Category: 1960s

Pretty Things – Don’t Bring Me Down

I’ve heard of this band for so long but never listened to many of their songs. This one is right up my alley…raw, garage-sounding, and slightly punk. They formed in London in 1963. They were known for their raw sound and rebellious image, they are often cited as one of the most influential bands of the 1960s and 1970s. They didn’t have a lot of hits but their sound was copied. 

This song was released in 1964, and The Pretty Things was probably the scruffiest band around in 1964… and that includes the Stones. 

The song peaked at #10 in the UK and #34 in Canada in 1964. The song was a stand-alone single. They would release their self-titled debut album in 1965. The song was written by Johnny Dee, the manager of a British band at the time called The Fairies. 

The Pretty Things continued to evolve after “Don’t Bring Me Down” exploring different musical styles including psychedelia and hard rock. Despite numerous lineup changes and challenges, they remained active for decades, maintaining a cult following.

In 1968 they released the album S.F. Sorrow, one of the first rock operas, predating The Who’s Tommy. It is a concept album that tells the story of a character named Sebastian F. Sorrow from birth to death. Though not a commercial success at the time, it has since been recognized as a groundbreaking work and a classic of that genre.

Don’t Bring Me Down

I’m on my own, nowhere to roam
I tell you baby, don’t want no home
I wander round, feet off the ground
I even go from town to town
I said I think this rock is grand
Say I’ll be your man
Don’t bring me down, don’t bring me down

I met this chick, the other day
And then to me, she said she’ll stay
I get this pad, just like a cave
And then we’ll have, our living made
And then I’ll lead her on the ground
My head is spinning round
Don’t bring me down, don’t bring me down

I, I, I, I, I need a lover ’cause someone new
And then to her I will be true
I’ll buy her furs and pretty things
I’ll even buy a wedding ring
But until then I’ll settle down?
Say I’ll be your man
Don’t bring me down, don’t bring me down

Until then I’ll settle down?
Say I’ll be your man
Don’t bring me down, don’t bring me down
Don’t bring me down

Steve Miller / Paul McCartney – My Dark Hour

I really like this song and the pre-hit Steve Miller Band as well. I do like many of his hits but his early catalog is filled with great songs and musicianship. This one has a lot of history. I think Miller’s hits has been a huge victim of radio overplay but I realize that is not his fault…doesn’t mean “Jet Airliner” is not any good…we just have sometimes have heard those songs too much. I have songs like that…but give it some time and I can listen to them again.

His earlier songs have more of a blues feel. The former members of his band has included Boz Scaggs, Nicky Hopkins, Doug Clifford (CCR drummer), Ross Valory, Lonnie Turner, and about a page more of names.

Steve Miller wrote this tune and Paul McCartney played drums, bass, some guitar, and backing vocals. You will also catch the future riff to Fly Like An Eagle in this song. Paul would be credited as Paul Ramone. Paul went by that name on their first tour and that is where the Ramones got their name.

When I read the story of this recording the title would probably match what McCartney was feeling. Allen Klein had just suckered John, George, and Ringo into signing a management contract and he wanted Paul. It was on a Friday afternoon and Paul refused. I’m not always on Paul’s side but in this case…oh yes. He told the other 3 something I find quite funny. Klein wanted 20% of the Beatles earnings and Paul told them wait…The Beatles are kinda big and let him have 10% but John would have none of it. Paul never signed and later on John, George, and Ringo would regret the decision as they all sued Klein and Klein sued them.

On that day, Steve Miller walked into the studio after a giant fight with only Paul left there. I’ll let Paul McCartney tell it: Steve Miller happened to be there recording, late at night, and he just breezed in. ‘Hey, what’s happening, man? Can I use the studio?’ ‘Yeah!’ I said. ‘Can I drum for you? I just had a fucking unholy argument with the guys there.’ I explained it to him, took ten minutes to get it off my chest. So I did a track, he and I stayed that night and did a track of his called My Dark Hour. I thrashed everything out on the drums. There’s a surfeit of aggressive drum fills, that’s all I can say about that. We stayed up until late. I played bass, guitar and drums and sang backing vocals. It’s actually a pretty good track.

It was a very strange time in my life and I swear I got my first grey hairs that month. I saw them appearing. I looked in the mirror, I thought, I can see you. You’re all coming now. Welcome.

The song was on The Steve Miller Band’s album Brave New World released in 1969. The album peaked at a respectable #22 on the Billboard Album Charts and #38 in Canada.

Steve Miller: I got John Lennon’s Epiphone Casino and played through his amp, Paul got on the drums. It was like we’d been playing together forever.

Here is a snippet of Badfinger covering this song live. They were expanding their sound live with longer jams.

My Dark Hour

My dark hourMy dark hourYou know it’s drivin’ me wild

Well, well, I went to see the doctorAnd I had my fortune readAnd you know, the doctor told me“Son, you better stay in bed”

Who’s that comin’ down that roadLooks like he’s carryin’ a heavy loadWhat’s that word that he started to say?Wanna come with me on my way?

