Beach Boys – Surfin’ U.S.A.

This is one of the first Beach Boy songs I heard and could connect to them. This is a song that the Beach Boys did in tribute to Chuck Berry except they forgot one small thing…they didn’t tell Chuck. He was in jail at the time of this song. When Berry threatened to sue, The Beach Boys agreed to give him a huge sum of the royalties and list him as the song’s composer along with Brian Wilson. Mike Love has claimed he wrote some of it also but never got credited.

The song also helped build Berry’s legend while he served his time. Surfin’ USA was based on Sweet Little Sixteen. Carl Wilson came up with the guitar intro, which is reminiscent of Duane Eddy’s “Moving and Grooving.”

One of the many Beach Boy songs about surfing. The only member of the band who actually surfed was drummer Dennis Wilson. The surfing culture gave them an opportunity to write songs about adventure and fun while exploring vocal harmonies and new production techniques. And while the majority of Americans didn’t surf, the songs represented California at the time.

This was the follow-up to their first hit “Surfin’ Safari.” Brian Wilson was gaining confidence as a producer, and this song marks the emergence of what would become the Beach Boys’ signature sound over the next few years.

The song peaked at #14 on the Billboard 100 in 1962. The B-side 409 peaked at #76 the same year.

Carl Wilson: “On ‘Surfin’ U.S.A.,’ Brian wanted an opening lick and I just did this Duane Eddy riff. I was worried that it had been on another record, but what the hell. That was the first time we were aware we could make a really powerful record. For the first time, we thought the group sounded good enough to be played with anything on the radio.”

Guitarist David Marks played guitar on the Beach Boys first five albums: “The energy on the Surfin’ USA session was very upbeat and happy. That’s where that chemistry thing kicks in again… there was a certain energy on that track that was a one-of-a-kind happening. It wasn’t perfect in a technical sense, but the vibe was something special that had a lasting effect.”

Surin’ USA

If everybody had an ocean
Across the U.S.A.
Then everybody’d be surfin’
Like California
You’d seem ’em wearing their baggies
Huarachi sandals too
A bushy bushy blond hairdo
Surfin’ U.S.A.

You’d catch ’em surfin’ at Del Mar
Ventura County line
Santa Cruz and Trestle
Australia’s Narabine
All over Manhattan
And down Doheny Way

Everybody’s gone surfin’
Surfin’ U.S.A.

We’ll all be planning that route
We’re gonna take real soon
We’re waxing down our surfboards
We can’t wait for June
We’ll all be gone for the summer
We’re on surfari to stay
Tell the teacher we’re surfin’
Surfin’ U.S.A.

Haggerties and Swamies
Pacific Palisades
San Anofree and Sunset
Redondo Beach L.A.
All over La Jolla
At Waimia Bay

Everybody’s gone surfin’
Surfin’ U.S.A.

Everybody’s gone surfin’
Surfin’ U.S.A.

Everybody’s gone surfin’
Surfin’ U.S.A.

Everybody’s gone surfin’
Surfin’ U.S.A.

Everybody’s gone surfin’
Surfin’ U.S.A.

Everybody’s gone surfin’
Surfin’ U.S.A.

Beatles – Christmas Time Is Here Again

It’s that time of year…and this is one-holiday song that is on my list and not worn out. I first heard this in 1994 when I bought the Beatles Anthology album. I never knew of this song before. this song was never officially released until it appeared as the B-side to “Free As A Bird” in 1994. I’ve posted it every year since I’ve blogged and will continue to do so…it’s repetitive butI like it…it drives home the point.

My friend Dave posted this song last year and he has more info than I do so check it out.

The song is credited to Lennon-McCartney-Harrison-Starkey. The original version was distributed to The Beatles fan club in 1967. It’s the only song ever written specifically for the Beatles Fan Club members. Along with the Beatles…actor Victor Spinetti and roadie Mal Evans were on the recording.

Between December 1963 to December 1969, sent out 7 flexi discs that had  spoken and musical messages to their official fan clubs in the UK and the US at Christmas time.

The Beatles recorded this in 1967 and wasn’t released until 1994 paired with “Free As A Bird”. It is a fun Christmas song that will stick in your head. The Beatles did not release a Christmas song commercially… only to their fan club when they were active.

Many performers of this era like The Beach Boys and The Four Seasons released Christmas songs, but The Beatles never had an official Christmas release.

Christmas time is here again

Christmas time is here again
Christmas time is here again
Christmas time is here again
Christmas time is here again

Ain’t been round since you know when
Christmas time is here again
O-U-T spells “out”

Christmas time is here again
Christmas time is here again
Christmas time is here again
Christmas time is here again

Ain’t been round since you know when
Christmas time is here again
O-U-T spells “out”

Christmas time is here again
Christmas time is here again
Christmas time is here again
Christmas time is here again

Ain’t been round since you know when
Christmas time…[music continues and fades to background]

[spoken]

This is Paul McCartney here, I’d just like to wish you everything you wish yourself for Christmas.

This is John Lennon saying on behalf of the Beatles, have a very Happy Christmas and a good New Year.

George Harrison speaking. I’d like to take this opportunity to wish you a very Merry Christmas, listeners everywhere.

