1960s – Page 7 – PowerPop… An Eclectic Collection of Pop Culture

Terry Reid – Speak Now or Forever Hold Your Peace

A blogger named Warren brought up this song and I want to thank him. This is a great song by a great singer/songwriter who turned down Jimmy Page to join Led Zeppelin. He is the one who recommended Robert Plant to Page. Some people may know this song from Cheap Trick as they covered it on their debut album in 1977.

This was his self-titled second album released in 1969. I can see why Page wanted him…his voice was fantastic. His nickname was Superlungs for a good reason. He wasn’t a bad songwriter either…the artists that has covered his songs are many. The Hollies, Crosby, Stills & Nash, Jackson Browne, Arrival, Marianne Faithfull, Cheap Trick, Jack White with The Raconteurs, Joe Perry, Rumer and Chris Cornell.

In around 1967 or 68 Jimmy Page was ending the Yardbirds or continuing a new version of them. He was looking for a singer and Terry Reid fit what he wanted. Reid told Page that he was already committed to two tours with The Stones and one with Cream at the time. He did tell Page that if he paid him the lost money and talked with the Stones to get him out of it he would join. It didn’t happen but Reid also told him of a lead singer he knew named Robert Plant from the Band of Joy that might fit what he was after. Oh, it most definitely did.

Reid had a busy solo career as a songwriter and performer. He has some songs in movies and many artists as I’ve listed above have covered him. He also works with younger bands now and sometimes as a guest vocalist. Robert Plant called him the outstanding voice of his generation.

He has released 7 studio albums, the last being in 2016. After hearing his voice and his songs…I am surprised he didn’t hit more. In the later half of the 20th Century he worked with the Eagles drummer, Jackson Browne, Bonnie Raitt, Marianne Faithfull, Joe Walsh, and many others.

Speak Now Or Forever Hold Your Piece

Yesterday feels like running awayFeels like givin’ the childGettin’ lost losin’ my mindI’m feelin’ low and I got no place to goGettin’ all tied upFeelin’ all tied up yeah yeah

Oh yesterday feels like running awayAnd I know, I’m givin’ up my timeTo still love still loveLove’s got me blind

My mind sees the things I don’t knowAnd I got no place to goGettin’ all tied upFeelin’ all tied up

Things I need to tell you loveYou’ll be true I knowThere’s still a chance for a better lifeYes, I know

…

Overlooked Pop/Rock Masterpieces

I hope I’m wording this right and what I’m trying to get across are songs that are not just regular pop/rock songs. Some of these have sections instead of 3 or 4 chords and it’s over with. Intricate songs to duplicate and fit together like a jigsaw puzzle. I’ll give you an example…Queen’s Bohemian Rhapsody or The Beach Boys Good Vibrations. Those are not songs you just run into a studio and record in one take. Many of these songs took days, weeks, or months to get right recording different sections.

I usually like down-to-earth and rootsy kind of songs but sometimes I do like listening to these great songs. These are overlooked by the masses with people often connecting with a big hit by the band instead. I’ve picked 3 songs to present here. Being a musician…I can sure appreciate what it took to record these.

Overnight Sensation (Hit Record) – The Raspberries

I posted a Raspberries song this weekend but this one remains my number 1 song even over Go All The Way because it’s so epic.

Overnight Sensation (Hit Record) is an epic, ambitious, grand, lofty, extravagant, and brilliant song from the Raspberries. They were swinging for the fences when they made this song and they hit it out of the park. It’s on the album Starting Over released in 1974.

Put some headphones on and listen to this completely to the very end… When I hear it, I think this is what it would sound like if The Who, Beach Boys and Beatles made a song together…this would be it. Musically you have a little of everything. Sliding bass lines, tasteful guitar licks, great vocals, a sax solo that gives way to more lyrics as the song morphs into an AM radio sound… and then comes a solo piano.

Stay until the very end because they dupe you into a fake ending and the drums will come in as if the world is going to end. Then… a Beach Boys final huge crescendo wave will wash over you like a warm summer moonlit night. It’s a wall of sound of ecstasy that you wish would go on forever.

Bruce Springsteen: “Overnight Sensation (Hit Record) should go down as one of the great mini-rock-opera masterpieces of all time”

Broken Arrow – Buffalo Springfield

The song Broken Arrow is a song that was made in sections and it’s hard to explain it with words… Something is haunting and beautiful about it. I listen to it now and it’s like Buffalo Springfield’s own A Day In The Life. It was produced in 1967 during the psychedelic era. One of my favorite songs of all time…any song with the lyric “He hung up his eyelids and ran down the hall” grabs my attention. Neil Young wrote this beautiful song. Gregg Allman cornered Neil backstage somewhere in the 2000s and pleaded with him to start playing this song again. He did when Buffalo Springfield reformed.

Care Of Cell 44 – The Zombies

This is one of my favorite pop songs of the 1960s. The vocals are reminiscent of the Beach Boys. It’s a sunny and bright song musically about a guy writing to his girl…in prison. The song doesn’t express or explain why she is in prison just that he will be with her when her stay is over.

The song is arranged beautifully. with the vocal-only arrangements, You can hear Brian Wilson and Paul McCartney’s influence on this recording. Chris White’s (Zombies bass player) bass playing is phenomenal in this song.