My dark hour, a mother nature’s childMy dark hour, oh, it’s drivin’ me wild

Well, I went (to see the doctor)Just to have (my fortune read)Well, well, well, well, well(The doctor told me)“Son, stay in bed”

So do you think these sinners will fallOr do you think they’ll survive us all?Well, well, well, well, a-down this roadWon’t you help me carry my load?

My dark hour, mother nature’s childMy dark hour, oh-oh, it’s drivin’ me wild

Oh-oh-oh, mother nature’s childOh, yeah, oh, oh, yeahOh, oh, oh, oh, yeah

…

Work Related Break

Usually, I plan these breaks out but this one was planned for me. 

Our company has purchased two businesses and IT (that’s my department) will be involved heavily this month. This will interfere with my weekday posting. On the weekends…I should be fine. I will be traveling through some weeks also…so starting Monday…I will only be posting on weekends until July.  I have enough posts to post for 3 weeks but if I cannot comment back…why bother? So…this weekend I WILL post though and every weekend until July. 

This time I really didn’t want a break but I’m not sure how much time I’d be able to use checking the blog. Thank you all again for checking my blog out I will see you on weekends and should be back full-time in July. 

Thank you all again for reading this every day! See you tomorrow. I have to include a song…so this one works for me. 

…

Beatles – From Me To You

This song was on the third Beatles album I bought. That would have been The Red Album compilation.

I’m posting it because I just heard the live version from the Anthology and for me…it’s better than the released version. I like the harmonica as an instrument but I like this live version they did without it. John didn’t want to use it because they had used it on Love Me Do, Please Please Me, and then this one. He didn’t want them repeating themselves but was talked into it.

This was their third single in the UK. Love Me Do (#17), Please Please Me (#2), and then this song which peaked at #1 in the UK. When The Beatles hit America…their hits more times than not charted higher in the US. Some of the examples are Twist and Shout (#2 US #0 UK), Penny Lane/Strawberry Fields (#1 US #2 UK), Something (#4 UK #1 US) and more. Now some did the opposite but this song was really odd. It didn’t chart in the top 40 in America at all. Very unusual in 1964.

George Martin asked them to come up with something as good as Please Please Me and they gave him this. No, I don’t think it’s as good but it’s a good song. There was a column in the New Musical Express that was titled From You To Us which featured fans writing columns. This particular one featured a fan letter talking about how Cliff Richard was currently outshining Elvis Presley in the charts. Lennon stated in May of 1963 that Paul and he started to “talk about one of the letters in the column,” which led to them putting ideas together for a song inspired by the title of this newspaper column. This one both Lennon and McCartney agreed was a 50/50 composition.

Paul said that they wrote it while on tour with Roy Orbison. The only problem is that the song was already released then. They were on tour with Helen Shapiro who at the start of the tour were more popular than they were.

Del Shannon was the first American to cover a Beatles song…and he covered this one in 1963.

John Lennon: We were just fooling about on the guitar, this went on for a while. Then we began to get a good melody line and we really started to work at it. Before the journey was over we’d completed the lyric, everything. The words weren’t really all that difficult – especially as we had decided quite definitely not to do anything that was at all complicated. I suppose that is why we often had the words “you” and “me” in the titles of our songs. It’s the kind of thing that helps the listeners to identify with the lyrics. We think this is very important. The fans like to feel that they are part of something that is being done by the performers.”

That said, this song was “below Beatles par ” by a critic…John Lennon: “Maybe it wasn’t as good as ‘Please Please Me,’ but below par? I’ll never forget that one. That’s when I first realized you’ve got to keep it up, there’s some sort of system where you get on the wheel and you’ve got to keep going around.”

The original version is below…there is one thing you can hear now in the remastered versions…the bass!

From Me To You

If there’s anything that you wantIf there’s anything I can doJust call on me and I’ll send it alongWith love, from me to you

I’ve got everything that you wantLike a heart that’s oh so trueJust call on me and I’ll send it alongWith love, from me to you

I’ve got arms that long to hold youAnd keep you by my sideI’ve got lips that long to kiss youAnd keep you satisfied (oh)

If there’s anything that you wantIf there’s anything I can doJust call on me and I’ll send it alongWith love, from me to you

From meTo youJust call on me and I’ll send it alongWith love, from me to you

I’ve got arms that long to hold youAnd keep you by my sideI’ve got lips that long to kiss youAnd keep you satisfied (oh)

If there’s anything that you wantIf there’s anything I can doJust call on me and I’ll send it alongWith love, from me to youTo youTo youTo you

…

Merle Haggard – Sing Me Back Home

One of the many Haggard songs that my dad would play. This one along with a song called Sam Hill I heard a lot when I was a child. Sing Me Back Home was released in 1967, and it became one of Haggard’s most enduring hits.

Most people know that he spent his early adulthood behind bars for a failed attempt at robbery. While in San Quentin State Prison, Haggard wrote many songs while dreaming of freedom and life beyond the bars of a cell.

Sing Me Back Home was inspired by his fellow inmates James Rabbit and Caryl Chessman. Rabbit was executed in 1961 for killing a California Highway Patrolman, and Chessman was the first modern American executed for a non-lethal kidnapping.

