Power Pop fan, Baseball, Beatles, Alternative music, old movies, and tv show fan. Also anything to do with pop culture in the 60s and 70s... I'm also a songwriter, bass and guitar player. Not the slightest bit interested in politics at all.
One of my favorite toys growing up. To this day I like collecting any vintage lighting fixture like soft drink clocks or signs probably because of this toy. They came with designs that you could use to create different cartoons and clowns but I never used those. I liked to create my own masterpieces.
This toy allowed you to be creative in a very different way. It brought out the artistic side in you. You could design different things and it would light up your room in the dark with colors.
Lite-Brite was invented by Joseph M. Burck, a senior designer at Chicago toy and game design company Marvin Glass and Associates.
Of course…when I got older I would make crude messages on the Lite Brite for friends.
When someone says mood rings now…we think of the cheap dime store versions that are available. In 1975 they were not cheap. They were marketed as “portable biofeedback aids” and a silver one would cost $45 and a gold Mood Ring would be $250.
They supposedly could tell how the wearer was feeling…their mood. Marvin Wernick was the first to invent them but failed to patent it. Wernick got the idea when he saw a doctor use thermotropic tape on a child’s forehead. He then filled a glass shell with thermotropic liquid crystals and he attached it to a ring.
Since Wenick didn’t patent it Joshua Reynolds ended up with it and popularizing the ring. He marketed it as “portable biofeedback aids” and he made a million in a 3 month period in 1975. The company then went bankrupt because of the imitations out on the market. I had one of those imitations along with a free green finger that went with them.
They were a big fad for a while but started to die out. They never completely went away though… You can still buy them now.
Below is the color guide to see what “mood” you are in…groovy
It’s been 102 years since these organizations met in the World Series. Back then it was the Red Sox…with Babe Ruth against the Robins. In my lifetime they came close to meeting in 1978.
I’ve waited a long time for this, 40 years to witness the Dodgers play the Red Sox in the World Series. As a kid, I always loved to see Fenway Park on television with its vision of green and know that Babe Ruth once played there along with other greats. The team I love, The Dodgers, were winning their division in 1978 and I thought instead of playing the Yankees I could see the Dodgers play in Fenway. This was before Interleague entered the picture.
In 1978 The Red Sox had a commanding lead in the American League East division. They led the Yankees by 14 games in July I thought for sure the Sox had it. The teams ended up tied on the last day and it came down to a playoff game between the Sox and Yankees. The Yankees ended up winning the game and the American League pennant with the help of the famous Bucky Dent homer.
Now I’ll finally get to see it 40 years later in the World Series. Win or lose I’m looking forward to this World Series. Instead of Cey, Garvey, Lopes vs Lynn, Rice, and Yaz it will be Bellinger, Puig, Turner, and Kershaw against Betts, Bradley Jr., Martinez, and Sale.
Maybe my favorite America song along with Sister Golden Hair. It peaked at #5 in the Billboard 100 and #16 in Canada in 1975. The song was a positive response to the Beatles Eleanor Rigby’s “All the lonely people: where do they all come from…where do they all belong”(according to wiki). Both songs were produced by George Martin.
Famed Beatles producer George Martin helmed this song along with the rest of the album in London. Peek recalled to Circus: “Gerry (Beckley) had been in England, and we’d talked about using George Martin as our producer. He’s such a hot arranger, thinking about all the stuff he’s done. There were several other people we wanted to use, but that idea sort of flashed and George was available. Gerry had a house outside of London where we knew we could rehearse.”
The trio met with George Martin in Los Angeles, at the offices of America’s managers, Geffen-Roberts. Peek remembered with a laugh: “The first thing he did was take his shirt, sweater and shoes off. He said it was too hot in L.A. He put everyone at ease, and we just got along well from the first second. He has a very musical mind, and as we began working we bounced ideas off of him quite a bit, with things like vocal arrangements and guitar parts. It was an amazing experience working for a mind-producer.”