It is on the album Odessey and Oracle, one of the best albums of the sixties. The hit song on the album is Time of the Season but it is full of great songs. It charted a year after it was released at #95 in the Billboard 200 album charts in 1969. The song/album would be on my desert island list.

…

Steve Miller – Space Cowboy

I’m getting into this pre-fame hits, Steve Miller. The music was a little more edgier and deeper. I think Miller’s hits have been a huge victim of radio overplay and I realize that is not his fault…doesn’t mean “Jet Airliner” is not any good…we have sometimes heard those songs too much. I have songs like that…but give it some time and I can listen to them again.

In the first line of this song, he references his first real hit, Living In The USA, and he even brings in some musical elements from it. I like the bottom-end riff that drives this song. He would recycle riffs and phrases at times. The phrase “Some call me the Space Cowboy” would later be referenced in Miller’s massive 1973 hit, “The Joker”. This era of the Steve Miller Band should have received more attention in real-time. The talent he had in that band was outstanding.

The music on this album could be labeled as blues and psychedelic in some ways considering the era it was recorded in. The title itself was partly because of the countercultural movement, space exploration going on that year, and free-thinking of the American West.

His earlier songs have more of a blues feel. The former members of his band have included Boz Scaggs, Nicky Hopkins, Doug Clifford (CCR drummer), Ross Valory, Lonnie Turner, and about a page more of many more names.

The song was on The Steve Miller Band’s 1969 album Brave New World, which peaked at a respectable #22 on the Billboard Album Charts and #38 in Canada. This is the same album that featured My Dark Hour, a collaboration between Miller and Paul McCartney.

Glyn Johns produced this album and four albums altogether for Steve Miller. They worked great together. Glyn was a busy man at the time. While he was finishing up this album he would go and work on Let It Be and also cross the hall at Olympic and work on the Stones album Let It Bleed as a sound engineer. He also helped George Harrison produce an album by Billy Preston…all of these projects were at the same time.

Glyn Johns: I returned to California to start the Steve Miller Band’s third album, Brave New World. We were getting on fine until I got a call from The Beatles, asking if Steve would let me go for a couple of weeks, to return home to London to do some sessions for what became Abbey Road. They made him an offer he could not refuse, saying they would pay all the expenses incurred by the delay to his recording schedule. So the band got to hang out in a hotel in L.A. courtesy of The Beatles, while I disappeared back to London for what proved to be a somewhat grueling few days.

I went straight from the plane to Apple for a couple of days, and then to Olympic Studios for an all-night session with the Stones till six a.m. Then to Apple again in the afternoon before going on to the Albert Hall that evening to record Jimi Hendrix in concert.

Space Cowboy

I told you ’bout living in the U.S. of A.
Don’t you know that I’m a gangster of love
Let me tell you people that I found a new way
And I’m tired of all this talk about love
And the same old story with a new set of words
About the good and the bad and the poor
And the times keep on changin’
So I’m keepin’ on top
Of every fat cat who walks through my door

I’m a space cowboy
Bet you weren’t ready for that
I’m a space cowboy
I’m sure you know where it’s at
Yeah, yeah, yeah, yeah

I was born on this rock
And I’ve been travelin’ through space
Since the moment I first realized
What all you fast talkin’ cats would do if you could
You know, I’m ready for the final surprise
There ain’t no way around it
Ain’t nothing to say
That’s gonna satisfy my soul deep inside
All the prayers and surveyors
Keep the whole place uptight
While it keeps on gettin’ darker outside

I’m a space cowboy
Bet you weren’t ready for that
I’m a space cowboy
I’m sure you know where it’s at
Yeah, yeah, yeah, yeah

I see the show downs, slow downs, lost and found, turn arounds
The boys in the military shirts
I keep my eyes on the prize, on the long fallen skies
And I don’t let my friends get hurt
All you back room schemers, small trip dreamers
Better find something new to say
Cause you’re the same old story
It’s the same old crime
And you got some heavy dues to pay

I’m a space cowboy
Bet you weren’t ready for that
I’m a space cowboy
I’m sure you know where it’s at
Yeah, yeah, yeah, yeah

…

Gene Vincent – I’m Goin’ Home (To See My Baby)

I love this man’s music. He is severely overlooked by many who only know Be Bob A-Lula. His voice goes with that slapback echo better than any other singer. His influence can be heard through the decades including Springsteen in Glory Days. This song has been covered 15 times including The Zombies.

One thing about Vincent. You can hear people emulate Elvis and Johnny Cash but no one sounded like Vincent. Besides, no one sounding like him… no one looked like him either. No pompadour. No huge hair. Just a curly sort of quiff-ish look.

Union restrictions prevented his own band, the Blue Caps, from crossing the Atlantic with him, Gene Vincent had been forced to use a British backing group, and the group selected for his UK tour was Sounds Incorporated.

The song is different in some ways. I love the sax in this song and the drumming (Tony Newman). The song has some cool dynamics built in as it starts off with just Gene and a nice guitar…it then starts with the drums and plows ahead until the end. Sounds Incorporated backed him on this song and the B-side Love Of A Man. This was their big break and after this, they also backed Little Richard, Jerry Lee Lewis, Brenda Lee, and Sam Cooke.