Haggard and James Rabbit hatched a plan one night to escape (they would hide inside a desk he was building in the prison furniture factory), though at the last moment, Rabbit advised Haggard not to take part in the plan. Rabbit escaped, was recaptured, killed an officer, and was brought back to San Quentin to be executed. It was the first of many events to change something in Haggard’s criminal ways.

It is an incredibly sad song and you get it with the first two lines of the song. The warden led a prisoner down the hallway to his doom, I stood up to say goodbye like all the rest.  The song was on his Sing Me Back Home album released in 1968. The album peaked at #1 on the Billboard Country Album Charts. The song peaked at #1 on the Billboard Country Charts and #7 on the Canadian Country Charts.

Merle Haggard: “Something happened to me there, I came to the fork in the road and took it, you might say. And I kind of started back in the other direction, trying to make something out of myself rather than to dig myself in a deeper hole.”

Sing Me Back Home

The warden led a prisoner down the hallway to his doomI stood up to say goodbye like all the restAnd I heard him tell the warden just before he reached my cellLet my guitar playing friend, do my request

Let him sing me back home with a song I used to hearMake my old memories come aliveTake me away and turn back the yearsSing me back home before I die

I recall last Sunday morning a choir from ‘cross the streetCame to sing a few old gospel songsAnd I heard him tell the singersThere’s a song my mama sangCan I hear once before we move along?

Sing me back home, the song my mama sangMake my old memories come aliveTake me away and turn back the yearsSing me back home before I die

Sing me back home before I die

….

Drifters – Save the Last Dance for Me

The Drifters are a perfect group to take on a date with you. My father had the greatest hits of them and The Platters but I never dived into them as much as I should have. I’ve always liked them and lately have been listening to them more. To my great surprise, this song was a B-Side to the A-side Nobody But Me. On American Bandstand…Dick Clark flipped the single and the song hit.

Doc Pomus and Mort Shuman wrote this song. They wrote songs such as A Teenager In Love, Surrender (Elvis), Little Sister, Young Blood, and more. This song was inspired by Pomus’ own life experiences. Pomus, who had polio and used crutches and a wheelchair, wrote the song for his wife, Willi Burke, a Broadway actress and dancer. At their wedding, Pomus watched his bride dance with other guests and was inspired by the moment to pen the heartfelt message that she should save the final dance of the evening for him.

This one is a classic fantastic song. The lead singer for the Drifters on this one was no other than Ben E. King. After the Atlantic Records leader, Ahmet Ertegun told King how Pomus and Shuman wrote this song he tried to reflect that in his vocals.

The song peaked at #1 on the Billboard 100, #1 on the Billboard R&B Charts, #1 in Canada, #1 in New Zealand, and #2 in the UK in 1960.

Save The Last Dance For Me

You can dance
Every dance with the guy
Who gives you the eye
Let him hold you tight

You can smile
Every smile for the man
Who held your hand
‘Neath the pale moonlight

But don’t forget who’s taking you home
And in whose arms you’re gonna be
So darlin’
Save the last dance for me, hmm

Oh, I know (oh, I know)
That the music’s fine (yes, I know)
Like sparkling wine (oh, I know)
Go and have your fun (yes, I know, oh, I know)

Laugh and sing (yes, I know)
But while we’re apart (oh, I know)
Don’t give your heart (yes, I know)
To anyone (oh, I know, yes, I know)

But don’t forget who’s taking you home
And in whose arms you’re gonna be
So darlin’
Save the last dance for me, hmm

Baby, don’t you know I love you so?
Can’t you feel it when we touch?
I will never, never let you go
I love you, oh, so much

You can dance (you can dance)
Go and carry on (you can dance)
‘Till the night is gone (you can dance)
And it’s time to go (you can dance, you can dance)

If he asks (you can dance)
If you’re all alone (you can dance)
Can he take you home (you can dance)
You must tell him, no (you can dance)

‘Cause don’t forget who’s taking you home
And in whose arm’s you’re gonna be
So darlin’
Save the last dance for me

‘Cause don’t forget who’s taking you home
And in whose arm’s you’re gonna be
So darlin’
Save the last dance for me, hmm

Save the last dance for me, hmm-hmm
Save the last dance for me, hmmm
Save

…

Alone in the Wilderness…documentary

If you ever watch something I recommend…please give this short one-hour film a chance.  Someone brought a DVD of this for me to watch around 7 years ago. I thought it was going to be boring. I ended up watching it twice in one sitting. It will draw you in. I watch it at least once every year or two. 

A 50-year-old man named Dick Proenneke is in Twin Lakes Alaska in 1968 and films himself building a retirement cabin. He starts out by staying in a friend’s cabin. He starts gathering wood and making some of the tools he uses as he goes.  This man…is a real man. if he needs a spoon…he starts carving himself out one. He builds this cabin and makes everything including wood hinges for the door. He also made hinges out of his tin containers. He gathers rocks from somewhere down the lake and brings them back… then he starts building his chimney.

