The song peaked at #2 on the Billboard 100, #1 in Canada, #1 in New Zealand, and #2 in the UK in 1983. She would have two number 1’s in Billboard with Time After Time and True Colors.
The album She’s So Unusual peaked at #4 on the Billboard Album Charts, #1 in Canada, #3 in New Zealand, and #16 in the UK. She had 5 charting singles off of that album…four top 5 songs including a number 1 and one top 30 song.
The video made for the song features the wrestler Captain Lou Albano as Lauper’s father, and also Lauper’s real-life mother, who had no acting experience. It won the first ever award for Best Female Video at the 1984 MTV Video Music Awards. Albano was also in her next video, “Time After Time.”
What’s an eighties song without a parody from Weird Al?… “Girls Just Wanna Have Lunch.” He said he didn’t want to make fun of women so he kept it at lunch. Lauper said: “I like Weird Al. I LOVED ‘Like a Surgeon.’ I thought he was going to make MORE fun of Girls just wanna have lunch. But it wasn’t hard. Because everybody thought I was an alien, I spoke funny and I dressed funny… Not hard to make fun of.”
Cyndi Lauper:“I wanted ‘Girls Just Want To Have Fun’ to be an anthem for women around the world – and I mean all women – and a sustaining message that we are powerful human beings. I made sure that when a woman saw the video, she would see herself represented, whether she was thin or heavy, glamorous or not, and whatever race she was.”
Girls Just Want To Have Fun
I come home in the morning light
My mother says, “When you gonna live your life right?”
Oh, mother dear, we’re not the fortunate ones
And girls they wanna have fun
Oh, girls just wanna have fun
The phone rings in the middle of the night
My father yells, “What you gonna do with your life?”
Oh, daddy dear, you know you’re still number one
But girls they wanna have fun
Oh, girls just wanna have
That’s all they really want
Some fun
When the working day is done
Oh, girls, they wanna have fun
Oh, girls just wanna have fun
(Girls they want, wanna have fun)
(Girls wanna have)
Some boys take a beautiful girl
And hide her away from the rest of the world
I wanna be the one to walk in the sun
Oh, girls they wanna have fun
Oh, girls just wanna have
That’s all they really want
Is some fun
When the working day is done
Oh, girls, they wanna have fun
Oh, girls just wanna have fun
(Girls they want, wanna have fun)
(Girls wanna have)
They just wanna, they just wanna (girls)
They just wanna, they just wanna (girls just wanna have fun)
Oh, girls, girls just wanna have fun
(They just wanna, they just wanna)
They just wanna, they just wanna (girls)
They just wanna, they just wanna (girls just wanna have fun)
Oh, girls, girls just wanna have fun
When the workin’
When the workin’ day is done
Oh, when the workin’ day is done
Oh, girls, girls just wanna have fun
Everybody, ha, ha
They just wanna, they just wanna (girls)
They just wanna, they just wanna (girls just wanna have fun)
Oh, girls, yeah, girls just wanna have fun
(They just wanna, they just wanna)
When the workin’
When the workin’ day is done, oh (they just wanna, they just wanna)
When the workin’ day is done (girls)
(Girls just wanna have fun)
Oh, girl, girls just wanna have fun
(They just wanna, they just wanna) Everybody now
Yeah, yeah, yeah
(They just wanna, they just wanna) Yeah, yeah
Girls
I’ve heard of this band but CB (Cincinnati Babyhead) turned me on to them…and when that happens great music comes out of it. I listened to their first real album Birth, School, Work, Death and it was fantastic. I then skipped around and listened to some songs throughout their career. Super band… they have a tough, rought Katie bar the door… no-holds-barred sound. I hear some Who, Kinks, Small Faces, Sloan, and other bands in them.
The main reason I like them…the hooks. They know how to develop and use great hooks in the right places. While you have the hooks and melodies you also have the super-aggressive anger riding on top of everything. They mix it perfectly. In short… abrasive in-your-face rock.
Think of this post as a sample platter…I included some history but the main thing is…listen to these songs.
Peter and Chris Coyne started the band in 1982 calling it the Side Presley Experience. By 1985 they had removed some members and brought in some more. They also made a name change to The Godfathers. They wanted to record so they found a producer in Vic Maile who had worked with The Kinks, Who, and Motorhead. They released some singles in the UK and finally after seeing import sales they put together an album made up of singles and B sides plus they did a cover of John Lennon’s Cold Turkey and called it Hit By Hit (#3 in the UK).
Then came the call every band wants…Epic Records signed them to a contract. They released the single Birth, School, Work, Death in 1987. The following year they released an album with the same name. Birth, School, Work, Death peaked at #38 in the US Modern Rock Charts.
They broke up in 2000 but reformed in 2008 with the original members. Chris is not with the band but Peter still is. They released an album last year named Alpha Beta Gamma Delta.
Also on the album was this song…Love Is Dead peaked at #3 in the UK indie chart in 1987.
