Looking through my index…I can’t believe I’ve never posted this one by Cream before. I’m rectifying that mistake today! The song was born from a riff they played in their first rehearsal.
You probably will ask yourself…what did NSU stand for? That would be courtesy of Eric Clapton. He had a venereal disease at the time that was called Non-Specific Urethritis. They thought it would be fun to name the song with the initials.
How this band must have sounded to ears when they first got played. Compared to what was going on it must have sounded like aliens. I would also include Jimi Hendrix with this wash of hard rock psychedelic music.
Cream was formed in 1966 and consisted of Eric Clapton (guitar, vocals), Jack Bruce (bass, vocals), and Ginger Baker (drums). They were one of the first supergroups, with members already having successful careers. Eric had played with The Yardbirds, Bluesbreakers, John Mayall & the Bluesbreakers, Powerhouse, and more. Jack Bruce played with Manfred Mann, Blues Incorporated, and helped form The Graham Bond Organisation. Ginger Baker played with Blues Incorporated, Johnny Burch Octet, and The Graham Bond Organisation before Cream.
The song was on their debut album Fresh Cream released in 1966. The album peaked at #39 on the Billboard Album Charts and #6 in the UK. I can’t find a reliable source but one source has it peaking at #39 in Canada.
This song was written by bassist Jack Bruce.
N.S.U.
Driving in my car, smoking my cigar,
The only time I’m happy’s when I play my guitar.
Singing in my yacht, what a lot I got,
Happiness is something that just cannot be bought.
I’ve been in and I’m out, I’ve been up and down,
I don’t want to go until I’ve been all around.
What’s it all about, anyone in doubt,
I don’t want to go until I’ve found it all out.
I haven’t reviewed Beck’s discography as much as I should have. This song is really good and so is the rest of the album. They touch on so many different styles.
The Jeff Beck Group was formed by guitarist Jeff Beck after he left The Yardbirds. The original lineup included Rod Stewart on vocals, Ronnie Wood on bass, Micky Waller on drums, and Nicky Hopkins on piano. This lineup is known for blending rock, blues, and jazz elements. The critics also cited this album as a big step to heavy metal and hard rock.
This was before The Faces with Wood and Stewart. Rod Stewart did some of his best vocals with this band. Spanish Boots was written by Jeff Beck, Rod Stewart, and Ronnie Wood. The song appears on Jeff Beck’s album Beck-Ola, released in 1969. Beck-Ola peaked at #39 in the UK, #15 on the Billboard 200, and #22 in Canada.
The album didn’t achieve the same level of commercial success as some of Jeff Beck’s later works but was critically acclaimed. Truth was their debut album, and it was released in 1968. It was a big success and critically acclaimed.
Spanish Boots
I used to work and take a salary In a hole up near a foundry But it did not take me too long To get my boots on a “So Long!” Long Spanish boots on a “So Long!” I took a day job in Bethlehem I nearly threw in the towel then But it did not take me too long To get my boots on a “So Long!” High Spanish boots on a “So Long!”
Dig it I took a Spanish haberdashery Restored with 15th century tapestry But oh, Mr. Nesbitt got the best of me So I strapped on my boots and said “So Long!” Laced up my high boots and “So Long!”
Goodbye Am on a job you see ‘Cause my old boots they mean too much to me Leather boots are just a mystery Put on my boots and said “So Long!” High Spanish boots on and “So Long!” Put on my boots and said “So Long!” Those old Spanish boots Put on my boots and said “So Long!” High Spanish boots
Albatross is an instrumental from Fleetwood Mac…the 60’s version of the band with the great guitar player Peter Green. I first heard about the song in a book. The Beatles were recording Abbey Road and they played this song constantly through the sessions. You can hear the reverb effect used on Sun King by Lennon that resembles Albatross.
When this song was released, Fleetwood Mac was six years away from their pop conversion of the Stevie Nicks/Lindsey Buckingham era. The lineup on this track was Peter Green (vocals, guitar), John McVie (bass), Danny Kirwan (guitar), and Mick Fleetwood (drums). The song was released on November 22, 1968, with ‘Jigsaw Puzzle Blues’ (written by the band’s James Kirwan) on the B-side.
It remains one of the band’s most recognizable songs from their early blues- period. The song peaked at #1 on the UK Charts, #45 in Canada, and #4 on the Billboard Bubbling Under the Hot 100 Charts (per Wiki) in 1969. Peter Green wrote this song. Albatross was re-released in 1973 peaking at #2 on the UK Charts. In 1989, it was released again and peaked at #96 on the UK Charts…and in 2020-2023 it was released yet again and peaked at #8 on the UK Singles Charts. The song keeps on giving.
Funny enough…this song remains their only #1 UK song! That surprises me with the later commercial success they had. Few bands could evolve like they did. Genesis is one and David Bowie is another one that pulled off different sounds but remained popular.