He is by himself and sets up the camera everywhere he goes. He goes out fishing when he is hungry and hunting for meat for the winter only taking what he needs. He uses just what he needs and doesn’t take more from nature than he could use. He makes almost everything from scratch. He uses his tin canisters for different things. He buries one and covers for a refrigerator. The only help he receives is a pilot friend who lands every now and again to deliver supplies. He was a master craftsman, to say the least.

He also filmed all the wildlife around. Rams, wolves, bears, birds, and Caribou. He also gets some great shots of the area around Twin Lakes. The snowy mountains were breathtaking. 

It doesn’t sound that special but I have watched it at least 6 more times since the night I watched it twice… sometimes showing it to other people. He makes it look so easy. He filmed enough to have a few more short documentaries which were released but nothing matches that first one. This man made me feel like a mouse, a kid, a beginner, a slouch. He is so talented and tough.

He ended up staying there until 1999 alone and then left to live with his brother at age 82. Dick passed away at 86 in 2003. The cabin is still there and is on the National Register of Historic Places. People come from all over the world to visit it. 

I wish YouTube had the complete documentary but they don’t. I watch modern YouTube videos of people visiting the cabin now. They see his cache in the back, his sled, and all the cabin parts. You see him in 1968 building those items. Like I said earlier, there are more documentaries on him but start with this one. This one is great. I’ve never had someone tell me they were disappointed in it. 

The cabin now

Here is the first 9:34 minutes or so

George Jones – The Race Is On

I first heard this song through Jason and the Scorchers giving it a high-octane slant. On my Car Songs post the other day Lisa recommended this one and instead of waiting to include it in part 3…I thought I would write a post on it.

When I think of George Jones I think of the voice. I would be lying if I didn’t also say that I think of the lawnmower story and some of the stories that I heard from some session musicians. My guitar tech had many come in his shop and they would tell stories about the country stars. They always spoke highly of George Jones, adding he was down-to-earth and a good guy. He could be a lot of fun and wild…and match his rock counterparts.

It has often been said that he had the purest country voice ever. Frank Sinatra called Jones “The second-best singer in America.” When Keith Richards (who is a huge Jones fan) heard this, he asked…who’s the first Frank?

Don Rollins, a Nashville songwriter, wrote The Race Is On with a cool twist, comparing the end of a romantic relationship to a horse race.

The song was a huge hit in Country Music. It peaked at #3 on the Billboard Country Charts in 1964.

Keith Richards on recording a duet with George Jones: There was another wonderful expedition to record a duet with George Jones at the Bradley Barn sessions, “Say It’s Not You,” a song that Gram Parsons had turned me on to. George was a great guy to work with, especially when he had the hairdo going. Incredible singer. There’s a quote from Frank Sinatra, who says, “Second-best singer in this country is George Jones.” Who’s the first, Frank? We were waiting and waiting for George, for a couple of hours, I think. By then I’m behind the bar making drinks, not remembering that George is supposed to be on the wagon and not knowing why he was so late. I’ve been late many times and so no big deal. And when he turns up, the pompadour hairdo is perfect. It’s such a fascinating thing. You can’t take your eyes off it. And in a fifty-mile-an-hour wind it would still have been perfect. I found out later that he’d been driving around because he was a bit nervous about working with me. He’d been doing some reading up and was uncertain of meeting me.

George Jones on Keith Richards: “I’ll be honest with you: I love Keith Richards more than anything as a person. He’s a character – just fun to be around.” 

Dolly Parton: Anyone who knows or cares anything about real country music will agree that George Jones is the voice of it.

The Race Is On

I feel tears wellin’ upCold and deep insideLike my heart’s sprung a big breakAnd a stab of loneliness sharp and painfulThat I may never shakeNow, you might say that I was takin’ it hardSince you wrote me off with a callBut don’t you wager that I’ll hide the sorrowWhen I may break right down and bawl

Now the race is onAnd here comes pride up the backstretchHeartaches are goin’ to the insideMy tears are holdin’ backThey’re tryin’ not to fallMy heart’s out of the runnin’True love’s scratched for another’s sakeThe race is on and it looks like heartacheAnd the winner loses all

One day I ventured in loveNever once suspectin’What the final result would beHow I lived in fear of wakin’ up each mornin’And findin’ that you’re gone from meThere’s ache and pain in my heartFor today was the one I hated to faceSomebody new came up to win herAnd I came out in second place

Now the race is onAnd here comes pride up the backstretchHeartaches are goin’ to the insideMy tears are holdin’ backThey’re tryin’ not to fallMy heart’s out of the runnin’True love’s scratched for another’s sakeThe race is on and it looks like heartachesAnd the winner loses all

…

Wilson Pickett – Land of 1000 Dances

This song has to have a world record attached to it… song most used in pep rallies. I heard the na na na parts from elementary to high school. It was high school before I heard the actual song.

The original version was by Chris Kenner, a New Orleans R&B singer and songwriter, first recorded and released “Land of 1000 Dances” in 1962 and it only made it to #77 on the Billboard 100. Kenner wrote the song as well. He promised Fats Domino a writing credit if he recorded it…Fats did but it didn’t go anywhere. On some copies, he is listed as a co-writer.