This is Ringo Starr and I’d just like to say Merry Christmas and a really Happy New Year to all listeners

[a John Lennon pastiche at this point, very hard to understand]

Vince Guaraldi Trio – Linus and Lucy

Good morning everyone! I woke up to snow this morning…and it’s a toasty -4 near Nashville where I live. …It’s hard to resist this song. It automatically makes me happy when I hear it. I see the Peanuts gang doing their thing.

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This song I can hear anytime of the year and be happy. It’s associated with Christmas also…whichever… I never get tired of it.

Here is another post of the song in Hanspostcard’s song draft a few years ago when run-sew-read’s pick was this song.

Ironically, just about everyone would call this “the Charlie Brown song” even though it’s actually titled after Linus and Lucy Van Pelt, brother and sister in Charles Schulz’s Peanuts comic strip universe.

The song is most famous for its use in the yearly favorite A Charlie Brown Christmas, which first aired in 1965, but it was written two years earlier for a documentary about Schulz and the Peanuts gang called A Boy Named Charlie Brown, which never aired.

Producer Lee Mendelson was in charge of the documentary and asked Vince Guaraldi to compose music for it

Guaraldi was huge in the jazz world and won the 1962 Grammy for Best Original Jazz Composition for “Cast Your Fate To The Wind” for his group, the Vince Guaraldi Trio. Mendelson was searching for what kind of music to play for the documentary when he took a taxi cab and “Cast Your Fate To The Wind” was playing as he crossed the Golden Gate bridge. He loved it and his decision was made.

Guaraldi wrote a series of songs for the project, including “Linus and Lucy,” which he recorded with his group, the Vince Guaraldi Trio. Even though A Boy Named Charlie Brown was shelved, the soundtrack was released in 1964, which is where “Linus and Lucy” first appeared.

In 1965, Mendelson put together the first Peanuts TV special, A Charlie Brown Christmas, using many of the same people who worked on the documentary. “Linus and Lucy” formed the score, and a song he wrote with Guaraldi called “Christmas Time Is Here” was included in a key scene.

When A Charlie Brown Christmas debuted in 1965, it quickly turned the Peanuts franchise into a television institution. That first special also shot Guaraldi to greater fame, and he became connected to all subsequent Peanuts shows.

Guaraldi would continue to work on Peanuts films until his death in 1976.

 

No words…just enjoy

How The Grinch Stole Christmas

You’re a mean one…Mr. Grinch. I first posted this in 2018…It’s not Christmas without the Grinch…

The cartoon was released in 1966 and has been shown every year since. This one along with Rudolph, Charlie Brown, and a few more were a part of Christmas. These specials would prime you for the big day.

One cool thing about the cartoon was that Boris Karloff was the narrator. Thurl Ravenscroft (voice of Tony the Tiger) sang the great song “You’re a Mean One Mr. Grinch. ”

The citizens of Whoville looked and acted like the others of Dr. Suess’s universe. They were all getting ready for Christmas while a certain someone…or thing looked down from Mt. Crumpit. The Grinch has hated Christmas for years and sees the Whovillians getting ready for Christmas and is determined once and for all to put an end to it.

He dresses up as Santa Clause and makes his poor dog Max act as a reindeer to swoop down and steal Christmas. The Grinch sleds down the hill almost killing Max and they soon reach Whoville. He is busted by one kid…Cindy Lou Who, who asks him questions as the Grinch took her family tree. He lies to her and sends her to bed.

In the morning after he has everything including “The Roast Beast,” he listens for the sorrow to begin.

You need to watch the rest or rewatch…

A live-action remake came out in 2000 but I still like this one the best. You cannot replicate Boris Karloff.

The Budget – Coming in at over $300,000, or $2.2 million in today’s dollars, the special’s budget was unheard of at the time for a 26-minute cartoon adaptation. For comparison’s sake, A Charlie Brown Christmas’s budget was reported as $96,000, or roughly $722,000 today (and this was after production had gone $20,000 over the original budget).

You’re a mean one Mr. Grinch The famous voice actor and singer, best known for providing the voice of Kellogg’s Tony the Tiger, wasn’t recognized for his work in How the Grinch Stole Christmas. Because of this, most viewers wrongly assumed that the narrator of the special, Boris Karloff, also sang the piece in question. Upset by this oversight, Geisel personally apologized to Ravenscroft and vowed to make amends. Geisel went on to pen a letter, urging all the major columnists that he knew to help him rectify the mistake by issuing a notice of correction in their publications.