The title came from a bird called The Albatross, which sailors regarded as a sign of bad luck. That is where the saying “like an Albatross around your neck” came from. Green was also influenced by the Santo and Johnny song Sleep Walk…which you can hear that sound in this. Green also said some of it came from notes that Clapton would play with the John Mayall Bluesbreakers on the song The Last Meal but just slowed down. Peter Green would replace Eric in that band.
Peter Green remains one of my favorite guitar players. My admiration for him has grown through the years. Sleep Walk from Santo and Johnny remains one of my favorite instrumentals and I can hear it in this clearly…makes me like it more.
Danny Kirwan: Well, that was Monsieur Peter Green – I called him Monsieur, you know – and I played with him. On “Albatross” he told me what to do, all the bits I had to play.
George Harrison: “So we said, ‘Let’s be Fleetwood Mac doing Albatross, just to get going.’ It never really sounded like Fleetwood Mac… but that was the point of origin.”
I’ve heard of this band for so long but never listened to many of their songs. This one is right up my alley…raw, garage-sounding, and slightly punk. They formed in London in 1963. They were known for their raw sound and rebellious image, they are often cited as one of the most influential bands of the 1960s and 1970s. They didn’t have a lot of hits but their sound was copied.
This song was released in 1964, and The Pretty Things was probably the scruffiest band around in 1964… and that includes the Stones.
The song peaked at #10 in the UK and #34 in Canada in 1964. The song was a stand-alone single. They would release their self-titled debut album in 1965. The song was written by Johnny Dee, the manager of a British band at the time called The Fairies.
The Pretty Things continued to evolve after “Don’t Bring Me Down” exploring different musical styles including psychedelia and hard rock. Despite numerous lineup changes and challenges, they remained active for decades, maintaining a cult following.
In 1968 they released the album S.F. Sorrow, one of the first rock operas, predating The Who’s Tommy. It is a concept album that tells the story of a character named Sebastian F. Sorrow from birth to death. Though not a commercial success at the time, it has since been recognized as a groundbreaking work and a classic of that genre.
Don’t Bring Me Down
I’m on my own, nowhere to roam I tell you baby, don’t want no home I wander round, feet off the ground I even go from town to town I said I think this rock is grand Say I’ll be your man Don’t bring me down, don’t bring me down
I met this chick, the other day And then to me, she said she’ll stay I get this pad, just like a cave And then we’ll have, our living made And then I’ll lead her on the ground My head is spinning round Don’t bring me down, don’t bring me down
I, I, I, I, I need a lover ’cause someone new And then to her I will be true I’ll buy her furs and pretty things I’ll even buy a wedding ring But until then I’ll settle down? Say I’ll be your man Don’t bring me down, don’t bring me down
Until then I’ll settle down? Say I’ll be your man Don’t bring me down, don’t bring me down Don’t bring me down
I really like this song and the pre-hit Steve Miller Band as well. I do like many of his hits but his early catalog is filled with great songs and musicianship. This one has a lot of history. I think Miller’s hits has been a huge victim of radio overplay but I realize that is not his fault…doesn’t mean “Jet Airliner” is not any good…we just have sometimes have heard those songs too much. I have songs like that…but give it some time and I can listen to them again.
His earlier songs have more of a blues feel. The former members of his band has included Boz Scaggs, Nicky Hopkins, Doug Clifford (CCR drummer), Ross Valory, Lonnie Turner, and about a page more of names.
Steve Miller wrote this tune and Paul McCartney played drums, bass, some guitar, and backing vocals. You will also catch the future riff to Fly Like An Eagle in this song. Paul would be credited as Paul Ramone. Paul went by that name on their first tour and that is where the Ramones got their name.
When I read the story of this recording the title would probably match what McCartney was feeling. Allen Klein had just suckered John, George, and Ringo into signing a management contract and he wanted Paul. It was on a Friday afternoon and Paul refused. I’m not always on Paul’s side but in this case…oh yes. He told the other 3 something I find quite funny. Klein wanted 20% of the Beatles earnings and Paul told them wait…The Beatles are kinda big and let him have 10% but John would have none of it. Paul never signed and later on John, George, and Ringo would regret the decision as they all sued Klein and Klein sued them.
On that day, Steve Miller walked into the studio after a giant fight with only Paul left there. I’ll let Paul McCartney tell it: Steve Miller happened to be there recording, late at night, and he just breezed in. ‘Hey, what’s happening, man? Can I use the studio?’ ‘Yeah!’ I said. ‘Can I drum for you? I just had a fucking unholy argument with the guys there.’ I explained it to him, took ten minutes to get it off my chest. So I did a track, he and I stayed that night and did a track of his called My Dark Hour. I thrashed everything out on the drums. There’s a surfeit of aggressive drum fills, that’s all I can say about that. We stayed up until late. I played bass, guitar and drums and sang backing vocals. It’s actually a pretty good track.