This song has been covered a lot. Secondhandsongs says it has 150 cover versions which is very good. Cannibal and The Headhunters covered it in 1965 and they peaked at #30 on the Billboard 100 but Wilson Pickett had the highest charting position for the song. It’s no telling how many times it’s been played live by famous and nonfamous artists.

Land of 1000 Dances peaked at #6 on the Billboard 100, #6 in Canada, and #22 in the UK in 1966 for Pickett. The sound of this record is great…it has a raw edge that only Stax had at the time.

Land of 1000 Dances

One, two, three
One, two, three
Ow! Uh! Alright! Uh!

Got to know how to Pony
Like Bony Moronie
Mash Potato
Do The Alligator
Put your hand on your hips, yeah
Let your backbone slip
Do the Watusi
Like my little Lucy

Ow! Uh!
Na, na-na na-na
Na-na na-na
Na-na na-na na-na
Na-na na-na
Need somebody help me say it one time!
Na, na-na na-na
Na-na na-na
Na-na na-na na-na
Na-na na-na

Wow!
Ow!
Uh!
You know I feel alright?
Hah!
Feel pretty good, y’all
Uh-hah!

Na, na-na na-na
Na-na na-na
Na-na na-na na-na
Na-na na-na
C’mon y’all, let’s say it one mo’ time!
Na, na-na na-na
Na-na na-na
Na-na na-na na-na
Na-na na-na

Ohh!

Dancin’ in the alley
With Long Tall Sally
Twistin’ with Lucy
Doin’ the Watusi
Roll over on your back
I like it like that
Do that Jerk, oh
Watch me work, y’all

Ow! Do it!
Wow! Do it!
Watch me do it
Ohh, help me!
Ohh, help me!
Ohh, help me!
Ohh, help me!

The Concorde

When I started this blog…I had no idea that I would concentrate on single songs. I was going to cover pop culture and I did at the beginning more. I would like to get one in every now and then.

Today… everything seems to be bigger, stronger, and faster. That isn’t true though with a certain passenger airplane. A flight from New York to London now will take around 7 hours and 35 minutes to 8 hours and 10 minutes long. How fast would that flight be in the 1970s on the Concorde? That would take you a cozy three-and-a-half hours. The fastest flight was two hours and fifty-two minutes. It would travel at 1,354 mph. It was more than twice the speed of sound.

I’m not a huge airplane guy but this aircraft fascinated me and I always wanted to ride on one. The nose cone would come down so the pilots could see the runway…it looked like something from a Scifi movie. It would reach Mach 2 between London and New York. I would see pictures of it as a kid or on the news and I thought it was the coolest plane I’d seen. I probably still do. I do remember complaints about the sonic boom.

In November 1962, the British and French governments signed a treaty to jointly develop the Concorde. The Concorde prototype made its maiden flight on March 2, 1969. After some more prototypes, they tested and made modifications, including addressing issues with noise, fuel efficiency, and environmental impact. received its airworthiness certificate in 1975, with the first commercial flights beginning on January 21, 1976, by British Airways and Air France.

There was a plan for a Concorde-type supersonic plane in the US called a Boeing 2707. It would have gone 3 times the speed of sound and held 277 passengers compared to the 100 passengers the Concorde held. It was too expensive to build and was called “the most expensive aircraft never built.” Here is a picture of a 1966 mock-up of the 2707.

Boeing 2707
Boeing 2707

In 1977, it cost £431 to fly one way onboard Concorde between London and Washington. Adjusted for inflation, that’s about £2,200 ($2,800) in today’s money. However, fare prices gradually went up, and by 1996, a roundtrip across the Atlantic would generally be priced at around $12,500 in today’s money. So it was very expensive. The meals and service were great but it was cramped inside compared to other airplanes at the time. It was also noisy…

All together… two prototypes, two pre-production aircraft, two development aircraft, and 14 production aircraft for commercial service. All of them except the two pre-production builds are preserved in museums.

This all leads us to why the Concorde is in museums now and not in the sky. The price, noise, and it was so expensive to operate. Every hour in the sky had to have 22 hours of maintenance. Also on July 25, 2000, the Concorde crashed. It was shortly after takeoff and 109 people died onboard plus 4 on the ground. That was its only crash. They did go on until 2003 but officially retired the plane that year.

A New York Times writer wrote this about the food served. “What followed the coffee was a breakfast of fresh papaya, guava, pineapple, strawberries and mangoes, croissants and brioche that might have come from a Paris bakery, a pretty good approximation of eggs benedict and a soufflé Gruyère, all washed down with Piper‐Heidsieck Cuvée Diplomatique. The china, of course, was Limoges.”

This video shows the take-off from inside the plane by a passenger.

Car Songs…Part 2

I have so many songs I want to have on here. I read the original post I did and re-read the comments and took some songs from your suggestions and used them. I haven’t got to all of them…so the others probably will be on the next one. I picked one song and you all picked the rest. Some will be in the next edition that I couldn’t fit in this one.

