James Brown – Papa’s Got A Brand New Bag

Happy Father’s Day! I hope everyone has a great day.

I do miss my dad…this is Christmas 1975…yea I’m the dork beside him.

dad2

James Brown = The MAN

James Brown recorded this song in one take…the released version was supposed to be a run-through, but sounded so good it was kept anyway.

Brown, who still hadn’t memorized the song’s lyrics, read from a sheet in front of him at the beginning of the original take, he can be heard saying “There’s a lot of words here, man.” He also can be heard exclaiming “This is a hit!” just before the band kicks in.

The song peaked at #8 in the Billboard 100 and #1 in the R&B Charts in 1965.

This song was followed by  “I Got You (I Feel Good),” which quickly became Brown’s biggest hit (until “Living in America” was released in 1985) as it went to #3 on the Hot 100.

This won a Grammy for Best R&B Recording of 1965. It was also inducted into the Grammy Hall Of Fame in 1999.

From Songfacts

A “bag” is slang for a way of doing something or a kind of lifestyle. It was a popular saying in the ’60s, especially among musicians, who wouldn’t describe songs as being “in an R&B bag” or “in a doo-wop bag.”

In this song, James Brown sings about coming up with a new “bag,” meaning a completely different way of approaching music. Inspired by what he heard in church, he punctuated the music on the downbeat, creating his “brand new bag.”

In March 1965, after a legal battle with King Records, Brown agreed to a new contract with a higher royalty rate than their previous agreement, plus Brown’s own publishing company and complete artistic control. Brown promptly went into a Charlotte, North Carolina, studio and cut “Papa’s Got a Brand New Bag.”

King Records executive Syd Nathan gave a copy of this to New York DJ Frankie Cocker, who hated the new James Brown style but was impressed with the response when he put it on the air anyway. When King Records released the track as a single, Smash Records, the label Brown had leased some of his songs to that prompted the lawsuit, released an instrumental version of the song. As part of the ruling, Smash Records could release only instrumental versions of Brown’s songs.

Brown had recorded the very similar sounding “Out Of Sight” for Smash earlier that year, violating his King contract. James retooled the song, using a riff his band had been playing live, as a peace offering to King.

The original song was about seven minutes long, moved at a slower pace, and featured a more elaborate intro. After the song was cut, Brown sliced off most of the intro, sped the song up to get it played on pop radio, and broke it up into three parts (the second of which can be heard on the flipside of the original single).

The vocal version reached #8 in the US. It was the first Top 10 hit for the Godfather of Soul, and marked a departure from his early music toward the definition of his signature sound. Horns are used for percussive effect, and Brown’s vocals are tightly attached to the overall instrumental mix.

Dancing was a big part of James Brown’s stage show, and he often referred to dances in the lyrics to his songs. The dance crazes mentioned in this one are: The Jerk, The Fly, The Monkey, The Mashed Potatoes, The Alligator, The Twist, and the Boomerang.

Artists to record this song include Pat Boone, Freddy Cannon, Georgie Fame, Quincy Jones, L.A. Guns, Willie Mitchell, Pigbag, Otis Redding, Roger, Jimmy Smith, The Ventures, Charles Wright & the Watts 103rd Street Rhythm Band. 

Brown’s longtime sax player Maceo Parker played baritone sax on this track, and Maceo’s older brother Melvin was the drummer. The guitar, which is most prominent when it answers Brown’s chorus line, came courtesy of Jimmy Nolen.

This was performed in Beat the Devil, one of a series of BMW films (see it at YouTube). Faced with the problem of viewers skipping past commercials or simply ignoring them, BMW decided to make short films starring their products that people would choose to watch. James Brown stars in this one.

This was used in the 1993 Robin Williams film Mrs. Doubtfire. 