It was a very strange time in my life and I swear I got my first grey hairs that month. I saw them appearing. I looked in the mirror, I thought, I can see you. You’re all coming now. Welcome.
The song was on The Steve Miller Band’s album Brave New World released in 1969. The album peaked at a respectable #22 on the Billboard Album Charts and #38 in Canada.
Steve Miller: I got John Lennon’s Epiphone Casino and played through his amp, Paul got on the drums. It was like we’d been playing together forever.
Here is a snippet of Badfinger covering this song live. They were expanding their sound live with longer jams.
My Dark Hour
My dark hour My dark hour You know it’s drivin’ me wild
Well, well, I went to see the doctor And I had my fortune read And you know, the doctor told me “Son, you better stay in bed”
Who’s that comin’ down that road Looks like he’s carryin’ a heavy load What’s that word that he started to say? Wanna come with me on my way?
My dark hour, a mother nature’s child My dark hour, oh, it’s drivin’ me wild
Well, I went (to see the doctor) Just to have (my fortune read) Well, well, well, well, well (The doctor told me) “Son, stay in bed”
So do you think these sinners will fall Or do you think they’ll survive us all? Well, well, well, well, a-down this road Won’t you help me carry my load?
My dark hour, mother nature’s child My dark hour, oh-oh, it’s drivin’ me wild
Usually, I plan these breaks out but this one was planned for me.
Our company has purchased two businesses and IT (that’s my department) will be involved heavily this month. This will interfere with my weekday posting. On the weekends…I should be fine. I will be traveling through some weeks also…so starting Monday…I will only be posting on weekends until July. I have enough posts to post for 3 weeks but if I cannot comment back…why bother? So…this weekend I WILL post though and every weekend until July.
This time I really didn’t want a break but I’m not sure how much time I’d be able to use checking the blog. Thank you all again for checking my blog out I will see you on weekends and should be back full-time in July.
Thank you all again for reading this every day! See you tomorrow. I have to include a song…so this one works for me.
This song was on the third Beatles album I bought. That would have been The Red Album compilation.
I’m posting it because I just heard the live version from the Anthology and for me…it’s better than the released version. I like the harmonica as an instrument but I like this live version they did without it. John didn’t want to use it because they had used it on Love Me Do, Please Please Me, and then this one. He didn’t want them repeating themselves but was talked into it.
This was their third single in the UK. Love Me Do (#17), Please Please Me (#2), and then this song which peaked at #1 in the UK. When The Beatles hit America…their hits more times than not charted higher in the US. Some of the examples are Twist and Shout (#2 US #0 UK), Penny Lane/Strawberry Fields (#1 US #2 UK), Something (#4 UK #1 US) and more. Now some did the opposite but this song was really odd. It didn’t chart in the top 40 in America at all. Very unusual in 1964.
George Martin asked them to come up with something as good as Please Please Me and they gave him this. No, I don’t think it’s as good but it’s a good song. There was a column in the New Musical Express that was titled From You To Us which featured fans writing columns. This particular one featured a fan letter talking about how Cliff Richard was currently outshining Elvis Presley in the charts. Lennon stated in May of 1963 that Paul and he started to “talk about one of the letters in the column,” which led to them putting ideas together for a song inspired by the title of this newspaper column. This one both Lennon and McCartney agreed was a 50/50 composition.
Paul said that they wrote it while on tour with Roy Orbison. The only problem is that the song was already released then. They were on tour with Helen Shapiro who at the start of the tour were more popular than they were.
Del Shannon was the first American to cover a Beatles song…and he covered this one in 1963.
John Lennon: We were just fooling about on the guitar, this went on for a while. Then we began to get a good melody line and we really started to work at it. Before the journey was over we’d completed the lyric, everything. The words weren’t really all that difficult – especially as we had decided quite definitely not to do anything that was at all complicated. I suppose that is why we often had the words “you” and “me” in the titles of our songs. It’s the kind of thing that helps the listeners to identify with the lyrics. We think this is very important. The fans like to feel that they are part of something that is being done by the performers.”
That said, this song was “below Beatles par ” by a critic…John Lennon: “Maybe it wasn’t as good as ‘Please Please Me,’ but below par? I’ll never forget that one. That’s when I first realized you’ve got to keep it up, there’s some sort of system where you get on the wheel and you’ve got to keep going around.”
The original version is below…there is one thing you can hear now in the remastered versions…the bass!