I hope you are all having a great Sunday.

Jackie Brenston and his Delta Cats – Rocket 88

CB mentioned this one and it should have been on the first one…since this is often said to be the first rock and roll song. It’s only fitting that it was about a car. The recording session happened on March 3, 1951, at Sam Phillips’ Memphis Recording Service in Memphis, Tennessee, which would later become the legendary Sun Studio.

The song was written by Ike Turner and Jackie Brenston. The Delta Cats were actually Ike Turner’s band Turner’s King of Rhythm. 

A review from Time Magazine in 1951

Rocket 88 was brash and it was sexy; it took elements of the blues, hammered them with rhythm and attitude and electric guitar, and reimagined black music into something new. If the blues seemed to give voice to old wisdom, this new music seemed full of youthful notions. If the blues was about squeezing cathartic joy out of the bad times, this new music was about letting the good times roll. If the blues was about earthly troubles, the rock that Turner’s crew created seemed to shout that the sky was now the limit.

Commander Cody and His Lost Planet Airmen – Hot Rod Lincoln

The main thing I like about the song is the guitar. It has a slight Chuck Berry feel to it and I like the fills the guitar player throws in. Of course, I like Commander Cody’s (George Frayne) vocal sound as well. 

The band signed with Warner Brothers and the label wanted a soft country sound but the band refused to change its raw style. 

Hot Rod Lincoln was originally written by Charlie Ryan. It was first recorded and released by Charlie Ryan and The Livingston Brothers in 1955. Commander Cody and His Lost Planet Airmen were a County-Rock group formed at the University of Michigan. Commander Cody is the lead singer and piano player George Frayne. This would be their only top-ten hit. Another song that is well-known by them is Smoke Smoke Smoke. 

The Renegades – Cadillac

Fellow blogger HotFox63 mentioned this song when I did a Clash post on Brand New Cadillac so I thought it would be perfect for this. Very cool song that I knew nothing about. 

The Renegades were a British rock band formed in Birmingham in 1960. The original lineup consisted of Kim Brown (vocals, guitar), Denys Gibson (guitar), Ian Mallet (bass), and Graham Johnson (drums). Cadillac was released as a single in 1964. The song quickly became a hit in Finland, reaching #1 on the charts. Its success in Finland helped the band gain a substantial following in Scandinavia, and the song’s popularity also spread to other parts of Europe, including Italy.

Rosanne Cash – Black Cadillac

Obbverse mentioned this one. It’s a song from 2005 from an album with the same name. The black Cadillac in the song symbolizes both a funeral car and a connection to her father, who owned a black Cadillac…and about loss, memory, and mourning.

She wrote the album about dealing with the death of her father. 

“It certainly crossed my mind that I was opening myself to questions about how much [of the album] was documentary and how much was poetry, I certainly did think about it. But, at the same time, I think that the themes are so universal that it almost doesn’t matter what’s particular to my life. … People can bring their own lives to this subject very easily.”

Beach Boys – 409

Christiansmusicmusings and Halffastcyclingclub both mentioned this one by the Beach Boys. The Beach Boys would be an endless supply of cars and endless summers. This song was written by Brian Wilson, Mike Love, and Gary Usher and was released in 1962. 

This song was the B side to Surfin’ Safari. 

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1970s Amicus Anthology Horror Films

I love horror anthologies. They were really big in the early seventies. The Amicus Productions company made quite a few good ones. I remember some of these as a kid…especially Tales from the Crypt. I’m going to list my top 5 of only Amicus today.

I am working on a post that lists my favorite 5-10 Anthologies of all time. Today I want to focus on the British film company Amicus. One actor that they depended on a lot was Peter Cushing. He is in all of the ones below except for Vault Of Horror.

Amicus Productions was a British film production company specializing in horror and suspense anthology films during the 1960s and 1970s. The company was founded in 1962 by Americans Milton Subotsky and Max Rosenberg, who aimed to replicate the success of Hammer Film Productions, another prominent British studio known for its horror films.

Despite their success, Amicus struggled financially in the late 1970s due to changing audience tastes and the declining popularity of horror anthology films. Milton Subotsky eventually left the company in 1975, and without his creative leadership, Amicus gradually faded from the spotlight.

The good news though… it was announced in 2023 that Amicus will be coming back to film production…they are trying to make a film called In The Grip of Terror.

Below are the 5 and most descriptions I got from IMDB. My favorite anthology horror is at the bottom.

Asylum 1972

A young psychiatrist interviews four inmates in a mental asylum to satisfy a requirement for employment. He hears stories about 1) the revenge of a murdered wife, 2) a tailor who makes a suit with some highly unusual qualities, 3) a woman who questions her sanity when it appears that her brother is conspiring against her, and 4) a man who builds tiny toy robots with lifelike human heads.

Vault Of Horror 1973

Five strangers board a descending lift, one by one, in a modern office block in London. They reach the sub-basement and find a large, elaborately furnished room that appears to be a gentlemen’s club. Resigned to waiting for help, they settle down with drinks and talk. The conversation turns to dreams, and each man tells of a recurring nightmare. Tom Baker is in the last episode of this one. My personal favorite Doctor of the Doctor Who franchise.

