AC/DC – T.N.T.

Oi, oi, oi   Oi, oi, oi   Oi, oi, oi   Oi, oi, oi   Oi, oi, oi

Let’s wake up everyone on this Monday morning with this raw guitar lick by AC/DC. If you are living in an apartment complex or you want to surprise your significant other…all of a sudden just turn this baby up loud! Her/Him and your neighbors will later shake your hand, pat your back, and thank you for your fine selection on this beautiful Monday morning!

Well…no… probably not…but they would not get six feet near you right now at this time we live in…so that gives you time to run! What a way to start the morning!

This was one of AC/DC’s first singles with Bon Scott on lead vocals. Originally a roadie, he took over lead vocals when their first singer, Dave Evans, didn’t show up for a gig.

This was originally released in 1975 in AC/DC’s home country Australia on their second album, which was also called T.N.T.

Their first two Australian releases were combined to form High Voltage, which was released worldwide. The album fared well in Europe but met stiff resistance in America where  Rolling Stone Magazine in their infinite wisdom called it an “all-time low” for hard rock in their scathing review.

The album High Voltage didn’t chart in America until 1982 at #146 in the Billboard 100.

 

From Songfacts

AC/DC found a good way to capture the energy of their live shows for the High Voltage album: they went into the studio and recorded right after gigs. The result was a very raw, but energetic sound, smoothed out with production by Harry Vanda and George Young (brother of Angus and Malcolm), who were members of the group The Easybeats, best known for their hit “Friday On My Mind.”

T.N.T. stands for Trinitrotoluene, an explosive compound. It was popularized in Road Runner cartoons when the Coyote would buy explosive items (from Acme) labeled “T.N.T.” in an attempt to blow up the Road Runner. To this date, the coyote has not been able to harm the Road Runner in any way, and has done much more damage to himself through careless use of Acme products.

T.N.T

Oi, oi, oi
Oi, oi, oi
Oi, oi, oi
Oi, oi, oi
Oi, oi, oi

See me ride out of the sunset
On your color TV screen
Out for all that I can get
If you know what I mean
Women to the left of me
And women to the right
Ain’t got no gun
Ain’t got no knife
Don’t you start no fight

‘Cause I’m T.N.T. I’m dynamite
T.N.T. and I’ll win the fight
T.N.T. I’m a power load
T.N.T. watch me explode

I’m dirty, mean and mighty unclean
I’m a wanted man
Public enemy number one
Understand
So lock up your daughter
Lock up your wife
Lock up your back door
And run for your life
The man is back in town
Don’t you mess me ’round

‘Cause I’m T.N.T. I’m dynamite
T.N.T. and I’ll win the fight
T.N.T. I’m a power load
T.N.T. watch me explode

T.N.T. (oi, oi, oi)
T.N.T. (oi, oi, oi)
T.N.T. (oi, oi, oi)
T.N.T. (oi, oi, oi)
T.N.T. (oi, oi, oi)
I’m dynamite (oi, oi)
T.N.T. (oi, oi, oi)

And I’ll win the fight (oi, oi, oi)
T.N.T. (oi, oi, oi)
I’m a power load (oi, oi, oi)
T.N.T.
Watch me explode

AC/DC – Back In Black

GOOD MORNING everyone. Play this song really LOUD and get on with your day!

The riff of this song is outstanding. It’s a riff that like Louie Louie and Wild Thing is learned by beginning guitar players.

This was released five months after lead singer Bon Scott died. ACDC asked Nobby Holder (lead singer of Slade) to join after Scott had died. Nobby has said that his loyalty was to Slade and turned them down. His voice really would have fit nicely.

The song is a tribute to Scott, and the lyrics, “Forget the hearse ’cause I never die” imply that he will live on forever through his music. With Brian Johnson on lead vocals, the Back In Black album proved that AC/DC could indeed carry on without Scott.

The song peaked at #37 in the Billboard 100 in 1981. The song was written by Brian Johnson, Angus Young, and Malcolm Young

 

From Songfacts

Brian Johnson made quite a statement with this song, quickly endearing himself to AC/DC fans and leaving little doubt that the band made the right pick to replace Bon Scott. Johnson had been in a group called Geordie, which Scott saw in 1973. After that show, Scott talked up the Geordie lead singer to his bandmates, and in 1980 when they were looking for a replacement, AC/DC’s producer Mutt Lange suggested him. At the time, Johnson was working as a windshield fitter and had recently reunited Geordie.

The band got the idea for the title before writing any of the song, although Malcolm Young had the main guitar riff for years and used to play it frequently as a warm-up tune. After Bon Scott’s death, Angus Young decided that their first album without him should be called Back In Black in tribute, and they wrote this song around that phrase. 

The album had a black cover with the band’s logo on it, which was a tribute to Bon Scott. They didn’t want it to feel mournful, however, and needed a title track that captured the essence of their fallen friend. They were certainly not going to do a ballad, so it fell on Brian Johnson to write a lyric that would rock, but also celebrate Scott without being morbid or literal.

Johnson says he wrote “Whatever came into my head,” which at the time he thought was nonsense. To the contrary, lines about abusing his nine lives and beating the rap summed up Scott perfectly, and his new bandmates loved it.