Mr Grinch

You’re a mean one, Mr. Grinch
You really are a heel
You’re as cuddly as a cactus
You’re as charming as an eel
Mr. Grinch
You’re a bad banana with a greasy black peel
You’re a monster, Mr. Grinch
Your heart’s an empty hole
Your brain is full of spiders
You’ve got garlic in your soul, Mr Grinch
I wouldn’t touch you with a
Thirty-nine and a half foot pole

You’re a vile one, Mr. Grinch
You have termites in your smile
You have all the tender sweetness of a seasick crocodile
Mr Grinch
Given the choice between the two of you
I’d take the seasick crocodile

You’re a foul one, Mr. Grinch
You’re a nasty wasty skunk
Your heart is full of unwashed socks
Your soul is full of gunk
Mr Grinch

The three best words that best describe you
Are as follows, and I quote”
Stink
Stank
Stunk

You’re a rotter Mr Grinch
You’re the king of sinful sots
Your heart’s a dead tomato splotched with moldy purple spots
Mr Grinch

Your soul is an appalling dump heap
Overflowing with the most disgraceful
Assortment of deplorable rubbish imaginable
Mangled up in tangled up knots

You nauseate me, Mr Grinch
With a nauseous super nos
You’re a crooked jerky jockey and
You drive a crooked horse
Mr Grinch

You’re a three-decker sauerkraut
And toadstool sandwich
With arsenic sauce

http://mentalfloss.com/article/72593/13-spirited-facts-about-how-grinch-stole-christmas

Frosty The Snowman

I apologize for so many posts today…this one I scheduled wrong…

Most of us had favorite Christmas specials we would watch as kids. Mine was Rudolph, A Charlie Brown Christmas, The Grinch, and this one…Frosty The Snowman. These four would get me primed and ready for Christmas…like I needed anything else.

“Frosty the Snowman,” debuted in 1969. It was by Rankin/Bass Productions, the same company that produced many holiday specials.

Narrated by the legend Jimmy Durante, the special involves a magic hat that transforms a snowman, Frosty, into a living being. The magician who owned the hat wants it back now that he knows it contained actual magic, so the kids had to get together and find a way to bring Frosty to the North Pole to keep him from melting. However, once there, Frosty sacrifices himself to warm up the little girl, Karen, who took him to the North Pole. He melts, but Santa Claus explains that Frosty is made out of special Christmas snow and thus can never truly melt. Frosty then comes back to life and everyone has a Merry Christmas.

The song was written in 1950 by Walter “Jack” Rollins and Steve Nelson. They wrote it for Gene Autry, especially, after Autry had such a huge hit with “Rudolph the Red-Nosed Reindeer” the previous year. It was later recorded by Jimmy Durante as we hear in this wonderful cartoon.

This wasn’t the only animation of Frosty…

In 1954, United Productions of America (UPA) brought Frosty to life in a short cartoon that is little more than an animated music video for a jazzy version of the song. It introduced the characters mentioned in the lyrics visually, from Frosty himself to the traffic cop. The three-minute, black-and-white piece quickly became a holiday tradition in various markets, particularly in Chicago, where it’s been broadcast annually on WGN since 1955.

Tommy Roe – Sheila

Another B side that Disc Jockeys flipped over and became a huge #1 hit.

In the mid-eighties, I was in a cage…a parts cage in a place that sold printers and copiers. I was the stock boy and had my radio tuned in to the oldies station on 96.3 in Nashville. They played the 50s, 60s, and softer 70s.

When I heard this my first thought was Buddy Holly. I had a Buddy Holly greatest hits album at that time and I wondered why this wasn’t on it. After the second or third time, I heard it… the DJ said “another one by Tommy Roe.” I knew the song Dizzy rather well never heard this one. It didn’t have that drive that Buddy Holly songs had but it has a simple charm.

It peaked at #1 in the Billboard 100, #1 in Canada, and #3 in the UK in 1962.

Roe wrote this song when he was just 14 years old and it was influenced by Peggy Sue. This was initially recorded in 1960 for a small label called Judd Records, which was run by Jud Phillips, the brother of Sam Phillips of Sun Records. When Roe accepted a deal with ABC Paramount, the song was re-recorded with a different arrangement, and released as the B-side to “Save Your Kisses.” When DJs flipped the record and started playing “Sheila” instead, the song took off.

The song had some major players backing Tommy Roe. The hit version of this song was recorded at RCA Studios in Nashville with producer Felton Jarvis. On guitar was Jerry Reed, who later became a Country star as a solo act. The backup singers were The Jordanaires, who sang behind Elvis Presley on many of his hits.

Roe was labeled “bubblegum” and that label was pretty much correct… and he quietly had a string of hits. He had six Top 10 hits on the Billboard Hot 100 chart, including the number one hits, Dizzy in 1969 and this song in  1962.

Tommy Roe: When I was around 14, I started writing poems, and I wrote a poem for a girl named Frida that I had a crush on (laughs). And around the same time, my dad taught me three chords on the guitar. So I thought…if I could put some music to these poems, I could become a songwriter. And then in high school, I formed a band called Tommy Roe & The Satins.

When I was 20, I had an opportunity to audition for a record producer. I sang “Frida” for him, and he said, “Man, I love that song ‘Frida,’ but I’m not crazy about that title.” So we ended up changing the title to “Sheila,” and as they say…the rest is history. It became my first number one hit, and it launched my career.