From Me To You
If there’s anything that you want If there’s anything I can do Just call on me and I’ll send it along With love, from me to you
I’ve got everything that you want Like a heart that’s oh so true Just call on me and I’ll send it along With love, from me to you
I’ve got arms that long to hold you And keep you by my side I’ve got lips that long to kiss you And keep you satisfied (oh)
If there’s anything that you want If there’s anything I can do Just call on me and I’ll send it along With love, from me to you
From me To you Just call on me and I’ll send it along With love, from me to you
I’ve got arms that long to hold you And keep you by my side I’ve got lips that long to kiss you And keep you satisfied (oh)
If there’s anything that you want If there’s anything I can do Just call on me and I’ll send it along With love, from me to you To you To you To you
One of the many Haggard songs that my dad would play. This one along with a song called Sam Hill I heard a lot when I was a child. Sing Me Back Home was released in 1967, and it became one of Haggard’s most enduring hits.
Most people know that he spent his early adulthood behind bars for a failed attempt at robbery. While in San Quentin State Prison, Haggard wrote many songs while dreaming of freedom and life beyond the bars of a cell.
Sing Me Back Home was inspired by his fellow inmates James Rabbit and Caryl Chessman. Rabbit was executed in 1961 for killing a California Highway Patrolman, and Chessman was the first modern American executed for a non-lethal kidnapping.
Haggard and James Rabbit hatched a plan one night to escape (they would hide inside a desk he was building in the prison furniture factory), though at the last moment, Rabbit advised Haggard not to take part in the plan. Rabbit escaped, was recaptured, killed an officer, and was brought back to San Quentin to be executed. It was the first of many events to change something in Haggard’s criminal ways.
It is an incredibly sad song and you get it with the first two lines of the song. The warden led a prisoner down the hallway to his doom, I stood up to say goodbye like all the rest. The song was on his Sing Me Back Home album released in 1968. The album peaked at #1 on the Billboard Country Album Charts. The song peaked at #1 on the Billboard Country Charts and #7 on the Canadian Country Charts.
Merle Haggard: “Something happened to me there, I came to the fork in the road and took it, you might say. And I kind of started back in the other direction, trying to make something out of myself rather than to dig myself in a deeper hole.”
Sing Me Back Home
The warden led a prisoner down the hallway to his doom I stood up to say goodbye like all the rest And I heard him tell the warden just before he reached my cell Let my guitar playing friend, do my request
Let him sing me back home with a song I used to hear Make my old memories come alive Take me away and turn back the years Sing me back home before I die
I recall last Sunday morning a choir from ‘cross the street Came to sing a few old gospel songs And I heard him tell the singers There’s a song my mama sang Can I hear once before we move along?
Sing me back home, the song my mama sang Make my old memories come alive Take me away and turn back the years Sing me back home before I die
The Drifters are a perfect group to take on a date with you. My father had the greatest hits of them and The Platters but I never dived into them as much as I should have. I’ve always liked them and lately have been listening to them more. To my great surprise, this song was a B-Side to the A-side Nobody But Me. On American Bandstand…Dick Clark flipped the single and the song hit.
Doc Pomus and Mort Shuman wrote this song. They wrote songs such as A Teenager In Love, Surrender (Elvis), Little Sister, Young Blood, and more. This song was inspired by Pomus’ own life experiences. Pomus, who had polio and used crutches and a wheelchair, wrote the song for his wife, Willi Burke, a Broadway actress and dancer. At their wedding, Pomus watched his bride dance with other guests and was inspired by the moment to pen the heartfelt message that she should save the final dance of the evening for him.
This one is a classic fantastic song. The lead singer for the Drifters on this one was no other than Ben E. King. After the Atlantic Records leader, Ahmet Ertegun told King how Pomus and Shuman wrote this song he tried to reflect that in his vocals.
The song peaked at #1 on the Billboard 100, #1 on the Billboard R&B Charts, #1 in Canada, #1 in New Zealand, and #2 in the UK in 1960.
Save The Last Dance For Me
You can dance
Every dance with the guy
Who gives you the eye
Let him hold you tight
You can smile
Every smile for the man
Who held your hand
‘Neath the pale moonlight
But don’t forget who’s taking you home
And in whose arms you’re gonna be
So darlin’
Save the last dance for me, hmm
Oh, I know (oh, I know)
That the music’s fine (yes, I know)
Like sparkling wine (oh, I know)
Go and have your fun (yes, I know, oh, I know)
Laugh and sing (yes, I know)
But while we’re apart (oh, I know)
Don’t give your heart (yes, I know)
To anyone (oh, I know, yes, I know)
But don’t forget who’s taking you home
And in whose arms you’re gonna be
So darlin’
Save the last dance for me, hmm
Baby, don’t you know I love you so?
Can’t you feel it when we touch?
I will never, never let you go
I love you, oh, so much
You can dance (you can dance)
Go and carry on (you can dance)
‘Till the night is gone (you can dance)
And it’s time to go (you can dance, you can dance)
If he asks (you can dance)
If you’re all alone (you can dance)
Can he take you home (you can dance)
You must tell him, no (you can dance)
‘Cause don’t forget who’s taking you home
And in whose arm’s you’re gonna be
So darlin’
Save the last dance for me
‘Cause don’t forget who’s taking you home
And in whose arm’s you’re gonna be
So darlin’
Save the last dance for me, hmm
Save the last dance for me, hmm-hmm
Save the last dance for me, hmmm
Save
If you ever watch something I recommend…please give this short one-hour film a chance. Someone brought a DVD of this for me to watch around 7 years ago. I thought it was going to be boring. I ended up watching it twice in one sitting. It will draw you in. I watch it at least once every year or two.