The complete movie!

From Beyond The Grave

The first tale, titled “The Gate Crasher” stars David Warner and has a sort of Hellraiser feel about it, as he buys an old mirror from the antique store and it turns out to be inhabited by a ghost-like thing that entices Warner into bringing it fresh blood. It’s not a bad story, though I feel that more could have been made of it. 2) Story number two is the best and focuses on a man who steals a war medal from the antique store to impress a former army man and ends up getting more than he bargained for. This tale is very strange and stars Donald Pleasance in one of his weirder roles. It’s imaginative and inventive, and therefore interesting as it’s impossible to tell where it’s going. 3)  Story number three, “The Elemental” is a fun little story, though there isn’t really a great deal of point to it. 4) The fourth and final tale appears to be the centerpiece and focuses on an old wooden door that gives way to an expansive blue room. This is a decent little story and we get to watch Lesley-Anne Down wielding an axe, which makes it worthwhile.

Overall, From Beyond the Grave is everything an anthology should be: it’s fun and interesting in the right places. There are plenty of plot holes, but also no need to pay them any mind. From Beyond the Grave comes highly recommended to horror fans!

The House That Dripped Blood

Peter Cushing, Christopher Lee, Joss Ackland, Jon Pertwee all star in this 4 story anthology.

A Scotland Yard investigator looks into four mysterious cases involving an unoccupied house and its tragic previous tenants: 1) A hack novelist encounters a strangler who’s the villain of his books, leading his wife to question his sanity, 2) Two men are obsessed with a wax figure of a woman from their past, 3) A little girl with a stern, widowed father displays an interest in witchcraft, and 4) An arrogant horror film actor purchases a black cloak which gives him a vampire’s powers.

Here is the complete movie!

Tales From The Crypt

Joan Collins, Peter Cushing are among the actors in the movie.  To me… this is the best anthology horror. Five people meet deep in a cave and they don’t know how they got there. They soon find out how and why and what is about to happen to them.

Five people come upon a catacomb and take the tour. After they get lost, they find they’re trapped, and they see The Crypt Keeper (Sir Ralph Richardson). He asks them each to see why they’re there: (1) And All Through the House: Christmas Eve, Joanne Clayton (Dame Joan Collins) kills her husband (Martin Boddey) expecting to receive his insurance. She hears on the wireless that the police are seeking an escaped homicidal maniac posing as Santa. When the man knocks on her door, she can’t phone the Police, and she has a Christmas surprise. (2) Reflection of Death: Carl Maitland (Ian Hendry) leaves his wife (Susan Denny) and children for his mistress, but something happens during his journey. (3) Poetic Justice: the widowed janitor, Arthur Edward Grimsdyke (Peter Cushing) is a good man who spends his leisure time with the children from the neighborhood. His heartless neighbor doesn’t like him and destroys his life, leading Grimsdyke to commit suicide on Valentine’s Day. A year later, Grimsdyke rises from his tomb seeking revenge. (4) Wish You Were Here: dirty businessman Ralph Jason (Richard Greene) is bankrupt, and his lawyer and friend, Charles Gregory (Roy Dotrice), tells him he must sell his real estate. When he tells his wife Enid (Barbara Murray), she recalls they have a statue with a legend; it’ll grant three wishes to the owner. She makes the wishes, and leads Ralph to eternal damnation. (5) Blind Alleys: cruel Major Rogers (Nigel Patrick) comes to the Elmridge home for the blind, with his dog, to be the new director. He tortures the internees until the day they get revenge. Soon, the internees discover they’re at the gate of Hell.

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Tim Buckley – Buzzin’ Fly

I first heard Tim Buckley on, of all things, The Monkees television show. As a kid I remember hearing how great his voice was. I was around 7 so I had no clue who he was. Here is that clip that I saw around 1974. The first time I saw Frank Zappa was on the Monkees as well. At the end of the Monkee’s second and final season, they had almost full control and they used it as much as possible to promote artists they liked.

Buzzin’ Fly was released in 1969 on the Happy Sad album. On this album, he was transitioning from his earlier folk sound to a more jazz-influenced and experimental style. The album was produced by former Lovin’ Spoonful members  Zal Yanovsky and Jerry Yester.

This was released at the height of his popularity. The album peaked at #81 on the Billboard Album Charts in 1969. When he started experimenting and moving away from his folk sound it upset some of his long-time fans. After this album, his popularity decreased because he moved toward a jazz feel.

This song was written before the other songs on the album. Buzzin’ Fly was written around 1966. It was performed with his high school band Harlequin 3, with bassist Jim Fielder and later lyricist, Larry Beckett.

The song became one of the most requested songs in concert that he had at the time. Gregg Allman called Tim Buckley and wanted to do an album with him in 1975 and Buckley agreed…but the world would lose Tim Buckley after an overdose in June of 1975 at age 28.