I’ll mention Springsteen again because the man knows dynamics in songs and artists like this inspired him. The song was written by Bob Bain and was released in 1961. It peaked at #36 in the UK Charts. It was a pure single…not off an album.

By this time the UK was where all of the 50’s rock stars went because America was too busy listening to Paul Anka, Fabion, and Pat Boone. It was a sad state of music at that time for rock and roll. The parents probably loved the no soul no trouble singers. Then thankfully…the British invasion and Motown were coming up.

I’m Goin’ Home Home (To See My Baby)

Well, I’m going home, to see my baby
Yeah, I’m going home, to see my gal
Well, don’t you know, she really loves me
Ah, don’t you know, she really cares

Yeah, I’m going home, to see my baby
Well, I’m going home, to see my gal
Ah, don’t you know, she really loves me
Yeah, I’m going home, to see my gal

Well, I’m going home, to see my baby
Yeah, I’m going home, to see my gal
Ah, don’t you know, she really loves me
Ah, don’t you know, she really cares

She’s there to love me every night
Don’t you know she treats me right
Yeah, she’s alright, yeah…

She’s there to love me all the time
Don’t you know I’m glad she’s mine
Yeah, she’s alright, yeah…

Well, I’m going home, to see my baby
Well, I’m going home, to see my gal
Ah, don’t you know, that she’s my baby
Well, don’t you know, that she’s my gal

She’s there to love me all the time
Don’t you know I’m glad shе’s mine

…

Beatles – Cry Baby Cry

The king of Marigold was in the kitchenCooking breakfast for the queenThe queen was in the parlorPlaying piano for the children of the king

One song off the White Album that I found when I was 13 years old. It’s a good reason why I’m happy they kept it as a double album. I wouldn’t have this song and a few more. When the chorus kicks in it sticks in your head. That is the beauty of the White Album…it has something for everyone. Lennon had a way of delivering sometimes dark imagery, forming it around a catchy melody and it worked. It’s just part of the album’s huge tapestry.

The track includes a coda not originally part of the song… a snippet of Paul McCartney singing a few lines known as “Can You Take Me Back?” That was an unfinished song by Paul. This fragment segues into Revolution 9 on the album and adds an eerie, unresolved feeling to the end of the track. They would explore this more on the B side of Abbey Road.

Although the songs differ in style they all have that Beatles touch to them whether it be the hard Helter Skelter, country Rocky Raccoon, or even the fairytale-like Cry Baby Cry. The sessions were not the happiest time for the band (the Esher Demos were though) but they came up with the most eclectic batch of songs they ever produced. The demos they made gave another look at the song.

When John Lennon was killed in 1980 there were three albums I bought that long winter. Double Fantasy, The White Album, and Abbey Road. I’m back there again in that 1980-81 winter and spring when I hear this album.

The White Album is as diverse as you can get… Pop, Rock, Country, Folk, Reggae, Avant-Gard, Blues, Hard Rock and some 20’s British Music Hall thrown in the mix. It has plenty of songs that you have heard of and many that the masses have not heard as much. John Lennon wrote one of his best songs for this album… Dear Prudence.

The Beatles more than many bands could bend to a style of music and play that style well.

Of all the songs I heard on this album…this is the one where I thought…hmmm… John Lennon was so different in writing songs compared to Paul. I love this example of John’s fairytale. He wrote the song in 1967, inspired by a commercial jingle he heard on Television. The lyrics play on the nursery rhyme Sing a Song of Sixpence, with lines like Cry baby cry, make your mother sigh evoking a fairy-tale atmosphere.

Ian MacDonald, in his book Revolution in the Head, described this song as “a charmingly wayward waltz” with “a whimsical, mildly satirical undertone.”

The White Album was released in 1968 and peaked at #1 in the Billboard Album Chart, #1 in Canada, #1 in the UK, and #1 about everywhere else

The demo of Cry Baby Cry. You can hear John double his voice.

Cry Baby Cry

Cry, baby, cryMake your mother sigh

The king of Marigold was in the kitchenCooking breakfast for the queenThe queen was in the parlorPlaying piano for the children of the king

Cry, baby, cryMake your mother sighShe’s old enough to know betterSo cry, baby, cry

The king was in the gardenPicking flowers for a friend who came to playThe queen was in the playroomPainting pictures for the children’s holiday

Cry, baby, cryMake your mother sighShe’s old enough to know betterSo cry, baby, cry

The duchess of Kirkcaldy always smilingAnd arriving late for teaThe duke was having problemsWith a message at the local bird and bee

Cry, baby, cryMake your mother sighShe’s old enough to know betterSo cry, baby, cry

At 12 o’clock, a meeting ’round the tableFor a seance in the darkWith voices out of nowherePut on specially by the children for a lark

Cry, baby, cryMake your mother sighShe’s old enough to know betterSo cry, baby, cryCry, baby cryMake your mother sighShe’s old enough to know betterSo cry, baby, cry

Cry, cry, cryMake your mother sighShe’s old enough to know betterSo cry, baby, cry

Johnny Cash – Ring of Fire

Johnny Cash crossed genre’s probably better than anyone. I’ve met metal, punk, and rock fans who love this man. It’s probably a combination of personality and music that draws people into his orbit. He is still crossing genres even after being gone for years.