Lonely People This is for all the lonely people Thinking that life has passed them by Don’t give up until you drink from the silver cup And ride that highway in the sky
This is for all the single people Thinking that love has left them dry Don’t give up until you drink from the silver cup You never know until you try
Well, I’m on my way Yes, I’m back to stay Well, I’m on my way back home (Hit it)
This is for all the lonely people Thinking that life has passed them by Don’t give up until you drink from the silver cup And never take you down or never give you up You never know until you try
This is one of the first songs I remember hearing. I’ve always liked the song and it remains my favorite of Jim Croce. It peaked at #17 in the Billboard 100 and #11 in Canada. Jim’s songs were about everyday people. Jim and Maury Muehleisen guitars blended perfectly with each other.
Jim Croce quote about Operator
“I got the idea for writing “Operator” by standing outside of the PX waiting to use one of the outdoor phones. There wasn’t a phone booth; it was just stuck up on the side of the building and there were about 200 guys in each line waiting to make a phone call back home to see if theirÔDear John’ letter was true, and with their raincoat over their heads covering the telephone and everything, and it really seemed that so many people were going through the same experience, going through the same kind of change, and to see this happen especially on something like the telephone and talking to a long-distance operator-this kinda registered. And when I got out of theArmy I was working in a bar where there was a telephone directly behind where I was playing and I couldn’t help but be disturbed by it all the time, and I noticed that the same kind of thing was going’ on. People checkin’ up on somebody or finding out who was Ð what was goin’ on, but always talking to the operator. And I decided that I would write a song about it. But I didn’t really start getting the idea for the song itself, the real outline of it until I was doing the construction work after I got out of the music business the first time, and I started carrying a cassette machine in the truck. I started ÔOperator’ on the way back, one afternoon, just singin’ into a cassette machine. But it’s-it’s one of those songs that kinda comes out of experiences that you watch for a long time, just to see if they’re really valid. I kinda like to write songs about things that a lot of people have experience with because it really makes the songs communicate.”
Operator
Operator, well could you help me place this call? See, the number on the matchbook is old and faded She’s living in L.A. with my best old ex-friend Ray A guy she said she knew well and sometimes hated
Isn’t that the way they say it goes? Well, let’s forget all that And give me the number if you can find it So I can call just to tell ’em I’m fine and to show I’ve overcome the blow, I’ve learned to take it well I only wish my words could just convince myself That it just wasn’t real, but that’s not the way it feels
Operator, well could you help me place this call? Well, I can’t read the number that you just gave me There’s something in my eyes, you know it happens every time I think about a love that I thought would save me
Isn’t that the way they say it goes? Well, let’s forget all that And give me the number if you can find it So I can call just to tell ’em I’m fine and to show I’ve overcome the blow, I’ve learned to take it well I only wish my words could just convince myself That it just wasn’t real, but that’s not the way it feels No, no, no, no that’s not the way it feels
Operator, well let’s forget about this call There’s no one there I really wanted to talk to Thank you for your time, ah, you’ve been so much more than kind And you can keep the dime
Isn’t that the way they say it goes? Well, let’s forget all that And give me the number if you can find it So I can call just to tell ’em I’m fine and to show I’ve overcome the blow, I’ve learned to take it well I only wish my words could just convince myself That it just wasn’t real, but that’s not the way it feels
If you were 10-15 years old in 1977-78 you probably remember this game.
My friend had this game and I basically took it over every time we were on the bus and the times he would come over because he liked the auto racing game. I ended up buying it from him.
It was released in June of 1977 as the second game released by Mattel (Auto Race was the first) and sold through Sears. After less than 100,000 were made, Sears determined that the games would not be big sellers, and most of the production for Football and Auto Race was stopped. Well, Sears was wrong and had to restart the production.
By mid-February 1978 the sales figures were up to 500,000.
Who would think that red dashes could be so much fun?