 

Papa’s Got A Brand New Bag

Come here sister, Papa’s in the swing
He ain’t too hip, about that new breed babe
He ain’t no drag
Papa’s got a brand new bag

Come here mama, and dig this crazy scene
He’s not too fancy, but his line is pretty clean
He ain’t no drag
Papa’s got a brand new bag

He’s doing the Jerk
He’s doing the Fly
Don’t play him cheap ’cause you know he ain’t shy
He’s doing the Monkey, the Mashed Potatoes
Jump back Jack, See you later alligator

Come here sister
Papa’s in the swing
He ain’t too hip now
But I can dig that new breed babe
He ain’t no drag
He’s got a brand new bag

Oh papa! He’s doing the Jerk
Papa, he’s doing the Jerk
He’s doing the twist, just like this
He’s doing the Fly every day and every night
The thing’s, like the Boomerang
Hey, come on
Hey! Hey, come on
Hey! Hey, he’s put tight, out of sight
Come on. Hey! Hey!

Joe Tex – I Gotcha

My sister…lover of the Osmonds and everything unholy in music to me…somehow had this fun R&B groove single by Joe Tex. The song peaked at #2 in 1972 in the Billboard 100.

“I Gotcha” shows more than a  little James Brown influence. Some say it wasn’t just influence but more than a little mocking. The two, who sometimes shared a stage, feuded quite a bit…dating back to the 50s. Tex said Brown copied his moves and later stole his girlfriend, Brown didn’t like the way Tex made fun of him. This supposedly led to an incident where allegedly Brown used a gun to fire a few rounds at Tex in a nightclub, then pay off the patrons with $100 bills so they wouldn’t call the police.

The battle began in earnest when James Brown stole Tex’s girlfriend, Bea Ford. Then, just to twist the knife, Brown sent Tex a letter telling him that he was through with the Bea and Joe could have her back. This led to the record “You Keep Her”, where Joe calls James out by name, saying he was better off without the Bea anyway.

Eventually, the two patched things up enough for Joe to write the line: “If I was a dancefloor, James Brown could mash potatoes on me all night long!”

From Songfacts

This was Joe Tex’s highest-charting career single as far as the Billboard Hot 100 was concerned. It is all original Joe Tex, in his own absolutely inimitable style – he’s known as one of the precursors of rap music.

While Joe Tex may have been charting on the Hot 100 since 1965, his previous highest score had been #5 for his breakout single “Hold What You’ve Got”. Since that time, he’d barely tasted the Top-10. This song was actually the B-side of “A Mother’s Prayer” – Radio station DJs would flip it and play this side instead, giving him his highest-charting hit.

We have yet another Tarantino hit! The film Reservoir Dogs features this song prominently. It’s used for the scene where three of the robbers transport the hostage cop to their warehouse hideaway, where they proceed to beat the nickels out of him, both because they suspect they were set up and just to work off some frustration after their robbery plan goes to pieces. The action is even choreographed to the music a little; watch Michael Madsen pulling off a length of duct tape in time to the lyrics for a beat or two.

Joe Tex re-recorded “I Gotcha” for his 1978 album Rub Down, this time as a ballad.

 

I Gotcha

I gotcha, uh huh, huh
You thought I didn’t see ya now, didn’t ya, uh huh, huh
You tried to sneak by me now, didn’t ya, uh huh, huh
Now gimme what you promised me, give it here
Come on

Hey

Good God

Hey

Hey

You promised me the day that you quit your boyfriend
I’d be the next one to ease on in
You promised me it would be just us two, yeah
I’d be the only man kissin’ on you, yeah
Now, kiss me
Hold it a long time, hold it
Don’t turn it a-loose, now hold it
A little bit longer, now hold it
Come on

Hold it
Hold it
Hold it
Hold it
Now ease up on me now, good god
Hey

Good God
Hey

The girl’s alright, y’all
Ha ha

Good God

You made me a promise and you’re gonna stick to it
You shouldn’t have promised if you weren’t gonna do it
You saw me and ran in another direction
I’ll teach you to play with my affection
Now, give it here

You never should’ve promised to me, give it here
Don’t hold back, now give it here
Don’t say nothin’, just give it here
Come on, give it here

Give it here
Give it here
Give it here
Give it to me, now

Good God

Hey

I gotcha
Shouldn’t made a promise to me
I gotcha

You never should’ve promised to me, gotcha
Give it on, here
I gotcha

You thought you got away from me, didn’t ya?
I gotcha
Ha ha ha
Oh, I gotcha

Give it on up, I gotcha
Give it on here, I gotcha

You tried to sneak by me, now didn’t ya?
Ha ha
I gotcha
Oh, I gotcha