This song was written by his best friend June Carter Cash and Merle Kilgore in 1962. The inspiration came from June’s feelings about her relationship with Johnny Cash. At the time, their relationship was intense as Johnny was struggling with addiction and the complications of his personal life. When she wrote the song, they were just close friends at the time and not married yet. They would not get married until March 1, 1968.

Johnny wasn’t the first to record this song though. That would be Anita Carter who was June’s sister. She did a really good version of it but without those horns…it just doesn’t click like Johnny’s version does. Cash claimed that he dreamed of the song’s eventual arrangement, including the Mexican-style trumpets. He wanted the song to have a mix of country, rock, and mariachi sounds.

The song peaked at #1 on the Billboard Country Charts and #17 on the Billboard 100 in 1963. It appeared on the compilation album Ring of Fire: The Best of Johnny Cash in 1963.

Vivian Cash (Johnny’s Ex-Wife): “She didn’t write that song any more than I did. The truth is, Johnny wrote that song, while pilled up and drunk, about a certain private female body part.”

Ring of Fire

Love is a burnin’ thing
And it makes a fiery ring
Bound by wild desire
I fell into a ring of fire

I fell into a burnin’ ring of fire
I went down, down, down
And the flames went higher
And it burns, burns, burns
The ring of fire, the ring of fire

The taste of love is sweet
When hearts like ours meet
I fell for you like a child
Oh, but the fire went wild

I fell into a burnin’ ring of fire
I went down, down, down
And the flames went higher
And it burns, burns, burns
The ring of fire, the ring of fire

I fell into a burnin’ ring of fire
I went down, down, down
And the flames went higher
And it burns, burns, burns
The ring of fire, the ring of fire
And it burns, burns, burns
The ring of fire, the ring of fire
The ring of fire, the ring of fire

…

Bob Dylan – Girl From The North Country

If you go when the snowflakes storm
When the rivers freeze and summer ends
Please see if she’s wearing a coat so warm
To keep her from the howlin’ winds

This is one of the most beautiful songs that Bob Dylan ever wrote. I learned this song on guitar and harmonica when I was in my twenties. When we were playing out the equipment would break down like the guitar player’s amp or my amp…I would grab an acoustic and a harmonica with my harmonica rack and play this one. It always went over well. The song hits me deeply for some reason…you can tell this song was genuine.

I read Robert Shelton’s book about Bob Dylan, and the song appears to be about Echo Helstrom (If I would have had a daughter…I wanted to name her Echo), a girl he knew in Hibbing, Minnesota before he made it. As with every Dylan song, there is another rumor that it’s about a folk singer and actress named Bonnie Beecher. I tend to believe the Shelton book on this one and go with Echo but who knows which one it is? He knew both in Minnesota so it could have been either one. Some say Suzy Rotolo was it but he didn’t meet her until he was in New York.

It was originally released on his 1963 album The Freewheelin’ Bob Dylan and later re-recorded as a duet with Johnny Cash for Dylan’s 1969 album Nashville Skyline. Unlike some Dylan songs…this one is not a musical novel. It’s a little over 3 minutes and gets right to the point in the most elegant way. Bob did take the melody of Scarborough Fair for this one.

The Freewheelin’ Bob Dylan peaked at #22 on the Billboard Album Charts and #1 in the UK in 1963. It was his second album and here is where he started to get real traction with people and build an audience, especially in the UK. The folk purists would get two more albums until the electric instruments of 1965’s Bringing It All Back Home would shatter their Dylan folk singer dream.

Johnny Cash: “I had a portable record player that I’d take along on the road, and I’d put on The Freewheelin’ Bob Dylan backstage, then go out and do my show, then listen again as soon as I came off. After a while at that, I wrote Bob a letter telling him how much of a fan I was. He wrote back almost immediately, saying he’d been following my music since ‘I Walk the Line,’ and so we began a correspondence”.

This live clip is from Hard To Handle when Dylan used Tom Petty and the Heartbreakers as his backing band. I learned it from this live version.

Girl From The North Country

If you’re travelin’ in the north country fair
Where the winds hit heavy on the borderline
Remember me to one who lives there
She once was a true love of mine

If you go when the snowflakes storm
When the rivers freeze and summer ends
Please see if she’s wearing a coat so warm
To keep her from the howlin’ winds

Please see for me if her hair hangs long
If it rolls and flows all down her breast
Please see for me if her hair hangs long
That’s the way I remember her best

I’m a-wonderin’ if she remembers me at all
Many times I’ve often prayed
In the darkness of my night
In the brightness of my day

So if you’re travelin’ in the north country fair
Where the winds hit heavy on the borderline
Remember me to one who lives there
She once was a true love of mine

Zombies – This Will Be Our Year

I love tradition so here we are again! Happy New Year 2025.

For the past few years, this has been my first post in the New Year. If you have followed me for a while you should know this one. Again for 2025 my first post!