Bon Scott had several lyrical ideas for the album, but those were abandoned by the band in favor of new lyrics by Brian, Malcolm and Angus. Former AC/DC manager Ian Jeffrey claims to still have a folder that contains lyrics of 15 songs written for Back In Black by Bon, but Angus insists that all of Bon’s notebooks were given to his family.

This song was recorded in The Bahamas and produced in New York by Mutt Lange. Back In Black was one of the first big albums Lange produced. He went on to work with Def Leppard, Celine Dion, and Shania Twain (who he married in 1993). In the late-’70s, he produced two albums for the band Clover, which featured Huey Lewis on harmonica and Alex Call on lead vocals. Call explains Lange’s production style:

“Mutt is a real studio rat. He is Mr. Endurance in the studio. When we were making the records with him, he’d start working at 10:30, 11 in the morning and go until 3 at night, night after night. He is one of the guys that really developed that whole multi-multi-multi track recording. We’d do 8 tracks of background vocals going, “Oooooh” and bounce those down to one track and then do another 8, he was doing a lot of that. A lot of the things you hear on Def Leppard and that kind of stuff, he was developing that when he worked with us. We were the last record he did that wasn’t enormous, and that’s not his fault, he did a really good job with us. Mutt is famous for working long hours. The story I heard about one of the Shania sessions, he had Rob Hajakos, who’s one of the famous fiddle session men down here (Nashville). Rob was playing violin parts for like seven or eight hours and finally he said, ‘Can I take a break,’ and Mutt says, ‘What do you mean take a break?’ Rob goes, ‘Have you ever held one of these for eight hours under your chin?’ Mutt really loves to record, he loves music and he’s a real perfectionist and an innovator. An unbelievable commercial hook writer.” (Check out our full interview with Alex Call.)

This was the title track to AC/DC’s most popular album. It has sold over 19 million copies in the US, the 6th highest ever. Worldwide, it has sold over 40 million.

The Beastie Boys sampled this on their 1985 single “Rock Hard,” a single released in 1985 on Def Jam Records. They sampled it without AC/DC’s permission, so AC/DC refused to allow the Beastie Boys to include the song on their 1999 compilation album Beastie Boys Anthology: The Sounds of Science. >>

A remastered version is included on the 1997 Bon Scott tribute album, Bonfire.

The Atlanta Falcons football team used this as their theme song for a while. The Falcons also went through an MC Hammer phase, when they used “2 Legit 2 Quit” and let the rapper roam their sidelines.

This plays in the opening scene of the 2008 film Iron Man, providing an agressive intro to the Marvel Comic Universe movies. Other films to use the song include:

Grudge Match (2013)
The Muppets (2011)
Megamind (2010)
The Karate Kid (2010)
Brüno (2009)
School of Rock (2003)

It was also used on episodes of

The Sopranos (“Cold Stones” – 2006) and Family Guy (“Peter Problems” – 2014).

This was used as the backing track to a bootleg version of Eminem’s 1999 hit “My Name Is” The song fits surprisingly well under Eminem’s rap.

Missy Elliott did a remix of this song called “Get Your Freak On (AC/DC remix)” that is played in the beginning of the movie The Rundown, starring Dwayne “The Rock” Johnson and Sean William Scott.

The Appalachian State Mountaineers football team use this song before and during their games, where it is a crowd favorite. The team colors are gold and black. >>

This features in a commercial for the 2015 Chevy Colorado pickup truck, where a mundane guy in a generic sedan is soundtracked with “Rainy Days And Mondays,” which becomes “Back In Black” when a much more exciting fellow comes into the shot and drives off in his black Colorado.

Kurt Cobain was given his first guitar for his 14th birthday, and this was the first song that he learned to play.

Back In Black

Back in black
I hit the sack
I’ve been too long I’m glad to be back
Yes, I’m let loose
From the noose
That’s kept me hanging about
I’ve been looking at the sky
‘Cause it’s gettin’ me high
Forget the hearse ’cause I never die
I got nine lives
Cat’s eyes
Abusin’ every one of them and running wild

‘Cause I’m back
Yes, I’m back
Well, I’m back
Yes, I’m back
Well, I’m back, back
Well, I’m back in black
Yes, I’m back in black

Back in the back
Of a Cadillac
Number one with a bullet, I’m a power pack
Yes, I’m in a bang
With a gang
They’ve got to catch me if they want me to hang
‘Cause I’m back on the track
And I’m beatin’ the flack
Nobody’s gonna get me on another rap
So look at me now
I’m just makin’ my play
Don’t try to push your luck, just get out of my way

‘Cause I’m back
Yes, I’m back
Well, I’m back
Yes, I’m back
Well, I’m back, back
Well, I’m back in black
Yes, I’m back in black

Well, I’m back, yes I’m back
Well, I’m back, yes I’m back
Well, I’m back, back
Well I’m back in black
Yes I’m back in black

Ho yeah
Oh yeah
Yes I am
Oh yeah, yeah oh yeah
Back in now
Well I’m back, I’m back
Back, (I’m back)
Back, (I’m back)
Back, (I’m back)
Back, (I’m back)
Back
Back in black
Yes I’m back in black
Out of the sight