A 50-year-old man named Dick Proenneke is in Twin Lakes Alaska in 1968 and films himself building a retirement cabin. He starts out by staying in a friend’s cabin. He starts gathering wood and making some of the tools he uses as he goes. This man…is a real man. if he needs a spoon…he starts carving himself out one. He builds this cabin and makes everything including wood hinges for the door. He also made hinges out of his tin containers. He gathers rocks from somewhere down the lake and brings them back… then he starts building his chimney.
He is by himself and sets up the camera everywhere he goes. He goes out fishing when he is hungry and hunting for meat for the winter only taking what he needs. He uses just what he needs and doesn’t take more from nature than he could use. He makes almost everything from scratch. He uses his tin canisters for different things. He buries one and covers for a refrigerator. The only help he receives is a pilot friend who lands every now and again to deliver supplies. He was a master craftsman, to say the least.
He also filmed all the wildlife around. Rams, wolves, bears, birds, and Caribou. He also gets some great shots of the area around Twin Lakes. The snowy mountains were breathtaking.
It doesn’t sound that special but I have watched it at least 6 more times since the night I watched it twice… sometimes showing it to other people. He makes it look so easy. He filmed enough to have a few more short documentaries which were released but nothing matches that first one. This man made me feel like a mouse, a kid, a beginner, a slouch. He is so talented and tough.
He ended up staying there until 1999 alone and then left to live with his brother at age 82. Dick passed away at 86 in 2003. The cabin is still there and is on the National Register of Historic Places. People come from all over the world to visit it.
I wish YouTube had the complete documentary but they don’t. I watch modern YouTube videos of people visiting the cabin now. They see his cache in the back, his sled, and all the cabin parts. You see him in 1968 building those items. Like I said earlier, there are more documentaries on him but start with this one. This one is great. I’ve never had someone tell me they were disappointed in it.
I first heard this song through Jason and the Scorchers giving it a high-octane slant. On my Car Songs post the other day Lisa recommended this one and instead of waiting to include it in part 3…I thought I would write a post on it.
When I think of George Jones I think of the voice. I would be lying if I didn’t also say that I think of the lawnmower story and some of the stories that I heard from some session musicians. My guitar tech had many come in his shop and they would tell stories about the country stars. They always spoke highly of George Jones, adding he was down-to-earth and a good guy. He could be a lot of fun and wild…and match his rock counterparts.
It has often been said that he had the purest country voice ever. Frank Sinatra called Jones “The second-best singer in America.” When Keith Richards (who is a huge Jones fan) heard this, he asked…who’s the first Frank?
Don Rollins, a Nashville songwriter, wrote The Race Is On with a cool twist, comparing the end of a romantic relationship to a horse race.
The song was a huge hit in Country Music. It peaked at #3 on the Billboard Country Charts in 1964.
Keith Richards on recording a duet with George Jones: There was another wonderful expedition to record a duet with George Jones at the Bradley Barn sessions, “Say It’s Not You,” a song that Gram Parsons had turned me on to. George was a great guy to work with, especially when he had the hairdo going. Incredible singer. There’s a quote from Frank Sinatra, who says, “Second-best singer in this country is George Jones.” Who’s the first, Frank? We were waiting and waiting for George, for a couple of hours, I think. By then I’m behind the bar making drinks, not remembering that George is supposed to be on the wagon and not knowing why he was so late. I’ve been late many times and so no big deal. And when he turns up, the pompadour hairdo is perfect. It’s such a fascinating thing. You can’t take your eyes off it. And in a fifty-mile-an-hour wind it would still have been perfect. I found out later that he’d been driving around because he was a bit nervous about working with me. He’d been doing some reading up and was uncertain of meeting me.
George Jones on Keith Richards: “I’ll be honest with you: I love Keith Richards more than anything as a person. He’s a character – just fun to be around.”
Dolly Parton:Anyone who knows or cares anything about real country music will agree that George Jones is the voice of it.