Next to Auld Lang Syne, this is my favorite New Year’s Song. A favorite of mine from one of my favorite bands. Everyone… I wish you a Happy New Year in 2024.

You didn’t have to read my blog but you did and I really appreciate it…I want to thank all of you for reading and commenting in 2023.

This song sounds like it should have been a hit but it was never pushed as a single at the time. It was the B side to Butcher’s Tale (Western Front 1914) which is an experimental song and was a big surprise to the band that it was picked as the first single. Both are from the great album Odessey and Oracle in 1968. Several songs on this album could have been in the charts but Time of the Season was the only one that made it and it was a year after the album was released.

Bruce Eder of AllMusic gave the album five stars out of five, calling it “one of the flukiest (and best) albums of the 1960s, and one of the most enduring long-players to come out of the entire British psychedelic boom”.

On recording Odessey and Oracle…Rod Argent:

“We had the chance of going in and putting things down in the way we wanted people to hear them and we had a new studio, we walked in just after The Beatles had walked out [after recording Sgt. Pepper]. We were the next band in. They’d left some of their instruments behind … I used John Lennon’s Mellotron, that’s why it’s all over Odessey and Oracle. We used some of their technological advances … we were using seven tracks, and that meant we could overdub for the first time. And it meant that when I played the piano part I could then overdub a Mellotron part, and it meant we could have a fuller sound on some of the songs and it means that at the moment the tour we’re doing with Odessey and Oracle it means we’re actually reproducing every note on the original record by having extra player with us as well.”

This Will Be A Year

The warmth of your love
Is like the warmth of the sun
And this will be our year
Took a long time to come

Don’t let go of my hand
Now darkness has gone
And this will be our year
Took a long time to come

And I won’t forget
The way you held me up when I was down
And I won’t forget the way you said,
“Darling I love you”
You gave me faith to go on

Now we’re there and we’ve only just begun
This will be our year
Took a long time to come

The warmth of your smile
Smile for me, little one
And this will be our year
Took a long time to come

You don’t have to worry
All your worried days are gone
This will be our year
Took a long time to come

And I won’t forget
The way you held me up when I was down
And I won’t forget the way you said,
“Darling I love you”
You gave me faith to go on

Now we’re there and we’ve only just begun
And this will be our year
Took a long time to come

Yeah we only just begun
Yeah this will be our year
Took a long time to come

Otis Redding and Carla Thomas – New Year’s Resolution

This song is a great way to start a year! Anytime you can hear Otis…you are on the right path! Have a Happy New Year! Get ready for 2025. Their voices sound amazing. They complimented each other very well. I just wished they would have had time to do more.

Stax’s house band, Booker T & the MGs, provides the backing. Note Booker T’s subtle but effective organ lending the song a spiritual element, while Donald “Duck” Dunn’s bass and Steve Cropper’s tasteful guitar licks ground the track’s rhythm

Stax was hoping to replicate the success of Marvin Gaye and Tammi Terrell. Stax paired two of their greatest stars for the 1967 album King & Queen, which produced the hit “Tramp.” The album featured their takes on classics such as “Knock on Wood,” “When Something Is Wrong with My Baby,” “Bring It on Home to Me,” and “It Takes Two”

This song was on the King and Queen album released in 1967. This is the only album they got to make because Otis died in a plane crash on December 10, 1967. Carla Thomas would go on to a successful career with 2 top 20 hits plus many top 20 R&B hits.

I’m adding the song Tramp off of the album. This song peaked at #26 on the Billboard 100, #2 on the R&B Charts, and #1 on the UK R&B Charts in 1967.

New Year’s Resolution

I hope it’s not too late
Just to say that I’m sorry, honey
All I want to do
Is just finish what we started, baby

Let’s turn over a new leave
And baby let’s make promises
That we can keep
And call it a New Year’s resolution, hmmm

Oh, I’m a woman
And woman makes mistakes too
But will you, will you forget the changes
That I put you through

let’s try it again
Just you and me
And, baby, let’s see how happy honey, yeah
That we can be
And call it a New Year’s resolution, yeah, yeah, yeah

Many times we had our ups and downs
And times you needed me I couldn’t be found
I’m sorry
And I’m sorry too
I’ll never, never do it again, no, no, no
So baby before we fall out
Let’s fall on in, yeah, yeah
Oh, and we’re gonna try harder
Not to hurt each other again, oh
Love me baby, huh
Week after week
And baby let’s make promises
That we can keep
And call it a New Year’s resolution, yeah, oh
I know we can do it Carla
I’m gonna keep my promises
I’m gonna hold on that we can do it, baby
Oh, it’s not too late
You’re gonna love me
Nobody else
Oh Otis let’s finish what we started
Talk no mean

Vince Taylor – Brand New Cadillac

How you find new music can sometimes be surprising. I was looking for a guy with the nickname of Prince Stash, his name is Stanislaus Klossowski de Rola. He hung out with a lot of sixties rock stars and I found out he played in Vince Taylor’s band. I started to listen to Vince Taylor and his rockabilly is really good. I knew I heard his name before and it was when I covered the Clash’s version of this song.