Sheila

Sweet little Sheila, you’ll know her if you see her
Blue eyes and a ponytail
Her cheeks are rosy, she looks a little nosy
Man, this little girl is fine

Never knew a girl like-a little Sheila
Her name drives me insane
Sweet little girl, that’s my little Sheila
Man, this little girl is fine

Me and Sheila go for a ride
Oh oh oh oh, I feel all funny inside
Then little Sheila whispers in my ear
Oh oh oh oh, I love you Sheila dear

Sheila said she loved me, she said she’d never leave me
True love will never die
We’re so doggone happy just bein’ around together
Man, this little girl is fine

Never knew a girl like-a little Sheila
Her name drives me insane
Sweet little girl, that’s my little Sheila
Man, this little girl is fine

Me and Sheila go for a ride
Oh oh oh oh, I feel all funny inside
Then little Sheila whispers in my ear
Oh oh oh oh, I love you Sheila dear

Sheila said she loved me, she said she’d never leave me
True love will never die
We’re so doggone happy just bein’ around together
Man, this little girl is fine
Oh, this little girl is fine
Yeah, this little girl is fine
Oh, this little girl is fine

A Charlie Brown Christmas

I watched this last night…gearing up for Christmas…it’s not Christmas without The Peanuts and watching them all dance to “Linus and Lucy.”

The Peanuts were my favorite cartoon growing up and I would never miss their Thanksgiving, Halloween, and Christmas specials. Everyone can relate to Charlie Brown because we all lose more than we win in life. He doesn’t get to kick that football, his dog has more things than he does, and he is forever trying to get the elusive little redhead girl to notice him.

The Peanuts inhabit a kids world where grownups are felt but not heard. At least not in English. I’ve said this before but… Charlie Brown, one day when you grow up… I hope you end up with the little red head girl that you like so much and win just for once…for all of us.

Little Red-Haired Girl | Charlie brown characters, Charlie brown and  snoopy, Charlie brown cartoon

This 1965 special has everything good about them in one show.

The gang is skating and Charlie Brown is telling Linus that despite Christmas being a happy time he is depressed. Linus tells Charlie that is normal and Lucy pipes in with “Of all the Charlie Browns in the world, you’re the Charlie Browniest.” That sums it all up.

Charlie gets to direct the Christmas play and his main job was to get a spectacular Christmas tree under Lucy’s orders. …He picks the only real tree there…more like a branch but he is sure it will do the job. Most of the gang do not agree when he comes back with the tree but Charlie persists. Linus gets up and reads from the Bible and the inflection he lends to the reading is great.

After that, you will need to watch because it will be worth it.

Aluminum Christmas trees were marketed beginning in 1958 and enjoyed fairly strong sales by eliminating pesky needles and tree sap. But the annual airings of A Charlie Brown Christmas swayed public thinking: In the special, Charlie Brown refuses to get a fake tree. Viewers began to do the same, and the product was virtually phased out by 1969. The leftovers are now collector’s items.

Actors and Actresses The early Peanuts specials made use of both untrained kids and professional actors: Peter Robbins (Charlie Brown) and Christopher Shea (Linus) were working child performers, while the rest of the cast consisted of “regular” kids coached by Melendez in the studio. When Schulz told Melendez that Snoopy couldn’t have any lines in the show—he’s a dog, and Schulz’s dogs didn’t talk—the animator decided to bark and chuff into a microphone himself, then speed up the recording to give it a more emotive quality.

Love the Christmas Dance.

Kathy Young and The Innocents – A Thousand Stars

I don’t know how many people know this song but it took me twenty years to find it. I heard it in 1986 on an oldies station. I just caught the middle to the end and it intrigued me. It was haunting to me at the time the few times I heard it

Every time they would play it (and it wasn’t much) I wouldn’t catch who it was…it never dawned on me to call the station and ask. It took me till around 2008 to remember enough of the song to track it down.

The Innocents also had two Top 40 hits in 1960 with “Honest I Do” and “Gee Whiz.” Young followed up with The Innocents in 1961 with “Happy Birthday Blues,” which became a Top 40 hit, and she continued to chart through early 1962 with “Our Parents Talked It Over,” “Magic Is The Night,” and “The Great Pretender,” a cover of The Platters’ 1955 song.

With Jim Lee, Young moved to Monogram Records and continued to record solo and with Chris Montez. The duo had a minor hit in 1964 with “All You Had To Do (Was Tell Me)” (billed as Chris & Kathy), which was her final charting song. Kathy Young was only 15 years old in 1960 when this song hit.

It was released in 1960 and peaked at #3 in the Billboard 100. This was their one and only top ten hit. It was written by Eugene Pearson.

Kathy Young made a return to music in the mid-1990s and has since then continued to perform to the present day. She was inducted into the Doo-Wop Hall of Fame in 2014.

A Thousand Years

A thousand stars in the sky like the stars in your eyes
They say to me that there’ll never be
No other love like you-oo for me-e-e
A thousand stars in the sky make me realize
You are the one love that I?ll adore
Tell me you love me
Tell me you’re mine once more (once more, once mo-o-ore)
Each night I count the stars in the sky
Hoping that you aren’t telling me lies
you’re with me tonight, I’m captured by your charms
Oh, pretty baby, won’t you hold me in your arms?
A thousand stars in the sky make me realize
You are the one love that I?ll adore
Tell me you love me
Tell me you’re mine once more (once more, once mo-o-ore)
Each night I count the stars in the sky
Hoping that you aren’t telling me lies
you’re with me tonight, I’m captured by your charms
Oh, pretty baby, won’t you hold me in your arms?
A thousand stars in the sky make me realize
You are the one love that I?ll adore
Tell me you love me
Tell me you’re mine once mo-o-re (I-I-I’m yours)

Rudolph the Red-Nosed Reindeer

Merry Christmas everyone! We will have some of the family over and we all celebrate. My nephew has three children and one is only 3 years old so we will have a good time. This year my son is at home…he traveled last year to Germany to see his girlfriend. This year Maria and Bailey will be here so I’m looking forward to it.