After taking a sip from a fountain of youth, John Martin changed from a 45-year-old school teacher to a 12-year-old. Because he only took a sip, the change was not permanent but the change was reoccurring and Martin had no control as to when the change would occur.
John’s secret was only know to his immediate family and to explain the appearance of the 12-year-old John, they claimed he was their nephew. Throughout the series, John tried to find a cure for his predicament, but he was unsuccessful in his attempts. (http://www.70slivekidvid.com/bjlj.htm)
The show also featured Joyce Bulifant who appeared on Matchgame many times. I’ve only met a handful of people who actually remember the show.
This Saturday morning series was only on for one season 1976. It only lasted for 13 episodes. I liked the fountain of youth stories (especially now!) and I really liked the show at 9 years old. It starred Herb Edelman as Big John and Robbie Rist as Little John. Robbie Rist was the infamous cousin Oliver in the Brady Bunch. Robbie looked like a miniature John Denver to me… and grew up to be a musician…and actor.
Below the Big John, Little John intro video… is a tv commercial from the same time that shows my favorite EVER peanut butter spread…Koogle…I loved the Banana flavor.
Koogle Peanut Butter spread…I wish they would bring it back…probably was the worst thing for you but it was so good. I loved the banana flavor.
It took years for me to appreciate this song but I do now. Her voice is incredible on it. Critics and other rock stars loved this song at the time. It peaked at #6 in the Billboard 100, #21 in the UK, and #2 in Canada in 1974.
AllMusic reviewer Matthew Greenwald describes the song as “so sensual and evocative that it was probably one of the most replayed records of the era and also may be responsible for the most pregnancies from a record during the mid-’70s”
A hit song can become a burden to a singer if she is sick of the song yet still expected to perform it night after night. So how does Muldaur feel about constantly performing this song? She told us: “I still do enjoy singing it. And you know why? Because number one, it was a very hip-ly written song. A lot of the jazz artists have covered it because it’s very well constructed. Imagine my plight if my big hit had been ‘Wild Thing‘ by the Troggs, a really dumb three-chord song. But it’s a song that’s so well constructed that an artist can improvise on it night after night. So that’s reason number one, it’s a cool song.
Reason number two is I love the look of the faces of the audience when the band strikes that number up, when the band goes into the intro of that number. Because apparently, from all the stories that have been told to me when I meet my fans after the show to sign my CD, that song was the soundtrack to many a love-and-lust affair, and if I had been
writing down all the stories of what people tell me they were doing or were inspired to do because of that song, or as that song was playing, I could have written quite the little x-rated book. So when I start that song, people’s faces light up and I see very happy, maybe slightly x-rated memories flitting across their faces. And so that’s worth more than any Grammy nomination or award – to hear first hand from your fans, from hundreds and hundreds of fans, how a piece of music I didn’t even write, but that I selected and recorded and just put out there in the airwaves, just had such a happy impact on people’s lives. What a gift is that?”
Midnight at the Oasis
Midnight at the oasis Send your camel to bed Shadows painting our faces Traces of romance in our heads Heaven’s holding a half-moon Shining just for us Let’s slip off to a sand dune, real soon And kick up a little dust Come on, Cactus is our friend He’ll point out the way Come on, till the evening ends Till the evening ends You don’t have to answer There’s no need to speak I’ll be your belly dancer, prancer And you can be my sheik
I know your Daddy’s a sultan A nomad known to all With fifty girls to attend him, they all send him Jump at his beck and call But you won’t need no harem, honey When I’m by your side And you won’t need no camel, no no When I take you for a ride Come on, Cactus is our friend He’ll point out the way Come on, till the evening ends Till the evening ends Midnight at the oasis Send your camel to bed Got shadows painting our faces And traces of romance in our heads
It’s been 41 years since Lynyrd Skynyrd’s plane crashed in a swamp in Gillsburg, Mississippi. The band had just released the album “Street Survivors” and it was probably their best well-rounded album. With new guitarist Steve Gaines, they were primed for commercial success but on October 20, 1977, they lost singer-songwriter Ronnie Van Zant, guitarist Steve Gaines, backup singer Cassie Gaines, and road manager Dean Kilpatrick. The plane crash also claimed the lives of pilot Walter McCreary and co-pilot William Gray Jr.