Vince was born in England but his family emigrated to the United States in the early 1950s, settling in New Jersey, where Taylor was exposed to the new rock and roll scene. While living here he became exposed to the greats like Presley, Little Richard, and Gene Vincent. In the late 1950s, Taylor returned to the UK, where he adopted the stage name Vince Taylor inspired by American culture. It was probably the smart thing to do at the time. The UK treated the 50s rock stars much better than America did.

Brand New Cadillac was released in 1959. It was the B side to a song called Pledging My Love. Taylor wrote the song but Tony Sheridan is credited with the cool guitar riff running through the song. The song’s riff reminds me of the original Batman riff…or really the other way around.

In the mid-sixties, he and his band The Playboys co-headlined a tour with the Rolling Stones with “Prince Stash” Stanislaus Klossowski de Rola playing percussion. Jimmy Page and others were also at one time part of the Playboys. I’ve been reading about his live performances and watching some concert footage…and he was a hell of a performer. I can see why he built a following for his live performances.

Bowie has said that Vince Taylor was a huge influence on Ziggy Stardust. He said in the early seventies his name was coming up again as in Golden Earring’s song “Just Like Vince Taylor.”

Taylor had some problems with drugs in the sixties and his career started to go downhill as he became unstable. In the 1970s, he briefly attempted comebacks in Europe, but he could not recapture his earlier success. He lived a nomadic life, working odd jobs, including as a mechanic in Switzerland.

He passed away in 1991 from cancer.

David Bowie: “I met him in Gioconda one day and the guy was right out of his tree. I mean, this guy was bonkers, absolutely the genuine article. I can’t remember if he said he was an alien or the Son of God but he might have been a bit of both. And then one time we were on Tottenham Court Road… He dragged out this world map and we were crouching on all fours outside Tottenham Court Road Tube Station and he was showing me where all the aliens had their bases throughout: under the Arctic and in this mountain… And business people stepping over our map. I think: what the hell am I doing in the middle of Russia with this bonkers American looking at the map of the world and I thought there’s something in this, I’m gonna remember this. This is just too good.”

Clips of Taylor live

Brand New Cadillac

Well my baby drove off in a brand new Cadillac
Ooh, my baby drove off in a brand new Cadillac
Well she looked at me, daddy, I ain’t never comin’ back

I said baby-baby-baby won’t you listen to me
Come on sugar, come on hear my plea
Well she looked at my Ford, we’ll never agree
Cadillac car! Oh yeah!

Well the Caddy’s rollin’ and going ’bout ninety-five
Well the Caddy’s rollin’ and going ’bout ninety-five
Well me and my Ford, we’re right by here side

I said baby-baby-baby won’t you listen to me
Come on baby, come on hear my plea
Turn that big car around, come on back to me
Hangin’ on Scotty, here we go!

Well my baby took off in a brand new Cadillac
Ooh, my baby took off in a brand new Cadillac
Well she looked at me, daddy, I ain’t never comin’ back

I ain’t never comin’ back
I ain’t never comin’ back
I ain’t never comin’ back

…

Beatles – Christmas Time Is Here Again

It’s that time of year…and this is one-holiday song that is on my list and not worn out. I first heard this in 1994 when I bought the Beatles Anthology album. I never knew of this song before. This song was never officially released until it appeared as the B-side to “Free As A Bird” in 1994. I’ve posted it every year since I’ve blogged and will continue to do so…it’s repetitive but I like it…it drives home the point.

My friend Dave posted this song in 2021 and he has more info than I do so check it out.

The song is credited to Lennon-McCartney-Harrison-Starkey. The original version was distributed to The Beatles fan club in 1967. It’s the only song written specifically for the Beatles Fan Club members. Along with the Beatles…actor Victor Spinetti and roadie Mal Evans were on the recording.

Between December 1963 and December 1969, they sent out 7 flexi discs that had spoken and musical messages to their official fan clubs in the UK and the US at Christmas time.

The Beatles recorded this in 1967 and wasn’t released until 1994 paired with “Free As A Bird”. It is a fun Christmas song that will stick in your head. The Beatles did not release a Christmas song commercially… only to their fan club when they were active.

I like the end where each Beatle tells you Merry Christmas and Happy New Year.

Many performers of this era like The Beach Boys and The Four Seasons released Christmas songs, but The Beatles never had an official Christmas release.

Christmas time is here again

Christmas time is here again
Christmas time is here again
Christmas time is here again
Christmas time is here again

Ain’t been round since you know when
Christmas time is here again
O-U-T spells “out”

Christmas time is here again
Christmas time is here again
Christmas time is here again
Christmas time is here again

Ain’t been round since you know when
Christmas time is here again
O-U-T spells “out”

Christmas time is here again
Christmas time is here again
Christmas time is here again
Christmas time is here again

Ain’t been round since you know when
Christmas time…[music continues and fades to background]

[spoken]

This is Paul McCartney here, I’d just like to wish you everything you wish yourself for Christmas.

This is John Lennon saying on behalf of the Beatles, have a very Happy Christmas and a good New Year.

George Harrison speaking. I’d like to take this opportunity to wish you a very Merry Christmas, listeners everywhere.