The Race Is On
I feel tears wellin’ up Cold and deep inside Like my heart’s sprung a big break And a stab of loneliness sharp and painful That I may never shake Now, you might say that I was takin’ it hard Since you wrote me off with a call But don’t you wager that I’ll hide the sorrow When I may break right down and bawl
Now the race is on And here comes pride up the backstretch Heartaches are goin’ to the inside My tears are holdin’ back They’re tryin’ not to fall My heart’s out of the runnin’ True love’s scratched for another’s sake The race is on and it looks like heartache And the winner loses all
One day I ventured in love Never once suspectin’ What the final result would be How I lived in fear of wakin’ up each mornin’ And findin’ that you’re gone from me There’s ache and pain in my heart For today was the one I hated to face Somebody new came up to win her And I came out in second place
Now the race is on And here comes pride up the backstretch Heartaches are goin’ to the inside My tears are holdin’ back They’re tryin’ not to fall My heart’s out of the runnin’ True love’s scratched for another’s sake The race is on and it looks like heartaches And the winner loses all
This song has to have a world record attached to it… song most used in pep rallies. I heard the na na na parts from elementary to high school. It was high school before I heard the actual song.
The original version was by Chris Kenner, a New Orleans R&B singer and songwriter, first recorded and released “Land of 1000 Dances” in 1962 and it only made it to #77 on the Billboard 100. Kenner wrote the song as well. He promised Fats Domino a writing credit if he recorded it…Fats did but it didn’t go anywhere. On some copies, he is listed as a co-writer.
This song has been covered a lot. Secondhandsongs says it has 150 cover versions which is very good. Cannibal and The Headhunters covered it in 1965 and they peaked at #30 on the Billboard 100 but Wilson Pickett had the highest charting position for the song. It’s no telling how many times it’s been played live by famous and nonfamous artists.
Land of 1000 Dances peaked at #6 on the Billboard 100, #6 in Canada, and #22 in the UK in 1966 for Pickett. The sound of this record is great…it has a raw edge that only Stax had at the time.
Land of 1000 Dances
One, two, three
One, two, three
Ow! Uh! Alright! Uh!
Got to know how to Pony
Like Bony Moronie
Mash Potato
Do The Alligator
Put your hand on your hips, yeah
Let your backbone slip
Do the Watusi
Like my little Lucy
Ow! Uh!
Na, na-na na-na
Na-na na-na
Na-na na-na na-na
Na-na na-na
Need somebody help me say it one time!
Na, na-na na-na
Na-na na-na
Na-na na-na na-na
Na-na na-na
Wow!
Ow!
Uh!
You know I feel alright?
Hah!
Feel pretty good, y’all
Uh-hah!
Na, na-na na-na
Na-na na-na
Na-na na-na na-na
Na-na na-na
C’mon y’all, let’s say it one mo’ time!
Na, na-na na-na
Na-na na-na
Na-na na-na na-na
Na-na na-na
Ohh!
Dancin’ in the alley
With Long Tall Sally
Twistin’ with Lucy
Doin’ the Watusi
Roll over on your back
I like it like that
Do that Jerk, oh
Watch me work, y’all
Ow! Do it!
Wow! Do it!
Watch me do it
Ohh, help me!
Ohh, help me!
Ohh, help me!
Ohh, help me!
When I started this blog…I had no idea that I would concentrate on single songs. I was going to cover pop culture and I did at the beginning more. I would like to get one in every now and then.
Today… everything seems to be bigger, stronger, and faster. That isn’t true though with a certain passenger airplane. A flight from New York to London now will take around 7 hours and 35 minutes to 8 hours and 10 minutes long. How fast would that flight be in the 1970s on the Concorde? That would take you a cozy three-and-a-half hours. The fastest flight was two hours and fifty-two minutes. It would travel at 1,354 mph. It was more than twice the speed of sound.
I’m not a huge airplane guy but this aircraft fascinated me and I always wanted to ride on one. The nose cone would come down so the pilots could see the runway…it looked like something from a Scifi movie. It would reach Mach 2 between London and New York. I would see pictures of it as a kid or on the news and I thought it was the coolest plane I’d seen. I probably still do. I do remember complaints about the sonic boom.
In November 1962, the British and French governments signed a treaty to jointly develop the Concorde. The Concorde prototype made its maiden flight on March 2, 1969. After some more prototypes, they tested and made modifications, including addressing issues with noise, fuel efficiency, and environmental impact. received its airworthiness certificate in 1975, with the first commercial flights beginning on January 21, 1976, by British Airways and Air France.
There was a plan for a Concorde-type supersonic plane in the US called a Boeing 2707. It would have gone 3 times the speed of sound and held 277 passengers compared to the 100 passengers the Concorde held. It was too expensive to build and was called “the most expensive aircraft never built.” Here is a picture of a 1966 mock-up of the 2707.
Boeing 2707
In 1977, it cost £431 to fly one way onboard Concorde between London and Washington. Adjusted for inflation, that’s about £2,200 ($2,800) in today’s money. However, fare prices gradually went up, and by 1996, a roundtrip across the Atlantic would generally be priced at around $12,500 in today’s money. So it was very expensive. The meals and service were great but it was cramped inside compared to other airplanes at the time. It was also noisy…
All together… two prototypes, two pre-production aircraft, two development aircraft, and 14 production aircraft for commercial service. All of them except the two pre-production builds are preserved in museums.