Watching Rudolph the Red-Nosed Reindeer every year is the same as setting up the tree. Every year I would look forward to seeing this along with the others but what a fantastic durable show this has been. When I hear Burl Ives in anything…I think of him as the narrator Sam the Snowman of this program.

I’ve marked out some time to watch this tonight during our Christmas Eve party.

The characters are wonderful. Well except those other young reindeer who really come down on Rudolph when his nose lights up.

Hermey the elf who wants to be a dentist
Clarice – The reindeer who likes Rudolph just as he is red nose and all.
Yukon Cornelius the prospector who loves silver and gold and has a tongue that can find his silver and gold.
Abominable Snowman – The bad guy of the show who only needs a dentist to make him a good guy.
Head Elf – He leans on Hermey to get his elf self-act together and discourages him from being a dentist…I never liked him too much.

Throughout the special, Yukon Cornelius is seen throwing his pickaxe into the ground, taking it out, and licking it. It turns out that he is checking for neither gold nor silver; Yukon was actually searching for an elusive peppermint mine. In a scene right at the end of the special’s original broadcast, deleted the next year to make room for the Misfit Toys’ new scene, Cornelius pulled his pick from the ground, licked it, and said, “Peppermint! What I’ve been searching for all my life! I’ve struck it rich! I’ve got me a peppermint mine! Wahoo!” The scene was restored in 1998 and has been reinstated in all the subsequent home video release except for the 2004 DVD release. However, this scene is still cut from recent televised airings.

The Island of Misplaced Toys got to me when I was a kid. I really felt sorry for these lonely toys. King Moonracer was over the island and tried to convince Rudolph to tell Santa about them so he could pick them up and find kids who would play with them.

Related image

The original 1964 airing did not include the closing scene where Santa picks up the misfit toys. That scene was added in 1965, in response to complaints that Santa was not shown fulfilling his promise to include them in his annual delivery.

The stop animation in this works really well.

The songs are really good. Silver and Gold, Holly Jolly Christmas, Jingle Jingle Jingle, We Are Santa’s Elves, There’s Always Tomorrow, We’re a Couple of Misfits, and The Most Wonderful Day of the Year.

I must say…I like stop motion more than computer animation.

https://christmas-specials.fandom.com/wiki/Rudolph_the_Red-Nosed_Reindeer_(Rankin/Bass)

Beatles – I Me Mine

George’s contribution to Let It Be included For You Blue and today’s song I Me Mine. The song was very significant in Beatles history as you read on. It was the last song they recorded, minus John, until the 90s.

George Harrison wrote this song and sang lead. He said it is “About the ego, the eternal problem.” The version we hear on Let It Be didn’t have John Lennon who was away at the time.

In the Hindu holy book Bhagavad Gita, the following verse is found: “They are forever free who renounce all selfish desires and break away from the ego-cage of I-me-mine, to be united with the Lord. This is the supreme state; attain to this and pass from death to immortality.” 

This uses a 3/4 time signature like a waltz, rather than the standard 4/4. With a rather mournful sound, Harrison called it a “heavy waltz.” The first version The Beatles recorded ran just 1:34, and had only one chorus. The album’s producer, Phil Specter, copied and pasted parts of that recording to make the song 2:25.

The song wasn’t going to be in the film but when Allen Klein, made a deal with United Artists to release the project it was included. When Let It Be Naked came out in 2003 this was one of the few songs McCartney decided to leave as it was. I will have to say though that I do like that release that took away Spector’s production…or overproduction of some of the numbers.

When I first watched Let It Be in the 80s I remember this well because Lennon and Ono waltzed around the huge studio to this song. You always think of The Beatles ending in the sixties but on January 3, 1970, Paul, George, and Ringo got together to work on some of the songs. It would be the last time those three recorded together until the 90s with The Beatles anthology. Sixteen takes were laid down of “I Me Mine,” featuring Harrison on acoustic and lead vocal, McCartney on bass, and Starr on drums. Backing vocals, Hammond Organ and electric piano from McCartney, and a lead guitar by Harrison were added toward the end of the session.

Supposedly after the 12th take, Harrison led the group through an impromptu run-through of Buddy Holly’s 1959 hit “Peggy Sue Got Married,” which if it’s true…has not been released. This short version of I Me Mine was included in the Beatles Anthology.

Harrison’s 1980 autobiography is also titled “I Me Mine.”

George Harrison: “It was the TV, you see, that science fiction thing (referring to an episode of “Out Of The Unknown: Immortality Inc.”), but then it suddenly turned into that crap about medals and things. That’s what gave me the idea. Suddenly it was the bit where they were all coming into the ball. I think it was Austria, and they all had their medals. And there was some music that was just playing…like a 3/4 thing. Some things like that happen where you just hear something, and it registers in your head as something else. And so I just had it my head, just the waltz thing, and it was fitting…It’s like one of those things where they’re all swaying!”