This is Ringo Starr and I’d just like to say Merry Christmas and a really Happy New Year to all listeners

[a John Lennon pastiche at this point, very hard to understand]

Frosty The Snowman

Most of us had favorite Christmas specials we would watch as kids. Mine was Rudolph, A Charlie Brown Christmas, The Grinch, and this one was fourth…Frosty The Snowman. These four would get me primed and ready for Christmas…as if I needed anything else.

“Frosty the Snowman,” debuted in 1969. It was by Rankin/Bass Productions, the same company that produced many holiday specials.

Narrated by the legend Jimmy Durante, the special involves a magic hat that transforms a snowman, Frosty, into a living being. The magician who owned the hat wanted it back now that he knew it contained actual magic, so the kids had to get together and find a way to bring Frosty to the North Pole to keep him from melting. However, once there, Frosty sacrifices himself to warm up the little girl, Karen, who took him to the North Pole. He melts, but Santa Claus explains that Frosty is made out of special Christmas snow and thus can never truly melt. Frosty then comes back to life and everyone has a Merry Christmas.

The song was written in 1950 by Walter “Jack” Rollins and Steve Nelson. They wrote it for Gene Autry, especially, after Autry had such a huge hit with “Rudolph the Red-Nosed Reindeer” the previous year. It was later recorded by Jimmy Durante as we hear in this wonderful cartoon.

This wasn’t the only animation of Frosty…

In 1954, United Productions of America (UPA) brought Frosty to life in a short cartoon that is little more than an animated music video for a jazzy version of the song. It introduced the characters mentioned in the lyrics visually, from Frosty himself to the traffic cop. The three-minute, black-and-white piece quickly became a holiday tradition in various markets, particularly in Chicago, where it’s been broadcast annually on WGN since 1955.

The complete Frosty The Snowman

Remembering Buffalo Springfield

I wrote this before I had any readership so I thought I would post it today.

I had a friend’s dad who owned their 1969 greatest hits album when I was in sixth grade and we wore it out. Broken Arrow, Mr Soul, and Expecting to Fly were the ones we played over and over, and heard something we missed in the previous play. So when my peers were listening to The Flock of Seagulls (nothing wrong with that!)…I was listening to Buffalo Springfield and I stayed stuck in the 60s for a long time.

Buffalo Springfield is a band that gets lost in the shuffle at times. People know their big hit “For What It’s Worth” but little about the band. They were only active between 1966-68 but had a huge impact on other artists. The band was very talented……with Neil Young, Stephen Stills, Richie Furay, Bruce Palmer, Dewey Martin, and Jim Messina who replaced Bruce Palmer. They had some great songs like Mr Soul, Nowadays Clancy Can’t Even Sing, Burned, Expecting to Fly, Bluebird, Rock and Roll Woman, Broken Arrow, and their big hit For What It’s Worth…

I just read Neil Young’s book “Waging Heavy Peace” and he said that the end of Buffalo Springfield started because the bass player Bruce Palmer kept getting busted for drugs and taken away…more than once… By 1968 it was over and what a waste of potential they had…The remaining members reunited in 2011 and played 6 concerts… in 2012 they were going to tour and do 30 concerts. Neil quit and did an album with Crazy Horse. He has a history of leaving projects when they don’t interest him anymore.

If this band would have stayed together originally… There’s little doubt they would have gotten much bigger with the talented members they had in place.

Right after the breakup, Stephen Stills helped form Crosby, Stills, and Nash….short time later Young came aboard and would join them occasionally. Furay and Messina helped form Poco and Messina teamed up with Kenny Loggins later on.

They made three albums while together. Buffalo Springfield (1966), Buffalo Springfield Again (1967) and Last Time Around (1968). A greatest hits came out in 1969 called Retrospective The Best of Buffalo Springfield. A box set was released in 2001.

So…what are your thoughts about Buffalo Springfield?

Broken Arrow

The lights turned on and the curtain fell down
And when it was over it felt like a dream
They stood at the stage door and begged for a scream
The agents had paid for the black limousine
That waited outside in the rain
Did you see them, did you see them?
Did you see them in the river?
They were there to wave to you
Could you tell that the empty quivered
Brown skinned Indian on the banks
That were crowded and narrow
Held a broken arrow?

Eighteen years of American dream,
He saw that his brother had sworn on the wall
He hung up his eyelids and ran down the hall
His mother had told him a trip was a fall
And don’t mention babies at all
Did you see him, did you see him?
Did you see him in the river?
He was there to wave to you
Could you tell that the empty quivered
Brown skinned Indian on the banks
That were crowded and narrow
Held a broken arrow?

The streets were lined for the wedding parade
The Queen wore the white gloves, the county of song
The black covered caisson her horses had drawn
Protected her king from the sun rays of dawn
They married for peace and were gone
Did you see them, did you see them?
Did you see them in the river?
They were there to wave to you
Could you tell that the empty quivered
Brown skinned Indian on the banks
That were crowded and narrow
Held a broken arrow?

Rascals – People Got To Be Free

I hope everyone is having a wonderful Sunday!

The Young Rascals or by this time…The Rascals were the ultimate singles band. A great band that ruled the singles charts. I found the Rascals in 1985 at the same time I found Cream and The Lovin Spoonful. The Rascals and Lovin’ Spoonful were not known for their albums but man did they ever do some incredible great singles. Some of the best of the 60s. Steven Van Zandt is a huge fan of the band and I can see why.