Buzzin’ Fly

Just like a buzzin’ flyI come into your lifeNow I float awayLike honey in the sunWas it right or wrongI couldn’t sing that song anyway

Oh, but darlin’Now I rememberHow the sun shown downAnd how it warmed your prayin’ smileWhen all the love was there

You’re the one I talk aboutYou’re the one I think aboutEverywhere I goAnd sometimes honeyIn the mornin’Lord, I miss you so

That’s how I know I found a homeThat’s how I know I found a home

Oh, hear the mountains singingLord, I can hear them ringing, darlin’,Out your nameAnd tell me if you knowJust how the river flowsDown to the sea

Now I wanna knowEverything about youI wanna knowEverything about you

What makes ya smileWhat makes ya wildWhat makes ya love me this wayDarlin’ I wanna knowDarlin’ I wanna know

You’re the one I talk aboutYou’re the one I think aboutEverywhere I goAnd sometimes honeyIn the mornin’Lord, I miss you so

That’s how I know I found a homeThat’s how I know I found a home

A-walkin’ hand in handAnd all along the sandA seabird knew your nameHe knew your love was growin’Lord, I think it knows it’s flowin’Thru you and me

Ah, tell me darlin’When I should leave you,Ah, tell me darlin’I don’t want to grieve you…

Just like a buzzin’ flyI come into your lifeNow I float awayLike honey in the sunWas it right or wrongI couldn’t sing that song anyway

Oh, but darlin’Now I rememberHow the sun shown downAnd how it warmed your prayin’ smileWhen all the love was there

You’re the one I talk aboutYou’re the one I think aboutEverywhere I goAnd sometimes honeyIn the mornin’Lord, I miss you so…

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Lightnin’ Hopkins – Shotgun Blues

You know I’m gonna shoot my woman
Cause she’s foolin’ around with too many men

Before I start this I want to thank Randy from Mostly Music Covers. While writing this up the song title I had was “Bring Me My Shotgun” but I couldn’t find the album it was on. I’m a babe in the woods with blues…so I asked Randy and Shotgun Blues was recorded in 1948. As far as I can tell he did re-record many of his songs and this one around 1960. I’ll include the earlier version of Shotgun Blues and the 1960 version named Bring Me My Shotgun..at least for this post. He would change up the lyrics in some versions. What made it confusing was that he changed the way he did the vocals a little as well… again thank you, Randy.

I’m sitting with headphones on listening to Lightnin’ Hopkins and it’s like he is in the room with me. I’ve never posted anything about him before but I wanted to clear that up today.

He was born in Texas and He grew up in a musical family and learned the blues from his older cousin, country blues legend Blind Lemon Jefferson. Jefferson and Hopkins started to play together at church gatherings. Hopkins started performing in the 1920s and 1930s in the local Texas blues scene. By the mid-30s Hopkins was sent to a prison farm but the reason is unknown. He described working on a road gang and being shackled to his bunk at night.

In the mid-1940s he was teamed with a Houston piano player named Wilson “Thunder” Smith. They were known as Thunder an’ Lightnin’ and they had a local hit named Katie May with Aladdin Records. Hopkins would record with many different labels throughout the rest of his life. The Folk-Blues revival was stirring in 1959, and Folkways producer Sam Charters persuaded Lightning (with the help of a bottle of gin!) to record 10 tracks in the shabby room where he had been living in Houston. I have one of them below called “Hopkins Sky Hop.” Bring Me My Shotgun was released in 1960.

He started to get popular, especially with the British white soon-to-be musicians. He worked the College and club circuit, toured Europe with the Folk/Blues Festival, and starred at the Newport Folk Festival in 1965. He found an appreciative new audience of rock fans who heard this great guitarist who lived the blues.

He later headlined over the Jefferson Airplane and he played with the Grateful Dead a few times. He recorded dozens of albums through the 60s and 70s. He finally left us in 1982.

Bring Me My Shotgun

Woah, go bring me my shotgun
Oh I’m gonna start shootin’ again
Go bring me my shotgun
You know I just got to start shootin’ again
You know I’m gonna shoot my woman
Cause she’s foolin’ around with too many men

Yes bring me my shotgun
Yes man and a pocket full of shells
Yes go bring me my shotgun
Yes man and a pocket full of shells
Yeah you know I’m gonna kill that woman
I’m gonna throw her in that old deep dug well
Hide her from everybody they won’t know where she at

That woman said Lightnin’ you can’t shoot me
She said now you is dead of tryin’
I don’t take a day off for nobody
She said Lightnin’ you can’t shoot me
She said yes and you dare to try
I said the only reason I don’t shoot you little woman
My double barrel shotgun, it just won’t fire

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Beatles new Let It Be video

Apple has released a clean version of the Let It Be film. Today they dropped a new video of the song Let It Be. I have had this movie since the 80s but you could only get a terrible quality version. This video shows how clear it will be as in The Get Back film a few years ago.

My only complaint is I wish the Let It Be version would have included George’s distorted solo.

This is the video of the title song they just released today.

Here is a comparison

Here is the trailer

The short Featurette

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