*** Unfortunately, I was going to try to see that episode but The BBC in their infinite wisdom wiped this episode. No known copy is known to exist. *** When he said “it turned into that crap about medals” he was talking about a show called Europa: The Titled and the Unentitled that must have followed “Out of the Unknown.”

I Me Mine

All through’ the day
I me mine, I me mine, I me mine
All through’ the night
I me mine, I me mine, I me mine
Now they’re frightened of leaving it
Ev’ryone’s weaving it
Coming on strong all the time
All through’ the day I me mine

I-I-me-me mine, I-I-me-me mine
I-I-me-me mine, I-I-me-me mine

All I can hear
I me mine, I me mine, I me mine
Even those tears
I me mine, I me mine, I me mine
No-one’s frightened of playing it
Ev’ryone’s saying it
Flowing more freely than wine
All through’ the day I me mine

I-I-me-me mine, I-I-me-me mine
I-I-me-me mine, I-I-me-me mine

All I can hear
I me mine, I me mine, I me mine
Even those tears
I me mine, I me mine, I me mine
No-one’s frightened of playing it
Ev’ryone’s saying it
Flowing more freely than wine
All through’ your life I me mine

Dion – Abraham, Martin and John

Sometimes a pop song is more important than just a regular pop song…this is one of them.

Great song by Dion. This song is a tribute to those involved in the battle for civil rights. The title refers to Abraham Lincoln, Martin Luther King Jr., and John F. Kennedy. The last verse in the song refers to Bobby …JFK’s brother, Robert Kennedy. Everyone mentioned in the song has died and this is symbolized by their progression over a hill.

This was written by the rockabilly singer Richard Louis Holler…better known as  Dick Holler who also wrote the novelty hit Snoopy Vs. The Red Baron. Abraham, Martin and John has been covered by artists including Ray Charles, Bob Dylan, Kenny Rogers, Emmylou Harris, Andy Williams, Marvin Gaye, Whitney Houston, and Moms Mabley, among others.

Dion was in bad shape when this song presented itself. He had just recovered from heroin addiction and was offered this as a possible comeback song. It peaked at #4 on Billboard 100, #1 in Canada, and #12 in New Zealand in 1968 and reestablished Dion in the music business.

Initially, Dion detested the song, but he has since come to understand its legacy. Later on, Dion claimed to have received over 4,000 letters thanking him for recording this song.

Dion: “I realized that what these four guys had in common was a dream… It was like they had the courage to believe that a state of love really can exist.”

Abraham, Martin and John

Has anybody here seen my old friend Abraham?
Can you tell me where he’s gone?
He freed a lot of people
But it seems the good die young
But I just looked around and he’s gone

Has anybody here seen my old friend John?
Can you tell me where he’s gone?
He freed a lot of people
But it seems the good die young
But I just looked around and he’s gone

Has anybody here seen my old friend Martin?
Can you tell me where he’s gone?
He freed a lot of people
But it seems the good die young
But I just looked around and he’s gone

Didn’t you love the things that they stood for?
Didn’t they try to find some good for you and me?
And we’ll be free
Someday soon, it’s gonna be
One day

Has anybody here seen my old friend Bobby?
Can you tell me where he’s gone?
I thought I saw him walkin’
Up over the hill
With Abraham, Martin and John

Dave Dee, Dozy, Beaky, Mick & Tich – The Legend Of Xanadu

The song I know most by them is Hold Tight but after finding that one I found this odd song by them. It was their only #1 song in the UK. It also did well in New Zealand peaking at #1, #10 in Canada, and #123 in the Billboard 100 in 1968. The song was written by Ken Howard and Alan Blaikley.

You know…before we continue. Sometimes a band’s name can help and maybe hurt them a little. In this case, the word HINDER comes into play… although I do get a laugh out of it…I had to serach my own site to find their correct name again.

David John Harman (Dave Dee), Trevor Leonard Ward-Davies (Dozy), John Dymond (Beaky), Michael Wilson (Mick) and Ian Frederick Stephen Amey (Tich), who were childhood friends from Wiltshire (same area as the Troggs) formed a group in 1961. They were originally called Dave Dee and the Bostons. A few years later they changed their names to Dave Dee, Dozy, Beaky, Mick and Tich.

Songwriter Ken Howard who recorded them: “We changed their name to Dave Dee, Dozy, Beaky, Mick and Tich, because they were their actual nicknames and because we wanted to stress their very distinct personalities in a climate which regarded bands as collectives”.

They never made it big in America but they were huge in the UK. They had thirteen UK Top forty hits, eight UK Top 10’s,  and one Number 1 with this song.  In New Zealand, the band had three number-one hits, and seven other songs reached the top ten.

I heard them a bit through the 80s and 90s but not much. Quentin Tarantino must have liked them because he featured Hold Tight in his movie Death Proof during the infamous crash scene.

The group re-formed in the 1990s with Dee as lead vocalist once again. Dave Dee performed his last gig in Eisenburg, Germany on September 20, 2008, and died at Kingston Hospital, southwest London, in January 2009 at the age of 65, following a three-year battle with cancer.