This is one of their biggest songs. It peaked at #1 on the Billboard 100, #1 in Canada, and #14 in New Zealand in 1968. This was their 3rd number 1 song and would be their last.

A very positive message for all the listeners. Rascals co-leaders Felix Cavaliere and Eddie Brigati wrote the song together. The Young Rascals / The Rascals had had 6 top ten hits in their career and 13 top-40 songs. The record sold over 4 million copies. They wrote this song in reaction to Martin Luther King and Bobby Kennedy’s murders, condensing King and Kennedy’s message into a simple missive calling for unity and understanding. The message was simple and clear and not overly political.

Felix Cavaliere wrote it after working for Bobby Kennedy’s presidential campaign. After Kennedy’s assassination, the follow-up song “A Ray of Hope,” was written for the Kennedy family after RFK’s death and the band received a thank-you letter from Bobby’s little brother, Ted Kennedy.

Felix Cavaliere has said that he had to fight with Jerry Wexler at Atlantic Records to get this released because Wexler was worried that a message song would hurt the Rascals’ career. Cavaliere won and the song became their biggest hit.

Felix Cavaliere: I was working for Bobby Kennedy’s (presidential) campaign, and you know that Robert Kennedy got assassinated. I just felt compelled to say something. The record company didn’t really like the idea, but they let it [be released as a single] and it became number one in all the places that were oppressed, such as South Africa, Berlin and Hong Kong, So I was always very proud of that. [Writing this song] was a direct result of the assassination. In my eyes, Bobby Kennedy was an idealistic person who had visions for how our country should be, and his brother (John Kennedy) as well. So I was attracted very much to that. I just thought that it would be a good direction for me, and the United States of America.

People Got To Be Free

All the world over, so easy to see
People everywhere just wanna be free
Listen, please listen, that’s the way it should be
There’s peace in the valley, people got to be free

You should see
What a lovely, lovely world this’d be
Everyone learned to live together, ah hah
Seems to me
Such an itty bitty thing should be
Why can’t you and me learn to love one another?

All the world over, so easy to see
People everywhere just wanna be free (wanna be free)
I can’t understand it, so simple to me
People everywhere just got to be free

If there’s a man
Who is down and needs a helpin’ hand
All it takes is you to understand and
To pull him through, ah hah
Seems to me
We got to solve it individually, ah ah
And I’ll do unto you what you do to me
Said, no

Hear the shoutin’ from the mountains on out to the sea
No two ways about it, people have to be free (they gotta be free)
Ask me my opinion, my opinion will be
Natural situation for a man to be free

Get right on board now, huh, huh

Yeah oh, what a feelin’s just come over me
Love can move a mountain, make a blind man see
Everybody sing it now come on let’s go see
Peace in the valley now, we all can be free

See that train over there?
Now that’s the train of freedom
It’s about to ‘arrive any minute, now
You know it’s been a long, long overdue
Look out ’cause it’s a’comin’ right on through
Ha, ha, yeah, ha, ha, yeah

Ronettes – Sleigh Ride

Thank you, Dave, for inviting me to Turntable Talk. I want to wish everyone a Merry Christmas! Dave wanted us to post a Christmas song, and this one, which I’ve never written about, fit perfectly. I could hear Ronnie Spector sing all day.

I could listen to Ronnie Spector sing the telephone book…if there are such things anymore. She has a unique voice and you know it’s her when you hear or see her. I’ve become a full-blown fan of this lady through the years and when I saw her singing Be My Baby she won me over. She had the look, the voice, and the stage presence. I know why John Lennon and Keith Richards were crazy about her.

Leroy Anderson wrote Sleigh Ride as an instrumental in 1948 and Mitchell Parish added lyrics in 1950. There have been a whopping 883 versions of this holiday classic.

Phil Spector’s pool of talent released a classic Christmas album called A Christmas Gift for You from Phil Spector but it was released on November 22, 1963. If that date seems familiar, it’s because it very significant. President John F. Kennedy was assassinated in Dallas, Texas while riding in a motorcade with his wife,

The album was considered a failure (#12) at first but it caught on later. It was later re-released by Apple Records and has since been acknowledged as a great album. it peaked at #6 on Billboard’s Christmas Charts after being re-released on the Beatles label. In the years since the album has re-charted. In 2003, the album was voted No. 142 on Rolling Stone magazine’s list of the 500 greatest albums of all time. It was also included in Robert Dimery’s 1001 Albums You Must Hear Before You Die.

The song peaked at #8 on the Billboard 100, #15 on the Canadian Hot 100, #20 in the UK, and #22 in New Zealand in 1963.

Sleigh Ride

Just hear those sleigh bells jingling, ring tingle tingling too
Come on, it’s lovely weather for a sleigh ride together with you,
Outside the snow is falling and friends are calling yoo hoo,
Come on, it’s lovely weather for a sleigh ride together with you.

Our cheeks are nice and rosy and comfy and cozy are we
We’re snuggled up together like two birds of a feather would be
Let’s take the road before us and sing a chorus or two
Come on, it’s lovely weather for a sleigh ride together with you.

…