This song has the effect on me that an Otis Redding song would. It makes me feel good, and it has a 50s – 60s R&B sound to it, at least to me. Also, the groove is infectious. They kept the structure simple and let the groove carry it. David Hidalgo handles the vocals, and the band keeps everything locked in behind him like a machine.
This song appeared in 1987 on By the Light of the Moon, the album they released in the same year as the success of La Bamba. That put the band in a different spot. They suddenly had a wider audience, but instead of repeating that sound, they went back to something closer to their roots, mixing rock and roll with R&B and older influences they grew up on in East L.A.
Los Lobos (Spanish for “The Wolves”) started in the early 1970s in East Los Angeles. High school friends David Hidalgo, Louie Pérez, Cesar Rosas, and Conrad Lozano started playing together. The guy who brought them together was Francisco González. He left the band before fame and became musical director of El Teatro Campesino and went on to start Guadalupe Custom Strings. They started off by playing top 40 music but soon tired of that. They drew inspiration from Mexican folk music they heard as kids. They didn’t fit into the typical rock band mold… instead, they experimented with acoustic instruments like the jarana, requinto, and bajo sexto.
They opened for such artists as The Clash and The Blasters. Steve Berlin, who was born in Philadelphia, played saxophone for the Blasters and then left the group to join Los Lobos. To his delight, he found the other members of Los Lobos shared a love for country artists such as Hank Williams and George Jones. The band mixed so many styles…Mexican folk music, country, and rock all in the same bag.
This song peaked at #21 on the Mainstream Rock Charts, #45 in New Zealand, and #99 in the UK in 1987.
When love’s in vain, love can be so strangeThere ain’t nothing I can take to kill this painSet me freeWhy don’t you, Rosa Lee?
She is a dream, but she’s so hard to pleaseShe moves around like an Egyptian queenSet me freeWhy don’t you, Rosa Lee?
I’m so afraid of losing youBut there’s only so much that a man can doFor Rosa LeeWhy don’t you set me free?
When I hit the road the time goes slowThinking about the places I used to goWith Rosa LeeWhy won’t you set me free?
They’re trying to close the Tu y YoThe Latin playboy and the sky room showsRosa LeeWhy don’t they let them be?
I can’t get used to losing youBut there’s only so much that a man can doFor Rosa LeeWhy don’t you set me free?
People say that you were made for meI knocked my head [?]But they’ll never know the hurt it takes to beRosa Lee
When love’s in vain, love can be so strangeBut I never thought I’d wear a ball and chainSet me freeWhy don’t you, Rosa Lee?
Set me freeWhy don’t you, Rosa Lee?Why don’t you set me freeWhy don’t you Rosa Lee, yeah
Why don’t you set free, why don’t you set freeYou got to set me freeYou got to, you got to, you got to set free, baby, ah, yeah, ooh
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Awesome! Great band! Great tune! 😎
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Great song from a great album. Nice live version. The first time I heard it, the groove made me think of Motown, and I loved it immediately. Still do. Very good choice today.
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César Rosas is like Los Lobos’ George Harrison to Hidalgo and Pérez as Lennon/ McCartney; or Bob Weir to the Dead’s Garcia/Hunter. Another songwriter whose work is very different. One correction – it is César Rosas singing.
The album this is from is one of the best ever. My Amazon review says ” It is rock and roll literature; a serious contender for the best rock album of all time; it is an album, not just a bunch of songs thrown together, nor is it a pretentious “concept album”. In the days of trade guilds, a young journeyman put his heart and soul into one project to showcase all of his skills in order to advance from journeyman to master. This is that piece for Los Lobos and why they call it a masterpiece!”
I still stand behind that statement. If one needs evidence that the Rock and Roll Hall of Fame is a joke, Exhibit A is that Los Lobos are not in it.
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There is something about the beat of this song that made me feel I was listening to the Band playing ‘The Shape I’m In’.
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Great band!
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