The Legend Of Xanadu

Esta es la leyenda de Xanadu

You’ll hear my voice, on the wind, ‘cross the sandIf you should returnTo that black barren land that bears the name of Xanadu

Cursed without hope, was the love that I soughtLost from the startWas the duel that was s’pposed to win her heart in Xanadu

And the foot prints leave no tracesOnly shadows move in places where we used to goAnd the buildings open to the skyAll echo when the vultures cry as if to showOur love was for a dayThen doomed to pass awayIn Xanadu, in Xanadu, in Xanadu

In Xanadu, in Xanadu, in Xanadu

What was it to you that a man laid down his life for your loveWere those clear eyes of yours everFilled with the pain and the tears and the griefDid you ever give your self to any one man in this whole wide worldOr did you love me and will you find your way back one day to Xanadu

You’ll hear my voice, on the wind, ‘cross the sandIf you should returnTo that black barren land that bears the name of Xanadu

In Xanadu, in Xanadu, in Xanadu, in Xanadu

Beatles – Rocky Raccoon

This coming weekend I’m going to attempt a Beatles album ranking post which I’ve never done… so I’ve been listening to the White Album. Rocky Raccoon is a  great way to start out the week

I bought the White Album in the winter of 1981 right after John Lennon was murdered. It has remained my favorite album ever by far. You have such a variety on this album and it gives you different glances at the Beatles without many studio tricks and sounds.

This song starts with a strumming guitar and then comes Paul talking/singing in his best western voice. Now somewhere in the Black Mountain Hills of Dakota
There lived a young boy named Rocky Raccoon. 

The main character was originally called Rocky Sassoon but McCartney changed it to Raccoon, as he thought the name was more cowboyish.

The original title of the album was going to be “A Doll’s House“… but the band  Family used the title Music from a Doll’s House for its debut album, so The Beatles scrapped the idea. The album’s real name ended up being “The Beatles” but the plain white cover nickname soon took over. From some accounts here is the original cover.

A Doll's House

In 1968, McCartney got the idea for it when he was playing guitar with John Lennon and Donovan Leitch at the Maharishi’s camp in India. Rocky in the song is a cowboy in the old west and challenges Dan when Dan ran off with Rocky’s girl. In the gunfight, Dan is too quick and shoots Rocky wounding him. When the song was recorded… Beatles producer George Martin played the piano in an old-west saloon style.

Rocky in this song is not a raccoon but a boy whose girl runs off with his rival, Dan. The song is set in the Old West, so Rocky does what any self-respecting cowboy would do: he challenges Dan to a gunfight. Unfortunately for Rocky, he Dan is quick on the draw and shoots him first, wounding Rocky and proving himself worthy of the girl.

The album peaked at #1 in the US, Canada, UK, and just about everywhere in 1968.

Paul McCartney: “Rocky was me writing (speaks-sings in a baccy-chewing old prospector voice), ‘It was way back in the hills of Dakota-or Arkansas-in the mining days. And it was tough, picking shovels, and we were underground 24 hours a day…’ I could have taken this serious route, researched it – ‘Take This Hammer’ (a prison work song recorded by British skiffle star Lonnie Donegan in 1959), stuff I’d been brought up on. But at that point I was a little tongue-in cheek. So I crossed it with a (British singer and banjo player popular in the 1940s) George Formby sensibility, where John and I would go (sings a bit of doggerel in a choppy rhythm) – Stanley Holloway, Albert in The Lion’s Den (the comic poem The Lion and Albert, written by Holloway’s creative partner Marriott Edgar in 1932). We were very versed in all that stuff (sings opening lines of Rocky Raccoon in the same choppy way). The scanning of the poetical stanza always interested me. Somehow this little story unfolded itself.

I was basically spoofing ‘the folk-singer.’ And it included Gideon’s Bible, which I’ve seen in every hotel I’ve ever been in. You open the drawer and there it is! Who’s this guy Gideon! I still don’t know to this day who the heck he is. I’m sure he’s a very well-meaning guy. Rocky Raccoon was a freewheeling thing, the fun of mixing a folky ramble with Albert In The Lion’s Den with its ”orse’s ‘ead ‘andle,’ ha ha.”

Many cover versions have been recorded. Some of the artists are Richie Havens, Ramsey Lewis, Jack Johnson, Andrew Gold, James Blunt, Phish, Jimmy Buffett, Maureen McGovern, Kingston Wall, Charlie Parr, and Andy Fairweather Low.

Rocky Raccoon

Now somewhere in the Black Mountain Hills of Dakota
There lived a young boy named Rocky Raccoon
And one day his woman ran off with another guy
Hit young Rocky in the eye
Rocky didn’t like that
He said, “I’m gonna get that boy”
So one day he walked into town
Booked himself a room in the local saloon

Rocky Raccoon checked into his room
Only to find Gideon’s Bible
Rocky had come, equipped with a gun
To shoot off the legs of his rival
His rival it seems, had broken his dreams
By stealing the girl of his fancy
Her name was Magill, and she called herself Lil
But everyone knew her as Nancy
Now she and her man, who called himself Dan
Were in the next room at the hoe down
Rocky burst in, and grinning a grin
He said, “Danny boy, this is a showdown”
But Daniel was hot, he drew first and shot
And Rocky collapsed in the corner

Now the doctor came in, stinking of gin
And proceeded to lie on the table
He said, “Rocky, you met your match”
And Rocky said, “Doc, it’s only a scratch
And I’ll be better, I’ll be better, Doc, as soon as I am able”

Now Rocky Raccoon, he fell back in his room
Only to find Gideon’s Bible
Gideon checked out, and he left it, no doubt
To help with good Rocky’s revival

Crazy Elephant – Gimme Gimme Good Lovin’

I first heard this song in the 80s on an oldie channel. The song has a drive to it that I love. After I heard it I went straight away and learned it on guitar. We played this at every gig because it’s so much fun…and yes easy. As I pasted the words…I thought…hell…we sang our own words and just sounded them out.