Now, let’s skip around a little too different album songs. She Gives Me More peaked at #8 in 1989 on the US Modern Rock Chart.
Now to one of the coolest titles ever… Just Because You’re Not Paranoid Doesn’t Mean To Say They’re Not Going To Get You!
Together they had 10 studio albums with the last released in 2022.
Hit by Hit (comp, 1986)
Birth, School, Work, Death (1988)
More Songs About Love & Hate (1989)
Unreal World (1991)
Unreal World (1991)
The Godfathers (1993)
Afterlife (1995, Intercord)
Jukebox Fury (2013)
A Big Bad Beautiful Noise (2017)
Alpha Beta Gamma Delta (2022)
Peter Coyne: I would like The Godfathers to be remembered as a great British rock & roll band who made some fantastic singles & classic albums – right from the start to the very end. I would also like us to be remembered as a brilliant, kick ass live band who brought a lot of pleasure to punters all round the world. On my gravestone you can chisel “He came, he saw, he’s gone – awopbopalubopalopbamboom!”
Peter Coyne: I would have liked to have been in The Beatles circa ’61 during their Hamburg period. All that black leather gear they wore, quiffs, speed, girls with peroxide blonde hair, seedy clubs, high energy rock & roll & exotic, neon night life would have suited me fine!! Beatlemania & their psychedelic era was ace too. Fab4 FOREVER! X
Now one for the road…Unreal World was their highest charting song in North America. It peaked at #6 in the US Modern Rock Chart.
Unreal World
I heard women crying everywhere
Babies born and no one cares
People sleeping on the ground
See the rain come falling down
There’s decisions to be made
There has to be some give and take
For this the road we walk along
Is no the road we started on
Have you heard the full time score
We’re living under Murphy’s Law
I’ve been walking ‘cross vast empty spaces I feel
I’ve been looking for one face I know that is real
I’ve been walking ‘cross vast empty spaces
Let’s talk about the way I feel
The whole wide world’s become unreal
Time’s like money it’s soon spent
Let’s talk about the government
They’re selling England by the gram
We’re stranded in the strangest land
There’s not enough to go around
No one knows what’s going down
Nothing ventured nothing gained
Why should we feel so ashamed
‘Cause every dog must have it’s day
And I refuse to be your slave
I’ve been walking ‘cross vast empty spaces I feel
I’ve been looking for one face I know that is real
I’ve been walking ‘cross vast empty spaces
Let’s talk about the way I feel
The whole wide world’s become unreal
Let’s talk about the way I feel
The whole wide world’s become unreal
London’s mourning skies turned black
They’ve gone too far we can’t turn back
Free the ravens from the tower
We’ve yet to have our finest hour
Don’t believe the news at ten
That happy days are here again
Where’s the Union Jack and Jill
‘Cause we should not be standing still
Listen to me understand
A hungry man’s an angry man
Let’s talk about the way I feel
The whole wide world’s become unreal
Let’s talk about the way I feel
The whole wide worl’ds become unreal
The reason I’m posting this at night? I want to make sure it works…and I didn’t want to be scrambling with it on my way to work.
I am putting together my new music computer and I haven’t recorded anything in a few years… and what a project it has been! I was wondering if you all would be receptive if I posted any of my songs once in a while? I’m only talking every once in a while…not many. The only thing I request of you…is if you can… listen to it… if possible wear headphones. The reason is I am NOT a good mixer and I mixed them down in headphones which you should never do.
On most, I played all the instruments myself unless I note it otherwise. When I was playing more (before covid) with the guys in my garage…I would make demos to show them…hey this is how it goes.
The songs you will be hearing are basically demos… I made them a few years ago for our band to learn so we could record them properly. Well life happens and that never happened. Some of you have heard some of the songs I’ve emailed to you… and I’ve somehow got positive feedback. I did most of the instruments my self…guitar, bass, vocals, keyboards, and programming real drums sounds which I’m not good at. These were never meant for public consumption but what the hell…I’m not 20 anymore trying to make something.
The reason I haven’t posted them before? My terrible voice and I was waiting for my cousin Mark…who is a proper singer to take over but that will take a while…so you would be hearing the rough demos.
So what do you think? Are you game for this? I’ve included an example of a song…this one has no vocals…just something a friend I have and I put together in 10 minutes (really just 10 minutes) a few years ago to work on later. It’s just guitar (him), bass (me), and some drums that I programmed from real drum kits. We called it “Whats In That Brown Paper Bag?”…more as a joke. This is not one of the songs I want feedback on…the feedback on this is how it sounds over your system. It is harder than the usual songs I write. Chris, my friend who plays guitar on this, came up with this riff. It gave me an excuse to have fun playing bass…Also….does it even play?
It’s very repetitive because like I said…it was for the fun of it and so we wouldn’t forget it. Today we are using it as a test. IF it goes well and I don’t get too many “no’s” then I will post one within a week or two with singing and a real song.