This all leads us to why the Concorde is in museums now and not in the sky. The price, noise, and it was so expensive to operate. Every hour in the sky had to have 22 hours of maintenance. Also on July 25, 2000, the Concorde crashed. It was shortly after takeoff and 109 people died onboard plus 4 on the ground. That was its only crash. They did go on until 2003 but officially retired the plane that year.
A New York Times writer wrote this about the food served. “What followed the coffee was a breakfast of fresh papaya, guava, pineapple, strawberries and mangoes, croissants and brioche that might have come from a Paris bakery, a pretty good approximation of eggs benedict and a soufflé Gruyère, all washed down with Piper‐Heidsieck Cuvée Diplomatique. The china, of course, was Limoges.”
This video shows the take-off from inside the plane by a passenger.
I have so many songs I want to have on here. I read the original post I did and re-read the comments and took some songs from your suggestions and used them. I haven’t got to all of them…so the others probably will be on the next one. I picked one song and you all picked the rest. Some will be in the next edition that I couldn’t fit in this one.
I hope you are all having a great Sunday.
Jackie Brenston and his Delta Cats – Rocket 88
CB mentioned this one and it should have been on the first one…since this is often said to be the first rock and roll song. It’s only fitting that it was about a car. The recording session happened on March 3, 1951, at Sam Phillips’ Memphis Recording Service in Memphis, Tennessee, which would later become the legendary Sun Studio.
The song was written by Ike Turner and Jackie Brenston. The Delta Cats were actually Ike Turner’s band Turner’s King of Rhythm.
A review from Time Magazine in 1951
Rocket 88 was brash and it was sexy; it took elements of the blues, hammered them with rhythm and attitude and electric guitar, and reimagined black music into something new. If the blues seemed to give voice to old wisdom, this new music seemed full of youthful notions. If the blues was about squeezing cathartic joy out of the bad times, this new music was about letting the good times roll. If the blues was about earthly troubles, the rock that Turner’s crew created seemed to shout that the sky was now the limit.
Commander Cody and His Lost Planet Airmen – Hot Rod Lincoln
The main thing I like about the song is the guitar. It has a slight Chuck Berry feel to it and I like the fills the guitar player throws in. Of course, I like Commander Cody’s (George Frayne) vocal sound as well.
The band signed with Warner Brothers and the label wanted a soft country sound but the band refused to change its raw style.
Hot Rod Lincoln was originally written by Charlie Ryan. It was first recorded and released by Charlie Ryan and The Livingston Brothers in 1955. Commander Cody and His Lost Planet Airmen were a County-Rock group formed at the University of Michigan. Commander Cody is the lead singer and piano player George Frayne. This would be their only top-ten hit. Another song that is well-known by them is Smoke Smoke Smoke.
The Renegades – Cadillac
Fellow blogger HotFox63 mentioned this song when I did a Clash post on Brand New Cadillac so I thought it would be perfect for this. Very cool song that I knew nothing about.
The Renegades were a British rock band formed in Birmingham in 1960. The original lineup consisted of Kim Brown (vocals, guitar), Denys Gibson (guitar), Ian Mallet (bass), and Graham Johnson (drums). Cadillac was released as a single in 1964. The song quickly became a hit in Finland, reaching #1 on the charts. Its success in Finland helped the band gain a substantial following in Scandinavia, and the song’s popularity also spread to other parts of Europe, including Italy.
Rosanne Cash – Black Cadillac
Obbverse mentioned this one. It’s a song from 2005 from an album with the same name. The black Cadillac in the song symbolizes both a funeral car and a connection to her father, who owned a black Cadillac…and about loss, memory, and mourning.
She wrote the album about dealing with the death of her father.
“It certainly crossed my mind that I was opening myself to questions about how much [of the album] was documentary and how much was poetry, I certainly did think about it. But, at the same time, I think that the themes are so universal that it almost doesn’t matter what’s particular to my life. … People can bring their own lives to this subject very easily.”
Beach Boys – 409
Christiansmusicmusings and Halffastcyclingclub both mentioned this one by the Beach Boys. The Beach Boys would be an endless supply of cars and endless summers. This song was written by Brian Wilson, Mike Love, and Gary Usher and was released in 1962.
I love horror anthologies. They were really big in the early seventies. The Amicus Productions company made quite a few good ones. I remember some of these as a kid…especially Tales from the Crypt. I’m going to list my top 5 of only Amicus today.
I am working on a post that lists my favorite 5-10 Anthologies of all time. Today I want to focus on the British film company Amicus. One actor that they depended on a lot was Peter Cushing. He is in all of the ones below except for Vault Of Horror.
Amicus Productions was a British film production company specializing in horror and suspense anthology films during the 1960s and 1970s. The company was founded in 1962 by Americans Milton Subotsky and Max Rosenberg, who aimed to replicate the success of Hammer Film Productions, another prominent British studio known for its horror films.