It was originally released in 1969 and it peaked at #12 on the Billboard 100, #9 in Canada, and #12 in the UK.  It was written by Joey Levine and Ritchie Cordell. The band wasn’t really a band that toured…just a studio band. It was one of the many formed by the Kasenetz-Katz production duo.

The duo took advantage of the bubblegum phase in the late sixties. They also formed  The Ohio Express, The Music Explosion, and the 1910 Fruitgum Company. This song though…if it’s played at the right volume and intensity loses that bubblegum feel quickly.

The band needed attention so they made a rather elaborate story which said that they were a group of coal miners who came all the way from Wales. Vocalist Robert “Bobby” Spencer did the lead vocals on this song. Future 10cc member Kevin Godley later sang lead vocals on one of Crazy Elephant’s songs, There Ain’t No Umbopo.

Gimme Gimme Good Lovin’

From Atlanta, Georgia, to the Gulf Stream water
up to California end I’m gonna spend my life both night and day
I say, gimme, gimme good lovin’ every night
(Hey you know it’s alright, child)
Gimme, gimme good lovin’ make it alright
Ha, ha, ha, ha, ha

To the girls in Frisco, to the girls in New York
To the girls in Texican, you gotta understand
That baby I’m your man
I say, gimme, gimme good lovin’ every night
(Yeah you know it’s alright now)
Gimme, gimme good lovin’ make it alright
Ha, ha, ha, ha, ha

Doors – Hello, I Love You

In my teens, I got into the Doors. It happened at just the right time because their popularity rose in the 1980s. When I heard this song after listening to their other music…I thought wow this is very radio-friendly for The Doors. Some fans called them a sell-out…saying it was too top 40 which I don’t think is right…not their best song but a good one. Every song cannot have lyrics like “Don’t chase the clouds pagodas” in them.

I liked it and still do and I heard The Kinks All Day and All of the Night in the song. I wasn’t the only one that heard it. Morrison admitted it and would pay Ray Davies royalties after it hit. Morrison wrote this after seeing a beautiful woman in 1965 walking down a California beach. I also read that he helped popularize the pickup line…” Hello, I love you. Won’t you tell me your name?”  that probably hasn’t worked for anyone…ok maybe Jim.

This song was on their demo to shop for a record deal…I have it at the bottom of the post. They didn’t put it on an album until 1968 when they needed material for their third album Waiting for the Sun. They needed more material for that album and pulled up this one from their original demo to re-record it. Although you can hear the Kinks in there… Krieger and Densmore borrowed the finished version’s rhythm from Cream’s Sunshine of Your Love. Robby Krieger also ran his guitar through a fuzz box to get a distorted effect like Cream’s “Sunshine Of Your Love.”

The song peaked at #1 in the Billboard 100, #1 in Canada, #12 in New Zealand, and #15 in the UK in 1968. Waiting For The Sun peaked at #1 on the Billboard Album Charts, #3 in Canada, and #16 in the UK.

I always liked Ray Davies’s response to the song’s similarities to his All Day and All of the Night.

Ray Davies: “The funniest thing was when my publisher came to me on tour and said The Doors had used the riff for ‘All Day And All Of The Night’ for ‘Hello, I Love You.’ I said rather than sue them, can’t we just get them to own up? My publisher said, ‘They have, that’s why we should sue them!’ (laughs) Jim Morrison admitted it, which to me was the most important thing. The most important thing, actually, is to take (the idea) somewhere else.”

This would be the Door’s last #1 song…Light My Fire is the first one. The R.E.M. song “Pop Song ’89” is a play on this. Instead of talking about sex, they talk to the girl about politics and the weather. This song was also used in the movies PlatoonCasualties of War, and Forrest Gump.

The demo of Hello, I Love You. 

Hello, I Love You

Hello, I love you, won’t you tell me your name?
Hello, I love you, let me jump in your game
Hello, I love you, won’t you tell me your name?
Hello, I love you, let me jump in your game
She’s walking down the street
Blind to every eye she meets
Do you think you’ll be the guy
To make the queen of the angels sigh?
Hello, I love you, won’t you tell me your name?
Hello, I love you, let me jump in your game
Hello, I love you, won’t you tell me your name?
Hello, I love you, let me jump in your game
She holds her head so high, like a statue in the sky
Her arms are wicked, and her legs are long
When she moves my brain screams out this song
Sidewalk crouches at her feet
Like a dog that begs for something sweet
Do you hope to make her see, you fool?
Do you hope to pluck this dusky jewel?
Hello, hello, hello, hello, hello, hello, hello
I want you, hello, I need my baby
Hello, hello, hello, hello