I love the guitars in this song. Great hooks all the way around. This song was not released as a single…I would have bought it.
This song was on their debut album All Over The Place. It was written by Hoffs and Peterson. The song has no mention of Dover in the lyric…the title comes from the poem Dover Beach, published by the Englishman Matthew Arnold in 1867. The beach in question is the one at the bottom of the white cliffs in Dover, England, as in the 1940 song “The White Cliffs Of Dover.”
When they released this song they were part of the Paisley Underground scene… a Los Angeles scene with bands like Rain Parade, The Dream Syndicate, Green On Red, and others. The Bangles were undoubtedly the most successful band to come out of that group of bands.
Their album All Over The Place was released in 1984. It didn’t have a hit single and the album only peaked at #80 on the Billboard 100, #32 in New Zealand, and #86 in the UK. However…the album sold respectively and stayed on the charts for 30 weeks and that set their next album up.
Their next album Different Light shot them to stardom with the hits Manic Monday, Walk Like An Egyptian and my favorite song by them… If She Knew What She Wants. They made just one more album called Everything before breaking up in 1989. It had the hits In Your Room and Eternal Flame.
Dover Beach, although not a single, remains on their current setlist.
Vickie Peterson: “Susanna and I were slightly geekish about opening the Norton Anthology of English Literature, flipping through that and going, ‘Hey, this is a great line.’ She had come across the Matthew Arnold poem Dover Beach at some point and that inspired that song, that idea of applying the fantasy of escape and the reality of what that would really mean. It was a really fun time to just mine the world for ideas.”
Dover Beach
If I had the time
I would run away with you
To a perfect world
We’d suspend all that is duty or required.
Late last night you cried
And I couldn’t come to you
But on the other side
You and I, inseparable and walking.
Yeah, oh woe.
If we could steal away
Like jugglers and thieves
But we could come and go
Oh, and talk of Michaelangelo.
Oh woe.
If we had the time (we had the time)
We had the time.
The day you looked at me
And it was on your mind
The world is no one’s dream
We will never ever find the time.
Oh woe.
If we had the time
I would run away with you
To a perfect world
(To a perfect world).
I hope you enjoy this Byrds cover by Tom Petty. One of the best B-side songs I can think of.
I posted The Waiting not long ago and talked about the similarities between The Byrds and Tom Petty. This Byrds song fits Tom Petty perfectly but the original song was not sung by McGuinn but by its writer…Gene Clark. Clark wrote this song in the mid-sixties when a girl he was seeing started to bother him. He also co-wrote Eight Miles High.
Although the song was the B side to The Byrd’s song All I Realy Want To Do, it gained a lot of promotion from Columbia Records and a lot of radio air time. It also became a classic rock standard, with dozens of artists giving their versions of the song.
This song was on Tom Petty’s solo album Full Moon Fever in 1989. The original name of the album was Songs From the Garage. It would have been an appropriate name for it. They worked on this album mostly in Heartbreaker Mike Campbell’s garage. This album caused a riff in The Heartbreakers. The other members thought Tom was going to leave the band. He kept reassuring them but they were not sure.
What’s unbelievable about it is, MCA rejected the album because they didn’t hear a single. This album would have 5 singles released from it.
Tom was absolutely stunned and depressed. He went back and added Feel A Whole Lot Better and the song Alright For Now and presented MCA with basically the same album again. There had been a regime change at MCA and this time they loved it. Ah…record companies…sometimes they are the spawn of Satan.
Although the album was released in 1989…Petty recorded it back in 1987 and 1988. MCA caused much of the delay when they rejected it.
Gene Clark of the Byrds: “There was a girlfriend I had known at the time, when we were playing at Ciro’s. It was a weird time in my life because everything was changing so fast and I knew we were becoming popular. This girl was a funny girl, she was kind of a strange little girl and she started bothering me a lot. And I just wrote the song, ‘I’m gonna feel a whole lot better when you’re gone,’ and that’s all it was, but I wrote the whole song within a few minutes.”
Tom Petty:“I didn’t see much of the Heartbreakers during that period, Mike I kept in touch with, of course, because he was working on Full Moon Fever with me. I never thought of leaving. And I kept reassuring them that I wasn’t going to leave. But I think there was some doubt in their mind.”
Feel A Whole Lot Better
The reason why, oh, I can’t say
I had to let you go, baby, and right away
After what you did, I can’t stay on
And I’ll probably feel a whole lot better when you’re gone
Baby, for a long time, you had me believe
That your love was all mine and that’s the way it would be
But I didn’t know that you were putting me on
And I’ll probably feel a whole lot better when you’re gone
Oh, when you’re gone
Now I gotta say that it’s not like before
And I’m not gonna play your games any more
After what you did, I can’t stay on
And I’ll probably feel a whole lot better when you’re gone
Yeah, I’ll probably feel a whole lot better when you’re gone
Oh, when you’re gone
Oh, when you’re gone
Oh, when you’re gone
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