A year earlier Steve Gaines joined the band and he was pushing them in directions they never had gone. Listening to “Street Survivors” you can hear his influence with songs I Never Dreamed and I Know A Little. Steve was a super talented guitarist, songwriter, and singer and I have to wonder where his career would have gone.
On this tour, they were headlining and moving up in status after years of touring as mostly an opening band.
Below is a good Rolling Stone article on the crash. The song below that is “I Never Dreamed,” a song heavily influenced by Gaines.
Jack White of the White Stripes is a huge fan of Loretta Lynn. The White Stripes dedicated their 2001 album, ”White Blood Cells,” to her and invited her to share a bill with them at the Hammerstein Ballroom in Manhattan.
Jack White produced her album “Van Lear Rose” and he asked Loretta to write all 13 songs for the album. The title refers to the Van Lear Coalmines from her youth. White said he would have been happy just to play tambourine on the album as long as he got to work with her.
Country radio ignored it but the album reached #2 on the country charts and #24 in the Billboard 200. The album is great and this is the song that I liked best.
The album was released to glowing reviews and near universal acclaim. It received a rating of 97 at Metacritic.com, the joint-second highest score and the highest for a female to date
Personal Story about Loretta Lynn
I barely remember it but I actually had breakfast with Loretta Lynn. I was only 8 years old. My mom knew someone who knew her… we were at her Ranch that was just open to the public. She saw us and pointed and said “come in here” and we sat at the table and ate with her. She was very nice. She kept asking if I needed anything and if I was having a good time. Honestly its a blur to me now but I do remember that part…very classy and nice lady.
Van Lear Rose
One of my fondest memories Was sittin’ on my daddy’s knee Listenin’ to the stories that he told He’d pull out that old photograph Like a treasured memory from the past And say child This here’s the Van Lear RoseOh how it would bring a smile When he talked about her big blue eyes And how her beauty ran down to her soul She’d walk across the coal miner’s yard Them miner’s would yell loud and hard and they’d dream of who would hold The Van Lear Rose[Chorus:] She was the belle of Johnson County Ohio river to Big Sandy A beauty to behold like a diamond in the coal All the miner’s they would gather ’round Talk about the man that came to town Right under their nose Stole the heart of the Van Lear Rose
Now the Van Lear Rose could’ve had her pick And all the fellers figured rich Until this poor boy caught her eye His buddies would all laugh and say Your dreamin’ boy she’ll never look your way You’ll never ever hold the Van Lear Rose
[Chorus]
Then one night in mid July Underneath that ol’ blue Kentucky sky Well, that poor boy won that beauty’s heart Then my daddy would look at my mommy and smile As he brushed the hair back from my eyes and he’d say Your mama She’s the Van Lear Rose
[Chorus]
Right under their nose Stole the heart of the Van Lear Rose
This song was all over the place in 1984. Both the English and German versions were played and I liked the German version better…I thought it just flowed better than the English version. When I heard “Captain Kirk” I knew I liked it.
The German version went to #2 in the Billboard 100. The English version went to #1 in the UK and #1 in Canada.
This was released in Germany, where Nena was from. Their record company had no intention of releasing it in America until a disc jockey at radio station KROQ in Los Angeles found a copy and started playing it. They recorded an English version (the original words are in German, and yes, “Captain Kirk” in German is still “Captain Kirk”) with the title translated as “99 Red Balloons” and released it in the US, where it was a big hit.
Nena’s guitarist, Carlo Karges, got the idea for the song after watching balloons being released at a Rolling Stones concert in West Berlin. He wrote the lyrics and Nena’s keyboard player Uwe Fahrenkrog-Petersen wrote the music.