Despite their success, Amicus struggled financially in the late 1970s due to changing audience tastes and the declining popularity of horror anthology films. Milton Subotsky eventually left the company in 1975, and without his creative leadership, Amicus gradually faded from the spotlight.
The good news though… it was announced in 2023 that Amicus will be coming back to film production…they are trying to make a film called In The Grip of Terror.
Below are the 5 and most descriptions I got from IMDB. My favorite anthology horror is at the bottom.
Asylum 1972
A young psychiatrist interviews four inmates in a mental asylum to satisfy a requirement for employment. He hears stories about 1) the revenge of a murdered wife, 2) a tailor who makes a suit with some highly unusual qualities, 3) a woman who questions her sanity when it appears that her brother is conspiring against her, and 4) a man who builds tiny toy robots with lifelike human heads.
Vault Of Horror 1973
Five strangers board a descending lift, one by one, in a modern office block in London. They reach the sub-basement and find a large, elaborately furnished room that appears to be a gentlemen’s club. Resigned to waiting for help, they settle down with drinks and talk. The conversation turns to dreams, and each man tells of a recurring nightmare. Tom Baker is in the last episode of this one. My personal favorite Doctor of the Doctor Who franchise.
The complete movie!
From Beyond The Grave
The first tale, titled “The Gate Crasher” stars David Warner and has a sort of Hellraiser feel about it, as he buys an old mirror from the antique store and it turns out to be inhabited by a ghost-like thing that entices Warner into bringing it fresh blood. It’s not a bad story, though I feel that more could have been made of it. 2) Story number two is the best and focuses on a man who steals a war medal from the antique store to impress a former army man and ends up getting more than he bargained for. This tale is very strange and stars Donald Pleasance in one of his weirder roles. It’s imaginative and inventive, and therefore interesting as it’s impossible to tell where it’s going. 3) Story number three, “The Elemental” is a fun little story, though there isn’t really a great deal of point to it. 4) The fourth and final tale appears to be the centerpiece and focuses on an old wooden door that gives way to an expansive blue room. This is a decent little story and we get to watch Lesley-Anne Down wielding an axe, which makes it worthwhile.
Overall, From Beyond the Grave is everything an anthology should be: it’s fun and interesting in the right places. There are plenty of plot holes, but also no need to pay them any mind. From Beyond the Grave comes highly recommended to horror fans!
The House That Dripped Blood
Peter Cushing, Christopher Lee, Joss Ackland, Jon Pertwee all star in this 4 story anthology.
A Scotland Yard investigator looks into four mysterious cases involving an unoccupied house and its tragic previous tenants: 1) A hack novelist encounters a strangler who’s the villain of his books, leading his wife to question his sanity, 2) Two men are obsessed with a wax figure of a woman from their past, 3) A little girl with a stern, widowed father displays an interest in witchcraft, and 4) An arrogant horror film actor purchases a black cloak which gives him a vampire’s powers.
Here is the complete movie!
Tales From The Crypt
Joan Collins, Peter Cushing are among the actors in the movie. To me… this is the best anthology horror. Five people meet deep in a cave and they don’t know how they got there. They soon find out how and why and what is about to happen to them.
Five people come upon a catacomb and take the tour. After they get lost, they find they’re trapped, and they see The Crypt Keeper (Sir Ralph Richardson). He asks them each to see why they’re there: (1) And All Through the House: Christmas Eve, Joanne Clayton (Dame Joan Collins) kills her husband (Martin Boddey) expecting to receive his insurance. She hears on the wireless that the police are seeking an escaped homicidal maniac posing as Santa. When the man knocks on her door, she can’t phone the Police, and she has a Christmas surprise. (2) Reflection of Death: Carl Maitland (Ian Hendry) leaves his wife (Susan Denny) and children for his mistress, but something happens during his journey. (3) Poetic Justice: the widowed janitor, Arthur Edward Grimsdyke (Peter Cushing) is a good man who spends his leisure time with the children from the neighborhood. His heartless neighbor doesn’t like him and destroys his life, leading Grimsdyke to commit suicide on Valentine’s Day. A year later, Grimsdyke rises from his tomb seeking revenge. (4) Wish You Were Here: dirty businessman Ralph Jason (Richard Greene) is bankrupt, and his lawyer and friend, Charles Gregory (Roy Dotrice), tells him he must sell his real estate. When he tells his wife Enid (Barbara Murray), she recalls they have a statue with a legend; it’ll grant three wishes to the owner. She makes the wishes, and leads Ralph to eternal damnation. (5) Blind Alleys: cruel Major Rogers (Nigel Patrick) comes to the Elmridge home for the blind, with his dog, to be the new director. He tortures the internees until the day they get revenge. Soon, the internees discover they’re at the gate of Hell.