Do you have some time to myself
then I sing a song for you
99 balloons
on their way to the horizon
you might think g’rad me
Then I sing a song for you
99 balloons
And this does not come from something like
99 balloons
on their way to the horizon was
thought to be for space-based UFOs So
a General
‘Ne squadron sent an
alert after that if that were the case.
There were
only 99 air balloons
99 jet aviators
Everyone was a great warrior considered
themselves Captain Kirk
Es gave a big fireworks
The neighbors have not gathered
And you felt the same turned on
It shot on the horizon
On 99 Balloons
99 Minister of War
Match and jerry Can
for the clever people
Witterten already fat loot
Riefen, war and power
man, who would have thought
That it comes once
Because of 99 Balloons
Because 99 Balloons
99 balloons
99 years of war left
no room for victors
war minister’s no more
And no jet planes
Today I pull my laps
See the world in ruins
Have found a balloon
think of you and let him fly
Ninety-Nine Red Balloons
You and I in a little toy shop Buy a bag of balloons with the money we’ve got Set them free at the break of dawn ‘Til one by one they were gone Back at base bugs in the software Flash the message: “something’s out there!” Floating in the summer sky Ninety-nine red balloons go by
Ninety-nine red balloons Floating in the summer sky Panic bells, it’s red alert There’s something here from somewhere else The war machine springs to life Opens up one eager eye Focusing it on the sky Where ninety-nine red balloons go by
Ninety-nine Decision Street Ninety-nine ministers meet To worry, worry, super scurry Call the troops out in a hurry This is what we’ve waited for This is it, boys, this is war The president is on the line As ninety-nine red balloons go by
Ninety-nine knights of the air Ride super high-tech jet fighters Everyone’s a Super Hero Everyone’s a Captain Kirk With orders to identify To clarify and classify Scramble in the summer sky Ninety-nine red balloons go by
As ninety-nine red balloons go by
Ninety-nine dreams I have had In every one a red balloon It’s all over and I’m standing pretty In this dust that was a city If I could find a souvenir Just to prove the world was here And here is a red balloon I think of you, and let it go
Alan Wilson is a forgotten figure who was a gifted musician. He died in 1970 under strange circumstances outdoors in a sleeping bag near his band’s lead singer’s (Bob Hite) house. He was dead at the age of 27. Jimi Hendrix would die in a couple of weeks and Janis Joplin would follow a month later…all of them were age 27.
Alan grew up in Boston, Massachusetts where he became a music major at Boston University. He was a frequent player at the Cambridge coffeehouse folk-blues circuit. Alan ended up a blues scholar. He had a massive collection of old blues records and was a walking encyclopedia of the blues. Wilson’s nickname, “Blind Owl,” was bestowed upon him by friend John Fahey during a road trip in 1965 from Boston to Los Angeles and was a reference to the extra-thick lenses Wilson wore.
Alan moved to Los Angeles and met Bob “The Bear” Hite and in 1965 started Canned Heat. The group decided to take their name from “Canned Heat Blues,” an obscure 1928 track by bluesman Tommy Johnson that described the drug high achieved through drinking the household product Sterno.
In 1967, after appearing at the Monterey Pop Festival, Canned Heat signed to Liberty Records. They made a self-titled album that year and it peaked at #76 on the Billboard Charts. In 1968 they released “Boogie with Canned Heat” which made it to number 16. They followed that album with “Living the Blues”(#18) and in 1969 released album Hallelujah(#37).
Their appearance at Woodstock raised their stock higher. They had two hit singles both sung by Alan Wilson, Going Up Country (1968 ) and On The Road Again (1969). Alan wasn’t the lead singer of Canned Heat but he sang the two best-known singles by them. They were both written by him and based off old blues songs. His unusual voice came from him trying to mimic the voice of old blues singers.
He was very intelligent, awkward, suffered from depression and was not a prototypical rock star. Alan was a serious environmentalist trying to save the Redwood trees. He would sleep outside often to be alone with nature. Alan Wilson was a superb slide guitar and harmonica player. John Lee Hooker said that Wilson was “the greatest harmonica player who ever lived.”
He was a big fan of Eddie James House, Jr. who was was better known as “Son House,” the great blues artist who had retired. He not only retired but was an alcoholic and had not played guitar in years and could not remember his old songs and slide parts from the 20s and 30s.Son House is said to have tutored Robert Johnson. John Hammond asked Alan Wilson to teach the 63-year-old Son House how to play like Son House again. Wilson knew his old records and licks and taught them to Son House who relearned them. House was later signed to a contract.
It gave Son House a career again and he kept playing till he retired again in 1974 after being rediscovered by a new generation. You can hear them both together on the Son House album John the Revelator: The 1970 London Sessions.
Alan died on September 3, 1970. No one knows if it was a suicide or an accidental overdose of Seconal.
Canned Heat continues to this day but they were never as successful after Alan passed away.
For a complete look at Alan Wilson go here to http://www.blindowl.net/index.html
it’s a great site. Below is an essay he wrote in 1970 about the Redwoods.
“Grim Harvest”
“The redwoods of California are the tallest living things on earth, nearly the oldest, and among the most beautiful to boot. They dominated the woods of the northern hemi-sphere in the time of the dinosaurs, a time when no mammal, flower, or blade of grass had yet appeared on earth. The Ice Age nearly exterminated them – of the once vast redwood forest only a remnant was spared by the immense glaciers which covered most of Europe, Asia, and North America in the not-too-distant evolutionary past.
Walking through this forest is an experience unique on earth. Here the sun’s rays are intercepted three hundred feet and more above the ground and are broken into tiny shimmering beams which descend among the towering pillars to play, at length, on the forest floor. Fern and wildflower bathe in the soft glow of a thousand muted spotlights which flicker on and off as the trees’ upper boughs sway majestically in a gentle wind.
2.000.000 acres of virgin redwood forest greeted the white man’s civilization as he completed his sweep of North America. In the last 100 years 1,800,000 acres of these have been logged, and of the remaining 200,000 only 75,000 are presently safe from devastation in state and national parks. At a time when these parks campsites must be reserved months in advance, the remaining 125,000 acres are being “harvested” (as the lumber-men put it), for uses which other trees could fulfill.
At the current rate of “harvest,” these remaining acres will be cleared within the next ten years.”
This great artist has crossed genres and is loved by many for her singing, songwriting, acting, honesty, and just being Dolly. The song peaked at #60 on Billboard’s 100, #1 on the Hot Country Song Chart and #84 in Canada in 1974.
I’ve talked to people who have met her and know her. I hear the same stories on how nice and generous she is with her time. In the Country Charts Dolly has had 25 NO. 1 HITS54 TOP 10 HITS107 SONGS IN THE CHARTS
Dolly Parton has disclosed in several interviews that the song was also inspired by a red-headed bank clerk who flirted with her husband Carl Dean around the time they were newly married. Recalling the origins of her hit tune during her performance at Glastonbury 2014, she said:
“Now, some of you may or may not know that that song was loosely based on a little bit of truth. I wrote that years ago when my husband was spending a little more time with Jolene than I thought he should be.
I put a stop to that. I got rid of that redhead woman in a hurry.
I want you folks to know, though, that something good can come from anything. Had it not been for that woman I would never have written ‘Jolene’ and I wouldn’t have made all that money, so thank you, Jolene.”
Some of the many artists who have covered this: The White Stripes, Reba McEntire, Olivia Newton-John and 10,000 Maniacs
Jolene Jolene, Jolene, Jolene, Jolene, I’m begging of you: please don’t take my man Jolene, Jolene, Jolene, Jolene, Please don’t take him just because you can
Your beauty is beyond compare With flaming locks of auburn hair With ivory skin and eyes of emerald green
Your smile is like a breath of spring Your voice is soft like summer rain And I cannot compete with you, Jolene
He talks about you in his sleep There’s nothing I can do to keep From crying when he calls your name, Jolene
And I can easily understand How you could easily take my man But you don’t know what he means to me, Jolene
Jolene, Jolene, Jolene, Jolene, I’m begging of you: please don’t take my man Jolene, Jolene, Jolene, Jolene, Please don’t take him just because you can
You could have your choice of men But I could never love again He’s the only one for me, Jolene
I had to have this talk with you My happiness depends on you And whatever you decide to do, Jolene
Jolene, Jolene, Jolene, Jolene, I’m begging of you: please don’t take my man Jolene, Jolene, Jolene, Jolene, Please don’t take him even though you can
People seem to have really liked Tom Snyder or really disliked him. I’ve watched many of Tom’s interviews and he is quirky and quick to laugh (and laugh) at his own jokes but many of his interviews are remembered. The show lasted from 1973 to 1982. It was canceled to make room for David Letterman.
This was no Tonight Show. You didn’t see skits or monologues, you only saw Tom interviewing his guests and joking with his off-camera assistants. He wasn’t hip nor was he completely square. Someone called him at the time a hip square. It was just him and his guest on a dark set.
I liked Tom because he seemed real and genuine. He could laugh at himself and conducted some really good interviews. After this show ended he did a radio show out of Los Angeles, a few tv guest appearances and he guest hosted the David Letterman Show a few times.
David Letter quote
“Tom was the very thing that all broadcasters long to be — compelling,” “Whether he was interviewing politicians, authors, actors or musicians, Tom was always the real reason to watch. I’m honored to have known him as a colleague and a friend.”
One of the many SNL skits I liked was Dan Aykroyd imitating Tom Snyder…this is Aykroyd as Tom interviewing Mick Jagger.
The John Lennon interview in 1975. This would be the last TV interview he gave. John is battling his immigration status and has his lawyer Leon Wildes with him to explain what is going on. John comes off open and honest in this interview.
The Saturday Night Live cast before the first show. This is a partial look at the interview.
This is one a good one. Tom has KISS as guests and I just love how a drunk Ace Frehley (The Trout Player) takes over the interview and infuriates Gene Simmons. You can see Gene’s eyes shooting daggers at Ace and Peter.
When the Beatles arrived in 1964, the short hair and car hops of the fifties were going away. The sixties in some ways liberated people from the fifties for better or worse. The crew-cuts and simple times were giving way to Vietnam and the social unrest of the sixties.
Slowly as the sixties started to come to a close the fifties started to peak in again.
In the late sixties, Sha Na Na started their act and even toured with well-known acts. Fats Domino, Little Richard, Jerry Lee Lewis’s popularity grew and Elvis started to make music again instead of soundtracks with his 1968 comeback special. In 1971 a disc jockey name Jerry Osborne started an “oldies” format on FM radio in Phoenix, Arizona and it was successful and other emulated it around the country.
In 1972 “Grease” a musical that took place in 1959 debuted on Broadway. In 1973 George Lucas came out with American Graffiti and boom really started. The soundtrack to American Graffiti peaked at #10 in the Billboard 100 in 1973. Happy Days debuted the following year and fifties music was gaining in popularity.
A spin-off from Happy Days Laverne and Shirley, also set in the fifties, was a huge success and still is syndication to this day. In 1974 the 50s era movie The Lords of Flatbush with the pre-Rocky Sylvester Stallone and Henry Winkler of Happy Days.
In 1977 Sha Na Na started a variety show…Unfortunately I remember this…
In 1978, two big fifties era movies were released. Grease and American Hot Wax which featured performances by Chuck Berry, Jerry Lee Lewis, and Screamin’ Jay Hawkins. Styles seem to recycle every 20 years or so but in the 1970s the fifties revival was really strong. Maybe it was a want for a more simpler time.